Sketches Of Spain [SACD]

Amazon.com essential recording
Miles Davis's impact on jazz is almost incalculable. From his early days as a sideman for Charlie Parker, through his groundbreaking Birth of the Cool sessions, to his stunning small groups of the '50s and '60s, through to his electric renaissance, the trumpeter, bandleader, and composer has left a deep mark on all who came after. He is one of jazz's true giants. Sketches of Spain, though one of Davis's most commercially successful sessions, is also one of his most controversial. Re-teaming with arranger and composer Gil Evans, who played such a pivotal role in Davis's 1949 Birth of the Cool recordings, Davis recorded a series of large group albums beginning in the late '50s, including Porgy and Bess, Miles Ahead, and Quiet Nights. Sketches of Spain, with its emphasis on flamenco, rich orchestrations, and relaxed tempos, is certainly one of Davis's most mellow recordings (he even works out on fluegelhorn), and proved to have broad appeal. To some critics, however, the project was "elevated elevator music." An expanded version of the album, featuring alternative tracks and unreleased material, was issued in 1997 by Columbia Legacy. --Fred Goodman

Sketches Of Spain,Miles Davis,Gil Evans,Sony,Cool,Jazz,Orchestral Jazz,Pop,United States of America

Average customer rating: Classijazz? Jazzical? Spanish love song... From Madrid w/ Love Music to listen to at day's end Gil Evans provides another dimension for the legendary horn player

Sketches of Spain Miles Davis , and Gil Evans Manufacturer: Sony ProductGroup: Music Binding: Audio CD Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music Similar Items: Kind of Blue Birth of the Cool 'Round About Midnight A Love Supreme Porgy and Bess ASIN: B000002AH7 Release Date: 1997-09-23

Tracks:

1. Concierto De Aranjuez (Adagio)
2. Will O' The Wisp
3. The Pan Piper
4. Saeta
5. Solea
6. Song Of Our Country
7. Concierto De Aranjuez (Part One)
8. Concierto De Aranjuez (Part Two Ending)

Amazon.com essential recording

Miles Davis's impact on jazz is almost incalculable. From his early days as a sideman for Charlie Parker, through his groundbreaking Birth of the Cool sessions, to his stunning small groups of the '50s and '60s, through to his electric renaissance, the trumpeter, bandleader, and composer has left a deep mark on all who came after. He is one of jazz's true giants. Sketches of Spain, though one of Davis's most commercially successful sessions, is also one of his most controversial. Re-teaming with arranger and composer Gil Evans, who played such a pivotal role in Davis's 1949 Birth of the Cool recordings, Davis recorded a series of large group albums beginning in the late '50s, including Porgy and Bess, Miles Ahead, and Quiet Nights. Sketches of Spain, with its emphasis on flamenco, rich orchestrations, and relaxed tempos, is certainly one of Davis's most mellow recordings (he even works out on fluegelhorn), and proved to have broad appeal. To some critics, however, the project was "elevated elevator music." An expanded version of the album, featuring alternative tracks and unreleased material, was issued in 1997 by Columbia Legacy. --Fred Goodman

Customer Reviews:

Classijazz? Jazzical? .......2007-07-02

Hey! This ain't jazz! This is Spanish-tinged classical! With a fanfare that seems fitting to introduce matadors (not a criticism, not a compliment) on "Saeta"! Yeah, that's right. Miles' eclecticism kicks in again, I suppose. It's a bit overrated, and it's controversial even by Miles' standards. I like it though. Other than "Concerto de Aranjeuz". That song, or work, or whatever fails to move me. Now, "Will o' the Wisp", aye, that be a different cup of tea. It really is moving, emotional, haunting, and so forth; so is "The Pan Piper", with an eerie flute melody. "Saeta" starts off like those two, but ends up doing the pompous fanfare thingy, but hey, at least it does it well. And the closing "Solea" is pretty good too! It sounds almost like the Hollywood version of traditional Spanish music, the kind you'd expect to hear when the charming Spanish swordfighter is having a duel in a ballroom, but again, it gets quite intense during its climax around nine minutes in. I like intense. This is easily the best Miles/Evans album. Just to warn you, though, it's quite rigid; as usual, Miles is put on a pedestal above the other guys. I mostly prefer him in a small-group setting. I do, however, recommend Sketches of Spain in spite of that.

Spanish love song..........2007-06-20

Miles Davis working with arranger and composer Gil Evans put together an album that ranked 356 on Rolling Stones Top 500 albums of all time. It is probaly one of his most accessible albums and the tight compositions take you to the Spanish bullfight and quiet burning passion of a long, hot Spanish summer day. Not the the hardblowing, improvisational jazz that everyone associates with Miles but the arrangements and tight composition makes for a very relaxing, enjoyable listen.

From Madrid w/ Love.......2007-05-13

I'm listening to Miles here in Madrid. We've just done the tapas crawl after seeing a bullfight. No kidding. Now, the ipod is playing Sketces....and I've got to tell you that Miles and Gil Evans got it right. In fact, everything they collaborated on was so fantastic. And Miles is Miles. Here, a little more sophisticated than in his "Kind of Blue" phase but, still Miles. The one and only.

Music to listen to at day's end.......2007-02-01

This is a nice disc to listen to after a long day doing just about anything. It is just that soul-reaching and calming. I feel like this CD is a slice of jazz wrapped in a blanket of Mediterranean sunshine. No vocals are needed thanks to the melodic tunes of Miles' horn.

Gil Evans provides another dimension for the legendary horn player.......2006-12-23

While it doesn't have much to do with the music in this review, in 1995 I obtained Tears For Fears' "Raoul and the Kings of Spain" . This was one of the best albums of the 1990s, namely because of the Spanish musical influence that was infused into a mainstream music sound. One of the songs on "Raoul and the Kings of Spain" was an album called "Sketches of Pain". "Sketches of Pain" was an outstanding song because of the use of classical Spanish guitar and percussion. Part of the reason for the title of that Tears For Fears song was a play on the famous Miles Davis album, "Sketches of Spain", which was Davis' album that had music with a Spanish influence. While Miles Davis is basically a household name, I cannot say that I was familiar with a lot of his music. When I realized there was a connection in how Tears For Fears' "Sketches of Pain" related to Davis' Spanish Themed album, I became more curious about checking out this recording. Without doing much research, I assumed this album would be a jazz album with a classical Spanish influence. Instead, I was pleasantly surprised to discover a more classical music sound that would have the Spanish theme infused.

"Sketches of Spain" is a collaboration between Miles Davis and Gil Evans. Davis and Evans had begun a partnership in 1957 that saw Davis contribute his trademark horns (Trumpet and Flugelhorn) while Evans focused on the arrangements and conducting of the music. Prior to "Sketches of Spain" there were two efforts. The first was 1957's "Miles Ahead" that saw Davis and Evans engage in a big band/jazz feel. The second was 1958's "Porgy and Bess" which was an arrangement of songs from George Gershwin's opera, "Porgy and Bess". "Porgy and Bess" also saw the combination of Davis ane Evans move toward something that had more of a classical feel to it. I'm sure this provided a lot of the impetus for the duo to do something more in the classical space.

"Sketches of Pain" has its roots around Spanish Classical music. The original 1960 release consisted of five tracks - two are covers of existing Spanish Classical works and the other three were original compositions by Evans. The Spanish works that are covered are Joaquin Rodrigo's 16+ minute masterpiece "Concierto de Aranjuez" and Manuel de Falla's "Will o' the Wisp". Those familiar with Spanish classical music will know the names of Rodrigo and de Falla. This collection was re-released in 2000 and consists of three additional tracks including another original composition by Evans as well as a full alternative take and alternative ending of "Concierto de Aranjuez".

The cover songs, "Concierto de Aranjuez" and "Will o' the Wisp" are going to have less of a reliance on Davis' horns. While Davis' horns can be clearly held throughout the near 20 minutes of music that make up these songs, there is going to be a heavy reliance by the other musicians that contribute to these tracks. When you get into the four original tracks that were composed by Gil Evans, you will hear a big difference. The music is going to focus heavier on the trumpet and flugelhorn of Miles Davis. As you listen to the original tracks, it is amazing how Evans was able to integrate the sound to give the entire "Sketches of Spain" album a very homogenous feel - i.e. the sound of Spanish classical music. In particular the track, "Solea" proves to be as strong as the work by the legendary Rodrigo and de Falla. Listen for the Spanish military-flair in the song that is the result of some terrific percussion work.

Another thing that really stood out was that even though this collection has very much as Spanish Classical music feel. However there are many segments that could have easily been used as soundtrack info for a feel such as a James Bond movie. While it wouldn't be the hard-rocking sound of Paul McCartney's "Live and Let Die", I could see parts of these tracks in James Bond films. A prime example of this comes from the classical "Concierto de Aranjuez" piece itself. You can also hear the "soundtrack" sound from some of Evans' original work such as "Song of Our Country".

One thing that's worth noting is that while this is a Miles Davis album, much of the credit does need to go to Gil Evans. Davis does a superb job at playing the horns, but as mentioned above, it is Evans who finds a way to give this album the homogenous sound. It is also Evans that finds another avenue for Davis to deliver his sound. "Porgy and Bess" opened the doors for something besides his trademark jazz sound. "Sketches of Spain" helped take Davis to another dimension. The music shows outstanding musicianship. My only minor beef with this collection is that it really isn't going to make you "get up and dance". It almost has a calm and somewhat somber quality to it.

This collection includes an outstanding collection of liner notes that will provide additional insight into the band. This includes the original liner notes that appeared on the back of the album cover that were written by Nat Hernoff who was a co-editor of "The Jazz Review". Phil Schaap provides an additional write-up (on the re-release) that discusses "The Making of Sketches of Spain". The liner notes also include production and musician credits. Overall, this is not going to be the place to hear classic Miles Davis jazz, however it is going to be a place to hear some outstanding Spanish-infused classical music. This is going to provide some high quality music and if you have an appreciation for music, this is going to be something worth investing in.

Average customer rating:

Sketches of Spain y Mas: The Latin Side of Miles Davis Conrad Herwig Manufacturer: Half Note Records ProductGroup: Music Binding: Audio CD Latin Pop | Latin Music | Styles | Music Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music General | Live Albums | Jazz | Styles | Music Similar Items: Another Kind of Blue: The Latin Side of Miles Davis Que Viva Coltrane Nightmoves Pilgrimage Russell Gunn Plays Miles ASIN: B000JBXOJY Release Date: 2006-11-07

Tracks:

1. Solar
2. Seven Steps to Heaven
3. Sketches of Spain
4. Petits Machins

Average customer rating: Obvious choice for the beginner

The Collection: Sketches of Spain/Kind of Blue/In a Silent Way Miles Davis Manufacturer: Sony ProductGroup: Music Binding: Audio CD Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: A Love Supreme Time Out Half the Perfect World Thelonious Monk Quartet with John Coltrane at Carnegie Hall Schoolhouse Rock! (Special 30th Anniversary Edition) ASIN: B000BM6AT2 Release Date: 2005-11-15

Tracks:

1. Concierto de Aranjuez (Adagio)
2. Will O' the Wisp
3. Pan Piper
4. Saeta
5. Solea
6. Song of Our Country [Issued Take][*]
7. Concierto de Aranjuez, Pt. 1 [Alternate Take][*]
8. Concierto de Aranjuez, Pt. 2 (Ending) [Alternate Take][*]

Tracks:

1. So What
2. Freddie Freeloader
3. Blue in Green
4. All Blues
5. Flamenco Sketches
6. Flamenco Sketches [Alternate Take][*]

Tracks:

1. Shhh/Peaceful
2. In a Silent Way/It's About That Time: In a Silent Way/It's About ...

Customer Reviews:

Obvious choice for the beginner.......2007-03-13

Once you're into Miles Davis, you want it all. His story is a long and complex one, and each recording is an important piece of the puzzle.
On the other hand, let's say you don't want to devote your life to an in-depth study of Miles Davis' life and music. Then you need to have his three best-known, and by most accounts his three best recordings on your shelf. No one would be disappointed with this set of diverse, yet stunningly beautiful albums.

Average customer rating: Classijazz? Jazzical? Spanish love song... From Madrid w/ Love Music to listen to at day's end Gil Evans provides another dimension for the legendary horn player

Sketches of Spain Miles Davis Manufacturer: Sony ProductGroup: Music Binding: Audio CD Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music Similar Items: Kind of Blue Birth of the Cool 'Round About Midnight A Love Supreme Porgy and Bess ASIN: B00000DS3Z Release Date: 1990-10-25

Tracks:

1. Concierto de Aranjuez (Adagio)
2. Will O' the Wisp
3. Pan Piper
4. Saeta
5. Solea
6. Song of Our Country
7. Concierto de Aranjuez, Pt. 1
8. Concierto de Aranjuez, Pt. 2, Ending

Amazon.com essential recording

Miles Davis's impact on jazz is almost incalculable. From his early days as a sideman for Charlie Parker, through his groundbreaking Birth of the Cool sessions, to his stunning small groups of the '50s and '60s, through to his electric renaissance, the trumpeter, bandleader, and composer has left a deep mark on all who came after. He is one of jazz's true giants. Sketches of Spain, though one of Davis's most commercially successful sessions, is also one of his most controversial. Re-teaming with arranger and composer Gil Evans, who played such a pivotal role in Davis's 1949 Birth of the Cool recordings, Davis recorded a series of large group albums beginning in the late '50s, including Porgy and Bess, Miles Ahead, and Quiet Nights. Sketches of Spain, with its emphasis on flamenco, rich orchestrations, and relaxed tempos, is certainly one of Davis's most mellow recordings (he even works out on fluegelhorn), and proved to have broad appeal. To some critics, however, the project was "elevated elevator music." An expanded version of the album, featuring alternative tracks and unreleased material, was issued in 1997 by Columbia Legacy. --Fred Goodman

Customer Reviews:

Classijazz? Jazzical? .......2007-07-02

Hey! This ain't jazz! This is Spanish-tinged classical! With a fanfare that seems fitting to introduce matadors (not a criticism, not a compliment) on "Saeta"! Yeah, that's right. Miles' eclecticism kicks in again, I suppose. It's a bit overrated, and it's controversial even by Miles' standards. I like it though. Other than "Concerto de Aranjeuz". That song, or work, or whatever fails to move me. Now, "Will o' the Wisp", aye, that be a different cup of tea. It really is moving, emotional, haunting, and so forth; so is "The Pan Piper", with an eerie flute melody. "Saeta" starts off like those two, but ends up doing the pompous fanfare thingy, but hey, at least it does it well. And the closing "Solea" is pretty good too! It sounds almost like the Hollywood version of traditional Spanish music, the kind you'd expect to hear when the charming Spanish swordfighter is having a duel in a ballroom, but again, it gets quite intense during its climax around nine minutes in. I like intense. This is easily the best Miles/Evans album. Just to warn you, though, it's quite rigid; as usual, Miles is put on a pedestal above the other guys. I mostly prefer him in a small-group setting. I do, however, recommend Sketches of Spain in spite of that.

Spanish love song..........2007-06-20

Miles Davis working with arranger and composer Gil Evans put together an album that ranked 356 on Rolling Stones Top 500 albums of all time. It is probaly one of his most accessible albums and the tight compositions take you to the Spanish bullfight and quiet burning passion of a long, hot Spanish summer day. Not the the hardblowing, improvisational jazz that everyone associates with Miles but the arrangements and tight composition makes for a very relaxing, enjoyable listen.

From Madrid w/ Love.......2007-05-13

I'm listening to Miles here in Madrid. We've just done the tapas crawl after seeing a bullfight. No kidding. Now, the ipod is playing Sketces....and I've got to tell you that Miles and Gil Evans got it right. In fact, everything they collaborated on was so fantastic. And Miles is Miles. Here, a little more sophisticated than in his "Kind of Blue" phase but, still Miles. The one and only.

Music to listen to at day's end.......2007-02-01

This is a nice disc to listen to after a long day doing just about anything. It is just that soul-reaching and calming. I feel like this CD is a slice of jazz wrapped in a blanket of Mediterranean sunshine. No vocals are needed thanks to the melodic tunes of Miles' horn.

Gil Evans provides another dimension for the legendary horn player.......2006-12-23

While it doesn't have much to do with the music in this review, in 1995 I obtained Tears For Fears' "Raoul and the Kings of Spain" . This was one of the best albums of the 1990s, namely because of the Spanish musical influence that was infused into a mainstream music sound. One of the songs on "Raoul and the Kings of Spain" was an album called "Sketches of Pain". "Sketches of Pain" was an outstanding song because of the use of classical Spanish guitar and percussion. Part of the reason for the title of that Tears For Fears song was a play on the famous Miles Davis album, "Sketches of Spain", which was Davis' album that had music with a Spanish influence. While Miles Davis is basically a household name, I cannot say that I was familiar with a lot of his music. When I realized there was a connection in how Tears For Fears' "Sketches of Pain" related to Davis' Spanish Themed album, I became more curious about checking out this recording. Without doing much research, I assumed this album would be a jazz album with a classical Spanish influence. Instead, I was pleasantly surprised to discover a more classical music sound that would have the Spanish theme infused.

"Sketches of Spain" is a collaboration between Miles Davis and Gil Evans. Davis and Evans had begun a partnership in 1957 that saw Davis contribute his trademark horns (Trumpet and Flugelhorn) while Evans focused on the arrangements and conducting of the music. Prior to "Sketches of Spain" there were two efforts. The first was 1957's "Miles Ahead" that saw Davis and Evans engage in a big band/jazz feel. The second was 1958's "Porgy and Bess" which was an arrangement of songs from George Gershwin's opera, "Porgy and Bess". "Porgy and Bess" also saw the combination of Davis ane Evans move toward something that had more of a classical feel to it. I'm sure this provided a lot of the impetus for the duo to do something more in the classical space.

"Sketches of Pain" has its roots around Spanish Classical music. The original 1960 release consisted of five tracks - two are covers of existing Spanish Classical works and the other three were original compositions by Evans. The Spanish works that are covered are Joaquin Rodrigo's 16+ minute masterpiece "Concierto de Aranjuez" and Manuel de Falla's "Will o' the Wisp". Those familiar with Spanish classical music will know the names of Rodrigo and de Falla. This collection was re-released in 2000 and consists of three additional tracks including another original composition by Evans as well as a full alternative take and alternative ending of "Concierto de Aranjuez".

The cover songs, "Concierto de Aranjuez" and "Will o' the Wisp" are going to have less of a reliance on Davis' horns. While Davis' horns can be clearly held throughout the near 20 minutes of music that make up these songs, there is going to be a heavy reliance by the other musicians that contribute to these tracks. When you get into the four original tracks that were composed by Gil Evans, you will hear a big difference. The music is going to focus heavier on the trumpet and flugelhorn of Miles Davis. As you listen to the original tracks, it is amazing how Evans was able to integrate the sound to give the entire "Sketches of Spain" album a very homogenous feel - i.e. the sound of Spanish classical music. In particular the track, "Solea" proves to be as strong as the work by the legendary Rodrigo and de Falla. Listen for the Spanish military-flair in the song that is the result of some terrific percussion work.

Another thing that really stood out was that even though this collection has very much as Spanish Classical music feel. However there are many segments that could have easily been used as soundtrack info for a feel such as a James Bond movie. While it wouldn't be the hard-rocking sound of Paul McCartney's "Live and Let Die", I could see parts of these tracks in James Bond films. A prime example of this comes from the classical "Concierto de Aranjuez" piece itself. You can also hear the "soundtrack" sound from some of Evans' original work such as "Song of Our Country".

One thing that's worth noting is that while this is a Miles Davis album, much of the credit does need to go to Gil Evans. Davis does a superb job at playing the horns, but as mentioned above, it is Evans who finds a way to give this album the homogenous sound. It is also Evans that finds another avenue for Davis to deliver his sound. "Porgy and Bess" opened the doors for something besides his trademark jazz sound. "Sketches of Spain" helped take Davis to another dimension. The music shows outstanding musicianship. My only minor beef with this collection is that it really isn't going to make you "get up and dance". It almost has a calm and somewhat somber quality to it.

This collection includes an outstanding collection of liner notes that will provide additional insight into the band. This includes the original liner notes that appeared on the back of the album cover that were written by Nat Hernoff who was a co-editor of "The Jazz Review". Phil Schaap provides an additional write-up (on the re-release) that discusses "The Making of Sketches of Spain". The liner notes also include production and musician credits. Overall, this is not going to be the place to hear classic Miles Davis jazz, however it is going to be a place to hear some outstanding Spanish-infused classical music. This is going to provide some high quality music and if you have an appreciation for music, this is going to be something worth investing in.

Average customer rating: Classijazz? Jazzical? Spanish love song... From Madrid w/ Love Music to listen to at day's end Gil Evans provides another dimension for the legendary horn player

Sketches Of Spain Miles Davis , and Gil Evans Manufacturer: Sony ProductGroup: Music Binding: Audio CD Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music Similar Items: Kind of Blue Birth of the Cool 'Round About Midnight A Love Supreme Porgy and Bess ASIN: B00003XAQ6 Release Date: 1999-09-07

Tracks:

1. Concierto de Aranjuez
2. Will O' the Wisp
3. Pan Piper
4. Saeta
5. Solea
6. Song of Our Country [Issued Take][*]
7. Concierto de Aranjuez, Pt. 1 [Alternate Take][*]
8. Concierto de Aranjuez, Pt. 2 (Ending) [Alternate Take][*]

Amazon.com essential recording

Miles Davis's impact on jazz is almost incalculable. From his early days as a sideman for Charlie Parker, through his groundbreaking Birth of the Cool sessions, to his stunning small groups of the '50s and '60s, through to his electric renaissance, the trumpeter, bandleader, and composer has left a deep mark on all who came after. He is one of jazz's true giants. Sketches of Spain, though one of Davis's most commercially successful sessions, is also one of his most controversial. Re-teaming with arranger and composer Gil Evans, who played such a pivotal role in Davis's 1949 Birth of the Cool recordings, Davis recorded a series of large group albums beginning in the late '50s, including Porgy and Bess, Miles Ahead, and Quiet Nights. Sketches of Spain, with its emphasis on flamenco, rich orchestrations, and relaxed tempos, is certainly one of Davis's most mellow recordings (he even works out on fluegelhorn), and proved to have broad appeal. To some critics, however, the project was "elevated elevator music." An expanded version of the album, featuring alternative tracks and unreleased material, was issued in 1997 by Columbia Legacy. --Fred Goodman

Customer Reviews:

Classijazz? Jazzical? .......2007-07-02

Hey! This ain't jazz! This is Spanish-tinged classical! With a fanfare that seems fitting to introduce matadors (not a criticism, not a compliment) on "Saeta"! Yeah, that's right. Miles' eclecticism kicks in again, I suppose. It's a bit overrated, and it's controversial even by Miles' standards. I like it though. Other than "Concerto de Aranjeuz". That song, or work, or whatever fails to move me. Now, "Will o' the Wisp", aye, that be a different cup of tea. It really is moving, emotional, haunting, and so forth; so is "The Pan Piper", with an eerie flute melody. "Saeta" starts off like those two, but ends up doing the pompous fanfare thingy, but hey, at least it does it well. And the closing "Solea" is pretty good too! It sounds almost like the Hollywood version of traditional Spanish music, the kind you'd expect to hear when the charming Spanish swordfighter is having a duel in a ballroom, but again, it gets quite intense during its climax around nine minutes in. I like intense. This is easily the best Miles/Evans album. Just to warn you, though, it's quite rigid; as usual, Miles is put on a pedestal above the other guys. I mostly prefer him in a small-group setting. I do, however, recommend Sketches of Spain in spite of that.

Spanish love song..........2007-06-20

Miles Davis working with arranger and composer Gil Evans put together an album that ranked 356 on Rolling Stones Top 500 albums of all time. It is probaly one of his most accessible albums and the tight compositions take you to the Spanish bullfight and quiet burning passion of a long, hot Spanish summer day. Not the the hardblowing, improvisational jazz that everyone associates with Miles but the arrangements and tight composition makes for a very relaxing, enjoyable listen.

From Madrid w/ Love.......2007-05-13

I'm listening to Miles here in Madrid. We've just done the tapas crawl after seeing a bullfight. No kidding. Now, the ipod is playing Sketces....and I've got to tell you that Miles and Gil Evans got it right. In fact, everything they collaborated on was so fantastic. And Miles is Miles. Here, a little more sophisticated than in his "Kind of Blue" phase but, still Miles. The one and only.

Music to listen to at day's end.......2007-02-01

This is a nice disc to listen to after a long day doing just about anything. It is just that soul-reaching and calming. I feel like this CD is a slice of jazz wrapped in a blanket of Mediterranean sunshine. No vocals are needed thanks to the melodic tunes of Miles' horn.

Gil Evans provides another dimension for the legendary horn player.......2006-12-23

While it doesn't have much to do with the music in this review, in 1995 I obtained Tears For Fears' "Raoul and the Kings of Spain" . This was one of the best albums of the 1990s, namely because of the Spanish musical influence that was infused into a mainstream music sound. One of the songs on "Raoul and the Kings of Spain" was an album called "Sketches of Pain". "Sketches of Pain" was an outstanding song because of the use of classical Spanish guitar and percussion. Part of the reason for the title of that Tears For Fears song was a play on the famous Miles Davis album, "Sketches of Spain", which was Davis' album that had music with a Spanish influence. While Miles Davis is basically a household name, I cannot say that I was familiar with a lot of his music. When I realized there was a connection in how Tears For Fears' "Sketches of Pain" related to Davis' Spanish Themed album, I became more curious about checking out this recording. Without doing much research, I assumed this album would be a jazz album with a classical Spanish influence. Instead, I was pleasantly surprised to discover a more classical music sound that would have the Spanish theme infused.

"Sketches of Spain" is a collaboration between Miles Davis and Gil Evans. Davis and Evans had begun a partnership in 1957 that saw Davis contribute his trademark horns (Trumpet and Flugelhorn) while Evans focused on the arrangements and conducting of the music. Prior to "Sketches of Spain" there were two efforts. The first was 1957's "Miles Ahead" that saw Davis and Evans engage in a big band/jazz feel. The second was 1958's "Porgy and Bess" which was an arrangement of songs from George Gershwin's opera, "Porgy and Bess". "Porgy and Bess" also saw the combination of Davis ane Evans move toward something that had more of a classical feel to it. I'm sure this provided a lot of the impetus for the duo to do something more in the classical space.

"Sketches of Pain" has its roots around Spanish Classical music. The original 1960 release consisted of five tracks - two are covers of existing Spanish Classical works and the other three were original compositions by Evans. The Spanish works that are covered are Joaquin Rodrigo's 16+ minute masterpiece "Concierto de Aranjuez" and Manuel de Falla's "Will o' the Wisp". Those familiar with Spanish classical music will know the names of Rodrigo and de Falla. This collection was re-released in 2000 and consists of three additional tracks including another original composition by Evans as well as a full alternative take and alternative ending of "Concierto de Aranjuez".

The cover songs, "Concierto de Aranjuez" and "Will o' the Wisp" are going to have less of a reliance on Davis' horns. While Davis' horns can be clearly held throughout the near 20 minutes of music that make up these songs, there is going to be a heavy reliance by the other musicians that contribute to these tracks. When you get into the four original tracks that were composed by Gil Evans, you will hear a big difference. The music is going to focus heavier on the trumpet and flugelhorn of Miles Davis. As you listen to the original tracks, it is amazing how Evans was able to integrate the sound to give the entire "Sketches of Spain" album a very homogenous feel - i.e. the sound of Spanish classical music. In particular the track, "Solea" proves to be as strong as the work by the legendary Rodrigo and de Falla. Listen for the Spanish military-flair in the song that is the result of some terrific percussion work.

Another thing that really stood out was that even though this collection has very much as Spanish Classical music feel. However there are many segments that could have easily been used as soundtrack info for a feel such as a James Bond movie. While it wouldn't be the hard-rocking sound of Paul McCartney's "Live and Let Die", I could see parts of these tracks in James Bond films. A prime example of this comes from the classical "Concierto de Aranjuez" piece itself. You can also hear the "soundtrack" sound from some of Evans' original work such as "Song of Our Country".

One thing that's worth noting is that while this is a Miles Davis album, much of the credit does need to go to Gil Evans. Davis does a superb job at playing the horns, but as mentioned above, it is Evans who finds a way to give this album the homogenous sound. It is also Evans that finds another avenue for Davis to deliver his sound. "Porgy and Bess" opened the doors for something besides his trademark jazz sound. "Sketches of Spain" helped take Davis to another dimension. The music shows outstanding musicianship. My only minor beef with this collection is that it really isn't going to make you "get up and dance". It almost has a calm and somewhat somber quality to it.

This collection includes an outstanding collection of liner notes that will provide additional insight into the band. This includes the original liner notes that appeared on the back of the album cover that were written by Nat Hernoff who was a co-editor of "The Jazz Review". Phil Schaap provides an additional write-up (on the re-release) that discusses "The Making of Sketches of Spain". The liner notes also include production and musician credits. Overall, this is not going to be the place to hear classic Miles Davis jazz, however it is going to be a place to hear some outstanding Spanish-infused classical music. This is going to provide some high quality music and if you have an appreciation for music, this is going to be something worth investing in.

Average customer rating:

The Collection: Sketches of Spain/Kind of Blue/In a Silent Way Miles Davis Manufacturer: Sony ProductGroup: Music Binding: Audio CD Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music Pop | Styles | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Time Out A Love Supreme ASIN: B0002IQEX2 Release Date: 2004-07-13

Tracks:

1. Concierto de Aranjuez (Adagio)
2. Will O' the Wisp
3. Pan Piper
4. Saeta
5. Solea
6. Song of Our Country [Issued Take][*]
7. Concierto de Aranjuez, Pt. 1 [Alternate Take][*]
8. Concierto de Aranjuez, Pt. 2 (Ending) [Alternate Take][*]

Tracks:

1. So What
2. Freddie Freeloader
3. Blue in Green
4. All Blues
5. Flamenco Sketches
6. Flamenco Sketches [Alternate Take][*]

Tracks:

1. Shhh/Peaceful
2. In a Silent Way/It's About That Time: In a Silent Way/It's About ...

Average customer rating:

Sketches of Spain Miles Davis , and Gil Evans Manufacturer: Columbia ProductGroup: Music Binding: Audio CD Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music ASIN: B0009J8H7K Release Date: 2000-05-24

Tracks:

1. Concierto de Aranjuez
2. Will O' the Wisp
3. Pan Piper
4. Saeta
5. Solea
6. Song of Our Country [Issued Take][*]
7. Concierto de Aranjuez, Pt. 1 [Alternate Take][*]
8. Concierto de Aranjuez, Pt. 2 (Ending) [Alternate Take][*]

Average customer rating:

500 Classic Masterpieces Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Mazurkas | Ballets & Dances | Classical | Styles | Music Pavanes | Ballets & Dances | Classical | Styles | Music Polkas | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. 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Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Marches | Miscellaneous | Styles | Music ASIN: B00008FZWM Release Date: 1992-11-04

Average customer rating: Refreshingly Different Treatment To a Guitar Concerto Classic!

Sketches of Spain Miles Davis Manufacturer: Columbia ProductGroup: Music Binding: Audio CD Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music Jazz | Imports | Stores | Music Similar Items: Bitches Brew Agharta ASIN: B000HBK1VA Release Date: 1960-01-01

Tracks:

1. Concierto de Aranjuez (Adagio)
2. Will O' the Wisp
3. Pan Piper
4. Saeta
5. Solea
6. Song of Our Country
7. Concierto de Aranjuez, Pt. 1
8. Concierto de Aranjuez, Pt. 2, Ending

Album Description

Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. Sony. 2006.

Album Details

Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.

Customer Reviews:

Refreshingly Different Treatment To a Guitar Concerto Classic!.......2006-11-25

Ever the innovator and experimenter, Miles Davis does it again and this time he tries his hand at a brilliant classical masterpiece that was originally composed for guitar by the late, great composer, Rodrigo for his friend the also late and great, Segovia. In fact, he does such a good job that you'd be forgiven for thinking that this was always meant to be a trumpet concerto. The other Spanish themed tracks are also very well interpreted making this a welcome change of project from what one is used to when it comes to Miles' music.

This version of the album is also a treat for fans as the mini-lp replica sleeve design is very well executed and the mastering job is very well done for a very good sound quality making this album a very pleasant listening experience. Recommended.

Average customer rating:

The Collection: Sketches of Spain/Kind of Blue/In a Silent Way Miles Davis ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music ASIN: B000024WKJ

Tracks:

1. Concierto de Aranjuez (Adagio)
2. Will O' the Wisp
3. Pan Piper
4. Saeta
5. Solea
6. Song of Our Country [*][Take][Version]
7. Concierto de Aranjuez, Pt. 1 [Alternate Take][*]
8. Concierto de Aranjuez, Pt. 2: Ending [Alternate Take][*]

Tracks:

1. So What
2. Freddie Freeloader
3. Blue in Green
4. All Blues
5. Flamenco Sketches
6. Flamenco Sketches [Alternate Take][*]

Tracks:

1. Shhh/Peaceful
2. In a Silent Way/It's About That Time

Pop Music:

1. Solo
2. Someday My Prince Will Come [Original recording remastered]
3. Songs from the Analog Playground
4. Spiritual Unity
5. Standard Time, Vol. 6: Mr. Jelly Lord
6. Street of Dreams
7. Swingin' for the Fences [DualDisc]
8. Symphony for Improvisers [Original recording remastered]
9. Synergy
10. The Best of Arturo Sandoval

Pop Music