The Bebop Years [Box set]

Product Description
Hawkins reached a new level of creativity during the 1940's. THis box-set focuses on those yeard, presenting the original master of the tenor sax in a wide variety of settings, including his encounters with young modernists like Dizzy Gillespie and Thelonious Monk. 88 tracks in all. Includes 56 page booklet containing the full Hawkins story, rare photographs and discography. 2000 release. 4 standard jewel cases housed together in a deluxe slipcase.

The Bebop Years,Coleman Hawkins,Proper Box UK,Bop,Box Sets (Audio Only),Jazz,Jazz Music,Mainstream Jazz,Pop,Swing

Average customer rating: Great overview of his early prime years One Of The Better Values Out There An astounding value! Prime Forties Recordings From a Tenor Sax Legend

The Bebop Years Coleman Hawkins Manufacturer: Proper UK Boxed Sets ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music General | Jazz | Box Sets | Stores | Music General | Jazz | Indie Music | Stores | Music Jazz | Imports | Stores | Music Bargain Box Sets | Jazz General | Jazz | Today's Deals in Music | Formats | Music All Bargain Titles | Jazz General | Jazz | Today's Deals in Music | Formats | Music Similar Items: The Lester Young Story Settin' the Pace Big Ben The Fats Navarro Story Body & Soul ASIN: B000051TPD Release Date: 2001-05-28

Tracks:

1. Body and Soul
2. Dinah
3. When Day Is Done
4. Smack
5. I Surrender, Dear
6. I Can't Believe That You're in Love With Me
7. Dedication
8. Rocky Comfort
9. One O'Clock Jump
10. 9-20 Special
11. Feedin' the Bean
12. Esquire Bounce
13. My Ideal
14. Voodte
15. How Deep Is the Ocean?
16. Hawkins Barrel House
17. Stumpy
18. Lover, Come Back to Me
19. Blues Changes
20. Crazy Rhythm
21. Get Happy
22. Man I Love

Tracks:

1. Sweet Lorraine
2. My Ideal
3. I Only Have Eyes for You
4. 'S Wonderful
5. I'm in the Mood for Love
6. "Bean" at the Met
7. Woody 'N You
8. Bu-Dee-Daht
9. Yesterdays
10. Flame Thrower
11. Imagination
12. Night and Day
13. Cattin' at Keynote
14. Disorder at the Border
15. Feeling Zero
16. Rainbow Mist
17. Blue Moon
18. Father Co-Operates
19. Just One More Chance
20. Through for the Night
21. On the Sunny Side of the Street
22. Three Little Words

Tracks:

1. Battle of the Saxes
2. Louise
3. Pick-Up Boys
4. Porgy
5. Uptown Lullaby
6. Salt Peanuts
7. Make Believe
8. Don't Blame Me
9. Just One of Those Things
10. Hallelujah
11. Stompin' at the Savoy
12. On the Sunny Side of the Street
13. All the Things You Are
14. Every Man for Himself
15. Look Out Jack!
16. Under a Blanket of Blue
17. El Salon de Gutbucket
18. Undecided
19. Recollections
20. Drifting on a Reed
21. Flyin' Hawk
22. On the Bean
23. Hawk's Variations, Pts. 1 & 2

Tracks:

1. April in Paris
2. Rifftide
3. Stuffy
4. What Is There to Say?
5. Wrap Your Troubles in Dreams (And Dream Your Troubles Away)
6. Bean Soup
7. It's the Talk of the Town
8. Say It Isn't So
9. I Can't Get Started
10. Cocktails for Two
11. Sweet Lorraine
12. Nat Meets June
13. How High the Moon
14. Bean-A-Re-Bop
15. Isn't It Romantic?
16. Way You Look Tonight
17. Phantomesque
18. Angel Face
19. Picasso
20. It's Only a Paper Moon
21. Bah-U-Bah

Album Description

Hawkins reached a new level of creativity during the 1940's. THis box-set focuses on those yeard, presenting the original master of the tenor sax in a wide variety of settings, including his encounters with young modernists like Dizzy Gillespie and Thelonious Monk. 88 tracks in all. Includes 56 page booklet containing the full Hawkins story, rare photographs and discography. 2000 release. 4 standard jewel cases housed together in a deluxe slipcase.

Customer Reviews:

Great overview of his early prime years.......2006-01-20

I would recommend this for anyone wanting to get an overview of Hawk's playing from his early prime years. His playing reached a peak in '38 and as far as I can tell pretty much stayed there until his death in the '60s. This contains his legendary recording 'Body and Soul' from '38 and goes to '49.

For comparison I would recommend also getting "The Lester Young Story" also a great 4CD set from Proper covering the same time period.

One Of The Better Values Out There.......2005-08-18

Focusing on this key period shows you why Hawk was one of the top 3 in any one's list of great Sax men...drawing solely on material from 1939-1944 the amazing total quality shines through..For those who care,this set has good quality sound and the book is a good read..

An astounding value!.......2002-05-15

This is an excellent compilation of Hawkins' work between 1939 and 1949. Most of the selections date from 1943 to 1947 and were recorded for several record labels, including Victor, Bluebird, Okeh, Brunswick, V-Disc, Commodore, Signature, Keynote, Apollo, Savoy, Clef, Regis, Capitol, Aladdin, Joe Davis, and Selmer. Sidemen include Roy Eldridge, Benny Carter, Cootie Williams, Count Basie, Art Tatum, Oscar Pettiford, Teddy Wilson, Dizzy Gillespie, Budd Johnson, Ben Webster, Earl Hines, Don Byas, John Kirby, Jonah Jones, Buck Clayton, Thelonious Monk, Howard McGhee, Milt Jackson, Hank Jones, Harry Carney and Miles Davis. As you would expect with such a wide variety of source material, the sound quality varies a bit. However, it ranges from good to excellent and in most cases is on par (or identical:)) with the best previous CD issues of the same music. The set comes with a 56 page booklet that includes a lengthy essay with analysis of each session, several photographs, and a very thorough discography (you can read the complete essay and discography at Proper's website). The essay is good, though it could have used some editing. Also, the photos look like they were duplicated from printed sources. The most important thing, however, is that the music is consistently excellent. These discs show Hawkins at his absolute best, whether in a small group, big band, or solo. For the price the set is an astounding value!

Prime Forties Recordings From a Tenor Sax Legend.......2001-03-06

This is a magnificent collection of the Forties work of tenor sax great Coleman Hawkins, the father of the jazz saxophone. Much of it has been previously released in bits and pieces, but it has never been collected in a single package, and never with such tremendous sound. The set also includes an informative booklet with a number of rarely-scene photographs.

Hawkins began his performing career as a teenager, backing blues singer Mamie Smith in the early 1920's. Before Hawkins, the saxophone was not a major instrument in jazz, and it was seldom featured as a solo instrument. When Hawkins joined Fletcher Henderson and His Orchestra in 1924, that began to change. Perhaps inspired by fellow bandmember Louis Armstrong, who spent about a year with Henderson, Hawkins quickly developed his own distinctive style as a soloist. When Armstrong left, Coleman Hawkins became the dominant soloist with the Henderson band, a position he held until 1934. He set the standard for the jazz saxophonist during the first part of the Swing era, and he strongly influenced such other figures as Ben Webster, Benny Carter, Chu Berry and many others. After a productive five-year stay in Europe, Hawkins returned to the U.S. and started his own group in 1939. One of his first records was the ballad "Body and Soul," which became a major pop hit and remains one of the most memorable recordings in jazz history. It set a standard for jazz improvisation that has seldom been matched.

"Body and Soul" first song in this boxed set, and really doesn't belong with the other recordings here, which cover the period 1943-1947. Hawkins' big band failed within a year, and he soon began working with the smaller groups that make up the bulk of these recordings. He worked for a series of small New York-based record companies, both as a leader and a sideman. During this period, the bebop movement began to make inroads into the New York jazz scene. Hawkins was as skilled and schooled as any musician in jazz, and he quickly grasped the innovative ideas that the beboppers were offering in their music. Even though he never fully embraced bebop in his own playing, he often worked with its rising young stars, such as Thelonious Monk, Miles Davis, Howard McGhee, Fats Navarro and others. Working with these new talents reinvigorated the middle-aged Hawkins, and these are some of the finest recordings of his long career. He also influenced a new generation of saxophonists such as Dexter Gordon and Sonny Rollins.

The title of this set is a little misleading; these recordings are more swing than bebop. Nevertheless, this is a wonderful collection that every jazz fan should own. Too often overlooked at the start of the 21st century, Coleman Hawkins was one of the titans of jazz, and this is his finest work. Proper Records, an English label, has one again done a terrific job of compiling the work of an under-appreciated and deserves much praise.

Average customer rating: Better late than never

We Loved You Frank Hewitt Manufacturer: Smalls Records ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Similar Items: Not Afraid To Live Four Hundred Saturdays Fresh from Cooler Eretik Live at Birdland ASIN: B0001GF2BU Release Date: 2004-02-03

Tracks:

1. Ghost of a Chance
2. Polka Dots and Moonbeams
3. That Ole Devil Called Love
4. I Remember You
5. I'll Remember April
6. Lady Bird
7. Frank's Blues
8. Cherokee

Customer Reviews:

Better late than never.......2004-06-18

There are plenty of sad stories of neglect in jazz but Frank Hewitt's is one of the saddest. He was born in 1935, & developed a lyrical bop piano style--his acknowledged masters were Powell, Monk & Elmo Hope, & he was part of the Barry Harris circle of musicians. (Hewitt also reminds me a lot of the pianist Chris Anderson, who seems also to have moved in the same circles. I also was reminded more distantly of Lou Levy, though I don't think there was any direct connection between the men.) Hewitt seems to have met or worked with just about everyone--the liner notes mention everyone from Coltrane to Billie Holiday, & state that he was one of the many musicians who in the early 1960s were part of the band for the Living Theater's production of _The Connection_. But he never recorded as a leader; in fact his only previous recording seems to have been a blink-&-you'll-miss-it appearance on the Impulse _Live at Smalls_ CD. He had a regular gig at Smalls for nine years, & this new CD, Hewitt's first as a leader--a set of trio performances recorded in 2002--is released on Luke Kaven's Small Recordings label. Sadly, Hewitt died before the disc was released.

This is quintessential insider's jazz: gorgeous wrong-way piano, with a stumbling-butterfly piano technique & follow-your-ear harmonic sensibility. In the best Powell tradition he favours dark lefthand chords that growl at the listener, but instead of tangly bebop righthand lines Hewitt likes long runs that shoot off into the top of the piano, the notes falling off the keyboard like drops of water. When Hewitt plays "Polka Dots and Moonbeams" it's genuinely eerie, like hearing Bud Powell's spirit sit down at the piano bench. The choice of tunes is a time-capsule in itself: "Polka Dots", "Ghost of a Chance", "That Ole Devil Called Love", "I Remember You".... But there's nothing timelocked about the playing, which is as rich & fertile as Nile mud. "Cherokee" is pure excitement, because rather than in spite of Hewitt's pushing his fingers to the limit. His on-the-fly reharmonizations of ballads are sometimes so startling I had to laugh--I mean, what can you say when someone seems determined to prove in every way he can that you _can_ play a B-flat over an A-major chord, for 8 bars? & then there's the deepset, lilting groove, which comes out best of all on midtempo swingers like "I Remember You" & Tadd Dameron's "Lady Bird".

The album has a couple minor flaws. The first is the order of tracks: there are four ballads (of eight tracks), & for some reason three of them are placed right at the start, so listeners may find the shuffle-play option necessary. The bassist, Ari Roland, plays well, but some listeners may find his old-fashioned-sounding bowed-bass features (as scratchy & nasal as Paul Chambers) a bit annoying, though fortunately they're quite brief (often just half a chorus). But neither of these flaws detracts from the excitement of hearing Hewitt himself--it's clear even from just this album, recorded at the end of his life, that he was a master pianist.

Listeners who are looking for technically sussed, fully codified jazz piano will have little patience with _We Loved You_. But those who respond to the deep chordal voodoo & broken-spiderweb righthand lines of the classic bop pianists will find the disc meat & drink. Let's hope Kaven can dig some more Hewitt out of the archives--it would be a tragedy if this were all he left behind.

Average customer rating:

Bebop Years Box Coleman Hawkins Manufacturer: Phantom Sound & Visi ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music ASIN: B0002B6RI6 Release Date: 2000-11-21

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