Our Man in Paris [Extra tracks] [Original recording remastered]

Amazon.com
Recorded in 1963, this record finds tenor saxophonist Dexter Gordon at the top of his game during his Blue Note days. Leading a high-profile quartet comprised of pianist Bud Powell, drummer Kenny Clarke, and bassist Pierre Michelot, Gordon leaps through the complex "Scrapple from the Apple" with youthful aplomb and then nestles deep inside the bluesy lyricism of "Willow Weep for Me." Gordon's strengths as a balladeer resonate beautifully on "Stairway to the Stars," while his bebop prowess flexes mightily on "A Night in Tunisia." The rhythms crackle, the solos fly; Our Man In Paris is essential Dexter. --John Murph

Product Description
Dexter Gordon had been a European resident for two years when he made this create session, one of the greatest of his career, which reunited him with Bud Powell and Kenny Clarke for the first time since the '40s.

DEXTER GORDON: Tenor Sax
BUD POWELL: Piano
PIERRE MICHELOT: Bass
KENNY CLARKE: Drums

* bonus track, not part of original LP.

Our Man in Paris,Dexter Gordon,Blue Note Records,Bop,Hard Bop,Jazz,Jazz Music,Pop

Average customer rating: Superb Parisian Soul Music SENSATIONAL Our Man in Paris One of Blue Note's best albums.Dex,Bud and Klook in Paris!!

Our Man in Paris Dexter Gordon Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Blue Note Records | Amazon.com Label Stores | Stores | Music Similar Items: Go! The Sidewinder Ballads: Dexter Gordon Soul Station Speak No Evil ASIN: B0000AC8N4 Release Date: 2003-08-05

Tracks:

1. Scrapple From The Apple
2. Willow Weep For Me
3. Broadway
4. Stairway To The Stars
5. A Night In Tunisia
6. Our Love Is Here To Stay
7. Like Someone In Love

Amazon.com

Recorded in 1963, this record finds tenor saxophonist Dexter Gordon at the top of his game during his Blue Note days. Leading a high-profile quartet comprised of pianist Bud Powell, drummer Kenny Clarke, and bassist Pierre Michelot, Gordon leaps through the complex "Scrapple from the Apple" with youthful aplomb and then nestles deep inside the bluesy lyricism of "Willow Weep for Me." Gordon's strengths as a balladeer resonate beautifully on "Stairway to the Stars," while his bebop prowess flexes mightily on "A Night in Tunisia." The rhythms crackle, the solos fly; Our Man In Paris is essential Dexter. --John Murph

Album Description

Dexter Gordon had been a European resident for two years when he made this create session, one of the greatest of his career, which reunited him with Bud Powell and Kenny Clarke for the first time since the '40s.

DEXTER GORDON: Tenor Sax
BUD POWELL: Piano
PIERRE MICHELOT: Bass
KENNY CLARKE: Drums

* bonus track, not part of original LP.

Customer Reviews:

Superb.......2007-07-02

This 1963 album finds Dexter Gordon in sparkling form. He is backed by Bud Powell on Piano, Pierre Michelot bass and Kenny Clarke drums. Its one of the best sessions Gordon ever recorded and is an essential purchase for any Jazz fan.

Dexter Gordon is in fine form throughout the album. Just take the opening Charlie Parker classic 'Scrapple from the Apple'. The theme is stated and Gordon takes the first solo. Three and a half minutes later he finishes. Theres no apparent repetition here, or use of a stock of standard riffs that you might hear with a lesser musician. Throughout this solo he is inventive using the full range of the Saxophones marvellous palette. The other stand-out track on here for me is his version of 'A Night in Tunisia'. Whether he's throwing in a quote from 'Summertime' or bending notes on this form Gordon was up there with the very best. On a few moments in his solo on Tunisia I was reminded of Coltranes Soprano solos. Whilst there is no doubt that in his early career Gordon was an undoubted influence on Coltrane I wonder if at this stage Gordon was actually being influenced by Coltrane.

Its worth mentioning the appearance of Bud Powell on the album. He was the most important Jazz pianist before Bill Evans arrived in the late 1950's. Sadly he suffered from mental health problems and his playing later in his career (from the late 1950's onwards) could be erratic. On this recording he isn't the whirlwind of 10 years earlier, but his playing is mostly consistent and considered of sufficient standard for 'Like Someone In Love' to be put out as a bonus track on the CD.

Parisian Soul Music.......2006-06-03

I've given up trying to choose my favorite Dexter album, because it's always the one I happen to be playing. I thought I might be able to pass this one up--not close enough to the culmination of Dexter's resurgence, too late in Bud's career, too far from the Blue Note studios, too dependent on a French (or expatriate) rhythm section.

Strike all of the above. Dexter never played with "abandon," but this recording is probably as close as he comes to it. He's on fire for each of the tunes, complete and fresh phrases flowing from his horn in musical narratives containing more than the usual number of serendipitous quotes and allusions. At times it seems like no end is in sight, as the master storyteller is in Homeric, epic form. He handles the four-bar break on "Night in Tunisia" as impressively as Bird but with half the number of notes.

I wouldn't call the performances on this album superior to Dexter's "Love for Sale" (on "Go!"), "Tanya" or "King Neptune" (on "One Flight Up") or "Body and Soul" (on "The Panther"), but it's definitely in the same league and should be essential not just for fans of L.T. but for anyone who's serious about the art of improvisation.

Powell loses his place a couple of times (forgetting whether he's on the first, second or fourth chorus of a 32-bar song) but makes quick, virtually undetectable recoveries. Moreover, his fingering is precise, his melodic lines fluid and complex yet swinging. And the fact that the original recording was made by a French engineer insures that the piano, though somewhat distorted (see below), has a "realistic" or personal and natural quality distinguishing it from the usual Blue Note piano sound.

Count this one among Dexter's top 3-4 recordings, which is high praise indeed for a player as consistently brilliant as he. Dexter in Paris must be the next best thing to April in Paris. If there's a caveat, it's the quality of the audio. I was so hopeful that the "RVG Remastered Edition" would be an improvement over both the LP and preceding CD version, that I shelled out for the session for a third time. Disappointingly, Dexter's tenor still sounds compressed, compartmentalized, and even grating, and Bud's piano still carries that trace of distortion. In spite of these obstacles, the substance of this recording simply will not be denied.

SENSATIONAL .......2005-02-03

Dexter is in great form here and rate the record as highly as his sentational "Go" album. Buy it and and you will enjoy this great music.

Our Man in Paris.......2004-09-25

Of all the albums Dexter did after the bebop era, this does the best job of giving the listener that same feeling that people got from listening to him back in the '40s. I'd say that this is primarily due to his choice of personnel on this particular date in Paris, which inlcudes the amazing Bud Powell on piano, an amazing French bassist named Pierre Michelot, and the one of the greatest jazz drummers from the bebop era, Kenny Clarke. The choice of tunes for this album also has to do with maintaining that feeling, since two of the tunes were Charlie Parker staples ("Scrapple from the Apple" and "A Night in Tunisia"), one was one of THE tunes to know in the '40s ("Broadway"),and two lovely ballads that were covered a lot during that time ("Willow Weep for Me", which has a very laid-back feeling to it that is the most unique Dexter ballad performance I've ever heard, and his lovely interpretation of "Stairway to the Stars", which has a very similar feeling to his ballad performances on "Go!"). Added to this superb album are two bonus tracks (Gershwin's classic, "Our Love is Here to Stay", and a wonderful trio reading of "Like Someone in Love", which shows off Powell's skills greatly.) Overall, if you are a fan of Charlie Parker, old Dexter from the '40's, or just a plain out jazz fan, "Our Man in Paris" is for you.

One of Blue Note's best albums.Dex,Bud and Klook in Paris!!.......2003-09-29

Here is a very very essential album.One of Blue Note's most essential records.Paris,May 23,1963: Dexter Gordon,ts,Bud Powell,p,Kenny Clarke,dms and top french jazz bass player,Pierre Michelot,the only survivor of this outstanding quartet;or Dex meets the "Three Bosses",as the Bud/Klook/Michelot trio was called.Initially,Dexter should have recorded with Kenny Drew a set of tunes of his own;but it was decided to hire Bud,who was living in Paris the last years of his very short life,and logically,Michelot and Clarke followed.The bunch of new tunes written by Dex were forgotten,and everybody chose to play standards.Bud,among several troubles,could hardly learn new things at this time;but he was a giant when he was asked to play his repertoire,and the proof is here.Put together one of the most magnificent disciples of both Pres and Bird,the most awesome pianist with Hines and Tatum,and the father of modern jazz drumming,son of Jo Jones,add one of the best french musicians on bass,and you'll get some sublime music.Here may be Dexter Gordon's most magnificent album;his Lesterian roots meet some Golson and even Rollins' and Coltrane's influences ("Night in Tunisia");
his swing is purely incredible;Kenny Clarke's drumming is simply out of this world,so simple and yet so hardly swinging;maybe the most essential jazz drumming with Jo Jones' and Sam Woodyard's.And Pierre Michelot's bass support is really a very great one.
What about the tunes ? Here are essential versions of Bird's "scrapple from the apple",Dizzy's "Night in Tunisia",here is a sublime version of the incredible Ann Ronnell's evergreen,"willow weep for me",including superb solos by Bud and Pierre,here is the old "Broadway",in which Bud salutes Basie (the final notes),here are wonderful ballads,"stairway to the stars","our love is here to stay",and finally here is a trio track by the "Three Bosses","like someone in love",one of Bud's favorites.
Listening again to this album,it seems almost incredible to me to think that this music was recorded 40 years ago.It sounds more and more younger than most of today's jazz records.Here is not only Dexter's best effort,here is one of the most essential records of the history of jazz; a mixture of classical,Kansas City oriented music (Dexter's blowing will reminds you of Lester,Hershell Evans,Illinois Jacquet,Buddy Tate) and post-bop music (shades of Golson,Trane);Kenny Clarke,one of the monuments of jazz drumming with the Father,Jo Jones,and the disciples,Woodyard,Haynes,Blakey,Elvin J.,Butler,Lenny McBrowne,Roy Brooks,Ed Thigpen,Roach,etc,Kenny Clarke is at his most magnificent playing.Here is a gem in Blue Note's amazing catalog.Something you have to listen to !!!

Average customer rating: Most beautiful music

Menuhin & Grappelli Play... Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Duke, Vernon | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music European Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Menuhin & Grappelli Play Berlin, Kern, Porter & Rodgers & Hart The Very Best of Grappelli and Menuhin Anything Goes, With Yo Yo Ma Menuhin and Grappelli Play "Jealousy" and Other Great Standards Jazz in Paris: Oscar Peterson-Stephanie Grapelli Quartet, Vol. 1 ASIN: B0002Z83LG Release Date: 2005-02-15

Tracks:

1. Fascinatin' Rhythm
2. Soon
3. Summertime
4. Embraceable You
5. Liza
6. A Foggy Day
7. 'S Wonderful
8. The Man I Love
9. I Got Rhythm
10. He Loves And She Loves
11. They Can't Take That Away From Me
12. They All Laughed
13. Funny Face
14. Our Love Is Here To Stay
15. Lady Be Good
16. These Foolish Things
17. Laura
18. April In Paris
19. Autumn Leaves
20. Autumn In New York

Tracks:

1. Cheek To Cheek
2. Isn't This A Lovely Day?
3. Change Partners
4. Top Hat, White Tie And Tails
5. I've Got My Love To Keep Me Warm
6. Heat Wave
7. The Way You Look Tonight
8. Pick Yourself Up
9. A Fine Romance
10. All The Things You Are
11. Why Do I Love You?
12. I Get A Kick Out Of You
13. Night And Day
14. Looking At You
15. Just One Of Those Things
16. My Funny Valentine
17. Thou Swell
18. The Lady Is A Tramp
19. Blue Room
20. Jealousy
21. Skylark

Customer Reviews:

Most beautiful music.......2005-08-17

This is happy music.
Just plain happy, instrumental music.
Highly recommend to everyone.

Average customer rating: Return to Sanity Have Some Madeira British humour at its best If you haven't heard this... Gentle Satire

Complete Flanders & Swann Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances French Horn | Brass | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Miscellaneous | Styles | Music General | Comedy | Miscellaneous | Styles | Music General | Comedic Music | Comedy | Miscellaneous | Styles | Music Broadway & Musicals | Broadway & Vocalists | Box Sets | Stores | Music Comedy & Spoken Word | Box Sets | Stores | Music Classical | Imports | Stores | Music Similar Items: The Songs of Michael Flanders & Donald Swann At the Drop of a Hat The Best of Flanders & Swan - A Transport of Delight Beyond The Fringe (1961 Original London Cast) Too Many Songs by Tom Lehrer ASIN: B000006T4S Release Date: 1997-04-30

Tracks:

1. Warthog, The (The Hog Beneath The Skin)
2. The Sea Horse
3. The Chameleon
4. Whale, The (Mopy Dick)
5. Je Suis Le Tenebreux
6. Songs For Our Time
7. A Song Of The Weather - Flanders & Swann
8. The Reluctant Cannibal
9. Greensleeves
10. Misalliance
11. Kokoraki
12. Madeira M'Dear?
13. Too Many Cookers
14. Built Up Area
15. In The Bath (From 'At The Drop Of A Hat')
16. Sea Fever
17. The Hippopotamus Song

Tracks:

1. The Gas Man Cometh
2. Sounding Brass
3. Los Olividados
4. In The Desert
5. The Sloth
6. The Rhinoceros
7. Kangaroo Tango
8. Jaguar
9. Dead Ducks
10. The Elephant
11. By Air
12. Slow Train
13. A Song Of Patriotic Prejudice - Flanders & Swann
14. The Humming Bird
15. The Portuguese Man-Of-War
16. Sea Fever
17. The Hippopotamus Song

Tracks:

1. The Gas Man Cometh
2. Sounding Brass
3. Los Olividados
4. In The Desert
5. The Sloth
6. The Rhinoceros
7. Kangaroo Tango
8. Jaguar
9. Dead Ducks
10. The Elephant
11. By Air
12. Slow Train
13. A Song Of Patriotic Prejudice - Flanders & Swann
14. The Humming Bird
15. The Portuguese Man-Of-War
16. The Wild Boar
17. The Ostrich
18. The Wompom
19. Twice Shy
20. Commonwealth Fair
21. P** P* B**** B** D******
22. Paris
23. Eine Kleine Nacht Musik Cha Cha Cha
24. The Hundred Song
25. Food For Thought

Album Details

Fantastic Triple CD Box Set of the Recorded Works of One of Britain's Most Popular Comedy Duos. Their Keen Observations of Everyday British Life and Abilities to Exemplify them in Song Made them the Darlings of the UK. Cleverness, Wit and Absoute Hilarity were the Order of the Day, in Just About Any Style of Music. Pure Comic Genius on Three Discs!

Customer Reviews:

Return to Sanity.......2005-07-27

Before Monty Python, before the Beatles, before "'Enery the Aigth Oi Am" there was the subtle, sweet, insdious humor of Flanders and Swann, and their lyrics remain part of the recognition rituals of Ivy Leaguers of the sixties. For any aging hippies or yuppies who find life WAY more stressful than we ever expected, and for whom the down side of alcohol, sex, and drugs has become apparent, I recommend listening several times to "In the Bath". It raises a cry for peace among the nations by inviting all the leaders to sit congenially steaming in a communal bathtub. And they reminding us of our essential self-interest when they add the proviso "as long as Swann and Flanders get the end without the taps." On those nights when we suspect that there isn't any point to it all, reach for the Flanders and Swann. They won't convince you there is any meaning to life, but they'll make it a lot easier to bear. Don't even try to do without it.

Have Some Madeira.......2005-07-06

Not every line in Flanders and Swann has become part of our 37-year marriage, but many have. As our turntables fail, we are pleased that we can relive all the fun stuff we used to collect. Nothing is like this duo, especially what you usually hear as French horn by Mozart converted into "I found that horn go(r)ne." And, of course,
"Have some Madeira, m'dear" is an all-time favorite.

British humour at its best.......2003-03-15

When I started out as a teacher of English, I had the most wonderful colleague as a mentor -- when she retired she gave me three LPs with much of what is on these CDs, and it must be one of the best gifts I have ever been given. Practically all of it makes me smile or laugh out loud (although I must admit that some, like The Armadillo and Slow Train, make me so melancholy that I can just feel my lower lip tremble and my eyes fill up). How can you beat lines like "Hail to thee, blithe Wompom", or "The English are moral, the English are good / And clever, and modest, and misunderstood"? I find they make great listening exercises for my teenaged students as well -- they consider it ancient, but incredibly funny!

If you haven't heard this..........2003-01-16

The great comedic pairing of the late Michael Flanders (vocals) and Donald Swann (piano and occasional vocals) must surely rank among the hall of fame of comic singers and songwriters. Descended from the British music hall tradition, these two men wrote and performed music which still sparkles with wit today, some 40 or more years since it was recorded.

After being told to take up singing as a means of strengthening his polio-weakened lungs, the wheelchair-bound Flanders teamed up with pianist Swann and proceeded to write such classic songs as "The Hippo Song (Mud Mud Glorious Mud)", "The Gasman Cometh", "The Gnu Song", "A Transport of Delight" and many others. As well as a gently satirical spirit, all these songs feature the sublime wordplay and interplay of both men.

The first two discs of this box set are actual concerts - "At The Drop Of A Hat" and its successor "At The Drop Of Another Hat". Recorded at the height of the duo's popularity and form, the sound quality is surprisingly good for recordings this old.

"At The Drop Of A Hat" opens with three of the Flanders and Swann classics. "Transport Of Delight", a song in praise of the "97 horsepower omnibus" features the wonderful harmonies of the duo on lines like "any more fares" and Flanders' dead-on impression of a London busdriver "Geddardait, we're full right up inside". "Song of Reproduction" deals with the new, as it was then, stereo technology and features Flanders delivering an incredible monologue using every conceivable piece of audiophile jargon. "The Gnu Song" (in which "gnu" is pronounced phonetically) is a real treat. The audience's reaction to the reappearance of the gnu is superb.
As well as this opening trio, the disc features Flanders' snippets of "Songs For Our Time" (in which he experiments with conventions of hit songs), "Song of the Weather" (a rundown of English weather throughout the year), "The Reluctant Cannibal" (featuring Swann in the tititular role and the chorus "I can't eat people/I won't eat people/eatin' people is wrong"), Swann's foray into Greek folksong "Kokraki" and the justifiably famous "Madeira M'Dear". The performance ends with a rousing version of "The Hippo Song".
Flanders is in fine voice throughout and his comments introducing each song are delivered with deadpan accuracy. The story behind "The Gnu Song" is an absolute masterpiece. Flanders' monologue about the creation of "Greensleeves" is also superb - "'Greenfleeves'. That's an interesting name for a fong" (referencing old English script) being just a taste.

"Another Hat" begins in equally fine form with "Gasman Cometh" and "Ill Wind". "Gasman", presaged as "a tale of unending domestic upheaval", is sure to have most people who've ever dealt with unreliable tradesmen nodding in agreement, while "Ill Wind" is Flanders' attempt at setting words to a French horn concerto featuring the immortal lines "I lost that horn/lost that horn/lost that horn/found that horn/gorn". The performance continues with Swann's Russian/English song "In The Desert", the ending of which is truly side-splitting. "All Gall" (a reinterpretation of "This Old Man" to fit then-French President Charles de Gaulle) is a little dated but very cleverly done. "Song of Patriotic Prejudice", with its introduction and opening lines grabbing the audience's attention is another triumph, while the "Hippo Encore" is a great end to the performance.
Again Flanders is at his peak. His loving description of the Spanish olive-stuffers ("Olividados") and his superb story about flying ("By Air") are both brilliant examples of the shaggy dog story.
My favourite from both of these discs would have to be "First and Second Law". Flanders decides to educate Swann in elementary science and picks on the first and second laws of thermodynamics ("heat is work and work is heat" and "heat cannot of itself pass from one body to a hotter body") and the repetition of these phrases in time to Swann's barely-there piano accompaniment is one of the finest moments in British comedy.

The third disc is largely forgettable. It begins with a series of animal-related songs performed in a studio and without much of Flanders' rambling introductions. "Warthog" has its moments, while the others were clearly not performed in front of an audience for a reason. "Wompom" is also mildly diverting, presenting a story about a made-up substance which is the answer to everything.
The rest of the disc is then filled out with much earlier material in a rather poorly-recorded concert. "20 Tons of TNT" (related to the calculation the pair had done which gave that as the amount of TNT per person on the planet at the time) provides food for thought, but little more.

Is this box set for everyone? No. Much of the humour both within and without the songs does require a bit of background knowledge to what was going on in Britain and Europe at the time (1960s), John Profumo is referenced a few times as well as Charles de Gaulle and the Common Market, while a smattering of classical music knowledge can help out a bit with Swann's work and "Ill Wind". The fact that my grandfather (who's in his late 70s) recalls hearing these songs and laughing may give an indication as to the age of some of the subject matter. Equally the fact that "First and Second Law" references an awful lot of physics might do the same.

Nevertheless, for anyone who loves British humour done in a gentle manner or who is interested in the source of "mud mud glorious mud/nothing quite like it for cooling the blood", give these CDs some serious consideration.

Gentle Satire.......2002-04-03

I've been singing Flanders and Swann every day In the Bath since I first heard them in 1964. If you don't know them, think Gilbert and Sullivan by way of English music hall and Noel Coward, with a bit of Tom Lehrer musical satire and classic Bob Newhart or Charlie Manna monologues. F&S commented gently on their times: "The purpose of satire, it has been rightly said, is to strip away the veneer of comfortable illusion and cozy half-truth. And our job, as I see it, is to put it back again." Quite simply the best comic songs and patter of the 20th century. Michael died in 1975, Donald in 1994. Goodnight, Mabel Figworthy, wherever you are.

Here are some samples of Michael's verbal wit.

Wordplay:
- "A Transport of Delight," their song of the pleasures of the double-decker bus "has recently been adopted as the theme song of the Underground resistance movement."
- Speculating that Henry VIII wrote Greensleeves: "and the royalties go to royalty."
- About a tennis referee late in the day: "the umpire upon whom the sun never sets."
- Explaining how he was hoisted in his wheelchair onto airliners by a fork lift: "Why they need a great machine like that to lift forks I do not know. Well, they're only plastic, now, aren't they?"
- On status symbols: "The object is to Gunga Din your neighbor: 'I'm a better man than you' is the acid test," and, "let's bang our status cymbals with the best."
- To a disenchanted cannibal: "You used to be a regular anthropophagi."
- Of a lecher: "And he said as he hastened to put out the cat, the wine, his cigar, and the lamps," while the girl "lowered her standards by raising her glass, her courage, her eyes, and his hopes."
- At the corrida d'olivas (the Andorran festival of olive stuffing, not to be confused with the Spanish corrida de toros, or bullfight): "And a great cry goes up of Ole! He has made an 'ol."
- "It's no good going up to a scientist and saying to him like you would to anybody else, 'Good morning, how are you, lend me a quid, and so on.' He'll just glare at you, or make a rude retort."

Throw-aways
- During the height of the cold war the Soviet Union sent the Moscow Ballet on a world tour. Donald sang one chorus of the Hippopotamus Song "mud, mud, glorious mud - nothing quite like it for cooling the blood" in Russian. Michael: "That should improve our cultural relations."
- During the 1963 Mandy Rice-Davies and Christine Keeler scandal: "None of that going around saying no smoke without fire. Nil cumbustibus, Profumo." Also, from "Friendly Duet," "such models of friendship are precious and rare, while the friendship of models is not."
- "Now if you're writing a musical, as I'm sure practically all of you are, . . ."
- Of Donald: "You know that no one has a higher regard for your music . . . than you do yourself. I merely meant that you are not great because you are not dead. If you wish to be great you must stop composing and start decomposing."
- "We never found a rhyme for (Soviet Premier Nikita) "Kruschev" until he was dead: Did he die or was he "pushed off"?"
- "We spent two dreadful, uh, delightful years, entertaining the Americans whose need, let's face it, is greater even than yours. Of course, when we're over there we say that the other way 'round."
- "No matter what you may say about the Germans, and who doesn't . . ."
- "Some of the songs that have made our names a household word, like slop-bucket . . ."
- "They've started testing cars now. They started at 10 years, then 5, now three. There's even some talk of having them tested before they leave the factory."

Absurdities
- "I'm delirious about our new oven fitted with the eye-level grill. This means that without my having to bend down the hot fat can squirt straight into my eye."
- A spectator during the construction of Stonehenge: "So, it's not going to be lived in. Well, that's something anyway. So what is it, then? It's a what?! A calendar?! A bit big for a calendar isn't it? You'd look pretty foolish with that on your desk."
- "Donald knocked himself out this morning. Got one of those new pop-up toasters. Nasty things."

Incredible multiple rhymes:
- "The fair hippoptama he aimed to entice from her seat on her hilltop above, as she hadn't got a ma to give her advice, went tip-toeing down to her love."
- Of Josephine: "Nonsense, said Bonaparte. She lives on her own, apart, in her own apartment."
- "Oh let us be married if our parents don't mind. We'd be happy and inseparable. Inextricably entwined. We'd live happily every after, said the Honeysuckle to the Bindweed."
- "And you'll always see a single lace-less left-hand leather boot. A bootless British river bank's a shock. We leave them there at midnight, you can track a member's route by the alternating print of boot and sock."

Average customer rating:

Broadway: America's Music 1935-2005 Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Morton Gould | Gould, Morton | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Broadway - The American Musical (PBS Series) Grey Gardens - A New Musical (2006 Original Broadway Cast) The Warmth of the Sun White Nights Spring Awakening (2006 Original Broadway Cast) ASIN: B000B8I93Q Release Date: 2005-10-18

Tracks:

1. Oh What a Beautiful Mornin'
2. Summertime
3. I Could Write a Book
4. It Never Entered My Mind
5. I Can Cook Too
6. Make It Another Old Fashioned, Please
7. If I Loved You
8. My Heart Belongs to Daddy
9. Thou Swell
10. I Left My Heart at the Stage Door Canteen
11. There's No Business Like Show Business
12. South American Way

Tracks:

1. Shall We Dance
2. Ohio
3. Luck Be a Lady
4. Mack the Knife
5. There's a Small Hotel
6. Once in Love with Amy
7. Yodel Blues
8. Lazy Afternoon
9. There Must Be Somethin' Better Than Love
10. You're Just in Love
11. Now Is the Time

Tracks:

1. Impossible Dream
2. Love Makes the World Go 'Round
3. Try to Remember
4. Put on a Happy Face
5. I Say Hello
6. Happiness
7. She Loves Me
8. What Kind of Fool Am I?
9. Shy
10. Consider Yourself
11. Poor Little Person

Tracks:

1. Magic to Do
2. They're Playing My Song
3. I Don't Know How to Love Him
4. I Won't Send Roses
5. Good Morning Starshine
6. Don't Cry for Me, Argentina
7. Hard Candy Christmas
8. Diamonds Are a Girl's Best Friend
9. Won't You Charleston with Me?
10. Applause

Tracks:

1. Phantom of the Opera
2. Memory
3. On My Own
4. Muddy Water
5. How Could I Ever Know
6. American Dream
7. I Know Him So Well
8. Dr. Jazz
9. Me and My Girl
10. Suddenly Seymour

Tracks:

1. Mamma Mia!
2. Popular
3. Seasons of Love
4. Oh, the Thinks You Can Think
5. Whatever Lola Wants
6. Crazy
7. How Deep Is Your Love
8. Stars
9. People Like Us
10. I Go to Rio

Average customer rating: Arguably "The Best" English "Merry Widow "

Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights) Manufacturer: Class. for Pleas. Us ProductGroup: Music Binding: Audio CD General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Johann Strauss II: Die Fledermaus; The Gypsy Baron (Highlights) Offenbach: La Belle Hélène; Orpheus in the Underworld; La Vie Parisienne (Highlights) Music of Sigmund Romberg Offenbach: Orpheus in the Underworld / Burgess, Watson, etc (Highlights) The Best of Operetta, Vol. 3 ASIN: B00009KHY2 Release Date: 2003-09-02

Customer Reviews:

Arguably "The Best" English "Merry Widow ".......2006-09-12

This is the "Merry Widow" with English translation by Christopher Hassel sung by June Bronhill. I loved this rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with the word "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note with an incressing crescendo and fortissimo louder than the chorus and holding the final high note---which gives a very thrilling effect as she holds that final note, I assure you!

The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, this CD is made in Holland and "there is one left" so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.

Average customer rating: Superb Dexter is the Man Great Dexter, but Bud... Cliche-free blowing A Stellar Rhythm Section with Dexter at his best

Our Man in Paris Dexter Gordon Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Blue Note Records | Amazon.com Label Stores | Stores | Music General | Jazz | Indie Music | Stores | Music Similar Items: A Night at Birdland, Vol. 1 Somethin' Else Study in Brown Mingus Ah Um ASIN: B000005H4I Release Date: 1990-10-25

Tracks:

1. Scrapple From The Tree
2. Willow Weep For Me
3. Broadway
4. Stairway To The Stars
5. A Night In Tunisia
6. Our Love Is Here To Stay
7. Like Someone In Love

Amazon.com

Recorded in 1963, this record finds tenor saxophonist Dexter Gordon at the top of his game during his Blue Note days. Leading a high-profile quartet comprised of pianist Bud Powell, drummer Kenny Clarke, and bassist Pierre Michelot, Gordon leaps through the complex "Scrapple from the Apple" with youthful aplomb and then nestles deep inside the bluesy lyricism of "Willow Weep for Me." Gordon's strengths as a balladeer resonate beautifully on "Stairway to the Stars," while his bebop prowess flexes mightily on "A Night in Tunisia." The rhythms crackle, the solos fly; Our Man In Paris is essential Dexter. --John Murph

Customer Reviews:

Superb.......2007-07-02

This 1963 album finds Dexter Gordon in sparkling form. He is backed by Bud Powell on Piano, Pierre Michelot bass and Kenny Clarke drums. Its one of the best sessions Gordon ever recorded and is an essential purchase for any Jazz fan.

Dexter Gordon is in fine form throughout the album. Just take the opening Charlie Parker classic 'Scrapple from the Apple'. The theme is stated and Gordon takes the first solo. Three and a half minutes later he finishes. Theres no apparent repetition here, or use of a stock of standard riffs that you might hear with a lesser musician. Throughout this solo he is inventive using the full range of the Saxophones marvellous palette. The other stand-out track on here for me is his version of 'A Night in Tunisia'. Whether he's throwing in a quote from 'Summertime' or bending notes on this form Gordon was up there with the very best. On a few moments in his solo on Tunisia I was reminded of Coltranes Soprano solos. Whilst there is no doubt that in his early career Gordon was an undoubted influence on Coltrane I wonder if at this stage Gordon was actually being influenced by Coltrane.

Its worth mentioning the appearance of Bud Powell on the album. He was the most important Jazz pianist before Bill Evans arrived in the late 1950's. Sadly he suffered from mental health problems and his playing later in his career (from the late 1950's onwards) could be erratic. On this recording he isn't the whirlwind of 10 years earlier, but his playing is mostly consistent and considered of sufficient standard for 'Like Someone In Love' to be put out as a bonus track on the CD.

Dexter is the Man.......2006-01-09

This is my first and still favorite jazz record of all time. My son introduced my to it and I can listen to it over and over. This guy blows sax like nobody's business. Right up there with Coltrane. My regret is that I didn't listen soon enough or was interested enough earlier in my life. I have the movie 'Round Midnight and don't doubt that Dexter looked better than anyone in a suit including Miles Davis. A must have album for a jazz collection.

Great Dexter, but Bud..........2001-03-09

I have no disagreement with the other writers about mr. Gordons awesome tenor power, but I would like to mention that Bud Powell is not really at his best anymore on this record. His very reason of moving to paris were his mental problems and problems with narcotics. From mid-fifties onwards he was never quite the same as in 49-50, wich I consider his best years. Untill his death in -66 his playing was at times just plain terrible. On special occasions, like this recording for example, he seemed to cheer up a bit and could at times give us short glimpses of the genius he once was, but other times... The reason I'm making such an issue out of this is that had he been at his best, this record would truely stand out as a landmark. However on this record he was unable to play like he once did. Hence only four stars from me.

Cliche-free blowing.......2000-12-28

Gordon is at his muscular, swinging best with this 1963 release. He takes on a set of well-known tunes, but infuses each with a fresh sound that leaves no doubt as to both his technical control and his ability to fashion eloquent improvisational statements.

"Our Man in Paris" also features Gordon playing with a superb supporting cast, including the mercurial Bud Powell on piano, the great Kenny Clarke on drums and the fine bassist Pierre Michelot. The four move seamlessly through such standards as "Willow Weep for Me," "Stairway to the Stars," and "Our Love Is Here to Stay." Gordon's blend of power and lyricism is best displayed on "Stairway to the Stars." On this lovely tune, you can hear Gordon warming to his theme, expanding on each idea, exploring the contours of the melody. In his ability to explore ballads, Dexter's playing rivaled that of Coltrane's.

The CD also includes a wonderful version of "Like Someone in Love," with Gordon laying out and Powell leading the remaining trio. Bud's opening statement of the theme is one of the loveliest solo intros I have heard on record. After Clarke and Michelot join him, he embarks on a stimulating romp through the tune's changes before exiting by recapitulating his solo statement. It's a great addition to the CD, and offers a completely satisfying end to the set.

I put Dexter on the short list of great modernists who transformed jazz during the '60s. "Our Man in Paris" reveals his original sound and his mastery of the standard repertoire of jazz. Recommended for anyone interested in adding to his collection or in exploring the foundations of modern jazz.

A Stellar Rhythm Section with Dexter at his best.......1998-08-24

While Dexter Gordon originally planned to play a set of his own tunes for this gig, he changed to an all-standards line up to accomodate the rhythm section, which was unfamiliar with his tunes. The section featured Bud Powell (piano), Kenny Clarke (drums), and Pierre Michelot (bass). Between Gordon's simple yet complex improvisation that falls between Bop and Swing, Powell's melodic intensity, Clarke's clever accentuation, and Michelot's flawless harmonic support, this album both cooks and simmers with Stellar improvisation and interaction: Jazz at its Best.

Average customer rating:

Essential Gershwin Manufacturer: Decca ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Cleveland Orchestra | ( C ) | Featured Performers, A-Z | Classical | Styles | Music Hollywood Bowl Symphony Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music The Decca Records Store | Specialty Stores | Music ASIN: B000088E4C Release Date: 2003-02-11

Tracks:

1. Rhapsody In Blue - Andre Previn
2. Symphonic Portrait Of Porgy & Bess - Robert Russell Bennett
3. Cuban Overture - Howard Hanson
4. An American In Paris - Lorin Maazel

Tracks:

1. 3 Preludes For Piano Solo - Werner Haas
2. 3 Preludes For Piano Solo - Werner Haas
3. 3 Preludes For Piano Solo - Werner Haas
4. Lullaby - Riccardo Chailly
5. Variations On I Got Rhythm - Bernard Herrmann
6. The Man I Love - Barbara Hendricks
7. Oh Kay! - Overture - Arthur Fiedler
8. Walking The Dog From Shall We Dance - John Mauceri
9. They All Laughed From Shall We Dance - John Mauceri
10. Let's Call The Whole Thing Off From Shall We Dance - John Mauceri
11. They Can't Take That Away From Me From Shall We Dance - Barbara Hendricks
12. A Foggy Day From A Damsel In Distress - John Mauceri
13. Nice Work If You Can Get It From A Damsel In Distress - Barbara Hendricks
14. Love Walked In From The Goldwyn Follies - John Mauceri
15. Love Is Here To Stay From The Goldwyn Follies - Barbara Hendricks

Average customer rating: Excellent performer A unique project Gershwin historical, manic, perfect, archival Definative

Authentic George Gershwin, Vol. 1-4 Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Classical | Box Sets | Stores | Music ASIN: B0001Z2RSC Release Date: 2004-08-24

Tracks:

1. Swanee
2. Come To the Moon
3. I Was So Young (You Were So Beautiful)
4. Tee-Oodle-Um-bum-Bo
5. Nobody But You
6. Limehouse Nights
7. Drifting Along With The Tide
8. Rhapsody In Blue
9. Oh Lady Be Good!
10. Fascinating Rhythm
11. Hang On To Me
12. I'd Rather Charleston
13. The Man I Love
14. The Half Of It, Dearie, Blues
15. So Am I
16. Kickin' The Clouds Away
17. Concerto In F

Tracks:

1. Sweet And Low-Down (I)
2. That Certain Feeling (I)
3. Looking For A Boy
4. When Do We Dance?
5. Sweet And Low-Down (II)
6. That Certain Feeling (II)
7. Irish Waltz
8. Do, Do, Do
9. Someone To Watch Over Me
10. Clap Yo' Hands
11. Maybe
12. Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
13. Meadow Serenade
14. My One And Only
15. 'S Wonderful/Funny Face
16. He Loves And She Loves
17. An American In Paris
18. Liza
19. Strike Up The Band
20. Embraceable You
21. I Got Rhythm (I)
22. I Got Rhythm (II)

Tracks:

1. Of Thee I Sing
2. Jilted
3. Second Rhapsody
4. For You, For Me, For Evermore
5. Cuban Overture
6. Isn't It A Pity?
7. Variations On 'I Got Rhythm'
8. I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
9. II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
10. III. Fugue: Murder Of Crown, Act III Scene 1
11. IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
12. V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
13. They Can't Take That Away From Me
14. Let's Call The Whole Thing Off
15. Our Love Is Here To Stay

Tracks:

1. Girl Crazy Overture
2. French Ballet Class
3. Dance Of The Waves
4. Slap That Bass
5. Walking The Dog
6. I've Got Beginner's Luck
7. They All Laughed
8. They Can't Take That Away From Me
9. Shall We Dance
10. By Strauss
11. I Can't Be Bothered Now
12. The Jolly Tar And The Milkmaid (1st Version)
13. Put Me To The Test
14. The Jolly Tar And The Milkmaid (2nd Version)
15. Stiff Upper Lip
16. A Foggy day (In London Town)
17. Nice Work If You Can Get It
18. Things Are Looking Up
19. I Was Doing All Right
20. Love Walked In

Customer Reviews:

Excellent performer.......2007-03-09

This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies.
I'm fascinating.

A unique project.......2006-11-23

Gibbons' undertaking is unique: to reconstruct and then execute and record the note-for-note playing of Gershwin as documented on the composers' piano rolls, sound recordings and certain published arrangements. I agree with the reviewer who points out that the result is like a library and not a recital you sit back and listen to (or get up and dance to). In fact Gibbons does some editing of his "library" now and then, and clearly documents it in his liner notes: in some reconstructions he augments accompaniment effects and even the melodic line itself. I don't mind that at all, especially as Gibbons scrupulously accounts for such tampering in his liner notes; but it seems to me that it is in this area of "tampering" that Gibbons the artist is asserting himself...which of course undermines the "library", the "historical archive": you have to search and read a bit to find out when you're hearing only Gershwin and when you're hearing some added Gibbons. I don't mind; Gibbons is a remarkable artist in his own right, not merely an impeccable documentarian. For sheer generosity of production Gibbons' Gershwin must also be unique: 4 cd's, scholar-level liner notes (yes, you need a magnifying glass to read them), and rock-bottom bargain price.

Gershwin historical, manic, perfect, archival.......2006-06-12

First: this is 4 high-end produced cd's (in low-end jewel cases) for the price of 2. The liner notes of all 4 cd's are condensed in a booklet of microscopic print, so you may need to spend the savings on a magnifying glass. MONEY WELL SPENT.
Second: Jack Gibbons plays (and has recorded) the Alkan op 39 etudes (he probably plays a lot more Alkan than that). For those of you not in the know, this is to say he has world-class chops, indeed history-class (Liszt, who never played his friend Alkan, at least in public). But it's also to say that Gibbons knows how to interpret and personalize fantastically difficult piano music. For me, his Alkan op 39 is personal and passionate and real (contrast the facile and over-pedalled Hamelin and the just-the-notes-ma'me Ringeissen). An appreciation of Gibbons' Alkan is important here because while his Alkan is uniquely personal (as such music must be, no matter how hard it is to play) his Gershwin is deliberately impersonal...which is to say: no pianist, no singer would want to reproduce what Gibbons has given us in these 4 cd's, and in fact few listeners will be able to listen for long to these 4 cd's without a respite, a break , some silence, some minimal styling from somebody (anybody) else...which brings me to
Third: This is an archive, not a recital. This is a library, not a program. There is no track-by-track contrast of moods here, no track-by-track concession to easy listening, varied delight, any more than a library shelf of novels is alphabetized by authors' last names as a concession to mood or fancy or taste of the searching patron. This is the documented Gershwin in his recording mode: manic, notey, clever, "on", and never, as generations of stylists found in him, ravishing, tender, longing, sweet, glad, hopeful...person-to-person, in a word. I can listen to these cd's about half an hour at a time, max. This is Gerwhsin, not Gibbons. And this is just one side of Gershwin. He died at 38, in the summer. Brain tumor. A lot of pain.
Finally, Jack Gibbons has given the world a uniquely valuable and easily available resource. Gibbons could now do us a service by playing us some Gershwin as he feels it, as it hits him and makes him sing (as Gershwin, our American Schubert, does to all of us, and as I think Alkan has done to Gibbons). I would love to see a Gershwin stylings by Gibbons now that Gibbons himself has made sure Gershwin in his authenticity is safe and sound.

Definative.......2005-07-23

Here's the whole Gershwin catalog at a great price... Five plus hours of bliss. Definately five stars!

Gibbons, according to a family friend and biographer Edward jablonski "recreates Gershwin's style." I'll never know. I can say this is a lively recording and has the perfect balance. It's neither stuffy and plodding or cute.

Average customer rating:

America's Pops-Sampler Manufacturer: Intersound Records ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Houston Symphony Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Marches | Miscellaneous | Styles | Music General | Soundtracks | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music ASIN: B00008F8MN Release Date: 1995-04-16

Tracks:

1. America - Erich Kunzel, Rochester Pops Orchestra
2. Evita - Erich Kunzel, Rochester Pops Orchestra
3. They're Playing Our Song - Erich Kunzel, Rochester Pops Orchestra
4. Leap Frog - Houston Symphony Orchestra, Newton Wayland
5. In the Mood - Houston Symphony Orchestra, Newton Wayland
6. Lucy in the Sky With Diamonds - John Bayless
7. Lady Madonna - John Bayless
8. Rhapsody in Blue - Newton Wayland
9. American in Paris - Newton Wayland
10. Strike up the Band - Newton Wayland
11. Yankee Doodle - Sergiu Comissiona, Houston Symphony Orchestra
12. 76 Trombones - Houston Symphony Orchestra
13. Typewriter Song - Erich Kunzel, Rochester Pops Orchestra
14. Bugler's Holiday - Erich Kunzel, Rochester Pops Orchestra
15. String of Pearls
16. Duke Ellington Fantasy - Erich Kunzel, Rochester Pops Orchestra
17. Gershwin in Hollywood - Erich Kunzel, Rochester Pops Orchestra
18. Grand Night for Singing - Erich Kunzel,
19. Slaughter on Tenth Avenue - Erich Kunzel, Rochester Pops Orchestra
20. Penny Lane - Rochester Pops Orchestra, Newton Wayland
21. Eleanor Rigby - Rochester Pops Orchestra, Newton Wayland
22. K-4 Pacific - Houston Symphony Orchestra, Erich Kunzel

Average customer rating:

Our Man in Paris Dexter Gordon Manufacturer: Toshiba EMI Japan ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Jazz | Imports | Stores | Music ASIN: B00000I2W8 Release Date: 2003-11-03

Tracks:

1. Scrapple from the Apple
2. Willow Weep for Me
3. Broadway
4. Stairway to the Stars
5. Night in Tunisia

Album Details

Japanese Release featuring 24 Bit Remastering and LP Style Slipcase for Initial Pressing Only.

Pop Music:

1. Out of the Blue
2. Page One [Original recording remastered]
3. Paseo
4. Pleasures of the Night
5. Reckless Nights & Turkish Twilights [Original recording remastered]
6. Ride
7. Saxophone Colossus (20 Bit Mastering) [Original recording remastered]
8. Shack Man
9. Shape of Jazz to Come
10. Shapes

Pop Music