33 1/3

Amazon.com
Frank and Joe are guitarist Frank Vignola and drummer Joe Ascione, but the key word in their aggregate moniker is "Show." With a band of like minded players on bass, trumpet, violin, and piano--the latter handled by none other than Mac Rebennack, a.k.a. Dr. John--they roll through a wide assortment of covers ranging from Harold Arlen, Cole Porter, and Hoagy Carmichael standards to pop staples by Gilbert O'Sullivan and the Doobie Brothers ("Long Train Runnin'" is a surprisingly perfect vehicle for a small jazz ensemble). Inspired by everyone from Django Reinhardt to Nino Rota, this debut, produced by jazz veteran Joel Dorn, celebrates songcraft that spans the whole of the 20th Century, and beyond. There are also originals by the two principals and arrangements of compositions by Mozart and Rimsky-Korsakov. --David Greenberger

Product Description
The Frank & Joe Show is an irresistible melting pot of musical styles and persuasions. There's gypsy swing crossed with breezy island grooves; the American high lonesome sound infused with modern jazz; classic pop standards filtered through acoustic roots improvisation all the while propelled by delectable rhythms that would bring pause to 1970s' Latin rock bands like Santa na and War. Comprised of virtuoso guitarist Frank Vignola and master percussionist Joe Ascione, the group follows in the great tradition of stellar duos including Steely Dan, The Everly Brothers and Hall & Oates.

On their debut album, 33 1/3, produced by Grammy Award-winning producer Joel Dorn, The Frank & Joe Show deliver a knockout punch, so purely listenable, it renders the word ear candy useless. With special guests including Jane Monheit, Dr. John and Janis Siegel of Manhattan Transfer lending a hand, The Frank and Joe Show are on their way to defining the new standard. Music this good couldn't do anything less!

33 1/3,The Frank & Joe Show,Sin-Drome Records,Jazz,Mainstream Jazz,Pop,Retro Swing

Average customer rating: Why are you waiting? Chopin: Favorite Piano Works Chopin: Favorite Piano Works (London 2 CD) chopins Mazurkas REST FOR THIS WEARY SOUL

Chopin: Favorite Piano Works Manufacturer: Decca ProductGroup: Music Binding: Audio CD Mazurkas | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Ballads | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Ashkenazy, Vladimir | ( A ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Chopin: The Complete Nocturnes And Impromptus Beethoven: Favourite Piano Sonatas / Vladimir Ashkenazy Mozart: The Great Piano Concertos, Vol. 1 Essential Mozart: 32 Of His Greatest Masterpieces Liszt: Favourite Piano Works ASIN: B00000427J Release Date: 1996-02-13

Tracks:

1. Grande Valse brillante, op. 18
2. Fantaisie Imprpmptu, Op. 66
3. Nocturne In E flat Major, Op. 9 No. 2
4. Waltz In A Minor, Op 34 No. 2
5. Mazurka In D Major, Op. 33 No. 2
6. Scherzo In B Flat Minor.D Flat Major, Op. 31
7. Waltz In A flat Major, Op 69 No. 2
8. Nocturne In F Sharp Major, Op. 15 No. 2
9. Waltz In B Minor, Op. 69 No. 2
10. Ballade In G Minor, Op. 23
11. Mazurka In B Flat Major, Op. 7 No. 1
12. Waltz In G Flat Major, Op. 70 No. 1
13. Nocturne In B Major, Op 32 No. 1
14. Polonaise In A Flat Major, Op. 53

Tracks:

1. Ballade No3 In A Flat Major Op.47
2. Prelude In C Sharp Minor, Op. 45
3. Waltz In D Flat Major, Op. 64 No. 1 'Minute'
4. Waltz In C Sharp Minor, Op. 64 No.2
5. Etude In C Minor, Op. 10 No. 12 'Revolutionary'
6. Etude In G Flat Major, Op.10 No.5 'Black Key'
7. Nocturne In F Minor, Op. 55 No.1
8. Polonaise In A Major, Op. 40 No. 1 'Military'
9. Barcarolle In F Sharp Major, Op. 60
10. Prelude In D Flat Major, Op.28 No. 15 'Raindrop'
11. Etude In A Minor, Op. 25 No. 11 'Winter Wind'
12. Etude In E Major, Op. 10 No. 3 'Tristesse'
13. Scherzo No.3 In C Sharp Minor, Op.39

Customer Reviews:

Why are you waiting?.......2006-12-16

Ashkenazy is one of the titans of Chopin. Davidovich and Arrau are the other two. They're all you need. Get Davidovich for the concertos, (inlcuding the Krakowiak--Op 14), Arrau for the nocturnes and a few micscellaneous pieces. Ashkenazy handles everything else.

(Btw, Ashkenazy vs. Davidovich re. the impromptus is a toss up. But since the impromptus aren't on this disc, you can make that critical decision another time.)

Ashkenazy's scherzo #2 (op. 31) IS the best. Period. Other interpretations that your favorite classical music station may substitute are downright lame.

The rest are basically sublime. The first and 4th ballades will send shivers up your spine by Vlad's sheer technical ability. His artistry is second to none.

Chopin: Favorite Piano Works.......2006-07-25

An excellent complilation of Chopin works which includes 3 of the pieces I am currently learning. Definitely has encouraged me to improve my piano skills and allow me to better appreciate his style of music.

Chopin: Favorite Piano Works (London 2 CD).......2006-02-24

Beautifully done 2 CD of Chopin works. I've played it every weekend since I got it, loving every track. It's well performed and recorded, and is an excellent collection for anyone interested in Chopin or his adopted homeland of Poland. And, of course, you can't often go wrong with the London Label.

chopins Mazurkas.......2005-08-08

this is a wonderful collection of the mazurkas but Ashkenazy plays a lot of them too fast my music teacher played these with more pathos he seems like he cant get done fast enough with some of them some introductions should be slower with more feeling otherwise all the mazurkas i wanted are in this disc just wish i had got better artist like Claude Arrau

REST FOR THIS WEARY SOUL.......2005-03-09

On vinyl I owned Ashkenazy's complete recordings of Chopin's piano works. Prior to purchasing this CD of what I call "highlights from Vladimir's Chopin Recordings", I had not replaced them in this format. What a joy it is to hear Vladimir Ashkenazy play these works again. I'm reminded of how much I loved his playing of Chopin on vinyl looking forward to each "new release" with great anticipation. Being, what is referred to, as a "senior citizen" , Chopin's music means ever so much to me offering rest for this weary soul. Vladimir Ashkenazy's performances on these discs are first rate and ones I truly love. As a previous reviewer pointed out, this compellation is a bargain-great price, great music, great sound and great performances by a master of Chopin's music.

If you love Chopin, as I do, buy this recording it will sooth your soul as only great music can.

Average customer rating: Two-and-a-half hours of bliss not what i expected excellent guitar performances Essential Guitar... Lives up to its Name!

Essential Guitar: 33 Guitar Masterpieces Manufacturer: Decca ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: 300 Years of Guitar Masterpieces Spanish Guitar Music Classic Williams: Romance of the Guitar Art of Segovia Baroque Guitar ASIN: B000069KIT Release Date: 2002-08-13

Customer Reviews:

Two-and-a-half hours of bliss.......2007-04-04

This may be the best money I've ever spent. I got 2-1/2 hours of bliss for less than what I'd usually pay for one CD -- and you know how it is with music. You buy an album because of a song or two that you love, and you find that you like maybe half the songs on it. There's not a single selection in this one that I would've left out. It includes Joaquin Rodrigo's Concierto de Aranjuez, performed by Pepe Romero on the guitar with the Acadamy of St. Martin in the Fields. I needed to replace my old LP recording of that. But I also get 30 other classical compositions and traditional Spanish pieces, each special in its own way.

Have you ever heard music that you wanted to last forever, maybe even to dive inside and live there for a while, immersing yourself in sound? That's how I feel about this collection. The only problem I have with it is that I bought it thinking it might be nice to listen to while I write. Not so. It's terrible for that. I'll sit with my hands poised above the laptop keyboard, assuring myself I'll get some work done while I listen. The music takes hold and carries me away.

I'm not expert at describing this or any type of music. I just know what I love. You might too, if you enjoy classical or Spanish guitar -- unless you have absurd expectations about combining listening with work.

not what i expected.......2007-03-26

This CD for me was a waste of money. Its just not what i thought it would be. Others may enjoy it but for me..it wasnt what i was hoping to hear.

excellent guitar performances.......2006-07-27

Outstanding guitar performances. I gave it only 4 stars because I do not personally like some of the compositions.

Essential Guitar..........2005-07-26

Up until this collection, I'd never heard the "Cavatina" played in the Deer Hunter movie. After hearing it, I could play it all day and not tire of it! It moves me that much, considering that it's almost "not" a classical guitar selection. The rest of the music is first rate! Excellent playing, but the "Cavatina..."
Buy it and enjoy!!!!

Lives up to its Name!.......2005-06-10

If you only bought this double CD set, you'd have a good starter collection of classical guitar music. It includes most of the standards, as well as rarer pieces. In addition to the many solo pieces, there are several excerpts from orchestral works, with Rodrigo's indispensible Adagio from "Concierto de Aranjuez" topping the list. There are also several flamenco numbers included, complete with heel taps and castanets.

The recording quality is uniformly good, even on the tracks by Segovia. I don't know if they were remastered or recorded late in his career, but they're free of the surface noise present in so many of his recordings. The set clocks in at a generous 2 1/2 hours - one of the greatest deals in instrumental music; this is not a "bargain" quality set. Listen to the samples online - great stuff.

My only mild criticism is in the marketing. The advertising features John Williams and Julian Bream. Each contributes exactly one track. I would have enjoyed more pieces by them for stylistic comparison. But the less well-known (at least to guitar music neophytes like me) artists are every bit as good, and I intend to obtain more of their work.

Average customer rating: Wonderful, but not my first choice THE BEST recording of the BEST oratorio ever... Too bad there are so few recordings of Elijah

Mendelssohn: Elijah Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Franz Joseph Haydn: The Creation Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel Mahler: Das Lied von der Erde Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw Brahms: Ein deutsches Requiem [A German Requiem] ASIN: B0002XV31A Release Date: 2005-02-15

Tracks:

1. Introduction: As God The Lord Of Israel Liveth
2. Overture
3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
4. No.2: Lord! Bow Thine Ear To Our Prayer!
5. No.3: Ye People, Rend Your Hearts
6. No.4: If With All Your Hearts
7. No.5: Yet Doth The Lord See It Not
8. No.6: Elijah! Get Thee Hence
9. No.7: For He Shall Give His Angels Charge Over Thee
10. Recitative: Now Cherith's Brook Is Dried Up
11. No.8: What Have I Do To Do With Thee?
12. No.9: Blessed Are The Men Who Fear Him
13. No.10: As God The Lord Of Sabaoth Liveth
14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
15. No.12: Call Him Louder, For He Is A God!
16. No.13: Call Him Louder! He Heareth Not!
17. No.14: Lord God Of Abraham, Isaac And Israel!
18. No.15: Cast Thy Burden Upon The Lord
19. No.16: O Thou, Who Makest Thine Angels Spirits
20. No.17: Is Not His Word Like A Fire?
21. No.18: Woe Unto Them Who Forsake Him!
22. No.19: O Man Of God, Help Thy People!
23. No.20: Thanks Be To God!

Tracks:

1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
2. No.22: Be Not Afraid, Saith God The Lord
3. No.23: The Lord Hath Exalted Thee
4. No.24: Woe To Him, He Shall Perish
5. No.25: Man Of God, Now Let My Words Be Precious
6. No.26: It Is Enough; O Lord Now Take My Life
7. No.27: See, Now He Sleepeth
8. No.28: Lift Thine Eyes To The Mountains
9. No.29: He, Watching Over Israel, Slumbers Not
10. No.30: Arise, Elijah, For Thou Hast A Long Journey
11. No.31: O Rest In The Lord
12. No.32: He That Shall Endure To The End, Shall Be Saved
13. No.33: Night Falleth Round Me, O Lord!
14. No.34: Behold! God The Lord Passed By!
15. No.35: Above Him Stood The Seraphim
16. No.36: Go, Return Upon Thy Way
17. No.37: For The Mountains Shall Depart
18. No.38: Then Did Elijah The Prophet Break Forth
19. No.39: Then Shall The Righteous Shine Forth
20. No.40: Behold, God Hath Sent Elijah
21. No.41: But The Lord, From The North Hath Raised One
22. No.41a: O Come Everyone That Thirsteth
23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating: Super Chamber Music Great Schubert, but add some schmaltz please! Brendel displaying his greatness little music Good. But...just good.

Schubert: The Complete Impromptus Franz Schubert , and Alfred Brendel Manufacturer: Philips ProductGroup: Music Binding: Audio CD All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Impromptus | Short Forms | Forms & Genres | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Schubert, Franz | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Schubert: The Piano Sonatas Schubert: Impromptus For Piano Franz Schubert: Complete Trios Schubert: 8 Symphonies Brahms: Works for Solo Piano ASIN: B0000041MS Release Date: 1997-03-11

Tracks:

1. Impromptus, D.899: No. 1 In C Minor
2. Impromptus, D.899: No. 2 In E-Flat
3. Impromptus, D.899: No. 1 In G-Flat
4. Impromptus, D.899: No. 4 In A-Flat
5. Impromptus. D.935: No. 1 In F Minor
6. Impromptus. D.935: No. 2 In A-Flat
7. Impromptus. D.935: No. 3 In B-Flat
8. Impromptus. D.935: No. 3 In B-Flat
9. 16 German Dances, D.783: Deutsche Tanze - Danses allemandes

Tracks:

1. 3 Klavierstucke (Impropmtus), D. 946: No. 1 In E-Flat Minor
2. 3 Klavierstucke (Impropmtus), D. 946: No. 2 In E-Flat
3. 3 Klavierstucke (Impropmtus), D. 946: No. 3 In C Major
4. 6 Moments Musicaux, D. 780: No. 1 in C - Moderato
5. 6 Moments Musicaux, D. 780: No.2 In A-Flat - Andantino
6. 6 Moments Musicaux, D. 780: No. 3 - In F Minor - Allegro moderato
7. 6 Moments Musicaux, D. 780: No. 4 In C-Sharp Minor - Moderato
8. 6 Moments Musicaux, D. 780: No. 5 In F Minor - Allegro vivace
9. 6 Moments Musicaux, D. 780: No. 6 In A-Flat - Allegretto
10. 12 German Dances, D. 790: Deutsche Tanze - Danses Allemandes

Customer Reviews:

Super Chamber Music.......2007-05-31

As I was listening to this while gardening, I forgot for a moment that I was listening to Schubert, and thought 'My, what good Chopin this is!'. Well, I caught myself and realized my little slip revealed the fact that even though solo piano may not have been Schubert's strongest suit, he still managed to do it as well or better than the great classic Mr. Piano Man himself. This is an excellent bargain package with two CD's for the price of one and a complete set of a major composer's genre. I'm not a student of piano style, but Alfred Brendel seems to realize these in a better than workmanlike fashion. He may not be Murray Perahia, but he's no slouch.

Great Schubert, but add some schmaltz please!.......2007-03-18

I was greatly disappointed with my reaction to these CDs. There is nothing specific that I can say against the CDs, but....I was completely and totally uninvolved. I tried multiple listening, but it did not help. I was standing outside the music, and was examining it like I would an ant under the microscope. I know it is not my reaction to Schubert's impromptus, simply because I just adored them when I heard them performed by Krystian Zimerman.
The only thing I figured out is that Mr. Brendel was just too elegant and detached here for my taste. To use a metaphor, he was as elegant as a black cocktail dress, while a dress with some frills, colors, lace, and something soft would have been more appropriate here, I felt. In my view, even some schmaltz would be welcome here.
I guess it all depends on how you would be affected by this CD, so I do encourage you to try it!

Brendel displaying his greatness.......2007-02-05

I've always heard Brendel was a great interpreter of Beethoven, but have not heard his recordings before this work of Schubert. Brendel is an amazing pianist, and Schubert an inspiring composer. Some say this work by Brendel doesn't bring out the fullness of Schubert, but if this isn't one of the best recordings of Schubert, I'll eat my hat.

little music.......2007-01-02

Franz Schubert's piano impromptus are not big music.

Not only are the pieces relatively brief, but the absence of instruments other than solo piano and the evasion of bombast by Schubert altogether make these compositions small music.

But small is beautiful.

Alfred Brendel is at his understated best in his mastery of this genre. Lovers of the keyboard already know that Brendel can flow with Beethovian grandeur together with the best of them. He approaches Schubert's Impromptus, Deutsche Tanze, and Moment Musicaux as an artist with nothing to prove. The result is a pure reading of Schubert that leaves one savoring the music rather than the performer. That's a nice result that credits rather than demeans the pianist.

The Philips Classic ('Duo') series is at its usual peak form for quality, price, and therefore value.

Good. But...just good........2005-12-21

Schubert is my favourite composer, and I regard the impromptus as one of the most aesthetically pleasing of his piano works. I personally have played the D.899 pieces, and I find them very simple to play, they are not by any means technically demanding. But to play them well is in fact extremely difficult.

Control of speed and pressure on the keys is critical in every piece, especially no.3 and no.4 in D.899.

With that said, Brendel's playing is very straightforward and textbook to the very core essentials. The playing is very clean, and his tempo is well under control. However, that's where it ends, as he doesn't bring the liveliness into these works of beauty. Schubert sounds nothing more than a . If you want the music itself without any passion, then this is the album to get. Sound quality is excellent.

The best schubert impromptus I have heard thus far is from Murray Perahia and Radu Lupu. Of the two, I prefer Murray Perahia's. His playing really defines Schubert as a composer - the emotional output is all there, in every note, every phrase. There is not a single part in any of the impromptus where it can be considered dull. Listen to his recording and you will see what I mean. Radu Lupu tends to put more emphasis on the lyrical qualities of these pieces by using strong vibrato. If you really want something out of this world, then try Mitsuko Uchida's version, which is the complete opposite of Brendel, with erratic playing (much like her own personality).

-Sail

Average customer rating: More like Three and a Half Stars Good, not Great Five Stars for Chopin Chopn's Greatest Hits Fantastic!!

Chopin: Greatest Hits Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Mazurkas | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Etudes | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Etudes | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Sonatas | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Sonatas | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Waltzes | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Waltzes | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Chopin, Frédéric | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Sergei Rachmaninoff: Greatest Hits Liszt: Greatest Hits Bach: Greatest Hits Debussy's Greatest Hits Beethoven: Greatest Hits ASIN: B000002A1N Release Date: 1994-08-09

Tracks:

1. Polonaise In A Major, Op. 40 No. 1: 'Military'
2. Waltz In D-Flat Major, Op. 64, No. 1: 'Minute'
3. Mazurka In C Major, Op. 24, No. 2
4. Waltz In C-Sharp Minor, Op. 64, No. 2
5. Mazurka In D Major, Op. 33, No. 2
6. Fantasie-Impromptu In C-Sharp Minor, Op. 66
7. Nocturne In E-Flat Major, Op. 9, No. 2
8. Waltz In G-Flat Major, Op. 70, No. 1
9. Prelude In A Major, Op. 2, No. 7
10. Polonaise In A-Flat Major, Op. 53
11. Etude In E Major, Op. 10, No. 3
12. Prelude In C Minor, Op. 28, No. 20
13. Prelude In D-Flat Major, Op. 28, No. 15: 'Raindrop'
14. Piano Sonata No. 2 in B-flat minor, Op. 35: 'Funeral March'
15. Etude In C Minor, Op. 10, No. 12: 'Revolutionary'
16. Mazurka In C-Sharp Minor, Op. 6, No. 2
17. Waltz In E-Flat Major, Op. 18: 'Grand Valse brillante' From Les Sylphides
18. Piano Concerto No. 2 In F Minor, Op. 21: 'Allegro vivace'

Customer Reviews:

More like Three and a Half Stars.......2006-02-05

When I think of the piano, the first composer that comes to my mind is Chopin. Chopin was a composer who excelled in small form writing for the piano. He wrote beautiful melodies with complex accompaniment that was both challenging for the performer and enlightening for the listener. Chopin did not write many multi-movement pieces and what he did write is generally not as good as his solo piano pieces anyway (this is my opinion, not a fact).
When buying recordings of Chopin's music, there are basically two options. You can either go with a "Greatest Hits" type collection, which works very well with Chopin, or you can buy collections that assemble all he wrote for a certain form (preludes, nocturnes, etudes, etc...). If you are new to Chopin, I suggest buying a "Greatest Hits" collection, though not necessarily this one, even though this is the CD in my car right now. The playing is okay but it's nothing really that special. Considering all the masterful Chopin interpreters out there, such as Rubinstein, Ashkenazy, Argerich, Pollini, and Perahia, it seems silly not to start with a pianist that you really love, since almost every great pianist has recorded works by Chopin. Having said that, this collection contains almost all my favorite works by Chopin, my only complaint being I wish it had more than one nocturne. Thus it serves as a good introduction to Chopin's music. I would recommend the Favorite Chopin collection by Ashkenazy over this collection because not only is he an amazing pianist and a masterful interpreter of Chopin, but it's two discs for the price of one.

Good, not Great.......2002-03-02

Revolutionary Etude and many other performers are good. However, Fanastie Impromptu I've heard performed much better. Raindrop Prelude is played okay, but the song is so low in volume that I can hardly hear it. Good deal though.

Five Stars for Chopin.......2002-01-27

What can I say! This is a wonderful collection of music. I highly recommend it for anyone who loves his music.

Chopn's Greatest Hits.......2001-04-08

Not a good version of Les Sylphides (#17); which is only a 5 minute excerpt. Any other Les Sylphides pieces are sprinkled throughout the CD as piano.

Fantastic!!.......1999-08-15

Frederic Chopin is a very talented artist and composer. A must have of any Chopin collector.

Average customer rating: Beautiful a voice teacher and early music fan The True Drama of the St. Matthew Passion My favorite too! Excellent work - but problems with sound level

Bach: Matthaus-Passion (St Matthew Passion) BWV 244 /Bostridge * Selig * Rubens * Scholl * Gura * Henschel * Collegium Vocale * Herreweghe (+CD-Rom) Collegium Vocale Gent Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Opera & Vocal | Box Sets | Stores | Music Classical | Imports | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Bach: St. John Passion Bach: Mass In B Minor Bach - Mass in B minor / Argenta, Nichols, Chance, Stafford, Milner, W. Evans, Gardiner Bach: Mass in B minor / McNair, Ziegler, Simpson, Aler, Stone, Paul; Shaw Bach: The Art of Fugue; Musical Offering ASIN: B00002R0ZL Release Date: 1999-11-16

Tracks:

1. Kommt, ihr Toechter, helft mir klagen
2. Da Jesus diese Rede vollendet hatte
3. Herzliebster Jesu, was hast du verbrochen
4. Da versammleten sich die Hohenpriester / Ja nicht auf das fest / Da nun Jesus war zu Bethanien / Wozu dienet dieser Unrat / Da das Jesus merkete
5. Du lieber Heiland du
6. Buss und Reu
7. Da ging hin der Zwoelfen einer
8. Blute nur, du liebes Herz
9. Aber am ersten Tage der suessen Brot / Wo willst du, dass wir dir bereiten / Er sprach: Gebet ihn in die Stadt / Un sie wurden sehr betrubt / Herr, bin ich's
10. Ich bin's, ich sollte buessen
11. Er antwortete und sprach:
12. Wiewohl mein Herz in Traenen schwimmt
13. Ich willdir mein Herze schenken
14. Und da sie den Lobgesang gesprochen hatten
15. Erkenne mich, mein Hueter
16. Petrus aber antwortete
17. Ich will hier bei dir stehen
18. Da kam Jesus mit ihnen zu einem Hofe
19. O Schmerz! hier zittert das gequaelte Herz
20. Ich will bei meinem Jesu wachen
21. Und ging hin ein wenig
22. Der Heiland faellt vor seinem Vater nieder
23. Gerne will ich mich bequemen
24. Und er kam zu seinen Juengern
25. Was mein Gott will, das g'scheh' allzeit
26. Und er kam und fand sie aber schlafend
27. So ist mein Jesus nun gefangen / Sind Blitze, sind Donner in Wolken verschwunden
28. Und siehe, einer aus denen
29. O Mensch, bewein' dein Suende gross

Tracks:

1. Ach! nun ist mein Jesus hin
2. Die aber Jesum gegriffen hatten
3. Mir hat die Welt trueglich gericht't
4. Und wiewold viel falsche Zeugen herzutraten
5. Mein Jesus schweigt zu falschen Luegen stille
6. Geduld, Geduld!
7. Und der Hohepriester antwortete / Er ist des Todes schuldig / Da speieten sie aus in sein Angesicht / Weissage uns, Christe
8. Wer hat dich so geschlagen
9. Petrus aber sass draussen im Palast / Wahrlich, du bist auch einer von denen
10. Erbarme dich
11. Bin ich gleich von dir gewichen
12. Das Morgens aber heilten alle Hohenpriester / Was gehet uns das an / Und er warf die Silberlinge in den Tempel
13. Gebt mir meinen Jesum wieder
14. Sie heilten aber einen Rat
15. Befiehl du deine Wege
16. Auf das Fest aber hatte der Landpfleger / Lass in kreuzigen!
17. Wie wunderbarlich ist doch diese Strafe
18. Der Landpfleger sagte
19. Er hat uns allen wohlgetan
20. Aus Liebe will mein Heiland sterben
21. Sie schrieen aber noch mehr / Lass in kreuzigen! / Da aber Pilatus sahe / Sein Blut komme uber uns / Da gab er ihnen Barrabam los
22. Erbarm es Gott
23. Koennen Traenen meiner Wangen

Tracks:

1. Da nahmen Kriegsknechte / Gegruesset seist du, Judenkoenig / Und speieten ihn an
2. O Haupt voll Blut und Wunden
3. Und da sie ihn verspottet hatten
4. Ja! freilich will in uns das Fleisch und Blut
5. Komm, suesses Kreuz
6. Und da sie an die Staette kamen / Der du den Tempel Gottes zerbrichst / Desgleichen auch die Hohenpreister / Andern hat er geholfen / Desgleichen schmaeheten ihn
7. Ach, Golgatha, unsel'ges Golgatha
8. Sehet Jesus hat die hand
9. Und von der sechsten Stunde / Der rufet dem Elias / Und bald lief einer unter ihnen / Halt, lass sehen / Aber Jesus schriee abermals laut
10. Wenn ich einmal soll scheiden
11. Und siehe da, der Vorhang im Tempel zerriss / Wahrlich, dieser ist Gottes Sohn gewesen / Und es waren viel Weiber da
12. Am Abend da es kuehle war
13. Mache dich, mein Herze, rein
14. Und Joseph nahm den Leib / Herr, wir haben gedacht / Pilatus sprach zu ihnen
15. Nun ist der Herr zu Ruh gebracht
16. Wir setzen uns mit Traenen nieder

Amazon.com essential recording

The St. Matthew Passion, Bach's monumental retelling of the story of the Last Supper and the arrest and execution of Jesus, typically runs from two-and-a-half to three hours. Yet this performance makes the time... well, not exactly fly past (consider the subject matter), but it's not tedious for even a second. Much of the credit for this goes to the marvelous Evangelist, Ian Bostridge. He's an outstanding narrator: the clear tone and diction, skillful timing, and intense involvement with words that made him a famous lieder singer are all in evidence; his part consists of nothing but recitative, yet he holds your interest unfailingly. Franz-Josef Selig gives a more dramatic reading of Jesus than you usually hear these days--he may be a bit too "operatic" for some listeners, but he really communicates his character's very human anguish and sorrow. Similarly, soprano Sibylla Rubens, tenor Werner Güra, and bass Dietrich Henschel sometimes unleash a bit too much vibrato for some tastes, but their singing is full-throated and attractive and they're very sensitive to the nuances in the text and music. Superstar countertenor Andreas Scholl is the standout--he combines unearthly purity with very earthly feeling and blends beautifully with the baroque instruments. The real stars of the record, however, are Philippe Herreweghe and his remarkable choir and orchestra. This conductor and his musicians (especially his radiant choir, Collegium Vocale) have always been superb at conveying warmth, devotion, and contemplation, but intense joy, anguish, or anger have sometimes seemed beyond them. Not here: they cover the full emotional range of this work--from reverent reflection to anguished remorse to churning fury--without ever crossing the line into melodrama or sacrificing clarity.

On top of all this, you get a CD-ROM chock full of interesting and well-organized information (in English, German, and French): texts as well as an overview with a timeline of Bach's life, a discussion of how the work is put together, marvelous graphics, sound clips, and an extensive interview with Herreweghe himself. A superb accompaniment to a superb release. --Matthew Westphal

Customer Reviews:

Beautiful.......2007-02-03

Do not hesitate for a moment to purchase this CD/CD ROM package. I researched thoroughly the many recordings of this work, and I am very pleased to have decided on this one. It is a gorgeous, moving recording.

a voice teacher and early music fan.......2007-01-08

Bach (1685-1750), a Lutheran, was specifically asked by St. Thomas' Church, Leipzig, to supply a non-theatrical Passion. In this context passion stands for the act of passive suffering, of watching and occasonally empathising in the suffering of Christ, a development which began in the Middle Ages when the church took steps to popularise the Bible. When sung, the role of the Evangelist would be taken by a tenor and that of Jesus by a bass. As various instruments were added they began to be associated with certain roles and as with opera any dramatic action in the text occurred during the recitative. The chorus has two functions: to participate in the action and then to reflect upon it, such reflections provided by the chorales which were familiar Lutheran hymns.
The St. Matthew Passion was composed for the Good Friday service at the St. Thomas Church in Leipzig in 1727. As time went on Bach revised and added other pieces and subsequently this Passion became the grandest and the largest of his works. He used a Double Chorus, included a third soprano group for the opening and close of Part One, two orchestras split so that they either accompanied the first or the second chorus, four soloists who carry specific parts and a number of other singers who have other roles. The Gospel of Matthew, Chapters 26 and 27 plus traditional Lutheran chorales and meditative poems (by Henrici also known as Picander) provide the text.The Evangelist narrates the action scene by scene.
Although the work as a whole is somewhat heavy and sombre there are some lighter moments to treasure, and none more delightful than the soprano aria in Part One "Ich will dir mein Herze schenken" (I will give my heart to Thee). Part two contains the best known and loved aria from the work "Erbarme dich,mein Gott" (Have mercy, my God) for alto and violin obligato and pizzicato bass. The death is terse but dramatic as is the earthquake following with the heartrending crying "Walrlich dieser ist Gottes Sohn gewesen" (Truly this was the Son of (God). It all ends with a Sarabande-like chorale bidding Jesus to rest in peace.
The packageing of this edition is outstanding; the booklet includes absolutely all the documentation that one may need to fully comprehend this monumental work of Bach's. In addition, the the 3 CD's, there is a CD-Rom that explains the entire procedure for the production of this recording (in 3 languages:French,English and German).
The performance itself is excellent and beyond reproach. Ian Bostridge is all that one would desire in a tenor Evangelist; a joy just to hear his voice. Andreas Scholl gives one of the most emotional performances I have ever heard from him; he tends to be somewhat 'laid-back' in some renditons, but not in this one. Just my opinion; all you Scholl fans, don't get excited!!!!!I suggest you allow yourself an entire day to explore this wonderful musical experience.

The True Drama of the St. Matthew Passion.......2006-04-11

There are gratefully many recordings of Bach's great St. Matthew Passion from which to choose, and the approaches to this long and mighty work of inspiration are varied. While this listener cut his teeth of the old Klemperer recording now re-mastered from the LP days to CD, this recording under the sensitive and commanding control of Philippe Herreweghe has become the recording most favored for return listenings, especially during the Holy Week. Herreweghe obviously knows the work from intense study, a fact that gives him all the stamina to make the overall Passion work both musically and dramatically.

Herreweghe draws sumptuous playing from his Collegium Vocale Orchestra and Chorus, keeping the period sound intact while adding the contemporary trend for finding the operatic aspects of the work in the lead of all the other recordings. Of course he has an extraordinary group of soloists who give definitive performances. The leading actor is the Evangelist who guides us through the arrest and assassination the Jesus according to the Gospel of Matthew: Ian Bostridge not only has a beautiful tenor voice, rich and warm, but he also offers perfect enunciation of the text and delivers his comments with the exact amount of propelling drama. The role of Jesus is strongly delivered by Franz-Josef Selig and matches his competition (Fischer-Dieskau, Quasthoff and Goerne included!) in conveying both the agony and the transcendence of Bach's lines.

Add to this strong matrix the exquisite singing of Andreas Scholl and the solo work by Sibylla Rubens, Werner G?ra, Dietrich Henschel, Dominik Worner, Elisabeth Hermans, Susan Hamilton and Frits Vanhulle and the beauty of the drama is perfect. This is truly the most dramatic performance of Bach's most dramatic Passion and one to cherish for years. Highly Recommended. Grady Harp, April 06

My favorite too!.......2005-09-17

I own six different St. Matthew Passion recordings, and this is my favorite. Herrweghe gets it right. I am not a stickler for HIP, but prefer it. In my opinion this is the most balanced high quality HIP treatment of the St. Matthew available. Get it!

Excellent work - but problems with sound level.......2005-05-29

I have no complaints about the performance, with the exception of two points: (1) the bass can at times sound too sharp and loud; (2) there is a bit of showing off, desire to impress the listener. Otherwise the work is awesome, but I am irritated by the recording quality. I thought that I would get used to it, but as I continue to listen to it, it irritates me more and more. The sound level is unequal. It is either too low, or annoyingly too high. I simply cannot just turn on the CD and listen through without adjusting volume levels all the time. Music becomes too quiet, then it bursts into sudden loudness, sharp, unpleasant sounds, which is extremely vexing. This is the main reason for my not listening to this recording more often. To add insult to injury, the bonus CD does not work on my computer, but freezes and muddles up. If I knew about this, I wouldn't have bought these CDs. Fortunately, I have also Herreweghe I, which I prefer to this one. But my all time favourite is - HARNONCOURT.

Average customer rating: Decent interpretation marred by terrible intonation excellent choice for Romeo & Juliet Superior interpretation, same remastering

Prokofiev: Romeo and Juliet Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music All Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Prokofiev, Sergei | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Tchaikovsky: Swan Lake (complete ballet); Wolfgang Sawallisch; Philadelphia Orchestra Tchaikovsky: The Sleeping Beauty Prokofiev: Romeo and Juliet Prokofiev: Cinderella Rossini: The Barber of Seville (Complete opera); Beverly Sills; Nicolai Gedda; James Levine; London Symphony Orchestra ASIN: B0002XV310 Release Date: 2005-02-15

Tracks:

1. No.1 Introduction
2. No.2 Romeo
3. No.3 The Street Awakens
4. No.4 Morning Dance
5. No.5 The Quarrel
6. No.6 The Fight
7. No.7 The Prince Gives His Order
8. No.8 Interlude
9. No.9 Preparing For The Ball
10. No.10 Juliet As A Young Girl
11. No.11 Arrival Of The Guests
12. No.12 Masks
13. No.13 Dance Of The Knights
14. No.14 Juliet's Variation
15. No.15 Mercutio
16. No.16 Madrigal
17. No.17 Tybalt Recognises Romeo
18. No.18 Departure Of The Guests (Gavotte)
19. No.19 Balcony Scene
20. No.20 Romeo's Variation
21. No.21 Love Dance
22. No.22 Folk Dance
23. No.23 Romeo And Mercutio
24. No.24 Dance Of The Five Couples
25. No.25 Dance With The Mandolins
26. No.26 The Nurse

Tracks:

1. No.27 The Nurse Gives Romeo The Note From Juliet
2. No.28 Romeo With Friar Laurence
3. No.29 Juliet With Friar Laurence
4. No.30 The People Continue To Make Merry
5. No.31 Folk Dance
6. No.32 Tybalt Meets Mercutio
7. No.33 Tybalt And Mercutio Fight
8. No.34 Mercutio Dies
9. No.35 Romeo Decides To Avenge Mercutio's Death
10. No.36 Finale
11. No.37 Introduction
12. No.38 Romeo And Juliet (Juliet's Bedroom)
13. No.39 The Last Farewell
14. No.40 The Nurse
15. No.41 Juliet Refuses To Marry Paris
16. No.42 Juliet Alone
17. No.43 Interlude
18. No.44 At Friar Laurence's
19. No.45 Interlude
20. No.46 Juliet's Bedroom
21. No.47 Juliet Alone
22. No.48 Morning Serenade
23. No.49 Dance Of The Girls With The Lillies
24. No.50 At Juliet's Bedside
25. No.51 Juliet's Funeral
26. No.52 Death Of Juliet

Customer Reviews:

Decent interpretation marred by terrible intonation.......2007-04-06

I had great difficulty restraining myself from turning this off when listening to it for the first time, because London does such a terrible job of being anywhere near in tune for much of it. Combined with many missed notes in the brass, messy passagework in the strings, and woodwind playing that seems intent on doing anything BUT creating any sort of phrase, it's doubtful this is worth even the small price Amazon has it listed for.

For a budget recording of this that's actually decent, I'd be much more inclined to buy Naxos' release of the National Symphony Orchestra of Ukraine's version under Andrew Mogrelia.

excellent choice for Romeo & Juliet.......2006-04-14

I am writing mainly in response to Sarman (Sweden). I own the fforte edition and have played this many years on several systems. On Onkyo DR-UN7 dvd receiver driving Epos 22's, the sound is excellent, as it was using Panasonic dvd player, NAD amplifier, and Epos 11's. Previn is one of best interpreters of Prokofiev--after all, he is a Russian born in Berlin. I don't know who could call either the playing or the re-mastering "dull". The natural alternative is Gergiev, re-issued on Philips great 50 recordings at medium price. That is also quite good. I would avoid the others.

Superior interpretation, same remastering.......2006-04-01

This interpretation is dramatic and organic, for example the "Death of Tybalt" is real spooky, whereas in "the people continue to make merry" the orchestra sounds like a local band in a parade, and so on. It sounds Prokofiev ingenious to me. This is clearly my favourite out of R&J recordings. The Ancerl/CPO heartbreaking recording of some 10 scenes might be the most delicious of them all, but again it does not diminish the Previn recording.

Someone called this Previn recording "lackluster". It could have to do with the recording technique, the sound is slightly dull at times. This is the same remastering as previously released on EMI double forte. However at times I think it sounds fine. It might have to do with my HiFi system or small speakers, I might try another pair. I'd appreciate comments from other reviewers on this.

Average customer rating: THE GREATEST OF CHOPIN PIANISTS The greatest interpretation Not such a great album Love it. RECORDING QUALITY IS A FACTOR

Arthur Rubinstein plays Chopin [Box Set] Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Mazurkas | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Beethoven, Ludwig van | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Chopin, Frédéric | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Arthur Rubinstein: Ludwig Van Beethoven Piano Sonatas Arthur Rubinstein - Chopin 19 Nocturnes (Vol. 49) Great Recordings Of The Century - Dinu Lipatti Schubert: The Piano Sonatas Beethoven: The Complete Symphonies and Piano Concertos ASIN: B000002S59 Release Date: 1994-03-15

Tracks:

1. Piano Concerto No. 1 In E minor, Op. 11: Allegro maestoso risoluto
2. Piano Concerto No. 1 In E minor, Op. 11: Romanze (Larghetto) -
3. Piano Concerto No. 1 In E minor, Op. 11: Rondo vivace
4. Piano Concerto No. 2 In F minor, Op. 21: Maestoso
5. Piano Concerto No. 2 In F minor, Op. 21: Larghetto
6. Piano Concerto No. 2 In F minor, Op. 21: Allegro vivace
7. Waltz In C Sharp Minor, Op. 64, No. 2
8. Nocturne No. 1 In B Flat Minor, Op. 9 No. 1
9. Nocturne No. 2 In E Flat Major, Op. 9 No. 2
10. Nocturne No. 3 In B Major, Op. 9 No. 3

Tracks:

1. Nocturne No. 4 In F Major, Op. 15 No. 1
2. Nocturne No. 5 In F Sharp Major, Op. 15 No. 2
3. Nocturne No. 6 In G Minor, Op. 15 No. 3
4. Nocturne No. 7 In C Sharp Minor, Op. 27 No. 1
5. Nocturne No. 8 In D Flat Major, Op. 27 No. 2
6. Nocturne No. 9 In B Major, Op. 32 No. 1
7. Nocturne No. 10 In A Flat Major, Op. 32 No. 2
8. Nocturne No. 11 In G Minor, Op. 37 No. 1
9. Nocturne No. 12 In G Major, Op. 37 No. 2
10. Nocturne No. 13 In C Minor, Op. 48 No. 1
11. Nocturne No. 14 In F Sharp Minor, Op. 48 No. 2
12. Nocturne No. 15 In F Minor, Op. 55 No. 1
13. Nocturne No. 16 In E Flat Major, Op. 55 No. 2
14. Nocturne No. 17 In B Major, Op. 62 No. 1
15. Nocturne No. 18 In E Major, Op. 62 No. 2
16. Nocturne No. 19 In E Minor, Op. 71 No. 1 (posth.)

Tracks:

1. Waltz In A-Flat Major, Op. 34, No. 1
2. Mazurka In F-Sharp Minor, Op. 6, No.1
3. Mazurka In C-Sharp Minor, Op. 6, No.2
4. Mazurka In E-Major, Op. 6, No.3
5. Mazurka In E-Flat Major, Op.6, No.4
6. Mazurka In B-Flat Major, Op. 7, No. 1
7. Mazurka In A-Minor, Op. 7, No.2
8. Mazurka In F-Minor, Op. 7, No. 3
9. Mazurka In A-Flat Major, Op. 7, No.4
10. Mazurka In C-Major, Op. 7, No. 5
11. Mazurka In B-Flat Major, Op. 17, No.1
12. Mazurka In E-Minor, Op. 17, No. 2
13. Mazurka In A-Flat Major, Op. 17, No. 3
14. Mazurka In A-Minor, Op. 17, No. 4
15. Mazurka In G-Minor, Op. 24, No. 1
16. Mazurka In C-Major, Op. 24, No. 2
17. Mazurka In A-Flat Major, Op. 24, No. 3
18. Mazurka In B-Flat Minor, Op. 24, No. 4
19. Mazurka In C-Minor, Op. 30, No. 1
20. Mazurka In B-Minor, Op. 30, No. 2
21. Mazurka In D-Flat Major, Op. 30, No. 3
22. Mazurka In C-Sharp Minor, Op. 30, No. 4
23. Mazurka In G-Sharp Minor, Op. 33, No. 1
24. Mazurka In D-Major, Op. 33, No. 2
25. Mazurka In C-Minor, Op. 33, No. 3
26. Mazurka In B-Minor, Op. 33, No. 4
27. Mazurka In C-Sharp Minor, Op. 41, No. 1
28. Mazurka In E-Minor, Op. 41, No. 2
29. Mazurka In B-Major, Op. 41, No. 3
30. Mazurka In A-Flat Major, Op. 42, No. 4
31. Mazurka In G-Major, Op. 50, No. 1
32. Mazurka In A-Flat Major, Op. 50, No. 2
33. Mazurka In C-Sharp Minor, Op. 50, No. 3

Tracks:

1. Mazurka In B-Major, Op. 56, No. 1
2. Mazurka In C-Major, Op. 56, No. 2
3. Mazurka In C-Minor, Op. 56, No. 3
4. Mazurka In A-Minor, Op. 59, No. 1
5. Mazurka In A-Flat Major, Op. 56, No. 2
6. Mazurka In F-Sharp Minor, Op. 56, No. 3
7. Mazurka In B-Major, Op. 63, No. 1
8. Mazurka In F-Minor, Op. 63, No. 2
9. Mazurka In C-Sharp minor, Op. 63, No. 3
10. Mazurka In G-Major, Op. 67, No. 1
11. Mazurka In G-Minor, Op. 67, No. 2
12. Mazurka In C-Major, Op. 67, No. 3
13. Mazurka In A-Minor, Op. 67, No. 4
14. Mazurka In C-Major, Op. 68, No. 1
15. Mazurka In A-Minor, Op. 68, No. 2
16. Mazurka In F-Major, Op. 68, No. 3
17. Mazurka In F-Monor, Op. 68, No. 4
18. Mazurka In A-Minor, Op. Posth. (A son ami Emile Gaillard)
19. Mazurka In A-Minor, Op. posth. (Notre temps)
20. Scherzi In B-Minor, Op. 20
21. Scherzi In B-Flat Minor, Op. 31
22. Scherzi In C-Sharp Minor, Op. 39
23. Scherzi In E-Major, Op. 54

Tracks:

1. Barcaolle In F-Sharp Major, Op. 60
2. Berseuse In D-Flar Major
3. Polonaise In C-Sharp Major, Op. 26, No. 1
4. Polonaise In E-Flat Major, Op. 26, No.2
5. Polonaise In A-Major, Op. 40, No. 1
6. Polonaise In C-Minor, Op. 40, No. 2
7. Polonaise In F-Sharp Major, Op. 44
8. Polonaise In A-Flat Major, Op. 53 (Heroic)
9. Polonaise In A-Flat Major, Op. 61 (Polonaise-Fantaisie)
10. Andante splanato & polonaise brillante In E-Flat Major, Op. 22

Customer Reviews:

THE GREATEST OF CHOPIN PIANISTS.......2007-03-01

These are the earlier discs of Rubinstein's Chopin, recorded by HMV in London during the 1930's. It is less complete than his later recordings for RCA - no Sonatas, no Ballades, no Etudes. The sound is naturally of its time - but in many ways more natural than the sharply-lit, slightly edgy piano sound RCA favoured in the 50's and 60's. Nevertheless, these are the Chopin performances I return to most.

Rubinstein's natural affinity with Chopin is legendary. He seemed always able to capture precisely the right degree of rubato at exactly the right moment in these pieces. And he had a unique ability in his countryman's music to balance the lyrical with the impassioned, what seems completely spontaneous with what is clearly deeply considered. The Nocturnes here are, I think, the best you'll hear anywhere on disc. In the greatest of them - the Opp.37 & 48 sets, for example - Rubinstein gets the contrast between the dreamy nocturnal outer sections with the darker, more impassioned central sections just right. These are not salon miniatures in his hands but big works, if not in length then in content. And no-one can match Rubinstein in the elusive diversity of this complete set of Mazurkas. The two Concerti both have Barbirolli as the sympathetic conductor, following Rubinstein's lead in the ebb and flow of phrases and whole sections of these gorgeous and often maligned works. Interestingly the recording of Concerto No.2 (actually the first composed) dates from before the pianist's famous withdrawal from public performance to reconstruct his technique and his approach, that of Concerto No.1 from after. Perhaps one can detect a touch more maturity and refinement in his approach to the latter, but they are both ravishing performances.

Many of the performances on these 5 discs are the greatest Chopin you're likely to hear. And the ear soon adjusts to the somewhat old-fashioned recorded piano sound. This is a highly desirable set for any lover of Chopin and/or great piano playing.

The greatest interpretation.......2007-02-17

The interpretation is stunning. Mono - but no matter for solo piano - and a wee bit hissy but still quite superb.

Not such a great album.......2007-01-12

This album was recorded from records as you can hear the scratches and skips. Don't recommend it!

Love it........2006-06-22

This is my favorite album. I think that not even Rubinstein's later recordings attain this quality of musical involvment.

There is a fair amount of background noise, but the music helps to forget it rather quickly overall.

RECORDING QUALITY IS A FACTOR.......2005-02-10

Otherwise, I would have given 5 stars. The fact that these have a hiss (and you can practically hear him close the piano on several numbers) should be mentioned. I guess we are spoiled to audio quality, but this is an expensive collection and this fact was glaringly omitted. That said, I have enjoyed the recordings, in spite of the very audible hiss.

Average customer rating: My experience of this CD Beautiful! Well worth the money. Wonderful! Wonderful! Best investment to make A great pianist interpreting the most inspired composer ever !

Chopin: The Piano Works Manufacturer: Decca ProductGroup: Music Binding: Audio CD Bourees | Ballets & Dances | Classical | Styles | Music Dances | Ballets & Dances | Classical | Styles | Music Ecossaises | Ballets & Dances | Classical | Styles | Music Galops | Ballets & Dances | Classical | Styles | Music Mazurkas | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Ballads | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Rondos | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Impromptus | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Liszt: Piano Works Brahms: Works for Solo Piano Schubert: The Piano Sonatas Works for Solo Piano Mozart: The Piano Concertos ASIN: B0000041KB Release Date: 1997-06-24

Tracks:

1. 24 Preludes, Op.28: I - C Major
2. 24 Preludes, Op.28: II - A Minor
3. 24 Preludes, Op.28: III - G Major
4. 24 Preludes, Op.28: IV - E Minor
5. 24 Preludes, Op.28: V - D Major
6. 24 Preludes, Op.28: VI - B Minor
7. 24 Preludes, Op.28: VII - A Major
8. 24 Preludes, Op.28: VIII - F Sharp Minor
9. 24 Preludes, Op.28: IX - E Major
10. 24 Preludes, Op.28: X - C Sharp Minor
11. 24 Preludes, Op.28: XI - B Major
12. 24 Preludes, Op.28: XII - G Sharp Minor
13. 24 Preludes, Op.28: XIII - F Sharp Major
14. 24 Preludes, Op.28: XIV - E Flat Minor
15. 24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
16. 24 Preludes, Op.28: XVI - B Flat Minor
17. 24 Preludes, Op.28: XVII - A Flat Major
18. 24 Preludes, Op.28: XVIII - F Minor
19. 24 Preludes, Op.28: XIX - E Flat Major
20. 24 Preludes, Op.28: XX - C Minor
21. 24 Preludes, Op.28: XXI - B Flat Major
22. 24 Preludes, Op.28: XXII - G Minor
23. 24 Preludes, Op.28: XXIII - F Major
24. 24 Preludes, Op.28: XXIV - D Minor
25. Prelude In C Sharp Minor, Op.45
26. Prelude In A Flat Major
27. Impromptu In A Flat Major, Op.29
28. Impromptu In F Sharp Major, Op.36
29. Impromptu In G Flat Major, Op.51
30. Fantaisie-Impromptu In C Sharp Minor, Op.66

Tracks:

1. Ballade No.1 In G Minor, Op.23
2. Ballade No.2 In F Major, Op.38
3. Ballade No.3 In A Flat Major, Op.47
4. Ballade No.4 In F Minor, Op.52
5. Scherzo No.1 In B Minor, Op.20
6. Scherzo No.2 In B Flat Minor, Op.31
7. Scherzo No.3 In C Sharp Minor, Op.39
8. Scherzo No.4 In E Minor, Op.54

Tracks:

1. 3 Nocturnes, Op.9: I - B Flat Minor
2. 3 Nocturnes, Op.9: II - E Flat Major
3. 3 Nocturnes, Op.9: III - B Major
4. 3 Nocturnes, Op.15: I - F Major
5. 3 Nocturnes, Op.15: II - F Sharp Major
6. 3 Nocturnes, Op.15: III - G Minor
7. 2 Nocturnes, Op.27: I - C Sharp Minor
8. 2 Nocturnes, Op.27: II - D Flat Major
9. 2 Nocturnes, Op.32: I - B Major
10. 2 Nocturnes, Op.32: II - A Flat Major
11. 2 Nocturnes, Op.37: I - G Minor
12. 2 Nocturnes, Op.37: II - G Major

Tracks:

1. 2 Nocturnes, Op.48: I - C Minor
2. 2 Nocturnes, Op.48: II - F Sharp Minor
3. 2 Nocturnes, Op.55: I - F Minor
4. 2 Nocturnes, Op.55: II - E Flat Major
5. 2 Nocturnes, Op.62: I - B Major
6. 2 Nocturnes, Op.62: II - E Major
7. Nocturne In E Minor, Op.72 No.1
8. Nocutrne In C Sharp Minor
9. Nocturne In C Minor

Tracks:

1. 12 Etudes, Op.10: I - C Major
2. 12 Etudes, Op.10: II - A Minor
3. 12 Etudes, Op.10: III - E Major
4. 12 Etudes, Op.10: IV - C Sharp Minor
5. 12 Etudes, Op.10: V - G Flat Major 'Black Key'
6. 12 Etudes, Op.10: VI - E Flat Minor
7. 12 Etudes, Op.10: VII - C Major
8. 12 Etudes, Op.10: VIII - F Major
9. 12 Etudes, Op.10: IX - F Minor
10. 12 Etudes, Op.10: X - A Flat Major
11. 12 Etudes, Op.10: XI - E Flat Major
12. 12 Etudes, Op.10: XII - C Minor 'Revolutionary'
13. 12 Etudes, Op.25: I - A Flat Major
14. 12 Etudes, Op.25: II - F Minor
15. 12 Etudes, Op.25: III - F Major
16. 12 Etudes, Op.25: IV - A Minor
17. 12 Etudes, Op.25: V - E Minor
18. 12 Etudes, Op.25: VI - G Sharp Minor
19. 12 Etudes, Op.25: VII - C Sharp Minor
20. 12 Etudes, Op.25: VIII - D Flat Major
21. 12 Etudes, Op.25: IX - G Flat Major
22. 12 Etudes, Op.25: X - B Minor
23. 12 Etudes, Op.25: XI - A Minor 'Winter Wind'
24. 12 Etudes, Op.25: XII - C Minor

Tracks:

1. 2 Polonaises, Op.26: I - C Sharp Minor
2. 2 Polonaises, Op.26: II - E Flat Minor
3. 2 Polonaises, Op.40: I - A Major
4. 2 Polonaises, Op.40: II - C Minor
5. Polonaise In F Sharp Minor, Op.44
6. Polonaise In A Flat Major, Op.53
7. Polonaise-fantaisie In A Flat Major, Op.61

Tracks:

1. 3 Polonaises, Op.71: I - D Minor
2. 3 Polonaises, Op.71: II - B Flat Major
3. 3 Polonaises, Op.71: III - F Minor
4. Polonaise In B Flat Minor
5. Polonaise In G Flat Major
6. Polonaise In G Minor
7. Polonaise In B Flat Major
8. Polonaise In A Flat Major
9. Polonaise In G Sharp Minor

Tracks:

1. Waltz In E Flat Major, Op.18
2. 3 Waltzes, Op.34: I - A Flat Major
3. 3 Waltzes, Op.34: II - A Minor
4. 3 Waltzes, Op.34: III - F Major
5. Waltz In A Flat Major, Op.42
6. 3 Waltzes, Op.64: I - D Flat Major
7. 3 Waltzes, Op.64: II - C Sharp Minor
8. 3 Waltzes, Op.64: III - A Flat Major
9. 2 Waltzes, Op.69: I - A Flat Major
10. 2 Waltzes, Op.69: II - B Minor
11. 3 Waltzes, Op.70: I - G Flat Major
12. 3 Waltzes, Op.70: II - F Minor
13. 3 Waltzes, Op.70: III - D Flat Major
14. Waltz In E Minor (1830)
15. Waltz In E Major (1829)
16. Waltz In A Minor (?1843)
17. Waltz In A Flat Major (1827)
18. Waltz In E Flat Major ('Sostenuto', 1840)
19. Waltz In E Flat Major (1829 - 1830)

Tracks:

1. 4 Mazurkas, Op.6: I - F Sharp Minor
2. 4 Mazurkas, Op.6: II - C Sharp Minor
3. 4 Mazurkas, Op.6: III - E Major
4. 4 Mazurkas, Op.6: IV - E Flat Minor
5. 5 Mazurkas, Op.7: I - B Flat Major
6. 5 Mazurkas, Op.7: II - A Minor
7. 5 Mazurkas, Op.7: III - F Minor
8. 5 Mazurkas, Op.7: IV - A Flat Major
9. 5 Mazurkas, Op.7: V - C Major
10. 4 Mazurkas, Op.17: I - B Flat Major
11. 4 Mazurkas, Op.17: II - E Minor
12. 4 Mazurkas, Op.17: III - A Flat Major
13. 4 Mazurkas, Op.17: IV - A Minor
14. 4 Mazurkas, Op.24: I - G Minor
15. 4 Mazurkas, Op.24: II - C Major
16. 4 Mazurkas, Op.24: III - A Flat Major
17. 4 Mazurkas, Op.24: IV - B Flat Minor
18. 4 Mazurkas, Op.30: I - C Minor
19. 4 Mazurkas, Op.30: II - B Minor
20. 4 Mazurkas, Op.30: III - D Flat Major
21. 4 Mazurkas, Op.30: IV - C Sharp Minor
22. 4 Mazurkas, Op.33: I - G Sharp Minor
23. 4 Mazurkas, Op.33: II - D Major
24. 4 Mazurkas, Op.33: III - C Major
25. 4 Mazurkas, Op.33: IV - B Minor
26. 4 Mazurkas, Op.41: I - C Sharp Minor
27. 4 Mazurkas, Op.41: II - E Minor
28. 4 Mazurkas, Op.41: III - B Major
29. 4 Mazurkas, Op.41: IV - A Flat Major

Tracks:

1. 3 Mazurkas, Op.50: I - G Major
2. 3 Mazurkas, Op.50: II - A Flat Major
3. 3 Mazurkas, Op.50: III - C Sharp Minor
4. 3 Mazurkas, Op.56: I - B Major
5. 3 Mazurkas, Op.56: II - C Major
6. 3 Mazurkas, Op.56: III - C Minor
7. 3 Mazurkas, Op.59: I - A Minor
8. 3 Mazurkas, Op.59: II - A Flat Major
9. 3 Mazurkas, Op.59: III - F Sharp Minor
10. 3 Mazurkas, Op.63: I - B Major
11. 3 Mazurkas, Op.63: II - F Minor
12. 3 Mazurkas, Op.63: III - C Sharp Minor
13. 4 Mazurkas, Op.67: I - G Major
14. 4 Mazurkas, Op.67: II - G Minor
15. 4 Mazurkas, Op.67: III - C Major
16. 4 Mazurkas, Op.67: IV - A Minor
17. 4 Mazurkas, Op.68: I - C Major
18. 4 Mazurkas, Op.68: II - A Minor
19. 4 Mazurkas, Op.68: III - F Major
20. 4 Mazurkas, Op.68: IV - F Minor
21. Mazurka In A Minor ('a Emile Gaillard', 1840)
22. Mazurka In A Minor ('Notre temps', 1840)
23. Mazurka In B Flat Major (1826)
24. Mazurka In G Major (1826)
25. Mazurka In A Flat Major (1834)
26. Mazurka In C Major (1833)
27. Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
28. Mazurka In D Major (1832)
29. Mazurka In D Major (?1820)
30. Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy

Tracks:

1. Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
2. Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
3. Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
4. Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
5. Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
6. Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
7. Piano Sonata No.3 In B Minor, Op.58: III - Largo
8. Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
9. Fantaisie In F Minor, Op. 49

Tracks:

1. Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
2. Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
3. Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
4. Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
5. Variations sur un air national allemand - E Major (1826)
6. Rondo In C Minor, Op.1
7. 3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
8. Rondo 'a la Mazur' In F Major, Op.5
9. Marche funebre In C Minor, Op.72 No.2
10. Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
11. Rondo In C Major, Op.73 - Vladimir Ashkenazy
12. Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy

Tracks:

1. Variations In A Major ('Souvenir de Paganini', 1829)
2. Variations brillantes In B Flat Major, Op.12
3. Rondo In E Flat Major, Op.16
4. Bolero In A Minor, Op.19
5. Cantabile In B Flat Major
6. Variation In E Major
7. Largo In E Flat Major
8. Allegro de concert In A Major, Op.46
9. 3 Nouvelles Etudes (1837): I - F Minor
10. 3 Nouvelles Etudes (1837): II - A Flat Major
11. 3 Nouvelles Etudes (1837): III - D Flat Major
12. Tarentelle In A Flat Major, Op.43
13. Fugue In A Minor (1841 - 42)
14. Albumblatt in E Major (1843)
15. Op.74 No.2: Wiosna - Spring
16. 2 Bourrees (1846): I - G Minor; II - A Major
17. Galop Marquis
18. Berceuse In D Flat Major, Op.57
19. Barcarolle In F Sharp Major, Op.60

Customer Reviews:

My experience of this CD.......2007-04-04

My hats off to this CD collection! It was worth it!!! Chopin is a true genius for the piano, on this collection.

Beautiful!.......2006-08-18

This is a beautifully played collection of Chopin's work. It was a birthday gift,
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.

Well worth the money. Wonderful! Wonderful!.......2006-06-10

I am not a classical music expert but I am an expert when it comes to a great product. I have listened to the works of rubenstein and Horowitz, but nothing is comparable to this great collection of polands favorite son. The nocturnes are dreamy and romantic. The other pieces though not as mesmerizing have plenty of depth and feeling. This is a collection that you will listen to over and over again. Although this music is great anytime, it's especially meaningful during a light rainfall. Go ahead and make this investment. It's only $100.00. For the next 100 days save a dollar and you will have it paid for. I promise you won't be sorry. Excellent! Excellent!

Best investment to make.......2006-05-21

In my opinion, this is the apex of classical music. You will not find a better CD for Chopin or any piano recordings. There may be plenty of comparable CDs, but nothing can claim to surpass this.

Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.

Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.

The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.

This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.

A great pianist interpreting the most inspired composer ever !.......2005-09-15

Lets imagine that Chopin himself has recorded his own compositions in a perfectly clear CD. I am sure that some classical music reviewers would say "This is not the way Chopin is meant to be played". These classical music "pundits" are very intolerant.

Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).

Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.

Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)

Average customer rating: breakdown by cd. I'm not a music expert

Dvorák: The Masterworks [Box Set] Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music St. Louis Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Dvorák, Antonín | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music St. Louis Symphony Orchestra | ( S ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Brilliant Classics | Amazon.com Label Stores | Stores | Music Similar Items: Mendelssohn: The Masterworks [Box Set] Vivaldi: The Masterworks (Box Set) Brahms: The Masterworks (Box Set) Haydn: The Masterworks [Box Set] Schubert: The Masterworks [Box Set] ASIN: B00062FLJW Release Date: 2004-11-30

Customer Reviews:

breakdown by cd........2007-01-14

CD1-7:SYMPHONIES 1-9

CD8:PIANO CONCERTO

CD9:VIOLIN CONCERTO & CELLO CONCERTO

CD10-11:REQUIEM

CD12-13:STABAT MATER

CD14:PIANO TRIOS OP.90 "DUMKY" & 21

CD15:PIANO TRIOS OP.65 & 26

CD16:PIANO QUARTETS

CD17:PIANO QUINTETS

CD18:STRING QUINTETS

CD19-20:MUSIC FOR VIOLIN AND PIANO

C21:SERENADE/HAUSMUSIK

CD22-31:THE COMPLETE STRING QUARTETS

CD32:SLAVONIC DANCES OP.46 & 72

CD33:PIANO DUET SLAVONIC DANCES

CD34:PIANO DUET LEGENDS FROM THE BOHEMIAN FOREST

CD35:PIANO WORKS

CD36-37:RUSALKA

CD38-40:SYMPHONIC POEMS

I'm not a music expert.......2005-08-25

I don't know too much about music. I own over 700 cds, but I don't play music and I don't have much experience with this music. My only point of reference was the ninth symphony, seeing as every other piece in this box set was new to me. It sounds fine, nothing wrong with it as far as I can see.

Now, here's what you'll get in this box set, seeing as Amazon does not give it a description. 40 cds! no joke, you get 40 cds in this box set. It features:
1. Complete symphonies
2. Complete symphonic poems
3. Cello concerto
4. Piano concerto
5. Violin concerto
6. Requiem
7. Stabat Mater
8. Slavonic Dances
9. Complete String quartets
10. Chamber music
11. Piano Works (solo and duet)
12. Rusalka

As far as I can tell, the only things missing are The Spectre's Bride and Jacobin. Seeing as it is 40 cds, i have not had an opportunity to listen to it, however what i have heard i have been quite satisfied with.

Pop Music:

1. A Love Supreme [Original recording remastered]
2. A Smooth Jazz Retreat
3. All Rise
4. An Affair To Remember
5. Belonging
6. Best of Braun
7. Black Codes (From the Underground)
8. Carnegie Hall Jazz Concert [Live]
9. Carnival
10. Cello Blue

Pop Music