Perhaps his stint with Stan Getz rubbed off on him. As jazz bassists go, Brian Bromberg evokes a tender lyricism out of his instrument that few of his peers are capable of. On Wood, Bromberg performs 11 tunes in a trio, duo, and solo format, with his 300-year-old upright bass at the fore. From a bouncy bebop version of "Speak Low" to a funky take on the Beatles' "Come Together," this album is remarkably consistent. Bromberg performs Eddie Harris's "Freedom Jazz Dance" and Miles Davis's "All Blues" solo, and you forget you're hearing just a single bass. His technique is refined but soulful, and his take on the "Star Spangled Banner" is more understated than flashy (no small feat). Though Randy Waldman backs him ably on the piano and brother David on drums, Bromberg is clearly the star on this remarkable effort, and the warm studio sonics emphasize his instrument over all the others. You can hear the influence of Charlie Haden on his playing, but that's OK. Bromberg is a talent to watch, and this low-key album is a solid introduction to his many skills. --Jason Verlinde
Wood,Brian Bromberg,A440 Records,Fusion,Hard Bop,Jazz,Jazz Music,Pop,Post-Bop
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West Side Story
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00023GGK8 Release Date: 2004-05-18 |
Tracks:
- Overture
- Prologue
- Jet Song
- Something's Coming
- Dance At The Gym
- Maria
- America
- Tonight
- Gee, Officer Krupke
- Intermission Music
- I Feel Pretty
- One Hand, One Heart
- Quintet
- The Rumble
- Somewhere
- Cool
- A Boy Like That/I Have A Love
- Finale
- End Credits
Amazon.com
Leonard Bernstein's musical update of Romeo and Juliet, with a young Stephen Sondheim's brilliant lyrics, had already galvanized Broadway with its vivid reinvention as a parable of racial intolerance and generational conflict. But director Robert Wise's lavish widescreen presentation broke fresh ground by taking the story to its most impressionable audience, the teenagers who could identify directly with Tony and Maria, and opened up Jerome Robbins's kinetic choreography through bravura camera work. The original soundtrack album was not merely a huge seller but a unique touchstone for an otherwise rock-oriented audience, and its release on CD benefits from an expanded program untenable in its initial LP release, as well as a 20-bit digital transfer. With Richard Beymer, Marni Nixon (Hollywood's vocal doppelgänger of choice, here standing in for Natalie Wood), and Rita Moreno dominating, the show's bounty of terrific songs and exciting instrumental pieces remains an ear-filling treat, mixing operatic passions, tart social commentary, and high comedy. From "Tonight" to "One Hand, One Heart," "America" to "Jet Song," this is a landmark in American musical theatre and film beautifully realized on disc. --Sam SutherlandCustomer Reviews:
WSS Original Sdtrk........2007-06-11
west side story music.......2007-04-14
West Side Story CD.......2007-01-24
LOVE it.......2007-01-09
Buy it for posterity.......2006-12-30
Average customer rating:
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Out Louder
Medeski Scofield Martin & Wood Manufacturer: Indirecto Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HKDEJM Release Date: 2006-09-26 |
Tracks:
- Little Walter Rides Again
- Miles Behind
- In Case The World Changes Its Mind
- Tequilia And Chocolate
- Tootie Ma Is A Big Fine Thing
- Cachaca
- Hanuman
- Telegraph
- What Now
- Julia
- Down The Tube
- Legalize It
Amazon.com
John Scofield is an organic mood these days. On Saudades, the recent release by Trio Beyond, the guitarist hooked up with Hammond B-3 man Larry Goldings (and drummer Jack DeJohnette) to pay tribute to Tony Williams' fusion-pioneering Lifetime. Here, in the role of guest artist, he revives his partnership with organist John Medeski--and bassist Billy Martin and drummer Chris Wood, all of whom backed him on his smartly grooving 1998 effort, A Go Go. As the crunching "Miles Beyond" demonstrates, MSMW has got fusion on its mind, too. But on what may be the futuristic Medeski crew's most aggressively varied effort, they also partake of spaced-out blues jams, Beatles balladry ("Julia"), full-throttle soul, rhythmically recast reggae (Peter Tosh's "Legalize It"), New Orleans tradition ("Tootie Ma is a Big Fine Thing") and a Brazilian-inflected tune on which Scofield makes like Wes Montgomery. The first album to be issued on MMW's own Indirecto label, Out Louder is a consistently enjoyable world tour that has just the edge and sense of surprise that has been missing on some of Scofield's and MMW's recent albums. --Lloyd SachsCustomer Reviews:
Not bad.......2007-07-19
That's Medeski, SCOFIELD, Martin, and Wood .......2007-02-14
Not that that's a bad thing, mind you. There are some superbly realized jams to be found here, not to mention r&b and straight blues that will require repeated listenings. And if that weren't enough, there is an ethereal and fragile rendition of the Beatles' Julia. Anyway, mix it all together and Bob's your uncle.
Or at least that's the theory.
There is, however, something about this recording that screams out to be highlighted. There is a measure of restraint that makes this album superior to anything Medeski, Martin, and Wood have done in the last nine years. Perhaps it is the presence of Scofield, but gone are the overblown performances of Uninvisible and The Dropper. What we are left with, rather, are scaled down recordings where interplay arrives subtly as opposed to occurring within an ever-increasing contest of volume and overflourish.
While this recording doesn't exceed the brilliance of Combustication (a pinnacle that may never be repeated), it is the next best thing, and one suspects the inclusion of Scofield in the group's name is a tip-off to that fact.
A Very Good Album and a Very Good Combo!.......2007-01-27
First off, the compositions on this disc are great, especially if you are used to the fairly structureless jams that MMW has been doing as of late. The songs on this disc, unlike those on "Dropper" and "Uninvisible" have strong melodies and seem to musically go somewhere - at least, somewhere recognizable. Contrary to what some may have thought, direction and structure do not hamper MMW, but (at least, to me) makes them stronger.
Scofield's very noodly sounding guitar fits in perfectly with MMW's rough-around-the-edges sound and production (this album certainly has more bite than "A Go Go" in part because it is on MMW's own label).
A variety of styles and sounds are explored here. We have the Meters-esque "Little Walter," the bluesy "Untill the World Changes It's Mind," the latin tinged "Tequlla and Chocolate," and the unexpected ballad "Julia" (have you ever heard Billy Martin on brushes??). These songs really do not get old (as both MMW and Scofield can do from time to time). All the songs (save for two; attribute that to personal taste) are very listenable; just tame enough to be accessible, just edgy enough to be interesting.
This is a CD that I will be playing for some time to come. I really hope these four musiciains release more material together as I believe this to be a combo that brings out the best in eachother.
A respectable production........2007-01-19
Out Louder: It's growing on me........2007-01-11
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Songs from the Wood
Jethro Tull Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008G9JN Release Date: 2003-05-20 |
Tracks:
- Songs From The Wood
- Jack-In-The-Green
- Cup Of Wonder
- Hunting Girl
- Ring Out Solstice Bells
- Velvet Green
- The Whistler
- Pibroch (Cap In Hand)
- Fire At Midnight
- Beltane
- Velvet Green (Live)
Amazon.com
The earth-worshipping revelry of 1977's frisky Songs from the Wood was far removed from the heavyweight progressive rock of Jethro Tull's early years. Taking a leaf from the book of Steeleye Span, Songs from the Wood is bright and festive as it mines a rich, green seam of ancient British folklore for inspiration. By marrying the characters ("Jack in the Green") and traditions of the old religion's ritual calendar ("Ring Out Solstice Bells" was an unlikely Christmas hit) to their eccentricity and half-imagined interpretations of British traditional music, Tull came up with one of their albums. This collection unintentionally beseeches the concrete-jungle-dwelling set to retreat to the countryside. With tin-whistles, peppy acoustic guitar, medieval twists and turns, much May Day gaiety and debauchery, and even the odd touch of prog, Songs from the Wood still sounds bewitching in the 21st century. --Kevin MaidmentAlbum Description
Digitally remastred reissue of 1977 album includes two bonus tracks 'Beltane' (taken from the album 20 Years of Jethro Tull - track done at end of sessions) & 'Velvet Green' (live) (taken from 20 years of Jethro Tull - BBC In Concert Recording 1977). 11 tracks & liner notes written by Ian Anderson. Chrysalis. 2003.Album Details
Digitally Remastered Edition of the 1977 Album that Followed their Answer to Punk ("Too Old to Rock N Roll Too Young to Die"). This Set Contrasts Radically with It's Predecessor in that it features Some Some of their Most Melodic and Sweet Material Ever. Hard Rockers Intersperse with Greater Intensity, but this is One of Ian Anderson's Most Satisfying Albums in the Canon. As Always, Martin Barre's Guitar Simply Shines as One of the Band's Greatest Assets.Customer Reviews:
The first of Tull's "so-called" folk-rock trilogy still resonates 30 years on.......2007-04-11
The album saw the band (which comprised of lead singer/songwriter/flute player Ian Anderson plus guitarist Martin Barre, keyboard player John Evan, drummer Barriemore Barlow, bass player John Glascock whom were now joined by orchestrator David Palmer as second keyboard player) go in a different musical route after the dismal sales of 1976's concept album Too Old To Rock and Roll Too Young to Die (despite the fact that album is one of my personal favorites which was overlooked in the year of Peter Frampton Comes Alive). The Songs From The Wood album when released was the folkiest in sound that the band had recorded up to that point. Was it a good or bad thing, read on and find out as I did when I heard the album on vinyl late last year and then acquired the remastered CD a few months ago.
The title cut opens the album with a superb and funnyish sounding acapella singing which then gives way into a killer song with it ping-ponging between folk and classic hard rock tinged prog rock.
The next track is the acoustic number "Jack-in-the-Green" which tells about an old protector and nurturer of the English woods. The track also states if Jack still exists in this modern world of cars and power lines amongs other things. "Beltane" follows and is another great tune. We follow with the rocker "Hunting Girl" which uses a foxhunting equestrienne as a metaphor to a high-born woman who takes advantage of a lower class person. Great rocker. The first side closed with the band's second Holiday season track "Ring Out Solstice Bells" which is a great number to play at Christmas.
The second half of the album starts with "Velvet Green" which is as folk influenced as can be. The track is a love song set in the folk mentality. "The Whistler" follows and is another English folk influenced number which tells of a minstrel type individual. Next is the epic "Pibroch (Hat in Hand)" which is a rocker with some folk music influences but just burns! The original album ends with the folk number "Fire at Midnight" which celebrates a fellow relaxing by the fire with his love at the end of a long hard, day.
The Songs From The Wood album originally peaked at #8 on the Billboard album chart (to date Tull's last US Top 10 charting album) and was the band's first million seller since 1975's Minstrel in the Gallery.
In 2003, the album was re-released as a remastered CD with two additional songs. First is "Beltane" which is a great number about celebration of the Celtic festival Beltane. Next is a live BBC recording of "Velvet Green" which is probably from the BBC transmitted show which is out on bootleg as Songs From the Hippodrome.
Songs From The Wood is a great record, and still sounds fresh today.
RECOMMENDED!
Songs from the Wood Rocks!!!!.......2007-04-10
Well, maybe THIS is my least favorite Tull album........2007-03-15
Thank goodness it wasn't a permanent retirement.
The glory years of Tull.......2007-03-07
Their last great album?.......2007-02-18
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The Notebook
Various Artists Manufacturer: New Line Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00023B1E4 Release Date: 2004-06-08 |
Tracks:
- Main Title
- Overture
- "I'll Be Seeing You" Performed by Billie Holiday
- "Alabamy Home" Performed by Duke Ellington
- Allie Returns
- House Blues/The Porch Dance/The Proposal/The Carnival
- Noah's Journey
- "Always And Always" Performed by Benny Goodman & His Orchestra
- "A String Of Pearls" Performed by Glenn Miller & His Orchestra
- On The Lake
- "Diga Diga Doo" Performed by Rex Stewart And The Ellingtonians
- "One O'Clock Jump" Performed by Benny Goodman & His Orchestra
- "I'll Be Seeing You" Performed by Jimmy Durante
- Noah's Last Letter
- Our Love Can Do Miracles
Amazon.com
Based on Nicholas Sparks' novel, director Nick Cassavetes film spins the bittersweet tale of a 60-year romance, as seen from the polar perspectives of its promising youth and the travails of an old age cursed by Alzheimer's. Its soundtrack effectively echoes those polar dramatic concerns, with composer Aaron Zigler's gentle orchestral score largely giving voice to the character's melancholy present, while a rich, well-chosen slate of vintage material by Billie Holiday, Duke Ellington, Benny Goodman and Glenn Miller imparts a restless energy to their youth. There's a certain schmaltz to much of Zigman's work here, yet cues like "House Blues/The Porch Dance.." and "Noah's Journey" argue he's achieved something more elusive than mere melodramatic wallpaper with the deceivingly difficult task at hand; it can't be easy to have your work seasoned with the likes of Ellington's sassy "Alabamy Home" and Goodman's still-vibrant "One O'Clock Jump." Sharply contrasting versions of "I'll Be Seeing You" by Holiday and Jimmy Durante bookend the soundtrack, perfectly evoking the story's alternating shades of hope and fading nostalgia and framing Zigman's understated work in the bargain. --Jerry McCulleyAlbum Description
Based on the best selling novel by Nicholas Sparks ("A Walk To Remember", "Message In A Bottle"), "The Notebook" is the story of Noah and Allie, teenage lovers torn apart by WWII and Allie's parents' demands to marry a respectable lawyer. After 14 years apart, they meet again and rekindle their true love. Starring Ryan Gosling, Rachel McAdams, James Garner, and Gena Rowlands. The soundtrack is a propelling force. In addition to classic WWII era pieces, Aaron Zigman's score suites enhance the record with beautifully dramatic themes. Score performed by the Hollywood Studio Symphony.Customer Reviews:
Touching.......2007-07-04
It say's go for the "true love", settle for nothing else no matter what may be in store, because love that is "true" and as beautiful as their's was, is a rare thing!
I absolutely loved the ending.
I also loved that a movie CAN be truly wonderful, beautiful and touching WITHOUT grafic "sex scenes!" Also sadly a rare thing in movies today.
Ever seen "Hanover Street?" Equally beautiful. No SEX scenes either!
Angelfish
Pays music a complement. I love the classical pieces!.......2007-05-27
the Notebook soundtrack (Audio CD).......2007-05-13
Very Nice.......2007-03-30
A sweeping, emotional standout!.......2007-01-11
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Ways Not to Lose
The Wood Brothers Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E6UK4G Release Date: 2006-03-07 |
Tracks:
- One More Day
- Tried and Tempted
- Luckiest Man
- Glad
- Chocolate On My Tongue
- Atlas
- Time To Stand Still
- The Truth Is the Light
- Spirit
- Angel Band
- Where My Baby Might Be
- That's What Angels Can Do
Amazon.com
Modern folk and blues rarely sounds as inventive and colorful as the Wood Brothers' spare, soothing studio debut. Currents of jazz, pop, and country also ripple through these 12 lovely arrangements built around Chris Wood's upright bass (previously heard in Medeski, Martin & Wood) and Oliver Wood's gentle acoustic and electric guitars. It's not simply that the brothers' sweet, high voices have the genetic gift of close harmony: they're in absolute synch creatively, too. So when one's singing lingers over a lazy phrase in a number like the languid ode to living "Chocolate on My Tongue," the other hangs back on his instrument until just the right, complementary moment. Drummer Kenny Wollesen, who plays on a handful of tracks, is on the same wavelength--never rushing or pushing the Woods' behind-the-beat sensibility. And the rich dark tones of the bass and, in particular, slide guitars perfectly illuminate their unhurried stories about spiritual discovery and the trials of life. All of which makes Ways Not to Lose a delightful, relaxed listening experience. --Ted DrozdowskiCustomer Reviews:
Surprise hit!.......2007-05-03
Good music OK recording.......2007-03-08
On the show they played as a duo and I was happy that on the record that there were no additional musicians or studio stuff.
All of the songs are great, to me they have sort of a bluesy style that has hints of Van Morrison. My favorite is Luckiest Man Alive.
Anyway my only complaint is that the quality of the recording is not that good. I have a tape of the radio show with them on it and it is actually clearer than the album. I hope at some later time they will do a live album with a really crisp sound quality that has some of these songs on it.
In the meantime enjoy this album although the bass is MUCH crisper in real life and PLEASE go see these guys live!! Totally worth seeing!!!
Sonic and musical masterpiece.......2007-02-08
better with time.......2007-01-16
However, I kept putting it on and it has really grown on me - a sign of a strong CD...after a while it gets infectious.
Just don't know if I'd call it folk..more like modern blues. The instrumentation is sparse or make that uncluttered, but effective.
Wow are these guys amazing!.......2007-01-12
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Andre Rieu Collection (2 CD)
Manufacturer: Laserlight ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000F2CAAQ Release Date: 2006-05-02 |
Tracks:
- Tritsch Tratsch Polka, Op. 214
- Voices Of Spring, Waltz Op. 410
- Moulinet Polka, Op. 57
- Kaiser Waltz, Op. 437
- Cachucha Galopp, Op. 97
- On The Beautiful Blue Danube, Waltz Op. 314
- At The Hunt Polka, Op. 373
- Morning Papers, Waltz Op. 279
- Entrance March - Thy Gypsy Baron, Op. 422
- Without Worries Polka, Op. 271
- Tales From The Vienna Woods, Waltz Op. 325
- Radetzky March, Op. 228
- March Potpourri
- Sports Palace Waltz
- Blaze Away
- In The Saloon Potpourri
- Horlepiep
- Funiculi, Funicula
- Medley
- The Jolly Widow Potpourri
- Souvenirs de Paris Potpourri
- Tulips From Amsterdam
- Die Hände zum Himmel
- Die Kleine Kneipe
- Am Aschermittwoch ist Alles Vorbei
- Auld Lang Syne
- Miene Vogel is Trök
- Radetzky March
Album Description
ANDRÃ RIEU 2CD Collection CONTAINS CD: 32 493 - The Strauss Gala CD: 32 494 - Carnival!Customer Reviews:
great music.......2007-04-11
Stupendous.......2007-02-19
For sheer pleasure, entertainment, and romance one needs not go further then Andre Rieu DVD.
I cannot recommend them highly enough.
I only have one criticism....and that is the he has not toured Australia.
Andre Rieu Collection (2CD).......2007-02-07
If those responsible for making the recording would take the time needed for a professional recording, it would make for a vast improvement and to me this is just an attempt to get as many recordings out to the public. If you want to get people, who enjoy music, to return and buy additional recordings, make the recording you would want to hear again and again. After hearing this once, I will probably not listen to them again and go for some good orchestras.
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Holy Wood (In The Shadow Of The Valley Of Death)
Marilyn Manson Manufacturer: Nothing ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000050ITX Release Date: 2000-11-14 |
Tracks:
- Godeatgod
- The Love Song
- The Fight Song
- Disposable Teens
- Target Audience (Narcissus Narcosis)
- 'President Dead'
- In The Shadow Of The Valley Of Death
- Cruci-Fiction In Space
- A Place In The Dirt
- The Nobodies
- The Death Song
- Lamb Of God
- Born Again
- Burning Flag
- Coma Black: A. Eden Eye B. The Apple Of Discord
- Valentine's Day
- The Fall Of Adam
- King Kill 33
- Count To Six And Die (The Vaccuum Of Infinite Space Encompassing)
Amazon.com
The impact of Marilyn Manson's subversive musical agenda has waned, and what's left is a provocative, talented artist writing affecting, powerful, and yes, controversial songs. Although Holy Wood is the third title of a trilogy that began with 1996's Antichrist Superstar, the album stands on its own. Rife with references to the Beatles and the Kennedys, and full of pop-culture barbs, Holy Wood is a musically diverse and powerful statement. The memorable sing-along "Disposable Teens" boasts the same kind of staccato, Teutonic, first-thrusting power introduced with "Beautiful People," while "Fight Song" is the Sex Pistols meets Blur by way of Nirvana. While a futuristic, nihilistic tint pervades Manson's work, passion is also prevalent, notably in the spooky acoustic number "A Place in the Dirt" and the brutal "Death Song." Like Marilyn Manson the man, Holy Wood is intelligent, dynamic, and multifaceted, with myriad charms that are evident to the tuned-in listener. --Katherine TurmanCustomer Reviews:
Pretty good........2007-06-18
The only downfall I saw with this album was how it seemed to drag on a bit. It's almost as if Manson was trying to fit just a little too many songs into one disc. Otherwise, the album doesn't have too many noticeable flaws.
Overall, this CD will definitely turn the listener's stomach with its passionately riveting sound and corresponding lyrics. This is definitely one of Manson's more emotionally driven LP's and it's very recognizable to anyone who listens that Manson put his heart and soul into it. This CD will definitely give you something to swallow. Recommended.
MANSON.......2007-05-10
No Longer Popular.......2007-04-26
Attention: Marilyn Manson Peaked Here..........2007-03-13
The Positives: John5's guitar work is at its peak on this album. Songs like "Disposable Teens", "The Fight Song", "The Nobodies", "The Death Song", "Lamb of God", and "The Love Song" are some of the finest Manson guitar tunes to date. Also, the lyrics reach their peak with this album. Lyrically, this album is a proper fuse of Antichrist Superstar and Mechanical Animals. Therefore, I believe this to be the peak of Marilyn Manson. Everything is running on full power (lyrics, guitars).
The Negatives: None...every track on this record is very intelligent and enjoyable.
Personal Favorites: The Fight Song, Disposable Teens, The Death Song, The Nobodies, Lamb of God, The Love Song, Coma Black, and King Kill 33.
The Further Decline of Marilyn Manson.......2007-01-25
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A Bigger Bang
The Rolling Stones Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A7Q27I Release Date: 2005-09-06 |
Tracks:
- Rough Justice
- Let Me Down Slow
- It Won't Take Long
- Rain Fall Down
- Streets Of Love
- Back Of My Hand
- She Saw Me Coming
- Biggest Mistake
- This Place Is Empty
- Oh No, Not You Again
- Dangerous Beauty
- Laugh, I Nearly Died
- Sweet Neo Con
- Look What The Cat Dragged In
- Driving Too Fast
- Infamy
Amazon.com
It should come as no surprise that it took sex, disease and death to shake the Rolling Stones out of their latest creative dry spell. Leading up to the making of A Bigger Bang, produced by Don Was, Mick Jagger endured a very public break-up with Jerry Hall, Charlie Watts battled throat cancer, and Ron Wood was devastated by the news of his ex-wife's suicide. Out of their collective struggles, the members of the venerable British rock band managed to piece together some of their best work in nearly two decades. It's a slick, slightly uneven affair bounding from raunchy blues to MOR rock songs that sound suspiciously like they were left over from the Alfie soundtrack, yes, but it also sounds vital at every turn. Even though they don't really need to, the jet-set vagabond rockers plunge into hot-button politics ("Sweet Neo Con"), rummage through their dirty laundry ("Oh No, Not You Again") and dip cautious toes back into ridicule-tempting "Miss You"-style funk ("Rain Fall Down"), without making any major missteps unless you count the ewwwww-factor of a 61-year-old Keith Richards singing "Come on honey, bare your breasts and make me feel at home" on "This Place Is Empty." --Aidin VaziriCustomer Reviews:
WELCOME BACK, STONES!.......2007-07-11
1. Rough Justice- kicks things off and it is a great rocker and album opener. Woody's slide work is phenomenal. A great way to open an album and this track tells you right from the start that the Stones as we know them are back.
2. Let Me Down Slow- A popier rock song with a catchy swinging beat. One of the better songs on the album and great lyrics by Jagger who appears to be the one most responsible for the song.
3. It Won't Take Long- This one opens with a trademark Richards riff, albeit a bit pedestrian. The Stones, however, play it with a passion that helps make it better than just filler.
4. Rain Fall Down- A sly funky tune reminiscent of Miss You but not as good. The song works, however, and is a welcome addition to their catalogue.
5. Streets of Love- This is one of 2 mistakes on the album. A slow ballad that weighs in on the sappy side. The Stones have done this before and much better. See Out Of Tears from Voodoo Lounge and Memory Motel from Black and Blue.
6. Back of My Hand- Ahh, ok we're back. A slow blues tune. Engaging guitar work throughout the song and you'll find yourself singing along with this one. It is the kind of song that the Stones, in the past decade or so, have saved for b-sides. I am glad they decide here to include it on an album. VERY welcome indeed.
7. She Saw Me Coming- This is one of my favorite songs on the album and maybe in past years this would have made an excellent single. The sense of humor is back in the lyrics and it also contains a nice riff to chug it along.
8. Biggest Mistake- A Jagger tune without a doubt, very similar to his solo material of late. It's not a bad song by any means but neither is it above average. It sounds good while it's playing but you won't miss it once it's over.
9. This Place is Empty- The first of 2 Richards sung songs. This one is a barroom styled ballad and a great one at that.
10. Oh No Not You Again- The Stones as we know and love them, great riffs and guitars harkening back to the Some Girls days. Yes, it IS them again and we are happy to have you back! Easily one of the better songs on this release.
11. Dangerous Beauty- Another rocker that seems as though it is filler, but it is better than that. I think this one will be one of those 'overlooked gems' because of it's placement so deep into the release. The solo sounds as it were done by BB King.
12. Laugh I Nearly Died- A slow rocker in which Jagger sings like he hasn't in a long time. Perhaps his best vocal performance since Gimme Shelter. He steals this one away and the breakdown at the end is priceless. Amazing creation!
13. Sweet Neo-Con- Ahh, mistake number 2. Many people have said that this is their favorite song on the album but I have to believe that is due to the political nature of the song. Judging it just as a song it isn't bad but it just never really goes anywhere. Would have made a nice b-side or bonus track.
14. Look what the Cat Dragged In- This is one of my favorite songs on the album. It has a funky, jazzy riff and guitars that are similar to those in Undercover. Charlie, as usual, keeps the beat rolling and this is one of the highlights of the album.
15. Driving Too Fast- Like the song before it this is another rocker. A very good song but not as good as 'Cat'. Play it loud for best effect!
16. Infamy- The second Richards tune that works but the Stones used to close out their albums with songs that were magnificent, not just good. Moonlight Mile, You Can't Always Get What You Want, Shattered, Fingerprint File to name a few. Well, this is nitpicking. I like the song and it fits in well with the album.
I gave this album 5 stars because the album itself deserves 4 stars but I added one because I feel that for a band in their 60's this blows away almost or all of the rock music being released today by much younger bands. Yes, this is the comeback album Stones fans have been waiting for. It is the Stones doing what they do. Nothing more and nothing less-which is always a good thing. That is the key to A Bigger Bang. The Stones are no longer at the forefront of the pop audience. They are not trying to keep up with the latest musical trends on this release. They are not concerned with top 40 radio nor are they interested in breaking new ground. The secret here is easy-Keep it simple, stick to the basics, crank it up and rock and roll.
Welcome back, boys! I am glad it's you again!
Biggest Bang Since Some Girls.......2007-06-20
If only new bands were half this good and consistent.......2007-03-30
As someone said before my, this is not the next best thing or the record to redefine music, it is just straight ahead good rock.
Man they are 60+ and listen to them ! Real musicians only get better with time... it's the public that stop listening really listening to what they are saying once they are not "pop" "mainstream" or young enough.
Listen to the record, yes it is a great record...
Oh one last thing, Sweet neo con, IMO is the best song on the album, music and lyrics, it stands on it's own as a great song.
Back to form.......2007-03-17
"Bang" shows that the Stones still have it, and that they can give any modern act a run for their money. I hope the Stones know what works and make their future albums along this vein.
They've still got the "Bang".......2007-01-23
Average customer rating:
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Born
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004XQK3 Release Date: 2001-03-13 |
Tracks:
- Quixote
- Winter
- Victory
- Oceanic
- Kismet
- Korobushko
- Alexander The Great
- Duel
- Bella Donna
- The 1812
- Dalalai
- Hymn
- Victory (Mike Batt Mix)
Amazon.com
Born, the debut album by four conservatory-trained young women, has little to do with classical music. It's a gimmick, fusing a string quartet of frivolous femmes, spicy girls who all want to be "Posh," with dance beats, a big production mixing their violins, viola, and cello with polished electronics. Taking themselves less than seriously--they played the James Bond theme at their Royal Albert Hall debut--pop "Victory" looks assured. This single bounces along with a dash of Rossini's Barber of Seville and a real sense of pop melodrama, in spirit little different from what guitarist John Williams did with his rather less photogenic band Sky in the late 1970s. What may surprise is that tracks such as the frenetic world-dance "Quixote" are penned by the film composer Magnus Fiennes, brother of the more famous Ralph and Joseph. "Winter" adds Jean Michel Jarre-style synth and voice-over to the ghost of Vivaldi and the infectious beat goes on, and on, and on. Sex sells, and Bond's success seems assured. This is a state-of-the-art product, but with a bonus remix of "Victory" by Mike Batt of Wombles fame, just don't expect it to be art. --Gary S. DalkinAlbum Description
Asian edition of the classical crossover act's 2001 album includes one bonus track, 'Viva!', which is not included on the domestic version. Decca. 2001.Album Details
Includes the bonus track 'Viva' not on the USA version.Customer Reviews:
Bond Girls Rock!!.......2007-03-13
Great Bond.......2006-09-01
Millenium Bonds Classical and Pop/Dance.......2006-06-11
Violinists Haylie Ecker and Eos, violist Tania Davis, and celloist Gay-Yee Westerhoff fused their Classical background to that of Pop/Dance music. With the release of their debut album, Bond hit the Mainstream ears with a vengence all their own. Performing pieces with the basis of Classical music adding Pop/Dance beats, sounds, and feels, it was clear that old music would never be lost; it would simply be updated to present times. Everything from Classical music is here: the sounds, effects, beats, times, counterpoint, choral voices, movenment of musical lines and voices, but with the addition of Pop/Dance instrumentation. The most interesting piece off this album has to be "The 1812", which is Bond's interpretation of The 1812 Overature. This album is a work of art with a great display of how music changes over a vast period of time.
I am surprised!.......2006-04-20
"Victory" is a blend of many different styles of music including pop's rythmns and beats, Spanish guitars, Latin dance, Spanish dance, etc. To top that off, "Victory" has a shot of techno in it.
Born is indeed a truly unique and fresh way for people to get introduced into classical music. Listen to the album, you'll know what I mean!
Simply Stunning!.......2005-06-02
As I listened to them, I ended up liking all of it, though my fave track is "Kismet". Following that was "Victory". The rest of the CD sounded like something I have heard before--from other sources.
If you've ever in your life wanted to listen to classical music, I suggest that you start off with "Born" by Bond.
Average customer rating:
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Haunted Heart
Paul McCartney , Gustav Mahler , Joni Mitchell , Emile Paladilhe , Arthur Schwartz , James ("Jimmy") Van Heusen , Various Composers , Heitor Villa-Lobos , Jimmy Webb , Richard A. Whiting , Stevie Wonder , Guy Wood , Bill Frisell , Fred Hersch , and Renée Fleming Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007Z9QUS Release Date: 2005-05-10 |
Tracks:
- Haunted Heart
- River
- When Did You Leave Heaven?
- You've Changed
- Answer Me
- My Cherie Amour
- In My Life
- The Moon Is A Harsh Mistress
- Wozzeck/The Midnight Sun
- Liebst du um Schit
- My One And Only Love/This Is Always
- Can do Amor
- Psych
- Hard Times Come Again No More
Amazon.com
While countless fans flock to see soprano Renee Fleming's performances of the Countess in The Marriage of Figaro because she's got the voice and the dramatic ability to handle such meaty roles, the versatile singer throws her fans a curveball on Haunted Heart, singing popular standards and ballads as well as a few altered classical pieces. In her liner notes, Fleming calls this album a "look back at the road not taken" -- she played a weekly gig in a jazz club while in school. Nonetheless, her feel for the material here is undeniable. Interestingly, she drops her voice a full octave from her usual tessitura, and the change reveals a robust gospel-oriented approach filled with dramatic breaths and moans. The lyrical Fred Hersch (piano) and the idiosyncratic Bill Frisell (guitar) provide support, and both are adventurous jazz players who create subtle and uniquely haunting backdrops. It adds up to an interesting cross-section of ideas well carried off by the generous talents of all involved. --Tad Hendrickson
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Interview with Renee Fleming
Renee Fleming speaks about recent projects, including her memoir The Inner Voice and her recent Handel CD, in our interview.
Customer Reviews:
Sublime and ridiculous.......2007-06-13
The ridiculous: Fleming ended the majority of most phrases in most of the songs with a guttural of some sort which for me becomes irritating to the point of distraction. These punctuations are mostly quite awful: really tasteless, clumsy, and overused big time and I'm amazed at how this ever got released. Without these ersatz testifyin' noises this CD would be stunning.
So, if you have the ability and inclination to edit out this garbage from your perception as you listen I think you'll be glad you experienced these artists at work together. (Unfortunately I'm not up to it).
Eeeeeeeeeeewwwwwww.......2007-06-06
Better than I thought it would be.......2007-04-10
I think this is the most artistically successful recording of Pop/Jazz by a classical singer. I enjoyed it even better than the Anna Sophie Von Otter'/ Elvis Costello CD.
The perspective I am coming from is that of a classical singer who started out as a pop singer/songwriter. I perform and teach cross-genre but love a world class instrument such as Flemming's
I wanted to get the perspective of a friend who used to sing jingles and is also a trained singer but is usually critical of any attempts that opera singers make at crossing -over.
My friend is very familiar with Flemming's voice, but did not recognise it in this context when I played the CD for her. Her reaction was very complimentary, although she did comment that the diction was a bit strange.
She then played it for her brother a well known jazz singer and arranger who had a somewhat negative reaction.He found the singing to be overly dark and round. He prefers a cleaner more 'spoken' approach to this style of singing. I understand this perspective and therefore personally prefer Ella to Sarah as well, but let's not get too picky. Obviously, Rene Flemming is of the Sarah Vaghan School of jazz singing, which is not too shabby.
I will continue to enjoy this CD and will wait for another opera diva to top this one. But, somehow I think the next really good CD of Pop/ jazz from an opera star will also come from Rene.
To those who have been unreasonably mean and negative towards her, I can only say you are not fit to polish her shoes!
Brava Renee.......2007-04-09
I hope Renee keeps recording whatever catches her fancy because I'll certainly always listen.
Art is always new. .......2007-03-10
I welcome Renee's elan demonstrated with her recent recordings, Love sublime with Brad Mehldau, and Haunted Heart with Fred Hersch and Bill Frissell. Bravery, fun, and talent combined by artists and for people who are listening. Hearing long time favorites Mehldau, Hersch, and Frissell is all the more sublime.
Pop Music:
