Take George Gershwin's Porgy & Bess, add Miles Davis and arranger Gil Evans, and what do you get? A classic jazz album that--despite the fact that the material has been rendered almost overly familiar due to countless interpretations--still sounds remarkably fresh four decades after its initial release. Miles' soft yet piercing trumpet style is perfectly suited to Gershwin's melancholy melodies, Evans' musical direction of his 18-piece orchestra is impeccable, and their version of "Summertime" may well be the finest ever waxed. Davis and Evans teamed up for several recordings after this one (including the landmark Sketches of Spain), but Porgy & Bess still stands as one of their most successful collaborations. --Dan Epstein
Porgy and Bess,Miles Davis,Gil Evans,Sony,Bass (Upright),Brass,Cool,Drums,Experimental Big Band,Guitar (Electric),Jazz,Jazz Music,Orchestral Jazz,Pop,Reeds (Multiple),Trumpet,Woodwind
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Porgy and Bess
Miles Davis , and Gil Evans Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002AH6 Release Date: 1997-03-25 |
Tracks:
- Buzzard Song
- Bess, You Is My Woman Now
- Gone
- Gone, Gone, Gone
- Summertime
- Oh Bess, Oh Where's My Bess
- Prayer (Oh Doctor Jesus)
- Fishermen, Strawberry And Devil Crab
- My Man's Gone Now
- It Ain't Necessarily So
- Here Come De Honey Man
- I Loves You, Porgy
- There's A Boat That's Leaving Soon For New York
- I Loves You, Porgy (Take 1, Second Version)
- Gone (Take 4)
Amazon.com
Take George Gershwin's Porgy & Bess, add Miles Davis and arranger Gil Evans, and what do you get? A classic jazz album that--despite the fact that the material has been rendered almost overly familiar due to countless interpretations--still sounds remarkably fresh four decades after its initial release. Miles' soft yet piercing trumpet style is perfectly suited to Gershwin's melancholy melodies, Evans' musical direction of his 18-piece orchestra is impeccable, and their version of "Summertime" may well be the finest ever waxed. Davis and Evans teamed up for several recordings after this one (including the landmark Sketches of Spain), but Porgy & Bess still stands as one of their most successful collaborations. --Dan EpsteinCustomer Reviews:
pure composition magic..........2007-06-20
One of the most startling beautiful and quintessential version of Porgy and Bess.......2007-04-30
It is emotionally direct and startling in it's beauty. Miles was at the height of his powers and he conveys the sentiment of the pieces so directly that I was moved and transfixed.
This, of all the Gil Evans/Miles Davis collaborations is the best. Some might argue in favor of others but this one features arrangement that are essential and never, not once, do they encumber, obscure or step all over the soloist. Gil provides a perfect setting for Miles and Miles makes the most of it, with that unique vibratto-less tone.
Never sappy, nor even conventional. I can only imagine what the reactions were when this recording was released. Mind you, Gil never arranged in the traditional voicings or instrumentations of the traditional big band. No four or five sax/five brass, four trombone, piano, bass and drums for this man. The instrumentation and voicings are unique. Often the horns covney the soft lushness of strings on ballads but without any syrup at all.
This simply one of the best Miles Davis recordings in his career, bar none! He effectively conveys the longing, romance, sadness and joy I presume Gershwin intended.
Upon acquiring a CD player back in the eighties, this was one of the very first recordings I purchased. Never old or dated. It's timeless, it transcends eras.
A must have for me.
Porgy and Bess and Miles/Gil Evans.......2007-01-03
Pull a chair between the speakers and let this one wash over you.......2006-10-31
That being said, this remastering of "Porgy and Bess" is one of the most gorgeous things I've ever heard. The placement of the instruments across the spectrum is almost holographic, and out of this space the subtlety of Gil Evans' work can truly be appreciated. There are long, languid sections of Miles' horn noir, punctuated by bursts from Evans' "brass orchestra." The layers, the barely heard accents, it's just brilliant work, and this amazing remaster truly does it justice.
As to the music, I'll simply paraphrase another reviewer here who said that he knew of no music more beautiful than this. Amen, brother.
Edit your own CD.......2006-03-19
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Porgy & Bess
Ella Fitzgerald , and Louis Armstrong Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000046Z5 Release Date: 1990-10-25 |
Tracks:
- Overture
- Summertime
- I Wants To Stay Here
- My Man's Gone Now
- I Got Plenty O'Nuttin'
- Buzzard Song
- Bess, You Is My Woman Now
- It Ain't Necessarily So
- What You Want Wild Bess?
- A Woman Is A Sometime Thing
- Oh, Doctor Jesus
- Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
- There's A Boat Dat's Leavin' Soon For New York
- Bess, Oh Where's My Bess
- Oh Lawd, I'm On My Way
Amazon.com
Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas WolkCustomer Reviews:
Absolutely peerless.......2006-11-17
Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.
once-in-a-lifetime greatness.......2006-10-06
But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."
A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."
And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."
All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.
"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.
Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.
And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.
"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."
All brilliantly conceived, orchestrated and recorded.
The greatest trumpet player in this history of jazz.
The father of scat singing.
The queen of the jazz vocal.
There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.
We love this album.......2006-08-22
Simply great.......2006-03-04
A must have for everyone!
Porgy and Bess.......2005-10-14
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Joshua Bell - Gershwin Fantasy
Joshua Bell , George Gershwin , and John [composer] Williams Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009OP5 Release Date: 1998-07-28 |
Tracks:
- Fantasy For Violin And Orchestra On Porgy And Bess
- Three Preludes: I. Allegro ben ritmato e deciso
- Three Preludes: II. Andante
- Three Preludes: III. Allegro ben ritmato e deciso
- Songs For Violin And Orchestra: I Got Rhythm
- Songs For Violin And Orchestra: Embraceable You
- Songs For Violin And Orchestra: Nice Work If You Can Get It
- Songs For Violin And Orchestra: Liza
- Songs For Violin And Orchestra: But Not For Me
- Songs For Violin And Orchestra: Sweet And Low-Down
- Songs For Violin And Orchestra: Love Is Here To Stay
Amazon.com essential recording
On Gershwin Fantasy, Joshua Bell's Stradivari embraces the lyrical spirit of Gershwin's Porgy and Bess with more success than most vocalists. Accompanied by the London Symphony Orchestra, Bell's violin literally sings through "It Ain't Necessarily So," "Summertime," "I Got Rhythm," and "Love Is Here to Stay," while John Williams (Saving Private Ryan, Schindler's List) serves double duty as conductor and pianist on several tracks. Three Preludes employs the violin and piano transcription by Jascha Heifetz, a longtime Gershwin friend, and features Bell at his jazziest. Even Gershwin himself--well, the recording of a 1926 piano roll of the composer--joins the virtuoso on the swinging "Sweet and Low-Down." --Jason VerlindeCustomer Reviews:
Bell & Gershwin.......2007-05-20
Can't beat that!
Also, "Porgy" is a fave opera... so three out of three isn't bad!
Enchanting.......2007-03-24
Joshua Bell's playing is exquisite.......2005-07-08
S'Wonderful.......2004-10-20
My Starter Bell CD.......2003-11-05
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Porgy & Bess: High Performance
Leontyne Price , William Warfield , and John W. Bubbles Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I9MJ Release Date: 1999-03-09 |
Tracks:
- Porgy And Bess: Introduction; Summertime
- Porgy And Bess: A Woman Is A Sometime Thing
- Porgy And Bess: Gone, Gone, Gone
- Porgy And Bess: My Man's Gone Now
- Porgy And Bess: I Got Plenty o' Nuttin'
- Porgy And Bess: Bess, You Is My Woman
- Porgy And Bess: It Ain't Necessarily So
- Porgy And Bess: What You Want Wid Bess ?
- Porgy And Bess: I Loves You, Porgy
- Porgy And Bess: There's A Boat Dat's Leavin' Soon For New York
- Porgy And Bess: Oh Bess, Oh, Where's My Bess
- Porgy And Bess: Oh, Lawd, I'm On My Way
Amazon.com
RCA's 1963 highlights disc brought the stars of the early-1950s revival of the work, Leontyne Price and William Warfield, together again. By this time, however, Price was well advanced on her meteoric rise to operatic stardom and Warfield was gaining renown as a recitalist. Both are glorious here and Price's shimmering "Summertime" is worth the price of the disc. A plus is the spirited Sportin' Life of John W. Bubbles, who created the role in the original 1935 production; an old-time vaudevillian, he wrings fun and irony from his all-too-short excerpts. Henderson conducts with vigor and RCA's "High Performance" sound, when heard on a good system, is remarkable. --Dan DavisCustomer Reviews:
Porgy & Bess.......2007-03-26
Stunning Achievement.......2006-04-29
"My Man's Gone Now", aren't sung by Bess. It's thrilling to hear Ms. Price perform these, which were signature pieces
throughout her career. As Porgy, Mr. Warfield toured with Leontyne Price, and the power and poignancy of his characterization are comparable to hers. He is extraordinary in his solos, and his love duet with Ms. Price wil give the listener chills. The chorus and orchestra are superb. Skitch Henderson, former maestro of The Tonight Show, might seem an unusual choice for conductor, but his leadership is skilled, idiomatic, and electrifying. (He was a fine musician and composer who often guest-conducted for symphony orchestras.)
This is a wonderful example of recorded musical drama and will appeal to those who don't consider themselves opera fans as well as to those who do. Highly recommended and a Grammy Award winner.
Great recording.......2006-04-24
By the way: I also love the old 1951 recording of the opera (re-released as a CD by Sony in 1998). It is my other favorite, and has over 2 hours of the music. The audio is surprisingly good.
PVL.......2006-01-31
Gorgeous.......2005-04-14
Really, you couldn't get much better for $12.00!
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Gershwin: Rhapsody in Blue/Cuban Overture/Porgy and Bess Suite/An American in Paris
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GEK Release Date: 1993-06-15 |
Tracks:
- Rhapsody In Blue
- Cuban Overture
- 'Porgy and Bess' Suite
- An American In Paris
Customer Reviews:
As good as any Rhapsody.......2006-11-11
Everybody gives you "American in Paris" with the Rhapsody, but, come on, Porgy & Bess AND the Cuban Overture vs. Grofe's Grand Canyon Suite or the Piano Concerto in C? No contest!
Good intro to Gershwin - Great gift.......2006-08-05
In short, it's a nice performance of some of Gershwin's best work. Very enjoyable.
Outstanding performance and sound engineering.......2005-10-24
In addition to the freshness and immediacy of the sound, the playing of both the orchestra and of Levine as the piano soloist in Rhapsody in Blue are the best that I have heard amongst my various recordings of this work. I had never heard James Levine as a pianist before, only as a conductor, and was very pleasantly surprised at the excellence of his performance. There is a real joyful dynamic energy on this CD, together with a quality that is not apparent on the other recordings I own of Rhapsody in Blue - a feeling of playfulness, and even humor. I got the distinct feeling as I listened to this CD (several times, and always with great pleasure) that the orchestra and conductor/pianist were thoroughly enjoying themselves. All of the selections on this CD radiate with outstanding musicianship coupled with tremendous energy and love of life. This is one of my desert island CDs. I give it my highest recommendation.
The Finest Recordings of These Four Selections.......2004-03-13
In the wake of Gershwin's untimely death, many of his works underwent a facelift of sorts, with various composers reworking the material in an effort to give it more snob appeal: the original arrangements were touched up, retoned, and in general fiddled with--and today it is almost impossible to find a recording of a Gershwin piece recorded as originally written. But here Chicago Symphony conductor James Levine accomplishes the impossible, restoring four major Gershwin pieces to either original or near-original condition.
The great reason to purchase this CD is "Rhapsody in Blue," which will come as a revelation to listeners accustomed to hearing the piece awash in strings, for here it is returned to all the sharp edged, strident, and jazzy glory of the original 1924 Ferde Grafe arrangement for the Paul Whiteman orchestra. And it is stunning, clean, a true period jewel that is ultimately the definitive musical statement of the Deco era; hearing it performed in this stripped-down original version is akin to seeing a beautiful gemstone purged of a vulgar setting and restored to true brilliance.
Also notable are "Cuban Overture" and "Catfish Row," both of which are performed essentially as Gershwin created them. "Cuban Overture" has never been one of Gershwin's most popular concert pieces--but listening to it here one is hard pressed to know why; certainly less melodic than other Gershwin constructions for orchestra, it is nonetheless a magical thing that combines a sense of ocean and tropical flavors to tremendous effect. "Catfish Row," of course, is drawn from Gershwin's opera "Porgy and Bess"--but should not be confused with the various suites typically heard, for it was actually arranged by George Gershwin himself and offers a pleasing (and to my mind far superior) variation on these oft-heard themes.
Unfortunately, not all of the original arrangements survive. (Liner notes indicate that even "Cuban Overture" is slightly effected in this regard.) The arrangements for "An American in Paris" received an overhaul around 1947; the originals have been lost forever, and it is performed here very much as we are accustomed to hearing it. Still, Levine and company give it tremendous style and substance in execution, and without knowing what the original arrangements were like we would be hard pressed to fault them in the performance.
Whatever the case, when it comes to these four selections, and particularly so re the legendary "Rhapsody in Blue," this is the recording to have. Everything here is flawless--and very often unlike anything you've previously heard when approaching these works. Strongly recommended.
GFT, Amazon Reviewer
Gershewin is the Master of Mixing Jazz and Big Band.......2001-12-26
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064ADMK Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Top Shelf.......2007-01-04
TERRIFIC CD'S.......2006-03-23
Great Collection of Broadways greatest Songs .......2005-06-14
Great Compilation!.......2005-01-17
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Porgy & Bess (1959 Film Soundtrack)
Manufacturer: Back Biter ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002MY3V Release Date: 1995-05-08 |
Tracks:
- Overture
- Summertime
- Woman Is A Sometime Thing
- Wake- Gone, Gone, Gone- Porgy's Prayer
- My Man's Gone Now
- I Got Plenty O' Nuttin'
- Bess, You Is My Woman Now
- Morning; Catfish Row
- I Can't Sit Down
- It Ain't Necessarily So
- I Ain't Got No Shame
- What Do You Want With Bess-
- Street Cries; Strawberry Woman; Crab Man
- I Loves You, Porgy
- Red-Headed Woman
- Clara, Clara
- There's A Boat That's Leavin' Soon For New York
- Oh, Where's My Bess-
- I'm On My Way
Album Description
The story behind the controversial 1959 film adaptation of Gershwin's Porgy & Bess is a strange one. In the film starring Sidney Poitier and Dorothy Dandridge, director Otto Preminger took artistic license against Gershwin's wishes and the Gershwin estate eventually pulled the film from circulation and it has not been seen in over 30 years (although bootleg copies are sure to exist). The film's soundtrack itself has been called 'the definitive version' of Porgy & Bess and was arranged and conducted by Andre Previn. Vocalists include Cab Calloway, Pearl Bailey, Robert McFerrin (Bobby's father), Adele Addison and many others. A spectacular version of this 'opera', one that makes you long to see the withdrawn film. Bacbi.Customer Reviews:
Required listening. Sublime........2007-05-13
Despite the Gershwins' own criticism, I believe this is the definitive version of the opera.
Let's hold our breath for the release of the film.
~!an
LONG-LOST SOUNDTRACK OF A TROUBLED MOVIE . . . . . .......2007-03-20
I agree wholeheartedly with Michael Portantiere's comments in The TheaterMania Guide to Musical Theater Recordings: ". . . Cab Calloway['s] . . . engaging performances . . . lack the sense of menace that the character needs. Despite its flaws, this recording is worth tracking down if only for baritone Robert McFerrin's extraordinary performance of Porgy's music . . . and Adelle Addison's lovely singing for Dandridge . . . both rein in their operatic voices for the film but they still sing beatifully, under the tasteful, respectful musical direction of Andre Previn and Ken Darby."
Perhaps Ms. Addison "reins in" her voice just a bit too much; I would have preferred a little more passion, especially in "What You Want With Bess?" and "I Loves You Porgy." (For an excellent example of "stage vs. movie" singing, compare Giorgio Tozzi's Emile De Beque on the 1959 film soundtrack of SOUTH PACIFIC and the 1976 Lincoln Center Cast recording.)
Not having seen the film, I can only assume that director Otto Preminger softened the roles of Bess and Sportin' Life to conform to the regulations of Hollywood's infamous Production Code (aka the Hayes Office). It most certainly would have been denied a code of approval if two of the major characters were a whiskey-guzzling "easy" woman and a drug dealing pimp - especially since neither had to "pay for their sins." Preminger challenged the Code with three other films - The Moon Is Blue (1953), the first film to use the words "virgin," "seduce," and "mistress;" The Man with the Golden Arm (1955), a film which graphically dealt with drug abuse; Anatomy of a Murder (1959), rape is the central issue - but I have a feeling he played it safe with Porgy, a major studio Samuel Goldwyn Production. (For further information about the film, go to the ISAM [Institute for Studies of American Music] website at htpp://depthome.brooklyn.cuny.edu/isam.)
Because Ira Gershwin and the Gershwin estate were unhappy with Preminger's film treatment, rights to the movie were rescinded during the 70s. As a result, the film has never been legally transferred to video and only a few public showings have been allowed. When the hassles regarding the film are finally settled, hopefully the engineers at Sony/BMG will track down the original master tapes and produce a truly fine restoration of this long-lost movie soundtrack. All the proper ingredients are there; they just have to be pulled together.
Additional weirdness abounds on the CD's sleeve. None of the singers are listed - (Pearl Bailey and Brock Peters did their own singing, Loulie Jean Norman dubbed Clara's songs, and Inez Matthews sang the role of Serena. Sammy Davis, Jr. also sang his own songs, but Cab Calloway replaced him on the recording - due to contractural reasons) - and all of the photos are from some unidentified production of the opera, not from the movie. This recording may not be perfect, but right now it's all we have.
Recommended.
GREATEST PERFORMANCE OF GERSHWIN'S SCORE EVER!.......2002-08-30
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The King's Singers Original Debut Recording
Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000A9F Release Date: 1994-05-10 |
Tracks:
- The Peanut Vendor
- Shenandoah
- Cherry Ripe
- Summertime
- Time Was
- Scarborough Fair
- None But The Lonely Heart
- Linstead Market
- The Oak And The Ash
- Wives And Lovers
- Blow Away The Morning Dew
- The Green Leaves Of Summer
- What Kind Of Things
Amazon.com
As the line in the opening track, "The Peanut Vendor", says: "Fifty million monkeys can't be wrong." And back in 1971, the purchasers of this debut LP (originally The King's Singers: By Appointment) found overwhelming proof in its vinyl grooves that a refreshingly new quality product was on the market. Soon the unlikely lads known as The King's Singers were all over television screens in the company of the likes of Val Doonican, Shirley Bassey, and Nana Mouskouri--also, of course, performing bucketloads of serious repertoire in concerts. For those who rushed to buy the original, this re-release is a real trip down memory lane, the excellent sound enhanced by the extra detail and color in the CD transfer (though, please note, there's less than 35 minutes of music). "Cherry Ripe," "Scarborough Fair," and Bacharach's "Wives and Lovers" are here, along with lots more, performed with that familiar mix of vocal perfection and effortless poise and complemented by the discreet contribution of the Gordon Langford Trio. --Andrew GreenCustomer Reviews:
King's Singers Debut.......2007-01-12
Thirty years old: still terrific.......2003-02-02
The singing is flawless, the songs are wonderful and the arrangements are very clever. What more could you want?
It includes The Kings' Singers theme song, "What Kind of Things (do the Kings' Singers sing?)" which is a humorous description of the variety in their music and in their vocal ranges.
Other highlights are:
Summertime, which is quite close to the orignal sheet music, carefully arranged for 6 voices.
The folk song Scarborough Fair adheres quite closely to the Simon and Garfunkel arrangement, whereas The Oak and the Ash and Blow Away the Morning Dew are special creations for the group by Gordon Langford.
Time Was and The Green Leaves of Summer show the group's ability to create a wonderful mood through slow, soulful singing.
Highly recommended. Timeless music.
This is vintage King's Singers!.......2001-06-09
This performance is both of a very high quality and is also a magnificent showcase of the variety of things the King's Singers sing. I doubt you would find many other recordings which contain works by Tchaikovsky, Gershwin, Bacharach as well as traditional folksongs from the British Isles and America - especially not recordings that are of such a high standard. The vocal harmonies are just delicious, and the Gordon Langford Trio also provides a brilliant accompaniment and gives songs like The Peanut Vendor, Shenandoah and Summertime a delightful relaxed feeling. Then there is also the lighthearted and whimsical What Kind of Things - a song all about what sort of music the King's Singers sing!
I was going to give this CD four stars rather than five (mainly because I hesitate to give top marks to anything ever - I know, I'm picky), but in the end I honestly couldn't think of anything which would justify taking a star away. It's worth all five!
Average customer rating:
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Gershwin: Porgy & Bess [With Members of the Original Cast]
Original Soundtrack Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OJM Release Date: 1992-04-28 |
Tracks:
- Overture And Summertime - ANNE BROWN
- A Woman Is A Sometime Thing/Introducing Summertime - Edward Matthews
- My Man's Gone Now - ANNE BROWN
- It Take A Long Pull To Get There - Edward Matthews
- I Got Plenty O' Nuttin' - Todd Duncan
- Buzzard Song - Todd Duncan
- Bess, You Is My Woman - Todd Duncan
- It Ain't Necessarily So - Todd Duncan
- What You Want Wid Bess? - Todd Duncan
- Strawberry Woman's Call/Crab Man's Call - Helen Dowdy
- I Loves You, Porgy - Todd Duncan
- The Requiem - Eva Jessye Choir
- There's A Boat Dat's Leavin' Soon For New York - ANNE BROWN
- Porgy's Lament And Finale - Todd Duncan
- I Got Plenty O' Nuttin' - Avon Long
Customer Reviews:
A thing of great beauty and power.......2007-07-06
That aside, this CD is a thing of great beauty. Ann Brown and Todd Duncan really do P&B justice, as well as the Eva Jessye choir in providing meaningful and moving backup. If you can listen to Miss Brown and Mr. Duncan sing that section that goes "morning time and evening time-wintertime and summertime" from "Bess You Is My Woman Now" with dry eyes-then something is really wrong with you! (In a recent PBS documentary on P&B, the now elderly Miss Brown and Mr. Duncan broke out in tears at listening to this section of that wonderful song some 60 years later).
Avon Long has the right amount of subtlety and rascalishness (if there is such a word) as Sportin' Life, but I wish they had him singing "It Aint Necessarily So" here instead of Todd Duncan, as he did in the original opera. But that's a minor complaint and doesn't detract form this CD.
For the record, this wasn't the first African-American oriented opera. Scott Joplin's "Treemonisha" was first in 1915. But that was not performed widely in public until the 1970s. Cd's of both operas are worth a listen and are interesting to compare.
Enough said. Just BUY it. It's great.
Slower And Lower Than It Was........2007-06-26
Where this CD release errs, however, is in the fact that the selections have been remastered a half-tone or so lower than the original recordings, making it tough to listen to. Also, the single bonus track is from a six-side Decca collection by Avon Long and Helen Dowdy, all of which could have easily fitted on this CD. Happily, Naxos(UK) has seen to this omission. The source material for their release is from original 78's and the remastering may not sound as clean as the MCA remaster, but it is at the correct speed, and their 2CD release contains all six sides from the Long/Dowdy set, along with many other early PORGY sides. For obvious reasons, it's only available through UK outlets like Naxos UK or Amazon UK, but well worth the investment.
Porgy and Bess.......2007-02-25
Porgy & Bess original soundtrack.......2007-01-04
Far and away my favorite version.......2006-01-03
Sound is better than the badly remastered MCA CD of the early 80's (?).
EDIT: I used mouse wheel without reclicking, and rolled the stars choice down. IT SHOULD BE FIVE STARS.
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George Gershwin: Greatest Hits
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002A1T Release Date: 1994-08-09 |
Tracks:
- Strike Up The Band
- Rhapsody In Blue
- Prelude No. 1
- Piano Concerto In F
- An American In Paris
- Prelude No. 3
- Medley From Porgy And Bess
- Fascinating Rhythm
- Lullaby
- Promenade (Walking the Dog)
- Cuban Overture
Customer Reviews:
Muffled.......2006-11-03
If I wanted good, dynamic background music, I'd do this. If I wanted to really listen to the music, I'd pick another version.
Somewhat disappointing........2003-09-10
Gershwin At His Best in Hearts!.......2003-03-19
On this wondrous CD there are historic names like Bernstein, Kostelanez, John Williams and Michael Tilson Thomas, Conductors. Andre Previn, Yo-Yo Ma and Sarah Vaughan as Soloists. I would have a hard time choosing which may be called my favorite! It would depend on the day they are playing in my car... traveling to Columbia Seminary classes or GA Diagnostic Prison for lunch with Chaplain friends! I often sing along with the Rhapsody as I did in 1949 when Oscar Levant soloed with Chattanooga Orch. My very young wife was playing in the first violin section! Still today I am totally wiped out when anyone as intensely romantic as Sarah Vaughan sings "Summertime" or "I Loves You, Porgy!"
Is it not amazingly wondrous that someone could create so much enjoyable music in his short lifetime of 39 years? I never wish to part with this all-time favorite 10-Star Recording!
Retired Chaplain Fred W Hood
The best America has to offer!!.......1999-03-09
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