S.R.O. [Original recording remastered]

Product Description
In November 1966, Alpert released S.R.O., his fourth album to place in the Top 10 in 1966, ultimately reaching the #2 spot. Includes the hit singles "Work Song" and "Mame."

Each album in the Herb Alpert Signature Series features meticulously remastered sound, deluxe packaging, detailed liner notes, and an intro by Herb Alpert containing personal recollections and anecdotes.

Tracks:

Take Your Time (Do It Right) Part 1
Just Be Good To Me
Just The Way You Like It
Love Won't Wait For Love
S.O.S. (Dit....)
Groovin' (That's What We're Doin')
It's A Long Way To The Top
Have It Your Way
High Hopes
Tell Me If You Still Care
Sands Of Time
Weekend Girl
Borrowed Love
No Lies
The Finest

Customer Reviews:

Just Be Good To Me.......2007-07-15

Just be good to me and Tell me you still care are my favorite dance songs from the 1980's. This CD doesn't let me down at all.

Not a bad collaboration of songs, but............2007-07-05

The selection of songs on this cd were pretty tight, but the only problem i had with it was, that the songs were cut short and i'm not very fond of that, even on a greatest hits cd. What really made me cop this cd was because the song "Just the way you like it" is on here and it's in it's full length version too and that is what i look for with every song when it comes to a greatest hits. That is the only reason i gave this one a 4 star, other than that it would've been a 5 star. I recommend having this one in your collection, but be sure to get the other greatest hits one as well if you want the full length versions to the other songs. This is why it is important for the record labels to release these artist individual title albums on cd so that the fans can get these songs in their full entirity.

Good, but short version of Weekend Girl!!!.......2007-06-19

I mainly bought this for the song Weekend Girl, but was very disappointed when it was the short version...there is a longer, better version, now i have to find out what album this is on? anyone know???

Boring even if it is a greatest hits........2007-05-14

I thought they have made moore good music than this?

Greatest Hits..........2007-05-06

A good collection of music by the SOS band. The ONLY reason why this disc garners '4' stars from me is the fact they gave us the following songs in their 'single' versions:

1. Just be good to me
2. Take your time
3. Tell me if you still care
4. Weekend girl

It's simply criminal to rip us off like that. Simply criminal. I pad $15/US for the collection. My ratings: Four stars!!

Best of the Millennium: Top 40 Classical Hits

Average customer rating:

Waste of money
Great Music Compilation
If you like classical music don't buy this CD.
A must for anyone wanting the staples of classical music
A great compilation

Best of the Millennium: Top 40 Classical Hits

Manufacturer: Utv Records
ProductGroup: Music
Binding: Audio CD

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The Most Relaxing Classical Album in the World...Ever!
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25 Classical Favorites
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ASIN: B00004GOZA
Release Date: 2000-02-08

Tracks:

Adagio In G Minor
Jesu, Joy OF Man's Desiring
Moonlight Sonata - Adagio sostenuto
March Of The Toreadors (Carmen)
Celebrated Minuet
Polovtsian Dance No. 1 (Prince Igor)
Cradle Song
'Minute' Waltz
Suite Bergamasque: Clair de Lune
Largo
Pomp And Circumstance March No. 1
Rhapsody In Blue - Andante And Finale
Peer Gynt Suite: Morning
Messiah: Hallelujah Chorus
Liebestraum
Cavalleria Rusticana: Intermezzo
A Midsummer Night's Dream: Wedding March
'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
The Great Gate Of Kiev

Tracks:

Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
Orpheus In The Underworld: Cancan
Carmina Burana - O Fortuna
Canon In D
Lietenant Kije Suite - Troika
Turandot: Nessun dorma
Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
Bolero - Conclusion
The Tale Of Czar Sultan: Flight Of The Bumblebee
William Tell Overture - Finale
Carnival Of The Animals: The Swan
Gymnopedie No. 3
Ave Maria
Blue Danube Waltz
Thus Spake Zarathustra - Sunrise
Firebird Suite - Finale
1812 Overture - Finale: 1812 Overtune - Finale
Fantasia On 'Greensleeves'
Anvil Chorus (II Trovatore)
The Four Seasons - Largo From 'Winter'
Die Walkure: Ride Of The Valkyries

Amazon.com

For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason Verlinde

Customer Reviews:

Waste of money.......2006-01-12

Watch out for the volume leveling mentioned in another review. Surely the compliers could have come up with a better sort order than by composer. The change in tempo/volume between pieces makes it impossible to enjoy. My two CD's ended up in the trash.

Ken

Great Music Compilation.......2005-08-15

This is a great CD full of many songs that you will recognize and enjoy. If you are someone who likes classical music but doesn't necessarily know which songs or which composers you like, then this CD is for you. You will likely recognize many of the songs as the classical songs you would have picked out to be your favorites.

If you like classical music don't buy this CD........2005-03-11

Most of the tracks were chopped down to 3-4 minutes so some of the best parts of the compositions are missing. I don't know what I was thinking trying to buy 40 classical songs on two CD's. If you really want to enjoy the music you would do better to purchase a CD with fewer, but better quality tracks.

A must for anyone wanting the staples of classical music.......2005-02-23

In my years of experience teaching Fine Arts to high school students, I know that the majority, if not all, of the music included on this album is commonly used in collge music appreciation courses. This is an excellent sample of truly all the "greatest hits" of classical music. My students enjoy listening to the music and have later told me when take their required music apreciation courses in college that they "already know it all" because of this CD! The recordings are clear, the selections are passionate, and the listener will gain a familiarity with all of the most commonly heard classical music used in tv commercials, movies, etc.
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.

A great compilation.......2005-02-09

This cd somes up some of the greatest pieces of instrumental (and is some cases choral) music ever written. It is a great starter for a beginning classical music lover or a quick and easy all-in-one for those of us who study classical music for a living. I highly recommend this cd to anyone who wants to love or already does love classical music.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

S.R.O.
Average customer rating:

Mastering Error ?

¡Olé!

The Tijuana Brass, SRO

THERE ARE A FEW SEATS AVAILABLE

Nostalgia without the LP defects

S.R.O.
Herb Alpert & the Tijuana Brass
Manufacturer: Shout Factory
ProductGroup: Music
Binding: Audio CD

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Sounds Like

The Beat of the Brass

ASIN: B0009I7O70
Release Date: 2005-06-07

Tracks:

Our Day Will Come
Mexican Road Race
I Will Wait For You
Bean Bag
The Wall Street Rag
The Work Song
Mame
Blue Sunday
Dont Go Breaking My Heart
For Carlos
Freight Train Joe
Flamingo

Album Description

In November 1966, Alpert released S.R.O., his fourth album to place in the Top 10 in 1966, ultimately reaching the #2 spot. Includes the hit singles "Work Song" and "Mame."

Customer Reviews:

Mastering Error ?.......2007-07-19

Great songs, arrangements and performances and one of my favorite TJB albums.

However, what's up with the mastering on this one. There is heavy bass and drum distortion on several tracks, most noticable on "I Will Wait for You". Perhaps it was the original master. If not for this, SRO could have possibly been the best in the Signature Series reissues.

¡Olé!.......2007-03-27

Herb Alpert & The Tijuana Brass remain one the best musical groups to come out of the 1960s; their "hey-day" from the 1960s still goes strong! This CD entitled S.R.O. (Standing Room Only) offers you an excellent assortment of eleven instrumental tracks as well as one song to which they sing the lyrics, "Mame." They may not be the greatest singers I ever heard; but their awesome, infectiously catchy melodies and relentless happiness and optimism more than compensate for this disappointment.

The CD starts off strong with the catchy "Our Day Will Come." And their day HAS come, believe me--and it's a day lasting several decades strong now! The horns, percussion and drums carry the melody well and infuse it with a type of Latin beat despite the fact that these gentlemen were not from Mexico. Great!

"I Will Wait For You" has a slower tempo that gives it a romantic effect; once again the horns and percussion carry the number very well.

Other great songs on this CD include "The Work Song" which they perform complete with a few grunts and groans to highlight that this number is about hard work done by inmates on a chain gang; "The Work Song" also brings to mind the horrors of slavery with its brutality and cruel work loads. "The Wall Street Rag" offers a relentlessly upbeat melody that you will enjoy; and "Mame" also displays such warmth and optimism that you just won't be able to resist jumping up and dancing right there in your living room!

The CD ends with "Flamingo" which employs tambourines in addition to the horns and percussion that are so fundamental to The Tijuana Brass style. Catchy and romantic both at the same time, "Flamingo" gives this album a strong ending.

The CD comes with a twenty page booklet replete with photos of The Tijuana Brass both in the studio and in concert. You also get the original liner notes for the record album release written by Chuck Champlin; a commentary by Herb Alpert himself and an extensive essay about the band by Josh Kun. Bernie Grundman did a terrific job of remastering the numbers on this album, too.

Overall, fans of Herb Alpert & The Tijuana Brass will consider this a "must-have" for their collections; and people who enjoy classic instrumentals and easy listening will enjoy this album, too. Herb Alpert & The Tijuana Brass will remain a strong force in the world of entertainment for quite some while to come because of their numerous superb releases during the 1960s.

¡Olé!

The Tijuana Brass, SRO.......2007-03-04

This album is considered by many to be the best Tijuana Brass record ever recorded. It certainly is a great recording. This album is very consistant. Obviously, this is the Brass' most jazziest album yet, recording Nat Adderley's The Work Song, the dixieland, Wall Street Rag, the swinging Mexican Road Race, the standards I Will Wait For You, Flamingo, Our Day Will Come, and the tune made famous by Wes Montgomery, For Carlos, during which the Brass shifts time signatures with ease and a nice trombone solo by Bob Edmonson.
This album really has a group sound to it. All the instruments of the Brass were very well represented. The drums, the bass, the piano, guitar. Basically the whole rhythm section is tight as hell. Herb's trumpet playing is also superb.
A brilliant album. The best in my opinion up to this point. If there's any Tijuana Brass album to start off with for jazz fans, this is it. SRO.

THERE ARE A FEW SEATS AVAILABLE.......2005-10-19

Originally released in late 1966, S.R.O. (Standing Room Only) might be one of the most rockin' albums from Herb Alpert and his Tijuana Brass. Most of this album is very entertaining. It contains such gems as Mexican Road Race, I Will Wait For You, Bean Bag, The Work Song, Mame, Don't Go Breaking My Heart and of course, Flamingo.

But what were Herb and Shout Factory thinking when they released this CD! What a blown opportunity to give the fans something more. The TJB albums were always around 30 minutes or less. So, why not do what Capitol Records did with the re-release of the Beatles "American" albums of disc. They doubled the length by using both MONO and STEREO versions, 24 tracks rather than 12. What a grand idea. In particular for elaborate instrumental music such as this. Let the fans hear the version (or mix) they grew up with. Pretty simple, don`t you think.

I personally learned the TJB albums via "the mono mixes". Also the sound quality is rougher on this CD than the other discs in this series. It would have been nice to have had the MONO mix in this case.

01. Our Day Will Come - 8/10
02. Mexican Road Race - 10/10
03. I Will Wait For You - 10/10
04. Bean Bag - 9/10
05. The Wall Street Rag - 8/10
06. The Work Song - 10/10
07. Mame - 8/10
08. Blue Sunday - 7/10
09. Don't Go Breaking My Heart - 10/10
10. For Carlos - 9/10
11. Freight Train Joe - 7/10
12. Flamingo - 10/10

This is a pretty rockin' good album (often overlooked) and so it gets 5 stars for the music and packaging, but -1 star for the blown opportunity. So if I'm correct, that equals 2 stars!

Nostalgia without the LP defects.......2005-08-24

S.R.O. exemplifies why I purchased every Tijuana LP and still have the complete collection. Though I still love the music, listening to half the songs then flipping LP sides and the deterioration of sound quality meant with less and less frequency. Now, these CDs are played every night as we go to sleep just as we used listen to a stack of records in our first apartment.

Average customer rating:

Landmark Soprano. An essential work for opera listeners.
Terrific introduction to the art of Callas
Callas was the greatest
Great starter CD
The epitome of divinity

Maria Callas - La Divina
Giacomo Puccini , Vincenzo Bellini , Georges Bizet , Gioachino Rossini , Alfredo Catalani , Camille Saint-Saëns , Giuseppe Verdi , Charles Gounod , Wolfgang Amadeus Mozart , Pietro Mascagni , Amilcare Ponchielli , Tullio Serafin , Georges Prêtre , Nicola Rescigno , Franco Ghione , Antonino Votto , Maria Callas , Alfredo Kraus , Ebe Ticozzi , Giuseppe di Stefano , London Philharmonia Orchestra , Orchestra e Coro del Teatro alla Scala , Orchestre National de la R.D.F. , Conservatory Concert Society Orchestra , and Lisbon Orquesta Sinfonica del Teatro Nacional de San Carlos
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002RT6
Release Date: 1993-09-14

Tracks:

Madama Butterfly: Un bel di, vedremo (Atto ll)
Carmen: L'amour est un oiseau rebelle (Habanera) (Acte l)
La Wally: Ebben? ne andro lontana (Atto l)
Il Barbiere di Siviglia: Una voce poco fa (Atto l)
Norma: Casta Diva (Atto l)
Samson et Dalila: Mon coeur s'ouvre a ta voix (Acte ll)
Rigoletto: Caro nome (Atto l)
La Traviata: Sempre libera (Atto l)
Romeo et Juliette: Je veux vivre dans ce reve (Acte l)
La Boheme: Si, mi chiamano Mimi (Atto l)
Don Giovanni: Mi tradi quell'alma ingrata (Atto ll)
Cavalleria Rusticana: Voi lo sapete, o mamma
La Gioconda: Suicidio! (Atto lV)
Gianni Schicchi1: O mio babbino caro
Turandot: In questa reggia (Atto ll)
TOSCA: Vissi d'arte, vissi d'amore (Atto ll)

Amazon.com

If you want to know the reason behind all the fuss about Maria Callas, buy this CD. Callas's great gift was not purity of tone or emission, reliability, or sheer loveliness; it was, rather, her ability to change her vocal color and style to suit not only particular periods of opera but to get under the skin of the individual characters she portrayed. Here you will hear the 18-year-old Butterfly imagining the return of her beloved; the sultry, adult Carmen seducing all around her; the youthful Wally telling her cruel father that she will go off into the cold wilderness rather than give up her boyfriend; the sly Rosina planning to outfox her guardian; the priestess Norma performing a sacred rite; Dalila wrapping Samson around her little finger and more; Gioconda contemplating suicide when all hope is gone; Gilda recalling the name of the boy she's just fallen for; and the icy princess Turandot reliving the rape of her ancestor and swearing that no man will possess her. And you'll believe them all. At times Callas's vocalism is a bit wiry (Juliette sounds stressed, for instance); but, in all, this is like a visit with 16 women, all of them interesting, and all of them great singers! --Robert Levine

Customer Reviews:

Landmark Soprano. An essential work for opera listeners........2007-05-26

Maria Callas may be the only female 'superstar' working in my lifetime. In the 1950s and early 1960's, she had all the star power and paparrazi draw of Jackie and Marilyn, far outstripping the fame to the world at large of her primary rival, Renita Tibaldi. I am not an expert, or even an experienced amateur at evaluating operatic sopranos; however I've listened to several of the modern crop, and while the newbies probably do a better job of keeping on key, none of them can match the drama emoted by Ms. Callas on any given aria. All three releases are especially good buys, as they all run to over 72 minutes; however the recording quality does show its early (pre-multitrack, pre-digital) recording technology. Each is as good as the next regarding content, but 2 and 3 are a bit better in sound quality.

Terrific introduction to the art of Callas.......2007-04-24

This album is entitled "Divina," not to be confused with "Divina 2," itself a very nice example of Callas at her best. This CD samples a variety of her roles, indicating the range of her art. A few examples. . . .

"Un bel di" from Puccini's "Madama Butterfly" is very well done. She displays a rich voice and a passionate rendering of this aria. At greater volume, her voice remains under control and attractive sounding (something that does not always occur as her career developed further).

The "Habanera" from Bizet's "Carmen" is normally a mezzo soprano work. However, Callas features a good lower tone, and it works pretty well here. She shows nice breath control, too. The orchestral backing is exceptional.

"Sempre libera," from Verdi's "La Traviata," is a soprano's dream. Here, though, Callas' voice is not as attractive as in other cuts. There is some harshness with higher notes. Alfredo Kraus' singing, by the way, is most attractive. There is some unpleasantness with Callas technique in this work, although there is a nice characterization as well (this is the price you pay for Callas). She shows off some nice runs, but zero in the way of trills (some other sopranos display nice trills in this piece).

Finally, a very well done version of "Si, mi chiamano Mimi" from Puccini's "La Boheme." Sweet sounds at the outset. She seems to capture the character well. Smooth singing, done well.

Thus, a good introduction to the art of Maria Callas. There are cuts here that feature some of the wondrous nature of her work. There are other cuts where one hears some unattractive aspects of her singing and one wonders about her technique. But, in the end, this is a good representation of the work of Callas.

Callas was the greatest.......2007-02-06

It's amazing how the anti-Callas claquers continue to thrive. I'll side with Leonard Bernstein, who labeled Callas "The Bible of Opera," and who described her 1952 performance of La Sonnambula under his baton as "pure electricity." Unfortunately, recordings don't do justice to any artist, given the lack of spontaneity and a full audience, as well as a host of other reasons. Even Callas withheld many recordings from release because she was her own worst critic and they did not meet her high standards. I've been listening to opera for over 30 years and although I can appreciate the artistry of Tebaldi, Sutherland, Sills, Freni, Carteri, Moffo, Price, etc., some of whom had better pure voices, there was none that could match Maria's intensity, passion, range, personality, acting ability and pure emotion. Callas could sing bel canto colaratura but drop down to a near-mezzo voice that included many dramatic roles.

The Callas bashers will always be with us, but thankfully they will always be in the tiny minority. True connossiers of opera know there never has been and never will be as great a singer as La Divina.

Great starter CD.......2005-11-24

As simplistic as this sounds, this is a perfect CD if you know you like opera, but don't know exactly what you want to hear. You'll definitely recognize some of the more popular arias, and will grow to love the others.

The epitome of divinity.......2005-03-31

Divine and then some.
A unique mezzo voice delivering a 'one-two-three punch': one in the gut, one in the heart and one in the head.
The listener instinctually senses all she imparts-regardless of French,Italian,German literacy or opera knowledge.
Her gifts were many-the 'voice'(simultaneously:sharp,buttery,bright and dark),inimitable phrasing,timing,dramatic intensity and versatility.
A fine jumping off point for Callas neophytes and Opera 'sissies' who say they don't like Opera, but never really listened to any.
For all of us already converted, I say turn it up!

Average customer rating:

Mannheim Steamroller
I like it
Wonderful Christmas tunes from Mannheim Steamroller
Christmas Extraordinaire
Doesn't Really meet the test of time

Christmas Extraordinaire
Mannheim Steamroller , George Frideric Handel , Irving Berlin , James R. Murray , Pyotr Il'yich Tchaikovsky , Noel Regney , Christmas Traditional , Ray / Livingston, Jay Evans , Catalan Traditional , Alfred S. Burt , Felix Bernard , Robert Burns , and Chip Davis
Manufacturer: American Gramaphone
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005NNDK
Release Date: 2001-10-30

Tracks:

Hallelujah - from 'The Messiah'
White Christmas
Away In A Manger
Faeries - from 'The Nutcracker'
Do You Hear What I Hear?
The First Noel
Silver Bells
Fum, Fum, Fum
Some Children See Him
Winter Wonderland
O Tannenbaum
Auld Lang Syne

Amazon.com

Chip Davis's Mannheim Steamroller hasn't lost any ground in the six years since their last Yuletide offering. Christmas Extraordinare is another innovative and heartfelt collection of seasonal treasures played on a combination of 18th-century instruments and modern-day synthesizers, drums, and electric guitars. While not the first to marry different ages of musical instruments, Davis and his cohorts use them with imagination and an intensity that gives new life and drama to this rather inert genre. For material, Mannheim Steamroller asked their fans to choose their favorite holiday selections and vote on their Web site. The results of the poll are a fine mix of old and new--with slightly more emphasis on the modern--ranging from the bracing "Fum, Fum, Fum," a traditional Catalan carol, to Tchaikovsky's "Faeries" from The Nutcracker. Mannheim Steamroller imbues this beloved song with an almost militaristic edge, grounding it with an ominous tuba that gives the usually fey "Dance of the Sugar Plum Fairies" an edgy tension. "Winter Wonderland" is a spectacular work, bordering on prog rock, as if Emerson, Lake & Palmer had re-formed to whip up a winter blizzard gone amok. While most of the Mannheim Steamroller's Christmas albums are largely instrumental, Davis has employed the considerable talents of University of Michigan's Glee Club to sing on "O Tannenbaum," respectfully fading their elegant, full vocals around the pristine voice of Johnny Mathis, elevating this German carol to a cinematic peak. Don't miss out on the clever liner notes, which give the reader a whimsical, anecdotal history of the 12 songs. --Jaan Uhelszki

Customer Reviews:

Mannheim Steamroller.......2007-01-10

I own quite a few of Mannheim Steamroller cd's and love them all.

I like it.......2006-12-18

Although, anyone should definately buy their first two albums from the 80s first, this is much calmer and more sophisticated. The first two albums are much more upbeat and inticing. This is still some beautiful Christmas music though. It's relaxed and possibly more suitable for the parents (not that children wouldn't like it) and creates a really great chilled out loving mood.

Wonderful Christmas tunes from Mannheim Steamroller.......2006-12-06

This was a pleasure to listen to again!It makes nice background yule-tyde music for the winter solitice holiday celebration.The birth of Jesus also represents the growing length of sunlight and rebirth of life.Also smartly included are Johnny Mathis (O Tannenbaum),University of Michigan Men's Glee Club,Soli Deo Gloria Cantorum Women's Choir, Almeda Berkey directing.They should continue to stick with Christmas standard classics and stay away from the Halloween tunes.This wintertime CD from Mannheim Steamroller is extraordinaire indeed!

Christmas Extraordinaire.......2006-02-26

I am a fan of Mannheim Steamroller and had high expectations for this CD. This is not quite as good as their older Christmas Cd's. It is ok but far from what it could have been.

Doesn't Really meet the test of time.......2006-01-05

With no offense intended to Mannheim Steamroller, I just wasn't very excited about this CD. Probably the best thing on here is the Nutcracker selection, but nothing stands out as being original or a fresh look at music. The best thing I think that can be said about it came from my father, who heard it at Christmas, and said "At least it doesn't sound like all their other music." So, if you are tired of hearing the standard radio playlist of Chip Davis, this might be refreshing. On the other hand, if none of the selections from CHRISTMAS EXTRAORDINAIRE are being played, then probably none are very good (or popular).

In retrospect, I wish I had gotten FRESH AIRE, which I recognize as having some of my favorite Mannheim Steamroller songs. I'm not throwing this CD away, but it won't be on the top of my Christmas music pile either.

Average customer rating:

perfect selection for commencement/ graduation
Great Starting Point for Classical Music Novices
**An Exquisite Album**
Samples
Great Sampler!

Simply the Best Classical Anthems

Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

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Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music
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Thunderous Classics
Thunder & Lightning
25 Thunderous Classics
Time Life Presents: Classical Thunder
Best of the Millennium: Top 40 Classical Hits

ASIN: B00004SUVI
Release Date: 2000-04-25

Tracks:

Requiem: Dies Irae
Carmina Burana: O Fortuna
The Planets: Mars
The Ride Of The Valkyries
Chorus Of The Hebrew Slaves
Fanfare For The Common Man
Pomp And Circumstance March No. 1
Aida: Grand March
Summer - Four Seasons: Presto
Te Deum: Prelude
The Young Person's Guide To The Orchestra
Toccata And Fugue In D Minor
Symphony No. 5: First Movement
Spartacus: Adagio
Sabre Dance
Symphony No. 40: First Movement
Zadok The Priest
Turandot: Nessun Dorma

Tracks:

Also Sprach Zarathoustra
Romeo And Juliet: Dance Of The Knights
Requiem: Dies Irae
1812 Overture
Piano Concerto
Spring - Four Seasons: Allegro
Messiah: Hallelujah Chorus
The Royal Fireworks: La Ruissance From Music
Flight Of The Bumble Bee
Symphonie Fantastique: March To The Scaffold
Carmen: Overture
Eine Kleine Nachtmusik
Jerusalem
The Planets: Jupiter
Symphony No 9, 'Ode To Joy'
Swan Lake: Scene
Enigma Variations: Nimrod
Rhapsody On A Theme Of Paganini [Variation 18]
Pictures At An Exibitions: Promenade
Symphony For Organ No 3: Finale, Symphony For Organ No 3

Customer Reviews:

perfect selection for commencement/ graduation.......2007-06-11

We were concerned after reading some other reviews that this version of Pomp and Circumstance wouldn't be the correct movement or the full length version. This selection has the song for graduation AND the extended length, so it gives plenty of time for processionals. If this is what you need, this is the CD to get.

Great Starting Point for Classical Music Novices.......2004-08-13

"Simply the Best Classicial Anthems" is exactly what the title indicates. This is a collection of what the CD says are "36 of the most powerful classics on Earth". My review of this CD comes from someone who is a Classical Music Novice. I'm familiar with some of the composers, musical styles, musical periods, and some of the terminology that is key to understanding Classical Music. By no means am I an expert. I have basically popped in this two CD collection into my player and have enjoyed the sounds it produces. If you are in the same category as I am or maybe just wanting to be introduced to Classical Music - this is going to be a very good CD to have in your collection. For the more seasoned Classical Music fan, this could be either enjoyable or overkill.

The CD contains 36 songs composed by the legends of Classical Music Composers from the past. The bulk of the works come from Composers in the the 19th and 20th century, but there are works from the Romantic and Classical eras of the late 18th and early 19th century (such as Beethoven and Mozart). In general you will find most of the major names of Composers you would expect to find - names such as Tchiakovsky, Handel, Verdi, Strauss, Elgar, and Bach are all there. The only major composer who I would have expected to see on this CD that I don't see is Frederic Chopin. The composers of the late 20th century are not included on this collection - so you won't see Leonard Bernstein or John Williams on this set. While these Composers are excellent, I do think style of the tracks on this collection pre-date their style.

The recordings themselves are done by the great Orchestras around the world. For the most part, European Orchestras were used to deliver the tracks. There are a few exceptions: The Chicago Symphony Orchestra delivers "The Ride of the Valkyries"; The Toronto Symphony Orchestra delivers "Dance of the Knights"; and the Israel Philharmonic Orchestra delivers Tchaikovsky's "1812 Overture". Some of the European Orchestras that are well known include: BBC Symphony Orchestra, London Philharmonic, Bolshoi Symphony Orchestra, Choeur Philhamonique de Strasbourg, and more. Also included are performances by well known names in the Classical space such as Marie-Claire Alain (Bach's "Toccate and Fogue in D Minor" and Saint-Saens' "Symphony for Organ No 3"), Piero Toso (Vivaldi's "Allegro From Spring - Four Seasons"), and Placido Domingo appears on Puccini's "Nessun Dorma".

The 2 Disc collection contains a total of over 2 hours and 6 minutes of music. The selections that are included in the set will sound very familiar to you when you play them. You probably have both heard and seen the names of tracks such as: Oref's "O Fortuna"; Copland's "Fanfare for the Common Man"; Beethoven's "First Movement from Symphony Number 5" and "Ode To Joy"; Elgar's "Pomp and Circumstance", and Tchaikovsky's "1812 Overture". Many of the other tracks will also sound familiar, but maybe not so much by name - such as Wagner's "The Ride of the Valkyries", Strauss' Also Sprach Zarathoustra"; Grieg's "Piano Concerto", and "Dies Irae" (versions included by Mozart and Verdi - you can compare the two and judge for yourself). As for the Discs themselves, I think most of the casual fans will like the selections on Disc Two better, but Disc One is still very good. On a sidebar, the Israel Philharmonic's version of "1812 Overture" is by far the best you will hear - particularly at the end, the booming drums create almost a 3 dimensional vision of fireworks being launched into the air.

There one big negative on this collection is some of the recording quality. The clarity of the recording is there, but some of the recording levels leave a lot to be desired. On some of the softer parts, it is barely audible without significantly turning up your volume. This is very evident on "O Fortuna" where you will hear almost dead silence during from the 30 second to 1:30 mark of the track unless you crank your volume up. Same with the first few seconds of Strauss' "Also Sprach Zarathoustra" and Tchiakovsky's "1812 Overture". When the volume is cranked up you will hear them - but then the other sections will be way too loud. I'm surprised with modern technology that this couldn't be addressed better.

The liner notes are pretty thin. You do get the Composers, Performers/Orchestras, and recording dates. There isn't any more details than that and you won't learn anymore insight on the tracks than this information. Despite some of the shortcomings of the liner notes and recording volume, I still think this is an excellent place to start and do recommend this CD if you are a novice to Classical Music and are looking for a great place to start listening to what the Classics have to offer.

**An Exquisite Album**.......2004-02-21

Simply The Best Classical Anthems

Simply The Best Classical Anthems is a compilation album of `36 of the most powerful Anthems on Earth'. But, it is also said to be something else. It is said to be a gateway. A gateway to another world. A world where our imagination can run free without being shackled down by any borders or boundaries or rules or limits. A world that we have all seen or perhaps more accurately have all heard of but for many of us a world that we have never dared to enter. Never dared to enter because of fear. The fear of being ostracised and shunned by our community.

THE MYTH
`Classical Music!', I can hear some of you cry. `That isn't another world. That's just music for the upperclass, the high-brow, and the pompous.' Surprisingly, I too felt this way for a long time until I accepted the invitation made to me by Simply The Best Classical Anthems. I always felt that Classical Music was nice to listen to as background music for a Levis ad or a Car ad but I would consider people strange if they chose to hear it on its own. However, after having listened to this album I realised how wrong I was in my assumptions.

THE TRUTH
Music as with all forms of amusement helps to take you away from where you are now. It helps to relax you when you are stressed with anger; it helps to give you strength when you are vulnerable; it helps to keep your spirits up when you have faced tragedy or loss. It helps. And, for me the type of music that best conjures up the most passionate emotions (love, hate, courage and anger) at our most testing times is Classical Music.
How? I don't know.
Why? I don't know.
I can only promise you that in my experience it does.

THE CHEST
The album, in visual terms, is very difficult to overlook amongst the plethora of records that may surround it. This is because the album has a very distinct purple sleeve cover. Not any kind of purple mind you but the Cadbury's kind of purple. The kind of purple that carries with it an invitation. An invitation that if accepted promises you a treasure inside.
And since, I have always enjoyed the treasure within the purple Cadbury's Dairy Milk wrapper, I asked myself why would an album carrying the same invitation promise to be anything different? Thus, I parted with my tuppence worth and went back home to open this purple chest of promised treasures.

THE PROMISED TREASURE
As you may have guessed, the contents of the album are somewhat different to the contents of a Cadbury's bar. When I opened the album, I was presented with two compact discs. At first glance, there did not seem to be anything special about them. They were just your average, everyday, run of the mill compact discs. To tell you the truth, I was a bit disappointed because I suppose I had hoped for something more.
However, looks can be deceptive. (Afterall, a Cadbury's Dairy Milk does not seem very appetising until you taste it!) And, also come November each year, I am always bemused and surprised at how the shabby contents of a cardboard box can both light up the sky and light up the faces of the neighbourhood. Thus, I pushed aside my assumptions and I ignited the discs (not literally of course, I just pressed the play button on the CD player). And, I let the fireworks begin.

THE KEY
From the very beginning, you will feel like you have unlocked the doorway to something special. And, after a full two hours of listening to both discs, you will feel like you have been taken out of this world and transported to another. Welcome to the world of Classical Music.

GUIDANCE
In the beginning, continue to listen to both discs in one go (i.e. one after the other). After a while, you will know which tracks you enjoy listening to the most. For those tracks you enjoyed the most make a promise to yourself that you will listen to the whole of the piece from which that track came from.
Good Luck on your quest if you choose to accept it.
Ride amongst the Valkyries, listen to the Flight of the Bumblebees, and use The Planets to keep you on the path.

I am not a good reviewer because as with all of my reviews I refuse to comment too much about what is inside the product but rather more about what effect the product has had on me. (Me, me, me. Vain & Egotistic, I know, so my friends and family keep telling me). But, I just want to cause a raucous about the product, enough not to spoil but enough of a raucous to let you experience it for yourself.

So my final words are:
Simply The Best Classical Anthems is an invitation. An invitation to the world of classical music. A world where you can begin a never-ending quest of curiosity. A curiosity that will always be rewarded with fulfilment.

Do you accept such an invitation?

Hope you found this review helpful.

Samples.......2003-11-23

The samples are too short and the quality leaves a lot to be desired. Having said that the choices are wonderful and the price is great. If you're looking for a overview of the best of classical music then this is for you. However if it's quality you're looking for then spent the extra money and look at other choices.

Great Sampler!.......2002-03-20

This is a good sampler, since it covers what you would want in a classical music CD. Looking at the tracks, it has the classic hits, such as "Ride of the Valkyries," "Toccata and Fugue," "Fanfare for the Common Man," "'Jupiter' from `The Planets,'" "Eine Klein Nachtmusik," and "Hallelujah Chorus."

There are also some new pieces that I have fallen in love with, such as "The Young Person's Guide to the Orchestra," "'Promenade' from Pictures at an Exhibition." The compilers did an interesting double take by including both Verdi's and Mozart's "Dies Ire." I'm not sure which is better.

This music is good for the brain and good for the soul. There is a power and passion that the blaring and glaring music that makes up most of the FM band. I'm reminded of the religious man who said that there is no music in hell. Probably because they wouldn't appreciate it there.

These CDs has a good transfer from the analogue tapes; there is no hiss or fuzziness. The packaging hearkens back to 2001: A Space Odyssey, with the black monolith. And appropriately, "Also Sprach Zarathustra" is the opening track on Disk 2.

S.O.N.O.G.R.A.M.
Average customer rating:

a few words for the two people who gave one star...

SUBTERRANEOUS is The Movement!

Could do without the anti-semitism

Underground classic

a classic

S.O.N.O.G.R.A.M.
One Be Lo
Manufacturer: Fatbeats
ProductGroup: Music
Binding: Audio CD

East Coast | Rap & Hip-Hop | Styles | Music
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Masters of the Universe

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True & Livin'

ASIN: B00078FALE
Release Date: 2005-02-08

Tracks:

Intro(1)
The UNDERground
EnecS Eht No KcaB
Questions
Oggie
Propaganda
The Ghetto
Axis
Sleepwalking
True Love
Interlude
Used 2 Be Fly
Deceptacons
Can't Get Enough
Assassinations
Evil Of Self
The Future
E.T.
The Capital IST
Rocketship
Unparalleled
Follow My Lead

Customer Reviews:

a few words for the two people who gave one star..........2007-06-09

...i just dont get it. how delicate weve become, hey?

SUBTERRANEOUS is The Movement! .......2007-04-04

No Doubt: The MOST Under-rated, Under-played, Under-promoted, Un-known, Un-heard of, Un-seen album that I can even think of in THE UNDERGOUND. In the spirit of BDP (KRS-One for those that dont know), 3rd Eye Vision (Heiroglyphics), Lupe Fiasco and Mr. West Himself (to add a few well known and, in their own time, underrated, Highly Intelligent artists), One.Be.Lo (aka: OneManArmy) front man for the S-U-B-T-E-R-R-A-N-E-O-U-S Crew (and yes, they do it the best!), one-half of the would-be legendary Binary Star (Senim Silla is also the bomb, check him out on Sleeper Cell Records), one-half of the would-be classic Trackazoids, and the One Man who "the only paraphanelia [he] need to rock the spot is One Hip-Hop Fan, and it dont stop. Without a Mic, without a Beat with no DJ. Without a Pen/Pad, without a Blunt or Fifth of E.J. Without a doubt [he] still turn it out without a delay. On the track [he'll] beat your whole team without a relay." Yes: Genius is the word you are looking for.

From the begining, Subterraneous has been a WaterWorld (Michigan, for the un-educated) staple. One.Be.Lo, Majestic Legend, Octane and Illite (whose album "Forgotten...Choosen" is also Tops), Decompose (unfortunately I have not had the pleasure to check out the new album "Decompositions"), Kodac, Dj Phrikshum (if you figure out who that is, I'll give you a cookie!) and the Entire Sub Crew, who you may not love but you know Loves You, have been producing albums, rockin shows at the Blind Pig (another Ann Arbor staple), teachin the kids what Hip-Hop should be, even keeping up with their academic pursuits (check out One.Be.Lo's Double-S-A.). Yes, the Can do it ALL.

If I were trapped on a desert island with only one CD...it would probably be Outkast, "ATLiens" (sorry, I'm a bad lier)...
BUT! If I could only listen to one Lable for the rest of my life...it would be the SUB.

Trust me. I've seen the man at the show, sharing the stage with RJD2, Blueprint, GhostFaceKillah, DEL (not no phoney phranchise!), and yes, I've even seen him steal the show!
I've seen him in the crowd, shakin the hands, dancin with the fans, givin props to those that deserve it, and kickin out those that deserve it as well! (please, dont drink and dance...its bad for everyone)
He said it himself, "you buy the CD for Ten, and I'll sign it for Free." And yes, he will!! (Much thanks to my Bro for the SUB-Crew poster from Tha Zoo, best birthday present EVER!)
Call me PlayaHater if it'll make you feel better! But buy the disc, listen to the disc, and when you're in the MI, come to the show. I promise, you wont be upset.

Could do without the anti-semitism.......2007-03-09

There's nothing worse than popping in a CD, listening several times and enjoying it more, then hearing a racist lyric. I played the track twice more to confirm what I heard, Jews control what I say.

Underground classic.......2007-02-26

One Be Lo is hands down the most talented emcee out there. There is not a weak track on here. enecS eht Kcab, Deceptacons, and Rocketship are the standouts. I could easily have just listed three others tracks and been right.

Buy this album.

a classic.......2006-06-05

i love this album.onebelo is one of my favorite indie artist,so when i received this as a b-day gift last year i knew i was in for a treat.this is what a concept album should sound like.there were no weak topics plus you can tell everything was well thought out.the production(mostly by himself & the trackezoids)compliments lo's liquid flow.i recomend this to any binary star fan or anyone just curious to who onebelo is.copp this,you won't regret it.

Average customer rating:

Pretty nice collaboration.
The Best of the S.O.S. Band...
SOS Band is one of the greatest R &B groups of the 80's
The CD is Available!!
The Best of the S.O.S Band

The Best of the S.O.S. Band
The S.O.S. Band
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

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ASIN: B0000042IQ
Release Date: 2004-04-06

Tracks:

Take Your Time (Do It Right)
The Finest
Even When You Sleep
Weekend Girl
Tell Me If You Still Care
Just Be Good To Me
Sands Of Time
No One's Gonna Love You
High Hopes
What's Wrong With Our Love Affair?

Customer Reviews:

Pretty nice collaboration........2007-07-05

This is one of the funkiest bands of all time in my opinion. I really do love the SOS Band. They made some very nice tunes back in the day, especially when they hooked up with Jimmy Jam and Terry Lewis. That's the best thing they could've ever did. Songs like "Do you still care, Weekend Girl and Just be good to me" still stands out to me to this day. Those are timeless classics and i still jam them ocassionally. I wish the record labels would go on and release all of this group's individual albums on cd. I would still like to have the title cd "Just the way you like it". I just recently got a hold of their cd title "On the Rise". It cost me a nice penny, but it was worth it.

The Best of the S.O.S. Band..........2007-05-06

Although this collection is NOT as varied as their "Greatest Hits" CD, this CD does boast the full-length versions of the following:

1. take your time (do it right) 7:39
2. Just be good to me 9:03
3. Weekend girl 5:39

I paid $14/US for the disc. Great songs! Great value, as I paid $14/US for a new disc. Five stars!!

SOS Band is one of the greatest R &B groups of the 80's.......2003-11-15

Every time I hear this album or any other SOS album it blows my mind all over again! The first song I ever heard of theirs was "Tell me if you still care" and I was hooked. I can't believe that more of their albums have not been re-released on CD. I mean can we talk about jams like, "Sands of Time", "No Lies", "Weekend Girl", "Just Be Good To Me", the list can go on and on. I grew up around the corner from Flyte Tyme Studios and was lucky enough to get Sands of Time on CD, don't pass this up!

The CD is Available!!.......2002-12-29

Just a note to all those out there looking for this on CD. I live in Texas and have owned this CD for the past few years!!! Attempt to special order this from a local record store. The S.O.S. Band is the greatest!

The Best of the S.O.S Band.......2002-10-15

This is an excellent album. From what I can see,this is only offered in the cassette form. This is a travisty! This needs to be offered on CD.

Please consider this request. I would like to purchase this as soon as it's made available.

S.O.S.
Average customer rating:

Off The Charts Dance Music To Get In A Funk!

S.O.S.

LISTEN UP PEOPLE!!!! THIS SONG IS GOOD!!!

Best. Song. Ever.

how irritating

S.O.S.
Rihanna
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

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ASIN: B000F1ILRI
Release Date: 2006-04-24

Tracks:

SOS - Rihanna
SOS - Rihanna
Break It Off - Sean Paul

Album Description

Produced by Jason Rotem, the sizzling 'S.O.S.' is bringing the summer heat early this year. With its hypnotic beat and enticing melody, 'S.O.S.' utilizes the electro-funk of Soft Cell's '80s classic 'Tainted Love' to create a soulful anthem of young love. Title track is backed by the instrumental version, music video and the track 'Break It Off' featuring Sean Paul. Universal. 2006.

Customer Reviews:

Off The Charts Dance Music To Get In A Funk!.......2007-02-04

As the world of musicians keep rising and the competition is fierce then a young artist from Barbados steps in bringing a nice blend of R&B plus funk and a nice hip-hop sounds with some Spanish and Caribbean twists.

SOS Radio Edit [produced by J.R.] has quick energetic beats sure to get you in the mood to feel uplifted or ready to dance. Rihanna's voice is excellent in sound, as she has a nice pleasant sound not harsh or annoying on the ears. The heavy bass with the thumping beats make this a dance club party sensation.

SOS Instrumental has no vocals and is the same song as the previous track. Huge club fanatics may find this to be a fabulous track since the banging bass-lines bring many elements of the nights at the club and the sound has more vibes of the Hot Cell's original "Tainted Love".

Break It Off Featuring Sean Paul is my favorite track since the addition of Sean Paul has an appealing effect. His singing adds a spice of infectious dance grooves quite addictive. The beats are energetic, fast, and very much in synch with both Sean Paul's and Rihanna's singing.

S.O.S........2006-12-21

I like what Rihanna has done with Soft Cell's "Tainted Love." It's a bouncy, fresh, new approach to a classic New Wave/Pop song!!

LISTEN UP PEOPLE!!!! THIS SONG IS GOOD!!!.......2006-08-30

You guys DIDN'T know that you /can/ buy songs from people, or SOMEBODY ELSE wrote them? You know that other person who created the beat may have not mixed the beat. It was somebody else (the mixer) and after like 15 years or something, she /can/ use the beat again!

Other than that, S.O.S is a really great, dancehall song that is perfect to dance to, and when your depressed, listen to S.O.S and you will get on your feet!

Best. Song. Ever........2006-07-14

I am sick of hearing about people complaining that SOS is unoriginal, like everything else today, and plain degrading to the music industry. Well, I'm sorry to dissapoint thoses people, but I am here to say that in MY opinion, SOS is the best song ever, even if it does FEATURE the music from Tainted Love.
I admit, the song would not be as good if it didn't contain the music from Tainted Love, but Rihanna has found a new way to use it, and added a fresh new tune to it, creating one hot track. And yes, I know Rihanna did not write SOS.
Christina Millan (Don't care for the spelling) was a twit to turn down this song, sending her carrer down the drain. Rihanna deserves all the praise she can handle, and I can't wait for her furture work.
So please don't beleive the people who degrade this song, because they obviously have no REAL taste in music. SOS is not a song like every other today, it is better.

how irritating.......2006-06-11

I heard this little musical irritant a few weeks ago while browsing in the Virgin store on 14th street in NYC. The store apparently doesn't care about its customers very much because they were blasting this at a very high volume, forcing you to listen to it. Or, perhaps I should say, they don't care very much about customers who like good music. Which is very sad.

Anyway, listening to this, right away, I recognized the sample/theft of Soft Cell's Tainted Love, a song that was a hit many years ago. The other thing I noticed was that the "song" that was layered on top of the sample had no noticable melody whatsoever. Apparently, there are only a handful of competent songwriters inhabiting the music industry.

I wound up leaving the store annoyed, because by blasting this piece of noise pollution, instead of something decent, the store, like the music industry today as a whole, made me, a serious music fan, feel like an old curmugeon. I don't see myself that way, but this kind of junk brings out my irritated side.

This is to music what "bling-bling" is to fine jewelry; it's more entertainment for the dumb masses marketed to the masses in all the usual and predictible ways.

Pop Music:

Pop Music