Composed by Maurice Ravel
with Ralph Farris, Joyce Hammann, Regina Carter, Werner "Vana" Gierig, Maxine Roach, Mary Rowell, Natalie Cenovia Cummins, Borislav Strulev, Mary Whitaker, Katherine Livolsi-Stern, Jeff Carney, Susan Jolles, Dorothy Lawson, Robert Chausow, Carol Pool, Yuri Vodovos, Chris Lightcap, Laura Seaton, Karen Milne, Belinda Whitney, Debra Shufelt
Conducted by Ettore Stratta
2. Manha de Carnaval (Morning Of The Carnival)
Composed by Luiz Bonfa
with Regina Carter, Chris Lightcap, Werner "Vana" Gierig, Borislav Strulev
3. Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50
Composed by Gabriel Faure
with Regina Carter, Chris Lightcap, Werner "Vana" Gierig
4. Oblivion, tango
Composed by Astor Piazzolla
with Ralph Farris, Joyce Hammann, Regina Carter, Werner "Vana" Gierig, Maxine Roach, Mary Rowell, Natalie Cenovia Cummins, Borislav Strulev, Mary Whitaker, Katherine Livolsi-Stern, Jeff Carney, Susan Jolles, Dorothy Lawson, Robert Chausow, Carol Pool, Yuri Vodovos, Chris Lightcap, Laura Seaton, Karen Milne, Belinda Whitney, Debra Shufelt
Conducted by Ettore Stratta
5. Rêverie, for piano, L. 68
Composed by Claude Debussy
with Regina Carter, Chris Lightcap, Werner "Vana" Gierig
6. Healing in Foreign Lands
Composed by Werner "Vana" Gierig
with Regina Carter, Chris Lightcap, Werner "Vana" Gierig
7. Après un rêve ("Dans un sommeil"), song for voice & piano, Op. 7/1
Composed by Gabriel Faure
with Regina Carter, Chris Lightcap, Werner "Vana" Gierig, Borislav Strulev
8. Alexandra, for violin & jazz ensemble Excerpt
Composed by Regina Carter
with Regina Carter, Chris Lightcap, Werner "Vana" Gierig, Mayra Casales, Alexander Garnett
9. Cinema Paradiso, film score Theme
Composed by Ennio Morricone
with Ralph Farris, Joyce Hammann, Regina Carter, Werner "Vana" Gierig, Maxine Roach, Mary Rowell, Natalie Cenovia Cummins, Borislav Strulev, Mary Whitaker, Katherine Livolsi-Stern, Jeff Carney, Susan Jolles, Dorothy Lawson, Robert Chausow, Carol Pool, Yuri Vodovos, Chris Lightcap, Laura Seaton, Karen Milne, Belinda Whitney, Debra Shufelt
Conducted by Ettore Stratta
Editorial Reviews
Amazon.com
The title of this project is aptly-named. Regina Carter, a Detroit-born, classically-trained jazz violinist, traveled to Genoa, Italy in December, 2001, and performed on Paganini's legendary Guarneri violin nicknamed "the Canon." After winning the hearts of the skeptical Italians, with armed gunmen surveying her every move, Carter played flawlessly, and became the first jazz musician and African-American to the play the instrument. The next year, Carter returned to Genoa, recorded on Paginini's violin and performed a pleasing program of crossover-friendly light classics, South American compositions, a movie tune, and original works. Produced and arranged by Jorge Calandrelli and Ettore Strata, and backed by a combo led by pianist Werner "Vana" Gierig, the selections, while not exactly groundbreaking, successfully show off Carter's impeccable and soulful playing, and the violin's rich and reverent tones. An 18-piece orchestra supports Carter on Ravel's "Pavane pour une infante defunte," Piazzolla's "Oblivion," and Ennio Morrricone's Cinema Paradiso theme. Borislav Strulev's cello co-stars on Luiz Bonfa's "Black Orpheus (Manha de Carnaval)" and Faure's "Apres un reve." For Debussy's "Reverie," Carter delivers some straight-ahead swing. In sum: She came, she saw, she conquered and, she swung. --Eugene Holley, Jr.
Yes, one is the best but 2 is still wonderful.
Save yourself the shipping and order both at the same time.
We all thoroughly enjoy it. My 4 yr old can name these classicals when he hears them elsewhere and he can hum these beautiful songs. Much better than kiddie rhymes and Disney jingles. Culture your children the funniest way!!
Ken
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.
After we left, we orderd 3 copies- one for each of us.
And we buy about 2 CD's year. That's how motivivated we were.
Save for Regina's own composition, every song on this album is given a contemporary jazzy twist. The sound is light, breezy and wistful. Regina possesses the inimitable ability to make a violin sing so tenderly, it breaks your heart just listening to her play. This lovingly produced album is the perfect companion for many things: a candle-lit dinner, appreciating a beautiful painting, retrospection, a drink in a bar, a ride in a car, gazing at scenery from afar... the possibilities are endless.
Generally, the problem with remaking well-known songs is that playing the tune, give and take some rephrasing or improvisation, is not enough. To impress, the arrangement, playing, and overall production has to be inspired and tight. In this respect, Regina delivers. It is unfortunate that there are some moments on this album which sound a tad "too easy" or, for lack of a better word, pedestrian. But given the overall substance of this album, those moments are easily overlooked.
For those familiar with the original classical works on this album, they would surely appreciate and marvel at how Regina manages to make songs that are tough to remake, sound so gloriously refreshing. Like a breeze, caressing and loving you, this album is a god-sent.
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
Unfortunately, this situation is a common pattern with amazon's listing of classical music: when you use your intuition and type in common-sense search phrases for Bach, Mozart, etc, you often get the ultra-expensive out-of-print ships-in-4-weeks items as the default item. It takes a lot of detective work to find the newer reissue recordings. For example, to find the new reissue without knowing the ASIN, I had to enter just "Rachmaninoff" in the search text (deliberately left the word "Complete" out of the search) so it would no longer lock me into this item page that you're looking at and give me a full listing instead. I then sorted the listing by "Original Release Date" and found it on the 2nd page. There's no picture on the new item which doesn't give you any confidence that you found the right one. Don't worry, B000A2AD2S is what you want.
For product research, it's good to have both ASIN product listings because the older out-of-print B000003FB7 has the sound samples (and also all the helpful customer reviews) while the new B000A2AD2S has the better price and availability.
To make things even more confusing, the amazon staff sometimes copies entire customer reviews to the new item which would then make THIS review seem strangely out of place. If that happens and I notice it, I will delete this review for B000003FB7.
(In another strange twist, amazon searches in rock/pop usually points you to the newer cheaper remastered/repackaged/reissued/whatever of a particular recording. I don't know why it works the opposite way in classical music?!?!)
Hofmann hit the nail on the head when he said Rachmaninov had "arms of steel and heart of gold". From this album, we can have a clear picture of Rachmaninov's vison of music, of his musical mind and thoughts and moreover his own playing.
While Kempff's playing would often remind of the protestant church music, Rachmaninov bring to our mind the chanting of the Orthodox church, which is much thicker and darker. On top of that, his playing is orchestral which is so powerful and full colours. Yet, it is nothing like Richter, where often the whole piece is just one phrase.
Here each piece has it's own life and identity each with a focal point. It is water tight compact and yet very much natural and alive, never as hair-raising as Horowitz. But, it is not natural in Arrau's way. It is somewhere in between, closer to Argerich but with more consistency and depth. And like Casals' playing, it keeps our attention from the first note up to its focal point until its very end. But unlike Casals, he touches our hearts. It is very emotional but never to the point of being sentimental-- the performance of his own concertos, for example, can tell you that.
Sure, he did have fingers of steel that helped him to bring out whatever colour or atmostphere as appropriate. And despite that fact that there are some minor alterations on the scores like his Chopin, he is one of the few pianists who could really show you every note on the score counts and, above all, how it counts...
His Chopin may not be as neurotic as Cortot. Nonetheless, he sheds light on the dark and nervous side of Chopin so well: a very throbbing interpretation that is so unique. We also have him accompanying Kreisler on some violin sonatas, something that one could turn to time and again, year after year. What a great chamber musician and accompanist he was...!
The recorded sound of the CDs do vary, and some are more acceptable than the others. But for genuine music lovers, they should be able to get over this very soon: how else would they benefit from one of the greatest legacies of a genuinely great musician!
DG has given the public a great release with this 9 disc set of Fricsay recordings, mostly in mono, but excellent sound. Do not be afraid of the mono sound: it is very clear and balanced, in many cases better than many stereo and even digital recordings made more recently. Included are Beethoven's Symphony 1; Mendelssohn's "A Midsummer Night's Dream" with the vocal duets included; Prokofiev's "Classical" Symphony; Franck's Symphonic variations and Rachmaninoff Paganini Variations with Swiss pianist Margrit Weber; Haydn's "The Seasons" (complete, live performance with Maria Stader, Ernst Haeflinger, and Joseph Greindl); works of Falla, Francaix, Hindemith, Frank Martin, Hartmann, and others. There is a wide variety of music and you will not be disappointed.
Most of these recordings are with the RIAS Symphony Orchestra of Berlin, which Fricsay conducted for the majority of his conducting career. The RIAS orchestra was "Radio in the American sector" of Berlin, a part of West Berlin during the 1940s, 50s, and 60s. Some tracks are with the Berlin Philharmonic, others with the Berlin Radio Orchestra. In all cases, the orchestras play very well, responding with great precision to every nuance of Fricsay's direction.
I believe Fricsay would have wider recognition had he lived longer. He was roughly a contemporary of Karajan, Solti, Giulini, and Bernstein, and is sadly underrated today. Perhaps this collection will help to boost his reputation with a new generation of music lovers born after his time. Highly recommended.
Try the $12.00 2CD "great Conductors" set first. At that price you can't lose. I predict that having heard those recordings you will quickly seek out and purchase "Ferenc Fricsay, A Life in Music." Too expensive? Not at all. It's worth every penny. It's easily worth several months of anyone's budget for buying CDs. And the recorded interview with Fricsay, already ill and seemingly knowing his death is approaching, will inspire you even as it breaks your heart. His death as he approached his 40th birthday was an incalculable loss to the Western classical tradition. Yet we do have the recordings -- go and listen to them!
Now in its second round of the "Original Masters" box sets, DG has chosen to follow-up on the success of the "Great Conductors of the Century" series. They have just released two glorious 9-disc collections of the performances of conductors Ferenc Fricsay and Igor Markevitch, the vast majority of which have been previously unavailable on CD.
This particular set, "A Life in Music," showcases some of the numerous recordings made by the great conductor Ferenc Fricsay for Deutsche Grammophon, many of which have been rare (and expensive) collector's items for years. As the track information is non-existent above, I will try to be of assistance.
The first disc contains Beethoven's 1st Symphony (1953) and the Overture and Incidental Music to Mendelssohn's A Midsummer Night's Dream (1950) both with the Berlin Philharmonic (BP), and Prokofiev's 1st Symphony with the Berlin Radio Symphony Orchestra (BRSO) from 1954.
Disc two features Mahler's Ruckert-Lieder with Maureen Forrester (BRSO, 1958), and Tchaikovsky's 6th Symphony (BRSO, 1959).
Discs three begins with Respighi's orchestration of Rossini's La Boutique Fantasque (BRSO, 1955) and ends with Rimsky-Korsakov's Scheherazade (BRSO, 1956).
Disc four features the great Waltzes, Polkas, Overtures and Marches of the Strauss Family (all with BRSO from 1949-52). Included here are The Blue Danube, Vienna Blood, Musical Joke, Pizzicato-Polka, Die Fledermaus, The Gypsy Baron, Voices of Spring, Roses from the South, Morning Papers, Annen-Polka, Chit-Chat Polka, and the Radzetky March.
Disc five focuses on Fricsay as an accompanist with pianist Margrit Weber (and the BRSO). Together they tackle Falla's Nights in the Garden of Spain (1957), Francaix's (1956) and Honegger's (1955) Concertos for Piano, Franck's Symphonic Variations (1957) and Rachmaninov's Rhapsody on a Theme of Paganini (1960).
Disc six shines the spotlight on 20th Century composers. Here we get Von Einem's Zwischenspiel Interlude (1949), Hindemith's Symphonic Dances (1950), Hartmann's 6th Symphony (1955), and Martin's Petite Symphonie Concertante (1950), with Gerty Herzog on piano, Sylvia Kidd on harpsichord and Irmgard Helmis on harp.
On discs seven and eight, Fricsay performs a memorable account of Haydn's The Seasons. This is a live recording with the Berlin RSO from 1961 featuring soprano Maria Stader, tenor Ernst Haefliger, bass Josef Greindl and the St. Hedwigs Cathedral Choir, Berlin.
The final disc, number nine, wraps things up with "Ferenc Fricsay: A Life Retold," a 57-miunte interview complete with excerpts of memorable performances.
Despite the fact that most of these recordings are in mono (only the selections on disc two, and the Paganini Rhapsody are in stereo), the first rate performances more than compensate for any audio shortcomings. Well, I guess the consolidation of the music industry isn't so bad after all, as long as I can look forward to more reissues like Ferenc Fricsay: A Life in Music.
The title of this project is aptly-named. Regina Carter, a Detroit-born, classically-trained jazz violinist, traveled to Genoa, Italy in December, 2001, and performed on Paganini's legendary Guarneri violin nicknamed "the Canon." After winning the hearts of the skeptical Italians, with armed gunmen surveying her every move, Carter played flawlessly, and became the first jazz musician and African-American to the play the instrument. The next year, Carter returned to Genoa, recorded on Paginini's violin and performed a pleasing program of crossover-friendly light classics, South American compositions, a movie tune, and original works. Produced and arranged by Jorge Calandrelli and Ettore Strata, and backed by a combo led by pianist Werner "Vana" Gierig, the selections, while not exactly groundbreaking, successfully show off Carter's impeccable and soulful playing, and the violin's rich and reverent tones. An 18-piece orchestra supports Carter on Ravel's "Pavane pour une infante defunte," Piazzolla's "Oblivion," and Ennio Morrricone's Cinema Paradiso theme. Borislav Strulev's cello co-stars on Luiz Bonfa's "Black Orpheus (Manha de Carnaval)" and Faure's "Apres un reve." For Debussy's "Reverie," Carter delivers some straight-ahead swing. In sum: She came, she saw, she conquered and, she swung. --Eugene Holley, Jr.
Paganini: After a Dream,Regina Carter,Verve,Chamber,Chamber Music,Choral,Classical Crossover,Film,Film Music,Jazz,Jazz Music,Keyboard,Keyboard Work with Descriptive or Unclassified Title,Miscellaneous,Miscellaneous Music,Pavane for Keyboard,Pop
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Beethoven's Wig, Vol. 2: More Sing-Along Symphonies
Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD  Waltzes
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ASIN: B0001I2C8O Release Date: 2004-03-16 |
Tracks:
- Stuck In The Saddle Again (Light Cavalry March, Suppe)
- Sing Verdi Very Loud (La donna e mobile, from Rigoletto, Verdi)
- Its The Same Every Verse (In The Hall of The Mountain King, from Peer Gynt Suite, Grieg)
- Musical Bs (Hungarian Dance #5, Brahms)
- Dont Play That Violin (Violin Concerto #2, Paganini)
- Schuberts Trout (Trout Quintet, Schubert)
- Dvorak The Czechoslovak (Humoresque #7, Dvorak)
- A Fan of Chopin (Prelude 7, Op. 28, Chopin)
- Please Do Not Tease The Viennese (Blue Danube Waltz, Strauss)
- Its Spring! (Spring, from The Four Seasons, Vivaldi)
- Wow What a Wedding Cake (Wedding March, from A Midsummer Nights Dream,. Mendelssohn)
- Instrumental Performances:
- Light Cavalry March, Suppe
- La donna e mobile, from Rigoletto, Verdi (with vocals)
- In The Hall of The Mountain King, from Peer Gynt Suite, Grieg
- Hungarian Dance #5, Brahms
- Violin Concerto #2, Paganini
- Trout Quintet, Schubert
- Humoresque #7, Dvorak
- Prelude 7, Op. 28, Chopin
- Blue Danube Waltz, Strauss
- Spring, from The Four Seasons, Vivaldi
Amazon.com
From a pure-pleasure standpoint, the first Beethoven's Wig was nothing to flip over, and the second disc in the series follows suit. However, that is not to say that this is not a valuable and possibly ingenious record. Those unfamiliar with the premise will quickly get the picture: Producer/writer/lead singer/chief clever guy Richard Perlmutter gathers a bundle of important classical works (Paganini's "Violin Concerto #2," Strauss' "Blue Danube Waltz") and makes up silly, catchy lyrics to lay over them, informing the listener about the piece or its composer. Standing out for their offbeat brilliance this time are "Dvorak the Czechoslovak" ("Humoresque #7," Dvorak) and "Wow What a Wedding Cake" (Wedding March from A Midsummer Night's Dream, Mendelssohn). Few stabs at mixing education with entertainment succeed so well. As a bonus, the second half of the CD repeats the symphonies straight up, presenting a neat opportunity to quiz kids 5-12 on what and who they've just heard. --Tammy La GorceCustomer Reviews:
Greatest baby gift ever.......2007-03-15
Great for the whole family.......2007-01-04
More Great Fun.......2006-03-13
One is better but this is still awesome!! Gotta have it!.......2006-01-10
Yes, one is the best but 2 is still wonderful.
Save yourself the shipping and order both at the same time.
We all thoroughly enjoy it. My 4 yr old can name these classicals when he hears them elsewhere and he can hum these beautiful songs. Much better than kiddie rhymes and Disney jingles. Culture your children the funniest way!!
Absolute joy, and endless fun!.......2005-11-15
Average customer rating: 
|
Best of the Millennium: Top 40 Classical Hits
Manufacturer: Utv Records ProductGroup: Music Binding: Audio CD Waltzes
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ASIN: B00004GOZA Release Date: 2000-02-08 |
Tracks:
- Adagio In G Minor
- Jesu, Joy OF Man's Desiring
- Moonlight Sonata - Adagio sostenuto
- March Of The Toreadors (Carmen)
- Celebrated Minuet
- Polovtsian Dance No. 1 (Prince Igor)
- Cradle Song
- 'Minute' Waltz
- Suite Bergamasque: Clair de Lune
- Largo
- Pomp And Circumstance March No. 1
- Rhapsody In Blue - Andante And Finale
- Peer Gynt Suite: Morning
- Messiah: Hallelujah Chorus
- Liebestraum
- Cavalleria Rusticana: Intermezzo
- A Midsummer Night's Dream: Wedding March
- 'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
- The Great Gate Of Kiev
Tracks:
- Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
- Orpheus In The Underworld: Cancan
- Carmina Burana - O Fortuna
- Canon In D
- Lietenant Kije Suite - Troika
- Turandot: Nessun dorma
- Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
- Bolero - Conclusion
- The Tale Of Czar Sultan: Flight Of The Bumblebee
- William Tell Overture - Finale
- Carnival Of The Animals: The Swan
- Gymnopedie No. 3
- Ave Maria
- Blue Danube Waltz
- Thus Spake Zarathustra - Sunrise
- Firebird Suite - Finale
- 1812 Overture - Finale: 1812 Overtune - Finale
- Fantasia On 'Greensleeves'
- Anvil Chorus (II Trovatore)
- The Four Seasons - Largo From 'Winter'
- Die Walkure: Ride Of The Valkyries
Amazon.com
For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason VerlindeCustomer Reviews:
Waste of money.......2006-01-12
Ken
Great Music Compilation.......2005-08-15
If you like classical music don't buy this CD........2005-03-11
A must for anyone wanting the staples of classical music.......2005-02-23
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.
A great compilation.......2005-02-09
Average customer rating: 
|
A Bride's Guide to Wedding Music
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Waltzes
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Similar Items:
ASIN: B00005YD53 Release Date: 2002-02-19 |
Tracks:
- Bach: Jesu, Joy Of Man's Desiring
- Vivaldi: Largo Winter
- Bach: Air On A G String
- Torelli: Trumpet Concerto
- Bach: Sheep May Safely Graze
- Handel: Let The Bright Seraphim
- Handel: Pastoral Symphony
- Boccherini: String Quintet, Minuet
- Mendelssohn: On Wings Of Song
- Liszt: Dream Of Love
- Rachmaninov: Vocalise
- Debussy: Claire De Lune
- Satie: Gymnopedie No.1
- Gluck: Dance Of The Blessed Spirits
- Debussy: Arabesque
- Bizet: Intermezzo
- Elgar: Salut D'amour
- Debussy: Prelude A L'apres - Midi D'un Faun
Tracks:
- Wagner: Bridal Chorus
- Clarke: Trumpet Voluntary
- Handel: Royal Fireworks Music, Overture
- Gabrieli: Canzon V
- Charpentier: Te Deum
- Purcell: Trumpet Tune
- Mussorgsky: Promenade
- Pachebel: Canon In D
- Handel: Larghetto
- Vivaldi: Guitar Concerto In D Major, Largo
- Handel: Water Music, Air
- Macdowell: To A Wild Rose
- Beethoven: Pathetique Sonata, Adagio
- Melchior: Adagio
- Gounod: Ave Maria
- Schubert: Ave Maria
- Franck: Panis Angelicus
- Faure: Pie Jesu
- Rachmaninov: Rhapsody On A Theme Of Paganini
- Schumann: Romance For Violin And Piano
- Massenet: Meditation
Tracks:
- Mendelssohn: Wedding March
- Vivaldi: Concerto For Two Trumpets In B, Allegro
- Telemann: Trumpet Concerto In D, Allegro
- Vivaldi: Spring, Allegro
- Telemann: Trumpet Concerto In B, Allegro
- Handel: Concerto Grosso, Hornpipe
- Bach: Brandenburg Concerto No.4, Allegro
- Handel: Arrival Of The Queen Of Sheba
- Schumann: Piano Quintet In E Flat Major
- Widor: Toccata
- Dubois: Toccata
- Walton: Crown Imperial
- Bach: Cantata No.51. 'Jauchzet Gott In Allen Landen.' Alleluia
- Mozart: Exsultate Jubilate, Alleluia
- Handel: Water Music, Hornpipe
- Chopin; Variations On A Theme From 'La Cenerentola'
- Faure: Sicilienne
- Offenbach: Barcarolle
- Faure: Berceuse
- Saint-Saens: The Swan
- Brahms: Waltz In A Flat
- Grieg: Wedding Day At Troldhaugen
Album Description
The process of choosing music for a wedding day can certainly be a daunting process for any couple. There are many choices and the questions can be endless. Traditional music or something off the beaten path? Will your Mom cry (and not in a good way) if you do not come down the aisle to the traditional Wedding March from Wagner, or are you eager to try something new? This collection is designed to give the bridal couple some key pointers to navigate the world of classical music for their wedding day. The package includes over 3 1/2 hours of music on 3 CDs for all portions of the wedding service, all from the Naxos classical label (known for high-quality recordings at inexpensive prices). Wedding day favorites are there, along with new discoveries and tunes you may have never considered for a wedding. All pieces are hand selected by professional wedding musicians and consultants. As a bonus, the 20 page booklet will lead you through the process of choosing music, from hiring musicians to sample programs. Everything you need to create your own unique personal wedding soundtrack.Customer Reviews:
GREAT WEDDING MUSIC!.......2007-01-24
Good Music.......2006-07-05
A very complete selection of ceremony music!.......2005-02-02
Comprehensive Classical Selection.......2004-04-15
Just one note..........2003-06-07
Beautiful, but perhaps not so suitable for a wedding.
Average customer rating:
|
Paganini: After a Dream
Regina Carter Manufacturer: Verve ProductGroup: Music Binding: Audio CD Pavanes
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ASIN: B00008V612 Release Date: 2003-04-22 |
Tracks:
- Pavane Pour Une Infante Defunte
- Black Orpheus (Manha De Carnaval)
- Pavane
- Oblivion
- Reverie
- Healing In Foreign Lands
- Apres Un Reve
- Alexandra (Excerpt From)
- Cinema Paradiso
Amazon.com
The title of this project is aptly-named. Regina Carter, a Detroit-born, classically-trained jazz violinist, traveled to Genoa, Italy in December, 2001, and performed on Paganini's legendary Guarneri violin nicknamed "the Canon." After winning the hearts of the skeptical Italians, with armed gunmen surveying her every move, Carter played flawlessly, and became the first jazz musician and African-American to the play the instrument. The next year, Carter returned to Genoa, recorded on Paginini's violin and performed a pleasing program of crossover-friendly light classics, South American compositions, a movie tune, and original works. Produced and arranged by Jorge Calandrelli and Ettore Strata, and backed by a combo led by pianist Werner "Vana" Gierig, the selections, while not exactly groundbreaking, successfully show off Carter's impeccable and soulful playing, and the violin's rich and reverent tones. An 18-piece orchestra supports Carter on Ravel's "Pavane pour une infante defunte," Piazzolla's "Oblivion," and Ennio Morrricone's Cinema Paradiso theme. Borislav Strulev's cello co-stars on Luiz Bonfa's "Black Orpheus (Manha de Carnaval)" and Faure's "Apres un reve." For Debussy's "Reverie," Carter delivers some straight-ahead swing. In sum: She came, she saw, she conquered and, she swung. --Eugene Holley, Jr.Customer Reviews:
Cocktail Music, or Meditation Music, Classical with swing.......2007-07-17
After we left, we orderd 3 copies- one for each of us.
And we buy about 2 CD's year. That's how motivivated we were.
Still can't believe how bad it is.......2006-10-28
Like a breeze, caressing you..........2006-08-21
Save for Regina's own composition, every song on this album is given a contemporary jazzy twist. The sound is light, breezy and wistful. Regina possesses the inimitable ability to make a violin sing so tenderly, it breaks your heart just listening to her play. This lovingly produced album is the perfect companion for many things: a candle-lit dinner, appreciating a beautiful painting, retrospection, a drink in a bar, a ride in a car, gazing at scenery from afar... the possibilities are endless.
Generally, the problem with remaking well-known songs is that playing the tune, give and take some rephrasing or improvisation, is not enough. To impress, the arrangement, playing, and overall production has to be inspired and tight. In this respect, Regina delivers. It is unfortunate that there are some moments on this album which sound a tad "too easy" or, for lack of a better word, pedestrian. But given the overall substance of this album, those moments are easily overlooked.
For those familiar with the original classical works on this album, they would surely appreciate and marvel at how Regina manages to make songs that are tough to remake, sound so gloriously refreshing. Like a breeze, caressing and loving you, this album is a god-sent.
Regina Carter is Fantastic!.......2006-04-19
Music from heavens.......2005-12-23
Average customer rating:
|
Idiot's Guide to Classical Music
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Waltzes
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ASIN: B000003FPT Release Date: 1995-02-14 |
Tracks:
- Adagio
- Air on the G String: Air on the G String, Excerpt
- Brandenburg Concerto: Third Movement, Excerpt
- Jesu, Joy of Man's Desiring: Jesu, Joy of Man's Desiring, Excerpt
- Tocatta & Fugue: Excerpt
- Adagio for Strings: Excerpt
- Synphony No. 5: First Movement, Excerpt
- Symphony No. 9: Fourth Movement, Excerpt
- Fse: Excerpt
- Turkish March: Turkish March, Excerpt
- Moonlight Sonata: Excerpt
- Symphonie Fantastique: March Ot the Scaffold, Excerpt
- Damnation of Faust: Excerpt
- Carmen - Habanera: Habanera, Excerpt
- Toreador Song [From Carmen]
- Minuet: Minuet, Excerpt
- Prince Igor: Polovtsian Dance No 17, Excerpt
- Hungarian Dance No. 5: No 5, Excerpt
- Lullaby: No 4, Lullaby, Excerpt
- "Minute" Waltz: Excerpt
- Grande Valse Brillante: Excerpt
- Marche Fune: Marche Fune
- Appalachian Spring: Excerpt
- Fanfare for the Common Man: Excerpt
- Clair de Lune: Excerpt
- Prelude to the Afternoon: Excerpt
- Lakm Flower Duet: Flower Duet, Excerpt
- Symphony No. 9 "New World": Second Movement, "Going Home" Theme, ...
- The Sorcerer's Apprentice: Excerpt
- Pomp & Circumstance: Excerpt
- El Amor Brujo
- Pavane: Excerpt
- Rhapsody in Blue: Excerpt
- American in Paris: Excerpt
- Funeral March of Marionette: Excerpt
- Piano Concerto in a Minor: Excerpt
- Peer Gynt Suite No. 1 - Morning: Morning, Excerpt
- Messiah - Hallelujah Chorus: Hallelujah Chorus, Excerpt
- Water Music - Hornpipe: Hornpipe, Excerpt
- Symphony No. 94 "Surprise": Second Movement, Excerpt
- The Planets - Mars: Mars, Excerpt
- Sabre Dance: Sabre Dance, Excerpt
- Pagliacci: Vesti la Giubba, Excerpt
- Hungarian Rhapsody
- Liebestraum No. 3: No 3, Excerpt
- Cavalleria Rusticana - Intermezzo: Intermezzo, Excerpt
- Midsummer Night's Dream - Wedding March: Wedding March, Excerpt
- Symphony No. 4 "Italian": Fourth Movement, Excerpt
- Rondeau: No 1, Rondeau
- Piano Concerto No. 21: Andante, Excerpt
- Eine Kleine Nachtmusik: First Movement, Excerpt
- The Marriage of Figaro - Overture: Overture, Excerpt
- Sonata in A - Rondo Alla Turca: Rondo Alla Turca, Excerpt
- Symphony No. 40: First Movement, Excerpt
- Night on Bald Mountain: Excerpt
- Pictures at an Exhibition - Great Cave of Kiev: Great Gate of ...
- Barcarolle: Barcarolle, Excerpt
- Orpheus in Hades - Theme II: Excerpt (Theme)
- Carmina Burana - O Fortuna: O Fortuna, Excerpt
- Canon: Canon, Excerpt
- Romeo & Juliet - Montagues & Capulets: Montagues & Capulets, Excerpt
- Lt. Kije's Wedding: Lt. Kije's Wedding, Excerpt
- Turandot - Nessun Dorma: Nessun Dorma, Excerpt
- Piano Concerto No. 2: Second Movement, Excerpt
- Symphony No. 2: Third Movement, Opening, Excerpt
- Rhapsody on a Theme: Variation 18, Excerpt
- Bolero
- Flight of the Bumblebee
- Concierto de Aranjuez - Adagio: Adagio, Excerpt
- The Barber of Seville - Overture: Excerpt
- The Barber of Sville - Largo Al Factotum: Largo Al Factotum, Excerpt
- William Tell Overture - Theme II: Excerpt
- Danse Macabre: Excerpt
- Gymnope No. 1
- Symphony N0. 8 "Unfinished": Excerpt
- Ave Maria: Excerpt
- Finlandia [Finale: Finale, Excerpt]
- Valse Triste: No 1, Valse Triste, Excerpt
- Stars & Stripes Forever: Excerpt
- Semper Fidelis: Excerpt
- Blue Danube Waltz: Excerpt
- Tales from the Vienna Woods: Excerpt
- Also Sprach Zarathustra: Fanfare, Excerpt
- Firebird - Infernal Dance & Main Theme: Infernal Dance & Main ...
- The Nutcracker - Waltz of the Flowers: Waltz of the Flowers, Excerpt
- Swan Lake - Waltz: Waltz, Excerpt
- Sleeping Beauty -: Waltz, Excerpt
- Romeo & Juliet - Theme II: Theme LL, Excerpt
- Piano Concerto No. 1 - Opening: Opening, Excerpt
- 1812 Overture - Finale: Finale, Excerpt
- Fantasia on "Greensleeves": Excerpt
- Alda - Grand March: Grand March, Excerpt
- Il Trovatore - Anvil Chorus: Anvil Chorus, Excerpt
- Requiem - Dies Irae: Dies Irae, Excerpt
- Rigoletto - La Donna Mobile: La Donna Mobile, Excerpt
- The Four Seasons "Spring" - Allegro: Allegro, Excerpt
- The Four Season "Winter" - Largo: Largo, Excerpt
- Lohengrin - Bridal Chorus: Bridal Chorus, Excerpt
- Die WalkRide of the Valkyries: Ride of the Valkyries, Excerpt
Customer Reviews:
I can name that tune in three notes.......2005-02-19
A Fabulous CD.......2004-10-14
Mega-Sampler! This really does have 99 tracks!.......2002-03-20
If you like burning your own CDs, then this is a great source for intra-track fillers, along the lines of They Might Be Giants' "Apollo 18" album, which has all of those short tracks on the end. The idea is to put your CD player on shuffle, so the short tracks get mixed in with the bona fide songs. The result being a very unusual album.
The booklet gives an explanation of the track, where you heard it (i.e. the Warner Brother's Cartoons, or on famous films), and where you can get the full piece of music. So it's a mega sampler CD.
I can honestly say that this CD is a great gift for the friend who has everything.
Fun Sampler.......2001-11-09
Useful........1999-03-22
Average customer rating:
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Andrew Lloyd Webber: Now & Forever
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ASIN: B00005R5UJ Release Date: 2001-11-20 |
Tracks:
- Jesus Christ Superstar: Overture - Andrew Lloyd Webber
- Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
- Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
- Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
- Jesus Christ Superstar: Superstar - Murray Head
- Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
- Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
- Evita: Another Suitcase In Another Hall - Barbara Dickson
- Evita: Don't Cry For Me Argentina - Julie Covington
- Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
- Cats: The Jellicle Ball - Andrew Lloyd Weber
- Cats: Memory - Elaine Paige
- Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
- Cats: Mr Mistoffelees - Paul Nicholas
- Song And Dance: Take That Look Off Your Face - Marti Webb
- Song And Dance: Tell Me On A Sunday - Marti Webb
- Song And Dance: Unexpected Song - Sarah Brightman
- Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
- Song And Dance: Introduction - Andrew Lloyd Webber
- Song And Dance: Variations 1 -4 - Andrew Lloyd Webber
Tracks:
- Starlight Express: Starlight Express - El Debarge
- Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
- Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
- Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
- Starlight Express: Light At The End Of The Tunnel - The Company
- Requiem: Hosanna - Placido Domingo
- Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
- The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
- The Phantom Of The Opera: The Music Of The Night - Michael Crawford
- The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
- The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
- The Phantom Of The Opera: Masquerade - The Company
- The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
- Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
- Aspects Of Love: Love Changes Everything - Michael Ball
- Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
- Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
- Aspects Of Love: Anything But Lonely - Sarah Brightman
- Aspects Of Love: Chanson D'Enfance - Sarah Brightman
Tracks:
- Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
- Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
- Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
- By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
- By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
- By Jeeves: Half A Moment - Sarah Brightman
- Sunset Boulevard: With One Look - Glenn Close
- Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
- Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
- Sunset Boulevard: Sunser Boulevard - Alan Campbell
- Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
- Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
- Whistle Down The Wind: Cold - Everly Brothers
- Whistle Down The Wind: No Matter What - Children/Adult Chorus
- Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
- The Beautiful Game: Overture - Andrew Lloyd Webber
- The Beautiful Game: The Beautiful Game - The Company
- The Beautiful Game: Our Kind Of Love - Hannah Waddingham
- The Beautiful Game: Dont Like You - Josie Walker/David Shannon
- The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir
Tracks:
- Oh What A Circus - David Essex
- Memory - Betty Buckley
- The Phantom Of The Opera - Sarah Brightman/Steve Harley
- All I Ask Of You - Sarah Brightman/Cliff Richard
- Love Changes Everything - Michael Ball
- Any Dream Will Do - Donny Osmond
- Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
- As If We Never Said Goodbye - Barbra Streisand
- The Perfect Year - Dina Carroll
- With One Look - Petula Clark
- You Must Love Me - Madonna
- The Heart Is Slow To Learn - Kiri Te Kanawa
- A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
- Whistle Down The Wind - Tina Arena
- No Matter What - Boyzone
- The Vaults Of Heaven - Tom Jones
- Try Not To Be Afraid - Boy George
- Pie Jesu - Charlotte Church
Tracks:
- Make Believe Love - Wes Sands
- Down Thru' Summer - Ross Hannaman
- I'll Give All My Love To Southend - Ross Hannaman
- Believe Me I Will - Sacha Distel
- Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
- Try It And See - Rita Pavone
- Come Back Richard Your Country Needs You - Time Rice And The Webber Group
- Goodbye Seattle - Paul Raven
- John 19:41 - The Andrew Lloyd Webber Orchestra
- What A Line To Go Out On - Yvonne Elliman
- Disillusion Me - Gary Band
- The Ballad Of Robert And Peter - Tim Rice
- Christmas Dream - Maynard Williams
- It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
- It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
- Magdalena - Tony Christie
- Buenos Aires - The Roja Rockers
- Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
- Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
- I Could Have Given You More - Petula Clark
- I've Been In Love Too Long - Marti Webb
- Benedicite - The Stephen Hill Singers
Album Description
Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and DanceDisc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love
Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game
CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church
Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers
Customer Reviews:
I waited for this for five years.......2006-06-30
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
A Must Have for Sir Andrew fans.......2002-05-21
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
Average customer rating: 
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The Most Beautiful Melodies of Classical Music, Vol. 1-10 (Box Set)
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ASIN: B00000G1JO Release Date: 2000-07-07 |
Tracks:
- The Four Seasons: Concerto No. 1 In E Major 'Spring,' I. Allegro
- Overture No. 3 BWV 1068: Air
- Water Music: Alla Hornpipe
- Orpheus and Eurrdice: Dance Of The Blessed Spirits
- Piano Sonata In A Major K. 331: Alla turca
- Symphonie No. 3: Allegretto
- String Serenade: Waltz
- Foreign Countries And People op. 15 No. 1
- Flute Concerto No. 1 In G Major, K. 313: Rondo. Tempo di Minuett
- Piano Concerto No. 2 In F Minor Op. 21: Larghetto
- Quintet In A Major 'Trout': Theme & Variations
- Waltz In A Flat Major
- Impromptu In G Flat Major D 899,3
- Sinfonia concertante In E Flat Major K 364: Presto
Tracks:
- Voices Of Spring Waltz Op. 410
- Serenade Op. 3 No. 5
- Songs Without Words In E Major Op. 19,1
- Horn Concerto No. 3 In E Flat Major K. 447: Allegro
- Fausts Verdammnis: Dances Of The Sylphes
- Flute Concerto In G minor
- Salomon: Arrival Of The Queen Of Sheba
- Piano Concerto No. 23 In A Major K 488: Andante
- Holberg Suite Op. 40: Prelude
- Carmen: Intermezzo
- String Serenade op. 22: Tempo di valse
- Impromptu In B Flat Major D 935 No. 3
- I Love You Op. 5 No. 3
- Roses From The South, Waltz Op. 388
Tracks:
- Peer Gynt: Morning
- The Tales Of Hoffmann: Barcarole
- Melody In F, Op. 3 Nr. 1
- The Nutcracker: Waltz Of The Flowers
- Standchen
- Etude In G Sharp Minor 'La Campanella'
- Peer Gynt: Anitras Dance
- Moment Musical D 780 No. 3
- Canon In D
- Overture No. 2: Menuet & Badinerie
- Piano Concerto No. 21 In C Major: Andante
- Carmen: Seguedille
- 'Songs without Words': The Venetian Gondola
- Eugen Onegin: Waltz
- Romance For Violin And Orchestra In G major Op. 26
Tracks:
- Die Fledermaus: Overture
- Peer Gynt: Solveig's Song
- Waltz No. 1 Op. 18 In E flat major 'Grande Valse brillante'
- Lullaby
- L'Arlesienne: Intermezzo
- The Seasons Op. 37b: Barcarole
- A Midsummer Night's Dream: Fairies' March
- Clarinet Concerto In A Major K 622: Adagio
- The Sleeping Beauty: Waltz
- La Traviata: Prelude
- Carmen, Suite No. 2: Chanson du Toreador
- Happy Farmer
- Menuet
- On The Beautiful Blue Danube, Waltz Op. 314
Tracks:
- A Little Night Music K 525: Allegro
- Sonata No. 2 In E Major BWV 1031: Siciliano
- Op. 11 No. 5: Menuet
- Songs Without Words: Duetto
- The Nutcracker: Dance of the Toy Flutes
- Fruhlingslied (Spring Song)
- Waldszenen: Abschied
- Mandolin Concerto: Allegro
- Music For The Royal Fireworks: La paix: Largo alla Siciliana
- Brandenburg Concerto No. 3: Allegro
- Waltz In B Minor Op. 69 No. 2
- Romance Op. 5
- Impromptu In A Flat Major D 935 Nr. 2
- Tales from the Vienna Woods, Waltz Op. 325
Tracks:
- Ave Maria
- Humoresque Op. 101
- Sleeping Beautiful: Panorama
- Impromptu In E Flat Major, D899 No. 2
- Melancholy
- Waltz Op. 54,1
- Nocturne In B Major Op. 9 No. 3
- Caro mio ben
- PARTITA IN D FLAT MAJOR: Pastorale
- An den Fruhling
- The Sleeping Beauty: Pas de quatre, Adagio
- Rosamunde - Ballet In G Major
- Piano Concerto No. 3 In C Minor Op. 37: Largo
- Emperor Waltz, op. 437
Tracks:
- Harp Concerto In B Flat Major: Andante allegro
- Oboe Concerto In D Minor: Adagio
- Flute Concerto In F Major, Op. 10 'La Tempesta di Mare': Presto
- Piano Sonata No. 8 In C Minor Op. 13 'Pathetique': Adagio cantabile
- Horn Concerto In E Flat Major K 495: Rondo. Allegro vivace
- Poeme Op. 41 No. 6
- Wilhelm Tell: Soldier's Dance
- Liebestraum No. 3 In A flat Major
- Violin Romance No. 2
- Flute Concerto In E Minor: Rondo
- Intermezzo In E Flat Major Op. 117,1
- Carmen: Habenera
- Symphony No. 3 'Scottish': Vivace non troppo
- Vienna Bonbons: Waltz Op. 307
Tracks:
- Symphony No. 40 In G Minor K. 550: Molto Allegro
- Preghiera - Mozarianna Suite: Ave Verum
- Arietta Op. 12,1
- Concerto BWV 1056: Arioso
- The Four Seasons: Concerto Nr. 3 Autumn: Allegro
- Des Abends (Evening)
- Holberg Suite Op. 40: Gavotte
- Melancholy Galliard
- Flute Concerto No. 2 In D Major K. 314: Rondo. Allegretto
- Spinning Song
- Orchestral Suite No. 3: Valse Melancolique
- Flute Quartet K. 285a: Tempo di Minuetto
- Moment Musical In A Flat Major, D 780 No. 2
- Piano Concerto No. 9 In E Flat Major K 271 'Jeunehomme': Rondo - Presto
Tracks:
- String Serenade: Moderato
- Traumerei Op. 15
- Ave Maria
- Cello Concerto No. 2 In D Major: Allegro
- Minuet In D Minor
- Suite No. 1: Marche Miniature
- A Midsummer Night's Dream: Notturno
- Mazurka In D Major Op. 33 No. 2
- Divertimento K 251: Andantino
- On Wings Of A Song
- Carmen: Nocturne
- Melody
- Sonata In C Major BWV 1033: Allegro
- Symphony No. 1 In G Minor 'Winter Dreams': Adagio cantabile
- Sound Of The Spheres, Waltz Op. 235
Tracks:
- The Marriage Of Figaro: Overture
- Sonata In C sharp Minor Op. 27,2 'Moonlight Sonata': Adagio sostenuto
- German Dance No. 1
- Nocturne In C Sharp Minor Op.posth.
- Haffner Serenade: Minuet
- Septet In E Flat Major Op. 20: Tempo di Minuetto
- Symphony No. 4 Italian: Andante con moto
- Prelude In D Flat Major Op. 28, No. 15 'Rain Drops'
- '3 Small Pieces': Impromptu
- 'The Nutcracker': March
- Romance In E Flat Major Op. 44
- Piano Sonata No. 16 In C Major 'Sonata facile': Allegro
- 'The Nutcracker': Scene No. 10
- Enjoy Your Life Waltz, Op. 340
Average customer rating:
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Sergei Rachmaninoff: The Complete Recordings
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Dances
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ASIN: B000003FB7 Release Date: 1992-09-15 |
Tracks:
- Concerto No. 2, Op. 18 In C Minor: Moderato; Allegro
- Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
- Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
- Concerto No. 3, Op. 30 In D Minor: Allegro ma non tanto
- Concerto No. 3, Op. 30 In D Minor: Intermezzo: Adagio
- Concerto No. 3, Op. 30 In D Minor: Finale: Alla breve
Tracks:
- Concerto No. 1, Op, 1 In F Sharp Minor: Vivace
- Concerto No. 1, Op, 1 In F Sharp Minor: Andante
- Concerto No. 1, Op, 1 In F Sharp Minor: Allegro vivace
- Concerto No. 4, Op. 40 In G Minor: Allegro vivace
- Concerto No. 4, Op. 40 In G Minor: Largo
- Concerto No. 4, Op. 40 In G Minor: Allegro vivace
- Rhapsody On A Theme Of Paganini, Op. 43: Introduction: Allegro vivace
- Rhapsody On A Theme Of Paganini, Op. 43: Variation I: (Precedente)
- Rhapsody On A Theme Of Paganini, Op. 43: Tema: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation II: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation III: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation IV: Piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation V: Tempo precedente
- Rhapsody On A Theme Of Paganini, Op. 43: Variation VI: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation VII: Meno mosso, a tempo moderato
- Rhapsody On A Theme Of Paganini, Op. 43: Variation VIII: Tempo I
- Rhapsody On A Theme Of Paganini, Op. 43: Variation IX: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation X: Poco marcato
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XI: Moderato
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XII: Tempo di minuetto
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XIII: Allegro
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XIV: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XV: Piu vivo scherzando
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XVI: Allegretto
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XVII: (Allegretto)
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XVIII: Andante cantabile
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XIX: A tempo vivace
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XX: Un poco piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XXI: Un poco piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XXII: Un poco piu vivo (Alla breve)
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIII: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIV: A tempo un poco meno mosso
Tracks:
- Isle Of The Dead, Op. 29
- Vocalise, Op. 34, No. 14
- Symphony No.3, Op. 44 In A Minor: Lento; Allegro moderato
- Symphony No.3, Op. 44 In A Minor: Adagio ma non troppo
- Symphony No.3, Op. 44 In A Minor: Allegro
Tracks:
- Sonata, Op. 30, No. 3 In G: Allegro assai
- Sonata, Op. 30, No. 3 In G: Tempo di minuetto, ma molto moderato e grazioso
- Sonata, Op. 30, No. 3 In G: Allegro vivace
- Sonata D. 574 In A: Allegro moderato
- Sonata D. 574 In A: Scherzo: Presto; Trio
- Sonata D. 574 In A: Andantino
- Sonata D. 574 In A: Allegro vivace
- Sonata, Op. 45 In C Minor: Allegro molto ed appassionato
- Sonata, Op. 45 In C Minor: Allegretto espressivo alla Romanza
- Sonata, Op. 45 In C Minor: Allegro animato
Tracks:
- Partita No. 4, BWV 828: Sarabande
- Harpsichord Suite No. 5: Air And Variations - 'Harmonious Blacksmith'
- Sonata, K. 331: III: Turkish March
- 32 Variations, WoO 80 In C Minor: Thema: Allegretto
- 32 Variations, WoO 80 In C Minor: Variation I
- 32 Variations, WoO 80 In C Minor: Variation II
- 32 Variations, WoO 80 In C Minor: Variation III
- 32 Variations, WoO 80 In C Minor: Variation IV
- 32 Variations, WoO 80 In C Minor: Variation V
- 32 Variations, WoO 80 In C Minor: Variation VI
- 32 Variations, WoO 80 In C Minor: Variation VII
- 32 Variations, WoO 80 In C Minor: Variation VIII
- 32 Variations, WoO 80 In C Minor: Variation IX
- 32 Variations, WoO 80 In C Minor: Variation X
- 32 Variations, WoO 80 In C Minor: Variation XI
- 32 Variations, WoO 80 In C Minor: Variation XII
- 32 Variations, WoO 80 In C Minor: Variation XIII
- 32 Variations, WoO 80 In C Minor: Variation XIV
- 32 Variations, WoO 80 In C Minor: Variation XIX
- 32 Variations, WoO 80 In C Minor: Variation XXII
- 32 Variations, WoO 80 In C Minor: Variation XXIII
- 32 Variations, WoO 80 In C Minor: Variation XXIV
- 32 Variations, WoO 80 In C Minor: Variation XXV
- 32 Variations, WoO 80 In C Minor: Variation XXVI
- 32 Variations, WoO 80 In C Minor: Variation XXVII
- 32 Variations, WoO 80 In C Minor: Variation XXVIII
- 32 Variations, WoO 80 In C Minor: Variation XXXI
- 32 Variations, WoO 80 In C Minor: Variation XXXII
- Return Home
- Polish Songs: The Maiden's Wish
- Die schone Mullerin: Das Wandern
- Schwanengesang: Serenade
- Polonaise No. 2 In E
- Songs Without Words, Op. 67: Spinning Song
- Impromptu, Op. 90, No. 4 In A Flat
- Concert Etude No. 2: Gnomenreigen
- Orfeo ed Euridice: Melodie
- Etude, Op. 104b, No. 2 In F
- Etude, Op. 104b, No. 3 In A Minor
- Spanisches Liederspeil: The Smuggler
- Minuet, Op. 14, No. 1 In G
- Liebesfreud
Tracks:
- Sonata No. 2, Op. 35 'Funeral March': Grave; Doppio movimento
- Sonata No. 2, Op. 35 'Funeral March': Scherzo
- Sonata No. 2, Op. 35 'Funeral March': Marche funebre
- Sonata No. 2, Op. 35 'Funeral March': Presto
- Carnaval, Op. 9: Preambule
- Carnaval, Op. 9: Pierrot
- Carnaval, Op. 9: Arlequin
- Carnaval, Op. 9: Valse noble
- Carnaval, Op. 9: Eusebius
- Carnaval, Op. 9: Florestan
- Carnaval, Op. 9: Coquette
- Carnaval, Op. 9: Replique
- Carnaval, Op. 9: Sphinxes
- Carnaval, Op. 9: Papillons
- Carnaval, Op. 9: A. S. C. H. - S. C. H. A. (Letteres dansantes)
- Carnaval, Op. 9: Chiarina
- Carnaval, Op. 9: Chopin
- Carnaval, Op. 9: Estrella
- Carnaval, Op. 9: Reconnaissance
- Carnaval, Op. 9: Pantalon et Colombine
- Carnaval, Op. 9: Valse allemande
- Carnaval, Op. 9: Pganini (Intermezzo)
- Carnaval, Op. 9: Aveu
- Carnaval, Op. 9: Promenade
- Carnaval, Op. 9: Pause
- Carnaval, Op. 9: Marche des 'Davidsbundler' contre les Philistins
- Nocturne, Op. 9, No. 2 In E Flat
- Waltz, Op. 64, No. 2 In C Sharp
- Waltz, Op. 64, No. 3
- Ballade No. 3, Op. 47 In A Flat
- Mazurka, Op. 68, No. 2
- Waltz, Op. Posth. In E Minor
Tracks:
- Partita No. 3, BWV 1006: Preludio
- Partita No. 3, BWV 1006: Gavotte
- Partita No. 3, BWV 1006: Gigue
- A Midsummer Night's Dream: Scherzo
- Liebersfreud
- Die schone Mullerin: The Brooklet
- Polka de V.R.
- Etude-tableau, Op. 39, No. 6 In A Minor
- Prelude, Op. 3, No. 2 In C Sharp Minor
- Sorochintsy Fair: Hopac
- Lullaby, Op. 16, No.1
- Tsar Saltan: Flight of the Bumblebee
- The Ruins Of Athens: Turkish March
- Scherzo In A Flat
- The Seasons: November: Troika
- Prelude No. 8, Op. 11, No. 8 In F Sharp
- One Lives But Once
- Powder and Paint
- Polka italienne (Piano 4 Hands)
Tracks:
- Concerto No. 2, Op. 18 In C Minor: Maderato; Allegro
- Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
- Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
- Prelude, Op. 23, No. 10 In G Flat
- Prelude, Op. 32, No. 3 In E Major
- Prelude, Op. 32, No. 7 In F Major
- Prelude, Op. 32, No. 6 In F Minor
- Etude-tableau, Op. 33, No. 2 in C Major
- Etude-tableau, Op. 33, No. 7 In E Flat
- Daisies, Op. 38, No. 3
- Oriental Sketch
- Melodie, Op. 3, No. 3 in E
- Serenade, Op. 3, No. 5 In B Flat
- Humoresque, Op. 10, No. 5 In G
- Lilacs, Op. 21, No. 5
- Moment Musical, Op. 16, No. 2 In E Flat
Tracks:
- Mazurka, Op. 63, No. 3 In C Sharp Minor
- Nocturne, Op. 15, No. 2 In F Sharp
- Waltz, Op. 18 'Grande valse brilliante' In E Flat
- Waltz, Op. 34, No. 3 'Valse brilliante' In F
- Waltz, Op. 64, No. 1 'Minute'
- Waltz, Op. 69, No. 2 In B Minor
- Waltz, Op. 70, No. 1 In G Flat
- Scherzo No. 3, Op. 39 In C Sharp Minor
- Waltz, Op. 64, No. 1 'Minute' In D Flat
- Le coucou
- L'Arlesienne Suite No. 1: Minuet
- Carnival Of The Animals: The Swan
- Songs Without Words, Op. 67: Spinning Song
- Waltz
- Lyric Pieces, Op. 12: Elfin Dance
- Etude, Op. 28, No. 6 In F Minor
- If I Were a Bird
- La jongleuse
- Dr. Gradus ad Parnassum
- Children's Corner: Golliwogg's Cakewalk
- The Seasons: November: Troika
- Humoresque, Op. 10, No. 2 In G
- Waltz, Op. 40, No. 8 In A Flat
Tracks:
- Prelude, Op. 23, No. 5 In G Minor
- Prelude, Op. 32, No. 12 In G Sharp Minor
- Prelude, Op. 3, No. 2 In C Sharp Minor
- Prelude, Op. 32, No. 5 In G
- Serenade, Op. 3, No. 5 In B Flat
- Lilacs, Op. 21, No. 5
- Polichinelle, Op. 3, No. 4 In F Sharp Minor
- Polka de V.R.
- Liebesleid
- Hungarian Rhapsody No. 2
- Pastorale In E Minor
- Theme and Variations
- Waltz, Op. 42 'Two - Four' In A Flat
- Waltz, Op. 64, No. 3 In A Flat
- Polka de V.R.
- Bacarolle, Op. 10, No. 3 In G Minor
- Prelude, Op. 3, No. 2 In C Sharp Minor
Amazon.com
We remember Rachmaninov today mostly for the music he wrote. But as this set quickly reveals, he was one of the greatest pianists of the 20th century, able to play his own music and a great variety of others with tremendous personality and a technique that is still astonishing. There's no point picking highlights from this set, since they are everywhere. But if you've never heard Rachmaninov play Schumann's Carnaval, try starting there for one of the most imaginative recreations of a piece of music ever recorded. The set also includes Rachmaninov's only recordings as a conductor in two of his own major works. --Leslie GerberCustomer Reviews:
Save some $ money! Get the newer January 2006 reissue set instead........2006-05-17
Unfortunately, this situation is a common pattern with amazon's listing of classical music: when you use your intuition and type in common-sense search phrases for Bach, Mozart, etc, you often get the ultra-expensive out-of-print ships-in-4-weeks items as the default item. It takes a lot of detective work to find the newer reissue recordings. For example, to find the new reissue without knowing the ASIN, I had to enter just "Rachmaninoff" in the search text (deliberately left the word "Complete" out of the search) so it would no longer lock me into this item page that you're looking at and give me a full listing instead. I then sorted the listing by "Original Release Date" and found it on the 2nd page. There's no picture on the new item which doesn't give you any confidence that you found the right one. Don't worry, B000A2AD2S is what you want.
For product research, it's good to have both ASIN product listings because the older out-of-print B000003FB7 has the sound samples (and also all the helpful customer reviews) while the new B000A2AD2S has the better price and availability.
To make things even more confusing, the amazon staff sometimes copies entire customer reviews to the new item which would then make THIS review seem strangely out of place. If that happens and I notice it, I will delete this review for B000003FB7.
(In another strange twist, amazon searches in rock/pop usually points you to the newer cheaper remastered/repackaged/reissued/whatever of a particular recording. I don't know why it works the opposite way in classical music?!?!)
6, or Even 7 Stars!.......2005-06-04
Hofmann hit the nail on the head when he said Rachmaninov had "arms of steel and heart of gold". From this album, we can have a clear picture of Rachmaninov's vison of music, of his musical mind and thoughts and moreover his own playing.
While Kempff's playing would often remind of the protestant church music, Rachmaninov bring to our mind the chanting of the Orthodox church, which is much thicker and darker. On top of that, his playing is orchestral which is so powerful and full colours. Yet, it is nothing like Richter, where often the whole piece is just one phrase.
Here each piece has it's own life and identity each with a focal point. It is water tight compact and yet very much natural and alive, never as hair-raising as Horowitz. But, it is not natural in Arrau's way. It is somewhere in between, closer to Argerich but with more consistency and depth. And like Casals' playing, it keeps our attention from the first note up to its focal point until its very end. But unlike Casals, he touches our hearts. It is very emotional but never to the point of being sentimental-- the performance of his own concertos, for example, can tell you that.
Sure, he did have fingers of steel that helped him to bring out whatever colour or atmostphere as appropriate. And despite that fact that there are some minor alterations on the scores like his Chopin, he is one of the few pianists who could really show you every note on the score counts and, above all, how it counts...
His Chopin may not be as neurotic as Cortot. Nonetheless, he sheds light on the dark and nervous side of Chopin so well: a very throbbing interpretation that is so unique. We also have him accompanying Kreisler on some violin sonatas, something that one could turn to time and again, year after year. What a great chamber musician and accompanist he was...!
The recorded sound of the CDs do vary, and some are more acceptable than the others. But for genuine music lovers, they should be able to get over this very soon: how else would they benefit from one of the greatest legacies of a genuinely great musician!
A must have for Piano and classical music lovers.......2005-04-04
Ah, Rachmaninoff, brilliant star of music, how we adore you.......2003-09-14
Review from a spoiled modern listener.......2003-07-13
Average customer rating: 
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ASIN: B0002XEECK Release Date: 2004-09-28 |
Tracks:
- Adagio - Baroque Chamber Orchestra
- Air On The G String - Festival Strings Lucerne
- Mvmt. III - Festival Strings Lucerne
- Aria - Peter Serkin
- Jesu, Joy Of Man's Desiring - Norman Luboff Choir
- Toccata & Fugue In D Minor - Philadelphia Orchestra
- Adagio For Strings - Boston Symphony Orchestra
- Mvmt. I - Boston Symphony Orchestra
- Mvmt. IV - New York Philharmonic
- Fur Elise - Nellie Kokinos
- Turkish March - Arthur Fiedler
- 'Moonlight' Sonata - Jorg Demus
- March To The Scaffold - Boston Symphony Orchestra
- Rakoczy March - Arthur Fiedler
- Habanera/Toreador Song - Arthur Fiedler
- Minuet - Arthur Fiedler
- Polovtsian Dance No.17 - Arthur Fiedler
- Hungarian Dance No.5 - London Festival Orchestra
- Lullaby - Arthur Fiedler
- Minute Waltz - Geza Anda
- Grande Valse Brillante - Geza Anda
- Marche Funebre - Emanuel Ax
- Simple Gifts - Copland
- Fanfare For The Common Man - Philadelphia Orchestra
- Clair De Lune - Arthur Fiedler
- Prelude To The Afternoon Of A Faun - Philadelphia Orchestra
- Flower Duet - Philharmonia Virtuosi
- Mvmt II. Going Home Theme - Arthur Fiedler
- The Sorcerer's apprentice - Philadelphia Orchestra
- March No.1 - Arthur Fiedler
- Ritual Fire Dance - Arthur Fiedler
- Pavane - National Philharmonic
- Rhapsody In Blue - Arthur Fiedler
- An American In Paris - Arthur Fiedler
- Funeral March Of A Marionette - Arthur Fiedler
- Piano Concerto In A Minor - Kjel Baekkelund
- Morning - Philadelphia Orchestra
- Hallelujah Chorus - Royal Philharmonic Chorus
- Alla Hornpipe - Festival Strings Lucerne
- Mvmt. II - English Chamber Orchestra
- Mars - Philadelphia Orchestra
- Sabre Dance - Arthur Fiedler
- Vesti La Giubba - Placido Domingo
- Hungarian Rhapsody No.2 - Philadelphia Orchestra
- Liebestraum No.3 - Arthur Fiedler
- Intermezzo - National Philharmonic
- Wedding March - Philadelphia Orchestra
- Mvmt. IV - Boston Symphony Orchestra
- Rondeau - U.K. Symphony
- Andante - Geza Anda
- Mvmt. I - Boston Symphony Orchestra
- Overture - Bavarian Radio Symphony Orchestra
- Rondo Alla Turca - Walter Hautzig
- Mvmt. I - English Chamber Orchestra
- A Night On Bald Mountain - Philadelphia Orchestra
- Great Gate Of Kiev - Philadelphia Orchestra
- Barcarolle - Arthur Fiedler
- Theme II (Can Can) - Arthur Fiedler
- O Fortuna - New England Conservatory Chorus
- Canon - Baroque Chamber Orchestra
- Montagues & Capulets - Boston Symphony Orchestra
- Lt. Kije's Wedding - Arthur Fiedler
- Nessun Dorma - Jussi Bjorling
- Mvmt. III - Rome Opera Chorus
- Mvmt. III. Opening - London Symphony Orchestra
- Var. 18 - Leonard Pennario
- Bolero - Boston Symphony Orchestra
- Flight Of The Bumblebee - Arthur Fiedler
- Adagio - Julian Beam
- Overture/Largo Al Factotum - Metropolitan Opera Orchestra
- Theme II - Arthur Fiedler
- Danse Macabre - Philadelphia Orchestra
- Gymnopedie No.1 - National Philharmonic
- Symphony No.8 'Unfinished' - Boston Symphony Orchestra
- Ave Maria - Robert Shaw Chorale
- Finle - Morton Gould & His Orchestra
- Valse Triste - Finnish Radio Orchestra
- Stars & Stripes Forever - Arthur Fiedler
- Semper Fidelis - Arthur Fiedler
- Blue Danube Waltz - Arthur Fiedler
- Tales From The Vienna Woods - Arthur Fiedler
- Fanfare - Chicago Symphony Orchestra
- Infernal Dance & Main Theme - Boston Symphony Orchestra
- Waltz Of The Flowers - Arthur Fiedler
- Waltz - Philadelphia Orchestra
- Waltz - Philadelphia Orchestra
- Theme II - Philadelphia Orchestra
- Opening - Barry Douglas
- Finale - Chicago Symphony Orchestra
- Fantasia On Greensleeves - Philadelphia Orchestra
- Grand March - Arthur Fiedler
- Anvil Chorus - Rome Opera Chorus
- Libiamo (Drinking Song) - Carlo Bergonzi
- Die Irae - Chicago Symphony Chorus
- Rigoletto - Placido Domingo
- Allegro - Jose-Luis Garcia
- Largo - Jose-Luis Garcia
- Bridal Chorus - Robert Shaw Chorale
- Ride Of The Valkyries - Philadelphia Orchestra
Customer Reviews:
It's only snippets of the music!.......2006-02-12
Average customer rating:
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Ferenc Fricsay: A Life in Music
Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD Dances
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ASIN: B00009LW2Z Release Date: 2003-08-12 |
Customer Reviews:
Top notch mostly 1950s mono recordings in excellent sound.......2005-11-10
DG has given the public a great release with this 9 disc set of Fricsay recordings, mostly in mono, but excellent sound. Do not be afraid of the mono sound: it is very clear and balanced, in many cases better than many stereo and even digital recordings made more recently. Included are Beethoven's Symphony 1; Mendelssohn's "A Midsummer Night's Dream" with the vocal duets included; Prokofiev's "Classical" Symphony; Franck's Symphonic variations and Rachmaninoff Paganini Variations with Swiss pianist Margrit Weber; Haydn's "The Seasons" (complete, live performance with Maria Stader, Ernst Haeflinger, and Joseph Greindl); works of Falla, Francaix, Hindemith, Frank Martin, Hartmann, and others. There is a wide variety of music and you will not be disappointed.
Most of these recordings are with the RIAS Symphony Orchestra of Berlin, which Fricsay conducted for the majority of his conducting career. The RIAS orchestra was "Radio in the American sector" of Berlin, a part of West Berlin during the 1940s, 50s, and 60s. Some tracks are with the Berlin Philharmonic, others with the Berlin Radio Orchestra. In all cases, the orchestras play very well, responding with great precision to every nuance of Fricsay's direction.
I believe Fricsay would have wider recognition had he lived longer. He was roughly a contemporary of Karajan, Solti, Giulini, and Bernstein, and is sadly underrated today. Perhaps this collection will help to boost his reputation with a new generation of music lovers born after his time. Highly recommended.
A great conductor's legacy of great performances of music of a wide variety of composers........2005-09-18
Try the $12.00 2CD "great Conductors" set first. At that price you can't lose. I predict that having heard those recordings you will quickly seek out and purchase "Ferenc Fricsay, A Life in Music." Too expensive? Not at all. It's worth every penny. It's easily worth several months of anyone's budget for buying CDs. And the recorded interview with Fricsay, already ill and seemingly knowing his death is approaching, will inspire you even as it breaks your heart. His death as he approached his 40th birthday was an incalculable loss to the Western classical tradition. Yet we do have the recordings -- go and listen to them!
Brilliant "Life in Music" Rescued from the Vaults.......2003-08-13
Now in its second round of the "Original Masters" box sets, DG has chosen to follow-up on the success of the "Great Conductors of the Century" series. They have just released two glorious 9-disc collections of the performances of conductors Ferenc Fricsay and Igor Markevitch, the vast majority of which have been previously unavailable on CD.
This particular set, "A Life in Music," showcases some of the numerous recordings made by the great conductor Ferenc Fricsay for Deutsche Grammophon, many of which have been rare (and expensive) collector's items for years. As the track information is non-existent above, I will try to be of assistance.
The first disc contains Beethoven's 1st Symphony (1953) and the Overture and Incidental Music to Mendelssohn's A Midsummer Night's Dream (1950) both with the Berlin Philharmonic (BP), and Prokofiev's 1st Symphony with the Berlin Radio Symphony Orchestra (BRSO) from 1954.
Disc two features Mahler's Ruckert-Lieder with Maureen Forrester (BRSO, 1958), and Tchaikovsky's 6th Symphony (BRSO, 1959).
Discs three begins with Respighi's orchestration of Rossini's La Boutique Fantasque (BRSO, 1955) and ends with Rimsky-Korsakov's Scheherazade (BRSO, 1956).
Disc four features the great Waltzes, Polkas, Overtures and Marches of the Strauss Family (all with BRSO from 1949-52). Included here are The Blue Danube, Vienna Blood, Musical Joke, Pizzicato-Polka, Die Fledermaus, The Gypsy Baron, Voices of Spring, Roses from the South, Morning Papers, Annen-Polka, Chit-Chat Polka, and the Radzetky March.
Disc five focuses on Fricsay as an accompanist with pianist Margrit Weber (and the BRSO). Together they tackle Falla's Nights in the Garden of Spain (1957), Francaix's (1956) and Honegger's (1955) Concertos for Piano, Franck's Symphonic Variations (1957) and Rachmaninov's Rhapsody on a Theme of Paganini (1960).
Disc six shines the spotlight on 20th Century composers. Here we get Von Einem's Zwischenspiel Interlude (1949), Hindemith's Symphonic Dances (1950), Hartmann's 6th Symphony (1955), and Martin's Petite Symphonie Concertante (1950), with Gerty Herzog on piano, Sylvia Kidd on harpsichord and Irmgard Helmis on harp.
On discs seven and eight, Fricsay performs a memorable account of Haydn's The Seasons. This is a live recording with the Berlin RSO from 1961 featuring soprano Maria Stader, tenor Ernst Haefliger, bass Josef Greindl and the St. Hedwigs Cathedral Choir, Berlin.
The final disc, number nine, wraps things up with "Ferenc Fricsay: A Life Retold," a 57-miunte interview complete with excerpts of memorable performances.
Despite the fact that most of these recordings are in mono (only the selections on disc two, and the Paganini Rhapsody are in stereo), the first rate performances more than compensate for any audio shortcomings. Well, I guess the consolidation of the music industry isn't so bad after all, as long as I can look forward to more reissues like Ferenc Fricsay: A Life in Music.
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