| 1. Eli's Comin' |
| 2. Ballad to Max |
| 3. MacArthur Park |
| 4. Chala Nata |
| 5. If I Thought You'd Ever Change Your Mind |
| 6. L-Dopa |
M.F. Horn,Maynard Ferguson,Wounded Bird Records,Crossover Jazz,Hard Bop,Jazz,Jazz-Pop,Pop
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M.F Horn 4 & 5 - Live at Jimmy's
Maynard Ferguson Manufacturer: Wounded Bird Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000LRZ052 Release Date: 2007-02-27 |
Tracks:
- Teonova
- MacArthur Park
- Left Bank Express
- I'm Gettin' Sentimental Over You
- Two for Otis
- Stay Loose with Bruce
- Nice 'N Juicy
- Fox Hunt
- Got the Spirit
- Blue Birdland
Album Description
This 1974 release from this legendary Jazz trumpeter, reached #40 on The Billboard Jazz Albums chart. This was originally a two record set, now contained on a single disc. The best of his Jazz-oriented recordings for the Columbia label, Live At Jimmy's features Ferguson ably assisted bay Lin Biviano, Andy MacIntish, Ferdinand Povel, Pete Jackson and Bruce Johnstone. Wounded Bird. 2007.Customer Reviews:
The classic Maynard album.......2007-05-16
Perhaps the best words for this album were uttered by Maynard himself as the band played "Blue Birdland" at the conclusion of the album: "I hope we get one hell of an album out of this."
You surely did, Mr. Ferguson, you surely did.
Maynard Ferguson - Live at Jimmy's.......2007-05-12
Pilates4me.......2007-04-13
Finally!.......2007-04-11
Going through my collection, I found this set was THE most worn out of ALL the MF recordings I had (Chameleon, MF2, etc) which says alot about the quality of the recording, the music selection and my preference for live vs studio.
I was really excited to learn this was coming out on CD so I could finally hear a clean version. After waiting an extra couple of weeks beyond the initial promised shipping date, then another 2 weeks of being away from home, I finally got my hands on it yesterday. Whoohooo! It played all day yesterday in my office and on the way home from work.
I agree wholeheartedly with the other reviews, that this is a recording for the ages and would even suggest that, from a layman's point of view, if you have room for 1 MF album, this is the one. He gives Teo Macera credit for recording it ON THE STREET IN A MOBILE VAN, for cryin' out loud, so the quality of the sound is even more amazing. This was no over-miked, multi-take recording with the applause superimposed, but a "you are there" snapshot of a master at work with one of the tightest and most talented bands he ever had backing him up.
I was fortunate to go to the tribute concert held after his death last year in St Louis where alumni from his band rotated through (soon to be on DVD- don't miss that one!). Many of the musicians on this album were there and THAT will be one I watch for.
In life, all we ultimately leave behind is our legacy and he left one of love, teaching and incredible but humble talent.
RIP Maynard, they broke the mold after they made you.
At last, this epic perfomance is on CD........2007-04-09
later.
I've had the original record since it came out when I was in high school.
Maynard and his band were a huge influence on my friends and me. Several
of my classmates went on to be professional horn players. For me, Maynard
helped spark a lifelong appreciation of jazz and particulary big bands.
Sidenote: What became of Bruce Johnston? I think his bari solos on this
recording are some of my favorites of all time.
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M.F.Horn 2 & The Ballad Style of Maynard Ferguson
Maynard Ferguson Manufacturer: Dutton Vocalion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FOQHFI Release Date: 2006-09-12 |
Tracks:
- Give It One
- Country Road
- Theme From 'Shaft'
- The Summer Knows
- Mother
- Spinning Wheel
- Free Wheeler
- Hey Jude
- Born Free
- Girl Talk
- If He Walked Into My Life
- The Fool On The Hill
- The Impossible Dream
- Somewhere
- Maria
- As Long As He Needs Me
- Hushabye Mountain
- The Sound Of Silence
- You Only Live Twice
Customer Reviews:
Strange pairing, but well worth having.......2007-07-09
M.F. Horn 2 really turned the corner for Maynard's wider appeal to a younger 1970s-era audience. He used much of this material in concert appearances for years to come. As someone who attended many of those concerts, I can confirm that "Give It One" is an exciting way to open a concert, and the track belongs on every MF playlist. "Country Road," "Theme from Shaft," and "Spinning Wheel" became popular arrangements for high school and college jazz ensembles with high aspirations and a desire to pay homage to MF. Some reviewers have given high praise to the album's version of "Hey Jude," but personally, I never cared much for this tune, even for the Beatles' original version. The real magic of Maynard's rendition can only be duplicated in concert, where the whole trumpet section would move out into the audience and scream the repeated chorus like Maynard clones in the midst of the frenzied crowd.
And now for something completely different: The Ballad Style. Many jazz artists of that era did "easy listening" albums in a attempt to broaden their audience and sell more records. Fortunately, Maynard was among those who could flourish in this setting as well. Some things are a bit over the top (such as the intro to the opening track "Born Free"), but Maynard fans may find this endearing even if the uninitiated find it tasteless. But the man was capable of great beauty as well. Check out "If He Walked Into My Life," "The Impossible Dream," "As Long As He Needs Me," "Somewhere," and "Maria." (Essentially the same arrangement of "Maria," written for big band instead of orchestra, appears on the Two Big Bands CD. I prefer that recording of this tune.) There's even a pretty respectable arrangement of the James Bond theme "You Only Live Twice." I must admit, however, that it seems odd, even humorous, to contemplate Maynard playing tunes with names like "Hushabye Mountain" and "The Sound of Silence." Think about it.
For those who like variety in their Maynard assortment, this CD is a good deal.
MF Horn 2 & The Ballad Style of Maynard Ferguson.......2007-05-07
Nobody does it better.......2007-03-28
MF2 / Ballad Style.......2007-03-16
But unlike some other reviewers, I would suggest that the "Ballad Style" half of the CD is, in some ways, more interesting than MF2. Ferguson rarely recorded with strings and it's nice to hear him in a large ensemble context. While the MF Horn albums stayed in print well into the 80s, the Ballad Style album apparently came and went fairly quickly and may represent previously unheard material even to those who followed Maynard closely. That being said, with the exception of the two fairly good West Side Story cuts (which he also recorded on other albums with different arrangements), the song selection is tepid late-60's pop or show tunes and Maynard does not seem terribly comfortable with the material or the orchestrations. But it can be very interesting and instructive to hear how a performer deals with adversity and those with a deep interest in Maynard should definitely hear these tracks, at least once.
The sound quality of MF2 is pretty good, and although I don't know how it compares with the Wounded Bird CD of the same material, it's on par with the vinyl versions in my closet. On the other hand, the sound quality of the "Ballad Style" cuts is cloudy, although it's hard to know whether that is because of the quality of the original recordings (probable), the condition of the master tapes (that probably sat untouched for 35 years), or the decisions of the mastering engineer (unlikely).
A comment was made about a mastering problem with a few seconds cut off the beginning of "Country Road". It's an amorphous improvised electric piano introduction and unless you are intimately familiar with the cut as it was originally released, you probably won't notice the missing seconds.
Go to the source.......2007-02-11
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M.F. Horn 3
Maynard Ferguson Manufacturer: Wounded Bird Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000LRZ04S Release Date: 2007-02-27 |
Tracks:
- Awright, Awright
- Round Midnight
- Nice 'n Juicy
- Pocahontas
- Love Theme from "The Valachi Papers"
- Mother Fingers
- S.M.O.F.
Album Description
M.F. Horn 3 which reached #8 on The Billboard Jazz Albums chart and a respectable #128 on the Billboard Pop Albums chart. Again, Ferguson performs with his English band featuring other famed musicians including Pete Jackson, Randy Jones and Bruce Johnstone. On this volume, Ferguson steps back into Jazz mode, albeit with a more commercial edge. Wounded Bird. 2007.Customer Reviews:
Pop-influenced big band sound reaches maturity with this album.......2007-04-15
The remaining two tracks ("Round Midnight" and "Love Theme from The Valachi Papers") are the ballad offerings of this set, done in a style more like Maynard's band of a decade earlier. Both are beautiful arrangements, and this rendition of "Round Midnight" may be the best big band version of that old standard ever recorded.
Trumpet enthusiasts may wish that Maynard had done more trumpet solos instead of switching to valve trombone for a couple of tunes, but it's always nice to hear what he does with the latter instrument, where he's not expected to play high notes all the time. Also, some listeners (myself included) would better enjoy the closing track "S.O.M.F." if it didn't open and close with solos by an Indian instrument identified as the "veen." Those who know Maynard's history recognize this as his homage to the time he spent in India in the 1960s, but it seems starkly out of place in a big band setting. (Note: The updated CD package mislabels this track as "S.M.O.F.")
For avid Maynard fans, especially those who heard him perform in the 1970s, this CD is a must-have. For others, this is good but not his best from this period - see my review of "M.F. Horn 4 & 5: Live at Jimmy's."
My Favorate Maynard Album.......2007-04-11
A Purely Subjective Review.......2007-03-02
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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M.F. Horn, Vol. 1
Maynard Ferguson Manufacturer: Wounded Bird Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009NSDL6 Release Date: 2005-06-21 |
Tracks:
- Eli's Comin'
- Ballad To Max
- MacArthur Park
- Chala Nata
- If I Thought You'd Ever Change Your Mind
- L-Dopa
Customer Reviews:
M. F. Horn.......2006-11-11
A Maynard Milestone.......2006-09-18
Not only were we seduced by the jazz virtuosity demonstrated on the recognizable pop covers here (Mac. Park and Eli's Comin)but the screaming brass intensity and jazz excitement demonstrated on the other original pieces (L-Dopa)rivaled the hormonal satisfaction many had only experienced from progressive rock heroes of the day. The fact that this sound was produced with instrumentation many of us could only struggle with in school music programs sealed the deal.
The unexpected commercial success of this groove allowed the veteran Ferguson to continue with number of successive recordings on Columbia, culminating with a top 40 hit with the cover of the "Rocky" theme, Gonna Fly Now. At that point, the marketing people at Columbia Records got all the wrong signals and helped to run the trumpet virtuoso's reputation into the ground with a series of forgettable efforts based on jazz/disco/pop covers of well known themes. His image in the jazz world never fully recovered; his early work with Stan Kenton and his own substantive recordings of the 50s and early 60s were almost totally forgotten by critics and purists.
Fortunately, Maynard's creativity, personality and loyal fan base rebounded with him on other labels, most notably Concord Records through the 90's with a number of hard bop 'small' big band recordings that yielded steady concert bookings through the end of his life.
Ferguson's early associations with other jazz greats encouraged many fans with curiosity to experience most of the post-swing era mainstream jazz world and, to a considerable extent for this 'student musician' demographic, unravelled what rock and roll had done to popular musical taste.
Quite a contribution to the American art form, I'd say; and from a Canadian, no less.
A Great Album, A Great Musician, A Great Person.......2006-08-25
I've been looking for this album on CD for years. On hearing the news I pulled out some of my old albums for a listen. MF Horn has always been a real favorite. I've about worn it out. Today I thought I'd check again and it's available! I will be buying it. So should you.
It has a mood to it that always leaves me feeling real good. The musicianship is great across the board. The various pieces all work together. There's no need to explain the particulars of each song. This is simply a great, great recording. Get this, get it now.
I just hope CDs don't wear out because I'll be playing this one a lot.
Alas, A Sensative Horn..........2006-05-31
ABOUT TIME is right!!!.......2006-05-01
Average customer rating:
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M.F. Horn 2
Maynard Ferguson Manufacturer: Wounded Bird Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000LRZ03E Release Date: 2007-02-27 |
Tracks:
- Give It One
- Country Road
- Theme from "Shaft"
- Theme From "Summer of '42"
- Mother
- Spinning Wheel
- Free Wheeler
- Hey Jude
Album Description
On M.F. 2, Ferguson performs with his English band featuring other famed musicians including Martin Drover, Peter King and Danny Moss. This release shows Ferguson covering Pop and Rock oriented material including 'Hey Jude', 'Spinning Wheel' and 'Theme From Shaft'. Wounded Bird. 2007.Customer Reviews:
Finally on cd!.......2007-07-18
A Classic.......2007-05-25
M. F. Horn 2.......2007-05-22
Classic Maynard !!.......2007-03-24
Finally these great charts come to CD.
Hey Jude is a trumpet classic and worth the cost by itself.
RIP Maynard.
One of Maynard's Finest.......2007-03-02
Average customer rating:
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Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000K1C9 Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.Customer Reviews:
Mill. Classical review.......2007-05-13
classical music for the unitiated.......2007-04-01
Some little gems there that I had forgotten!.......2007-03-30
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
Average customer rating:
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Best Classics 100
Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001M65HE Release Date: 2004-08-10 |
Tracks:
- Handel: The Arrival Of The Queen Of Sheba
- Vivaldi: Spring (The Four Seasons)
- J.S. Bach: Toccata in D Minor
- Mozart: Horn Concerto No. 4 in E Flat
- Beethoven: Symphony No. 5
- Tchaikovsky: '1812' Overture
- Beethoven: Ode To Joy (Symphony #9)
- Grieg: Piano Concerto in A Minor
- Sibelius: Alla Marcia (Karelia Suite)
- Holst: Jupiter, The Bringer Of Jollity
- Tchaikovsky: Piano Concerto No.1
- Sibelius: Finlandia
- Verdi: Gloria All'egitto (Aida)
- Prokofiev: Montagues And Capulets (Romeo & Juliet)
- J. Strauss I: Radetzky March
- Elgar: Pomp And Circumstance March No.1
- Rachmaninov: Piano Concerto No. 3
- Saint-Saens: Symphony No. 3 'Organ'
Tracks:
- J. S. Bach: Air 'On The G String'
- Gluck: Dance Of The Blessed Spirits
- Pachelbel: Canon
- Mozart: Clarinet Concerto in A
- J.S. Bach: Goldberg Variations
- Albinoni: Adagio
- Beethoven: Piano Sonata 'Moonlight'
- Mozart: Flute & Harp Concerto in C
- Mendelssohn: Violin Concerto in E Minor
- Mozart: Piano Concerto 'Elivira Madigan'
- Dvorak: Symphony No. 9
- Bruch: Violin Concerto No. 1
- Elgar: Nimrod
- Rodrigo: Concierto De Aranjuez
- Vaughan Williams: The Lark Ascending
- Mahler: Symphony No. 5
- Rachmaninov: Rhapsody On A Theme of Paganini
Tracks:
- Bizet: Au fond du temple saint (Les Pjcheurs de perles)
- Dvorak: Song to the Moon (Rusalka)
- Delibes: Dtme Epais (Lakmi)
- Bizet: La Fleur Que Tu M'avais Jetie (Carmen)
- Gluck: Che Farr Senza Euridice? (Orfeo & Euridice)
- Bellini: Casta Diva (Norma)
- Puccini: Che Gelida Manina (La Bohhme)
- Puccini: O Mio Babbino Caro (Gianno Schicchi)
- Trad: Baolhro
- Puccini: Vogliatemi Bene (Madama Butterfly)
- Verdi: Va, Pensiero (Nabucco)
- Lehar: Es Lebt' Eine Vilja (Die Lustige Witwe)
- Handel: Ombra Mai Fy (Serse)
- Schubert: Ave Maria
- Adam: Minuit, Chritiens (O Holy Night)
- Puccini: Nessun Dorma (Turandot)
Tracks:
- Mozart: The Marriage of Figaro
- J.S. Bach: Jesus bleibet meine Freud
- Beethoven: Piano Concerto 'Emperor'
- Clarke: Trumpet Voluntary
- Gounod: Judex
- Rossini: La scala di Seta
- Handel: Sarabande
- Tchaikovsky: Waltz of the Flowers
- Prokofiev: Troika
- Williams: Fantasia on 'Greensleeves'
- Debussy: Clair de lune
- Tchaikovsky: Swan Lake
- Myers: Cavatina
- Chopin: Piano Concerto No.1
- Horner: My Heart Will Go On
- Quarantotto: Time to Say Goodbye
- J. Strauss II: The Blue Danube
Tracks:
- Mascagni: Intermezzo
- Rachmaninov: Piano Concerto No.2
- Grieg: Morning (Peer Gynt)
- Shostakovich: Romance
- Barber: Adagio For Strings
- Rimsky-Korsakov: Scheherazade
- Massenet: Miditation
- Borodin: Polovtsian Dances
- Khachaturian: Adagio Of Spartacus And Phrygia
- Tchaikovsky: Romeo And Juliet Overture
- Beethoven: Symphony No.7
- J. S. Bach: Double Violin Concerto
- Williams: Schindler's List Theme
- Tchaikovsky: Dance Of The Reed Flutes
- Beethoven: Symphony No. 6 'Pastoral'
Tracks:
- Handel: Zadok The Priest
- J. S. Bach: Zion Hvrt Die Wdchter
- Allegri: Miserere Mei, Deus
- Schubert: German Mass
- Franck: Panis Angelicus
- Berlioz: L'adieu Des Bergers
- Gounod: St Cecilia Mass
- Faure: In Paradisum
- Mozart: Laudate Dominum
- Faure: Cantique De Jean Racine
- Verdi: Ingemisco
- Mozart: Ave Verum Corpus
- Handel: I Know That My Redeemer Liveth
- Haydn: The Heavens Are Telling
- Faure: Pie Jesu
- Mozart: Lacrimosa (Requiem)
- Handel: Hallelujah Chorus
Customer Reviews:
A gateway drug, nothing more, nothing less. .......2007-03-11
This might sound like the beginning of a CD-slaughter, or a snobbish review where only the Deutche Grammophone's recordings are meting my standards, but although I am fairly picky when it comes to musical collections, best of albums, and such horrifying destructions of the universality of the works and the intentions of the artist behind it, I am willing to give this collection another chance, since classical music is somewhere between Arabic and wine in degree of unmanageability. It also helps that all the tunes are familiar to almost every one of us, and the fact that the artists' intentions probably got killed by the hundreds of different conductors trying to convey their personal interpretation of the works.
What I am saying is that this CD can be to classical music enthusiast what 'absolute rock' can be to a rock enthusiast, or to someone slightly interested, with no conceptual frames of where to start the search for knowledge. "Best Classics 100" offers nothing except a selection of melodies where there's bound to be one for every taste, but where the album feeling, the entirety or completeness intended by the composer, or conductor, or performer is completely lost in a trade-off made with variety.
The collection is attempted organised by giving each CD a different theme, supposedly to describe the mood of the music, and the labeller succeeds only to a limited extent as we move from themes such as 'uplifting' and 'relaxing' towards 'golden'. I wonder what that golden feeling constitutes. It apparently is to be found in, amongst others, "Jesus Bleibet Meine Freunde", and in "My Heart Will Go On"?
But no matter how I try to describe this CD it will sound worse than it actually is. This because to me it works as a great reference to which I can always turn with my classical music questions. Was it Schumann or Schubert who were the sad one? Of all the -inis, which where which again? Who composed "O Mio Babbino Caro"? The starting point for finding out if you belong to the romantic or the renascence wing, lies within this assemblage, if you look with your ears.
If you feel that classical music is something you like, and you'd like to learn more about it, this is a way to get started. If used together with a book on classical music, or wikipedia, it can be a gateway drug, leading you towards the great different experiences to be found within the different genres of classical music, and within the different periods ranging from the 12th century, maybe even earlier, towards yesterdays and tomorrows spectacular compositions of melodies that conveys a feeling, a state of mind with much more precision than any other musical genre. Expect a fairly alright collection of classical prunes, and you won't be disappointed.
Decent Selection, But..........2005-04-21
I then played the CD's through my home stereo, with the same results. I plugged in my SHURE E5c headphones and the sound was soft, uninviting, lacking punch, with significant backgound noise (not just from the headphones), which was especially distracting when the music would get softer. I have heard much of the music before, and it was much more dynamic, entertaining, this recording seems too flat.
The music selection is ok, but I was hoping for some more interesting selections from the vast classical genre.
Overall, not that great of a recording, but many might not notice the difference, so if you are new to classical or aren't like an audiophile, get this album because it's a great overview of pop-culture classical, and it's pretty inexpensive.
A must-have classical music set!.......2005-01-06
Average customer rating: |
M.F. Horn 3 & Live at Jimmy's (M.F. Horn 4&5)
Maynard Ferguson Manufacturer: Dutton Vocalion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000JLPNE8 Release Date: 2007-03-20 |
Tracks:
- Awright, Awright
- 'Round Midnight
- Nice 'N' Juicy
- Pocahontas
- Love Theme From 'The Valachi papers'
- Mother Fingers
- S.O.M.F.
Tracks:
- Tenova
- Macarthur Park
- Left Bank Espress
- I'm Gettin' Sentimental Over You
- Two For Otis
- Stay Loose With Bruce
- Nice 'N' Juicy
- The Fox Hunt
- Got The Spirit
- Blue Birdland
Average customer rating:
|
Introducing The Complete Mozart Edition
Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000412U Release Date: 1992-10-20 |
Tracks:
- Die Entifuhrung Aus Dem Serail, K.384: 'Singt Dem Grossen Bassa Lieder' - John Alldis Choir
- Allegretto in B flat, K. App.68 (589a) - ASMF Chm Ens
- Exsultate, Jubilate, K.165: 'Alleluja' - Kiri Te Kanawa/London Sym Chor/Arthur Oldham/John Constable
- Ser in c, K.388: Andante - Holliger Wind Ens
- Pno Son in a, K.310: Presto - Mitsuko Uchida
- Cosi Fan Tutte, K.588: 'Soave Sia Il Vento' - Montserrat Caballe/Janet Baker/Richard Van Allan
- Sym No.29 in A, K.201: Allegro Con Spirito - ASMF/Sir Neville Marriner
- Die Kleine Spinnerin, K.531 - Elly Ameling/Dalton Baldwin
- Fl Qt in d, K.285: Rondeau - William Bennett
- Die Zauberflote, K.620: 'Dies Bildnis Ist Bezaubernd Schon' - Peter Schreier
- Son in F, K.377: Allegro - Walter Klien/Arthur Grumiaux
- Hn Con in E flat, K.495: Rondo (Allegro Vivace) - Peter Damm
- La Clemenza Di Tito, K.621: 'Ah, Perdona Al Primo Affetto' - Frederica Von Stade/Lucia Popp
- Pno Con in D, K.175: Allegro - Alfred Brendel
- Le Nozze Di Figaro, K.492: 'Porgi Amor' - Jessye Norman
- Str Qt No.22 in B flat, K.589: Allegro Assai - Quartetto Italiano
- Don Giovanni, K.527: 'Don Giovanni, A Cenar Teco M'invitasti' - Luigi Roni/Ingvar Wixell/Wladimiro Ganzarolli
- Pno Trio in E, K.542: Andante Grazioso - Beaux Arts Trio
- Requiem, K.626: Confutatis - Lacrimosa - Rundfunkchor Leipzig
Customer Reviews:
Introducing The Complete Mozart Edition.......2001-11-23
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