The Puerto Rican pianist/bandleader Eddie Palmieri has reigned as "The Sun of Latin Music" for fifty years. He innovated salsa music with his two-trombone La Perfecta groups, and his propulsive piano style combines McCoy Tyners power and Thelonious Monks dark, chordal shadings. On this CD, Palmieri is backed by his long-time combo, augmented by special guest stars. Six of the ten tracks were written by the maestro, including the evocative trio track, "La Gitana" with guitarist John Scofield. But the highlights of this date are Palmieris sizzling takes on four jazz classics. The Dizzy Gillespie hit "Tin Tin Deo" is signatured by David Sanchez's Latin-tempoed tenor. Monks "In Walked Bud," dances with a Palladium-era pulse. Horace Silvers "Nicas Dream" is graced by violinist Regina Carter's sparkling strings and Nicholas Payton's neoclassic trumpet tones. The Eddie Harris-penned title track, with Michael Brecker's Traneish solo and Christian McBride's bold basslines, shows why Mr. Palmieris recording represents the finest in Afro-Cubop. --Eugene Holley, Jr.
Listen Here!,Eddie Palmieri,Concord Records,Jazz,Latin Jazz,New York Salsa,Pop,Salsa,United States of America
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Listen Here!
Eddie Palmieri Manufacturer: Concord Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009J2S98 Release Date: 2005-06-14 |
Tracks:
- In Flight
- Listen Here
- Vals Con Bata
- Tema Para Eydie
- Tin Tin Deo
- In Walked Bud
- La Gitana
- Nica's Dream
- Mira Flores
- EP Blues
Amazon.com
The Puerto Rican pianist/bandleader Eddie Palmieri has reigned as "The Sun of Latin Music" for fifty years. He innovated salsa music with his two-trombone La Perfecta groups, and his propulsive piano style combines McCoy Tyner's power and Thelonious Monk's dark, chordal shadings. On this CD, Palmieri is backed by his long-time combo, augmented by special guest stars. Six of the ten tracks were written by the maestro, including the evocative trio track, "La Gitana" with guitarist John Scofield. But the highlights of this date are Palmieri's sizzling takes on four jazz classics. The Dizzy Gillespie hit "Tin Tin Deo" is signatured by David Sanchez's Latin-tempoed tenor. Monk's "In Walked Bud," dances with a Palladium-era pulse. Horace Silver's "Nica's Dream" is graced by violinist Regina Carter's sparkling strings and Nicholas Payton's neoclassic trumpet tones. The Eddie Harris-penned title track, with Michael Brecker's Traneish solo and Christian McBride's bold basslines, shows why Mr. Palmieri's recording represents the finest in Afro-Cubop. --Eugene Holley, Jr.Customer Reviews:
Big Full Latin Jazz Sound.......2006-10-15
Fabulous Latin Jazz.......2006-03-26
Maravilloso reencuentro con el jazz.......2006-01-14
Matrícula de Honor para Listen Here y Nica's Dream
Listen here!.......2005-09-29
Listen Here to Eddie's Best "Latin Jazz".......2005-09-22
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Listen Here!
Gene Harris Quartet Manufacturer: Concord Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000006HV Release Date: 1989-08-28 |
Tracks:
- This Masquerade
- Don't Be That Way
- I've Got A Feeling I'm Falling
- Listen Here
- This Can't Be Love
- To You
- Blues For Jezebel
- Sweet And Lovely
- Lullabye
- The Song Is Ended
Customer Reviews:
One of his best.......2007-01-12
Gene Harris always 10 stars.......2005-09-05
For people that do not know Gene Harris, here is my mathematical comparison:
(OscarPeterson)/Liszt = (BillEvans)/Bach = (GeneHarris)/Chopin
Top of my jazz stack!.......2003-03-12
This is wonderful!.......2003-01-28
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The Michael Feinstein Anthology
Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000065DVH Release Date: 2002-05-21 |
Tracks:
- Nice Work If You Can Get It
- Isn't It Romantic
- Swinging On A Star
- Ask Me Again
- Rhode Island Is Famous For You
- 'S Wonderful
- Wonder Why
- Too Marvelous For Words
- Where Do You Start
- Theme From The Bad And The Beautiful
- Easy To Love
- Alexander's Ragtime Band
- Who Are You Now?
- You're An Education
- You Are There
- Sophisticated Swing
- Love Can Change The Stars
- Come Out, Come Out Wherever You Are
- Half Of April (Most Of May)
- Marianne
- They Can't Take That Away From Me
- I Love A Piano
Tracks:
- That's Entertainment
- My Favorite Year
- Ten Feet Off The Ground (With Rosemary Clooney)
- I Never Felt Better
- Someone To Watch Over Me
- Kiss Her Now
- The Ugly Bug Ball
- For You, For Me, Forever More
- The Mole People
- And So To Bed
- You're All The World To Me
- Old Friend
- Isn't It A Pity (with Rosemary Clooney)
- Pattisserie
- Open Your Eyes
- For Love Alone
- I Won't Send Roses/Time Heals Everything
- Get Out And Get Under The Moon (with Page Cavanaugh)
- My Romance
- Love Is Here To Stay
- Violin (with Liza Minnelli)
Amazon.com
The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."
Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley
Album Description
The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.Customer Reviews:
Mixed feelings.......2005-10-05
Your love for this superb collection will be here to stay..........2002-07-18
He's done it again.......2002-07-15
This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.
Way to go Michael, you've done it again!
Absolutely 'S WONDERFUL!.......2002-06-10
This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.
This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!
A beautiful 2 disc CD-another hit for Michael.......2002-06-09
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The Holly and the Ivy: Carols from Clare College
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041VV Release Date: 1990-05-30 |
Tracks:
- King Jesus Hath A Garden
- Up! Good Christian Folk, And Listen
- Gabriel's Message
- Donkey Carol
- Wexford Carol
- Cradle Song
- Child In A Manger
- Mary's Lullaby
- Ding! Dong! Merrily On High
- Quelle est cette odeur agreable?
- I Saw A Maiden
- In dulci jubilo
- In The Bleak Mid-Winter
- I Saw Three Ships
- The Noble Stem Of Jesse
- The Crown Of Roses
- Jesus Christ The Apple Tree
- Omnis mundus jocundetur
- Wassail Song
- The Holly And The Ivy
Amazon.com
Initially released in 1979, this album built on the success of the legendary Carols for Choirs volumes in establishing John Rutter's name with the wider public, and it gave a strong hint that he was more than just a talented composer-arranger. As the many subsequent releases on the Collegium label have also shown, Rutter is a deeply sensitive and musical conductor, alive to the color of words, always allowing phrases to breathe naturally. The accomplished Clare College Choir features male and female voices, the latter providing a more rounded alternative to those world-famous neighbors in Cambridge. Included are many of Rutter's own easy-listening carol arrangements ("King Jesus Hath a Garden" and "Wexford Carol," for example), plus others by the likes of Vaughan Williams and David Willcocks, while "Donkey Carol" and "Mary's Lullaby" are quintessential Rutter originals. Only a few numbers can be classed (statistically) as all-time Christmas faves--the likes of "The Holly and the Ivy" and "Ding Dong Merrily on High"--but this needn't deter anyone from snapping up what is the perfect album to accompany Christmas pud mixing (preferably by candlelight, imagining the twilight scene in Ely Cathedral's Lady Chapel, whose glorious acoustic graces the sound). --Andrew GreenCustomer Reviews:
Simply gorgeous.......2007-04-10
The music is simply ethereal, and the songs are not the overplayed tunes we hear over and over and over.
My two complaints with the album are that some of the tracks are hard to hear because the singing is so quiet and the sound level is uneven between tracks, and some of the tracks have Rutter's cutesy, saccharine arrangements drowning out the singing (Donkey Carol is the protoypical, and one I frequently skip).
However, the album is so beautiful otherwise, with the Wexford Carol, and the nearly inaudible Jesus Christ The Apple Tree, and several other tracks, that I still have to give it a 5 star rating.
Angelic Music.......2007-01-16
Top list Christmas CD.......2006-12-12
Wonderful Christmas CD.......2006-11-15
traditional, and comfortingly so..........2005-08-23
Tired as I am of such artistic efforts, Rutter's efforts in leading the Clare College Choir and Orchestra on this collection come at the right time and to the right place. This is true and beautiful music of the season: it is performed well and interpreted with Rutter's master's touch. For those of us whose tastes run to the traditional, this is welcome stuff indeed.
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Great Operatic Arias
Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006SGF1Y Release Date: 2005-02-22 |
Tracks:
- 'Even Bravest Heart My Swell'
- 'I Am The Barber Everyone Wants, I Am!
- 'Must I Be Made To Suffer'
- 'Look Down, Oh Gentle Evening Star'
- 'You Have My Love And My Devotion
- 'Oh Wine, Deliver Me From Sadness' - Geoffrey Mitchell Choir
- 'Marriage Is Sacred' - I Was Right To Be So Suspicious'
- 'Turning My Gaze Upon This Proud Assembly'
- 'O Nadir, Best Of Friends'
- Billy In The Darbies
- 'Though I'm Somewhat Out Of Practice' - Janice Watson
- 'Hello, Here's A Soldier Bold' - Janice Watson
- 'I Wonder What He'll Think Of Me!'
- 'In Visions, Illusions'
Customer Reviews:
A good collection.......2007-05-14
A Musician of Great Dignity and Style.......2005-07-27
English is a difficult language to make musical, though saying that abruptly is countered by the fact that some of the most beautiful operas in history are by Benjamin Britten, a composer who truly understood his native tongue and kept it as fluid as the soaring melodies he wrote, as Thomas Allen proves here in 'Billy in the Darbies' from Britten's 'Billy Budd'. It is the other major arias from Korngold to Wagner to Tchaikovsky to Rossini, Bizet, Mozart, Gounod, Verdi, Thomas, Strauss, and Lehar that Allen proves that English translations do not detract at all from the performances!
For those purists who prefer opera sung in the original language (and for those who don't even need supertitles in the opera house!), then this recording may provide a temporary barrier to respecting Allen's singing. But once caught up in the ease with which he moves from style to style and comedy to drama, it is hard not to relinquish old preferences and not be wholly impressed with the beauty of the voice and the warmth and dignity of this fine musician. Highly recommended. Grady Harp, July 05
Passed the "Opera in English" test with flying colors........2005-07-04
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Great Operatic Arias
Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009AQMF Release Date: 2003-06-24 |
Tracks:
- Come Take Me In Your Arms
- My Soul Is Filled With Love For You
- What Are These Tears And Sighs
- How I Loved Him!
- A Maiden Adorning
- He Has Come Back
- See Here, Dorabella
- Ah! Let me Live In This Dream
- He's The God Of Youth And Springtime
- The Silver Moon Was Shining
- Ain't It A Pretty Night!
- Take Me Away To The One I Adore
- Oh Sleep, Why Dost Thou Leave Me?
Customer Reviews:
Good coloratura work by Elizabeth Futral.......2007-05-27
The accompanying booklet begins by noting that (page 8) "The voice of the light soprano has enchanted listeners for centuries." Futral's singing is characteristic of this type of voice.
In this era, any coloratura soprano has two challenges: first, to compare with the past generation's astonishingly talented practitioners, well exemplified by Joan Sutherland and Beverly Sill. Second, though, there are some wonderful coloratura sopranos today against whom others will be compared, with Natalie Dessay and Sumi Jo among the most adept. Thus, Futral will almost automatically be compared with such exemplars. I do not think one could say she is the equal of those four just mentioned, but she does not compare badly either.
From the Wikipedia: "In musical notation, the Italian word staccato (literally detached, plural staccatos or staccati) indicates that notes are sounded in a detached and distinctly separate manner, with silence making up the latter part of the time allocated to each note. The rhythm is not affected. Notes identified as staccato should be played or sung abruptly and short." This is worthy of comment, since the "Bell Song" from "Lakme," one of the selections on this CD, features many such notes. Futral sings them well. Her performance in this work is well done (although it is somewhat jarring, again, to hear it sung in English). She begins with a nice high note and a bang up following trill. She displays good agility and features nice technique on staccato notes. Overall, this is well done. Toward the end, which calls for great ornamentation, she seems a bit hesitant at time, but she concludes with a nicely sung high note.
Other examples of her singing. From Handel's "Alcina," she sings "Come take me in your arms." Her voice is a light, standard coloratura voice (although not all coloratura sopranos have such a voice, of course). She displays considerable agility, a decent trill, and good ornamentation. There is a bit of harshness on a high note toward the close, but hardly fatal to the overall positive effect of her singing.
From Donizetti's "Linda di Chamounix," there is "My soul is filled with love for you" (otherwise known as "O luce di quest'anima"). Her version is not too shabby when compared with such greats as Sutherland and Jo. The cabaletta shows off, again, her agile voice. Good staccato high notes. Nice trills and a well nailed final high note.
Then there is the charming "Son vergin vezzosa" from Bellini's "I Puritani," here entitled "A maiden adorning." Again, nice agility, good trills, well done florid singing technique. While there is some harshness in the penultimate high note, overall, well done.
In short, Futral adds to a currently rich supply of coloratura sopranos, and compares well with the best of them.
At Last a Solo Recital on CD.......2005-03-19
Having seen her Cleopatra in LA Opera's GUILIO CESARE and in SF Opera's production of Previn's STREETCAR NAMED DESIRE put her high on the list of important new sopranos. This rather strange recording gives samples of her foray's into all styles from Handel to Previn and does a fine job in capturing the beauty of her phrasing and quality of her seamless soprano voice. It is somewhat distracting to place a first recital recording before the public being sung entirely in English, especially for those who are unfamiliar with Futral's gifts. But credit Chandos with the courage to try something different, something that may introduce new audiences to the opera field.
Surely after the recent successes of Futral performances in the opera houses more recordings will follow. Meanwhile this is a tasty sampler of just how versatile - and special - Elizabeth Futral is. Grady Harp, March 05
An Interesting display.......2003-07-23
This CD has an unusual semi-personal package. Duets, trios and quartets are featured. The title of the program is called Great Operatic Arias which seems rather broad for a soprano recital disc.
Futral sings well as always, however the content seems to lack a bit of intricacy and polish. Each aria, duet etc leaves you wondering whether or not a bit more time could have been put into this. The arias range from baroque to 20th century; covering four languages.
The entire program is performed in English and this is interesting... Although some of the arias just sound plain strange in English! It is a very nice thing to actually completely and instantly understand what is being sung. I was most impressed with the CHANDOS Lucia di Lammermoor. Futral probably gave her best performance on record in that role. She is astonishingly good on that recording. Her mad scene is awesome!
Overall this is a pleasing recording and Futral dazzles her listeners with her crystal clear high notes and vibrant tone. I look forward to more recordings of her. Hopefully she'll have a chance to record some more opera in its original language. I think that its time for a new Puritani or Sonnambula. Wouldn't she be the perfect candidate?
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Vaughan Williams - Sir John in Love / Hickox, Northern Sinfonia
Ralph Vaughan Williams , Richard Hickox , Anne-Marie Owens , Sarah Connolly , Northern Sinfonia and Chorus , Brian Bannatyne-Scott , Donald Maxwell , Roderick Williams , Susan Gritton , Matthew Best , Mark Padmore , Stephen Varcoe , Stephan Loges , John Bowen , Richard Lloyd-Morgan , Laura Claycomb , Henry Moss , and Mark Richardson Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005M0ER Release Date: 2001-07-24 |
Tracks:
- Act I: Orchestral introduction-What hoa, what hoa
- Act I: Ahem
- Act I: This is my father's choice
- Act I: How now, what does Master Fenton here?
- Act I: Vere is dat knave Rugby?
- Act I: Episode
- Act I: How now, mine Host of the Garter
- Act I: I spy entertainment in her...
- Act I: Wilt thou revenge...?
- Act I: Love my wife? I will be patient
- Act II: Orchestral introduction-Thine own true knight
- Act II: Scene 1: Sigh no more, ladies, sigh no more
- Act II: Scene 2: Bardolph! Bardolph, I say!
- Act II: Scene 2: Go thy ways, go thy ways, old Jack!
- Act II: Scene 2: Sir, my name is Brook
- Act II: Scene 2: Ha, is this a vision?
Tracks:
- Act III: Scene 1 Interlude: Orchestral introduction-Yet hear me speak
- Act III: Scene 1 Interlude: Fair and fair and twice so fair
- Act III: Scene 1 Interlude: But listen, good mine Host
- Act III: Scene 2: Orchestral introduction-When as we sat in Papylon
- Act III: Scene 2: Yonder he's coming
- Act III: Scene 2: Come, Master Ford
- Act III: Scene 2: Orchestral-introduction-What, John! What, Robert!
- Act III: Scene 3: Alas, my love, you do me wrong
- Act III: Scene 3: Mistress Ford!
- Act III: Scene 3: Ah!
- Act IV: Orchestral introduction-Pardon me, wife
- Act IV: Scene 1: There is an old tale goes that Herne the hunter
- Act IV: Scene 1: Interlude
- Act IV: Scene 2: Orchestral introduction
- Act IV: Scene 2: The Windsor bell hath struck twelve
- Act IV: Scene 2: Ah-Who Comes here?
- Act IV: Scene 2: But till 'tis one o'clock
- Act IV: Scene 2: Dance of the Fairies
- Act IV: Scene 2: But stay! I smell a man of middle earth
- Act IV: Scene 2: Nay, do not fly
- Act IV: Scene 2: My heart misgives me
- Act IV: Scene 2: Stand not amazed
Customer Reviews:
Pros & Cons for both versions.......2005-08-30
With VW, you get something much closer to the Shakespearean original, teeming with richly drawn characters and all the variety of Elizabethan/Jacobean life bustling past. Falstaff is merely the primus inter pares among them, albeit a huge one. Out of it came a great comic opera. And one that has been too seldom performed, standing in the long shadow of its predecessor.
Vaughan Williams, who was a great admirer of the Verdi piece, knew that comparisons would inevitably be made. (He would also have included his friend, Holst's, At the Boar's Head as a real rival from the Falstaff canon.) But comparisons are invidious. The VW and the Verdi operas are not comparable, either in their intentions or in their music. And both should be allowed to co-exist happily as companion pieces, not as rivals as two great comic operas we're fortunate to have.
Perhaps I protest too much. But the Vaughan Williams is such invigorating, life-enhancing, often ravishingly beautiful stuff that I'd hate to see it slip off the end of the shelf. Verdi is lauded as the great tunesmith, but how many tunes from Falstaff can you recall - Nanetta's last act aria, perhaps, a couple of snippets of Fenton, the final fugue maybe, or Sir John's 'Quand'ero paggio' which is so brief an aria that its original singer had to record it three times in succession to fill a 78 side. Perhaps that's why Falstaff is so badly represented on 78's compared to the other mature Verdi operas. Great music, yes, but singalongaFalstaff had, in his mature operas, ceased to be the composer's intention.
In Sir John in Love, on the other hand, the tunes just pour out one after the other. Which are genuine folksongs and which are VW originals is often hard to tell without a score in front of you (where the composer comes clean). Just listen to the way Dr. Caius' 'Vray Dieu d'Amour' takes over the orchestra or how 'Lovely Joan' (the tune in the trio of the famous Greensleeves Fantasia) heralds Mistress Quickly's arrival and 'Greensleeves' in situ is even lovelier than in the Fantasia. But then listen to the gorgeous tune that accompanies Ann Page's entrance, the wonderful melody for Ford's plea for forgiveness from his wife or the magical chorus that accompanies the arrival of the real bride and groom in the final scene. Those are all VW originals and great ones, to boot.
Choosing between the two performances of the piece on disc, it's a question of swings and roundabouts. This Chandos recording with Hickox at the helm benefits from his direction - a bit tauter, a little more spring to the rhythms than Davies and the choral contributions are as polished as you'd expect from a seasoned choral specialist. The Chandos recording, too, is a bit more up to date in terms of sound, a bit fuller and richer. EMI, on the other hand, probably has the superior cast with the likes of Robert Tear, Felicity Palmer, Helen Watts and Robert Lloyd seeing off their Chandos counterparts. Honours between the two Falstaffs are more even. Neither is ideal in the part. Herincx has the 'fatter' voice: Maxwell on this recording is the more characterful. But a piece like the madrigal that Sir John sings before Ford/Brook's arrival needs more warmth and more steadiness than either of them provide (would Bryn ever consider it as a partner to his Verdi Falstaff?).
It's a tough choice between the two versions. Choose the EMI for the cast (including, by a short head, Herincx's Flastaff). Choose this Chandos set for the conducting, the chorus and the more modern sound.
Five for the work ,for Hickox at least four stars!.......2001-11-09
of this masterwork.)
If you feel that Verdi has beautyfull music but it has a too much thick blood, and you think that beauty must be tensed by reason; You are looking at the right composer.
This opera or musical drama (in the wagnerian sense, cause it is a romantic comedy) makes a very whole unit, the "areas" and the recited-sung recitatives are in funtion of the "dramatic" momentum and inerce of the work. It's incredible how pleasently quick this work is heard, and yes it's very entretaining (I know that's not necesary a virtue for an opera, but here it is).
The music, well, is gorgeous as might be expected from V.W., transitions are well sewn, and the traditonal folk songs add a dash or elizabethian romanticism.
The cast is strong, Hendrix is very suited for the rol, but you may fantacised how well this rol will be portrayed now by Bryn Terfel, It's sad that Hickox not thinck (or did he?)of this in his new recording of this opera (perhaps Chandos not provide him with the budget that Abado's can manage for his new DG. Falstaff recording).
Maybe Langridge will sound more youthfull than Tear, but that is a small detail. Hellen Watts it's spicy and perky Mrs. Quickly, and Gerald English Caius' is is excellent!
Davies captures V.W. orchestration very well with a ADD recording that will cause envy in this days, and the price, is to laugh about.
Treat you and buy this forgotten treasure!
Sir John's love is more impressive the first time around.......2001-08-05
Five stars, but not the only choice........2001-07-26
If this were the first recording of the opera available, it would be easy to recommend it to any VW (or opera!) enthusiast--the orchestral details are abundant and vividly present, the choral contribution is alive and infectious, and the vocal parts are well-presented and clear. However, there is in additional recording, in EMI's British Composer series, conducted by Meredith Davies. While many comparisons are stacked in the new version's favor, there are a few shortcomings that prevent an absolute recommendation.
Where Hickox succeeds over Davies is particularly in the portrayal of Anne Page and her several suitors. Susan Gritton sings more effectively than Wendy Eathorne, while both Daniel Norman (Slender) and Adrian Thompson (Caius) seem more plausible as suitors than Bernard Dickerson and Gerald English, respectively--although overall English makes a more vivid Caius. However, there is no question that Mark Padmore is the better Fenton: as well as Robert Tear sings for Davies, I can't shake the impression that he is wooing an Amazon, and not the girl-next-door Anne.
While the supporting cast is marginally to markedly superior for Hickox, with the Fords and Pages are fairly evenly matched between the two performances, the one clear victory of the Davies version is a significant one. As the title character, Donald Maxwell's Falstaff is no match for Raimund Herincx, either in characterization or in vocal quality. Additionally, the EMI set benefits from a superior recording--there's more of a sense of a performance in a real space, which adds an extra dimension to the rather static performance as presented by Hickox. Occasionally, Hickox also omits some dramatic effects (such as gasps from the onstage characters in Act III and laughter from the chorus in Act IV) which adds to the sense that this is only a "recording" and not a "performance."
All in all, there is much to recommend the new version, but confronted with a choice between this set and the Davies set on EMI, personal taste will have to suffice in choosing between them. [You may want to sample them both before buying either.]
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Give Him Your Life
We R Perswaded Manufacturer: We R Perswaded ProductGroup: Music Binding: Audio CD ASIN: B00005RHEQ Release Date: 2001-10-06 |
Tracks:
- Intro
- All RIght
- Happiness
- Give Love
- Give Me A Clean Heart
- Waiting
- Brand New Life
- I'm Leaning - What A Fellowship
- Our Psalm 23
- Passing Through
- Rock of Ages
- Cleanse Me
- Give Him Your Life
- Thank You
- Keep the Faith
- Faith Remix
- Spirit of the Living God
Album Description
The debut gospel CD by a versatile upcoming group. A cappella, latin flavor, carribean rhythms, hymns, jazz, Urban - it's all here. A MUST HAVE for your gospel collection.Customer Reviews:
Jazzy Smooth Vocals!!.......2002-03-06
Average customer rating: |
Listen Here
Gene Harris Quartet Manufacturer: Concord Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009RDH6 Release Date: 2003-06-24 |
Tracks:
- This Masquerade
- Don't Be That Way
- I've Got a Feeling I'm Falling
- Listen Here
- This Can't Be Love
- To You
- Blues for Jezebel
- Sweet and Lovely
- Lullabye
- Song Is Ended
Average customer rating:
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Listen Here
Carla White Manufacturer: Evidence ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000014LO Release Date: 1995-01-15 |
Tracks:
- Devil May Care
- Harlem Nocturne
- Dreamsville
- It's You Or No One
- Lotus Blossom
- It's Only A Paper Moon
- Darn That Dream
- I've Got Your Number
- Dream
- Feelin' Good
- Listen Here
Customer Reviews:
Hip You Will Dig This.........2003-05-28
The sidemen on this album are all excellent and experianced. I am a sax player by trade and one of my heros (Lew Tobackin) plays
tenor and Alto flute on this one. Belive me it's a real treat.
I highly recomend this album, it's usually always in my cd changer. Favorite tunes are Harlem Nocturn, Darn that dream, and Listen Here made me cry when I first listened to it. It will drain your emotions.
Amazon, get her other titles!.......2000-06-25
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