Between 1925 and 1929, Louis Armstrong created one of the first great bodies of work in jazz. While he worked regularly as a soloist with big bands, he began his career as a leader with the first all-star studio group in jazz, the Hot Five. The other four musicians were Armstrong's wife, Lil Hardin Armstrong, on piano; Johnny Dodds on clarinet; Kid Ory on trombone; and Johnny St. Cyr on banjo. The music's first great soloist, Armstrong was reshaping jazz by sheer improvisational magic, gradually diminishing the role of the traditional New Orleans ensemble with the clarion brilliance of his trumpet. Possessing an uncanny blend of exuberance and creativity, he combined virtuosic declarations with a talent for the subtlest shifts in phrasing and melodic variation, creating rich emotional statements that could hint at loss in the midst of joy or the promise of better things in the most sorrowful blues. The band expands here, to the Hot Seven and larger ensembles, and it gains soloists who applied Armstrong's lessons to their own instruments--musicians such as pianist Earl Hines and trombonist Jack Teagarden--but all come under the imprint of Armstrong's flowering genius, as both trumpeter and singer.
It's almost impossible to overrate this material. It may be the most influential music in jazz history, establishing standards for originality and sustained invention that have rarely been matched. The JSP set is a superb reissue of Armstrong's essential work. The remastering is by John R.T. Davies, widely acknowledged as the dean of engineers in the field of early jazz, and the resultant sound is simply the best this work has ever enjoyed. There are alternate takes of the later material on Columbia Legacy (including Louis in New York and St. Louis Blues), so collectors will want both. But this recording is superior listening, at a price that also makes it an ideal introduction to one of the few titans of jazz. --Stuart Broomer
The Hot Fives & Sevens,Louis Armstrong,Jsp Records,Box Sets (Audio Only),Classic Jazz,Dixieland,Jazz,Jazz Music,Jazz Traditional,New Orleans Jazz,Pop
Average customer rating:
|
The Hot Fives & Sevens
Louis Armstrong Manufacturer: Jsp Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001ZWLP Release Date: 1999-10-26 |
Tracks:
- My Heart
- Yes! I'm In The The Barrel
- Gut Bucket Blues
- Come Back, Sweet Papa
- Georgia Grind
- Heebie Jeebies
- Comet Chop Suey
- Oriental Strut
- You're Next
- Muskrat Ramble
- Don't Forget To Mess Around
- I'm Gonna Gitcha
- Dropping Shucks
- Who' Sit
- He Likes It Slow
- The King Of The Zulus
- Big Fat Ma And Skinny Pa
- Lonesome Blues
- Sweet Little Papa
- Jazz Lips
- Skid-Dat-De-Dat
- Big Butter And Egg Man From The West
- Sunset Cafe Stomp
- You Made Me Love You
- Irish Black Bottom
Tracks:
- Willie The Weeper
- Wild Man Blues
- Chicago Breakdown
- Alligator Crawl
- Potato Head Blues
- Melancholy Blues
- Weary Blues
- Twelfth Street Rag
- Keyhole Blues
- S.O.L. Blues
- Gully Low Blues
- That's When I'll Come Back To You
- Put 'Em Down Blues
- Ory's Creole Trombone
- The Last Time
- Struttin' With Some Barbecue
- Got No Blues
- Once In A While
- I'm Not Rough
- Hotter Than That
- Savoy Blues
Tracks:
- Fireworks
- Skip The Gutter
- A Monday Date
- Don't Jive Me
- West End Blues
- Sugar Foot Strut
- Two Deuces
- Squeeze Me
- Knee Drops
- Symphonic Raps
- Savoyagers' Stomp
- No (No, Papa, No)
- Basin Street Blues
- No-One Else But You
- Beau Koo Jack
- Save It, Pretty Mama
- A Weather Bird
- Muggles
- A Heah Me Talkin' To Ya?
- James Infirmary
- Tight Like This
- Knockin' A Jug
Tracks:
- I Can't Give You Anything But Love - Louis Armstrong And His Savoy Ballroom Five
- Mahogany Hall Stomp - Louis Armstrong And His Savoy Ballroom Five
- Ain't Misbehavin' - Louis Armstrong And His Orchestra
- (What Did I Do To Be So) Black And Blue? - Louis Armstrong And His Orchestra
- That Rhythm Man - Louis Armstrong And His Orchestra
- Sweet Savannah Sue - Louis Armstrong And His Orchestra
- Some Of These Days - Louis Armstrong And His Orchestra
- Some Of These Days - Louis Armstrong And His Orchestra
- When You're Smiling - Louis Armstrong And His Orchestra
- When You're Smiling - Louis Armstrong And His Orchestra
- After You've Gone - Louis Armstrong And His Orchestra
- I Ain't Got Nobody - Louis Armstrong And His Orchestra
- Dallas Blues - Louis Armstrong And His Orchestra
- St. Louis Blues - Louis Armstrong And His Orchestra
- Rockin' Chair - Louis Armstrong And His Orchestra
- A Song Of The Islands - Louis Armstrong And His Orchestra
- Bessie Couldn't Help It - Louis Armstrong And His Orchestra
- Blue, Turning Grey Over You - Louis Armstrong And His Orchestra
- Dear Old Southland - Louis Armstrong And His Orchestra
- Rockin' Chair - Louis Armstrong And His Orchestra
- I Can't Give You Anything But Love - Louis Armstrong And His Savoy Ballroom Five
Amazon.com
Between 1925 and 1929, Louis Armstrong created one of the first great bodies of work in jazz. While he worked regularly as a soloist with big bands, he began his career as a leader with the first all-star studio group in jazz, the Hot Five. The other four musicians were Armstrong's wife, Lil Hardin Armstrong, on piano; Johnny Dodds on clarinet; Kid Ory on trombone; and Johnny St. Cyr on banjo. The music's first great soloist, Armstrong was reshaping jazz by sheer improvisational magic, gradually diminishing the role of the traditional New Orleans ensemble with the clarion brilliance of his trumpet. Possessing an uncanny blend of exuberance and creativity, he combined virtuosic declarations with a talent for the subtlest shifts in phrasing and melodic variation, creating rich emotional statements that could hint at loss in the midst of joy or the promise of better things in the most sorrowful blues. The band expands here, to the Hot Seven and larger ensembles, and it gains soloists who applied Armstrong's lessons to their own instruments--musicians such as pianist Earl Hines and trombonist Jack Teagarden--but all come under the imprint of Armstrong's flowering genius, as both trumpeter and singer.It's almost impossible to overrate this material. It may be the most influential music in jazz history, establishing standards for originality and sustained invention that have rarely been matched. The JSP set is a superb reissue of Armstrong's essential work. The remastering is by John R.T. Davies, widely acknowledged as the dean of engineers in the field of early jazz, and the resultant sound is simply the best this work has ever enjoyed. There are alternate takes of the later material on Columbia Legacy (including Louis in New York and St. Louis Blues), so collectors will want both. But this recording is superior listening, at a price that also makes it an ideal introduction to one of the few titans of jazz. --Stuart Broomer
Customer Reviews:
This is beyond essential...Its a MUST HAVE.......2007-07-17
Don't touch the hiss!.......2007-03-10
Granted the sound here is "clear" and the bass is a bit boosted. The acoustics, reverb, echo, life and air are however thrown out with the hiss.
Again, I've heard a lot worse than this. But generally, French jazz re-issues are better. Why? Because they leave the hiss!! The catch? The French CD's are either expensive or they contain fewer songs for your money than these cheapo boxed sets.
Music is cornerstone...but the sonics? Mixed feelings........2007-02-09
I read so much about this John RT Davies guy, who mastered this box set. I heard so many positive things about his skills, particularly in this boxed set, and how the sound is allegedly far superior to the Columbia version. I had to get BOTH to compare. I bought this JSP box set, and the newly revised 2006 edition of the Hot sessions released by Columbia/Legacy/Sony/BMG (the official edition).
The late John RT Davies, who mastered this JSP set is considered so good, that people on Amazon claimed that he mastered this collection from old 78s better than the engineers at Columbia, using the original masters (owned EXCLUSIVELY by Columbia.) Heck, RCA & Columbia thought he was good, as i've seen his name adorning very LEGAL pressings of all sorts of old jazz under the RCA & Columbia labels, right here in the U.S.A. So, he certainly had some clout, and some talent.
Unlike almost every reviewer on here, i do not consider the JSP box set to sound better than the official Columbia release (2006 version). However, i still think it sounds pretty good. There is something important to consider. While Davies is considered a true master at...well, remastering, his work at JSP comes up flawed, because he did not have access to the original masters, which are safely secured in Sony/Columbia/Legacy's vaults. He had to use old 78's (the kind you bought in the store) to make these new masters. So, while he may have picked 78's that were better preserved, and had seen less action, he was still using the next generation of recordings.
When you master from the originals over and over and over again, you tend to add all kinds of artificial pops, clicks, hisses, and such into the original disc (Bing Crosby had to re-record White Christmas in 1947, because the original 1942 recording was pressed so many times, it sounded horrible). Therefore, if you use a pretty clean 78, you can avoid much of that, and come out with a cleaner master to make into a CD. When you add some digital noise removal systems (essentially computer programs), you make them even cleaner, and if done right, still not sacrifice the integrity of the music.
Sounds pretty cut and dry right? The 78's should sound better then, right? Why wouldn't Columbia re-master their collection from old 78's as well? A very important reason, actually. When you copy old 78's, instead of the original pressings, you move at least one generation away from the original performance. Everytime you make a copy of a copy, the sound gets muddier, with less distinction and more distortion. Certainly, with skill and technology, it can be minimalized, but the fact remains.
Soooooooo.......my analysis? The JSP set sounds a tad smoother, with less pops. The bass is a little deeper too, however a bit muddier (slightly distorted). The Columbia set from 2006 DOES have a bit more scratchiness, and the bass is not quite as deep. However, the sound is CLEANER, and...my favorite descriptive word in this whole review...more TRANSPARENT. That's right. Every instrument in the Columbia set is more distinct from all the other instruments. The sound feels light, airy, and alive. The JSP set, while more smooth doesn't have that clarity of the original recordings. They sound more like...well, records.
So, which is better? There's no really correct answer. It's a matter of taste. For ME, the Columbia set wins, hands down. I'm 31 years old. For most of my musical life, i grew up listening to CDs. However, many people have fond memories of what their old collection of vintage records sound like. What you hear on records that you don't hear on CD's is distortion. It's slight, but it's certainly there. Technically, CDs are cleaner, and more accurate representations of the actual music than records ever were. But people have aural memories, and THAT'S the sound they want to hear. It's a very natural, and totally unconscious reaction. We like what we know. Everytime i buy better speakers, amps, etc., i always miss the sound of my old, inferior equipment...for a little while. Then as i use it, my ears adjust to the new sound, and i ADORE it. Anytime i've tried going back to the OLD set-up after that, i had a much stronger negative reaction than i did when going UP in quality. My ears became adjusted to what's better.
So, here's my recommendation:
If you don't have those fond memories of old vinyl or shellac discs, and grew up on CDs, then the Columbia set is 150% better. The sound is cleaner, tighter, more distinct instrumentally, and contains less distortion. You get music that's closer to reality. The drawback of course, is you will hear a bit more crackle, and a tad less bass.
If you DO have those fond memories of the big black discs, and you remember the warm, rounded sound that made you feel like cuddling up in a blanket with a cup of cocoa & a wish on a star, then you really need to get this set. If you also happen to listen to rap in your Escalade, and you like to hear the bass completely distorting, but you think you wanna try some early Satchmo, then you NEED this set. Don't even think about buying the Columbia version. Just remember, while it is smoother, it is also further away from the original performance, so the sound is muddier and less distinct.
I've compared nearly every track on both sets. They both sound pretty good in their own ways. By all means, this IS a set worth owning...for some people. You just have to decide what kind of person you are.
The Definitive Hot Fives & Sevens: Just Perfect!.......2006-12-23
I listened to this music when I was a kid, courtesy of my parents, but I never really appreciated just how great Louis Armstrong was until I became an adult. I liked him, but now I love his sound. And as for the earlier issues on CD of this outstanding work by Armstrong, well this is the set to have. I recommend that if you are seeking the best issue out there of the "Hot Fives & Sevens," then purchase this boxed set. It it far superior to any other I have ever heard. There have been some great reviews on this particular CD, and I really don't think there is anything more I can add. However, do youself a favor and listen to these remarkable recordings. They are a must have not only if you are into jazz, but if you like beautiful music period. I like ALL types of music. There are very few genre's of music I do not like, or can listen to. However, I have a special place in my heart [and ears] for music in the 1920s and early 1930s. And this IS music! Highly recommended!
Brilliant!.......2006-12-17
Average customer rating:
|
25 Greatest Hot Fives & Sevens
Louis Armstrong Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001HIS Release Date: 1995-09-19 |
Tracks:
- Heebie Jeebies
- Cornet Chop Suey
- Muskrat Ramble
- Jazz Lips
- Skid - Dat - De - Dat
- Big Butter Egg Man
- Willie The Weeper
- Wild Man Blues
- Alligator Crawl
- Potato Head Blues
- Melancholy Blues
- Weary Blues
- Struttin' With Some Barbecue
- Once In A While
- I'm Not Rough
- Hotter Than That
- Savoy Blues
- Skip The Gutter
- West End Blues
- Basin Street Blues
- Beau Koo Jack
- Weather Bird
- Muggles
- St. James Infirmary
- Tight Like This
Amazon.com
This collection bulges with the hottest and most dazzling jazz of the 1920s, with Armstrong dragging his lesser colleagues along with him in a whirlwind of inspiration. How a young man from the rugged and unbending background of downtown New Orleans could learn to play such sophisticated, sure-footed magic will never be known. He pops up to astonish on the 1926 tracks with classic ideas already spouting from his horn. Over the next three years, he would metamorphose into the sublime creator of the trumpet solo on the last track, "Tight Like This," one of the most dramatic and enchanting solos in the whole of jazz. Before that are fresh-as-a-daisy cornet acrobatics, as found on "Potato Head Blues" and "Struttin' with Some Barbecue." There's more exquisite playing on "Savoy Blues," where Lonnie Johnson adds some eloquent guitar. And then there's "West End Blues," the trumpet classic par excellence that brings in pianist Earl Hines, already a decade ahead of his time and one of the most potent influences on Armstrong. This is a thoroughly enjoyable history lesson. --Steve VoceCustomer Reviews:
Timeless and Priceless.......2006-08-19
First Louis Amstrong CD.......2006-03-04
The best Satchmo era.......2005-08-21
The one to get if you can't spring for one of the boxes!.......2001-03-29
But for many people, four discs may be overkill. This collection includes virtually all the mega-classics - Heebie Jeebies, Ski-Dat-Di-Dat, Mustrat Ramble, Struttin' With Some Barbecue, Potato Head Blues, Big Butter and Egg Man, Weather Bird, West End Blues, St. James Infrimary, the UTTERLY AMAZING Tight Like This, and more - and should make nearly anyone into a convert!
As for me, I already have the old 3-LP Columbia set (36 cuts), and there's very little from those that aren't on here that I miss (e.g., That's When I'll Come Back To You). And the convenience of having it on CD is well worth any duplications. The sound quality (given the original 20s recordings) and liner notes are excellent. This is an essential CD... unless you just decide to go whole hog and get one of the box sets!
"And I say IT IS tight like this!"
Jazz Immortality!.......2001-01-12
Average customer rating:
|
Hot Fives
Louis Armstrong Manufacturer: Jazzterdays Records ProductGroup: Music Binding: Audio CD ASIN: B000005MVO Release Date: 1996-06-18 |
Tracks:
- My Heart
- I'm In The Barrel
- Gut Bucket Blues
- Come Back, Sweet Papa
- Georgia Grind
- Heebie Jeebies
- Cornet Chop Suey
- Oriental Strut
- You're Next
- Muskrat Ramble
- Don't Forget To Mess Around
- I'm Gonna Gitcha
- Droppin' Shucks
- Who'Sit
- King Of The Zulus
- Big Fat Ma And Skinny Pa
- Lonesome Blues
- Sweet Little Papa
- Jazz Lips
- Skid-Dat-De-Dat
- Big Butter And Egg Man
- Sunset Cafe Stomp
- You Made Me Love You
- Irish Black Bottom
Amazon.com
It's no exaggeration to say that Louis Armstrong recreated jazz in his own image, taking a collectively improvised music and remaking it into one in which the virtuoso soloist dominated. He did it by sheer invention and musical superiority, and he did it in the midst of the finest polyphonic players that New Orleans music had produced. The beginnings of it can be heard in these 1925-26 recordings by the superb Hot Five, a band made up of clarinetist Johnny Dodds, trombonist Kid Ory, pianist Lil Hardin Armstrong, and banjoist Johnny St. Cyr. Armstrong was with the players he knew best, and the music is relaxed and lustrous, ranging from the beautiful cornet feature "Cornet Chop Suey" to the convivial "Gut Bucket Blues" and the first recording of Ory's "Muskrat Ramble." The summit of the New Orleans style and the dawn of the next phase in jazz, this is an essential CD for any jazz listener, not just for traditionalists. --Stuart BroomerCustomer Reviews:
This is breakthrough jazz........1998-10-07
Average customer rating:
|
West End Blues: The Very Best of the Hot Fives & Sevens
Louis Armstrong Manufacturer: Music Club Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004TDHT Release Date: 2000-06-12 |
Tracks:
- West End Blues
- Fireworks
- Potato Head Blues
- Heebie Jeebies
- Twelfth Street Rag
- Alligator Crawl
- Cornet Chop Suey
- Two Deuces
- Last Time
- Muskrat Ramble
- Big Butter and Egg Man
- Rockin' Chair
- Hotter Than That
- I Can't Give You Anything But Love
- Skid-Dat-De-Dat
Album Description
West End Blues consists of 20 legendary jazz tracks by the trumpet maestro and his band. Tracks include 'West End Blues', 'Fireworks', 'Potato Head Blues' and 'Heebie Jeebies'. Highly collectable compilation at a great price. Extensive sleevenotes and over an hour of music. Music Club.Album Details
Very Best of the Hot Fives and Sevens. 20 Tracks all Together.Customer Reviews:
Disappointed.......2007-03-21
Average customer rating:
|
West End Blues: The Very Best of the Hot Fives and Sevens
Louis Armstrong Manufacturer: Music Club ProductGroup: Music Binding: Audio CD ASIN: B00004SUA2 Release Date: 2000-05-23 |
Tracks:
- West End Blues
- Fireworks
- Potato Head Blues
- Heebie Jeebies
- Twelfth Street Rag
- Alligator Crawl
- Cornet Chop Suey
- Two Deuces
- The Last Time
- Muskrat Ramble
- I Want A Big Butter & Egg Man From Way Out West
- Rockin' Chair
- Hotter Than That
- I Can't Give You Anything But Love
- Skid-Dat-De-Dat
Customer Reviews:
You simply must have this music or turn in your ears.......2005-01-29
The West End Blues is simply the greatest single musical performance of the 20th Century. Serious people I know would even argue that it was the greatest achievement of any art in the 20th century.
You need to have it either in this or some other collection. If you don't you have diminished your life. Get this collection if you cannot afford the big box set, or if you do not have the music in some of the earlier collections like Portrait of the Artist as a young man.
These records are not just good because of their decisve historic importance. They would sound wonderful if they had been made last night by a bunch of teenagers in Idaho.
I protest that one cannot give this 5000 stars!
Great collection..........2002-08-07
Unfortunately there isn't one great album to feature these recordings, since there weren't any albums. All of these recordings were generally a two sided record with only two songs. The result is many many large collections and boxed sets that can be fairly overwhelming, and unless you're a die hard fan may be overly excessive. The single CD collections are generally a multiple volume set, placed in chronological order, meaning that it takes multiple CD's to get all your favorites.
This collection covers the very best, and most essential and places them in a reasonable time frame and comes across with the look and feel of an album. The cover art, if that's important to you, is also several notches above most "Greatest hits" covers. Even if you ARE a die hard fan, and would want all of the boxed sets and extensive collections, this album puts the all of the best ones in a set a great variety in a well placed order for light listening.
Best single-CD collection of Hot Fives & Hot Sevens.......2001-01-15
Average customer rating:
|
Volume 1: Hot Fives
Louis Armstrong Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026I1 Release Date: 1990-10-25 |
Tracks:
- My Heart
- (Yes) I'm In The Barrel
- Gut Bucket Blues
- Come Back, Sweet Papa
- Georgia Grind
- Heebie Jeebies
- Cornet Chop Suey
- Oriental Strut
- You're Next
- Muskrat Ramble
- Don't Forget To Mess Around
- I'm Gonna Gitcha
- Droppin' Shucks
- Who' Sit
- King Of The Zulus
- Big Fat Ma And Skinny Pa
Amazon.com essential recording
Fact: Some seventy years ago, Louis Armstrong was bigger than the Beatles. Fact: Louis' record sales provided the seed money for some of today's great communications empires. Fact: Pops' startling trumpet prowess and ingratiating vocals transformed the phrasing of every instrumentalist and vocalist on earth--and these are the sessions that started it all. Having performed as the second cornet with spiritual father Joe "King" Oliver's legendary New Orleans band, he turned everybody's head in New York during his stint with Fletcher Henderson's Orchestra in 1924. Then at wife Lil Hardin's insistence, he returned to Chicago in 1925, which led to the first of his supersessions for the Okeh label--fronting an all-star band assembled just for the studio. Even amid the traditional New Orleans polyphony and ensemble work of "Gut Bucket Blues," the sheer power of Armstrong's cornet pulls along the rest of the band like a locomotive (and in setting the infectious closing riff, he not only anticipates the swing era but Dizzy Gillespie's "Salt Peanuts"). By the time we get to the 1926 sessions, featuring his innovative "scat singing" on "Heebie Jeebies" and his dynamic stop-time phrases on "Cornet Chop Suey," Louis Armstrong is well on his way to transforming jazz into a soloist's art, and himself into the most influential musician of the 20th century. --Chip SternCustomer Reviews:
Truly an Essential!.......2003-02-27
The Crown Prince Grows Up.......2001-12-29
Fun fun FUN!.......2001-07-18
VERY ESSENTIAl.......2000-05-10
Louis Armstrong The Hot Fives.......2000-03-04
Average customer rating:
|
Hot Fives & Sevens, Vol. 3
Louis Armstrong Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026MT Release Date: 1990-10-25 |
Tracks:
- S.O.L. Blues
- Gully Low Blues
- That's When I'll Come Back To You
- Put 'Em Down Blues
- Ory's Creole Trombone
- The Last Time
- Struttin' With Some Barbecue
- Got No Blues
- Once In A While
- I'm Not Rough
- Hotter Than That
- Savoy Blues
- Fireworks
- Skip The Gutter
- A Monday Date
- Don't Jive Me
Amazon.com
By the time these recordings were made in 1927-28, Louis Armstrong had abandoned the darker sounding cornet in favor of the brasher, more brilliant tonality of the trumpet. The New Orleans ensemble effects so prominent in earlier Hot Five sessions were of secondary importance, as Armstrong's instrumental command ascended to dizzying heights. Pianist and soon-to-be ex-wife Lil Hardin's "Struttin with Some Barbecue" inspires the trumpeter to a soaring, brilliantly syncopated solo, while guitarist Lonnie Johnson's expressive blues playing inspires Louis to expressive new heights on "Hotter Than That" and "Savoy Blues." But it's the appearance of pianist Earl Hines on the June 27, 1928 recording session that marks a sea change in Armstrong's music. Here at last is an original thinker, with the chops, imagination, and daring to play with Louis at an Olympian level, beginning, appropriately enough, with their choruses on "Fireworks" and their dazzling exchanges on "Skip the Gutter." Hines' "A Monday Date" is a particular joy, from the humorous repartee (in which Louis tosses in a plug for his favorite local bootlegger) to Zutty Singleton's dancing spoons, to Hines's sprightly playing underneath Armstrong's vocals and the leader's punchy muted trumpet figures. --Chip SternCustomer Reviews:
The Great Turning Point.......2001-12-29
Average customer rating:
|
Hot Fives & Sevens, Vol. 1
Louis Armstrong Manufacturer: Jsp Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000061O8 Release Date: 1998-05-05 |
Tracks:
- My Heart
- Yes! I'm In The The Barrel
- Gut Bucket Blues
- Come Back, Sweet Papa
- Georgia Grind
- Heebie Jeebies
- Comet Chop Suey
- Oriental Strut
- You're Next
- Muskrat Ramble
- Don't Forget To Mess Around
- I'm Gonna Gitcha
- Dropping Shucks
- Who' Sit
- He Likes It Slow
- The King Of The Zulus
- Big Fat Ma And Skinny Pa
- Lonesome Blues
- Sweet Little Papa
- Jazz Lips
- Skid-Dat-De-Dat
- Big Butter And Egg Man From The West
- Sunset Cafe Stomp
- You Made Me Love You
- Irish Black Bottom
Customer Reviews:
Essential music, great sound.......2001-01-15
Superb Stuff.......1998-09-02
Average customer rating:
|
Hot Fives & Hot Sevens
Louis Armstrong Manufacturer: Jazzterdays Records ProductGroup: Music Binding: Audio CD ASIN: B000005MVP Release Date: 1996-05-21 |
Tracks:
- Willie The Weeper
- Wild Man Blues
- Alligator Crawl
- Potato Head Blues
- Melancholy
- Weary Blues
- Twelfth Street Rag
- Keyhole Blues
- S.O.L. Blues
- Gully Low Blues
- That's When I'll Come Back To You
- Put 'Em Down Blues
- Ory's Creole Trombone
- The Last Time
- Struttin' With Some Barbecue
- Got No Blues
- Once In A While
- Hotter Than That
- Savoy Blues
- Fireworks
- Skip The Gutter
- A Monday Date
Customer Reviews:
Treasures for all Time.......2005-12-23
Coupled with an ability to give the listener a
rewarding experience each and every time - is
there any doubt that 'real' music has these
traits as its constituants? These are sizzling,
melodious musical aromas for the heart and soul.
I am a jazz novice - and I may be staying that way.
I've heard a fair amount of contemporary jazz, but
nothing has ever hooked me. I didn't see what the
fuss about jazz was. I may never know. But if there
is such a thing as 'archtypical' jazz, I don't doubt
that this is it. This music has that glow, that instant
appeal, which offered me, someone who was disinterested
in jazz, a way 'in.' Thank you Mr. Armstrong and your Hot
Five and Sevens!!! We may live in the 'new millinium',
but some of us have kept our ears on the continuous
roar of the 1920s.
How it all started........1999-05-14
Average customer rating:
|
Hot Fives & Hot Sevens, Vol. 2
Louis Armstrong Manufacturer: Jsp Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000061O9 Release Date: 1998-05-05 |
Tracks:
- Willie The Weeper
- Wild Man Blues
- Chicago Breakdown
- Alligator Crawl
- Potato Head Blues
- Melancholy Blues
- Weary Blues
- Twelfth Street Rag
- Keyhole Blues
- S.O.L. Blues
- Gully Low Blues
- That's When I'll Come Back To You
- Put 'Em Down Blues
- Ory's Creole Trombone
- The Last Time
- Struttin' With Some Barbecue
- Got No Blues
- Once In A While
- I'm Not Rough
- Hotter Than That
- Savoy Blues
Customer Reviews:
just right.......2001-06-15
People always talk about what a great genius Louis Armstrong was and how spectacular his music is--and while I'm not one for buying into advance praise--I am forced to admit after listening to the first two volumes of the Hot Fives and Sevens...this is darn good music. Armstrong is awesome. The music is fun. It is played just right.
For some reason I prefer volume two over volume one. Volume two is filled with so many great songs...songs like "Big Butter and Egg Man," "Alligator Crawl," and the afore mentioned "Melancholy" give this volume a slight edge over its predecessor. This stuff is great.
I recommend "Hot Fives & Hot Sevens Volume Two" highly and look forward to hearing the last two volumes.
Great music, great sound.......2001-01-15
Pop Music:
