When folklorist Alan Lomax made these epic 1938 recordings of Jelly Roll Morton's reminiscences and piano playing, he was creating the first great oral documentation of early jazz. This material has never been issued with the care, sensitivity and completeness that it gets here, with the complete interviews and musical performances sequenced over seven CDs in the order in which they took place. Morton was almost as great a raconteur as he was a musician, and his accounts of New Orleans in the early years of the 20th century--from bordellos to riots to funeral parades--are vivid, bawdy, and sometimes hilarious. His accounts of the music and his performances, from "King Porter Stomp" to the lengthy "Murder Ballad," provide a brilliant window on the mechanics and progress of jazz in its earliest years. The sound restoration is excellent and the complete package--cover art by R. Crumb, a piano-shaped box, a reprinting of Lomax's groundbreaking book Mister Jelly Roll, and an additional book with an essay by John Szwed and extensive photographs--befits a document of this significance. An eighth CD excerpts interviews Lomax conducted in 1949 with various New Orleans musicians (most notably Johnny St. Cyr) reminiscing about Morton and the early years of jazz. --Stuart Broomer
Product Description
The stories and songs on these recordings are a document of the big bang of jazz music at the dawn of the 20th Century. New Orleans composer, pianist and pool shark Jelly Roll Morton was one of the key figures in the creation of jazz. Alan Lomax was the visionary folklorist who created a legacy that illuminated roots music sounds from around the world. Together, in 1938 at the Library of Congress, they made these groundbreaking recordings--the first recorded oral history in jazz.
The Complete Library of Congress Recordings,Jelly Roll Morton,Rounder Records,Box Sets (Audio Only),Classic Jazz,Dixieland,Jazz,Jazz Traditional,New Orleans Jazz,Pop,Trad Jazz,United States of America
Average customer rating:
|
Complete Library of Congress Recordings (1940)
Blind Willie McTell Manufacturer: Document ProductGroup: Music Binding: Audio CD ASIN: B000000JI1 Release Date: 1995-09-26 |
Tracks:
- Just As Well Get Ready, You Got To Die/Climbing High Mountains, Tryin' To Get Home
- Monologue On Accidents
- Boll Weevil
- Delia
- Dying Crapshooter's Blues
- Will Fox
- I Got To Cross The River Jordan
- Monologue On Old Songs/Old Time Religion/Amen
- Amazing Grace
- Monologue On History Of The Blues/Monologue On Life As Maker Of Records/Monologue On Himself
- King Edward Blues
- Murderer's Home Blues
- Kill-It-Kid Rag
- Chainey
- I Got To Cross De River O'Jordon
Customer Reviews:
Very good, but somewhat obsolete.......2004-04-04
The sound is reasonably good, and there are plenty of excellent cuts here, some blues tunes, and numerous religious songs as well. McTell's playing is masterful as always...the only "problem" with this CD is that all of these tracks are available on JSP's phenomenal Willie McTell-box set "The Classic Years 1927-1940", so there's really not much point in going out and buying this disc unless you already have McTell's commercial sides and just want the LoC recordings to go with them.
Very essential stuff (for acoustic blues guitar players).......2002-08-20
Very essential stuff (for acoustic blues guitar players).......2002-08-20
McTell Tells It Like It Was.......2001-08-19
One of the best........2000-03-14
Average customer rating:
|
The Complete Library of Congress Recordings
Jelly Roll Morton Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GFLE36 Release Date: 2006-08-22 |
Tracks:
- Story of "I'm Alabama Bound"/I'm Alabama Bound [Spoken][Version]
- Time in Mobile/I'm Alabama Bound [Continued][Excerpt][Version]
- King Porter Stomp [Piano Instrumental/The Story of "King Porter Stomp"
- Story of "King Porter Stomp, [/You Can Have It, ISpoken]
- Jelly Roll's Background [Spoken]
- Music Lessons/Miserere [Piano Instrumental][Instrumental][Version]
- Miserere [/The French Opera HousePiano Instrumental][Instrumental][Vers
- Stomping Grounds [Spoken]
- Style of Sammy Davis [Piano Instrumental/The Renown of Tony ...
- Tony Jackson Was the Favorite/Dope, Crown, and Opium [Spoken][Version]
- Poor Alfred Wilson/Tony Jackson's "Naked Dance" [Piano ...][Version]
- Honky Tonk Blues/In New Orleans, Anyone Could Carry a Gun [Spoken]
- New Orleans Was a Free and Easy Place/Levee Man Blues [Spoken][Version]
- Story of Aaron Harris [Spoken]
Tracks:
- Story of Aaron Harris (Continued)/Aaron Harris Blues [Spoken][Version]
- Aaron Harris, His Hoodoo Woman, And the Hat That Started a Riot ...
- Story of the 1900 New Orleans Riot and the Song of Robert Charles ...
- Story of the 1900 New Orleans Riot (Continued) /Game Kid Blues [Spoken]
- Game Kid Blues [/Buddy Carter Rag ...Piano Instrumental][Instrumental][
- New Orleans Funerals/Steal Away/Nearer My God to Thee [Spoken][Version]
- Funeral Marches/Flee as the Bird to the Mountain [Piano ...][Version]
- Oh! Didn't He Ramble [Piano Instrumental/Evolution of Tiger Rag ...
- Tiger Rag Third, Fourth, And Fifth Strains [Piano Instrumental]
- Tiger Rag [Piano Instrumental/PanamaPiano Instrumental][Instrumental][V
- Right Tempo Is the Accurate Tempo/Ha ... [Interview and Demonstration]
- Jazz Discords and Story of the Kansas City Stomp [Interview and ...]
- Kansas City Stomp (Continued)/Breaks in Jazz ... [Piano Instrumental][I
- Slow Swing and Sweet Jazz Music [Interview and Demonstration]
- Salty Dog/Bill Johnson, Jelly's Brother-In-Law [Spoken]
- Hesitation Blues [Interview and Song]
Tracks:
- My Gal Sal Original and Transformation [Interview and Song]
- St. Louis Scene/Randalls' Tune/Maple ... [Piano Instrumental][Instrumen
- Maple Leaf Rag St. Louis Style, Conclusion [Instrumental][Version]
- Jelly Roll Carves St. Louis [Spoken]
- Jelly Roll Carves St. Louis (Continued)/Miserere, ... [Spoken][Version]
- New Orleans Blues
- Winin' Boy Blues [Continued]
- Winin' Boy Blues [Continued]
- Anamule Dance
- Anamule Dance [/The Story of the "The Anamule Dance"Spoken][Version]
- Great Buddy Bolden/Buddy Bolden's Blues [Continued]
- Great Buddy Bolden [Continued][Version]
- Mr. Jelly Lord
- How Jelly Roll Got His Name/Original Jelly Roll Blues ... [Spoken][Vers
- Original Jelly Roll Blues [Continued]
- Honky Tonk Blues/Old-Time Honky Tonks [Spoken]
Tracks:
- Real Tough Boys [Spoken]
- Sporting Attire and Shooting the Agate [Spoken]
- Sweet Mamas and Sweet Papas/See See Rider [Spoken][Version]
- See See Rider (Continued)/Parading with the Broadway Swells [Spoken]
- Parading with the Broadway Swells (Continued) [Spoken]
- Fights and Weapons/Stars and Stripes Forever [Piano ...][Version]
- Luis Russell and New Orleans Riffs [Interview and ...]
- Jelly's Travels: From Yazoo to Clarksdale [Spoken]
- Jelly's Travels: From Clarksdale to Helena [Spoken]
- Jelly's Travels: From Helena to Memphis [Spoken]
- In Memphis: The Monarch Saloon and Benny Frenchy/Benny ... [Spoken][Ver
- Benny Frenchy's Tune (Continued)/Bad Sam, Memphis' [Piano Instrumental]
- Make Me a Pallet on the Floor [Interview and Song]
- Make Me a Pallet on the Floor [Continued]
- Make Me a Pallet on the Floor [Continued]
- Make Me a Pallet on the Floor [Conclusion]
Tracks:
- Dirty Dozen [Interview and Song]
- Murder Ballad, Pt. 1
- Murder Ballad, Pt. 2
- Murder Ballad, Pt. 3
- Murder Ballad, Pt. 4
- Murder Ballad, Pt. 5
- Murder Ballad, Pt. 6
- Murder Ballad, Conclusion
- Fickle Fay Creep [Piano Instrumental][Instrumental][Version]
- Jungle Blues [Piano Instrumental][Instrumental][Version]
- King Porter Stomp [Piano Instrumental][Instrumental][Version]
- Sweet Peter [Piano Instrumental][Instrumental][Version]
- Hyena Stomp [Piano Instrumental][Instrumental][Version]
- Wolverine Blues [Continued]
- Wolverine Blues [Continued]
- State and Madison [Piano Instrumental]
- Pearls [Piano Instrumental]
- Pearls [Continued][Instrumental][Version]
Tracks:
- Bert Williams [Piano Instrumental]
- Freakish [Piano Instrumental]
- Pep [Piano Instrumental]
- Georgia Skin Game [Continued][Version]
- Georgia Skin Game [Continued][Version]
- Georgia Skin Game/I'm Gonna Get One and Go ... [Conclusion][Version]
- Ungai Hai, The Sign of the Indians [Interview and Song]
- New Orleans Blues [/The Spanish TingeSpoken]
- Spanish Tinge [Continued]
- Improving Spanish Tempos and Creepy Feeling [Interview and Piano ...]
- Creepy Feeling [Continued][Instrumental][Version]
- Crave [Piano Instrumental]
- Mamanita [Piano Instrumental]
- C'ait N'Aut' Can-Can, Payez Donc/If You ... [Interview and Song]
- Spanish Swat [Piano Instrumental]
- Ain't Misbehavin'
- I Hate a Man Like You/Rolling Stuff [Interview and Song]
- Michigan Water Blues [Interview and Song]
Tracks:
- Winin' Boy Blues
- Winin' Boy Blues [Continued]
- Boogie Woogie Blues [Piano Instrumental/Albert Carroll's Tune ...]
- Buddy Bertrand's Blues [/Mamie's ...Piano Instrumental][Instrumental][V
- When the Hot Stuff Came In [Spoken]
- First Hot Arrangements [Spoken]
- Pensacola Kid and the Cadillac CafSpoken]
- At the Cadillac CafLos Angeles [/Little Liza ...Spoken][Version]
- Little Liza Jane [Continued]
- In the Publishing Business/Tricks Ain't Walking No More [Spoken][Versio
Tracks:
- Original Jelly Roll Blues [Guitar Instrumental] - Johnny St. Cyr,
- Jelly Roll's Early Playing Days in the District [Spoken] - Alan Lomax, Johnny St. Cyr,
- Hot Bands and Creole Tunes [Spoken] - Alan Lomax, Johnny St. Cyr,
- Eh, La Bas/Riffs and Breaks from Creole Songs [Spoken] - Alan Lomax, Johnny St. Cyr,
- Old-Time Creole Musicians and the French Element [Spoken] - Leonard Bechet, Alan Lomax
- Playing Hot with Buddy Bolden [Spoken] - Paul Dominguez, Jr., Alan Lomax, Alphonse Picou
- High Society [Instrumental] - Paul Dominguez, Jr., Alphonse Picou
- Sporting Life Costumes [Spoken] - Leonard Bechet, , Alan Lomax
- Buddy Bolden: Man and Musician [Spoken] - Leonard Bechet, , Alan Lomax
- Creoles Playing with Negroes: Getting That Drive [Spoken] - Leonard Bechet, Alan Lomax
- Jelly Roll's Compositions [Spoken] - Alan Lomax, Johnny St. Cyr,
- How Johnny St. Cyr Learned to Play Guitar [Spoken] - Alan Lomax, Johnny St. Cyr,
- Guitar Blues/Just the Guitar Blues [Guitar Instrumental][Instrumental][ - Alan Lomax, Johnny St. Cyr,
- Bad Men and Pimps [Spoken] - Alan Lomax, Johnny St. Cyr,
- Story of the Coon Blues [Spoken] - Alan Lomax, Alphonse Picou
- Coon Blues [Instrumental] - Paul Dominguez, Jr., Alphonse Picou
- Jazz Is Just a Makeup: Buddy Bolden, Honky Tonks, Brass Band Funerals, - Leonard Bechet, , Alan Lomax
- Young Sidney Bechet: Jim Crow and the Dangers of the District [Spoken] - Leonard Bechet, Alan Lomax
- Main Idea in Jazz: Just Watch Me - Improvising and Reading Music ... - Leonard Bechet, , Alan Lomax
- Of All His Mother's Children He Loved Jelly the Best: A Little Tale of - Alan Lomax, Johnny St. Cyr,
Amazon.com
When folklorist Alan Lomax made these epic 1938 recordings of Jelly Roll Morton's reminiscences and piano playing, he was creating the first great oral documentation of early jazz. This material has never been issued with the care, sensitivity and completeness that it gets here, with the complete interviews and musical performances sequenced over seven CDs in the order in which they took place. Morton was almost as great a raconteur as he was a musician, and his accounts of New Orleans in the early years of the 20th century--from bordellos to riots to funeral parades--are vivid, bawdy, and sometimes hilarious. His accounts of the music and his performances, from "King Porter Stomp" to the lengthy "Murder Ballad," provide a brilliant window on the mechanics and progress of jazz in its earliest years. The sound restoration is excellent and the complete package--cover art by R. Crumb and a book with an essay by John Szwed and extensive photographs--befits a document of this significance. An eighth CD excerpts interviews Lomax conducted in 1949 with various New Orleans musicians (most notably Johnny St. Cyr) reminiscing about Morton and the early years of jazz. --Stuart BroomerCustomer Reviews:
Even when he did not invent jazz in the year 1904 ............2007-01-19
I play jazz as an amateur since more than 50 years, and I never expected to be able to have these recordings. Now I hear his voice, I hear him play and declare, what he plays. And suddenly an important time of history of jazz, an important musician and composer got to be living for me. It's great, and I wish that every oldtime-jazz musician would listen to the stories he tells.
And I think: it does not matter, whether they are true or not - they in any case are full of a musicians life.
Given as gift........2007-01-09
Average customer rating:
|
The Complete Library of Congress Recordings
Jelly Roll Morton Manufacturer: Rounder Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AOF9W0 Release Date: 2005-09-27 |
Tracks:
- I'm Alabama Bound
- Time in Mobile
- King Porter Stomp
- The Story of "King Porter Stomp"
- Jelly Roll's Background
- Music Lessons
- Miserere
- The Stomping Grounds
- The Style of Sammy Davis
- Tony Jackson was the Favorite / Dope, Crown, and Opium
- Poor Alfred Wilson
- Honky Tonk Blues / In New Orleans, Anyone Could Carry a Gun
- New Orleans was a Free and Easy Place
- The Story of Aaron Harris
Tracks:
- The Story of Aaron Harris, continued / Aaron Harris Blues
- Aaron Harris, His Hoodoo Woman, and the Hat That Started a Riot
- The Story of the 1900 New Orleans Riot and the Song of Robert Charles
- The Story of the 1900 New Orleans Riot, continued
- Game Kid Blues
- New Orleans Funerals
- Funeral Marches
- Oh! Didn't He Ramble
- Tiger Rag, third, fourth, and fifth strains
- Tiger Rag / Panama
- The Right Tempo is the Accurate Tempo
- Jazz Discords and Story of the Kansas City Stomp
- Kansas City Stomp, continued
- Slow Swing and "Sweet Jazz Music"
- Salty Dog / Bill Johnson, Jelly's Brother-in-Law
- Hestitation Blues
Tracks:
- My Gal Sal
- The St. Louis Scene
- Maple Leaf Rag, St. Louis style / Maple Leaf Rag, New Orleans style
- Jelly Roll Carves St. Louis
- Jelly Roll Carves St. Louis, continued
- New Orleans Blues
- Winin' Boy Blues
- Winin' Boy Blues, continued
- The Anamule Dance
- The Anamule Dance, continued
- The Great Buddy Bolden / Buddy Bilden's Blues
- The Great Buddy Bolden, continued
- Mr. Jelly Lord
- How Jelly Roll Got His Name
- Original Jelly Roll Blues
- Honky Tonk Blues
Tracks:
- Real Tough Boys
- Sporting Attire and Shooting the Agate
- Sweet Mamas and Sweet Papas
- See See Rider
- Parading with the Broadway Swells
- Fights and Weapons
- Luis Russell and New Orleans Riffs
- Jelly's Travels: From Yazoo to Clarksdale
- Jelly's Travels: From Clarksdale to Helena
- Jelly's Travels: From Helena to Memphis
- In Memphis: The Monarch Saloon and Benny Frenchy
- Benny Frenchy's Tune, continued
- Make Me a Pallett on the Floor
- Make Me a Pallett on the Floor, continued
- Make Me a Pallett on the Floor, part 3
- Make Me a Pallett on the Floor, concluded
Tracks:
- The Dirty Dozen
- The Murder Ballad, part 1
- The Murder Ballad, part 2
- The Murder Ballad, part 3
- The Murder Ballad, part 4
- The Murder Ballad, part 5
- The Murder Ballad, part 6
- The Murder Ballad, part 7
- Fickle Fay Creep
- Jungle Blues
- King Porter Stomp
- Sweet Peter
- Hyena Stomp
- Wolverine Blues, begun
- Wolverine Blues, concluded
- State And Madison
- The Pearls, begun
- The Pearls, concluded
Tracks:
- Bert Williams
- Freakish
- Pep
- The Georgia Skin Game
- The Georgia Skin Game, continued
- The Georgia Skin Game, conclusion
- Ungai Hai
- New Orleans Blues
- The Spanish Tinge
- Improving Spanish Tempos
- Creepy Feeling, concluded
- The Crave
- Mamanita
- C'it N'aut' Can-Can, Payez Donc
- Spanish Swat
- Ain't Misbehavin'
- I Hate a Man Like You / Rolling Stuff
- Michigan Water Blues
Tracks:
- Winin' Boy Blues
- Winin' Boy Blues, continued
- Boogie Woogie Blues
- Buddy Bertrand's Blues, continued / Mamie's Blues
- When the Hot Stuff Came In
- The First Hot Arrangements
- The Pensacola Kid and the Cadillac Caf
- At the Cadillac CafLos Angeles
- Little Liza Jane, continued / On the West Coast
- In the Publishing Business
Tracks:
- Original Jelly Roll Blues
- Jelly Roll's Early Playing Days in the District
- Hot Bands and Creole Tunes
- Eh, La Bas
- Old-Time Creole Musicians and the French Element
- Playing Hot with Buddy Bolden
- High Society
- Sporting Life Costumes
- Buddy Bolden: Man and Musician
- Creoles Playing with Negroes: Getting that Drive
- Jelly Roll's Compositions
- How Johnny St. Cyr Learned to Play Guitar
- Guitar Blues
- Bad Men and Pimps
- The Story of the Coon Blues
- Coon Blues
- Jazz is Just a Makeup: Buddy Bolden, Honky Tonks, Brass Band Funerals, and Parades
- Young Sidney Bechet: Jim Crow and the Dangers of the District
- The Main Idea in Jazz: "Just Watch Me" - Improvising and Reading Music
- Of All His Mother's Children He Loved Jelly the Best
Amazon.com
When folklorist Alan Lomax made these epic 1938 recordings of Jelly Roll Morton's reminiscences and piano playing, he was creating the first great oral documentation of early jazz. This material has never been issued with the care, sensitivity and completeness that it gets here, with the complete interviews and musical performances sequenced over seven CDs in the order in which they took place. Morton was almost as great a raconteur as he was a musician, and his accounts of New Orleans in the early years of the 20th century--from bordellos to riots to funeral parades--are vivid, bawdy, and sometimes hilarious. His accounts of the music and his performances, from "King Porter Stomp" to the lengthy "Murder Ballad," provide a brilliant window on the mechanics and progress of jazz in its earliest years. The sound restoration is excellent and the complete package--cover art by R. Crumb, a piano-shaped box, a reprinting of Lomax's groundbreaking book Mister Jelly Roll, and an additional book with an essay by John Szwed and extensive photographs--befits a document of this significance. An eighth CD excerpts interviews Lomax conducted in 1949 with various New Orleans musicians (most notably Johnny St. Cyr) reminiscing about Morton and the early years of jazz. --Stuart BroomerAlbum Description
The stories and songs on these recordings are a document of the big bang of jazz music at the dawn of the 20th Century. New Orleans composer, pianist and pool shark Jelly Roll Morton was one of the key figures in the creation of jazz. Alan Lomax was the visionary folklorist who created a legacy that illuminated roots music sounds from around the world. Together, in 1938 at the Library of Congress, they made these groundbreaking recordings--the first recorded oral history in jazz.Customer Reviews:
If you care about early jazz, you need this!.......2006-07-01
A TREASURE........period........2006-01-11
Do not buy if you're only interested in the music!.......2005-11-12
That said, this is an absolutely invaluable historical document, and even though it's no longer as pleasurable to the ear, Jelly Roll is still Jelly Roll, and listening to his unexpurgated conversation is sublime and worth twenty times the price of admission.
Fabulous Restoration of New Orleans Jazz History.......2005-11-06
Important release marred by sound "restoration".......2005-11-05
The audio "restoration" here is vastly inferior to the 1993 Rounder issue of these sessions. Some pre-release apprehension arose when Rounder announced their use of the notorious Cedar remastering system for this 2005 edition. Concern was well-founded: the sound is thin, sharp and tinny. Even turning the treble response all the way down seems to have no effect. I've listened on different systems, with the same frustration--the material is great, but enjoyment is limited. The 1993 (music only) discs had a few minor speed/pitch inconsistencies, but the sound was rich and full, and made for pleasant listening.
This 2005 set does have some positive features. The booklet includes 25 pages of Morton's fascinating 1938 prose writings; another highlight is Disc 8, an audio/data CD with over 200 pages of written material, including a complete transcript of the Library of Congress interviews and other documents, enough to keep Morton scholars and enthusiasts busy for a while...
About the packaging: the box is rather unwieldy (shaped like a piano), a bit flimsy, and about twice as large as it should have been.
To conclude: a disappointing release (I recommend hanging on to those 1993 discs, if you have them). However, it contains much additional material (especially the data disc) essential to those interested in jazz history.
Pop Music:
- The Complete Village Vanguard Recordings, 1961 [Live] [Original recording remastered]
- The Ground
- The Hot Fives & Sevens [Box set]
- The Köln Concert [Live]
- The Lonely Bull [Original recording remastered]
- The Rolling Stones Project
- The Season [Enhanced]
- The Ultimate Blue Train [Enhanced] [Original recording remastered]
- The Very Best of Chris Botti
- The Very Best of John Coltrane
