Embark on a journey to the sights, sounds and sensations of the mysterious and romantic Mediterranean with flamenco-jazz guitarist Marc Antoine. The gypsy spirit and classical soul of Antoine recordings can't help but transport instrumental fans seeking musical paradise.
"The most important element of my career has been the fact that I've always been open to new places, styles and experiences, and through my adventures I've been able to learn so much," he says.
"There's a great element of travel to my music, and I love experimenting with new ideas and influences. Maybe being a Gemini fits with being a gypsy, a sense of never wanting to settle in one place. Paris was home, London was home, and Los Angeles was home. Now I'm settling into Madrid and it's also my home. My wife's relatives are there and my family is not far (in Brittany and the South of France). No matter where I am, I'm always home."
Growing up in Paris, Antoine began playing guitar at age eleven and spent his early teens as a developing musician. Trained at the International School of Classical Guitar, he played jazz and Afro-pop in Paris clubs, performed with the London based Reggae Philharmonic Orchestra, and was first introduced to smooth jazz audiences when he toured with Basia in 1988. While living in London for a spell, Antoine played on Soul II Soul's landmark first album and immersed himself in the city's acid jazz scene. After moving to Los Angeles, he added acid jazz stylings to recordings by Guru's Jazzmatazz, Solsonics, Queen Latifah, DJ Greyboy, Sting and the late Selena. Most recently, Antoine played flamenco-styled guitar on the #1 dance album by The Latin Project, which featured his song "En Fuego," co-written by Jez Colin and Matt Cooper of Incognito.
Antoine has appeared on numerous recording projects by smooth jazz stars (David Benoit, Dave Koz) and has been part of five Guitars, Saxes & More concert tours with smooth jazz greats Peter White, Richard Elliot, Kirk Whalum, Everette Harp and Rick Braun.
Modern Times,Marc Antoine,Rendezvous (Red),Contemporary Jazz,Crossover Jazz,Jazz,Pop,Smooth Jazz
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Modern Times
Bob Dylan Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GFLAI0 Release Date: 2006-08-29 |
Tracks:
- Thunder On The Mountain
- Spirit On The Water
- Rollin' and Tumblin'
- When The Deal Goes Down
- Someday Baby
- Workingman's Blues #2
- Beyond The Horizon
- Nettie Moore
- The Levee's Gonna Break
- Ain't Talkin'
Amazon.com
At a time when the majority of those his age are drifting into retirement, 65-year-old Bob Dylan has put the capper on a three-record run that ranks with the best in his storied, 44-album career. Like Time Out of Mind and Love and Theft before it, Modern Times is a rootsy, blues-soaked pool of the purest form of Americana--skipping the progressive bells or whistles for an understated backing by his touring band. Dylan's voice, which cracks, rasps and moans from the pop singer's pulpit, hasn't been this rich and emotive since 1976's Desire. And while his lyrics prolong his steadfast allusions to a higher power and his own immortality, they are not without the Dylan mirth, as when he sings of tracking pop queen Alicia Keys from Hell's Kitchen to Tennessee in "Thunder on the Mountain," the album's opener, which teams with "Someday Baby" and "Rollin' and Tumblin'" (for which Dylan misguidedly claims writing credit) as the record's most fiery numbers. Still, it's the Dylan that tells of a slave-loving owner ("Nettie Moore"), brings New Orleans to the front burner ("The Levee's Gonna Break") and plays the part of an eloquent lounge singer ("Spirit on the Water," "When the Deal Goes Down" and "Beyond the Horizon") that makes Modern Times sound just like old times. --Scott Holter
Dylan Classics and Collections
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Album Description
First new album in 5 years featuring 10 new songsCustomer Reviews:
Modern Times is a modern classic.......2007-07-14
As good as Dylan gets.......2007-07-12
Still the greatest of all time.......2007-07-10
Is It Rolling Bob? You Bet It Is!.......2007-07-02
I heard the deafening noise........2007-06-26
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Modern Times (Deluxe Edition With Bonus DVD)
Bob Dylan Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GRTQSE Release Date: 2006-08-29 |
Tracks:
- Thunder On The Mountain
- Spirit On The Water
- Rollin' and Tumblin'
- When The Deal Goes Down
- Someday Baby
- Workingman's Blues #2
- Beyond The Horizon
- Nettie Moore
- The Levee's Gonna Break
- Ain't Talkin'
Tracks:
- Cold Irons Bound (Unreleased live version from Masked & Anonymous)
- Blood In My Eyes
- Things Have Changed
- Love Sick (From The Grammy Awards)
Amazon.com
At a time when the majority of those his age are drifting into retirement, 65-year-old Bob Dylan has put the capper on a three-record run that ranks with the best in his storied, 44-album career. Like Time Out of Mind and Love and Theft before it, Modern Times is a rootsy, blues-soaked pool of the purest form of Americana--skipping the progressive bells or whistles for an understated backing by his touring band. Dylan's voice, which cracks, rasps and moans from the pop singer's pulpit, hasn't been this rich and emotive since 1976's Desire. And while his lyrics prolong his steadfast allusions to a higher power and his own immortality, they are not without the Dylan mirth, as when he sings of tracking pop queen Alicia Keys from Hell's Kitchen to Tennessee in "Thunder on the Mountain," the album's opener, which teams with "Someday Baby" and "Rollin' and Tumblin'" (for which Dylan misguidedly claims writing credit) as the record's most fiery numbers. Still, it's the Dylan that tells of a slave-loving owner ("Nettie Moore"), brings New Orleans to the front burner ("The Levee's Gonna Break") and plays the part of an eloquent lounge singer ("Spirit on the Water," "When the Deal Goes Down" and "Beyond the Horizon") that makes Modern Times sound just like old times. --Scott HolterAmazon.com
First new album in 5 years featuring 10 new songs. Special limited edition deluxe package includes: Book style package Expanded booklet with never-before-seen photographs Bonus DVD including videos for: "Cold Irons Bound" (Shot live on the film soundstage during the making of the film Masked and Anonymous) "Blood In My Eyes" "Things Have Changed" "Love Sick" (From The Grammy Awards).
Dylan Classics and Collections
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Customer Reviews:
Thundering Typhoons!! It's Bob again!!!.......2007-03-26
For us, who started listening to Dylan in mid to late eighties, that's a real treat.
I remember growing up in Calcutta, when listening to counter culture classics and watching Ray movies meant the coolest thing in the world ( a far cry from today's decadent mainstream behaviour, you see), and Dylan was crawling through a dark decade. Darkest were the years when we saw releases like Knocked Out Loaded and Down In The Groove. Both got issued on vinyl LPs which we promptly procured with our pocket money, little that we had, only to realize that these recordings did not stand a chance agains the earlier gems of the previous decades (way before the times of online reviews and thirty second intros on itunes, you had to buy to listen to judge .
We did not realize that as much we anticipate masterworks from the living legends everytime, it's just not possible to deliver a classic everytime you happen to be in the studio.
I, for one, had given up. Content with what I had from the sixties & seventies.
Keeping that in mind the new resurgence of Mr. Dylan appears both fantastic and spectacular. I have not had a chance to write reviews on the the earlier two studio albums: Time Out of Mind and Love & Theft, both classics and will stand the test of time much like Highway 61 or Blood on Tracks.
It would appear, at least to me, that Bob, in his sixties and reliving the sixties. Backed by a class act, second maybe only to 'The Band' in the seventies, he tears through a collection that matches with the best in class.
If the younger buckaroos are producing music half as good as this, forty years on, I will consider myself to be damn lucky.
As for the album, many many words have been spent in reviewing Modern Times (the best that I have read was on Uncut, a British magazine). I don't have any intention to rehash the same .. it's a great album, Dylsn's third classic in a row and consider yourself fortunate that you are sharing your mortal time with Dylan, and that he has not stopped amusing you.
Keep on rolling, Abraham!! Modern Times, whatever may that be, both for you and me .. this is our time!!
Good, good stuff.......2007-03-26
Dylan still lives!.......2007-03-24
Bob Dylan, the best.......2007-03-24
Bob Dylan - Modern Times.......2007-02-22
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Jim Gill Sings Moving Rhymes For Modern Times
Jim Gill Manufacturer: Jim Gill Music Inc. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FKOZRO Release Date: 2006-01-01 |
Tracks:
- Hello, I Must Be Going
- Swing Your Partner
- Tromboning
- Jump Up, Turn Around
- Face The Facts
- Jim Gill's Groove
- California
- Sliding, Rolling and Jumping
- Rhythm In My Fingers
- Strollin' Down The Road
- Delay On The Freeway
- Drumming The House
- Backwards Day
- Family Goodbyes
- Crazy Shoes Theme
Customer Reviews:
AWESOME!!.......2007-06-28
A "MUST HAVE" for daycare.......2007-01-08
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Cinema Serenade II: The Golden Age
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JQG0 Release Date: 1999-07-27 |
Tracks:
- Laura
- Now, Voyager
- Modern Times
- Lost Weekend
- The Quiet Man
- The Adventures Of Robin Hood
- Casablanca
- Henry V
- The Uninvited: 'Stella By Starlight'
- My, Foolish Heart
- Gone With The Wind
- Wuthering Heights
Amazon.com
Cinema Serenade 2: The Golden Age is the sequel to Itzhak Perlman's popular album of movie themes performed with soundtrack composer John Williams. Unlike its predecessor, this disc focuses on classic cinema themes and features the Boston Pops Orchestra, not the Pittsburgh Symphony Orchestra. The Laura theme, as well as Max Steiner's Now Voyager and Miklós Rózsa's Lost Weekend themes, sound lush and romantic in Perlman's lyrical hands. The traditional Irish jig "The Quiet Man" is the disc's most upbeat moment, while the unforgettable Gone with the Wind theme is its most memorable. These are timeless, dreamy compositions, though not necessarily the most uplifting. If you're looking for something cinematic to get your heart racing, check out Ricardo Chailly's recording of Shostakovich's film scores or even Leopold Stokowski's classic work on Fantasia. --Jason VerlindeCustomer Reviews:
NEVER RECEIVED THIS ITEM!!.......2007-03-17
Perlman, Williams reunite in wonderful Serenade sequel.......2003-12-04
The 12 selections include themes by Hollywood legends Max Steiner, Miklos Rozsa and Erich Wolfgang Korngold (whose son George would later produce several of composer/conductor Williams' scores for Varese Sarabande Records). Cinema Serenade 2 presents beautiful arrangements of Steiner's themes for Now, Voyager and Gone With The Wind, Korngold's love theme from The Adventures of Robin Hood, Charlie Chaplin's lovely Modern Times and "St Patrick's Day," a traditional Irish song from the John Wayne classic The Quiet Man.
Since I consider myself to be a charter member of The Rick Blaine Society of Rank Sentimentalists, I'd have to say my favorite tracks on this album are Herman Hupfeld's timeless "As Time Goes By" from 1942's Casablanca and Victor Young's "My Foolish Heart" (from the 1949 film of the same title). It was while I was listening to the radio (on the late WTMI 93.1 FM classical station) that the DJ played "As Time Goes By" and I discovered this recording of mostly lyrical themes; I listened to Perlman's haunting violin solos and the Boston Pops' bravura performance and nearly wept. I, of course, bought this CD the next day and it's now one of my favorites.
For fans of Itzhak Perlman, John Williams or film music in general, both of the Cinema Serenade CDs are a treasure trove of beautiful and memory-stirring themes.
Some of the most beautiful music you'll ever hear.......2001-06-15
Don't compare it to Cinema Serenade 1.......2000-01-24
I can't stop listening to this CD...........1999-10-03
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Modern Times
Jefferson Starship Manufacturer: Bmg Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009H0U Release Date: 2005-08-01 |
Tracks:
- Find Your Way Back
- Stranger
- Wildeyes
- Save Your Love
- Modern Times
- Mary
- Free
- Alien
- Stairway To Cleveland
Album Description
Digitally remastered Japanese reissue of their smash top 30 1981 album. Out of print in the U.S., it features 20 bit K2 Super Coding, plus the top 30 hit 'Find Your Way Back' and the top 50 'Stranger'. Nine tracks total. 1998 BMG release.Customer Reviews:
SARGAST501@AOL.COM.......2006-07-07
Jefferson Starships Hardest Rockin Cd!.......2005-02-22
The Forgotten Album - Modern Times, Jefferson Starship .......2005-02-17
This isn't just my opinion, it's a fact. Modern Times is the most underrated Jefferson Starship album of all time and it's no longer in print. If you want it, you have to spend $35 on a remastered Japanese version of this American classic. Funny thing it's probably worth it!
Not counting Paul Kantner, who was usually more of a backup singer, Jefferson Airplane / Starship etc. has had three lead singers in their history, the inimitable Grace Slick, Jefferson Airplane original Marty Balin and the very capable Mickey Thomas and, if I'm not mistaken, this is the first album that both Slick and Thomas appeared on and they are great together. And let's not forget guitarist extraordinaire Craig Chaquico. He may be the best there is and on this album you get to see what he is really capable of. The guitar solo on "Save Your Love" is nothing if not sensational.
On Modern Times the ever changing J.S. lineup consisted of:
Craig Chaquico Synthesizer, Guitar, Guitar (Rhythm)
Aynsley Dunbar Percussion, Drums, Marimba
David Freiberg Organ, Bass, Guitar, Keyboards, Vocals
Paul Kantner Guitar, Guitar (Rythm), Vocals, Oberheim 8
Pete Sears Synthesizer, Bass, Piano, Keyboards, Vocals
Grace Slick Vocals (bckgr)
Mickey Thomas Vocals
1981's Modern Times gave the band the chance to re"introduce" Grace Slick and she makes the best of it, lending her magnificent voice on songs like "Stranger" and "Alien". Opening track, "Find Your Way Back", which was a #26 hit in 1981, seems an appropriate name for the opening track, since wayward members did indeed find their way back. Slick, who has one of the most powerful voices in all of musicdom, and Thomas harmonize wonderfully together and it's as if Grace had never left. In fact Slick's and Thomas's voices are close enough that you have to listen close to tell who's singing. In the end you can tell because Grace's vox has more presence.
Check out this great lineup of songs, these all are(or should be) classics: Find your way Back" is one of the best Jefferson..... songs ever, with a medium tempo start/stop format, this song has Thomas in the lead, with melodic background vocals by Slick. Next, Slick really outdoes herself in the slick arrangement of "Stranger" a rather dark number that was also released as a single, that has interesting bluesy guitars and strong percussion. Mickey Thomas takes the mic for the following rousing number - "Wild Eyes", which is actually reminiscent of earlier Airplane. Ok, stay with me now, the next song "Save your Love" is my second favorite J.S/J.A..song of all-time, just behind the incomparable "Someone to Love". Mickey keeps the mic and Slick again performs her magic on the backups. This is a very catchy mid tempo number and listen to Craig Chaquico play the axe, while Thomas and Slick hum in the background, it is amazing.
Title song, "Modern Times", is another Kantner influenced, rollicking song with whole dang band joining in on this fun number. I suppose if there's a dog on Modern Times it would be "Mary" a mediocre take off of their hit song from the last album "Jane". Guitarist, Chaquico delivers another standout performance on the next track "Free", a semi-fast song with screaming guitars backing Thomas's vocals. "Alien" is another interesting song with heavy drum beat and similarities to "Stranger". Hilarity reigns when the album closes out with "Stairway to Cleveland" another stellar J.S. song, where the entire band and probably the recording studio join in, dissing literally everyone, critics, record labels, DJs and so forth, a fitting climax to a very underrated but excellent album.
CONCLUSION
Some old time fans and purists felt that this new more mainstream Jefferson Starship style was a sellout to commercialism but hey, they've always been commercial. They may have been on the fringe of commercialism but even with Jefferson Airplane, their singles sold, their albums sold and their tours sold out. Yes they did AOR but that was a sideline. Most of their songs through the years were the three to four minute variety, so what's the big deal?
Actually there is nothing wrong with top forty music, at least there didn't used to be, as long as it was imaginative thoughtful music. Sure I've always liked AOR, Heavy Metal and Progressive Rock but I've got my share of albums by big top forty artists like Styx, Def Leppard, Fleetwood Mac etc and for my money Modern Times has forty-three plus minutes of some of the best, most accessible music in the Jefferson ....... catalog.
If you haven't figured out yet that I'm recommending this masterpiece let me make it official. HIGHEST RECOMMENDATION!!!
Modern Times - Modern Rock!.......2004-01-03
For some insane reason this is a Japanese only CD that has been wonderfully re-mastered, yet even though it sold well in the USA was never released here on CD. Strange that as it probably was the best Jefferson Starship recording of the 1980s along with "Winds of Change" which followed up this one. Now before you think I'm some rocker dude let me correct you...I also LOVE "Earth" era Jefferson Starship and the 70's ballads that turned people's stomachs. I freely admit Peter Wolf ruined the group circa "Knee Deep In the Hoopla" when Paul Kantner bailed (and rightfully so!). Grace Slick has rightfully sworn off any further reunions and tours and rightfully so. Rest on your wonderfully voiced laurels darling...you've earned it!
Bring back basic '80's Rock!.......2003-06-07
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The Impossible Dream
Bobby Scott , Shay Healy , Frank Wildhorn , Irish Traditional , Stanislao Gastaldon , Stephen Sondheim , Rolf Lovland , Joni Mitchell , Charlie Chaplin , Brian / U2 Kennedy , Sarah McLachlan , and Proinnsias O Duinn Manufacturer: Jive ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000078JM7 Release Date: 2002-11-12 |
Tracks:
- The Impossible Dream (from Man of La Mancha)
- Night and Day
- (My Grandfather's) Immigrant Eyes
- Isle of Hope Isle of Tears
- He Ain't Heavy He's My Brother
- What's Another Year
- When I Look At You
- My Irish Molly '0
- Musica Prohibita
- No One Is Alone
- You Raise Me Up
- Danny Boy
- Both Sides Now
- Smile
- Life, Love & Happiness/I Still Haven't Found What I'm Looking For
- Angel
Amazon.com
The term Irish tenor may be fraught with as many wrong-headed, anachronistic characterizations as any phrase in music. But Ronan Tynan not only returns here to the PBS airwaves that helped spread his fame as a member of the Irish Tenors trio, but he overturns a few clichés while delivering a live concert (recorded at the Royal Dublin Society in June 2002) that encompasses everything from Broadway and pop chestnuts to Italian operatic repertoire. Tynan rewards Irish traditions old and new (a medley of Brian Kennedy's and U2's "Life, Love & Happiness"/"I Still Haven't Found What I'm Looking For") and even makes left turns into folkie songstress territory (Joni Mitchell's "Both Sides Now," Sarah McLachlan's "Angel"). Backed by RTE Orchestra, the unlikely international star invests himself completely in all of it, his strong, crystalline voice playing off the traditions, while forging strong new bonds with the contemporary. --Jerry McCulleyCustomer Reviews:
Simply Wonderful.......2005-08-29
Music like this could make me a convert.......2005-08-17
Powerful!.......2003-01-22
Tenor terrific.......2003-01-18
oh molly oh.......2002-12-15
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Hollywood's Greatest Hits, Vol. 2
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003CYV Release Date: 1993-06-29 |
Tracks:
- 2001: A Space Odyssey: Fanfare
- Ben-Hur: Prelude
- The Ten Commandments: Prelude
- Friendly Persuasion: Thee I Love
- Picnic: Moonglow And Theme
- Around The World In 80 Days: Theme
- Mutiny On The Bounty: Main Title
- Spartacus: Love Theme
- Zorba The Greek: Theme
- The Umbrellas Of Cherbourg: I Will Wait For You
- Valley Of The Dolls: Theme
- Midnight Cowboy: Theme
- The Godfather: Theme
- Modern Times: Smile
- Dances With Wolves: Themes
- Far And Away: Book Of Days
- Grand Canyon: Theme
Customer Reviews:
Eh, It's Okay.......2007-04-24
Better than the First Volume.......2005-08-04
An Interesting and Gratifying Volume 2.......2005-06-17
Sheila from Savannah, Georgia.......2005-01-15
A great album.......2001-01-28
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The Sacred Names
Anjani Thomas Manufacturer: Lilikoi Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005K8SO Release Date: 2001-05-10 |
Tracks:
- Goel Shekinah
- Jehovah
- Kyrie
- Yoshua
- Ari Shemot
- Praise
- Jeshurun
- Blessing
- Adonai Yahweh
- YHVH
Customer Reviews:
ANJANI SACRED NAMES - SO SO.......2007-02-04
Unmoved.......2006-11-06
Putting on the garment of His Presence.......2005-01-30
As such, it mirrors the work of the Psalmist. Anjani plays keyboards and guitar while bass and percussion round of the sound, which is mostly gentle and acoustic. The moving Kyrie Eleison is sung in Greek, whilst Yoshua is a blend of Hebrew and English and the gripping Ari Shemot contains Hebrew, Portuguese and English in a seemless blend of beauty.
The song Praise is an invocation of divine and angelic names like Gabriel, Raphael, Uriel and Michael, a gentle but powerful prayer. Another of my favourites is the comforting and reassuring Yeshurun and the exultant Blessing where her voice really soars on the most beautiful melody on the album. In style, this one in fact reminded me of the early work of folk legend Judy Collins.
The last two tracks are quite mystical and gnostic, YHVH being especially enchanting with awesome comforting and healing emanations. This song would be ideal for devotional activities like meditation and prayer. In this regard, interested listeners might want to investigate Jonathan Goldman's CD Holy Harmony: Healing Code Tuning Forks And Ancient YHSVH Chant.
Those who love Van Morrison in his more spiritual moments, or the classical work Tehillim (Psalms) by Steve Reich, will definitely love this graceful work of devotion. Amongst female artists, this spiritual undertone is also present in the work of vocalists like Emmylou Harris, Jennifer Warnes and Jane Siberry.
The CD case contains a glossary of Hebrew, Greek, Latin and Syriac (Aramaic) terms. The Sacred Names is a real find, and I thank Leonard Cohen who, by using Anjani's voice on his latest album, put me on her trail. Let all that breathe praise the Eternal.
The Sacred Names.......2003-02-10
All her songs are very comforting.
Beautiful.......2001-10-28
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The Ultimate Movie Music Collection
Erich Kunzel Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BFH26Y Release Date: 2005-10-25 |
Tracks:
- The Imperial March: The Empire Strikes Back
- Main Theme: Jurassic Park
- Main Title: Shakespeare In Love
- Themes: Crouching Tiger, Hidden Dragon
- Main Title: The Last Of The Mohicans
- Theme: The Godfather
- Unchained Melody: Ghost
- Theme: Goldfinger
- We're Losing Him: Somewhere In Time
- Space Camp
- Opening And Closing Titles: Henry V
- Theme: The Thorn Birds
- Suite: Moonwalker
- The Time Of Your Life: A Bugs Life
Tracks:
- Batman Theme: Batman
- Bicycle Chase: E.T. The Extra Terrestrial
- Suite: Independance Day
- Love Theme: Romeo & Juliet
- Theme: Back To The Future
- End Credits: Contact
- Theme: Breakfast At Tiffany's
- Main Theme: Star Trek
- May It Be And Themes: Lord Of The Rings: The Fellowship Ring
- Love Theme: Cousins
- Sean's Theme: Minority Report
- I Will Wait From You: The Umbrellas Of Cherbourg
- Theme: Rocky
- The Sand Volcano: The Mummy
- The Raider's March: Raiders Of The Lost Ark
Tracks:
- Theme: Mission Impossible
- Casablanca Suite
- Book Of Days: Far And Away
- Love Theme: Superman
- Tara's Theme: Gone With The Wind
- Don't Mess With: Z
- Main Title: The Mask Of Zorro
- Finale: Victor / Victoria
- Carol Ann's Theme: Poltergeist
- Love Theme: Star Wars: Episode ll: Attack Of The Clones
- Main Theme: Willow
- Main Title: Star Trek ll: The Wrath Of Kahn
- MAin Theme: On Golden Pond
- Theme: A Summer Place
- Theme: Chariots Of Fire
Tracks:
- Iceberg!
- Back To Titanic
- Main Themes: Hook
- Theme: Pink Panther
- Lara's: Doctor Zhivago
- Theme: Love Story
- Right Stuff
- Theme: Jaws
- When You Believe: The Prince Of Egypt
- Smile: Modern Times
- The Apollo 13 Mission
- Re-Entry And Splashdown: Apollo 13
- Main Title: Beetlejuice
- War: Pearl Harbor
- Cavatina: The Deer Hunter
- Throne Room And End Title: Star Wars: Episode lV: A New Hope
Customer Reviews:
Relive you movie experiences.......2006-01-24
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