Gold Sounds

Editorial Reviews

All About Jazz, October 31, 2005
an enthralling record with memorable melodies that leaves you with the desire to return very quickly for another go.

Product Description
Gold Sounds is a Cd containing jazz interpretations of Pavement songs. This music will get under your skin, into your mind and deep into your heart. Repeat listens will reveal the unending creativity of this band. A great CD for jazz and Pavement fans.

Gold Sounds

Gold Sounds,James Carter,Cyrus Chestnut,Ali Jackson,Reginald Veal,Brown Brothers Recordings,Jazz,Pop,Post-Bop,Progressive Jazz,United States of America
Herbert L. Clarke: Original Recordings 1907-21
Average customer rating: 4 out of 5 stars
  • Brilliant playing transcending primitive recording technique
  • The Master of the Cornet
  • Clarke is the cornet master!
  • heartbreaking music from a bygone era
  • Be careful
Herbert L. Clarke: Original Recordings 1907-21

Manufacturer: Crystal Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003J4O
Release Date: 1996-10-01

Tracks:

  1. Bride Of The Waves
  2. The Holy City
  3. Sounds From The Hudson (Valse Brilliante)
  4. Killarney
  5. Caprice Brilliante (The Debutante)
  6. Perhaps Love's Dream Will Last Forever
  7. Carnival Of Venice
  8. Ah Cupid
  9. Bride Of The Waves
  10. Once Upon A Time
  11. Rondo Caprice (From The Shores Of The Mighty Pacific)
  12. Aloha Oe (Farewell) (Hawaiian Love Song)
  13. Russian Fantasie
  14. The Palms
  15. La Veta Caprice (Lillian)
  16. Berceuse From Jocelyn
  17. Sounds From The Hudson (Valse Brilliante)
  18. Twilight Dreams Waltz-Intermezzo
  19. Southern Cross
  20. Love's Old Sweet Song
  21. Showers Of Gold Scherzo
  22. Macushla
  23. Caprice Brilliante (The Debutante)
  24. Killarney
  25. Carnival Of Venice
  26. Stars In A Velvety Sky

Amazon.com

These 26 selections, recorded from 1904 to 1922, document the work of an important American player and band composer. Despite the trivial nature of most of the music, one can't help listening to Herbert Clarke's playing with respect and growing affection. He was a most elegant player, with a beautiful tone that comes across even in the earliest of these recordings. The showiest pieces, which can be quite dazzling, are still performed with taste and musicianship. This disc is an important sound document, and the transfers from even the earliest of the recordings are surprisingly listenable. Highly recommended to all brass and nostalgia lovers. --Leslie Gerber

Customer Reviews:

5 out of 5 stars Brilliant playing transcending primitive recording technique.......2001-01-11

Hearing this CD -- despite the distracting surface noise from the primative acoustic recordings from which this CD was remastered -- I appreciate for the first time the greatness of Clarke as a cornet soloist. If he is not the greatest to date, he is surely one of the giants upon whose shoulders modern virtuosi of the trumpet (which has pretty much replaced the cornet) stand.

Clarke's sheer artistry in both composition and performance still dazzle and his interpretive ability brings to life some of the 'tear jerkers' of the golden age of popular brass music in a way no modern performance comes close to.

Although on first hearing one could be very much distracted by the primitive recordings, the brass player soon focuses on Clarke's playing so completely that the the surface noise disappears.

Every trumpet player and cornetist, more, every brass player and lover of band music, should own a copy.

5 out of 5 stars The Master of the Cornet.......2001-01-04

God bless Crystal Records for taking the time to re-issue these extremely rare and valuable recordings from an unfortunately neglected giant in American musical history. Most people today don't realise how famous and influential Mr. Clarke and his peers (Sousa, Pryor et. al.)were on the American musical scene at the beginning of the Twentieth century. It is very important that these recordings (and others from this period, the birth of sound recording) be preserved for future generations.

As for those who could not stand the "hiss" on these recordings, how spoiled can you be? You simply miss the point of all this. We all know that these records were made during the infancy of the recording industry, and that they didn't have the technology we now have. I find it thrilling to listen to them just as they are. Recorded sound is the closest we have to time travel, and I find it fascinating to listen to these recordings as though I was there when they were first made. And most of all, through the marvel of recorded sound (Mr. Sousa notwithstanding) I can listen today to the greatest cornetist who ever lived, even though he passed away over 50 years ago.

Hopefully Crystal Records will someday put out an anthology of original Sousa and Pryor Band recordings.

5 out of 5 stars Clarke is the cornet master!.......2000-08-03

Herbert Clarke is the finest cornetist the planet has ever seen. The technical brilliance on Carnival is just breathtaking. The sound quality of the recording is little hinderance on the true genius behind this man's playing. Don't let the hiss bother you!!!

5 out of 5 stars heartbreaking music from a bygone era.......2000-03-22

These vintage recordings would have been otherwise lost to us--and a great loss at that. Clarke plays so beautifully, esp. those pieces that he wrote. It's notall oom-paa-paa, but music that is deeply affecting and stirring.This is the effect that Wynton Marsalis was going for in his "Carneval." While Marsalis's album is a wonderful tribute, this is the original. A must-have for any serious trumpet player.

1 out of 5 stars Be careful.......1999-09-14

Watch out if you want to buy this cd! It's a good cd with Herbert Clarke playing some of his own pieces the way they should be played...but the recording is TERRIBLE! Naturally, it's a 1904 recording! But the hiss for the first half of the cd is almost painful. It's NOT something you can just ignore, so don't be caught unawares.
Gold Sounds
Average customer rating: 5 out of 5 stars
  • GENIUS! Too Cool for School!
  • Tremendous CD - and even better live
  • A concept album that really works
  • Surprisingly effective concept album
  • Believe the hype
Gold Sounds
James Carter , Cyrus Chestnut , Ali Jackson , and Reginald Veal
Manufacturer: Brown Brothers Recordings
ProductGroup: Music
Binding: Audio CD

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ASIN: B000AMYJK0
Release Date: 2005-09-27

Tracks:

  1. Stereo
  2. My First Mine
  3. Cut Your Hair
  4. Summer Babe
  5. Blue Hawaiian
  6. Here
  7. Platform Blues
  8. Trigger Cut/Wounded Kite At :17

Album Description

Gold Sounds is a Cd containing jazz interpretations of Pavement songs. This music will get under your skin, into your mind and deep into your heart. Repeat listens will reveal the unending creativity of this band. A great CD for jazz and Pavement fans.

Customer Reviews:

5 out of 5 stars GENIUS! Too Cool for School!.......2005-12-10

Finally someone comes up with an interesting concept album that WORKS! and is not a cheesy collaberation that some old famous person would try to sell me at 3am when i cant sleep. I saw them live at the Iridium in New York City this weekend and the CD captures the magic. I have loved pavement since my teens and i slipped into my jazz pajamas in my 30s. Was this album made for me??? get it and be the coolest in your class.

5 out of 5 stars Tremendous CD - and even better live.......2005-12-05

I'm afraid that I don't have the musical acumen that would allow me to adequately review this album complete with sophisticated musicalese terms as others have already done. I'll give you my quick, fresh assessment, while the memory of seeing the band play live last night at the Iridium in New York City is still happily bouncing around in my mind.

My wife and I have been big fans of Cyrus Chestnutt for some time, so when we learned that a business trip would bring us to NYC this weekend, we got tickets to see "Gold Sounds" live at the Iridium. We also bought the CD beforehand, and compared the "Gold Sounds" versions with the Pavement originals.

To make a long story short, "Gold Sounds" is wonderful, and seeing the band live helps to understand why.

I hadn't seen James Carter before, but the dude is the coolest sax-man I've perhaps ever seen. He can play any instrument, and make notes come out of whatever he's playing like nothing you've ever heard. Plus, he is as cool as dry ice in a deep freeze - if he doesn't become a superstar of jazz, I'll be shocked.

Based on the CDs we own, I was worried that Cyrus wasn't going to rock out - my mistake. He deftly worked "Smoke On The Water" riffs into his solo "Trigger Cut", which was fantastic, and he really helped drive the forcefulness of the live show (as he does on the CD).

Reginald Veal was a revelation on bass. Live, he played electric much of the time, and he carried many of the tunes, and sung nicely (as he does on the CD) during "Cut Your Hair".

Drummer Ali Jackson was also great - everyone else in the band is so good that you might be tempted to overlook him, but you shouldn't. Listen to the CD - his percussion is unconventional in spots, but as you'll see (hear?) it's just what every track needed.

Hearing the CD after seeing the band live is amazing - the CD makes even more sense now, but even if you don't get to see this band do these tunes live, you will love the CD.

I've seen a ton of jazz concerts during the past decade, but last night's show was perhaps the best one I've ever seen. It's so rare to capture four talented jazz musicians all contributing equally with such success - buy this CD! You won't be disappointed. And, if you can, see this live! It kills.

5 out of 5 stars A concept album that really works.......2005-11-22

No band name. Gold Sounds is album title. All four musicians are outstanding. Effective use of a rock source [Pavement] to produce really great jazz. I will be playing this cd many times. A keeper.

4 out of 5 stars Surprisingly effective concept album.......2005-11-15

Concept albums are tricky business, especially in the jazz world. When producers deliver a hand picked group of world class jazz improvisers material outside of their typical sphere of inspiration to re-arrange and improvise, it does not necessarily make for a solid album. While one would not be surprised to find multi-instrumentalist James Carter, keyboardist Cyrus Chestnut, bassist Reginald Veal and newcomer, drummer Ali Jackson playing together, it is surprising to hear them tackling covers of Pavement tunes.

One of indie rock's most beloved of groups, Pavement was often imitated, but rarely equaled. With strong, often quirky melodies and unconventional song structures, Pavement's tunes are actually ripe vehicles for improvisation. That fact alone does not guarantee success. While "Gold Sounds" is an interesting experiment, it falls short of perfection, but surprisingly, not by much.

It is hard to imagine any of these musicians having listened to Pavement in their prime, and therefore having a vested interest in the faithfulness of their interpretations. But that willingness to re-arrange and invert these already heady structures is what makes the album a success. By not falling victim to fanboy like respect, these four expand already strong pieces into vehicles for improvisation that are by turns more complex and listenable than the average pop tune.

While James Carter has tendency to showboat on occasion, with a truckload of pyrotechnic techniques at his disposal, here his indulgences pay off. By peppering his phrases with slippery, shrill soprano twists and sputtered, multiphonic tenor blasts, Carter enriches what could otherwise become a lifeless exercise in transposing vocals to instrumental melody lines. Cyrus Chestnut alternates between piano, Fender Rhodes and Hammond B-3, sometimes playing more than one at a time. Former Wynton Marsalis bassist Reginald Veal alternates between his typical acoustic upright to play electric half the time, while previously unheard, but inventive percussionist Ali Jackson holds down the time with a stalwart groove.

Some of the tunes benefit considerably by their arrangements, others, less so. After the opening blast of "Stereo," the transition to the lyrical line is a bit awkward, but the quartet quickly finds its footing and delivers a solid improvisation based on a familiar theme. "Cut Your Hair," originally an upbeat, anthemic, shout along concert favorite, here is taken at a slower pace, with a Gospel flavor, complete with Hammond B-3 organ washes. Featuring wordless harmonic singing, the only vocals on the album, the cut has an air of the surreal to it. Concluding with a double timed climax of fervent proportions, the entire piece feels like some long lost 1970s Musical Theater production number rescued from the cutting room floor. "Summer Babe" delivers the right optimistic mood, complete with deliciously tormented tenor solo. "My First Mine" an early B-Side with a bouncy Fall-like riff hardly sounds like the original at all. Re-imagined as Dixieland, so distant from its source as to be a new composition altogether, it is enriched with strong rhythmic interplay, making the piece as singular as any on the album.

Numerous Pavement tunes embody a quirky sensibility more akin to jazz harmony and melody than typical pop song structure, and these cuts are the strongest on the album. "Blue Hawaiian," with its odd meter and phrasing, works perfectly with the quartet's winding improvisation. Featuring shimmery Fender Rhodes lines and Carter's velvety to eviscerating tenor, the piece expands like an early fusion experiment, all space and dark ambience. "Platform Blues", from Pavement's final album, originally an Allman Brothers like jam, lends itself perfectly to the group's bluesy vamping. Carter tears it up on tenor while Jackson drops press rolls left and right around him with the rest of the group flailing in spurts. Indicative of the best of both worlds, "Platform Blues" retains both the structure of the original piece while inverting the form enough to make it valid as a jazz vehicle.

Ones appreciation of this material is going to be dependent on their relationship with both Pavement and the assembled musicians. Conservative fans of either stripe will likely cry foul (unless of course, someone tells them to like it). This is unfortunate, as the quartet has done a stellar job at re-contextualizing familiar songs that have become the classic rock of an entire generation.

5 out of 5 stars Believe the hype.......2005-10-30

This is one of the purest musical albums of the year. The playing is superb, as you'd expect with this lineup, the song selection is top notch, as you'd expect from Pavement, but there is something more too. Stereo starts things off with a funky head followed by a melodic sax on the verse. From there the band goes abstract, but always stays in contact with the melody before a rousing finish.

My First Mine is a spirited be-bop workout which changes tempo and converts to a samba beat, with Carter blowing like a wild man near the end.

Cut Your Hair starts out as a bluesy slow-down of one of Malkmus' most indelible melodies, but speeds up for a jokey, but still heartfelt and soulful vocal finish.

Summer Babe keeps the fun going with Veal's innovative bass-work while Carter hammers the melody home with brio.

Blue Hawaiian is where you know the album will be more than just a light-hearted-though-well-played romp. Although I have heard Cyrus Chestnut before and always knew he was a great piano player, I never knew he could add these kinds of shadings and dimensions on electric keyboard. Carter follows his lead and keeps this one introspective and layered.

Next up is Here, which is either the most heartbreakingly beautiful jazz ballad in some time or the tune where Carter achieves on soprano what he has been doing for years on baritone. Play this one late at night, with the lights dimmed, and try not to get choked up.

Platform Blues is the key track to the whole album. The band is never more cohesive than on this one, which is the most rock-and-roll feeling track on the record even though its textures are straight jazz. Carter's deep horn at the end fades into a series of whale sounds unlike anything I have ever heard. Deep, rich stuff.

Finally, Chestnut's solo piano Trigger Cut ends the record with poignancy and humor, perfectly putting a cap on the record. I have not enjoyed another record more this year and I keep playing it over and over.
The Sounds of Sonny
Average customer rating: Not rated
    The Sounds of Sonny
    Sonny Rollins
    Manufacturer: Dcc Compact Classics
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    ASIN: B00000018A
    Release Date: 1996-07-30

    Tracks:

    1. The Last Time I Saw Paris
    2. Just In TIme
    3. Toot, Toot, Tootsie
    4. What Is There To Say
    5. Dearly Beloved
    6. Ev'ry Time We Say Goodbye
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    Meet the Searchers/Sounds Like the Searchers
    Average customer rating: 5 out of 5 stars
    • A great find for Searcher fans.
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    ASIN: B000000IVQ
    Release Date: 1997-03-11

    Tracks:

    1. Sweets For My Sweet
    2. Alright
    3. Love Potion #9
    4. Farmer John
    5. Stand By Me
    6. Money
    7. Da Doo Ron Ron
    8. Ain't Gonna Kiss Ya
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    10. Tricky Dicky
    11. Where Have All The Flowers Gone
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    17. Bumble Bee
    18. Something You Got Baby
    19. Let The Good Times Roll
    20. A Tear Fell
    21. Till You Say You'll Be Mine
    22. You Wanna Make Her Happy
    23. Everything You Do
    24. Goodnight Baby

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    5 out of 5 stars A great find for Searcher fans........2002-04-26

    A big group in the 60's coming in on the British Invasion, they quickly establish a style of smooth haunting ballads with a double track sound that was unlike any of the other British groups.

    This CD is a two of their best albums. The quality is good from the original recordings and anyone that was a Searchers fan would love this in their collection. From Love Potion #9, Magic Potion, Needles and Pins to the haunting What Have They Done to the Rain and A Tear Fell, this album is absolutely super!!
    Pet Sounds
    Average customer rating: 4.5 out of 5 stars
    • Steve Hoffman Mastering
    • Poot Sounds
    • Pet Sounds
    • The Magnum Opus of Beach Boy material
    • Words cannot express how good this album is
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    The Beach Boys
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    Release Date: 1993-04-09

    Tracks:

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    2. You Still Believe In Me
    3. That's Not Me
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    Amazon.com essential recording

    Only a small commercial success upon its original release in 1966, Brian Wilson's "teenage symphony to God" has grown in stature over the years, even spawning an exhaustive box set chronicling the sessions. To hear it is to understand why; Wilson and his contingent of fellow Beach Boys, guest lyricists, and session musicians expanded upon the lushness of LPs like The Beach Boys Today and Summer Days (and Summer Nights!!) to create a song cycle celebrating--and tracking the downhill course of--a young man's romance. There are few lonelier sounds in pop than the last notes of the final song, "Caroline, No," fading into the sound of a distant train, Wilson's dog barking as it passes. --Rickey Wright

    Customer Reviews:

    5 out of 5 stars Steve Hoffman Mastering.......2007-06-23

    One of the key selling points of this edition is the fact that it was mastered by audiophile Steve Hoffman. And it's not mentioned anywhere. If you want to know just how good a 60's recording can sound, get this. There is no compression or clipping from the loudness race here. In fact, Hoffman said that the final dump for cd was virtually identical to what was on the Master tapes. Truly an outstanding job by an outstanding masterer.

    2 out of 5 stars Poot Sounds.......2007-02-23

    One of THE most overrated albums of all times.

    Brian Wilson's whining and complaining about his teenaged angst (while he was in his 20's) has always been annoying. The orchestrations are repetitively lugubrious, and songs like "Sloop John B" are so out of place on this exercise in depressive rock.

    If REVOLVER was really a response to PET SOUNDS, well, at least some good came of it.

    5 out of 5 stars Pet Sounds.......2003-01-27

    Paul McCartney said that The Beach Boys album, Pet Sounds, is the greatest pop album ever written. It was his inspiration for Sgt. Pepper. Enough said......

    5 out of 5 stars The Magnum Opus of Beach Boy material.......2002-04-15

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    Classical Gold: Pachelbel With Ocean Sounds
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    • Classical Gold: Pachelbel With Ocean Sounds
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    • Limited Edition Exclusive Collection
    Sounds of Yo-Yo Ma

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    6. Cello Sonata in D Minor, Op. 40: Allegro - Emanuel Ax, Yo-Yo Ma
    7. Appalachia Waltz - Yo-Yo Ma
    8. 1B - Yo-Yo Ma, Edgar Meyer, Mark O'Connor
    9. Havanaise, Op. 83 - Yo-Yo Ma, Kathryn Stott
    10. Chi Passa Per'sta Strada - Yo-Yo Ma,
    11. Cello Concerto in B Minor, Op. 104: III. Finale. Allegro Moderato - Yo-Yo Ma, Prof. Kurt Masur, New York Philharmonic
    12. Simple Gifts - Alison Krauss, Yo-Yo Ma

    Product Description

    Tracks: 1. Prelude from Suite No. 1 for Unaccompanied Cello in G Major 2. Ecstacy of Gold 3. Allegro for Concerto in G Minor for 2 Cellos, Strings, and Basso continuo 4. Libertango 5. The Eternal Vow 6. Allegro for Cello Sonata in D Minor 7. Appalachia Waltz 8. 1B 9. Havanaise 10. Chi passa per'sta strada 11. Finale. Allegro moderato from Cello Concerto in B Minor 12. Simple Gifts

    Customer Reviews:

    5 out of 5 stars Limited Edition Exclusive Collection.......2007-07-14

    12 of his greatest performances brought together as a one disc collection that was exclusive to a chain.
    Sounds of the Seventies: '70s Gold
    Average customer rating: Not rated
      Sounds of the Seventies: '70s Gold
      Various Artists
      Manufacturer: Time Life Music
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Pop | Styles | Music
      Soft RockSoft Rock | Pop | Styles | Music
      Pop RockPop Rock | Pop | Styles | Music
      Blues RockBlues Rock | Rock | Styles | Music
      GeneralGeneral | Rock | Styles | Music
      Progressive RockProgressive Rock | Progressive | Rock | Styles | Music
      GeneralGeneral | Compilations | Rock | Styles | Music
      GeneralGeneral | Hard Rock & Metal | Styles | Music
      Hard RockHard Rock | Hard Rock & Metal | Styles | Music
      Southern RockSouthern Rock | Classic Rock | Styles | Music
      Album-Oriented Rock (AOR)Album-Oriented Rock (AOR) | Classic Rock | Styles | Music
      Arena RockArena Rock | Classic Rock | Styles | Music
      Similar Items:
      1. Sounds of the Seventies: Super 70's
      2. Sounds of the Seventies: Classic 70's

      ASIN: B000009SG1
      Release Date: 1998-11-24

      Tracks:

      1. Ramblin' Man - The Allman Brothers Band
      2. Takin' Care Of Business - Bachman-Turner Overdrive
      3. Stuck In The Middle With You - Stealers Wheel
      4. Hello It's Me - Todd Rundgren
      5. Fooled Around And Fell In Love - Elvin Bishop
      6. Midnight Rider - Gregg Allman
      7. I'm Not In Love - 10cc
      8. I'm In You - Peter Frampton
      9. Bad Girls - Donna Summer
      10. What's Going On - Marvin Gaye
      11. Maggie May - Rod Stewart
      12. Nights In White Satin - The Moody Blues
      AM Gold: Late '60s Classics
      Average customer rating: Not rated
        AM Gold: Late '60s Classics
        The Rascals , The Foundations , Tom Jones , Bee Gees , The Turtles , Kenny Rogers , Three Dog Night , Sweat & Tears Blood , The Association , and Marvin Gaye
        Manufacturer: Time-Life
        ProductGroup: Music
        Binding: Audio CD

        Soft RockSoft Rock | Pop | Styles | Music
        ASIN: B000N5F1G0

        Product Description

        TRACK LISTING: [1]. People Got to Be Free - The Rascals 3:01 [2]. Build Me Up Buttercup - The Foundations 2:58 [3]. Ain't No Mountain High Enough - Marvin Gaye, Tammi Terrell 2:28 [4]. C'mon Marianne - The Four Seasons 2:34 [5]. Silence Is Golden The Tremeloes 3:08 [6]. Everything That Touches You - The Association 3:19 [7]. The Unicorn - Irish Rovers 3:22 [8]. Sweet Cherry Wine - Tommy James 4:21 [9]. Delilah - Tom Jones 3:23 [10]. To Sir with Love - Lulu 2:46 [11]. Holiday - Bee Gees 2:55 [12]. The Good, The Bad and The Ugly - Hugo Montenegro 2:44 [13]. Woman, Woman - Gary Puckett 3:12 [14]. You've Made Me So Very Happy - Blood, Sweat & Tears 4:19 [15]. Ruby, Don't Take Your Love To Town - Kenny Rogers 2:56 [16]. I Got Rhythm The Happenings 2:59 [17]. She'd Rather Be with Me - The Turtles 2:20 [18]. Ding Dong! The Witch Is Dead - Fifth Estate 2:05 [19]. Indian Lake The Cowsills 2:42 [20]. Little Green Apples - O.C. Smith 3:56 [21]. Jean - Oliver 3:19 [22]. One - Three Dog Night 3:00
        Beak Sounds
        Average customer rating: 4 out of 5 stars
        • 'Best Of' Toucans on steel pan
        Beak Sounds
        Toucans Steel Drum Band
        Manufacturer: TropiCo Records
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | International | Styles | Music
        International FolkInternational Folk | International | Indie Music | Stores | Music
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        1. ...By Request

        ASIN: B00019DOL2
        Release Date: 2004-01-01

        Tracks:

        1. Maria
        2. Kokomo
        3. Poinciana
        4. Put Out De Fire
        5. Waiting In Vain
        6. Isle Of Capri
        7. Jean & Dinah
        8. I Can See Clearly Now
        9. My Shawl
        10. I Will
        11. The Bare Necessities
        12. Can't Take My Eyes Off Of You
        13. One Love

        Album Description

        The Toucans fly out of the recording studio with a beakload of fantastic tunes just for you! Get ready for an endless Toucan summer with great tunes like "Kokomo", "I Can See Clearly Now", "The Bare Necessities", and lots more!

        Beak Sounds is the eighth album from the Toucans Steel Drum Band, and features only the best tunes from the last two years of Toucanery. Recorded with state-of-the-art studio techniques and fantastic engineers, this album is sure to please any steel drum fan!

        Customer Reviews:

        4 out of 5 stars 'Best Of' Toucans on steel pan.......2004-11-18

        A collection of the best of the group's previously unrecorded gems, from the powerful 'Maria' to the standard 'Kokomo', which comes across as a jazzy, fun classic here.

        Pop Music:

        1. Head Hunters [Original recording remastered]
        2. Heavy Weather [Original recording remastered]
        3. I Have the Room Above Her
        4. Incredible Jazz Guitar
        5. Joyous Encounter
        6. Looking Up
        7. Midnight Blue [Original recording remastered]
        8. Mingus Ah Um [Original recording remastered]
        9. Moanin' [Original recording remastered]
        10. Modern Times

        Pop Music

        Pop Music