an enthralling record with memorable melodies that leaves you with the desire to return very quickly for another go.
Product Description
Gold Sounds is a Cd containing jazz interpretations of Pavement songs. This music will get under your skin, into your mind and deep into your heart. Repeat listens will reveal the unending creativity of this band. A great CD for jazz and Pavement fans.
Gold Sounds
Gold Sounds,James Carter,Cyrus Chestnut,Ali Jackson,Reginald Veal,Brown Brothers Recordings,Jazz,Pop,Post-Bop,Progressive Jazz,United States of America
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Herbert L. Clarke: Original Recordings 1907-21
Manufacturer: Crystal Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003J4O Release Date: 1996-10-01 |
Tracks:
- Bride Of The Waves
- The Holy City
- Sounds From The Hudson (Valse Brilliante)
- Killarney
- Caprice Brilliante (The Debutante)
- Perhaps Love's Dream Will Last Forever
- Carnival Of Venice
- Ah Cupid
- Bride Of The Waves
- Once Upon A Time
- Rondo Caprice (From The Shores Of The Mighty Pacific)
- Aloha Oe (Farewell) (Hawaiian Love Song)
- Russian Fantasie
- The Palms
- La Veta Caprice (Lillian)
- Berceuse From Jocelyn
- Sounds From The Hudson (Valse Brilliante)
- Twilight Dreams Waltz-Intermezzo
- Southern Cross
- Love's Old Sweet Song
- Showers Of Gold Scherzo
- Macushla
- Caprice Brilliante (The Debutante)
- Killarney
- Carnival Of Venice
- Stars In A Velvety Sky
Amazon.com
These 26 selections, recorded from 1904 to 1922, document the work of an important American player and band composer. Despite the trivial nature of most of the music, one can't help listening to Herbert Clarke's playing with respect and growing affection. He was a most elegant player, with a beautiful tone that comes across even in the earliest of these recordings. The showiest pieces, which can be quite dazzling, are still performed with taste and musicianship. This disc is an important sound document, and the transfers from even the earliest of the recordings are surprisingly listenable. Highly recommended to all brass and nostalgia lovers. --Leslie GerberCustomer Reviews:
Brilliant playing transcending primitive recording technique.......2001-01-11
Clarke's sheer artistry in both composition and performance still dazzle and his interpretive ability brings to life some of the 'tear jerkers' of the golden age of popular brass music in a way no modern performance comes close to.
Although on first hearing one could be very much distracted by the primitive recordings, the brass player soon focuses on Clarke's playing so completely that the the surface noise disappears.
Every trumpet player and cornetist, more, every brass player and lover of band music, should own a copy.
The Master of the Cornet.......2001-01-04
As for those who could not stand the "hiss" on these recordings, how spoiled can you be? You simply miss the point of all this. We all know that these records were made during the infancy of the recording industry, and that they didn't have the technology we now have. I find it thrilling to listen to them just as they are. Recorded sound is the closest we have to time travel, and I find it fascinating to listen to these recordings as though I was there when they were first made. And most of all, through the marvel of recorded sound (Mr. Sousa notwithstanding) I can listen today to the greatest cornetist who ever lived, even though he passed away over 50 years ago.
Hopefully Crystal Records will someday put out an anthology of original Sousa and Pryor Band recordings.
Clarke is the cornet master!.......2000-08-03
heartbreaking music from a bygone era.......2000-03-22
Be careful.......1999-09-14
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Gold Sounds
James Carter , Cyrus Chestnut , Ali Jackson , and Reginald Veal Manufacturer: Brown Brothers Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AMYJK0 Release Date: 2005-09-27 |
Tracks:
- Stereo
- My First Mine
- Cut Your Hair
- Summer Babe
- Blue Hawaiian
- Here
- Platform Blues
- Trigger Cut/Wounded Kite At :17
Album Description
Gold Sounds is a Cd containing jazz interpretations of Pavement songs. This music will get under your skin, into your mind and deep into your heart. Repeat listens will reveal the unending creativity of this band. A great CD for jazz and Pavement fans.Customer Reviews:
GENIUS! Too Cool for School!.......2005-12-10
Tremendous CD - and even better live.......2005-12-05
My wife and I have been big fans of Cyrus Chestnutt for some time, so when we learned that a business trip would bring us to NYC this weekend, we got tickets to see "Gold Sounds" live at the Iridium. We also bought the CD beforehand, and compared the "Gold Sounds" versions with the Pavement originals.
To make a long story short, "Gold Sounds" is wonderful, and seeing the band live helps to understand why.
I hadn't seen James Carter before, but the dude is the coolest sax-man I've perhaps ever seen. He can play any instrument, and make notes come out of whatever he's playing like nothing you've ever heard. Plus, he is as cool as dry ice in a deep freeze - if he doesn't become a superstar of jazz, I'll be shocked.
Based on the CDs we own, I was worried that Cyrus wasn't going to rock out - my mistake. He deftly worked "Smoke On The Water" riffs into his solo "Trigger Cut", which was fantastic, and he really helped drive the forcefulness of the live show (as he does on the CD).
Reginald Veal was a revelation on bass. Live, he played electric much of the time, and he carried many of the tunes, and sung nicely (as he does on the CD) during "Cut Your Hair".
Drummer Ali Jackson was also great - everyone else in the band is so good that you might be tempted to overlook him, but you shouldn't. Listen to the CD - his percussion is unconventional in spots, but as you'll see (hear?) it's just what every track needed.
Hearing the CD after seeing the band live is amazing - the CD makes even more sense now, but even if you don't get to see this band do these tunes live, you will love the CD.
I've seen a ton of jazz concerts during the past decade, but last night's show was perhaps the best one I've ever seen. It's so rare to capture four talented jazz musicians all contributing equally with such success - buy this CD! You won't be disappointed. And, if you can, see this live! It kills.
A concept album that really works.......2005-11-22
Surprisingly effective concept album.......2005-11-15
One of indie rock's most beloved of groups, Pavement was often imitated, but rarely equaled. With strong, often quirky melodies and unconventional song structures, Pavement's tunes are actually ripe vehicles for improvisation. That fact alone does not guarantee success. While "Gold Sounds" is an interesting experiment, it falls short of perfection, but surprisingly, not by much.
It is hard to imagine any of these musicians having listened to Pavement in their prime, and therefore having a vested interest in the faithfulness of their interpretations. But that willingness to re-arrange and invert these already heady structures is what makes the album a success. By not falling victim to fanboy like respect, these four expand already strong pieces into vehicles for improvisation that are by turns more complex and listenable than the average pop tune.
While James Carter has tendency to showboat on occasion, with a truckload of pyrotechnic techniques at his disposal, here his indulgences pay off. By peppering his phrases with slippery, shrill soprano twists and sputtered, multiphonic tenor blasts, Carter enriches what could otherwise become a lifeless exercise in transposing vocals to instrumental melody lines. Cyrus Chestnut alternates between piano, Fender Rhodes and Hammond B-3, sometimes playing more than one at a time. Former Wynton Marsalis bassist Reginald Veal alternates between his typical acoustic upright to play electric half the time, while previously unheard, but inventive percussionist Ali Jackson holds down the time with a stalwart groove.
Some of the tunes benefit considerably by their arrangements, others, less so. After the opening blast of "Stereo," the transition to the lyrical line is a bit awkward, but the quartet quickly finds its footing and delivers a solid improvisation based on a familiar theme. "Cut Your Hair," originally an upbeat, anthemic, shout along concert favorite, here is taken at a slower pace, with a Gospel flavor, complete with Hammond B-3 organ washes. Featuring wordless harmonic singing, the only vocals on the album, the cut has an air of the surreal to it. Concluding with a double timed climax of fervent proportions, the entire piece feels like some long lost 1970s Musical Theater production number rescued from the cutting room floor. "Summer Babe" delivers the right optimistic mood, complete with deliciously tormented tenor solo. "My First Mine" an early B-Side with a bouncy Fall-like riff hardly sounds like the original at all. Re-imagined as Dixieland, so distant from its source as to be a new composition altogether, it is enriched with strong rhythmic interplay, making the piece as singular as any on the album.
Numerous Pavement tunes embody a quirky sensibility more akin to jazz harmony and melody than typical pop song structure, and these cuts are the strongest on the album. "Blue Hawaiian," with its odd meter and phrasing, works perfectly with the quartet's winding improvisation. Featuring shimmery Fender Rhodes lines and Carter's velvety to eviscerating tenor, the piece expands like an early fusion experiment, all space and dark ambience. "Platform Blues", from Pavement's final album, originally an Allman Brothers like jam, lends itself perfectly to the group's bluesy vamping. Carter tears it up on tenor while Jackson drops press rolls left and right around him with the rest of the group flailing in spurts. Indicative of the best of both worlds, "Platform Blues" retains both the structure of the original piece while inverting the form enough to make it valid as a jazz vehicle.
Ones appreciation of this material is going to be dependent on their relationship with both Pavement and the assembled musicians. Conservative fans of either stripe will likely cry foul (unless of course, someone tells them to like it). This is unfortunate, as the quartet has done a stellar job at re-contextualizing familiar songs that have become the classic rock of an entire generation.
Believe the hype.......2005-10-30
My First Mine is a spirited be-bop workout which changes tempo and converts to a samba beat, with Carter blowing like a wild man near the end.
Cut Your Hair starts out as a bluesy slow-down of one of Malkmus' most indelible melodies, but speeds up for a jokey, but still heartfelt and soulful vocal finish.
Summer Babe keeps the fun going with Veal's innovative bass-work while Carter hammers the melody home with brio.
Blue Hawaiian is where you know the album will be more than just a light-hearted-though-well-played romp. Although I have heard Cyrus Chestnut before and always knew he was a great piano player, I never knew he could add these kinds of shadings and dimensions on electric keyboard. Carter follows his lead and keeps this one introspective and layered.
Next up is Here, which is either the most heartbreakingly beautiful jazz ballad in some time or the tune where Carter achieves on soprano what he has been doing for years on baritone. Play this one late at night, with the lights dimmed, and try not to get choked up.
Platform Blues is the key track to the whole album. The band is never more cohesive than on this one, which is the most rock-and-roll feeling track on the record even though its textures are straight jazz. Carter's deep horn at the end fades into a series of whale sounds unlike anything I have ever heard. Deep, rich stuff.
Finally, Chestnut's solo piano Trigger Cut ends the record with poignancy and humor, perfectly putting a cap on the record. I have not enjoyed another record more this year and I keep playing it over and over.
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The Sounds of Sonny
Sonny Rollins Manufacturer: Dcc Compact Classics ProductGroup: Music Binding: Audio CD ASIN: B00000018A Release Date: 1996-07-30 |
Tracks:
- The Last Time I Saw Paris
- Just In TIme
- Toot, Toot, Tootsie
- What Is There To Say
- Dearly Beloved
- Ev'ry Time We Say Goodbye
- Cutie
- It Could Happen To You
- Mangos
- Funky Hotel Blues
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Meet the Searchers/Sounds Like the Searchers
The Searchers Manufacturer: Mobile Fidelity ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000IVQ Release Date: 1997-03-11 |
Tracks:
- Sweets For My Sweet
- Alright
- Love Potion #9
- Farmer John
- Stand By Me
- Money
- Da Doo Ron Ron
- Ain't Gonna Kiss Ya
- Since You Broke My Heart
- Tricky Dicky
- Where Have All The Flowers Gone
- Twist And Shout
- Everybody Come And Clap Your Hands
- If I Could Find Someone
- Magic Potion
- I Don't Want To Go On Without You
- Bumble Bee
- Something You Got Baby
- Let The Good Times Roll
- A Tear Fell
- Till You Say You'll Be Mine
- You Wanna Make Her Happy
- Everything You Do
- Goodnight Baby
Customer Reviews:
A great find for Searcher fans........2002-04-26
This CD is a two of their best albums. The quality is good from the original recordings and anyone that was a Searchers fan would love this in their collection. From Love Potion #9, Magic Potion, Needles and Pins to the haunting What Have They Done to the Rain and A Tear Fell, this album is absolutely super!!
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Pet Sounds
The Beach Boys Manufacturer: Dcc Compact Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000016W Release Date: 1993-04-09 |
Tracks:
- Wouldn't It Be Nice
- You Still Believe In Me
- That's Not Me
- Don't Talk (Put Your Head On My Shoulder)
- I'm Waiting For The Day
- Let's Go Away For Awhile
- Sloop John B
- God Only Knows
- I Know There's An Answer
- Here Today
- I Just Wasn't Made For These Times
- Pet Sounds
- Caroline, No
- Conclusion
- Hang On To Your Ego (Earlier Version 'I Know There's An Answer')
Amazon.com essential recording
Only a small commercial success upon its original release in 1966, Brian Wilson's "teenage symphony to God" has grown in stature over the years, even spawning an exhaustive box set chronicling the sessions. To hear it is to understand why; Wilson and his contingent of fellow Beach Boys, guest lyricists, and session musicians expanded upon the lushness of LPs like The Beach Boys Today and Summer Days (and Summer Nights!!) to create a song cycle celebrating--and tracking the downhill course of--a young man's romance. There are few lonelier sounds in pop than the last notes of the final song, "Caroline, No," fading into the sound of a distant train, Wilson's dog barking as it passes. --Rickey WrightCustomer Reviews:
Steve Hoffman Mastering.......2007-06-23
Poot Sounds.......2007-02-23
Brian Wilson's whining and complaining about his teenaged angst (while he was in his 20's) has always been annoying. The orchestrations are repetitively lugubrious, and songs like "Sloop John B" are so out of place on this exercise in depressive rock.
If REVOLVER was really a response to PET SOUNDS, well, at least some good came of it.
Pet Sounds.......2003-01-27
The Magnum Opus of Beach Boy material.......2002-04-15
Words cannot express how good this album is.......2001-10-17
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Classical Gold: Pachelbel With Ocean Sounds
Manufacturer: Direct Source Label ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007YXQ4Q Release Date: 2005-04-12 |
Customer Reviews:
Classical Gold: Pachelbel With Ocean Sounds.......2007-01-09
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Sounds of Yo-Yo Ma
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BKCGRE Release Date: 2004-01-01 |
Tracks:
- Suite No. 1 for Unaccompanied Cello in G Major, BWV 1007: Prde - Yo-Yo Ma
- Sergio Leone Suite: The Good, The Bad and the Ugly/Ecstasy of Gold - Yo-Yo Ma, Ennio Morricone, Roma Sinfonietta
- Concerto in G Minor for 2 Cellos, Strings and Basso Continuo, RV ... - The Amsterdam Baroque Orchestra, Ton Koopman, Yo-Yo Ma,
- Libertango - Yo-Yo Ma
- Eternal Vow - Yo-Yo Ma, , ,
- Cello Sonata in D Minor, Op. 40: Allegro - Emanuel Ax, Yo-Yo Ma
- Appalachia Waltz - Yo-Yo Ma
- 1B - Yo-Yo Ma, Edgar Meyer, Mark O'Connor
- Havanaise, Op. 83 - Yo-Yo Ma, Kathryn Stott
- Chi Passa Per'sta Strada - Yo-Yo Ma,
- Cello Concerto in B Minor, Op. 104: III. Finale. Allegro Moderato - Yo-Yo Ma, Prof. Kurt Masur, New York Philharmonic
- Simple Gifts - Alison Krauss, Yo-Yo Ma
Product Description
Tracks: 1. Prelude from Suite No. 1 for Unaccompanied Cello in G Major 2. Ecstacy of Gold 3. Allegro for Concerto in G Minor for 2 Cellos, Strings, and Basso continuo 4. Libertango 5. The Eternal Vow 6. Allegro for Cello Sonata in D Minor 7. Appalachia Waltz 8. 1B 9. Havanaise 10. Chi passa per'sta strada 11. Finale. Allegro moderato from Cello Concerto in B Minor 12. Simple GiftsCustomer Reviews:
Limited Edition Exclusive Collection.......2007-07-14
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Sounds of the Seventies: '70s Gold
Various Artists Manufacturer: Time Life Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009SG1 Release Date: 1998-11-24 |
Tracks:
- Ramblin' Man - The Allman Brothers Band
- Takin' Care Of Business - Bachman-Turner Overdrive
- Stuck In The Middle With You - Stealers Wheel
- Hello It's Me - Todd Rundgren
- Fooled Around And Fell In Love - Elvin Bishop
- Midnight Rider - Gregg Allman
- I'm Not In Love - 10cc
- I'm In You - Peter Frampton
- Bad Girls - Donna Summer
- What's Going On - Marvin Gaye
- Maggie May - Rod Stewart
- Nights In White Satin - The Moody Blues
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AM Gold: Late '60s Classics
The Rascals , The Foundations , Tom Jones , Bee Gees , The Turtles , Kenny Rogers , Three Dog Night , Sweat & Tears Blood , The Association , and Marvin Gaye Manufacturer: Time-Life ProductGroup: Music Binding: Audio CD ASIN: B000N5F1G0 |
Product Description
TRACK LISTING: [1]. People Got to Be Free - The Rascals 3:01 [2]. Build Me Up Buttercup - The Foundations 2:58 [3]. Ain't No Mountain High Enough - Marvin Gaye, Tammi Terrell 2:28 [4]. C'mon Marianne - The Four Seasons 2:34 [5]. Silence Is Golden The Tremeloes 3:08 [6]. Everything That Touches You - The Association 3:19 [7]. The Unicorn - Irish Rovers 3:22 [8]. Sweet Cherry Wine - Tommy James 4:21 [9]. Delilah - Tom Jones 3:23 [10]. To Sir with Love - Lulu 2:46 [11]. Holiday - Bee Gees 2:55 [12]. The Good, The Bad and The Ugly - Hugo Montenegro 2:44 [13]. Woman, Woman - Gary Puckett 3:12 [14]. You've Made Me So Very Happy - Blood, Sweat & Tears 4:19 [15]. Ruby, Don't Take Your Love To Town - Kenny Rogers 2:56 [16]. I Got Rhythm The Happenings 2:59 [17]. She'd Rather Be with Me - The Turtles 2:20 [18]. Ding Dong! The Witch Is Dead - Fifth Estate 2:05 [19]. Indian Lake The Cowsills 2:42 [20]. Little Green Apples - O.C. Smith 3:56 [21]. Jean - Oliver 3:19 [22]. One - Three Dog Night 3:00
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Beak Sounds
Toucans Steel Drum Band Manufacturer: TropiCo Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00019DOL2 Release Date: 2004-01-01 |
Tracks:
- Maria
- Kokomo
- Poinciana
- Put Out De Fire
- Waiting In Vain
- Isle Of Capri
- Jean & Dinah
- I Can See Clearly Now
- My Shawl
- I Will
- The Bare Necessities
- Can't Take My Eyes Off Of You
- One Love
Album Description
The Toucans fly out of the recording studio with a beakload of fantastic tunes just for you! Get ready for an endless Toucan summer with great tunes like "Kokomo", "I Can See Clearly Now", "The Bare Necessities", and lots more!Beak Sounds is the eighth album from the Toucans Steel Drum Band, and features only the best tunes from the last two years of Toucanery. Recorded with state-of-the-art studio techniques and fantastic engineers, this album is sure to please any steel drum fan!
Customer Reviews:
'Best Of' Toucans on steel pan.......2004-11-18
Pop Music:
- Head Hunters [Original recording remastered]
- Heavy Weather [Original recording remastered]
- I Have the Room Above Her
- Incredible Jazz Guitar
- Joyous Encounter
- Looking Up
- Midnight Blue [Original recording remastered]
- Mingus Ah Um [Original recording remastered]
- Moanin' [Original recording remastered]
- Modern Times
