I'm a Woman

1. I Can't Find Love

2. I'm a Woman

3. You Can Eat My Possiere

4. My Toot Toot

5. Ready for Love

6. Tee Nome

7. Don't Have to Worry

8. Kisses in the Wind

9. I Don't Wanna Go Home

10. Closer to You

11. Guess Who

12. I Know What I Want

13. Picture

I'm a Woman,Rosie Ledet,Maison De Soul,Cajun / Zydeco / New Orleans,Pop,Zydeco

Average customer rating: Serious Blast From The Past gift Let this woman lead the Second Line Parade This has all of Maria's best songs. Superb overview of her distinguished career

30 Years of Maria Muldaur: I'm a Woman Maria Muldaur Manufacturer: Shout Factory ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Blues | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music $9.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $9.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Heart of Mine: Love Songs of Bob Dylan A Woman Alone with the Blues (Remembering Peggy Lee) Richland Woman Blues Naughty, Bawdy and Blue Maria Muldaur ASIN: B0001XANNK Release Date: 2004-05-04

Tracks:

1. I'm A Woman
2. Midnight At The Oasis
3. My Tennessee Mountain Home
4. The Work Song
5. Rockin' Chair
6. It Ain't The Meat It's The Motion
7. Don't You Make Me High (Don't You Feel My Leg)
8. Three Dollar Bill
9. Cajun Moon
10. Louisiana Love Call
11. Best Of Me
12. It Feels Like Rain
13. Me & My Chauffeur Blues
14. Gee Baby, Ain't I Good To You
15. Get Up, Get Ready
16. Somebody Was Watching Over Me
17. Well, Well, Well
18. Soul Of A Man
19. It's A Blessing

Album Description

Maria Muldaur's musical style defies definition. She's conquered jazz, blues, country, folk, gospel and rock, while shaking the tambourine with Jerry Garcia and blending vocals with Bonnie Raitt, Linda Ronstadt, Aaron Neville, Dr. John and Charles Brown. She spent time as a member of the Even Dozen Jug Band and the Jim Kweskin Jug Band before going solo. This collection spans the last 30 years, featuring audience and personal favorites, picked by Muldaur herself. She includes track-by-track commentary in the liner notes, offering special memories and anecdotes for each of the CD's 19 tracks. Forty years into her career, Maria Muldaur continues to tour and release new material.

Customer Reviews:

Serious Blast From The Past.......2007-01-16

Maria Muldar began with Jim Kweskin's Jug Band. She sang that in the Jug Band. She improved on her own, she had attitude. I appreciate that. Carolyn

gift.......2007-01-10

because this was a gift I don't know how good the cd was but it was delivered in good shape and on time

Let this woman lead the Second Line Parade.......2006-11-11

I have appreciated this woman's voice for more than the thirty years she has been recording. It is regrettable that she hasn't received the attention she deserves for her body of work, but that is just the luck of being an artist who chooses the best work for herself truly. She is ecclectic in her choices, ranging from New Orleans, LA to Nashville/Memphis, TN to New York City, NY. The album 'Maria Muldaur's 'Midnight At The Oasis' was my introduction to her and was a pop hit in the mid-70s and it also had on it Dolly Parton's 'My Tennesee Mountain Home'. Two songs of such distinct style differences that gave my fifteen year old mind wonderful posibilities. On this retrospective, there are the contributions of Doctor John, the Neville Brothers, Peggy Lee, Brother Ray Charles, Bob Dylan, JJ Cale, Ry Cooper, Bonnie Riatt, Mavis Staples, The Chambers Brothers, Benny Carter, and too many more. Because of Ms Mudaur, I have since listened to and become a fan of many almost forgotten greats like Ma Rainey, Memphis Minnie, Fats Waller, Bessie Smith, and Hoagy Carmichael. I have seen people try to catagorize the music of this woman, but she is more than the Blues, or Gospel, or Pop, or whatever you try to file her under - other than Favorite.

This has all of Maria's best songs........2006-02-28

I bought this as a gift for my husband. He is very pleased with the CD, good sound and good content. Most if not all of Maria's most famous songs are on the CD. The only criticism would be that the CD jewel case was quite cheap, and it was especially difficult to remove the CD. He just put the CD in one of my clear jewel cases and works fine now.

Superb overview of her distinguished career.......2004-11-19

If all you know by Maria is Midnight at the Oasis or if all you have is an album or two, you're in for a treat. This collection collects the cream of her long career and puts it in one package. If you've ever seen her perform live, then you'll know many of these songs, because these are the ones that form the core of her stage act. If you're a fan of the blues, gospel, soul, and country--not to mention straight-up pop--you will love Maria Muldaur, and this CD is the perfect introduction. Get it while you can!

Average customer rating: Absolutely peerless once-in-a-lifetime greatness We love this album Simply great Porgy and Bess

Porgy & Bess Ella Fitzgerald , and Louis Armstrong Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Classic Vocalists | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Similar Items: Porgy and Bess Gershwin: Porgy & Bess [With Members of the Original Cast] Porgy & Bess: High Performance George Gershwin - Porgy & Bess / Trevor Nunn · Sir Simon Rattle · W. White · C. Haymon · Glyndebourne Opera Ella & Louis Again (Dig) ASIN: B0000046Z5 Release Date: 1990-10-25

Tracks:

1. Overture
2. Summertime
3. I Wants To Stay Here
4. My Man's Gone Now
5. I Got Plenty O'Nuttin'
6. Buzzard Song
7. Bess, You Is My Woman Now
8. It Ain't Necessarily So
9. What You Want Wild Bess?
10. A Woman Is A Sometime Thing
11. Oh, Doctor Jesus
12. Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
13. There's A Boat Dat's Leavin' Soon For New York
14. Bess, Oh Where's My Bess
15. Oh Lawd, I'm On My Way

Amazon.com

Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas Wolk

Customer Reviews:

Absolutely peerless.......2006-11-17

"Porgy and Bess" has just opened (with some controversy) in London's West End, though as a musical and not as an opera as it was originally conceived. Reviews have been promising and I aim to go down and see it soon. I decided to listen to this CD to put myself in the mood. I hadn't listened to it for years and I'd completely forgotten how good it actually is. Ella's voice blends with Louis' perfectly and Russell Garcia's orchestration gives them a dreamy landscape to perform against. I have one or two other CDs by Louis and Ella but this one is by far my favourite. The CD opens with "Overture" and its orchestral performance of classics like "Summertime", "I Wants To Stay Here", "I Got Plenty O' Nuttin'" and "It Ain't Neccessarily So" set the tone nicely, leaving one ever so keen for the vocal versions. Louis Armstong has a very rough tone to his voice but the emotion he packs with it is moving, most especially on the mournful "Bess, Oh Where's My Bess?" And we get all this and Louis' wonderful trumpet playing too?

Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.

once-in-a-lifetime greatness.......2006-10-06

Two thousand five hundred musicians have recorded "Summertime" --- it's a classic. (I bet most Americans can name Janis Joplin and no other singer.) As for "Porgy and Bess," the folk opera from which "Summertime" springs, it's such a classic that it's hard to believe anyone ever had a harsh word to say about it.

But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."

A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."

And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."

All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.

"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.

Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.

And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.

"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."

All brilliantly conceived, orchestrated and recorded.

The greatest trumpet player in this history of jazz.

The father of scat singing.

The queen of the jazz vocal.

There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.

We love this album.......2006-08-22

We hope they will someday bring this beautiful story back to the stage

Simply great.......2006-03-04

The fusion between the great two voices and the orchestra is just brilliant. Very good brass and violins that accompany Fitzeralds and Armstrongs magic voices leaves you with your mouth open.

A must have for everyone!

Porgy and Bess.......2005-10-14

Could not find this anyway locally. It is a great recording

Average customer rating: Fabulous for any Broadway-lover Top Shelf TERRIFIC CD'S Great Collection of Broadways greatest Songs Great Compilation!

Broadway - The American Musical (PBS Series) Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Best of Broadway - The American Musical (PBS Series) Broadway: The American Musical Broadway: The American Musical Broadway - The American Musical (PBS Series) Somewhere over the Rainbow: The Golden Age of Hollywood Musicals ASIN: B00064ADMK Release Date: 2004-10-19

Tracks:

1. Give My Regards To Broadway- Joel Grey
2. Swanee- Al Jolson
3. When The Moon Shines On The Moonshine- Bert Williams
4. A Pretty Girl Is Like A Melody- John Steel
5. My Man- Fanny Brice
6. Fascinating Rhythm- Fred Astaire, Adele Astaire
7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
8. Someone To Watch Over Me- Gertrude Lawrence
9. Bill- 78 rpm Version Helen Morgan
10. Ol' Man River- Paul Robeson
11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
12. Ten Cents A Dance- Ruth Etting
13. Body And Soul- Libby Holman
14. Brother, Can You Spare A Dime- Bing Crosby
15. Night And Day- Fred Astaire
16. Heat Wave- Ethel Waters
17. Smoke Gets in Your Eyes- Tamara
18. You're The Top- Ethel Merman
19. Summertime- Anne Brown
20. September Song- Walter Huston
21. My Heart Belongs To Daddy- Mary Martin
22. It Never Entered My Mind- Shirley Ross
23. Bewitched, Bothered, Bewildered- Vivienne Segal
24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

1. New York, New York- Cris Alexander,Adolph Green,John Reardon
2. If I Loved You- John Raitt,Jan Clayton
3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
4. There's No Business Like Show Business- Ensemble
5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
6. Once In Love With Amy- Ray Bolger
7. Wunderbar- Alfred Drake,Patricia Morison
8. Some Enchanted Evening- Ezio Pinza
9. Lost In The Stars- Todd Duncan
10. Diamonds Are A Girl's Best Friend- Carol Channing
11. Luck Be A Lady- Robert Alda,Guys
12. Getting To Know You- Gertrude Lawrence
13. Who Cares?- Jack Carson,Betty Oakes
14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
15. Ballad Of Mack The Knife- Gerald Price
16. Hey There- from "The Pajama Game" John Raitt
17. Whatever Lola Wants- Gwen Verdon
18. I Could Have Danced All Night- Julie Andrews
19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
20. The Party's Over- Judy Holliday
21. Glitter And Be Gay- Barbara Cook
22. Tonight- Larry Kert, Carol Lawrence

Tracks:

1. Seventy-Six Trombones- Robert Preston
2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
3. Everything's Coming Up Roses- Ethel Merman
4. My Favorite Things- from "The Sound Of Music" Mary Martin
5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
6. Try To Remember- Jerry Orbach
7. Camelot- from "Camelot" Richard Burton
8. Love Makes The World Go 'Round- Anna Maria Alberghetti
9. I Believe In You- Robert Morse And Co.
10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
11. Comedy Tonight- Zero Mostel
12. What Kind Of Fool Am I?- Anthony Newley
13. As Long As He Needs Me- Georgia Brown
14. Hello, Dolly!- Carol Channing,Cast
15. People- Barbra Streisand
16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
17. If I Were A Rich Man- Zero Mostel
18. Night Song- Sammy Davis, Jr.
19. The Impossible Dream- Richard Kiley
20. If My Friends Could See Me Now- Gwen Verdon
21. Open a New Window- from Mame Voice

Tracks:

1. Willkommen- from "Cabaret" Joel Grey
2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
4. The Ladies Who Lunch- from "Company" Elaine Stritch
5. Tea For Two- Roger Rathburn,Susan Watson
6. I'm Still Here- Yvonne De Carlo
7. I Don't Know How To Love Him- Yvonne Elliman
8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
9. Corner Of The Sky- John Rubinstein
10. Send In The Clowns- Glynis Johns
11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
12. One- from "A Chorus Line" Cast
13. All That Jazz- Chita Rivera,Ensemble
14. Tomorrow- Andrea Mcardle
15. Don't Cry For Me Argentina- Patti Lupone
16. Come Follow The Band
17. Lullaby Of Broadway- Jerry Orbach
18. And I'm Telling You I'm Not Going- Jennifer Holliday
19. The Bells Of St. Sebastian- Raul Julia

Tracks:

1. Memory- Betty Buckley
2. I Am What I Am- George Hearn
3. Move On- Bernadette Peters,Mandy Patinkin
4. Do You Hear The People Sing?- Michael Maguire,Cast
5. The Music Of The Night- Michael Crawford
6. You're Nothing Without Me- James Naughton,Gregg Edelman
7. The American Dream- Jonathan Pryce,Cast
8. Doctor Jazz- Gregory Hines,Company
9. With One Look- Glenn Close
10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
11. Le Jazz Hot- Julie Andrews,Ensemble
12. Seasons Of Love-
13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
14. I Wanna Be A Producer- Matthew Broderick,Ensemble
15. Dancing Queen- Louise Plowright,Jenny Galloway
16. Good Morning Baltimore- Marissa Jaret Winokur
17. Movin' Out- Michael Cavanaugh,Band
18. I Go To Rio- Hugh Jackman,Company
19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating: it doesn't get better than this..... cd heaven Nothing Rains on this Parade Streisand in prime vocal condition Needs more songs. Missing SECOND HAND ROSE.

Funny Girl Manufacturer: Sony ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classic Vocalists | Broadway & Vocalists | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Contemporary | Vocal Pop | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Funny Lady: Original Soundtrack Recording Hello, Dolly! (1969 Film Soundtrack) Funny Girl Funny Girl (1964 Original Broadway Cast) Yentl (1983 Film) ASIN: B00005V3WI Release Date: 2002-01-29

Tracks:

1. Overture
2. I'm The Greatest Star
3. If A Girl Isn't Pretty
4. Roller Skate Rag
5. I'd Rather Be Blue Over You (Than Happy With Somebody Else)
6. His Love Makes Me Beautiful
7. People
8. You Are Woman, I Am Man
9. Don't Rain On My Parade
10. Sadie, Sadie
11. The Swan
12. Funny Girl
13. My Man
14. Finale

Customer Reviews:

it doesn't get better than this............2007-07-18

This soundtrack takes me back. I was probably about six years old when I first heard the soundtrack from FUNNY GIRL, the successful movie musical based on the life story of the late great vaudevillian, Fanny Brice. Though, Brice was not conventionally beautiful, she made quite an impression on those sitting in the theaters she performed in. The woman truly was a gifted and accomplished stand up comedian. She didn't even have to stand up to do it--she was perfectly good at it while slipping in rollerskates, dancing in a parody of Swan Like [Chicken Ballet], and sitting down while singing a torch song.

How did the life story of Fanny Brice transfer to the screen, and on vinyl and CD? It was done with style, class and great humor. What's more, a wonderful score by Jule Styne did wonders in conveying the range of emotions, triumphs and successes that Brice experienced during the course of her career--this encompasses her formative years as a young performer, to her more "domesticated" years [if you can call them that!]. FUNNY GIRL was also a star-making vehicle for [then] twenty-one year old Barbra Streisand. The score includes the larger-than-life "I'm The Greatest Star," the hilarious "His Love Makes Me Beautiful," and one of Streisand's most recognized songs, "People." You will love this soundtrack, and I guarantee it will make you want to see the film afterwards. Though, as a little girl, I felt as though this music was filled with so much color and life already, I could SEE the film through hearing the songs. Brilliant and incomparable.

cd heaven.......2007-01-19

cannot buy cd's cheaper at any store. this is an oldie but a great christmas gift for an oldie.

Nothing Rains on this Parade.......2007-01-04

"Funny Girl" was one of the greatest musicals and cast recordings to come ouf of broadway and it created one of the world's greatest performers ever. Happily Barbra Streisand successfully transported herself to film and out came one of the most enjoyable soundtracks ever produced for a film. The film score is so minutely different, the show's composers Styne and Merrill had to take out a couple of songs from the show and wrote the beautiful "Funny Girl" in it's place for the film. This soundtrack tends to in my opinion be more authentic than the original cast recording because they put in non-original material such as "I'd Rather Be Blue Over You (Than Happy with Somebody Else)" written by Billy Rose who would much later marry Fanny Brice and it fits the early 1900's era for which "Funny Girl" is set and Barbra's comedic skills are timeless on this song you may not see it but you can hear it in her voice such as with "The Swan" .Another song they use at the film's climax is "My Man" not only was it a staple in the real Fanny Brice's act it is a power-house. Barbra insisted to sing the first part live on screen and record the latter part it is so effective and you do get all the advantages of this on the soundtrack. One more bonus to this recording is the overture composed for the film is gorgeous and they never played it in the film only on the soundtrack, interestingly they used the the opening theme music from the film as the closing music to the soundtrack. Definitely get this soundtrack it is one of the most delightful scores to one of Hollywood's greatest musicals adapted from the stage and that can't be said too often. "Funny Girl was also one of the last great musicals ever produced out of Hollywood and the linear notes in the CD are informative and fun for musical lovers.

Streisand in prime vocal condition.......2006-09-16

Barbra Streisand will forever be linked to the autobiographical Fanny Brice, a role she originally made her own on Broadway in 1964 and in London the following year; immortalised onscreen four years later (earning an Academy Award as well as countless other trophies). On the original soundtrack album, Ms Streisand is in prime vocal condition, though I do prefer her performance on the OBC album just a little bit more, for she is more brash and unkempt and far more vulnerable with her spin on Fanny. In the film, she is more confident and showman-like.

The film score of FUNNY GIRL does vary greatly from it's Broadway counterpart. The roles of Mrs Brice and Eddie Ryan don't get much to sing (with the deletion of "Who Taught Her Everything?" and "Find Yourself a Man"). Fanny's solo numbers "Who Are You Now?" and "The Music That Makes Me Dance" were abandoned in favour of numbers that the real Fanny was famous for ("I'd Rather Be Blue" and "My Man"). I believe the producers committed the cardinal sin with the deletion of "The Music That Makes Me Dance", a ballad far more memorable and moving than the show's big number "People" (and I know a lot of others feel the same way). Nevertheless, the film soundtrack of FUNNY GIRL is the perfect sonic representation of Streisand's greatest hour on celluloid.

I own the earlier Sony CD pressing (which is full of analogue hiss, reverb and noise), yet from what I hear about the more recent "remaster", the quality of the overall recording is virtually the same. Highly-recommended, but don't expect miracles with sound quality.

Needs more songs. Missing SECOND HAND ROSE........2006-08-08

The soundtrack is good to excellent, but it makes me very
unconfortable that important songs are MISSING. Can you
imagine SECOND HAND ROSE is missing, and Barbra sings it a little
different from the version she did in MY NAME IS BARBRA TV special. I also love the part where Barbra sings " Mr Anstein,
Mr. Arnstein, what a beautiful name". Those two sequences could be combined into a song. I also would have loved a little spoken
comedy in this soundtrack, such as Barbra as Baby Snooks scene,
where she meets the reporters and ends with "the name is Arnstein". Barbra is marvelous in this comedy scene. Barbra is
perfect as a stand-up comedienne, and she would be great
acting such a part in a film.
Barbra recorded the song PEOPLE countless times over the last
decades. Why was SECOND HAND ROSE left out of the soundtrack.
There is enough space on the Audio CD to include this song, as
well as additional ones. A few Bonus songs of Barbra singing
Fanny Brice songs that were considered but that were left out
of the film, would be most welcomed. Looking forward to the next
edition of this soundtrack. hoping that it will be the definite
edition. We Barbra Streisand fans deserve the best.

Average customer rating: I don't need this album, but I want it Not Bad, Not Great Either Energetic premise wears thin One Of My Favorites! If Only I Were German

You're a Woman, I'm a Machine Death From Above 1979 Manufacturer: Vice Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: The Looks LCD Soundsystem Show Your Bones Pieces of the People We Love Thunder, Lightning, Strike ASIN: B0003JAHBA Release Date: 2004-10-26

Tracks:

1. Turn It Out
2. Romantic Rights
3. Going Steady
4. Go Home, Get Down
5. Blood On Our Hands
6. Black History Month
7. Little Girl
8. Cold War
9. You're A Woman, I'm A Machine
10. Pull Out
11. Sexy Results

Album Description

This duo is engrained in the lexicon of Simon and Garfunkel, The Chemical Brothers, The Carpenters, and Sonny And Cher. It's hard to believe the only instruments on this album, aside from the odd flute sample or moog oscillation, are the bass and drums. "This is your album--whether you're a metalhead, suburban stoner, glue-sniffing gutter punk, electroclash fashionista, new wave spazz, hoodie skate-rat, indie rock academic, geriatric Deep Purple fan, or whether you've just been jonesin' for an intelligent, uncompromising but accessible rock record to rival Queens Of The Stone Age's 'Songs For The Deaf' or the first Foo Fighters album"--The Eye.

Customer Reviews:

I don't need this album, but I want it.......2007-03-15

Here's a quick look at You're a Woman, I'm a Machine by the numbers:

Power ballads: None

Whining: None

Lyrics about feelings: None

Acoustic guitars: None

Guitars, period: None

Socially redeeming value: none

Pretentiousness: None

Percentage of this album's running time that makes me bang my head, tap my foot, or even make me attempt something bearing a passing resemblance to dancing: 100

With a breakdown like that, it's easy to see why Death From Above 1979 were able to lend a brief injection of vitality to the too-often dull and self-important world of rock. There may not be any guitars on this album, but the atomic riffs and screeching feedback of Jesse F. Keeler's bass and the relentlessly frenetic drum patterns of Sebastian Granger intertwine to create some of the most infectious, memorable, and downright enjoyable music released so far this decade, regardless of genre. Sure, every song sounds basically the same, with some faster and thrashier and some slower and more pummeling, but at 11 tracks covering about thiry minutes You're a Woman, I'm a Machine isn't around long enough to wear out its welcome. From opening to closing, Death From Above's debut full-length (and apparently their valedictory as well) is populated exclusively with sweaty, swaggering, libidinous tunes, topped by suggestive lyrics delivered in styles ranging from falsetto crooning to fearsome, confrontational shouts.

One could, if one were so inclined, go ahead and analyze the individual songs on this album, but that would miss the point. This is not an album to be analyzed; it's an album to be felt, enjoyed, experienced, and remembered; an album whose songs will bounce around in your head for days after hearing it and bring a grin to your face; an album that even had my wife banging her head upon hearing it. It's a reminder to the sorry likes of Nickelback and Staind that rock music can, even should, be fun, not an excuse for mopey whining about feelings and relationships. And even beyond all that, it's just a good time, something that's too rarely had for everybody. You could do a lot worse than to put away your complaint rock and give this album a spin.

Not Bad, Not Great Either.......2006-10-20

Ok, first off, whether it's a trend or not to have 2 musicians or not, I don't care, that in itself does not affect how I approach a group. The music after all is what does matter.

That said Death from Above 1979 isn't bad. They're not great either. I agree they're very energetic, and You're a Woman, I'm a Machine is a very fun album. And it's very reminescent of old hardcore punk, where if you can pick up an instrument you can play it. (If they can do it, you can do it)

A bass guitar as a lead would seem preposterous. But you only think that when you hear about it or see them setting up. Upon starting to play you would think it's just like any other guitar. And for the most part you will be jumping around to this music, moshing even, if you like.

But for those that are really in tune with music you'll notice that the music is very repetitive and recycled. The same chord arrangements and strumming over and over. It almost seems as though, the guy couldn't cut it playing a guitar (or couldn't learn it fast enough) and decided to just plug in some distortion into a bass.

It's a good thing this album isn't long and most of the tracks don't clock in longer then 2 mins on average. Otherwise more ppl would notice this. The drumming of course is a major compliment to this. Otherwise it would have fallen apart before it started. So I applaud them for that.

But the good thing is that the majority of the tracks don't sound too alike and can equally keep the pace of the album which is FAST. The singing isn't bad either, it's a bit screechy (I can tell emo kids would be into this) and the lyrics won't make you think much which is good cause if you do the song will already be over. It's interesting how these two are paired together, they almost seem as they wouldn't be a part of the same clique if they were in HS. Least from what I've seen live. Which are definitely fun to watch, but as openers. I wouldn't see them if they headlined.

So if you don't mind any of those facts and just really want a feel good, poppy raw album to jump around too, this is definitely it.

And if you want to move towards more eclectic and far more talented musicians with amazing playability, I suggest you check out the Black Keys. Not only because they're another 2 piece band, but because they can definitely keep up and surpass groups that have more then 3 players, and the music is fast and fresh, and just as great to knock back a few and rock out.

Energetic premise wears thin.......2006-09-10

Flashy, splashy, though extremely minimal with a mere two members, this debut definitly got noticed last year, if not for every single standout track, for the overall fuzzed panic attack that was more danceable then anything compatriots Queens of the Stone Age put out. Though the melodic language does become repetetive and monotonous, standout tracks lets this simple formula shine without all the unassertive derivations found throughout.

One Of My Favorites!.......2006-07-15

DFA1979 has such a good thing going. So what if they only have two people with just a bass and drums. They show that you don't need guitar. They have enough energy and sound to do without anything else. If you critisize them for being "another band with only two people" that's like saying "Oh, wow another band with four people, or three"; K.D. "jackass". The lyrics rule, and the music will make you dance, headbang, get down, and just about everything else. It may not be for everyone but it is for most.SO GOOD!

If Only I Were German.......2006-07-13

Makes me wish I owned an F1 McClaren and spent my days tearing up the Audobahn.

Average customer rating: A treasure of the musical world. A classic above all classics Funny and scathingly true Hilarious - move over Victor Borge & Beatrice Lily

Encore? Manufacturer: Sony ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Anna Russell Album Anna Russell Again? Anna Russell Takes On... Nabucco & The Magic Flute Anna Russell - The (First) Farewell Concert Anna Russell - Crown Princess of Musical Parody: Her Television Appearances 1964, 1976, 1977 ASIN: B0000062DW Release Date: 1998-03-24

Tracks:

1. Poetry In The Cellar: My Ear - The Rubens Woman
2. Backwards With The Folk Song: A Lily Maid Sat Making Moan - Old Mother Slipper Slopper - Ricky Ticky - I'm Sittin' In The Bar All Alone - Jolly Old Sigmund Freud
3. The French Horn: Instruments Of The Orchestra
4. How To Enjoy Your Bagpipe: Wind Instruments I Have Known
5. Hamelleto, Or Prosciuttino

Customer Reviews:

A treasure of the musical world........2007-04-14

I was first introduced to Miss Russell in 1980 by fellow musicians in Rochester NY. We spent late nights after rehearsals secretly listening and laughing ourselves sick. She had the ability to put us and our conductor in our places and made us like it! Miss Russell clearly understood opera, live concert events, touring and all aspects of the music of the world. Parts of this album were recorded in New York City USA and parts in Johannesburg South Africa. It makes no difference where the audience is, the language and experience is universal and we all laugh together. Undressed bagpipes, ears turning into gardenias, the lament for the fat ladies, and "Jolly Old Sigmund Freud" presented in the singular voice of a "ruined opera singer" are irresistible.

The best comment about this album came from my seventeen year old son. Just last year (2006) I finally got a CD copy of this priceless work of art and shared it with him. He listened totally enthralled. The selection "Hamletto, or Prosciuttino (sung in simultaneous Italian and English0" caused him to comment, "Well, now I know what Hamlet is about." He since asked me to get the others and has loved them as well. "Backwards With the Folk Song" brought back memories of Voice Lessons and dreary concerts that now can be enjoyed safely from a distance. Today's indie and emo musicians could do well to listen and learn.

I would recommend Miss Russell's work for any teenaged class, they seem to adore her sly wit. Besides, all the French Horn players in the High School band need a little teasing from time to time.

A classic above all classics.......2000-03-17

From the velvet-voiced music reviewer herself, Anna Russell has laid many a sour note. This in itself, is what makes her so funny. She takes greater pains to sound bad as most other singers do to sound good. And the best thing about this, and all of her recordings in general is that you will never tire of them, no matter how much you play them... From those before her or after her in the musica funnia farma (P.D.Q. Bach, Victor Borge, Florence Foster Jenkins, etc.), it is in this venue of music appreciation (or as some say, depreciation), that will bring newer fans to the classical arena...

Funny and scathingly true.......1999-10-29

Highly recomended listening for the serious classical music enthusiast who enjoys a good laugh!

Hilarious - move over Victor Borge & Beatrice Lily.......1999-03-15

Anyone who loves classical music, Victor Borge, Flanders & Swann , Beatrice Lily, or PDQ Bach will love this album, play it over and over, and quote her to friends.

Average customer rating: Good... but some songs are lamely done... Once you hear Dolly the rest Save your money. (A-) Not Bad - Not Bad at All 4/5

Just Because I'm a Woman: The Songs of Dolly Parton Various Artists Manufacturer: Sugarhill [Country] ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Alt-Country & Americana | Country | Styles | Music General | Contemporary Country | Country | Styles | Music New Traditionalist | Contemporary Country | Country | Styles | Music General | Country | Styles | Music Outlaw & Progressive Country | Country | Styles | Music General | Traditional Country | Country | Styles | Music General | Compilations | Country | Styles | Music General | Bluegrass | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music Traditional | Bluegrass | Country | Styles | Music General | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Contemporary Folk | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Contemporary R&B | R&B | Styles | Music General | R&B | Styles | Music General | Rap & Hip-Hop | Styles | Music Country Folk | Country | Indie Music | Stores | Music Similar Items: One Moment More Long Island Shores The Grass Is Blue Little Sparrow Remembering Patsy Cline ASIN: B0000C9JD6 Release Date: 2003-10-14

Tracks:

1. 9 To 5 - Alison Krauss
2. I Will Always Love You - Melissa Etheridge
3. The Grass In Blue - Norah Jones
4. Do I Ever Cross Your Mind - Joan Osborne
5. The Seeker - Shelby Lynne
6. Jolene - Mindy Smith
7. To Daddy - Emmylou Harris
8. Coat of Many Colors - Shania Twain
9. Little Sparrow - Kasey Chambers
10. Dagger Through The Heart - Sinead O'Connor
11. Light Of A Clear Blue Morning - Allison Moorer
12. Two Doors Down - Me'Shell N'Degeocello
13. Just Because I'm A Woman - Dolly Parton

Amazon.com

It's Joan Osborne who sums it up best in the promotional material accompanying this tribute album: " Dolly Parton is a gifted artist cleverly disguised as a media superstar and sex bomb." Osborne's got it right. Beyond and beneath Parton's well-publicized and oft-caricatured curves and angles, lurks the heart and soul of one of modern country music's very best songwriters--the best, perhaps, since the great Loretta Lynn. In fitting celebration of the 35th anniversary of the release of Just Because I'm A Woman, Parton's very first solo album, contemporary leading ladies of country and pop, including Norah Jones, Alison Krauss, Shania Twain, Joan Osborne, Melissa Etheridge, Emmylou Harris, and Sinead O'Connor have offered up worthy new interpretations of some of Parton's classic compositions. That said, some of the highlights here are from lesser-known singers: Mindy Smith's haunting rendition of "Jolene," Kasey Chambers' bitter-sweet take on "Little Sparrow," and Allison Moorer's tender turn on "Light Of A Clear Blue Morning." --Bob Allen

Customer Reviews:

Good... but some songs are lamely done..........2007-03-28

I personally adore Dolly Parton and this album really is a great tribute to her as country music's biggest stars and most influencal voices come together in a great rendition of her best songs!

I personally ADORE Shania Twain's version of "coat of many colors"... I bought the album on this purpose... and I loved it!

Once you hear Dolly the rest .......2006-09-04

pale in comparison.
It is kind of fun hearing the different styles for her brilliant compositions.
Alison Krauss doing a fabu-tastic slower, bluegrassy 9 to 5.
best cut on the cd.
Melissa Etheridge's unique I Will Always Love You. I love the musical arrangements on this one.
Norah Jones tepid the Grass is Blue
Joan Osborne's Do I ever cross your mind(I'd buy her stuff if she sang like this all the time) soft and folksy, really nice.
The genre-defying Shelby Lynne with a totally cool The Seeker
Mindy Smith on Jolene nice enough, but her phrasing is mushy. (Listen to country artist Sherrie Austin for a wonderful cover of Jolene)
EmmyLou with To Daddy. Lovely.
kill me now...Shania Twain murdering the beloved Coat of Many Colors.
Egad, how ghastly. Even with some backup from Alison Krauss and Union Station, Shania just defiles it.
Kasey Chambers on Little Sparrow is not up to the task. At all.
Sinead O'Connor on Dagger through the heart. Not bad, actually.
Allison Moorer on Light of a Clear Blue Morning. Nice version. Could have done without the affectation of the sound effects. Made to sound like a well used vinyl album.
Me'Shell N'Degeocello on Two Doors Down. I expect it works for ya if you like that genre. Not my kind of music but I like it better than Shania. EEK.
and a bonus track with the great lady herself singing
Just Because I'm A Woman.

Save your money........2005-12-24

The main purpose of this album is to remind us how good Dolly Parton really is. Save your money to buy the originals.

(A-) Not Bad - Not Bad at All.......2005-11-09

There is only one or two songs that dont work out but this CD is great - Dont Get me wrong - These are great songs!
The Downside: 9 to 5 dosent have the usual kick to it alison krauss slows it down too much this time! and Two doors down, But the reason why Im being down on it is because im not a fan of rap music!
The Upside: all the other songs

Album standouts: Jolene & The Grass is blue & Light of a clear blue Morning

I also recommend: HUNGRY AGIN, THE GRASS IS BLUE, LITTLE SPARROW,HALOS AND HORNS, FOR GOD AND COUNTRY & THOSE WERE THE DAYS

BUY NOW!!!

4/5.......2005-09-12

Pretty good tribute album. The best song here is easily Shania Twain's cover of Dolly's classic hit "Coat Of Many Colors", Shania sings this song with great emotion and sincerity.

Average customer rating: Delightful A Master Class in Singing Bryn is swell, but the bombast is annoying Surprisingly Fine Crossover from Fleming and Terfel BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!

Renee and Bryn: Under the Stars John Harold Kander , Andrew Lloyd Webber , Claude-Michel Schoenberg , Richard Rodgers , Gerard Presgurvic , Jason Robert Brown , Meredith Willson , Lucy Simon , Cole Porter , Stephen Flaherty , Ralph Salmins , and David Hartley Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Classic | Vocal Pop | Pop | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein) Bryn Terfel - If Ever I Would Leave You (Songs from My Fair Lady, On a Clear Day, Camelot, The Little Prince, Brigadoon) Bryn Terfel - Simple Gifts Bryn Terfel Sings Favorites Silent Noon ASIN: B000088E7D Release Date: 2003-02-11

Tracks:

1. "Not While I'm Around" (from Sweeney Todd by Stephen Sondheim)
2. "Moonfall" (from The Mystery of Edwin Drood by R. Holmes)
3. "I Don't Remember You The Happy Tim" and "Sometimes a Day Goes By" (from Woman of the Year by Kander & Ebb)
4. "All the Love I Have" (from The Beautiful Game by Ben Elton & Andrew Lloyd Webber)
5. "I Wish I Could Forget You / Loving You" (from Passion by Stephen Sondheim)
6. "Stars" (from Les Misirables by Boublil & Schvnberg)
7. "All I Ask of You" (from The Phantom of the Opera by Andrew Lloyd Webber)
8. "Hello, Young Lovers" (from The King and I by Rodgers & Hammerstein)
9. "Pretty Women" (from Sweeney Todd by Stephen Sondheim)
10. "Aimer" (from Romio et Juliette by Presgurvic)
11. "All the Wasted Time" (from Parade by J. Brown)
12. "Seventy-Six Trombones" (from The Music Man by Willson)
13. "How Could I Ever Know" (from The Secret Garden by Simon and Norman)
14. "So In Love" (from Kiss Me Kate by Cole Porter)
15. "Wheels Of a Dream" (from Ragtime by Ahrens & Flaherty)

Amazon.com

In these days of the crossover, it is hardly surprising to find two great opera singers making a foray into numbers from Broadway musicals by such composers as Cole Porter, Stephen Sondheim, and Andrew Lloyd Webber. What's remarkable is that they seem completely at home in this music. Both say they grew up listening to it, and indeed they approach these songs with no less care and seriousness than they'd give the most demanding operatic arias, and without a trace of condescension. However, their vocal, expressive, and interpretive styles are very different, both in the solos and the duets. Terfel projects assertive manliness, tender, intimate affection, and rollicking humor without external effects, using only his incomparably sonorous voice and powerful personality. His diction is impeccably clear, and though he has sometimes let his theatrical flair spill over into Schubert songs, he is the soul of simplicity here. This is in stark contrast to Fleming's tendency to exaggerate colors and dynamics and to turn sentiment into sentimentality. Moreover, though she claims a background as a jazz singer, her "crooning" sounds artificial and unnatural. However, her top notes, culminating in a triumphant high C at the end of the final number, ring gloriously. Her voice glows and shimmers with irresistible luster, soaring from seductive whispers to thrilling climaxes. The program features a great variety of love songs, and includes an antiwar protest (from Beautiful Game), a celebration of the American dream (from Ragtime), and a rousing fun piece (from The Music Man). Unfortunately, even the best songs are marred by thoroughly corny arrangements. Listeners will find their own favorites, but the real "stars" on this record are the two singers. --Edith Eisler

Customer Reviews:

Delightful .......2006-07-24

I truly enjoy Terfel's vocal talent and found it to be well suited for this genre. Fleming's impeccable soprano voice is a bit overpowering for this style of music. (I own this CD)

A Master Class in Singing.......2006-06-20

This CD is a must-have for any person interested in the singing art. Ms. Fleming and Mr. Terfel gives new light to these Musical Theatre classics. Their fine vocalism in the musical theatre genre coupled with the depth of musicality and dramatic phrasing in each of the selections is truly a breath of fresh air. This recording is indeed a Master Class!

Bryn is swell, but the bombast is annoying.......2006-05-03

Love Bryn Terfel, the finest bass-baritone in Opera. Love Renee Fleming's luscious soprano. But the arrangements! Kettle drums and bombast and bang, bang, bang! Once Renee starts swooping, things go downhill, with little redemption.

It starts out beautifully. "Not While I'm Around" has never sounded more intimate to me than Terfel's caressing pianissimo. Fleming's "Moonglow" is stunningly good. Terfel makes a medley out of "I Don't Remember You and Sometimes a Day Goes By" that makes you want to cheer, and Fleming does a lovely Sondheim medley as well. Bryn sings "Stars" and makes me long for him in Les Mis. And then...things tend to go downhill. The bombast takes over and gets to you - it overwhelms two of the biggest voices now recording. Then Fleming begins to swoop and scoop, over-coloring and often coming off as simply self-indulgent, reminding one of a kid who makes a point of putting his face in a camera shot.

I don't mind Bryn as Prof. Harold Hill - I frankly think the Welsh accent is kinda cute - and it doesn't bother me on "Wheels of Dream," either, but Fleming seems to have lost her mind on that great song, and rather than indulging her, it would have simply been better left off the album. Ditto "All that Wasted Time" which is pretty much unlistenable. Ms. Fleming needs to stop thinking she is a jazz singer.

The four stars are because this album does contain some truly GLORIOUS moments, particularly in the duets, and in Terfel's solo's which are warm and memorable. Without him, the kettle drums and Fleming's self-indulgence would have made the whole endeavor unbearable.

Surprisingly Fine Crossover from Fleming and Terfel.......2006-04-18

Bryn Terfel and Renee Fleming are two of the most acclaimed opera singers of our day. But the musical theatre fan who puts on their Broadway CD, RENEE AND BRYN: UNDER THE STARS, expecting to hear a carelessly compiled hodgepodge of songs sung by voices ill-suited to them is in for a big surprise, beginning with the first phrases of the duo's warmly sung "Not While I'm Around" from SWEENEY TODD. True, these singers' beautiful voices have greater power and range than even the best of the Broadway stars', but this is an asset in these songs, most of which are either semi-operatic in nature or call (like THE MUSIC MAN's "Seventy-Six Trombones") for such an outsize personality as Terfel's. Fleming's sensuous and tonally gorgeous rendition of "Moonfall" from THE MYSTERY OF EDWIN DROOD can be placed among her very finest recordings, operatic and otherwise. And Terfel is ideally suited to both "Pretty Women" from SWEENEY TODD and "Stars" from LES MISERABLES; few if any Broadway Javerts could match the impact of his "This I swear by the stars!" Kander and Ebb's "I Don't Remember You" and "Sometimes a Day Goes By" make a perfect medley here, as do Sondheim's "I Wish I Could Forget You" and "Loving You" from PASSION. And though I don't care for the Andrew Lloyd Webber selections (ersatz Puccini) or the Jason Robert Brown one (which sounds too much like a pop song), Terfel and Fleming's singing of them is beyond reproach. The program ends with a bang: a rendition of "Wheels of a Dream" worthy to stand beside the now-classic one by Brian Stokes Mitchell and Audra McDonald on the original cast album of RAGTIME. Welshman Terfel's natural accent is noticeable here; but if one imagines him as, say, an Irish immigrant married to an African-American woman (as Fleming here sounds uncannily like McDonald or like Leontyne Price) his accent is appropriate and his voicing of the "bridge" section ("Oh Sarah, it's more than promises/Sarah, it must be true...") especially moving. Fleming's ecstatic final high note makes one want to applaud and cheer, both for the song and for the successful "crossover" effort.

BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!.......2004-10-11

So captivating are these incredible singers in the glorious live concert "Under The Stars" creating an unforgettable musical masterpiece of epic proportions that is so moving and great to watch that I ran out and purchased this studio recorded Compact Disc the next day!! The brilliance of the live broadcast carried over into the recording studio capturing Renee and Bryn at the peak of their incredible powers emotionally and vocally making them the most effective crossover artists since the great Barbara Cook who like Miss Cook sing with emotion that is accurate for this type of material which is usually not the case with classical voices. Renee Fleming sings with genuine passion and stirring emotions and her timing is absolutely flawless and this lady has alot of soul and the Torrie Zito arranged "Moonfall" is a stunning masterpiece that clearly illustrates this. A dazzling medley each show both singers in glorious peak form with Bryn splendid in the enchanting "I Don't Remember You/Sometimes A Day Goes By" and Renee spellbinding and haunting in the gorgeous "I Wish I Could Forget You/Loving You" which will make anyone who loves a great voice fall in love with this amazingly gifted singer. "Stars" features a commanding performance from Bryn that raises the roof and this is so refreshing and inspired in these musically tired times!!! This superb showcase is full of wonderfully exciting performances which are capable of making people feel again and this is what is sorely needed in music today and BRAVO to Bryn Terfel and the gorgeous Renee Fleming for achieving this with complete artistic brilliance. Captivating duets fill this wonderous collection and never have classics such as "Not While I'm Around" or "All I Ask Of You" been sung more brilliantly than here. Renee is magical with "Hello, Young Lovers" while Bryn is commanding and winning with "Pretty Women". Renee's stunning "All The Wasted Time" is a vocal and emotional tour-de-force that is like a wild roller-coaster ride that you won't want to end as this is one of the most riveting songs that I have ever heard from a Broadway score and this certainly must be the definitive performance of this great song. This lady can really really sing and this is some deeply serious singing~WOW!!! Gorgeous together again in the beautiful "How Could I Ever Know" which is hair-raising and wonderfully soulful and sophisicated together in Cole Porter's "So In Love". A grand finale by these two awesome vocal wonders lives up to expectations being a complete blowout vocal festival and they definitely do not disappoint here!!! "Wheels Of A Dream" is mesmerizing and soars to magnificent heights with Bryn and Renee in peak form singing to the skies and hitting notes that I swear I have never heard before~BRAVO!!!!!!! You are both magically inspired and simply put as good as it gets!!!! Highly recommended if you love two awesome vocal wonders at their absolute peak in a magnificent beautifully orchestrated setting!!! Thank you Bryn & Renee...

Average customer rating: Dreamgirls 2001 Not the real "DREAM" experience Absolutely brilliant! Amazing!!!!!! One Night Only

Dreamgirls in Concert (2001 Concert Cast) Henry Krieger , Audra McDonald , Brian Stokes Mitchell , Emily Skinner , and Darius de Haas Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Pop | Styles | Music General | R&B | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music McDonald, Audra | Divas | Opera & Vocal | Styles | Music General | Classical | Styles | Music Similar Items: Dreamgirls (1982 Original Broadway Cast) Dreamgirls: Music From The Motion Picture [2-CD Deluxe Edition] Dreamgirls Company (2006 Broadway Revival Cast) Grey Gardens - A New Musical (2006 Original Broadway Cast) ASIN: B00005Y4P4 Release Date: 2002-02-26

Tracks:

1. I'm Looking for Something, Baby
2. Goin' Downtown
3. Takin' the Long Way Home
4. Move (You're Steppin on My Heart)
5. Scene: Fifty bucks says the Dreamettes don't win
6. Fake Your Way to the Top
7. Scene: It ain't working, Marty
8. Cadillac Car
9. Cadillac Car (On the Road)
10. Cadillac Car (Recording Studio)
11. Scene: I don't believe they can do that
12. Steppin' to the Bad Side
13. Scene: I'm working on a long shot
14. Party, Party
15. I Want You, Baby
16. Scene: I'm a woman now
17. Family
18. Scene: What are you doing to that girl?
19. Dreamgirls
20. Press Conference
21. Heavy
22. Walkin' Down the Strip/Scene: Las Vegas
23. It's All Over
24. And I Am Telling You I'm Not Going

Tracks:

1. Opening Act II: Dreams Medley
2. Scene: Effie White is the best singer you're gonna find
3. I Am Changing
4. Vogue Sequence
5. When I First Saw You
6. Ain't No Party
7. I Meant You No Harm
8. The Rap
9. I Miss You, Old Friend
10. One Night Only
11. One Night Only (Disco Version)
12. I'm Somebody
13. Hard to Say Good-bye
14. Dreamgirls (Reprise)

Amazon.com

A Chorus Line may be better known, but Dreamgirls was a towering achievement for director Michael Bennett. Loosely based on the Supremes' story, the 1982 musical told a typical show-biz tale of fame, backbiting, and survival. As is often the case for one-night only events, the cast in this concert version (recorded in New York on September 24, 2001) is led by an eye-popping assortment of Broadway powerhouses: Lillias White (The Life), Audra McDonald (Ragtime, Marie Christine), and Heather Headley (Ragtime). McDonald reveals a previously undisclosed comic streak, while Headley confirms her status as a rising star. Reprising the role of Effie Melody White (created by Jennifer Holliday), White belts the classic "And I Am Telling You I'm Not Going." But the beauty of Dreamgirls is that it's so packed with catchy, Motown-influenced R&B numbers that each lead can sink her teeth into some prime material and get a turn in the spotlight. This double-CD set really makes you wish you'd been there when the show was recorded: you can hear the crowd going berserk at times, and the temptation is strong to do the same thing in the comfort of your living room. --Elisabeth Vincentelli

Customer Reviews:

Dreamgirls 2001.......2007-06-27

This was the worst reproduction of Dreamgirls that I ever heard. I was so disappointed the CD went into the garbage. This is one CD that I would not sell to the public because I expect so much and get so little.

Not the real "DREAM" experience.......2007-04-04

Forget about the film sountrack. Get this CD set. And it's far better than the original cast recording which goes lacking. More songs and more everything that makes a live performance just what it is. Live (compared to film where anything can be done to enhance a performance!) -- the energy, the excitement and the performances make this a rare treat for anyone wanting to share in the real DREAM experience.

Isn't a full Broadway revival long over due. But wait: I've heard rumors that a rvial may be "in the works. I certainly hope so. Maybe this time it will receive the Tony award it deserved in the first place.

Absolutely brilliant!.......2007-01-28

There is atleast 5 new songs on this album that were not in the movie! These girls kill it I mean they are just amazing singers, and this all live! This is needed for any Dreamgirls fanatic like me! You are gonna love it! Enjoy! love live laugh :)

Amazing!!!!!!.......2006-12-04

As a theatre lover, this recording is amazing. I actually prefer this recording to the OBC. Sheryl Lee Ralph is okay, but can't touch Audra's Deena. The first time I heard Ms. White's "And I Am Telling You..", goosbumps all over my body. The only weak cast member in my opinon is Heather Headly. Vocally, she just isn't there. Too much Aida, not enough Dreamgirls. But all in all, a great live recording of a great show.

One Night Only .......2006-07-19

I was lucky enough to attend this One Night Only concert performance of Dreamgirls and it was a night I will never forget!! The cast was brilliant and the cd is as good if not better than the Broadway cast recording because it is the entire show not just the songs. Bravo to everyone involved !!!

Average customer rating: Odd Couple That Works SUBLIME 70'S PEGGY LEE MASTERPIECE~BRAVO!!! An odd couple Two contrasting albums from 1963 and 1972 You Can Love Me Like I am, or Good-bye

I'm a Woman/Norma Deloris Egstrom from Jamestown, North Dakota Peggy Lee Manufacturer: EMI Gold Imports ProductGroup: Music Binding: Audio CD Traditional Blues | Blues | Styles | Music General | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music General | Soul | R&B | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Broadway & Vocalists | Imports | Stores | Music Pop | Imports | Stores | Music Similar Items: Natural Woman/Is That All There Is? Pass Me By/Big $pender Pretty Eyes/Guitars alà Lee In Love Again/In the Name of Love Man I Love/If You Go ASIN: B0002X4TQQ Release Date: 2004-10-18

Tracks:

1. Alley Cat Song
2. Mama's Gone, Goodbye
3. I'm Walkin'
4. Come Rain or Come Shine
5. There Ain't No Sweet Man (That's Worth the Salt of My Tears)
6. I'm a Woman
7. Mack the Knife
8. You're Nobody 'Til Somebody Loves You
9. I'll Get By
10. (I Left My Heart) In San Francisco
11. Taste of Honey
12. One Note Samba (Samba de uma Nota So)
13. Love Song
14. Razor (Love Me as I Am)
15. When I Found You
16. Song for You
17. It Changes [#]
18. It Takes Too Long to Learn to Live Alone
19. Superstar
20. Just for a Thrill
21. Someone Who Cares
22. More I See You
23. I'll Be Seeing You

Album Description

UK twofer combines the pop/jazz vocalist's 1963 & 1972 albums with one previously unreleased track, 'It Changes', discovered on the original masters. EMI. 2004.

Album Details

Digitally Remastered Edition of Two Original LPs on a Single CD. Includes One Previously Unreleased Song "it Changes".

Customer Reviews:

Odd Couple That Works.......2006-06-25

A few years back I found a vinyl copy of NORMA DELORES EGSTROM FROM JAMESTOWN NORTH DAKOTA at a flea market in Albuquerque, N.M. Having loved Peggy Lee all of my life, but never having heard this particular album, I bought it for a buck or so. (I first paid really close attention to Peggy Lee when I was around twelve years old, at an alcoholic neighbor lady's house on my block, where I did chores for pocket change. This overly generous lady, who resembled Phyllis Diller, would drink gin out of a tall paper cup all day long with the drapes closed, and she would let me paw through her LP collection, where I discovered LATIN ALA LEE. In the following weeks, I would play that scratchy record over and over on my besotted host's console stereo). By the time I first heard NORMA DELORES EGSTROM..., I was in my mid-forties (this was around 1997), and was now thoroughly acquainted with most of Ms. Lee's catalog. I put the album on my turntable for the first time with some trepidation, as this great singer's first few post-Capitol albums in the seventies were, to say the least, not among her best efforts. Boy was I surprised! How had this excellent album eluded me for all of those years? Here was a mix of contemporary material mixed with old chestnuts that was handled with the flare of Peggy Lee in her prime, and I could not have been more pleased. The ragged edges and shortness of breath that were beginning to show up in Lee's voice around this time only added to the charm of these performances, and one tune, Leslie Duncan's "Love Song" moved me to tears. "When I Found You" was another standout on this set, gently rocking and confirming once more that Peggy Lee could sing just about anything with class and style. For those who still doubt, pick this "twofer" up and marvel at how Lee handles songs of the younger generation at that time, "Superstar" and "A Song For You." If they weren't already, Peg helped them become new standards. The version of the established standard, "I'll Be Seeing You," on this CD, is now among my very favorite Peggy Lee performances.

Now there's not much I can add to what other reviewers have written here about I'M A WOMAN, an album I've been waiting for years to come out on CD. Peggy's sly, swingin' rendition of "There Ain't No Sweet Man (That's Worth The Salt Of My Tears)" is alone worth the price of admission, but every song here is perfectly sung. One can just see the twinkle in Peggy's eye (and the tongue in her cheek) as she tosses off "Mack The Knife" in a half-whisper at breakneck speed. The sound effects make it fresh and funny, while somehow only enhancing the song's sinister undertones. "A Taste Of Honey" is gorgeous, and "Alley Cat Song" is one of Lee's great signature tunes, along with the title track. Although Rick Nelson's version of "I'm Walkin'" is not threatened by Ms. Lee's take, she makes it shine in her own, effortless way.

Taken together, these two records are a solid set, but are quite different; each could easily stand on its own. One note of caution: as mentioned by others, some of the tracks on NORMA DELORES EGSTROM... are not the same takes that were used on the LP version, and are not quite as polished (although certainly not bad). My guess is that the original masters were lost or were damaged. I was vaguely disappointed, and would have deducted half a star, but Amazon doesn't provide that option to customers, so the five-star rating stands, as these albums should be bought and heard by fans and newbies alike. They're great!

SUBLIME 70'S PEGGY LEE MASTERPIECE~BRAVO!!!.......2006-04-05

As a sixties teen who loved rhythm and blues and the great American classic singers, Peggy Lee always stood out as one of the ultimate greats and this awesome two-fer Import is THE masterpiece all of us baby-boomer fans have been waiting for with "Norma Deloris Egstrom from Jamestown, North Dakota" being the "finally" released on CD treasure...and why it took so long remains a mystery but it is clear that nobody at the Capitol Tower in the US has a clue what went on with Peggy Lee or Nancy Wilson in the musically bankrupt seventies but thank heavens for the Capitol Records EMI Import division or else this release probably would have not happened in our lifetime!!!!
Peggy Lee is at her jazzy and sultry best throughout "I'm A Woman" purring out classic greats such as "Mack The Knife", "A Taste Of Honey" and her standard "I'm A Woman" which is still being sung by young jazz singing hopefuls in clubs across the country but none quite as effective as the definitive and very sensual version found here in this magnificent set. This compelling and engaging collection is truly a lost classic that is now thankfully available for all to savor and enjoy.
Next is the magnificent lost masterpiece "Norma Deloras" and from the great opener "Love Song" composed by Leslie Duncan, it is clear that Peggy Lee is going to take all of these great contemporary standards and make them completely her own...this sultry and engrossing version is amazingly great! "Razor (Love Me As I Am) is a hypnotic Lee masterful vocal that should have been a huge hit such as "Fever" but by the pathetically tired musical seventies this sublime version was far too great for the airwaves but remains one of Peggy's all-time seductive best performances..."When I Found You" was a big success with fans and a stirring highlight in her great seventies concerts...this wonderfully romantic song Peggy belts to great effect becomming a real stunning DIVA turn. Hauntingly brilliant is a gorgeous version of "A Song For You" show Peggy Lee made the transition from classic composers to contemporary with great success while a dramatic unreleased "It Changes" is another sublime story telling song that echo's Peggy's Grammy winning "Is That All There Is?".
A melancholy "It Takes Too Long To Learn To Live Alone" is a tender and deeply soulful song that is a slightly different version from the original release..."Superstar" shows that Peggy went deep inside of contemporary standards and made them her own and this definitive version is a fine example.
"Just For A Thrill" sets the mood for chilled Dom Perigom being another Peggy Lee classic and one of her all time finest...another wonderous performance is contained in the exhuberant and romantic "Someone Who Cares" which has fascinating tempo changes and a strong yet sensitive vocal from Peggy that also shows off her fine technique.
Two golden classics close this priceless set and never has either sounded quite so gorgeous..."The More I See You" is tender and sublime as is the sentimental and incredibly moving "I'll Be Seeing You" which perfectly end one of the very finest collections from one of the greatest singers of the 20th Century who is at her very best throughout this wonderous and sublime collection...BRAVO to Miss Peggy Lee and we love and miss you...for anyone who loves a great singer in peak form do not miss this tremendous Peggy Lee classic that is truly a timeless masterpiece...one of the greatest ever!!!

An odd couple.......2005-10-30

The first half of this twofer, from 1963, is yet another terrific collection of Lee's signature mix of jazz and R&B vocals. Just about every one of them is a keeper, although "I'm Walkin'" sounds a little forced. (After the lightning-in-a-bottle brilliance of "Fever," she probably should have quit while she was ahead on the rock and roll covers.) Also, "I'm A Woman" tries to fit a few too many words into too little space, but then who could resist a line like "I can make a dress out of a feedbag/And I can make a man out of you"? I have no complaints at all about the other ten songs; they're all wonderful.

Now, about the second album (whose title, of course, is Lee's real name), I must confess my first reaction was one of morbid curiosity. The release date (1972) and that picture of her looking like Barbra Streisand had me thinking it might be a disastrous effort at contemporary pop. Well, it is contemporary pop, but it turns out that she was pretty good at that too. It definitely shows its vintage, with most of the songs featuring mellow acoustic guitars, electric pianos, and sensitive-guy lyrics. But if you like that style and Lee's voice, they do go together surprisingly well. (The only real dud is the previously unreleased "It Changes," which really should have stayed unreleased!) The slightly countryish "Love Song" and dramatic "Razor" are miles from her usual style, but they sound great. Some of my other favorites are "It Takes Too Long To Learn To Live Alone," one of those painfully-'70s tales of suburban loneliness, and the better than you'd expect cover of the Carpenters' "Superstar." (Think about it, that bombastic chorus is perfect for an ex-big band singer.) And just to remind us that it's still the same Peggy Lee, the closing "I'll Be Seeing You" is just as stunning as you'd expect.

Two contrasting albums from 1963 and 1972.......2005-08-31

The first album here shows Peggy at the peak of her popularity in the early sixties, performing a mix of soft, romantic songs and sultry blues songs, though the dividing line between the two is not always clear-cut. The title track was a major American hit for Peggy but the strength of the album is such that it doesn't really stand out. There are many other fine songs here including The alley cat song, I'm walking, Come rain or come shine and a very impressive interpretation of Mack the knife. You're sick of that song? Listen to Peggy's version - it makes it fresh and exciting. Further classics include I'll get by, I left my heart in San Francisco (another brilliant interpretation) and A taste of honey.

The second album may be an end-of-contract release as it first appeared in 1972, the year in which Peggy left Capitol for the second and last time. Don't let that put you off - while it is not one of Peggy's strongest albums, it is well worth hearing nevertheless. This mellow, romantic album begins with Love song, which was also recorded by Olivia Newton-John. Other contemporary songs include A song for you and Superstar, both written by Leon Russell and recorded by the Carpenters. Older songs are represented by The more I see you and I'll be seeing you. A previously unreleased track, It changes, is added to the album for this release.

This twofer is worth buying for the first album alone, but I suspect that many Peggy Lee fans will (like me) enjoy both albums here.

You Can Love Me Like I am, or Good-bye.......2005-01-14

Both of the albums included here are superb. I prefer Norma Deloris Egstrom from Jamestown North Dakota - it's the later of the two.
While Peggy Lee's singing can never be faulted, sometimes her recordings from the 60's - 70's can sound dated, kitsch and brash. That is not the case here. Practically every cut is a dream, and the orchestrations do not overwhelm with "local color" and novelty. I also want to point out that the B&W cover photgraph of Norma Deloris Egstrom is a stunner. This one's a keeper. The song Razor is sublime. Enjoy.

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