La Mia Canzone [Import]

Track Listings

 
1. Mia Canzone
2. Vita E' Cosi'
3. Una Ragione Di Piu'
4. Avevo un Cuore (Che Ti Amava Tanto)
5. Gente Di Fiumara
6. Era il Tempo Delle More
7. Una Chitarra Cento Illusioni
8. Ma Ti Sei Chiesto Mai
9. Uomo E la Valigia
10. Italia

La Mia Canzone,Mino Reitano,Sony Int'l,Int'l & World Music,Italian,Italian Pop,Italy,Pop,World Music
Pavarotti: Greatest Hits
Average customer rating: 4.5 out of 5 stars
  • Cornucopia of Pavarotti's works
  • Don't...!!!
  • Great Tenor - Poor CD Quality
  • Great Music......Horrible Mastering
  • Surely I am proud to be an Italian-American!!
Pavarotti: Greatest Hits

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. Romantica: The Very Best Of Luciano Pavarotti
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  4. Amore: Romantic Italian Love Songs
  5. Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta

ASIN: B0000042HZ
Release Date: 1997-09-30

Tracks:

  1. Turandot: Nessun dorma
  2. La Boheme: Che gelida manina
  3. La Traviata: Brindisi
  4. Aida: Se quel guerrier io foss ... Celeste Aida
  5. L'Elisir d'Amore: Una furtiva lagrima
  6. Rigoletto: Questa o quella
  7. Martha: M'appari
  8. TOSCA: E lucevan le stelle
  9. Fedora: Amor ti vieta
  10. Pagliaccci: Recitar!... Vesti la guibba
  11. Manon Lescaut: Donna non vidi mai
  12. Rigoletto: La donna e mobile
  13. L'africana: Mi batte il cuor ... O paradiso
  14. Werther: Pourquoi me reveiller
  15. Carmen: La fleur que tu m'avais jetee
  16. Manon Lescaut: Ma se vi talenta ... Tra voi, belle
  17. La Gioconda: Cielo e mar!
  18. TOSCA: Recondita armonia
  19. La Favorita: Spirito gentil
  20. II torvatore: Di quella pira
  21. L'amico Fritz: Suzel, buon di

Tracks:

  1. O sole mio
  2. Torna a Surriento
  3. Orchestra del Teatro Comunale di Bologna: Core 'ngrato
  4. Orchestra del Teatro Comunale di Bologna: Funiculi Funicul
  5. Notte 'e piscatore
  6. O Holy Night (Cantique de Noel)
  7. Panis angelicus
  8. Ave Marie: Ave Maria
  9. Mattinata
  10. La danza
  11. Caro mio ben
  12. Caruso
  13. My Way
  14. Santa Lucia
  15. Tu che m'hai preso il cuor
  16. Mamma
  17. La mai canzone al vento: La mia canzone al vento
  18. Volare
  19. Passione
  20. Granda: Granada

Customer Reviews:

5 out of 5 stars Cornucopia of Pavarotti's works.......2007-03-01

This is a "Super hits" CD, with over forty different cuts (quite a few of which have appeared elsewhere, of course). For those who are aficionados of Pavarotti, this is what might be called "hog heaven."

Disc 1 features estimable works such as "Nessun dorma" (well done, with his voice showing to good effect), "Che gelida manina" (excellently done, with good characterization), ""Celeste Aida" (elegantly sung), "Di quella pira" (a much better than average version), "E lucevan le stelle" (Pavarotti does a nice job in the Puccini-Verdi repertoire), "La donna e mobile" (sung with aplomb), "Recondita armonia" (the other aria from Tosca, which also shows Pavarotti's voice off to good effect), and so on.

Disc 2 is especially interesting, because it features a more popular set of works, from the redoubtable "O sole mio" (richly orchestrated and nicely sung, not overpowered by Pavarotti's operatic voice), "Core n'grato" (compare with Caruso's version), "Oh, holy night," "La danza" (spritely sung with excellent breath control in a treacherous song), "Santa Lucia" (again, smoothly sung), "Ave Maria" (seemingly sung with respect and affection).

A cornucopia of Pavarottiana. For those fans of Pavarotti, this "greatest hits" collection will be welcome. For those who may not be aware of this tenor when his voice was still fresh, this is a fine entrée to his work.

1 out of 5 stars Don't...!!!.......2005-01-24

To combine a voice as beautiful as Pavarotti's with some of the world's greatest music and outstanding orchestras, and end up with this...`thing'...is unforgivable. After buying and listening to it, it brought to mind those painful words "A fool, a fool. I saw a fool today. I saw him in the mirror."

R. J. Rogers

4 out of 5 stars Great Tenor - Poor CD Quality.......2004-10-11

I have never been a huge fan of Maestro Pavarotti but I must admit that this compilation is a masterful collection of his operatic highlights.

I particularily enjoy the first disc which contains just about all the major tenor arias. The singing is superb and listening to this CD it becomes obvious what the fuss over the pre-3 Tenors Pavarotti was all about - the man really did have one of the greatest tenor voices of all time.
His diction was flawless, his line perfect and his interpretation in keeping with the greatest of the Italian tenors of days gone by.

The second disc is interesting in that it is a bit uneven. It contains a few neapolitan standards, a x-mas song, a duet with Frank Sinatra and some other random selections.

Overall this is a 5 star CD but due to the extremely low volume, particularily on the first and most important disc I can only give it a 4 star rating.

On a final note, anyone puzzeled by the current hype over the now againg and commercially over-blown Pavarotti should purchase this CD. This is the great tenor in his prime and as such a CD well worth having...even if you're not a Pavarotti fan.
I'm still not, but I recognize greatness when I hear it.

3 out of 5 stars Great Music......Horrible Mastering.......2004-07-24

Pavarotti has a voice that can take hold of you and change your entire mood...even if you don't know Italian. The problem with this set is the mastering (mastering evens out the volumes and signal to noise ratio on an album). The first CD in this collection is so quiet that you literally have to crank your player to get any kind of volume. For a professional CD this is absolutely unacceptable.
The song choices are good with the exception of "My Way" with Frank Sinatra. Both singers sound ....ummm...let's just say less than their best on the recording. It sits out like a boil on a pretty girl's face.

5 out of 5 stars Surely I am proud to be an Italian-American!!.......2004-06-26

With his wondrous soaring vocals and the humble demeanor within his strong body, Pavarotti is an inspiration to Italian- Americans everywhere - Italian-Americans like me. My family plays his beautiful operas on vinyl nearly every day in me Papa's little wine and cheese shop on 18th and Broadway. The customers compliment the music with glee, pinching my plump cheeks with merriment and wishing me well on their way out the door. Ah, how I love this land of America!!

Oops, I am sorry, Nana.

My Nana has shushed me to "pipe down, little bambino."

I must go down to the dark cellar to count our day's earnings, for it is almost night, and stern Papa will be back soon to close shop and make sure all is well.
For the First Time/Mario Lanza Sings Caruso Favorites
Average customer rating: 4 out of 5 stars
  • Impressive performances from Lanza's final years
For the First Time/Mario Lanza Sings Caruso Favorites

Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005B523
Release Date: 2001-05-08

Tracks:

  1. Come Prima
  2. Tarantella
  3. O Sole Mio
  4. Neapolitan Dance
  5. Hofbrauhaus Song (Wir Einmal Nur in Munchen War]
  6. O, Mon Amour (Je Nen Connais Pas la Fin)
  7. Mazurka
  8. Pineapple Pickers
  9. Pagliacci: Vesti la Giubba
  10. Otello: Finale
  11. Aida: Act I
  12. Ich Liebe Dich (I Love Thee)
  13. Ave Maria
  14. Vieni Sul Mar
  15. Senza Nisciuno
  16. Musica Proibita
  17. Vaghissima Sembianza
  18. Serenata - Mario Lanza,
  19. Lolita
  20. Luna d'Estate
  21. Alba Separa Dalla Luce l'Ombra
  22. Pour un Baiser
  23. Mia Canzone
  24. Ideale
  25. Santa Lucia

Customer Reviews:

4 out of 5 stars Impressive performances from Lanza's final years.......2004-12-18

This CD contains most of the soundtrack from Lanza's final movie, the 1958 For the First Time, together with the 1959 album Mario Lanza Sings Caruso Favorites.

By 1958 Lanza's lirico spinto tenor had darkened significantly, acquiring a baritonal richness in its middle and lower registers, while still retaining the celebrated top notes for which he was justly famous. On his best days, he was also a more sensitive singer than he had sometimes been in his Hollywood period. This is immediately noticeable on the operatic selections included here: Vesti La Giubba; the Otello Death Scene (Niun Mi Tema); and the Grand March from Aida. On the first two numbers, Lanza phrases beautifully and avoids marring these arias with the hammy histrionics that many more celebrated names have indulged in elsewhere. Dark with haunting overtones, his voice is by now ideal for both Canio and Otello.

The Grand March scene is also impressive, with Lanza delivering some staggering B flats over the deafening Rome Opera Orchestra and chorus. All three operatic selections from For the First Time were recorded (and subsequently filmed) at the Rome Opera House, and the effect that Lanza had on the musicians present was extraordinary. "A very musical tenor of enormous possibilities, with an exceptional timbre" was the verdict of the theatre's then Artistic Director Riccardo Vitale.

The first half of For the First Time is much lighter, and includes the pleasant title song, Come Prima, along with a sweet and all-too-brief O Mon Amour. There is also the novelty of hearing Lanza singing in German in the rousing Hofbrauhaus Song, as well as a ridiculous rock and roll number called Pineapple Pickers. (Typically, BMG place this next to Vesti la Giubba on the CD, with no thought for the massive jump in musical style and content between the tracks.) O Sole Mio sounds a little laboured here, and rings out much more thrillingly in the movie. But with the exception of the videotape of the actual film (reviewed elsewhere on this site), many of these selections have never sounded better. There is still the ever-present sandiness that mars all of Lanza's stereo releases, but at least this is an improvement on the soundtrack's earlier outing on the Double Feature CD.

My only gripe is that the delightful Cosi Fan Tutte trio - E Voi Ridete - has been omitted. Instead we have three uneventful (and irritating) non-Lanza musical interludes. *Mercifully* missing, however, is the tenor's La Donna 'e Mobile. Uncharacteristically strained, it was his least impressive performance of the aria, and the only vocal lapse in the entire film.

The final twelve selections from the Caruso Favorites album also feature Lanza in mostly fine form. As with all the tenor's 1959 recordings, however, the reproduction of his voice (though curiously *not* the orchestra) is less than ideal, and the ever-present distortion - particularly on his top notes - mars some of the best moments. Gripes aside, this is an important album in the Lanza canon. Among the highlights are the Neapolitan song Senza Nisciuno; a tasteful Vaghissima Sembianza, replete with two beautiful High As; the daunting Serenata; and three exquisite Tosti songs: L'Alba Separa Dalla Luce L'Ombra, Pour Un Baiser and Ideale.

L'Alba Separa dalla Luce l'Ombra deserves special mention. Lanza is appropriately operatic on this miniature masterpiece, and although his voice sounds a little heavy at times, the impact of his performance is very moving. From "Chiudimi, O notte, nel tuo sen materno," (Envelop me, O night, in your maternal [...]) onwards, Lanza is in full control of the song, faltering only slightly on the climactic note on "eterno" (though this may, in fact, be due to the distortion). Lapses aside, L'Alba Separa is a fine example of Lanza's artistic maturity.

Among the few lesser moments, Mario runs out of steam in the second half of La Mia Canzone, and is subjected to an overly boisterous arrangement on Santa Lucia, which sounds more akin to a march than a lilting ode to the Bay of Naples! At times Lanza does sound tired, and as one perceptive reviewer has noted, we miss the characteristic smile of his earlier voice. Ironically, critics and habitual Lanza-knockers are much more likely to praise this album for the very reason that the tenor *is* so subdued.

Caruso Favorites and For the First Time - together with the brilliant Neapolitan album Mario! Lanza At His Best (also reviewed on this site) - represent the tenor's most impressive singing from the final period of his life. As Lanza authority Lindsay Perigo has noted, the tenor's voice on all three albums is often "hauntingly ethereal." In short, these are not performances that are easily forgotten.
The Complete Caruso
Average customer rating: Not rated
    The Complete Caruso

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0001TSWQO
    Release Date: 2004-11-09
    Giuseppe Di Stefano Sings Neopolitan & Other Songs
    Average customer rating: 5 out of 5 stars
    • GIUSEPPE DI STEFANO--VOL. 1 & 2 NEAPOLITAN SONGS
    • The finest available!
    • Pippo's Biggest Fan
    Giuseppe Di Stefano Sings Neopolitan & Other Songs

    Manufacturer: Testament UK
    ProductGroup: Music
    Binding: Audio CD

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    1. Giuseppe Di Stefano Sings Neapolitan Songs
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    4. The Very Best of Giuseppe di Stefano
    5. The Very Best of Beniamino Gigli

    ASIN: B000003XK1
    Release Date: 1997-04-10

    Tracks:

    1. Funicula, Funiculi
    2. Luna nova
    3. Mamma mia, che vo' sage?
    4. Torna!
    5. Carmela
    6. Guapparia
    7. Mandulinata a Napule
    8. I' m'arricordo 'e Napule
    9. Pecche?
    10. Anema 'e core
    11. Me so' 'mbiracato 'e sole
    12. Vurria
    13. Lolita
    14. Ideale
    15. L'Ultima canzone
    16. Aprile
    17. Luna d'estate
    18. La Serenata
    19. Mattinata
    20. Non t'amo pui
    21. Malia
    22. Chanson de l'adieu
    23. 'A Vucchella
    24. Musica Proibita

    Customer Reviews:

    5 out of 5 stars GIUSEPPE DI STEFANO--VOL. 1 & 2 NEAPOLITAN SONGS.......2005-07-29

    WONDERFUL MUSIC--MAKES ME THINK OF WALKING THE STREETS OF NAPLES AND LISTENING TO MY FATHER SING TO ME. ONE CAN CLOSE THEIR YES AND THINK OF SITTING IN A RESTAURANT OR SIDEWALK CAFE AND BEING SURROUNDED BY BEAUTIFUL ITALIAN PEOPLE.
    LOVELY SONGS SUNG BEAUTIFULLY

    5 out of 5 stars The finest available!.......2002-08-29

    For connoisseurs of Neapolian songs, these discs from Testament are golden, and no one sings these songs better than di Stefano. He has the charm and style in his delivery as few others have.
    After hearing him in these songs, others may sound like mere pretenders. I can't recommend this disc highly enough if you like great singing and canzoni Napoli.

    5 out of 5 stars Pippo's Biggest Fan.......2000-08-26

    Now this is what I would call one beautiful CD.It shows that Pippo was the greatest tenor in the world during his reign.His voice is extremely beautiful and the warmth and emotionalism are incredible.I listen to his " Non T'amo Piu " endlessly.You just can't find singing like Pippo at his best even going back to Gigli.This CD is a must have for anyone even remotely interested in classical tenor voices.They don't meke them like Pippo anymore and fortunately his voice and style of singing will live forever with his many recordings.Do yourselves a big favor and buy this one.

    Pippo's Biggest Fan
    The #1 Tenor Album
    Average customer rating: 5 out of 5 stars
    • A masterpiece compilation of Bel Canto
    The #1 Tenor Album

    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    4. The Most Famous Opera Duets
    5. The Most Famous Opera Arias

    ASIN: B00005M0NB
    Release Date: 2001-07-10

    Tracks:

    1. Rigoletto: La Donna E Mobile - Luciano Pavarotti
    2. Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
    3. Carmen: Flower Song - Placido Domingo
    4. L'Elisir D'Amore: Una Furtiva Lagrima - Roberto Alagna
    5. La Boheme: Che Gelida Manina - Carlo Bergonzi
    6. Aida: Celeste Aida - Jon Vickers
    7. Martha: M'Appari - Luciano Pavarotti
    8. La Gioconda: Cielo E Mar - Jussi Bjorling
    9. I Pagliacci: Vesti La Giubba - Mario Del Monaco
    10. The Magic Flute: Dies Bildnis Ist Bezaubernd Schon - Fritz Wunderlich
    11. Tales Of Hoffmann: O Dieu! De Quelle Ivresse - Placido Domingo
    12. Tosca: E Lucevan Le Stelle - Franco Corelli
    13. Manon Lescaut: Tra Voi Belle, Brune E Bionde - Jose Carreras
    14. Rigoletto: Questa O Quella - Luciano Pavarotti
    15. Luisa Miller: Quando Le Sere Al Placido - Carlo Bergonzi
    16. Werther: Pourquoi Me Reveiller - Giuseppe Di Stefano
    17. Girl Of The Golden West: Ch'ella Mi Creda - Jussi Bjorling
    18. Il Trovatore: Di Quella Pira - Luciano Pavarotti/London Opr Chor
    19. Andrea Chenier: Un Di All'Azzurro Spazio - Mario Del Monaco
    20. Turandot: Non Piangere Liu - Giuseppe Di Stefano
    21. La Traviata: Lunge Da Lei - De' Miei Bollenti Spiriti - Giacomo Aragall
    22. Fedora: Amor Ti Vieta - Jussi Bjorling
    23. L'Africaine: Mi Batte Il Cor... O Paradiso - Placido Domingo
    24. L'Arlesiana: Lamento Di Federico - Jose Carreras
    25. Madame Butterfly: Addio, Fiorito - Luciano Pavarotti

    Tracks:

    1. La Traviata: Brindisi - Placido Domingo/Dame Joan Sutherland
    2. Tosca: Recondita Armonia - Giuseppe Di Stefano
    3. Il Trovatore: Ah Si Ben Mio - Mario Del Monaco
    4. La Favorita: Spirto Gentil - Luciano Pavarotti
    5. Faust: Salut! Demeure Chaste Et Pure - Franco Corelli
    6. Die Walkure: Wintersturme Wichen Dem Wonnemond - Jon Vickers
    7. Die Meistersinger Von Nurnberg: Morgenlich Leuchtend - Rene Kollo/Norman Bailey
    8. Adriana Lecouvreur: La Docissima Effigie - Carlo Bergonzi
    9. Turandot: Nessun Dorma! - Luciano Pavarotti/John Alldis Chor
    10. 'O Sole Mio - Luciano Pavarotti
    11. La Mia Canzone Al Vento - Luciano Pavarotti
    12. Take Me Back To Sorrento (Torna A Surriento) - Giuseppe Di Stefano
    13. Parlami D'Amore, Mariu - Giuseppe Di Stefano
    14. O Surdato 'Nnamurato - Giuseppe Di Stefano
    15. Caro Mio Ben - Luciano Pavarotti
    16. La Danza - Luciano Pavarotti
    17. Chitarra Romana - Giuseppe Di Stefano
    18. Era Di Maggio Matenatta - Giuseppe Di Stefano
    19. Santa Lucia - Luciano Pavarotti/David Romano
    20. Mattinata - Luciano Pavarotti
    21. Funiculi-Funicula - Luciano Pavarotti
    22. Granada - Jose Carreras
    23. Core 'Ngrato - Jose Carreras
    24. La Taberna Del Puerto - Zarzuela In 3 Acts: No Puede Ser - Placido Domingo
    25. Das Land Des Lachelns: You Are My Heart's - Placido Domingo

    Customer Reviews:

    5 out of 5 stars A masterpiece compilation of Bel Canto.......2003-11-27

    The #1 Tenor album is basically, a compilation of the most popular opera arias. But it's a must buy for two simple reasons:
    For anyone who enjoys listening to classical music (specifically opera), this albums contains probably, many of the greatest male voices in opera history (we miss Enrico Caruso), such as:
    Mario Del Monaco
    Giusseppe Di Stefano
    Jon Vickers
    Plácido Domingo
    Jussi Björling
    José Carreras and
    Luciano Pavarotti
    singing arias from Il Trovatore, Rigoletto, Pagliacci, Carmen, Die Walküre, Aida, among others, plus many traditional napolitean songs as O sole mio, Torna a Sorrento and Santa Lucia.

    Highlights:
    La donna é mobile/ Pavarotti
    Le fleur que tu m'avais jetée/ Domingo
    Recitar...Vesti la giuba/ Del Monaco
    Winterstürme wichem dem Wonnemond/ Vickers
    'O sole mio/ Pavarotti
    Das Lands des Lächelns/ Domingo
    Non piangere Liú/ Di Stefano
    Coren'grato/ Carreras
    plus many others.

    For all the people than is not familiarized with opera, this is a great oportunity to get to know bel canto with the greatest voices in history. For all the others, simply a must-buy.
    Mamma
    Average customer rating: 5 out of 5 stars
    • Wonderful
    • OUTSTANDING! THE BEST OF PAVAROTTI!
    • Charming and moving, not to be missed...
    • Cantare, cantare
    Mamma
    A. Walter Kramer , Innocenzi , Giovanni D'Anzi , Eldo di Lazzaro , Vincenzo De Crescenzo , Anonymous , Giovanni Battista Califano , Columbo Arona , and Andrea Griminelli
    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000040WC
    Release Date: 1990-10-25

    Tracks:

    1. Mamma
    2. Non ti scordar di me
    3. Lolita
    4. Musica proibita
    5. Firenze sogna
    6. Vivere
    7. Parlarmi d'amore, Mariu
    8. In un palco della Scala
    9. Addio, sogna di gloria
    10. Voglio vivere cosi
    11. Chitarra Romana
    12. Rondine al nido
    13. La ghirlandeina
    14. La mia canzone al vento
    15. Vieni sul mar
    16. La campana di San Giusto

    Customer Reviews:

    5 out of 5 stars Wonderful.......2006-03-16

    I am of Italian descent and even though I only understand some words the beauty of this cd is beyond description. The zest for life and fervor in each number is unbelieveable. Henry Mancini's arrangements gave me a greater appreciation of each of these very talented showmen. I think Pavarotti was at his prime on this disc.

    5 out of 5 stars OUTSTANDING! THE BEST OF PAVAROTTI!.......2005-11-19

    Not even a song in this album fails to please me. A must-have for those interested in italian song and in good music.

    5 out of 5 stars Charming and moving, not to be missed..........2000-05-30

    I just love this CD! He followed this with another similar CD called "Passione" which also had many lovely italian songs, but this one has it all. There are sweet songs (Parlami D'amore, Mariu), cute songs (Palco della Scala) and then bittersweet songs (Addio, Songi Di Gloria and Rondine Al Nido.) This CD comes with liner notes and I recommend taking the extra few minutes to see what he's singing. It will enhance your enjoyment (although the music alone is enjoyment enough!) Mancini's arrangements are really what helps to make the difference. I think a great arranger was what was missing from "Passione" --that and passione!

    5 out of 5 stars Cantare, cantare.......1999-11-26

    Isn't this CD wonderful? I came upon it a bit late, but it was a great idea for Luciano Pavarotti and Herni (Enrico? ) Mancini to get together and introduce us all to these standard Italian favourites. Henri Mancini somehow knows just how to polish a tune and Pavarotti's "millenium" tenor puts in that last sparkle. I've fallen in love with "Parlami d'amore, Mariu." and whistle/sing/hum it all the time. (The original by Vittorio de Sica must be interesting.) Buy this CD to enjoy Italian songs at their absolute best.
    Best of Luciano Pavarotti
    Average customer rating: Not rated
      Best of Luciano Pavarotti

      Manufacturer: Golden Classics
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B00013NDKU
      Release Date: 2004-02-10

      Tracks:

      1. A' Vucchella
      2. Ultima Canzone
      3. Non T'Amo Piu
      4. Malia
      5. Serenata
      6. Mattinata
      7. Per la Gloria d'Adorarvi
      8. Gia' il Sole Dal Gange
      9. Pace Non Trovo
      10. Che Fiero Costume
      11. Dolente Immegine Di Fille Mia
      12. Bella Nice Che d'Amore
      13. Vaga Luna Che Innargenti
      14. In Questa Tomba Uscura
      15. Ave Maria
      16. Pieta Signore
      17. Messa Di Requiem, "Ingemisco"
      18. Agnus Dei

      Tracks:

      1. Cielo Mar, "La Gioconda"
      2. E Lucevan le Stelle, "Tosca"
      3. Recondita Armonia, "Tosca"
      4. Giunto Sul Passo Estremo, "Mefistofele"
      5. Nessun Dorma, "Turandot"
      6. Una Furtiva Lagrima "L'Elisir d'Amore"
      7. Lunga da Lei...De' Miei Bollenti Spiriti...I Mio Rimorso Infame, ...
      8. Mia Letizia Infondere...Come Poteva un Angelo, "I Lombardi Alla ..."
      9. Pourquoi Me Reveiller, "Werther"
      10. Ideale
      11. Donna Non Vidi Mai, "Manon Lescaut"
      12. Vaga Luna Che Inargenti
      13. Me Voglio Fa' Na Casa
      14. Tarantella
      Verdi: La Forza del Destino
      Average customer rating: 4.5 out of 5 stars
      • warning: no libretto
      • Excellent in every way, yet another ignored Verdi Voice!
      • Musical Sheet Lightning
      Verdi: La Forza del Destino

      Manufacturer: Deutsche Grammophon
      ProductGroup: Music
      Binding: Audio CD

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      1. Verdi: Il Trovatore
      2. Verdi: Macbeth
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      4. Verdi: Stiffelio
      5. Verdi: Attila

      ASIN: B000BO0GPO
      Release Date: 2006-01-10

      Tracks:

      1. Overture - Philharmonia Orchestra
      2. Introduzione-Scena: 'Buona Notte, Mia Figlia' - John Tomlinson
      3. Recitativo: 'Temea Restasse Qui Fino A Domani' - Jean Rigby
      4. Romanza: 'Me Pellegrina Ed Orfana' - Rosalind Plowright
      5. Scena: 'M'aiuti, Signoria' - Jean Rigby
      6. Duetto: 'Ah, Per Sempre, O Mio Bell'angiol...Seguirti Fino Agl'ultimi' - Jose Carreras
      7. Scena-Finale I: 'E Tardi...Vil Seduttor' - Various Artists
      8. Coro-Ballabile: 'Hola, Hola, Hola! Ben Giungi, O Multattier' - Mark Curtis
      9. Scena: 'La Cena E Pronta'/Recitativo: 'Viva La Guerra' - Various Artists
      10. Canzone: 'Al Suon Del Tamburo' - Various Artists
      11. Preghiera: 'Padre Eterno Signor...Pieta Di Noi' - Various Artists
      12. Scena: 'Viva La Buona Compagnia'/Recitativo: 'Poich'imberbe E L'incognito' - Various Artists
      13. Ballata: 'Son Pereda, Son Ricco D'onore' - Various Artists
      14. Scena, Coro E Ripresa Della Danza: 'Sta Bene' - Various Artists

      Tracks:

      1. Aria: 'Son Giunta! Grazie, O Dio!...Madre, Pietosa Vergine' - Ambrosian Opera Chorus
      2. Scena: 'Chi Siete?' - Juan Pons
      3. Scena E Duetto: 'Chi Mi Cerca?...Infelice, Delusa, Reietta' - Paata Burchuladze
      4. Finale II: 'Il Santo Nome Di Dio Signore...La Vergine Degli Angeli' - Various Artists
      5. Scena: 'Attenti Al Gioco' - Jose Carreras
      6. 'La Vita E Inferno All'infelice' - Jose Carreras
      7. Romanza: 'Oh, Tu Che In Seno Agli Angeli' - Jose Carreras
      8. Scena E Duettino: 'Al Tradimento...Amici In Vita, In Morte' - Jose Carreras
      9. Scena: 'All'armi!'/Battaglia: 'Arde La Mischia!'/Scena: 'Piano...Qui Posi' - Various Artists
      10. Duettino: 'Solenne In Quest'ora' - Renato Bruson
      11. Scena: 'Morrir! Tremenda Cosa!' - Renato Bruson
      12. Aria: 'Urna Fatale Del Mio Destino...Egli E Salvo! Oh Gioia Immensa' - Jose Carreras

      Tracks:

      1. Ronda: 'Compagni, Sostiamo' - Abrosian Opera Chorus
      2. Scena E Duetto: 'Ne Gustare M'e Dato Un'ora Di Quiete...Oh Tradimento!' - Renato Bruson
      3. Coro: 'Lorche Pifferi E Tamburi' - Abrosian Opera Chorus
      4. Strofe: 'Venite All'indovina' - Agnes Baltsa
      5. Scena: 'Que, Vivandiere, Un Sorso' - Agnes Baltsa
      6. Arietta: 'A Buon Mercato'/Coro: 'Pane, Pan Per Carita' - Various Artists
      7. 'Che Vergogna!' - Ambrosian Opera Chorus
      8. Coro-Taratella: 'Nella Guerra, E La Follia' - Various Artists
      9. Predica: 'Toh, Toh! Poffare Il Mondo'/(Recitativo): 'Lasciatelo Ch'ei Vada' - Juan Pons
      10. Rataplan: 'Rataplan' - Various Artists
      11. Coro Ed Aria Buffia: 'Fate La Carita...Che? Siete All'osteria?' - Ambrosian Opera Chorus
      12. Scena E Duetto: 'Auf! Pazienza Non V'ha Che Basti...Del Mondo I Disinganni'/Scena: 'Giunge Qualcun..Aprite' - Paata Burchuladze
      13. Scena E Duetto: 'Invano, Alvaro, Ti Celasti Al Mondo...Col Sangue Sol Cancellasi L'infamia' - Renato Bruson
      14. Melodia: 'Pace, Pace, Mio Dio' - Jean Rigby
      15. Scena E Terzetto Finale: 'Io Muoio...Confessione!...Non Imprecare, Umilitati' - Various Artists

      Customer Reviews:

      4 out of 5 stars warning: no libretto.......2007-02-22

      This is a good recording, no doubt about it, but costumers should be aware of the fact that there is no libretto included, but only a detailed synopsis.

      5 out of 5 stars Excellent in every way, yet another ignored Verdi Voice!.......2007-01-06

      Fortunately, we do not have too many recordings of Forza to choose from. It is hard to cast those roles, so dramatic and long winded and phrases requiring piano and fortissimo and Rosalind Plowright was up to the challenge, but you need more than a big voice to justify Forza, you need TEXTURE too - depth, width, and sheen! No wonder, the opera has vanished from the repertory.

      According to what I've heard, she was a Verdi soprano par excellence! Her tendency to cut the top notes short, play with the rhythm at times, and bottle up the tone can't detract from that awesome exciting voice AND that excellent Verdi beat. HOWERVER, Rosalind Plowright seemed to assiduously avoid the typical Verdian soprano sound a la Milanov, Price, Dunn, and Arroyo etc but opted for a brighter sound every bit as huge and crisp as Crespin and as veiled as the Callas of the 1960's. All this makes for an avalanche of a voice that must have raised the roof. She is very very thrilling to hear and this explains why she was a Verdi soprano of choice in Europe during the Milllo and Dunn years. I assume her voice didn't please everyone because it was unwieldy at the top, again like Crespin and also the tone hardened at times; in fact, i must repeat, she sounds exactly like a combination of Callas and Crespin. But make no mistake, those great divas never wrapped their great voices around Verdian phrases like Plowright, especially in .."Son Giunto, grazie o Dio" for in this regard she joins that long line of Verdians going way back to Arangi-Lombardi, Ponselle, and Milanov -- this is Art and anyone who has studied Verdi can identify a Verdian of this caliber. You Verdians out there know what I mean.

      Carerras is close to the microphone, and this forcing does not do well in Verdi. Nevertheless, there is an honesty with this man, a passion, an innate truth. I prefer him dead or alive to Domingo, but he is not at the technical level of Domingo or Aragall. Preziosilla is Ms. Baltsa, and how well she sings. I am a FAN of RENATO BRUSON so its not fair to sing his praises!

      Giuseppe Sinopoli is intense and he achieves a noble Verdi sound appropriate for Forza, nice and warm sounding but rhythmic indeed. I do like his work in this Forza and I think his work as a Verdian has NOT been bettered, not even by Jimmy Levine who I also really like. However, Trovatore belonged to Zubin Mehta and Humberg (I think I spelled it right - he is on the Naxos Trovatore)

      TOP MODERN VERDI -- THAT IS MY ASSESSMENT!

      5 out of 5 stars Musical Sheet Lightning.......2006-10-11

      Although Verdi's basic style was established early in Nabucco (1842), he keeps getting better down through the 1860s with the spectacular La Forza del Destino and Don Carlo. In listening to his operas after 1870, I am too familiar with Aida and Otello to be deeply impressed with them; and I have never cared for Falstaff. The progress toward "true music drama" climaxing in Otello does not concern me although Boito's brilliant libretto makes that 1887 opera one of Verdi's best. The setting and plot of La Forza del Destino interest me more than any other Verdi opera. The accidental killing of a father, the brother's irrational but deadly vendetta and ,above all, the role played by Italian monasticism capture my imagination. Verdi's supercharged music is convincing at every point. What could be more electric than the brooding overture with its mournful clarinet melody? Leonora prays convincingly to the Virgin and then with a group of monks in Act II. I recall the role played by Italian monasticism in Ann Radcliffe's striking novel The Italian published in the 1790s, the same decade that Cherubini's Medee set the pattern of "grand opera," a basic element in Verdi despite all the talk about "music drama" without arias. Ewen observes, "With its pronounced dramatic content and enriched harmonic and orchestral writing, La Forza del Destino represents a gradual departure from the style of La Traviata toward that of Aida." I prefer to see this brilliant opera as a end in itself apart from any progressive scheme.

      I appreciate most the interaction of keen drama with religion in a form preferable to the rather morbid religious-secular dualism of Wagner's Tannhauser. Although Verdi's monks may sing quietly, the religious element blends with the plot more convincingly than in Wagner's schematically opposed Pilgrim's Chorus and Venusberg music. Even more striking is the contrast between Verdi's opera and Tchaikovsky's frantic Eugen Onegin where the protagonist's stupid egotism results in a tragic duel. In Act IV of La Forza del Destino the noble lover Alvaro tries to convince the vengeful Carlo that "God alone can bring retribution." Although Carlo murders his sister and Alvaro is weak enough to curse his "destiny" (secular language for the overruling sovereignty of God), the last word goes to Padre Guadiano in "Non imprecare, umiliati." In addition to all these features the performance gives us Agnes Baltsa as an entertaining gypsy Preziosilla. Verdi measures out just the right amount of this change of pace rather than making us wallow in it as does Bizet's Carmen. In his great tragic opera, Verdi proves once for all that one of the best forms of opera is high-tension theater. His work forms a perfect complement to the operas of Meyerbeer.
      Paolo Tosti: Recital of Songs
      Average customer rating: Not rated
        Paolo Tosti: Recital of Songs

        Manufacturer: Symposium
        ProductGroup: Music
        Binding: Audio CD

        General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
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        Enrico Caruso: Opera Arias and Songs Milan 1902 - 1904
        Average customer rating: Not rated
          Enrico Caruso: Opera Arias and Songs Milan 1902 - 1904
          Bizet , Boito , Cilea , Denza , Donizetti , Franchetti , Giordano , Leoncavallo , Mascagni , Massenet , Meyerbeer , Corsi , Ponchelli , Puccini , Tosti , Trimarchi , Verdi , Zardo , and Enrico Caruso
          Manufacturer: Angel Records
          ProductGroup: Music
          Binding: Audio CD

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          Tracks:

          1. Germania: Studenti, udite
          2. Rigoletto: Questa o quella
          3. Aida: Celeste Aida
          4. Manon: O dolce incanto
          5. L'Elisir d'Amore: Una furtiva lagrima
          6. Mefistofele: Giunto sul passo estremo
          7. Germania: Ah vieni qui...No non chuider gli occhi
          8. Mefistofele: Dia campi, dai prati
          9. TOSCA: E lucevan le stelle
          10. Iris: Apri la tua finestra
          11. Fedora: Amor ti veta
          12. La Gioconda: Cielo e mar
          13. I Pagliacci: Recitar! ...Vesti la glubba
          14. Cavalleria Rusticana: O Lola
          15. Non t'amo piu
          16. La mia canzone
          17. Adriana Lecouvreur: No plu nobile
          18. Luna fedel
          19. Un bacio ancora
          20. Les pecheurs de perles: Mi par d'udir ancor
          21. Mattinata
          22. Les Huguenots: Qui sotto il ciel
          23. Tu non mi vuoi piu bene

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