| 1. Fou de Toi |
| 2. Homme Sweet Homme |
| 3. Larsen |
| 4. Point C'est Toi |
| 5. Je T'Aime Mais |
| 6. Zen |
| 7. Craque Monsieur |
| 8. Diable Nos Adieux |
| 9. Hissée Haut |
| 10. Souris Verte |
| 11. J' Envoie Valser |
| 12. La La La |
| 13. Homme Sweet Homme [Remix] |
Zen,Zazie,Polygram Int'l,Dance-Pop,Euro-Dance,Euro-Pop,Foreign Language Rock,France,French Pop,French Rock,Int'l & World Music,Pop,World Music
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Zen Arcade
Hüsker Dü Manufacturer: Sst Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000LZS Release Date: 1990-10-25 |
Tracks:
- Something I Learned Today
- Broken Home, Broken Heart
- Never Talking To You Again
- Chartered Trips
- Dreams Reoccurring
- Indecision Time
- Hare Krsna
- Beyond The Threshold
- Pride
- I'll Never Forget You
- The Biggest Lie
- What's Going On
- Masochism World
- Standing By The Sea
- Somewhere
- One Step At A Time
- Pink Turns To Blue
- Newest Industry
- Monday Will Never Be The Same
- Whatever
- The Tooth Fairy And The Princess
- Turn On The News
- Reoccurring Dreams
Amazon.com essential recording
Even when this Minneapolis trio dabbled in familiar sounds, such as the strummed folk of "Never Talking to You Again" or the Bo Diddley-style R&B of "Hare Krsna," what came out on this swirling 1984 double album was clenched, emotional, and intense. Over 23 short songs that helped define the still-thriving punk subgenre known as hardcore, leaders Grant Hart and Bob Mould screamed their alienation in the fastest language they could possibly produce. Though Mould is the more personal songwriter, lashing out at liars and (presumably) lovers, both Hüsker heads come up with psycho-depression choruses like "What's going on inside my head?" --Steve KnopperAmazon.com
They didn't yet have terms like "alternative rock" when Minneapolis's Husker Du made their mark as one of the 1980's most influential bands. With two skilled songwriters--guitarist Bob Mould and drummer Grant Hart--the genre-bending trio (bassist Greg Norton completed the lineup) juxtaposed hardcore punk speed and aggression with pop-leaning melodies. Add their uniformly thoughtful, introspective lyrics, and you've got this stunning 1984 double-length release, a semi-concept album about youthful rites of passage. It includes such memorable tracks as Mould's "Broken Home, Broken Heart" Hart's "Never Talking to You Again," and the evocative 14-minute instrumental closer, "Reocurring Dreams." --Billy AltmanCustomer Reviews:
"I've made my world of happiness to combat your neglect.".......2007-06-13
The double L.P. format, the concept, the piano interludes, the dreamy fourteen-minute closer, all stood as the very antithesis of hardcore simplicity. The Minneapolis trio's refusal to adhere to rock/punk/hardcore ground rules is what made them so influential.
Recorded and mixed in one 85-hour stretch, all but two of Zen Arcade's twenty-three tracks ('Something I Learned Today' & 'Newest Industry') were first-take recordings. Whilst many tracks feature the Hüsker's signature whirlwind pace, they avoid hardcore cliché, leaning more toward local rivals The Replacements' LSD-infused rockist sound than Minor Threat's straight-edge punk.
The album's concept deals with its protagonist running away from home to escape his rowing parents ('Broken Home, Broken Heart') and deadbeat friends ('Never Talking to You Again'), only to be overwhelmed by the horrors of the outside world. Although something of an allegory for the lives of many hardcore kids, the most profound statement Zen Arcade makes is in its conclusion: there is none. The fact that it was all a nightmare offers the listener no resolution.
The album is often credited with ushering in a new era of 'post-punk' in American music, and due to its sheer scope, signalling the demise of the hardcore genre.
Troubled and Brilliant.......2007-06-05
It's 1985, Summer Camp-and everything I ever knew about music was about to change..........2007-04-23
I had no idea who the Du were...were they a bunch of Hare Krishnas? Were they some cult? What the hell was that sound the guitar was making-why was the drumming so fast and how in G-d's name could that bass line get any thumpier (is "thumpier" even a word?)
I was 16, a CIT at an arts camp in Connecticut and a NY City kid just gave me a tape that would change my life...
On the third listen I heard the melodies and lyrics through the wall of sound.
Sure I already loved the Beatles, Hendrix, basic punk (Buzzcocks, Sex Pistols) and New Wave including Bowie & the Cure...but this-oh man-this was so freakin' different.
Hearing the story line, the bouncing from ballad to hardcore at its purest-this album changed me. Soon every cent I had went to buying every cassette of Husker Du I could-and I was not disappointed.
I saw them that fall in 1985 and OH MAN-the stage at Irving Plaza in Manhattan was full of energy...a nearly introverted Mould turned into an extroverted Mould once the feedback was full-on; then came Norton jumping all over stage-he was crazier on stage than Townshend in his best of days-finally the long-haired hippy drummer Hart who alternated vocals with Mould and his bare feet pounding the hi-hat and bass drum at insane speeds...
I'd seem them that winter in 1986 and again a few times before the imploded in 1987...
I remember running to the store to get Candy Apple Grey the Tuesday it came out on Warner Bros. (My friend Ari, as a lark, even plagiarized the lyrics for "Too Far Down" for his creative writing class in 12th grade causing the teacher to speak to him after class to make sure "things were okay and that he wasn't going to do anything to himself..." but I digress).
Anyway-this album is even better than the hype.
Listen to it 3 times-the third time is really the charm...and you'll hear a masterpiece, a true diamond in the rough...a seminal album about a runaway and a band on a runaway train (okay so I saw Soul Asylum open for Husker Du-and also Dwight Yokum...)
Oh the songs----Pink Turns to Blue may be the best song of a hooker on junk ever written-and you just want to sing along...Dreams Recurring and Recurring Dreams-maybe the first and last punk jam-and highly listenable if you have the time...Something I Learned Today-gets the album started-and Never Talking to You Again---maybe an ode from Hart to Mould...ironically they played it on stage one last time in 2004...
Anyway-that's all for now-buy this album!!!!!
must-have punk rock classic........2007-03-05
Greatest Concept Album Ever Made.......2006-12-04
First, Zen Arcade is a concept album. In sum, the story is about an unhappy teen who leaves home with a "Broken Home, Broken Heart", enjoys drugs on his "Chartered Trips" brushes against the "Hare Krishna" street religion, discovers himself sexually conflicted in a "Masochism World" then realizes that his dream of freedom and success may be in vain as he has to return home amidst the "Biggest Lie". The concept ends with the kid waking up at the end of the album by the "Tooth Fairy and Princess" realizing the entire experience was one of many "Reoccurring Dreams". Unlike the Beatle's Sergeant Pepper's, this concept album is strongly cohesive from start to finish yet still manages to avoid loosing it's musicality along the way as Pink Floyd's the Wall did.
I first heard the album in the late 80's and then, as now, was blown away by a few numbers on the albums. As far as generic punk goes, I think Pride and I Will Never Forget You are the genre's Shakespeare. They are bold, fast and scorching but most importantly, they're honest. They do not pose to be chaotic- they are chaotic, but somehow remaining fun and raw. I still can't get over the idea of chair throwing as a musical instrument. It seems more sincere and heartfelt than say Pete Townsend and his hordes of followers who've dashed a guitar in mock anger, or whatever it is they're dashing guitars for. Aside from these, other stand out songs include:
Hare Krishna. A little repetitive after a minute or so yet effective in blending an inane chant with western, punk-a-billy rock and guitar work that is what any guitar player can only hope to spit out- fast, berserk, original, simple and powerful.
Chartered Trips: Beautiful lyrics (as usual). Mould's voice seems like a child struggling to express the most important thing in his life as it nearly cracks. The guitar paints an even, up-beat canvas along steady, simple drums.
Where "Pride" scorches "Beyond the Threshold" tackles the frustration of small town isolationism and grinding routine perfectly.
There were only a handful of labels that supported punk acts, SST records being one of the biggest. Due to that, Husker Du were able to borrow one of the lead singers from Black Flag (Dez) to write one of the best party songs since "Six Pack". "What's Going On" captures the same football anthem, party feel but at the same time it is more philosophical. The singer recognizes, in his own confusion, that the problem isn't so much the outside world as his own perspective; a great "WTF am I doing?" song, like when you look for a leak in the roof and accidentally fall through the ceiling.
Masochism World- Mould's simple, repetitive guitar rhythms along with heavy echo vocal effects create a wall of sound that is beautifully punctuated with angelic female vocals in the center contrasting with his screaming. A true 'battel of the sexes' in punk duet form. Frank Black of the Pixies is often quoted for his ad he attracted Kim Deal by. I really think this song was what he had in mind when he wrote that ad. It just kicks.
The Tooth Fairy and the Princess- pure childlike psychedelic meets punk. Repetitive along the lines of Hare Krishna, but still beautiful and daring.
Dreams Reoccuring/Reoccuring Dreams: Two songs, the first which helps open this concept album and the later which closes with 14 minutes of instrumental work. The first (Dreams Reoccurring) splices a forward track with back masking of the same, providing a dream-like sense of misdirection, as if to suggest the main character is in a dream. The second is straight-forward power rock, with solos by everyone along a consistent, fast beat. Reoccurring Dreams is really the gutsiest piece on the album, or perhaps, of any album made in the last 20 years- but some might find it self-indulgent egotism. Here, Mould plays everything he feels and everyone backs him up as though they were a seasoned jazz trio. At one point he hits a note and allows the feedback to run for over a minute like an air raid siren. One minute of SOLID FEEDBACK! For guitarists, this is a dream. Metal heads will always have Van Halen's "Eruption", but true punks will always have Reoccurring Dreams.
What makes this album a treasure, along with all great albums, is that we get so much from the artist. While Husker Du may label it a concept album, it is very difficult to disassociate the main character with the band itself- thus within a single album they capture the full spectrum of teenage triumph, aspiration, dreams, remorse, regret, pain and beauty. True, they take two albums (23 songs) to do it, but again, it's one very cohesive work. If many bands owe a debt to Nirvana and Nirvana owes a debt to the Pixies, then even more owe a long unrecognized debt to Husker Du who put out a gutsy, beautiful statement that stands the test of time better than the punk labels they were tagged with.
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Sanctuary: Music from a Zen Garden
Riley Lee Manufacturer: Narada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004U90V Release Date: 2000-07-18 |
Tracks:
- Evening Mist
- In The Monastery Garden
- Moon Shadows
- Moon Flowers
- Wintry Wind
- Morning Calm
Amazon.com
As peaceful and enchanting as a sunset's afterglow on a cloudless summer evening, the gentle music of Riley Lee (playing shakuhachi flute, an instrument traditionally used by Japanese monks) and Bert Moon (on koto, a 13-string zither) stirs a warm, caressing breeze that calms the spirit and stills the mind. Lee, an Australian, is one of the few non-Japanese musicians to be acknowledged as a dai shihan (grand master) of the shakuhachi, a fairly primitive flute made from a bamboo root. His talents are artfully displayed on this tranquil assortment of improvisational duets with Moon, recorded in 1984 and first released in 1991 as a meditative cassette titled Evening Mist. Lee's elegant, prolonged tones are gentle to the point of weightlessness, residing in comfortable low and middle ranges without sounding a shrill note. Moon, though not credited on the recording's front cover, admirably handles an egalitarian role throughout the disc's 61 minutes, handsomely complementing Lee's cerebral textures with dignified, unobtrusive accents. Listeners raised on Occidental music will find little alien about Lee and Moon's graceful, unhurried duets, ideal for periods of restfulness or contemplation. --Terry WoodCustomer Reviews:
Stillness and motion.......2005-02-23
Good stuff!.......2004-06-29
My Favorite "Plinky" Music CD.......2003-07-05
Wonderful, Relaxing, Uplifting.......2002-01-28
I have it playing right now.....EXCEPTIONAL!!.......2001-11-29
A KAYCEYGIRL AUDIO LIBRARY MASTERPIECE!!
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Industrial Zen
John McLaughlin Manufacturer: Verve Fontana ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000F5Z6RC Release Date: 2006-08-01 |
Tracks:
- For Jaco
- New Blues Old Bruise
- Wayne's Way
- Just So Only More So
- To Bop Or Not To Be
- Dear Dalai Lama
- Senor C.S.
- Mother Nature
Amazon.com
McLaughlin develops an intensely contemporary take on fusion here, combining with some fresh musicians while paying tribute to his fellow founders of the idiom. Updating his Mahavishnu Orchestra, the guitarist mixes electric jazz and Indian rhythms and scales with current synth and drum programming, creating a. maze of rapid lines that weave through a minefield of percolating electronics and percussion. Along with tributes to Carlos Santana and Michael Brecker, bassist Hadrien Feraud is prominent on "For Jaco," and Ada Novelli's soprano sax invokes Weather Report-era Shorter on "Wayne's Way," but all the music bears McLaughlin's trademark group virtuosity, the musicians moving fluidly in and out of complex patterns. "To Bop or Not To Be" stands out, flying atop the dense rhythmic dialogue of drummers Zakir Hussain and Dennis Chambers and bassist Matthew Garrison. There's a certain electronic sheen here, but strong personalities --McLaughlin, Feraud, and saxophonist Bill Evans--regularly break through to create intense moments. --Stuart BroomerAlbum Details
Since the 1970's John Mclaughlin's Long Career Has Always Taken Mysical Turns, from the Mahavishnu Orchestra to Shakti. Here on "Industrial Zen", Mclaughlin Turns his Well Honed Skills to Jazz Fusion. He is Joined by Many Names that Brought Power-house Jazz Fusion to the Frontline During the '90's, Including Bill Evans, Gary Husband, Mark Mondesir, Vinnie Colauta and Dennis Chambers as Well as Texas Guitar Legend Eric Johnson.Customer Reviews:
Something fantastic.......2007-04-26
I don't have any other McLaughlin besides his team work with Santana but this makes me want to get more.
The band is excellent.
The Waiting Was The Hardest Part.......2007-02-20
The wait is over, as Industrial Zen is that CD.
With tributes to a variety of artists - Jaco Pastorius, Wayne Shorter, Michael Brecker and Carlos Santana - and a great cast of musicians, McLaughlin takes a retrospective look at his career while (finally) forging a sound artistic path for the future.
For Jaco (Jaco Pastorius) picks up where the Trio of Doom - McLaughlin, Pastorius and Tony Williams - left off in their much too brief existence, as Hadrian Feraud's fretless bass and the percussion of Mark Mondesir & Gary Husband propels the rhythm.
The brilliant colors painted by electronica in New Blues, Old Bruise are sparked by a sizzling introduction by guitarist Eric Johnson. To Bop Or Not To Be (Michael Brecker) highlights the synthesizers and keyboards of Otmaro Ruiz and Gery Husband, respectively, and the outstanding work from Paul Chambers (d) and Zakir Hussain (tabla).
Dear Dalai Llama starts with the excellent vocals of Shankar Mahadevan & tenor sax of Ada Rouvatti and then it's off to a sound explosion that would easily be at home on the 1978's Electric Guitarist, arguably the last important release from that era's fusion movement.
I hope the obvious energy from the sessions that resulted in Industrial Zen will spur McLaughlin to forge ahead musically instead of stumbling around near the back of the field.
Wow!.......2007-02-02
John returns to electronic jazz.......2007-01-10
generic compositions with too much generic jazz influence instead of exotic steam and spice.......2006-12-27
What are these indestructible and time-tested creations?
"Extrapolation" (1969) (progressive jazz with awesome `60s ambience),
"Where Fortune Smiles" (1970) (free-jazz with Dave Holland, John Surman & Karl Berger)
"My Goal's Beyond" (1970)- The birth of both new age and world music in their best and least diluted incarnations
Mahavishnu Orchestra Mark 1 - "Inner Mounting Flame," "Cleveland 1972," "Hunter College Live," "Birds of Fire," "Between Nothingness & Eternity," "Trident Sessions" etc. The fastest, most intense and loudest band on the planet that somehow managed to be intelligent and compositionally brilliant also courtesy of Mr. McLaughlin.
Santana / McLaughlin - Love, Devotion, Surrender / Chicago Concert
Mahavishnu Mark II - "Visions of the Emerald Beyond" "Live in Montreux" - Super Intense though more pretentious and less organically punkified than Mark I -
Shakti with John McLaughlin / Handful of Beauty / Natural Elements - Firebreathing acoustic world music that also manages to be sublimely meditative and subtle, east meets west
Friday Night in San Franciso / Passion, Grace & Fire - McLaughlin switched into a more flamenco-influenced mode and became 1/3 of the land speed record of acoustic guitar albums with virtuoso pals
"Music Spoken Here" - McLaughlin fused the flamenco-influence with progressive jazz to create a unique concoction
"Live At Royal Festival Hall" - McLaughlin took his new flamenco-influenced acoustic progressive jazz and fused it back into a more energetic version of Shakti-style Indian music once again through the percussion artistry of Trilok Gurtu and the lyrical bass artistry of Kai Eckhardt.
"Remember Shakti" Box Set - McLaughlin re-visits the Shakti-style fusion with new and different Indian musicians but this time with his jazz guitar. After a very uneven output throughout the 80s and 90s, a whole box of classic concerts came as a very pleasant surprise to fans
"Montreux Concerts" - 16 great concerts from McLaughlin's career that sit with great sound quality next to the many legendary but flawed sound quality 1970s bootlegs to fan the flames of the McLaughlin legend for many generations to come
"Live in Paris" - a mellower but highly satisfying return to Jazz-Rock fusion
All this track record makes people wonder: how did McLaughlin do it & why was he so much more inconsistent in the 80s and 90s as opposed to the 1970s? The McLaughlin blueprint of 1969 still works when all the elements are gracefully balanced. One of the hallmarks of McLaughlin is that just when people are writing him off he comes up with something classic once-again.
So is "Industrial Zen," McLaughlin's highly anticipated, self-proclaimed new fusion with house-music and acid-jazz one of these classic surprises? Far from it. It is more like "Adventures in Radioland" Part II
Is the playing virtuosic? Yes but that's routine on all McLaughlin albums since only the cream of the crop need apply. In the case of this album it is mostly just your standard fusion virtuosity with no real passion, mainly because the compositions, though complex and complicated to be sure, come off as mostly generic prog jazz and uninspired. If they had been playing the classics of the McLaughlin catalog you would have definitely heard some serious passion. Here they go limp no matter how hard they try to get it up. The exceptions that possess some viagra are "For Jaco" and "Senor C.S." Bill Evans on Sax and Hadrien Feraud on Bass are the most inspired players. McLaughlin himself should completely re-think his improvisational approach and once again play like he doesn't know how to play as Miles Davis advised him. Every time he starts a solo here he sounds like a generic jazz guitarist trying to do his best McLaughlin impression. Mac should try to do his best Ben Monder impression instead to see what it sounds like.
How about the acid-jazz/house fuse, where is it? Answer: nowhere to be found except the last track which sounds like a standard ambient groove with Indian style singing, corny English lyrics and some light McLaughlin guitar doodling in the back. It's a good track if a little unhip but this kind of stuff has been done to ultra-hip perfection on the classic Trilok Gurtu / Robert Miles album of a few years back.
Should you buy the album? Yes, if only for the 2 fully erect tracks I mentioned and to hear Bill Evans and Hadrien Feraud burn. My advice would be to buy, burn a copy and sell it back on e-bay or amazon. Then take the money and buy Gurtu-Miles which is the already established classic for acid-jazz/ house/ jazz-fusion fusion. Then if you want to hear some insane and wildly inspired playing check out more McLaughlin disciples outdoing the master on the Jonas Hellborg/ Paul Hanson/ Jeff Sipe album (not available on amazon for some reason but attainable at the abstractlogix site). When you're done with that do not forget to check out the excellent "Mondo Garaj" album by Garaj Mahal, ex-johnny-mac bassist Kai Eckhardt's band with guitar-wiz Fareed Haque who himself put out a brilliant CD recently called "Cosmic Hug" which is the second best ever fusion of Acid-Jazz/House with Fusion after the Gurtu / Miles album.
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Music for Zen Meditation
Tony Scott Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000047D6 Release Date: 1997-07-29 |
Tracks:
- Is Not All One?
- The Murmuring Of The Mountain Stream
- A Quivering Leaf, Ask The Wind
- After The Snow, The Fragrance
- To Drift Like Clouds
- Za-zen (Meditation)
- Prajna-Paramita-Hridaya Sutra (Sutra Chant)
- San-zen (Moment Of Truth)
- Satori (Enlightenment)
Amazon.com
A celebrated jazz clarinetist in the 1950s, Tony Scott started collaborating with Japanese artists on a trip he made to the country in 1959. He returned in 1964 to teach classes in American jazz and ended up collaborating with koto player Shinichi Yuize and shakuhachi flute player Hozan Yamamoto on a dozen improvised collaborations. Based on the Zen concept of beginner's mind, a state of openness that leads to exploration, the Scott-led pieces predate the more modern concept of "ambient" by a good couple of decades--but, as music descended from temples and designed to ease the mind to a state of higher consciousness, it follows many of the same directives. The gentle clarinet is complemented by the flute, with the koto--a 13-stringed zither--providing a comfortable contrast, though all three musicians appear on only a single track, the opening "Is Not All One?" --Randy SilverCustomer Reviews:
Brilliantly conceived, and arranged meditate music..........2007-05-11
Strangely, considering Tony's strong background in jazz, this sounds far removed for any of his previous works, and whether it's through an affinity for classic oriental music, or desire to produce something more elegant or organic....he convincingly succeeds in achieving his goal. If you wasn't already aware of the fact, that this was created by a non-oriental musician, you'd be hard pressed to notice, that this isn't arranged by a non-oriental musician. The mood is one of contemplative moods, and serene arrangements, with the music taking on the form of what seems like initially simple, and largely uncluttered music, that skilfully mixes the minimal melodic tension of the instrumentation, and creates a calming effect, which effectively draws the listener into the overall mood of the mostly improvisational nature of the music. Scott's clarinet weaves in-and-out beautifully with the bamboo flute and Japanese zither, of `Shinichi' and `Hozan's' impeccable performances.
It retains a studied ambience, that will impress those looking for music to actually unwind or indeed relax to, and although I haven't tried to actually meditate to this album, it's not too hard to imagine that achieving some inner-peace, whilst meditating to this, wouldn't be entirely possible . In fact this feels a little like it was intended for use into Buddhism and other Eastern philosophies. It's one of those albums, that can work differently for each listener...some may find this album to be a remarkably focused and poignant collection of tunes with an overall elegant mood and stance. Others with find that it can be an incredibly relaxing and soothing record, and as tranquil as a Japanese tea garden. While someone else (such as myself), will find this merely perfect music to unwind and relieve tension, or a long day after work, when you just need to come down several notches. And of course, there will be those that probably use if for it's initial intention, to meditate, work or study to.....such is the wide ranging series of expressions, that this album invokes.
I've have to assume that those of you that are reading these reviews are actually considering picking this album up, and you haven't just stumbled across this album (ironic, as that's how I found out about this...reading an Amazon readers `List of recommendations'). This album does exactly what it was intended to do, which is to relax and entertain in equal measures. It's extremely powerful music, impeccably performed, wonderfully emotional, hypnotic in the best possible way, and impressively powerful...in a strangely quiet way. Anyone considering this album...comes with a very high recommendation from myself (and by the other reviewers, judging by their ratings), should buy with confidence...in what is one of the most beautifully honest albums, I've heard in a while.
Wonderful, Relaxing & Soothing.......2007-04-13
Wonderful, Relaxing Music.......2006-07-10
I brought a few cds with me to the hospital for the birth of our son and this was the only one I wanted to listen to throughout the whole labor (over and over) Everything else drove me crazy. I guess it was kind of a meditative aid during that time. It helped me to focus outside my body instead of on the contractions. I would actually count on the next note to appear just before it did. I don't know if I could even do that now. So, this was the first music my son ever heard in his world outside the womb.
My husband uses it now to rock/walk our son to sleep each night.
surprising rich and wonderful.......2005-12-26
Sooths the Savage Beast.......2005-08-30
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Zen Garden
Kokin Gumi Manufacturer: Avalon (Rock Bottom) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Y2DV Release Date: 2000-08-04 |
Tracks:
- Dawn
- Flower
- Moon
- Feng Shui
- Daylight
- Stone Garden
- Snow
- Twilight
- Birds
- Wind
- Milky Way
- Dusk
Album Details
2000 Release by the Japanese Trio Formed in 1993 with Masakazu Yoshizawa (Woodwinds, Percussion), Tateo Takahashi (Shamisen) and Hiromi Hashibe (Koto). Their Specialty is to Blend Traditional Instruments with Modern Synthesizers to Perform Traditional,contemporary and Original Compositions.Customer Reviews:
It really takes you to Kyoto! .......2007-05-22
Music for Tai Chi accompaniment.......2006-09-01
an absolute must have! .......2006-08-14
What a beautiful piece of art.......2005-06-23
Highly recommended
Wonderfully Calming.......2005-04-22
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Music for Zen Meditation
Riley Lee Manufacturer: Narada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008PX92 Release Date: 2003-04-08 |
Tracks:
- Sea Breeze
- Under The Stars
- Spiritus Lenis/Gentle Breath
- Divine Ecstasy
- Dulcet Rhythm
- Serenity Flows
- Tranquil Resonations
- Stillpoint
- Profound Elixir
- Elemental Contemplation
- Inner Quiet
Tracks:
- Whispers Of Eternity
- In Time Suspended
- Echo Of The Scared
- Dance-The Angels Of Light
- Between The Stillness
- Soaring With The Eagles
- Fragment Of Memory
- Journey Across The Night
- The Tree Of Sadness
- Cascade
- Breathe The Fragrance Of Forever
- Deep Night Blues
- Silk Thread To The Cosmos
- Divine Mystery
- Merging With The Infinite
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Now & Zen
Robert Plant Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HWZ5WY Release Date: 2007-04-03 |
Tracks:
- Heaven Knows
- Dance On My Own
- Tall Cool One
- The Way I Feel
- Helen Of Troy
- Billy's Revenge
- Ship Of Fools
- Why
- White, Clean And Neat
- Walking Towards Paradise
- Billy's Revenge
- Ship Of Fools
- Tall Cool One
Album Description
The Expanded & Remastered version of Robert Plant's album, Now And Zen, finds Plant charting new musical territory. Marking his first collaboration with keyboardist Phil Johnstone, the album's classic tracks include "Heaven Knows," "Ship Of Fools," and the smash hit "Tall Cool One." Three bonus rarities include live versions of "Tall Cool One," "Billy's Revenge," and "Ship Of Fools."Customer Reviews:
Robert Plant Returns To His Zeppelin Roots Here.......2007-05-06
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Quiet Fire: Zen Moods for the Spa Experience
Quiet Fire Manufacturer: White Swan Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002R2518 Release Date: 2004-07-27 |
Tracks:
- Land of Snows
- Xiao Messenger at Midnight
- River of Heaven
- Night Dreamers
- Stars Over Sedona
- Stone Garden
- Water Mystery
- Future Primitive
- Sea of Clouds
- Quiet Fire
Album Description
QUIET FIRE marks the first meeting of three remarkable artists, each distinguished for shaping (and reshaping) the face of contemporary world music. The woodwinds of master flautist Gary Stroutsos; William Eaton's handcrafted stringed instruments; pan-global percussion by Will Clipmandisparate elements fused together in a meditative celebration of newfound common ground.More than an exchange between musical minds, however, QUIET FIRE represents a new nexus of sound. Koto-harp guitar, Chinese bamboo Xiao flute, water drums, udu and other exotic instruments don't just mingle; they merge. The result: earfuls of open sky and whispering willows, a natural sound to unwind the mind and pacify the soul.
Attuned to the soothing hum of well-being, QUIET FIRE is a musical journey impelled by an innate sensitivity. To luxuriate in its depth is to gaze into the reflecting pool of the heart. The view will ignite your imagination and restore your spirit.
Customer Reviews:
Not just for the Spa.......2004-09-07
Spiritual Rhythms.......2004-08-25
Dialogue of Enlightenment.......2004-08-17
Deep Relaxation.......2004-08-12
Fabulous CD.......2004-08-11
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Zen Breakfast
Karunesh Manufacturer: Real Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005M94X Release Date: 2001-07-10 |
Tracks:
- Moon Temple
- Calling Wisdom
- Breathing Silence
- Remembering To Forget
- Zen Breakfast
- Flowing With The Tea
- Layers Of Tranquility
- Returning To Now
- Way Of The Winding Valley
- Tao And Zen
Amazon.com
Though the disc's name suggests oriental roots, the music created by this German-born keyboardist (his adopted name is Sanskrit for "compassion") is primarily occidental in character. Built around simple piano melodies augmented by spacious synthesizer backdrops, flute, delicate guitar, higher-pitched Kitaro-like keyboard lines, zither, chimes, bells, and Eastern vocals, Zen Breakfast tilts heavily toward the yoga/meditation end of the New Age continuum with its assortment of slowly evolving soundscapes. Comparisons to Steve Halpern are inevitable. This is a modest production that visits well-traveled sonic territory without adding fresh ideas. Intended to be slow and restive, Karunesh's compositions sometimes acquire the tone of a lament, giving the disc an atmosphere that mixes clouds and light. Zen Breakfast is suitable for massage, but for best results shuffle-play it with other discs. --Terry WoodAlbum Description
Weaving exotic voices and cross-cultural elements through his sparkling tapestry, Karunesh finds that perfect balance point where classical, world and healing music join, carefully coaxing love's caress from every note.Customer Reviews:
Zen Breakfast Review.......2007-01-31
Serenity.......2006-05-20
boring.......2005-11-20
his earlier, extremely varied and creative work "Sky's Beyond". This one is boring and repetitious to the MAX, and Govi is about the best thing about the album, all of a total of 4 or 5 minutes!
As one cut, it is beautiful and relaxing, but multiply it by 10
and it becomes a rip-off, at least in IMHO.
His best album.......2004-11-26
Lilting Meditative Music.......2003-11-11
Average customer rating:
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Chicano Zen
Charanga Cakewalk Manufacturer: Triloka Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EBFWQM Release Date: 2006-03-28 |
Tracks:
- Chicano Zen
- La Miga Hormiga
- Melodica
- Amor Profundo
- No Soy Feliz
- La Mimosa
- El Cine
- Vida Magica
- Gloria
- La Corriente
- El Ballad de Jose Campos Torres
Amazon.com
Austin-based Miguel Ramos has created one of the most incongruous chill grooves ever. Who could have imagined that cumbia, merengue, Tejano and even flamenco-from-afar, when tossed with Caribbean rhythms plus electronica and beats, could still burn, but like dry ice? Traditional instruments like accordion, Celso Duarte's glorious harp, and Max Baca's baja sexto (twelve-string bass), plus other plucked strings and assorted shakers merge with Spanish-language vocals, the latter provided by Mexican superstar Lila Downs, Ruben "El Gato Negro" Ramos, folk-rocker Patty Griffin, Martha Gonzalez from the group Quetzal, and Texas singer-songwriter Davíd Garza. But these are underpinned by subtle drum 'n' bass and assorted lounge interpolations. Although sufficiently hip to enchant the most exacting club denizen, the tunes retain a festive playfulness and defiantly un-cool degree of passion; only in Brazil have such wildly disparate elements been so successfully fused with no loss of integrity on either side. The subject matter ranges from Morricone-laced memories of childhood cinema excursions, to a Lawrence-Welk-like polka tribute to the bandleader's mother, to an elegy for a deceased victim of police brutality, but the album flows like a hallucinatory, edgy-cozy tone poem. --Christina RodenAlbum Description
Charanga Cakewalk and Michael Ramos follow up their critically acclaimed debut album LOTERIA DE LA CUMBIA LOUNGE with the new and exciting sounds of CHICANO ZEN. With its unique fusion of Cumbia, Bolero, Dance and cinematic sounds - and featuring guest stars Lila Downs, Patty Griffin, Martha Gonzalez (of `Quetzal') and Ruben Ramos - Charanga Cakewalk once again delivers an album full of charm-filled musical gems.Customer Reviews:
Flawless beautiful ambi-cultural music .......2006-05-13
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