Make Me An Instrument

1. Forever He Will Reign

2. You Cover Me

3. Let Your Spirit Come Down

4. Make Me An Instrument

5. Celebrate

6. Refuge From The Storm

7. River Song

8. Rise Up! Go Forth

9. Fire

10. I Can Feel His Love

Make Me An Instrument,Tim Anderson

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: A Listening Treat Be Thoy My Vision CD Really good, but don't listen to it all at once. A must for choral music fans An outstanding collection of Rutter's hymns

Be Thou My Vision Manufacturer: Collegium ProductGroup: Music Binding: Audio CD All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical | Indie Music | Stores | Music Similar Items: The John Rutter Christmas Album John Rutter Collection Requiem & Magnificat/Rutter, Cambridge Singers Christmas Star Distant Land: The Orchestra Collection ASIN: B00030ES2S Release Date: 2004-10-01

Tracks:

1. Be Thous My Vision
2. Open thou mine eyes
3. I will sing with the spirit
4. A gaelic Blessing
5. Wings of the morning
6. O be Joyful in the Lord
7. All things bright and beautiful
8. I will lift up mine eyes
9. As the bride groom to his chosen
10. A prayer of Saint Patrick
11. Loving Shepherd of thy sheep
12. Look at the world
13. O clap your hands
14. The Lord is my light and my salvation
15. Lord, make me an instrument of thy peace
16. I believe in springtime
17. God be in my head
18. A Clare Benediction
19. For thy beauty of the earth
20. Thy perfect love
21. The Lord bless you and keep you

Customer Reviews:

A Listening Treat .......2007-03-08

What a delight to listen to this collection of pure Rutter ! The melodic sounds of the Cambridge Singers bring me such pleasure The sheer joyfulness of this music is to me a religious experience of such depth It is superb and will lift ones spirits instantly. highly recommended to all lovers of the English contemporary choral sound and scene,____ not to be missed

Be Thoy My Vision CD.......2007-02-19

My husband sang many of these John Rutter compositions with his church choir, and this CD is perfect since the choir is directed by Rutter, singing his own music. If you love religious music, this will bring tears to your eyes, the choir is "that" perfect.

Really good, but don't listen to it all at once........2007-01-07

I really liked this CD. It really showcases Rutter's knack for religious choral music. Perhaps it helps that I have sung some of his stuff with various groups. However, as with any similar compiliation, the composer's sameness of style and motif becomes apparent. This repetition can become boring on the third or fourth listening. On the other hand, this makes a great reference tool for any choral director or performer. Buy it, however, it's worth it, but don't listen to it all at once.

A must for choral music fans.......2006-09-19

Simply fabulous, 10/10. These are all Rutter-composed pieces, directed by Rutter himself. If you have any interest in religious choral music at all, you must get this album! One of the highlights of my musical life was attending a concert of a University of Maryland choir in which my mom sang, that featured Rutter as a guest conductor. Listening to this album is almost as good! ;-) There are too many good pieces to start naming all of my favorites, but these are some of the best known ones: "Open Thou Mine Eyes", "A Gaelic Blessing", "All Things Bright and Beautiful", "As the Bridegroom to His Chosen", "For the Beauty of the Earth", and "The Lord Bless You and Keep You".

An outstanding collection of Rutter's hymns.......2005-11-22

I sought a recording of Rutter's beautiful hymn, "Wings of the Morning", after we sang this lovely tune in church and this was the only CD I could find that contained it.

This collection includes many of Rutter's church hymns recorded over a period of 20 years performed by The Cambridge Singers, a group of Brits, that are conducted by the composer. Ergo, these performances must be considered definitive.

Many of Rutter's popular hymns are included here. "O be joyful to the Lord" and "All things bright and beautiful", a popular children's hymn done here by adults, follow "Wings of the morning" on tracks 5-7. Others you may have performed in church represented here are "O clap your hands", "Lord make me an instrument of your peace", "For the beauty of the earth", "Look at the world" and "The Lord bless you and keep you" among the 21 assembled hymns.

While The Cambridge Singers, on their Web site, identify themselves principally as an a capella group, I was pleased when I received this CD to find all the hymns supported by a full orchestra, the esteemed City of London Sinfonia. The renditions are uniformly lovely although some listeners may find the singing a bit on the white side lacking brilliance and individuality. Everything is done in keeping with Rutter's score markings and style.

The recording tends to be a little variable given the 20-plus year difference in performances. The most recent copyright listing is 2003, the same year "Wings of the morning" was published. I don't hear an appreciable difference in that recording than the others but still hear some age in older works.

If you seek a Rutter hymn collection you can't go wrong here. You have wonderful English performers mated to the composer in his more popular works. I'd recommend this without reservation to anyone seeking this collection.

Average customer rating: Beautiful A few bright spots, but also some disappointments This CD Deserves SIX Stars! every good adjective Fabulous!

Peace Like a River James Lucas , Janice Kapp Perry , John Rutter , Jean Sibelius , John Tavener , American Traditional , English Traditional , Spiritual Traditional , Mack Wilberg , Craig D. Jessop , Clay Christiansen , John Longhurst , Richard L. Elliott , Daron Bradford , and Meredith Campbell Manufacturer: Mormon Tabernacle ProductGroup: Music Binding: Audio CD All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tavener | Tavener, John Kenneth | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Mormon Tabernacle Choir | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Christian & Gospel | Styles | Music Gospel | Christian & Gospel | Styles | Music General | Opera & Vocal | Styles | Music Holiday | Miscellaneous | Styles | Music | General Christmas | Today's Deals | Box Sets | Children's Music | Classical Instrumental | Halloween | Hanukkah | Kwanzaa | Opera & Vocal | Pop Instrumental & Easy Listening | Pop Vocal Similar Items: Consider the Lilies Love Is Spoken Here America's Choir Mormon Tabernacle Choir: The Sound of Glory-Battle Hymn of the Republic Choose Something Like a Star ASIN: B00020H9W0 Release Date: 2004-06-22

Tracks:

1. Sweet Peace
2. Be Still, My Soul
3. Peace Like a River
4. All Things Bright and Beautiful
5. Lord Is My Shepherd
6. This Is My Father's World
7. Wayfarin' Stranger
8. Lord, Make Me an Instrument of Thy Peace
9. Swing Low, Sweet Chariot
10. Deep River
11. Lamb
12. Child's Prayer
13. It Is Well With My Soul
14. Count Your Blessings Instead of Sheep
15. Gaelic Blessing
16. Thou Gracious God, Whose Mercy Lends
17. Come, Let Us Anew

Customer Reviews:

Beautiful.......2007-06-14

This CD is a must have for any Mormon Tabernacle Choir fans. The music is very reverent and gentle, and should also appeal to those not from the LDS church, seeing as how most of the music is common to the wider Christian community. This CD is a fantastic addition to any music collection.

A few bright spots, but also some disappointments.......2007-01-19

It Is Well With My Soul is one of my favorite-favorites and that is the main reason why I bought the CD; it turned out to be a huge let down on this album, they rearranged it so much that I almost didn't recognize it. Be Still My Soul is another reason why I bought it and it's good, but not great. Swing Low Sweet Chariot is where it starts to get good. The last two songs "Thou Gracious God, Whose Mercy Lends"
and "Come, Let Us Anew" are very good reasons to buy this CD, they each have truely powerful passages and make the CD worth having. The Mormon Tabernacle Choirs 2006 release entitled Then Sings My Soul is by far the best that I've heard from them.

This CD Deserves SIX Stars!.......2005-11-05

However, the rating scale has a limit of five. I own over 700 CDs of virtually every type of music. Peace Like A River belongs in a class by itself! I've never written a review before but, after listening to this STUNNING performance by the Mormon Tabernacle Choir, I feel compelled to share my praise with that of the five other reviewers. If I were limited to one word, I would use the word "SUPERB" to describe this beautiful and moving CD. SIX stars for Peace Like a River! BRAVO!!!

every good adjective .......2005-08-06

This album is all beauty and solace. The singing is pristine, the arrangements lush and often stirring--never saccharine. As with the previous reviewer, my first listing of "Peace Like a River" brought me to tears (especially "Peace Like a River," the sopranos in "Swing Low," and the bagpipes in "Thou Gracious God"). Buy this one.

Fabulous!.......2005-05-29

The perfect recording to help you recover from a long, hard day. Showcasing the MTC's "new" sound in contemporary choral arrangements with its own orchestra and conductor, "Peace Like a River" brought tears to my eyes in selection after selection during my first listen -- and I'm not normally an emotional person! The title song together with "Deep River," "Swing Low" and "Be Still My Soul" are alone worth the cost of the recording. Get this one!

Average customer rating: John Rutter: Te Deum Absolutely amazing Up to the usual high standard Beautiful, excellent album A new experience in familiar pieces

John Rutter: Te Deum and Other Church Music Manufacturer: Collegium ProductGroup: Music Binding: Audio CD All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Te Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Gloria: The Sacred Music of John Rutter John Rutter Collection Requiem & Magnificat/Rutter, Cambridge Singers The John Rutter Christmas Album Be Thou My Vision ASIN: B0000031HH Release Date: 1993-09-11

Tracks:

1. Te Deum
2. Be Thou My Vision
3. I Believe In Springtime
4. Lord, Make Me An Instrument Of Thy Peace
5. O Be Joyful In The Lord
6. All Creatures Of Our God And King
7. A Choral Fanfare
8. As The Bridegroom To His Chosen
9. Christ The Lord Is Risen Again
10. They Perfect Love
11. The Lord Is My Light And My Salvation
12. Go Forth Into The World In Peace
13. Now Thank We All Our God

Amazon.com

Englishman John Rutter is today's most popular composer of church music, primarily owing to his accessible style and purposeful commitment to both professional and amateur choirs. This recording features some of Rutter's most popular sacred choral works from the 1980s--definitively performed by Rutter's own Cambridge Singers, conducted by the composer himself. --David Vernier

Customer Reviews:

John Rutter: Te Deum .......2007-05-14

Outstanding music and outstanding recording quality. This is a must for all who like the choral music of Rutter, a musical treat from the time you que up the disc.

Absolutely amazing.......2006-08-21

Of the 5 Cambridge Singers recordings in my possession, this is my favorite. I absolutely love "Be thou my vision," and find the title track inspiring each time I listen to it. This is a CD that will not disappoint!

Up to the usual high standard.......2006-07-13

What better version of the Rutter "Te Deum" than the composer and his group? This CD does not disappoint. Highly recommended!

Beautiful, excellent album.......2006-02-19

I have wanted this album for several years and have finally found it and purchased it. I have listened to it dozens of times since I received it, and love it! I hesitated to buy it because it is more expensive than most music CD's, but it is worth it.

A new experience in familiar pieces.......2005-10-05

This recording of the Cambridge Singers has them recording pieces composed by their own director, John Rutter. The 'Te Deum' is Rutter's version of a standard piece of liturgical music, representing classic influences ancient and modern, typical of Rutter's compositional style. This was recorded at in 1990 at the Henry Wood Hall in London, with the City of London Sinfonia and organist John Scott collaborating.

--Music--
'The Te Deum' is a piece that is standard for liturgy in Catholic and Anglican services. It is a song of praise, and here is it bright and powerful. 'Be Thou My Vision' is an Irish folk hymn, gentle and graceful, but Rutter has added something quite new to the rendition with his arrangement. The initial flourishes and fanfare for the standard piece 'All Creatures of Our God and King' lead to a triumphant song experience. 'The Lord is My Light and My Salvation' is once again a meditative and gentle moving piece, with good spirit.

The songs here are familiar for the most part, but Rutter's arrangements and compositions make this a thoroughly new experience in many ways.

--Liner Notes--
The notes include an introduction to the CD by Rutter describing some of the influences and expressions in his composition. Lyrics are included, all of which are in English on this collection. There is no listing of the performers of the Cambridge Singers, no description of the group, nor biographical information about John Rutter.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.

This is a wonderful collection.

Average customer rating: Good recording of the "chamber" version of the Requiem Excellent Choral Recording great engineering, lousy music making An inspired blend of performance and recording prowess

Requiem Manufacturer: Reference Recordings ProductGroup: Music Binding: Audio CD All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music General | New Age | Styles | Music General | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Pomp & Pipes Ports of Call Exotic Dances from the Opera Stravinsky: Histoire du soldat - The Soldier's Tale for 3 Actors and Instrumental Ensemble Bolero: Orchestral Fireworks ASIN: B00000159K Release Date: 1993-12-17

Tracks:

1. Praise Ye The Lord
2. The Lord Is My Light And My Salvation
3. All Things Bright And Beautiful
4. Lord, Make Me An Instrument Of Thy Peace
5. Requiem: Requiem aeternam
6. Requiem: Out Of The Deep
7. Pie Jesu
8. Requiem: Sanctus
9. Requiem: Agnus Dei
10. Requiem: The Lord Is My Shepherd
11. Requiem: Lux Aeterna
12. Requiem: A Gaelic Blessing

Customer Reviews:

Good recording of the "chamber" version of the Requiem.......2001-09-10

Most recordings to date of the Rutter "Requiem" have used the version for full orchestra. Rutter also prepared an arrangement for organ, augmented by flute, oboe, clarinet, cello, harp, timpani, and percussion. This recording, to the best of my knowledge, is the only commercial recording of the latter version. In an interesting twist, though, while most recordings feature a choir of 50 or less, the choir here numbers about 200.

Given the "reduced" forces, Seelig et al. acquit themselves admirably. All five of the anthems are well performed, especially the setting of Psalm 27, "The Lord is My Light and My Salvation." [Personally, I wish they had substituted another piece for "All Things Bright and Beautiful"; it is too saccharine to withstand repeated listenings.]

The "Requiem" in particular stands out; the singing is clear throughout, and, in some cases, the organ-predominant version of the "Requiem" provides more thrills than the orchestral version (especially in the opening movement (Requiem aeternam). Also, Seelig takes the "Sanctus" at a faster pace than most other recordings: where Rutter himself takes 2'10", Seelig flies through at about 1'45", and it nevertheless feels like the more appropriate tempo.

John Rutter's works, by and large, are more direct than other 20th century English composers; his works do not appeal to everyone. Given the uniqueness of this recording, it is certainly well-worth hearing (although, to be fair to Rutter, the recent mid-price re-release of his Requiem coupled with his Magnificat is certainly a better bargain).

Excellent Choral Recording.......2001-06-12

This is a wonderful quality recording of great Rutter. Top notch. Just listen to it! You wont be disappointed with this CD.

great engineering, lousy music making.......2000-09-23

I bought this recording primarily for reference's engineering and the magnificent Fisk instrument with its massive 32' pipes. On that score, this recording delivers--not much bombast, but lots of subwoofer test material. I wish the music had lived up to this standard. Personally I happen to think John Rutter something of a hack, a notion from which the trite, platitudinous opening tracks did little to dissuade me. Of course, that's just my opinion; if you like Rutter then it won't be a concern to you. The Requiem is better music, but there I found the vocal performance distracting. The singers--especially the women--exhibited faults typical of amateur American choirs: wide (and uncontrolled) vibrato, imprecise entrances, and Latin that sounded--well, like Texans singing Latin. In addition, their overall affect was one of soporific aloofness. This produced a smooth, agreeable gentleness in quiet sections (actually, reminiscent of Shaw and Atlanta in the best spots), but came at the expense of tension, fire, and fervor throughout.

An inspired blend of performance and recording prowess.......1999-10-28

This CD succeeds at the tricky combination of Glorious program material, inspired performance, and a flawless capture by the recording engineer.

Average customer rating: Excellent Grateful Truly Peaceful and Uplifting Make Me An Instrument Make Me An Instrument

Make Me An Instrument ProductGroup: Music Binding: Audio CD Ambient | Dance & DJ | Indie Music | Stores | Music Meditation Music | New Age | Indie Music | Stores | Music Similar Items: River of Life Mother Divine Songs for the Inner Child Father, Father Oh Blessed Be ASIN: B00000I8WG Release Date: 1999-02-09

Tracks:

1. Make Me An Instrument (A continuous extended chant for 60 minutes)

Album Description

A song of devotion for all humanity. Delicate choral vocals and flowing strings blend into this delightful melody of unconditional love. Bestseller in the US. Our most popular recording, used by author-lecturers, religious orders, yoga and meditation groups and holistic health practitioners worldwide.

Customer Reviews:

Excellent.......2007-05-07

Kurt Van Sickle manages to create the most peaceful music. This is a great album that repeats over and over.

Grateful.......2002-12-12

The ethereal, magical music of Make Me An Instrument is so beautiful that I will listen to it over and over; its especially good therapy at the end of a long workday. The celestial music & singing chant is both energetic and inspirational, as if being transported to a special place where time stands still.

A special gift to be shared with everyone. Thanks!

Truly Peaceful and Uplifting.......2002-09-22

This is the most peaceful, uplifting music I have heard in a long time. When I've had a stressful day at work, I play it and the tension just melts away. It is very spiritual and calming. I recommend it for anyone who needs to 'get away'.

Make Me An Instrument.......2002-09-15

Make Me An Instrument is truly an awe inspiring chant. One can feel themselves spiraling upward with each repetition. It raises the engery in my home and inspires me throughout the day to surrender to the God within me. I would recommend it anyone aspiring to elevate their consciousness.

Make Me An Instrument.......2002-09-11

I use this recording for my deepest meditations. It is spiritual beyond anything I have experienced in a very long time - a tremendous aid to prayer and meditation.
We use it in church as well as sing it as a hymn.
This is a speciality piece of music. It has a specific place in the Spiritual community and as such, it exceeds all expectations.
Rev Jay Driskell
aka Rondout

Average customer rating:

John Rutter: The Gift of Music Manufacturer: UCJ ProductGroup: Music Binding: Audio CD All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Folk | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music Rock | Imports | Stores | Music General Christmas | Holiday Music | Special Features | Music Similar Items: John Rutter Collection The John Rutter Christmas Album Cambridge Singers Christmas Album Be Thou My Vision Requiem & Magnificat/Rutter, Cambridge Singers ASIN: B000ASTECM Release Date: 2005-09-26

Tracks:

1. Look At The World
2. Of A Rose, A Lovely Rose
3. For The Beauty Of The Earth
4. Hymn To The Creator Of Light
5. Lord, Make Me An Instrument Of The Peace
6. Deep River
7. Lord Bless You And Keep You
8. All Things Bright And Beautiful
9. Pie Jesu
10. Sanctus
11. A Clare Benediction
12. Lord Of The Dance
13. Be Thou My Vision
14. A Gaelic Blessing
15. Gift Of Music
16. O Waly Waly
17. I Know Where I'm Going
18. Keel Row
19. Willow Song
20. Golden Slumbers
21. Sans Day Carol
22. Mary's Lulabby

Album Description

This CD contains John's most essential choral music and is released just days before his 60th birthday. Rutter is best known as a composer of choral music and so this disc is a fitting way to celebrate. The disc surveys a variety of the composer's styles and accomplishments from his career including a few rarities as well as his best-loved pieces, both sacred and secular. The works are performed by the Cambridge Singers, a choir that Rutter had formed in 1981 and which has gone on to attain astounding results. 22 tracks. Universal. 2005.

Album Details

A Collection of Essential Choral Music.

Average customer rating: THANK YOU CANDI FOR BLESSING US!!!!!! stellar stellar stellar

Classic Candi, Vol. 1 (Make Me an Instrument / The Anointing) Candi Staton Manufacturer: Image Entertainment ProductGroup: Music Binding: Audio CD General | Christian & Gospel | Styles | Music Gospel | Christian & Gospel | Styles | Music Christian Contemporary Music | Christian & Gospel | Styles | Music Similar Items: Classic Candi, Vol. 2 (Sing a Song / Love Lifted Me) Here's a Blessing His Hands Young Hearts Run Free / House of Love The Ultimate Gospel Collection ASIN: B0001BKB5W Release Date: 2004-03-16

Tracks:

1. Sin Doesn't Live Here Anymore
2. God Can Make Something Out Of Nothing
3. Let Go And Let God
4. Make Me An Instrument
5. He's No Farther Than A Thought Away
6. Oh, How Me Must Love
7. God Specializes
8. Nothing Can Separate Me
9. He Set Me Free
10. Blessed Assurance
11. He Cares For You
12. We Adore You, Holy Spirit
13. Now Jesus Is My Song
14. Jesus Is Here Right Now
15. I Will Praise
16. The Anointing

Customer Reviews:

THANK YOU CANDI FOR BLESSING US!!!!!!.......2005-05-27

THIS ALBIM FEATURES A COLLECTION OF CANDI STATON'S BIGGEST HITS. CANDI HAS BLESSSED SO MANY DOWN THE YEARS. THERE ARE TWO COLLECTION ALBUM OF HER GOSPEL HITS, BUT THIS IS THE ONE I RECOMMEND ; IT HAS MORE OF HER CLASSIC SONGS. THIS IS A GOOD TRADITIONAL GOSPEL ALBUM. CANDI DEFINETLY PROVE TO US THAT SHE IS A GREAT SONG WRITER.

stellar stellar stellar.......2004-03-31

at last, these great early gospel songs by Candi are back on the market on cd for the first time.....candi's gospel music has never been easy to pigenohole. On this one cd there are songs in the disco mode, country mode, traditional black church groove and even pop.....her style is diverse and her songwriting skills are superb and personal.....an excellent choice for someone wanting to discove rthe gospel side of this disco princess.....

Average customer rating:

My Beloved Spake: Music for Strings and Voices Manufacturer: Guild ProductGroup: Music Binding: Audio CD General | Finzi, Gerald | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B000057DWE Release Date: 2005-01-17

Average customer rating: Gloria for the 2nd time, The Best grand recording !!! Sweet but sturdy Bravo!

Rutter: Gloria, and other sacred music Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Te Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: John Rutter Collection Rutter: Gloria Requiem & Magnificat/Rutter, Cambridge Singers The John Rutter Christmas Album ASIN: B00005COXM Release Date: 2001-06-12

Customer Reviews:

Gloria for the 2nd time, The Best grand recording !!!.......2001-10-18

This CD is highly recomended the grandeure of the work is done perfecly by the wallace collections and the polyphony itself. The most dramatic recording of anthems of rutter, happy to listen too a happy recording.

Sweet but sturdy.......2001-07-02

The music of John Rutter consistently provokes mixed reactions amongst musical circles. There are those who cannot stand it, seeing it as tasteless and even annoying; some enjoy certain aspects of his output but do not love it all; some can find nothing but praise for it. As one who has performed various works and arrangements of his, I feel that it certainly can be overly 'saccharine' in the light of the other serious classical music being written today - yet it is unfailingly well-written, offering genuine challenges to those who perform it. And beyond all the sugary melodies and soupy harmonies, Rutter is capable of producing moments of real heart-wrenching emotion. Indeed, it says much of him that he can create memorable, 'hummable' tunes in an age wherein such a skill is perhaps looked upon as anachronistic.

It certainly says much of Rutter that this is now the second disc that the elite Hyperion company have devoted entirely to his music. Those who know and love his "Requiem" through its many commercially-available recordings will recognise many similar elements in "Gloria," obviously a more exubrant and joyful concert work, which is presented here with an effective scoring for organ, brass and percussion. It is at a glance reminiscent of a concerto, with three movements (two loud and fast ones, sandwiching a slower central movement) and recurring themes that are tossed between chorus and accompaniment. The opening is immediately characteristic of Rutter: the combined rhythms and fanfare-like motifs make it sound almost like the opening to some hit musical, and contrast is provided by utterances of unaccompanied chorus in which harmony is the most interesting element. The second movement - "Domine Deus" - features a gently undulating, flute-like solo from the organ, which is worked through gentle brass chorales and beautifully crafted sung passages, with a genuinely moving use of solo sopranos and altos. The third movement - "Quoniam tu solus sanctus" - brings back the boppy nature of the first movement, and quite startlingly includes what appears to be a fugue in the chorus parts! As a whole, it is easy to see why this work is not perhaps as popular as the "Requiem," but it is no less full of worthwhile things to listen out for.

The rest of the disc is made up of various church pieces, several of which are widely used as church anthems throughout England and beyond - "As the bridegroom to his chosen" and "Thy perfect love" are especially popular for their memorable tunes. Two of the unaccompanied works are quite arresting: "Come down, O love Divine," with its echoes of Herbert Howells and 'open ended' concluding cadence, and the tiny "Clare Benediction," dating from Rutter's time as Director of Music at that Cambridge College Chapel - for this, he provided his own text and the result is as potent as any large-scale choral masterpiece could be. There are also a few that are less well-known, and indeed one which has only recently been premiered - "I my Best-Beloved's am," first performed by Polyphony under Stephen Layton. These pieces (with the exception of "Praise the Lord, O my soul" and "Te Deum," which are accompanied by the same forces as in "Gloria") feature Rutter's own orchestrations, which can either heighten or ruin their effectiveness, depending upon your point of view - I was hoping to hear these with organ accompaniment, as they would be heard in a typcial church service. On the other hand, these arrangements show a fine sense of orchestral colour and demonstrate Rutter's penchant for making his music as useful as possible to all manner of performers, whether they specialise in the church or the concert platform.

Polyphony make light work of this programme. The works with organ, brass and percussion, recorded in the generous but subtle acoustics of Winchester Cathedral, suffer slightly from a poor balance: I am surprised that Hyperion were unable to save the choir from being drowned in the loudest and most climactic moments, wherein we lose not only the words but (nearly!) the voices themselves. Then again, the problem might also have been solved by augmenting the choir with extra singers - Polyphony is after all a chamber choir, whereas "Gloria" was clearly intended for choral societies with hundreds of massed voices. The anthems fare much better: recorded in the dry acoustics of a London church, supported by the small but potent forces of the City of London Sinfonia, Polyphony really get to the heart of these pieces. Stephen Layton directs well too - fast pieces are treated with vigour whereas the slower and more intimate ones are allowed to 'breathe' in a natural way that avoids sounding "hammy."

If you're approaching Rutter for the first time, I wouldn't recommend starting with this disc; the "Requiem" is a far better work to begin with. However, if you're already a 'Rutterphile,' then there is no reason to hesitate: this makes for rewarding listening.

Bravo!.......2001-06-15

Being a fan of John Rutter, I found this new recording, on Hyperion label, of the Gloria and sacred music, one of the best yet. The choir and orchestra are to be commended on the delicate and yet vibrant performance. The Polyphony choir, though only consisting of about 25 voices, produces a powerful and well rounded sound. I really enjoyed this recording and it was great to hear a few new anthems. The sound was very clear and the choir's annunciation was well articulated, so that you hear every word. I have most of his works and a great admirer of the Cambridge Singers, though I will put this Hyperion recording there, right next to John Rutter's choir. I was pleased to hear that the organ, especially in the Gloria and Te Deum could be clearly heard, but not dominating the voices or the orchestra. A very balanced sound throughout. The Wallace Collection, added to the City of London Sinfonia, gave that very `Ruttorian' brassy sound. Very impressive! This wonderful recording is a real joy to listen to. Bravo!!!

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