Soul of Russia

1. Kamennoi Ostrov

2. Procession of the Sardar

3. Sabre Dance

4. Ride Cossack, Die

5. Volga Beatmann

6. Meadowland

7. Finale 1812 Overture (Moscow Triumphal)

Soul of Russia,One Hundred and One Strings Orchestra,Alshire,Instrumental Pop,Int'l & World Music,Mood Music,Orchestral Pop,Pop,Russia

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Inner beauty Music for the soul Hauntingly beautiful Divine Beauty and Peace! A Soviet version of Russian music

Sacred Treasures: Choral Masterworks From Russia Manufacturer: Hearts of Space ProductGroup: Music Binding: Audio CD All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music Russia | Far East & Asia | International | Styles | Music General | International | Styles | Music General | New Age | Styles | Music Meditation | New Age | Styles | Music General | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Pop | Styles | Music Similar Items: Basso Profondo From Old Russia Ancient Echoes Russian Divine Liturgy Russian Medieval Chant Russian Chant for Vespers ASIN: B000000X8J Release Date: 1998-02-17

Tracks:

1. Russian Cathedral Bells
2. Rachmaninov / Liturgy of St. John Chrysostom, Op. 31: Great Ektenia
3. Rachmaninov / Liturgy of St. John Chrysostom, Op. 31: Hymn of Praise
4. Rachmaninov / Liturgy of St. John Chrysostom, Op. 31: Hymn of the Cherubim
5. Bortniansky / Hymn of the Cherubim (excerpt)
6. Kedrov / Our Father
7. Rachmaninov / Liturgy of St. John Chrysostom, Op. 31: Fervent Supplication
8. Rospev / The Noble Joseph
9. Tchaikovsky / Liturgy of St. John Chrysostom, Op. 41: Amen. And with Thy Spirit
10. Russian Monastic Vespers (excerpt)
11. Rachmaninov / Liturgy of St. John Chrysostom, Op. 31: Bless the Lord, O my Soul
12. Tchaikovsky / Liturgy of St. John Chrysostom, Op. 41: Hymn of the Cherubim (excerpt)
13. Christov / Hymn of the Cherubim (excerpts/edited)
14. Tchaikovsky / Liturgy of St. John Chrysostom, Op. 41: Our Father
15. Gretchaninov / I have Chosen the Blissful
16. Lvovski / Hymn of the Cherubim
17. Final Bells

Product Description

1. Russian Cathedral Bells
2. Great Ektenia
3. Hymn of Praise
4. Hymn of the Cherubim
5. Hymn of the Cherubim
6. Our Father
7. Fervent Supplication
8. The Noble Joseph
9. Amen. And with Thy Spirit
10. Russian Monastic Vespers
11. Bless the Lord, O My Soul
12. Hymn of the Cherubim
13. Hymn of the Cherubim
14. Our Father
15. I Have Chosen The Blissful
16. Hymn of the Cherubim
17. Final Bells

Format: CD

Amazon.com's Best of 1998

Although this collection intends to transport the soul, it has a tremendously potent low-end depth to it that earns high marks indeed in the worlds of vocal and liturgical music. Dmitri Bortniansky's "Hymn of the Cherubim" is performed with a gracefulness that gets a warming fatness from the production, as does Alexander Gretchaninov's "I Have Chosen the Blissful," which travels with a ringing resonance. In a year of fine choral works--check out Sequentia's Hildegard cycle box, 900 Years or Arvo Pärt's Kanon Pokajanen for a "something old, something new" mix--this collection is highly valued for its sonic integrity and its excellent anthological mix. --Andrew Bartlett

Amazon.com

Words cannot describe poignantly enough the exquisite, angelic voices that permeate the heart and exalt the soul on Sacred Treasures. The most highly regarded Russian and Bulgarian choirs sing the hymns of Rachmaninov, Tchaikovsky, Lvovski, and other composers in the Russian Orthodox Church's tradition of "Divine Worship" (worship through chant). From the first tolling bells that open the CD with a willowy, floating piece from Rachmaninov's Liturgy of St. John, to the final bells closing the door on "Hymn of the Cherubim" (Grigory Lvovski), this CD creates a gentle, distinctly Byzantine glory. The rhythms slowly wisp along while the choirs' baritones, tenors, and sopranos mesh into one expansive blessing. Meant to comprehensively gather not all Russian liturgical pieces but rather hymns that emote an inner tranquility and celestial grace, Sacred Treasures plays like a piece of heaven on Earth. --Karen Karleski

Customer Reviews:

Inner beauty.......2007-02-07

The sense of beauty emerge within us as these chorals fill the space of our head and heart. A music written by real masters and interpreted by voices rarely heard. Beautiful.

Music for the soul.......2007-01-10

One of the best renditions of the Orthodox Liturgy most famous hymns.

Hauntingly beautiful.......2006-12-28

A terrific production...a wonderful selection; great phrasing. See also "Holy Love" by 'Rossica Choir'

Divine Beauty and Peace! .......2006-12-03

I am the producer of this CD and also of "SACRED TREASURES III: Choral Masterworks From Russia and Beyond" as well as "SACRED TREASURES IV: Quiet Prayers" and "CELTIC TWILIGHT 7: Sacred Spirit". In each case, my intention was to bring together the very best performances of exceptionally beautiful, slow and peaceful sacred music. Most of the pieces on this compilation (as on the other compilations mentioned above) are filled with lush harmonies sung by large mixed choirs. All the selections are deeply nourishing to the soul.

In many cases, I chose to use excerpts from longer pieces, omitting the exultant huge crescendos and very fast sections that are typical of Russian sacred music, presenting only the slow and quiet verses. One reviewer complained about the omission of the final (loud and fast) part of the Cherubic hymns, saying this is the best part, but I completely disagree! I feel that the slow "adagio" sections are by far the most beautiful parts, and that is what you will hear on these CDs.

Different types of music serve different needs, and in today's stressful and fast-paced world, one of the most important and often neglected needs is for time out from that world--to "lay aside all earthly cares" (as the "Cherubic Hymns" on this CD prescribe) and to rest in a magical, quiet space of slow, peaceful, beauty. That peaceful beauty is available to you on all of these albums, including this one, "SACRED TREASURES: Choral Masterworks from Russia"!

A Soviet version of Russian music.......2006-05-29

I admit to some strong bias here, having sung on the recording of Tchaikovsky's Liturgy available here from the Russian Chamber Chorus of New York. I was in that choir for five years, and our conductor's view of how to properly interpret Russian music became my own.

Because of Stalin's efforts to cleanse the country of the influence of religion, many musicians and composers were sent to Siberia. They were replaced with those from peasant backgrounds. The result was a huge change in how classical Russian music was performed, becoming less subtle, more interested in brute power and flash.

This recording features a massive and powerful choir. But the listener mostly hears a series of vowel sounds, with the consonants lost in the shuffle. Dynamic range is not as large as it could be. Phrasing is largely absent and we hear a steady wall of sound instead. Precision of rhythm is spotty, what consonants we do hear are frequently smeared. Pitch and richness of tone are good, but on high notes, inevitably given the size of the choir, some members strain.

Having performed and recorded Tchaikovsky's Liturgy I am very familiar with the piece. But listening to this recording of excerpts from it I sometimes barely recognized it as the same work. Tchaikovsky gives us great artistry, frequently crecendos and decrecendos on a single phrase. Each choral voice comes and goes like a wave, not all together like a tsunami in all but a few places. The balance of voices is constantly moving.

I encourage you to listen to the samples available here of the Russian Chamber Chorus's recording of Tchaikovsky's Liturgy, compare the same pieces. This recording is more a Vegas neon version of this great artwork than the fine art it deserves to be shown as. James Oestreich, the New York Times critic, put the Russian Chamber Chorus recording at #4 on his top ten list of classical releases for 2001, and said that if you had not heard it "You only think you know Tchaikovsky."

I hope you give the real Russian classical tradition a listen. It deserves your time, and it will pay you back with a huge amount of pleasure.

Average customer rating: Absolutely FANTASTIC CD !! Sacred and a treasure! Absolutely wonderful More Divine Beauty and Peace! It Doesn't Get any Better!!!

Sacred Treasures III: Choral Masterworks from Russia Manufacturer: Hearts of Space ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Classical | Styles | Music Compilations | Classical | Styles | Music Russia | Far East & Asia | International | Styles | Music General | International | Styles | Music General | New Age | Styles | Music Meditation | New Age | Styles | Music General | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Ancient Echoes Russian Medieval Chant Basso Profondo From Old Russia Russian Divine Liturgy Russian Easter ASIN: B00003XB5E Release Date: 2000-02-22

Tracks:

1. Alleluia, Behold The Bridegroom
2. Sourp Sourp (Holy Holy)
3. Lord Have Mercy
4. The Mercy Of Peace (Excerpts)
5. Komm Susser Tod (Bach)
6. Serenade
7. Grant Us This O Lord
8. Our Father
9. Gloria (Excerpt)
10. Peaceful Light (Kiev Chant)
11. Praise The Lord O My Soul (Greek Chant)
12. Blessed Art Thou O Lord (Kiev Chant)
13. Chorale
14. Amen Alleluia

Amazon.com

What could be more sublime than a wall of dark, rotund Russian voices shimmering against the rising, ornate walls of a great cathedral? Not much, and this compilation of absolutely magnificent music proves it. The label Hearts of Space returns on this third choral collection to the ominous Slavic chant of their first choral album, Sacred Treasures I, which gathered together recordings of stunning Bulgarian and Russian choirs portraying the sacred works of Rachmaninov, Tchaikovsky, and other composers. Whereas Treasures I pulled from varied sections of sacred liturgies, including solo passages, Treasures III most often stays in harmonic chant with select voices occasionally rising and rolling in polyphonic heavenly calls. The collective voice draws the emotive tension taut here, as on Rimsky-Korsakov's "Our Father," which uses the absence of darkness to later juxtapose bold, rising drama. The Kiev chant "Blessed Art Thou O Lord" sends chills down the spine as the whispering consonants of the Russian language skip across the ancient repetition like sand skitters over a stormy beach. This is a collection as breathtakingly beautiful as the Cathedral of the Dormition itself. Not to be missed. --Karen K. Hugg

Customer Reviews:

Absolutely FANTASTIC CD !!.......2007-06-28

I'll keep this short: I'm not new to chant or choral music but there are SO MANY options out here that it's hard to know which ones are worth buying. I've got a few titles in my budding collection but I have to say that this particular recording is FANTASTIC. It is at once awe inspiring, meditative, and peaceful. Simply wonderful...

Sacred and a treasure!.......2007-06-11

Wow! This is as good as the first Sacred Treasures if not better. These holy and divine works are truly "the speech of angels".

Absolutely wonderful.......2006-12-28

I've really become taken with Russian choral music as of late. I've tried to get my hands on every recording I can, and amongst them all this is one of the very best. The phrasing, tonality and selection is terrific.

More Divine Beauty and Peace!.......2006-12-03

I am the producer of this CD and also of the first CD in the Sacred Treasures series called "SACRED TREASURES: Choral Masterworks From Russia" as well as of "SACRED TREASURES IV: Quiet Prayers" and "CELTIC TWILIGHT 7: Sacred Spirit". In each case, my intention was to bring together the very best performances of exceptionally beautiful, slow and peaceful sacred music. Most of the pieces on this compilation (as on the other compilations mentioned above) are filled with lush harmonies sung by large mixed choirs. All the selections are deeply nourishing to the soul.

In many cases, I chose to use excerpts from longer pieces, omitting the exultant huge crescendos and very fast sections that are typical of Russian sacred music, presenting only the slow and quiet verses. Different types of music serve different needs, and in today's stressful and fast-paced world, one of the most important and often neglected needs is for time out from that world--to "lay aside all earthly cares" (as the text to a Russian "Cherubic Hymn" prescribes) and to rest in a magical, quiet space of slow, peaceful, beauty. That peaceful beauty is available to you on all of these compilations, including this one, "SACRED TREASURES III"...

It Doesn't Get any Better!!!.......2006-10-09

Having collected a decent library of sacred music over the years I can readily attest that this is the best sacred music CD that I own, my second favorite being a requiem chant by the monks of Solesmes. Further, upon listening to this CD everyone I know seems to respond to it with the same enthusiasm. Track 10 is my personal favorite, but there are no weak pieces here. The entire production hangs together well. Can't recommend it enough to novice or seasoned liturgical music listener.

Average customer rating:

Red Army Chorus: The Best of the Original Ensemble Manufacturer: Analekta ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Folk | Styles | Music Classical | Imports | Stores | Music Similar Items: Best of the Red Army Choir Alexandrovci Soviet Army Chorus & Band Echoes of a Red Empire Kalinka ASIN: B00005UCGV Release Date: 2002-04-30

Tracks:

1. Rider's March
2. Troika
3. Little Field
4. When The Soldiers Sing
5. Nightingales
6. Dark Eyes
7. Kossack's Song
8. Let's Drink!
9. Song Of The Volga Boat Men
10. Russian Song
11. Kalinka
12. Farewell Song
13. Escamillo Couplets
14. Dear Soul
15. Ukrainian Folk Song
16. Moscow Nights
17. May Nights
18. I Got Plenty Of Nothing
19. Granada
20. National Anthem Of The USSR

Average customer rating:

Treasures of Russia Manufacturer: Opus 111 ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music Field, John | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Glinka | Glinka, Mikhail | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Johann Strauss Sr. | Strauss Sr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Symphonies | Forms & Genres | Classical | Styles | Music | Baroque | Classical | General | Modern & 20th Century | Romantic | Sinfonia | Sinfonia Concertante Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Waltzes | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Waltzes | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Choruses | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Choruses | Opera & Vocal | Today's Deals in Music | Formats | Music ASIN: B00000C2BQ Release Date: 1998-09-08

Tracks:

1. Songs Of Old Russia: See Our Peasants - Moscow Male Voice Chor/Anatoly Grindenko
2. Humoresque - Petershof Orch/Leo Korkhin
3. If Only I Had Known - Lina Mkrtchyan/Evgeny Talisman
4. Nocturne Caracterisique, Noontide in E - Olga Tverskaya
5. Sinf No.1 in D - Musica Petropolitana
6. An Offering Of Peace - Vesna
7. Psalm 120 - The Russian Patriarchate Chor/Anatoly Grindenko
8. Prld Op.23 No.4 in D - Gregory Sokolov
9. The Midnight Review - Lina Mkrtchyan/Evgeny Talisman
10. Ser in C Op.48 - The Belorussian CO/Valery Poliansky
11. Night And Day The Blue Dove Moans - Iana Ivanilova/Oleg Bozhko
12. Waltz in f - Olga Tverskaya
13. Var On A Russian Folk Song - Musica Petropolitana
14. March Of The Horse Guard - Petershof Orch/Leo Korkhin
15. Songs Of Old Russia: Monotonously Rings The Little Bell - Moscow Male Voice Chor/Anatoly Grindenko

Average customer rating: Russian Soul Food

Russian Gypsy Soul Various Artists Manufacturer: Network Germany ProductGroup: Music Binding: Audio CD Russia | Far East & Asia | International | Styles | Music General | International | Styles | Music Gypsy | Eastern Europe | Europe | International | Styles | Music General | Pop | Styles | Music General | International | Indie Music | Stores | Music International | Imports | Stores | Music Similar Items: Russian Gypsy Fire L' Épopée Tzigane: Road of the Gypsies Gypsy Times for Nunia Road of the Gypsies Gypsy Romance from Russia ASIN: B0000560BN Release Date: 2001-02-13

Tracks:

1. Loyko - Loyko
2. Bog Nikola Ne Dopusit, Sberezh - Nadia/Alena/Victor Busilyov/Siberian Gypsies
3. Shuryaki - Esmeralda/Galina Erdenko/Jelem
4. Matyshka Rossya - Mitya Busilyov/Siberian Gypsies
5. Martovsky Horovod - V. Popaduk/Romance Theatre
6. Yegorushka - Ilo
7. Bogu Pomolitsya - Victor Busilyov/Siberian Gypsies
8. Pavlina Kryla - Lilya Shishkova/Rosy Na Snegu
9. Holodny Veter - Loyko
10. Gulya - Esmeralda/Luba Erdenko/Jelem
11. Snova Slyshu - Valentina Ponomareva/Trio Romen
12. Ay Romale - Arbat
13. Solnyshko - Lilya Erdenko
14. Marjanja - Esmeralda Erdenko/Jelem
15. Vengerka - Kolpakov Trio
16. Otoydi Ne Glyadi - Zhana Karpenko/Moesey Oglu/Romance Theatre
17. Molyarkitsa - Lilya Shishkova/Rosy Na Snegu
18. Gypsy Romance - Kak Tsvetok Dushisty
19. Poppouri - Ilo

Tracks:

1. Loyko - Molyarkitsa
2. Dadoro - Victor Busilyov/Syberian Gypsies
3. Sare Patrya - Galina Erdenko/Jelem
4. Miteletsa - Ilo
5. Maestro Menuhin - Sergei Erdenko
6. Probil Vanyka Lion/Propil - Alena Busilyova/Siberian Gypsies
7. Tsiganskaya Ulitsa - Loyko
8. Ne Uezzhay Ti Moy Golubchik - Rosa Erdenko/Jung
9. Na Dvore Moroz - Lena Golovkina/Sasha Shishkov/Rosy Na Snegu
10. Ivushki - Mila/Zhana Krikunova/Romance Theatre
11. V Aleyah Zaglohshevo Sada - Nikolai Erdenko/Jung
12. Nane Tsoha - Lilya Limanskaya
13. Zhil Starik Bogatyi - Angela Busilyova/Siberian Gypsies
14. Lumba - Lilya Limanskaya/Zemphira Verbitskaya/Rosy Na Snegu
15. Ti Dusha Moya Kosolapaya - Ilo
16. Starushka - Kolpakov Trio
17. Ah Na Posledok Ya Skazhu - Valentina Ponomareva
18. Moldova - Loyko

Amazon.com

When the Gypsies arrived in Russia in the late 1700s, their wild, extravagantly emotional music created an immediate sensation in the royal court, and from then on Gypsy music has been an integral part of Russian cultural life. The two-CD set, Russian Gypsy Soul, features the wide variety of musical styles played by Russian Gypsies, including the fiddling of Sergei Erdenko of Loyko, the choral singing of the Siberian Gypsies, and the guitar playing of Kolpakov, who uses a traditional Russian seven-string guitar. The Gypsies have a reputation for being a passionate people, and the emotional fire in selections like "Shuryaki," a rousing drinking song by Jelem, or "Yegorushka," a moving farewell lament from Ilo, shows that their reputation is well deserved. Many of the artists here have never been heard outside of Russia, but all of the musicians deliver performances of the highest caliber, and many of the instrumentalists play at the virtuoso level. Russian Gypsy Soul is an excellent introduction to a body of music that has been unheard outside of Russia for too long. --Michael Simmons

Customer Reviews:

Russian Soul Food.......2001-03-04

These two CDs present a sparkling selection of the kind of Gypsy music which has made such a profound impact on Russia's popular music for several centuries. There are eloquent examples here of the four major regional styles of Russian gypsy music, from the Far East though the Siberian nomads to the southern peoples of the Russian Empire. There are also occasional echoes from other countries, principally from Eastern Europe but ranging as far west as Ireland. Most striking to American jazz fans will be the clear genesis of Djanko Reinhardt's Hot Club of France with its characteristic virtuousic guitar and violin solos against a backgroud of insistent guitar rhythm, such as with the Loyko ensemble. Reinhardt, who has been called the first great European jazz musician, was a Belgian but intensely proud of his gypsy heritage. Larger groups of frentic singers and instrumentalists leave the listener with the feeling of taking part in one of the orgiastic scenes of revelry in the Brothers Karamazov. Some listeners may find the irrational exuberence of a few of the singers too much a a good thing but even such soloists convey an authentic oral picture of an enduring aspect of Mother Russia.

Average customer rating: The best album ever! Tundra sounds makes me smile! Magic - Unbelievable

Soul of Yakutia Spiridon Schischigin Manufacturer: Wergo ProductGroup: Music Binding: Audio CD General | International | Styles | Music International | Imports | Stores | Music ASIN: B00004VX7L Release Date: 2001-01-09

Tracks:

1. Tundra
2. Song from the Whole Heart
3. Song of a Youth
4. Lena Waltz
5. White Horse
6. Osuochaj
7. Dance of the Female Shaman
8. Farewell
9. Souvenir
10. Spring Melodies
11. Childhood Memories
12. Ysiach
13. In the Mirror of the Pond
14. Fantasies of Berlin

Customer Reviews:

The best album ever!.......2005-01-31

I feel like kangaroo jumping on the snow when I listened to this album...this is so relaxing...this is like a collection! Spiridon is my idol! I WORSHIP HIM! Go, Tundra-man, go!

Tundra sounds makes me smile!.......2003-10-30

Unbelieveable record! Masterpiece! Song writer must be genius!
I have ever before heard this kind of orinal nature music played by jewsharp. Soul of Yakutia should be found every exotic music friend music library! Tundra, Spiring Melodies and Dance the of Female Shaman are my favourites because these are made with heart and soul. You can dance and enjoy this music and begin unforgettable adventure to new musical world!

Magic - Unbelievable.......2003-01-28

Who ever heard this CD will never forget the magic sound of the yakutian jewsharp wich is called Khomus, played by the best player of the world - spiridon shishigin from Sacha-Yakutia. If you are interested in this instrument and sibirian tunes you should not miss it.

I never thought that a jewsharp has such a mighty sound...

Average customer rating: Contemporary Russian Orthodoxy

Serene Ecstasy Manufacturer: Delos Records ProductGroup: Music Binding: Audio CD All Works by Schnittke | Schnittke, Alfred | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Russian Medieval Chant Russian Divine Liturgy ASIN: B00004XSQC Release Date: 2000-08-29

Tracks:

1. The Russian Soil: Chants Dedicated To Russian Saints
2. Prayer Of Repentance For Russia
3. The Liturgy Of St. John Chrysostom: Eucharist
4. I Cried Out To The Lord
5. Three Chors From The Cycle Days Of Battle, Op.45: On The Sickbed
6. Three Chors From The Cycle Days Of Battle, Op.45: Deliver Us From Evil
7. Three Chors From The Cycle Days Of Battle, Op.45: Mother Of God
8. O Praise Our Lord
9. Blessed Is The Man
10. The Angel Cried
11. Praise The Lord, O My Soul
12. Vespers: Joyful Light
13. Vespers: Lord Now Lettest Thou Thy Servant Depart
14. Vespers: Rejoice, Virgin, Mother Of God
15. Funeral Mass: Angel
16. Funeral Mass: Prayer
17. Funeral Mass: Requiem: Upokoi, Bozhe (Let Them Rest In Peace, O Lord)
18. Funeral Mass: Requiem: Trisiyatelnoye
19. Funeral Mass: Requiem: With Thy Holy Ones Let Them Rest In Eternity
20. Funeral Mass: Requiem: God, Have Mercy On Us - Victoria Smirnova/Denis Khramov
21. Funeral Mass: Requiem: Blessed Assumption - Victoria Smirnova/Denis Khramov
22. Funeral Mass: Requiem: Eternal Memory - Victoria Smirnova/Denis Khramov
23. St. Dmitry Rostovsky's Psalm Of Repentance
24. Hymn To The Holy Virgin
25. Three Sacred Chorales: Rejoice, Pure Virgin, Mother Of God
26. Three Sacred Chorales: O Lord Jesus Christ
27. Three Sacred Chorales: Our Father

Customer Reviews:

Contemporary Russian Orthodoxy.......2005-12-13

This album is for sophisticated listeners who already know their way around Russian music, and specifically around the Russian sacred choral tradition, at least more than just a little. (NOTE: By `sophisticated,' I do not mean to hint that the music on this album is obscure, dissonant, weird, inaccessible, etc. With the exception of Nos. 1 - 4 and 8 - 11, however, these selections are just lesser known - and undeservedly so.) This recording serves as fitting evidence that the Russian Orthodox choral tradition did NOT die when the Bolsheviks seized power in 1917. To the contrary, this tradition was maintained and revived by many of the composers represented on this album. The album's producers thoughtfully begin with some better known selections: a traditional chant, Tchaikovsky, Arkhangel'sky, Chesnokov and Ippolitov-Ivanov. But even in the case of Chesnokov - who makes a fitting bridge between the `choked off' tradition of the Soviet era and the present - the selections include a triptych of para-liturgical choral essays. (His `Angel Cried,' selection No. 10 on this album, is worth the purchase price alone. If you've never heard this work before, prepare to be transfigured!) Recording No. 11, the best known liturgical composition of Ippolitov-Ivanov, represents this choir's final genuflection to the `traditional' Russian sacred choral tradition, and then we're off! Agafonnikov, Lebedev and Kikta are all living composers who continue to make contributions to this genre. The late Alfred Schnittke, better known for his symphonic, operatic and other modern classical (secular) achievements, is also represented here - given possibly more than his fair share on this CD because of name recognition. If anyone who should be here is missing, that would be Georgiy Sviridov, who wrote a number of stunning para-liturgical pieces in the Russian Orthodox style; but Sviridov's choral work is well-represented elsewhere in the Russian Orthodox (and related) discography. I could raise other quibbles, but that would be unfair. Finally, the performers are equal to the music - suffice it to say that this is one of the finest professional choirs in today's Russia. If the Russian Orthodox liturgical tradition speaks to you, and if you've already become acquainted with the big names (Bortnyansky, Tchaikovsky, Rakhmaninov, etc.) then this recording is definitely for you.

Average customer rating:

The Soul of Eternal Russia: Russian Orthodox Hymns and Chants Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD All Works by Tavener | Tavener, John Kenneth | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B00000DNFR Release Date: 1996-03-12

Average customer rating: I've heard better The Mother Lode

Sacred Songs of Russia Manufacturer: Gloriae Dei Cantores ProductGroup: Music Binding: Audio CD All Works by Glinka | Glinka, Mikhail | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Indie Music | Stores | Music Similar Items: Russian Medieval Chant Russian Divine Liturgy Russian Christmas Russian Church Music Chants de la Liturgie Slavonne ASIN: B00000IK8Q Release Date: 1999-04-06

Tracks:

1. Christ Is Risen
2. Bless the Lord, O My Soul (Psalm 120)
3. Bogorodice Djevo, For Chorus
4. Choral Pieces (3) On Tolstoy's "Tsar Fyodor Ioanov: Bogorse ..."
5. Choral Pieces (3) On Tolstoy's "Tsar Fyodor Ioanov
6. Choral Pieces (3) On Tolstoy's "Tsar Fyodor Ioanov: PokayStih (A
7. Ghospodi Vozzvah/Tsar' Nebesniy
8. Beznevestnaya Devo
9. Sacred Concerto No. 6 ("Glory to God in the Highes
10. Cherubims' Song in C Major for Chorus
11. Liturgy of St John Chrysostom, For Chorus, Op. 41: Milost' Mira (A ...)
12. Angel Crying, For Chorus
13. Hymn in Honor of St. Cyril & St. Methodius, For CH
14. O Tebe Raduyestia (All of Creation Rejoices in You
15. Svete Tihiy (Radiant Light), For Chorus No. 1
16. Hvalite Imia Ghospdne
17. O Mother of God Vigilantly Praying (Sacred Concert
18. Litany of Supplication
19. Our Father (Otche Nach)

Album Description

Over the past thousand years, Russian composers have created an immensely rich and varied body of choral music and chant to express the sacred texts of the liturgy. Sacred Songs of Russia portrays the musical legacy of the Russian people, which comes as a response to the depth of their faith.

Among the noteworthy works on this recording, which contains previously released material, are two stirring works by Rachmaninoff including Bogoroditse Devo (Rejoice, O Virgin) from his All Night Vigil, opus 37, and V molitvah (The Mother of God, ever-vigilant in prayer). Perhaps most significant are the Three Choruses of Georgy Sviridov (1915-1998), composed during a time when sacred music was still actively suppressed by the Soviet regime. The three works by Peter Tchaikovsky, Milost' mira (A Mercy of Peace), Angel Vopiyashe (The Angel cried), and Hymn in Honor of SS. Cyril and Methodius, are also strong statements of the Russian faith and expression through music.

| Gloriæ Dei Cantores first toured Russia (then part of the U.S.S.R.) in the spring of 1990 to re-introduce Russian sacred choral music to their concert halls for the first time since the Russian Revolution of 1917, and participated in several liturgies of the Russian Orthodox Church. At the request of Metropolitan Alexy of Leningrad, now Patriarch of Moscow and all the Russias, Gloriæ Dei Cantores toured Russia a total of three times, returning in 1992 and 1998 to sing in Moscow, St. Petersburg, and throughout the Golden Ring. Gloriæ Dei Cantores were also among the first Western artistic groups to tour Siberia.

Customer Reviews:

I've heard better.......2006-10-04

This is not a recording that you must buy. If you really enjoy russian liturgical music, you won't hate it, but there are a lot of recordings that you would be better served with. It is true that for an american choir, they do a fine job with the language especially. Their general tone and vocal quality was a little bit lacking for me. Their basses were "ok". I thought the singing was just a little too "shouty", even for russian music. I would recommend getting a copy of the vespers as sung by the Dale Warland Singers. Another american group. . . This is the most accurate recording I have heard, and it was done live which impresses me even more!

The Mother Lode.......2005-12-13

If you are looking for a comprehensive survey of the best of the Russian Orthodox liturgical tradition, your search is over. This is the mother lode. First point: I must admit to being something of a purist, and I was at first skeptical that an American choir could perform music of this genre so convincingly; but hearing is believing. Yes, they clearly have included a few honest-to-God Russian basso ringers (and maybe one or two altos); but this is an American choir performing Russian Orthodox liturgical music the way it's supposed to sound - only better. Second point: The selection of pieces is fabulous. This choir's artistic director, Elizabeth C. Patterson, consulted with Vladimir Morosan, the Last Word on the Russian Orthodox choral tradition. The results of this collaboration are reflected in both the breadth and quality of pieces selected. This is literally a millennium of music, beginning with a sample of ancient znamenny chant and ending with three stunning meditations by the late Georgiy Sviridov. Each selection is both accessible and interesting, and a prime example of its composer and/or period. Third point: The individual pieces, with very few exceptions (such as No. 3, Rakhmaninov's `Ave Maria'), are NOT the most well-known and frequently performed warhorses of the Russian Orthodox liturgy. This is not a `Top Ten' recording. That makes this collection all the more interesting. In at least one instance (No. 15, the other Rakhmaninov offering) this may be the only recording available if you're not prepared to dig deep in the discography archives of several dozen universities and conservatories. Fourth point: This is not a new recording, but it marks a standard of quality that few performers in this genre - including native Russian choral ensembles - have since met or surpassed. Elizabeth Patterson has an innate feel for this music. In her previous life, she must have been a Russian monk. Final point: For serious musicians, musicologists and aficionados, this is a perfect gateway to a deeper understanding of this tradition. Buy it!

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