| 1. Yaya |
| 2. Eau |
| 3. Colonisation |
| 4. Mokonzi |
| 5. Saah |
| 6. Sans Effets |
| 7. Ako |
| 8. Tends-Moi la Main |
| 9. Thermometre |
| 10. Soeur en Christ |
L' Eau,Madilu System,JPS Production,Congo
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Piano Favorites
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000UVY Release Date: 1995-10-17 |
Tracks:
- Fantasie Impromptu in C-sharp minor, OP.66
- Waltz No.15 in A-flat, Op.39
- Rondo all turca from Sonata in A, K.331
- Minuet in G
- Traumerei Op.15 No.7 (from Kinderzenen)
- Un sospiro
- Etude in C-sharp minor, Op.10 No.4
- Etude in G-flat, Op.10 No.5
- Humoresque, Op.101 No.7
- 'Fur Elise' (Bagatelle Wo0.59)
- Claire de lune (Suite Bergamasque, No.3)
- Golliwog's Cakewalk (Coin des enfants, No.6)
- Prelude in C-sharp minor, Op.3 No.2
- Melody in F, Op.3 No.1
- The Cuckoo
- La fille aux cheveux de lin (from Preludes Book I)
- Waltz in C-sharp minor, Op.64 No.2
- Waltz in G-flat, Op.70 No.1
- Jeux d'eau
- Gymnopedie No.1 (Lent et douloureux)
Customer Reviews:
Elegance at the piano.......2007-06-16
The ambience of the recording is a wide open one, giving us the full clear sound that makes listening to a grand piano to enjoyable.
If you enjoy listening to good piano music, this is a recording that you will enjoy a great deal.
VALUE FOR MONEY.......2006-08-24
Good bang for the buck........2005-12-07
Really good price........2002-06-15
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Ravel: Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000422W Release Date: 1994-11-15 |
Tracks:
- Gaspard de la nuit: I Ondine
- Gaspard de la nuit: II Le Gibet
- Gaspard de la nuit: III Scarbo
- Valses nobles et sentimentales: I Modere, tres franc
- Valses nobles et sentimentales: II Assez lent, avec une expression intense
- Valses nobles et sentimentales: III Modere
- Valses nobles et sentimentales: IV Assez anime
- Valses nobles et sentimentales: V Presque lent, dans un sentiment intime
- Valses nobles et sentimentales: VI Vif
- Valses nobles et sentimentales: VII Moins vif
- Valses nobles et sentimentales: VIII Epilogue, lent
- Jeux d'eau
- Miroirs: I Noctuelles
- Miroirs: II Oiseaux tristes
- Miroirs: III Une barque sur l'ocean
- Miroirs: IV Alborada del gracioso
- Miroirs: V La Vallee des cloches
Tracks:
- Sonatine: I Modere
- Sonatine: II Mouvement de menuet
- Sonatine: III Anime
- Le tombeau de Couperin: I Prelude
- Le tombeau de Couperin: II Fugue
- Le tombeau de Couperin: III Forlane
- Le tombeau de Couperin: IV Rigaudon
- Le tombeau de Couperin: V Menuet
- Le tombeau de Couperin: VI Toccata
- Prelude
- Menuet sur le nom d'Haydn
- A la maniere de Borodine
- Menuet antique
- Pavane pour une infante defunte
- A la maniere de Chabrier
- Ma Mere L'Oye: Pavane de la Belle au bois dormant
- Ma Mere L'Oye: Petit Poucet
- Ma Mere L'Oye: Laideronnette, imperatrice des pagodes
- Ma Mere L'Oye: Entretiens de la Belle et de la Bete
- Ma Mere L'Oye: Le Jardin feerique
Customer Reviews:
Outstanding performance.......2005-11-29
But why stop at just 1 excellent recording, also consider Jean Efflam Bavouzet on the MDG label. As well another definitive recording (yes its possible to have more than just one definitive) is Alexandre Tharaud's recent recording on Harmondo Mundi.
Pascal Rouge, a true master in Ravel, a very rare talent in the recording industry.
tour de force.......2005-04-20
Ravel Piano Works- Pascal Roge.......2002-08-30
Beautiful Works, Excellent Performance.......2002-08-27
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Pianist: Original Recordings of Wladyslaw Szpilman
Wladyslaw Szpilman Manufacturer: Bci / Eclipse Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007KFRG Release Date: 2002-12-17 |
Tracks:
- Frederik Chopin (1810-1849): Nocturne, No.20 Op.Posthumous in C sharp minor Recorded 1980
- Sergei Rachmaninov (1873-1943)Year Composed: 1916, Daisies Op. 38 Nr.3 Recorded 1954
- Sergei Rachmaninov (1873-1943), Prelude in G-sharp minor op. 32, Recorded 1954
- Robert Schumann (1810-1856) Fantasie C-dur op 17 (Sonata for Beethoven) Part 3 (slowly plangent) Recorded 1960
- Wladyslaw Szpilman Concertino for Piano and Orchestra (1940) Recorded 1969
- Claude Debussy (1888-1905) The Girl with the Flaxen Hair Recorded 1948
- Claude Debussy (1888-1905) Images No 3 - Reflections in the Water Recorded 1948
- Isaac Albiniz, (1860-1909) Cordoba (Cantos de Espaqa No.4, Op. 232) Recorded 1948
- Alfred Gruenfeld, (1852-1924) Paraphrase on theme from Johann Strauss (1825 - 1899) Die Fledermaus Recorded 1948
- Johann Sebastian Bach (1685-1750), Chaconne from Partita No. 2 in D minor, BWV 1004 - Arr. Busoni (1866 - 1924) Recorded 1972
- Fritz Kreisler (1875-1962) Arr. Rachmaninow (1873-1943) Liebesleid Recorded 1948
- Frederik Chopin (1810-1849) Mazurka in A-Flat op. 17 nr. 3 Recorded 1980
- Frederik Chopin (1810-1849): Nocturne, No 20 op. Posthumous in C sharp minor Recorded 1948
Customer Reviews:
A wonderful encore to the movie soundtrack!.......2003-07-20
The highlight of the CD is Szpilman's own composition- Concertino for Piano and Orchestra which he mentions in his book, and which he wrote in 1940- just when the difficult times began.
Szpilman's piano style is different from that of Janusz Olejniczac, whose performances are on the other CD. They both are wonderful in their own way, but it was exciting for me to listen to the real life Pianist. I will look for more works by Wladyslaw Szpilman, including his songs.
The Pianist Original Recordings.......2003-03-26
This classical recording inspired Roman Polanski to direct this great movie about a pianist, Szpilman who survived the war.
Everyone should have this cd in their collection.
Impressive CD by the Pianist.......2003-01-06
Only sorry that I did not get such a good deal as from Amazon. This is a keeper !
The original recordings by THE PIANIST W. Szpilman.......2003-01-06
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Véronique Gens - Nuit d'étoiles (Mélodies Française) / Vignoles
Gabriel Fauré , Claude Debussy , Francis Poulenc , Véronique Gens , and Roger Vignoles Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00003ZKR9 Release Date: 2000-04-11 |
Tracks:
- Apres un reve, Op. 7 No. 1
- Sylvie, Op. 7 No. 3
- Au bord de l'eau, Op. 8 No. 1
- Lydia, Op. 4 No. 2
- Le papillon et la fleur, Op. 1 No.1
- Mandoline, Op. 58 No. 1: 5 Melodies de Venise
- Clair de lune, Op. 46, No. 2
- Les berceaux, Op. 23 No. 1
- 3 Chansons de Bilitis: I. La flute de Pan
- 3 Chansons de Bilitis: II. La chevelure
- 3 Chansons de Bilitis: III. Le tombeau des Naiades
- Fetes galantes: I. En sourdine
- Fetes galantes: II. Fantoches
- Fetes galantes: III. Clair de lune
- Nuit d'etoiles
- Beau soir
- Fleur des bles
- La Belle au bois dormant
- Noel des enfants qui n'ont plus de maison
- BANALITES: I. Chanson d'Orkenise
- BANALITES: II. Hotel
- BANALITES: III. Fagnes de Wallonie
- BANALITES: IV. Voyage a Paris
- BANALITES: V. Sanglots
- 2 Melodies de Guillaume Apollinaire: I. Montparnasse
- 2 Melodies de Guillaume Apollinaire: II. Hyde Park
- Les chemins de l'amour - valse chantee
Customer Reviews:
Lovely.......2005-08-30
An unexpected glimpse of happiness........2001-07-21
Enchanting recital of French Melodies.......2000-07-07
The CD opens with songs by Faure, and while Gens may not possess the charm and naturalness of utterance of Maggie Teyte, whose recordings of Faure's songs are, in the opinion of this reviewer, unsurpassable, she can conjure up the right kind of feeling for every song as no one can. Her tempo for the popular "Apres un reve" is a trifle too laid back. Yet, she conveys to perfection the dream-like quality of the song, as well as the sense of confusion and regret at awakening. Her singing of "Le papillon et la fleur" is delightfully vivid, and her evocation of the feeling of sadness being kept in restraint in "Les berceaux" makes the performance both intimate and touching.
The Debussy group is no less impressive. Despite the innovative idiom in which most of these songs are composed, Gens is able bring them off effortlessly and stylishly. She is in total command whether in the serenity of "Beau soir", the romanticism of "Nuit d'etoiles", the rustic charm of "Fleur des bles", or the harrowing grimness of "Noel des enfants qui n'ont plus de maison", the last one composed when Debussy was being haunted by the atrocities of the Great War. In "Fetes galantes I", although the vocal and piano parts are often independent of each other, Gens's remarkable interpretation succeeds in unifying the two strands into a picturesque and colourful whole. The "3 Chansons de Bilitis", which are composed very much in the style of PELLEAS ET MELISANDE, also find an ideal interpreter in Gens where, blessed with a keen sense of rhythm, she succeeds in propelling the texts forward with musical grace and dramatic import. She would surely make a wonderful Melisande.
The Poulenc is equally fine. The young soprano is able to do full justice to the diverse moods in "Banalites", which, according to Olivier Opdebeeck, who penned the CD notes, is composed in a "part-melancholy, part-joyful tone with a barb of irony which the composer identified in the poet". The "2 Melodies de Guillaume Apollinaire" are sharply contrasted, one (Montparnasse) languid and brooding and the other (Hyde Park) gusty and piquant. Gens's singing of "Les chemins de l'amour", a cross between a Viennese waltz and a cabaret song, is loveliness itself and provides a delicious end to an enchanting recital.
The major reservation that this reviewer has involves the accompaniment of Roger Vignoles. While he is able to provide secure support for the singer, his playing is uncharacterful and even bland. Besides, the piano tone seems to be rather thin at times. Nonetheless, this should not detract one from the sensuous beauty of Gens's performance. This reviewer hopes that Virgin Classics would be encouraged by the success of this release so that they can present this most promising singer in further volumes of French songs by, say, Chausson, Ravel and Duparc.
Nuit d'toiles - Melodies Francaises/ Gens, Vignoles.......2000-06-13
An Outstanding Vocal Performance.......2000-05-01
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Forgotten Songs: Dawn Upshaw Sings Debussy
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002B6P Release Date: 1997-03-18 |
Tracks:
- Vasnier Songbook: I. Pantomime
- Vasnier Songbook: II. Calmes dans le demi-jour (En sourdine)
- Vasnier Songbook: III. Mandoline
- Vasnier Songbook: IV. Clair de lune
- Vasnier Songbook: Fantoches
- Vasnier Songbook: VI. Coquetterie posthume
- Vasnier Songbook: VII. Romance - Silence ineffable
- Vasnier Songbook: VIII. Musique
- Vasnier Songbook: X. Paysage sentimental
- Vasnier Songbook: X. Romance - Voici que le printemps
- Vasnier Songbook: XI. La Romance d'Ariel
- Vasnier Songbook: XII. Regret
- Forgotten Melodies: I. C'est l'extase langoureuse
- Forgotten Melodies: II. Il pleure dans mon coeur
- Forgotten Melodies: III. L'ombre des arbres
- Forgotten Melodies: IV. Chevaux de bois
- Forgotten Melodies: V. Green (Aquarelle)
- Forgotten Melodies: VI. Spleen (Aquarelle)
- Five Poems Of Charles Baudelaire: I. Le Balcon
- Five Poems Of Charles Baudelaire: II. Harmonie du soir
- Five Poems Of Charles Baudelaire: III. Le Jet d'eau
- Five Poems Of Charles Baudelaire: IV. Recueillement
- Five Poems Of Charles Baudelaire: V. La Mort des amants
Customer Reviews:
Classic Art Songs Sung with Brilliance and Artistry.......2006-11-10
Pretty, but not memorable.......2006-04-29
Returning to the Recital Hall: A Soiree.......2005-04-09
Here the program is devoted to the works of Claude Debussy, a composer for whom Upshaw has a particular penchant. Her voice is crystal clear, perfectly focused and yet not afraid to animate when the lyrics demand. She covers three cycles here: 'Ariettes oubliees' (for this listener the most successful on the album), 'Racueil Vasnier', and 'Cinq Poemes de Charles Baudelaire' (contrast these with the recently released Susan Graham version and see what interpretation is all about!).
The collaboration between Upshaw and James Levine is sensitive (if not always the pianism of others..). But the entire recital is uplifting and satisfying for the variation in the songs, recorded sound, the generosity of the disc, and most of all for the musical intelligence in which these songs are performed! Grady Harp, April 05
Pretty sound spoiled by a bad vocal habit.......2004-05-07
P.S. Since writing this review (quite some time ago), I was fortunate to hear a recording of Ms. Upshaw in a production at the Metropolitan Opera where she didn't do any of her annoying sliding at all - not once - (probably because it was music from a much earlier time) The difference was astounding. It was a glorious performance. It was hard to believe it was the same person. This, more than ever, confirms my opinion that she ruined this recording with a bad singing habit.
Excellent!.......2003-11-26
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Kiri Te Kanawa - Canteloube: Chants d'Auvergne, Villa-Lobos: Bachianas brasileiras
Marie-Joseph Canteloube , Heitor Villa-Lobos , Jeffrey Tate , Kiri Te Kanawa , English Chamber Orchestra , and Instrumental Ensemble Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000427R Release Date: 1995-11-14 |
Tracks:
- La Pastoura als Camps
- Bail ro
- Trois Bourr es
- Pastourelle
- L'Antou no
- La Pastrouletta lou Chibali
- La Dela ssado
- Bour es
- Lo Fiolair
- Passo pel Prat
- Lou Boussu
- Brezairola
- Malurous qu'o uno Fenno
Tracks:
- Chants d'Auvergne: Jou l'pount d'o Mirabel
- Chants d'Auvergne: Oi ayai
- Chants d'Auvergne: Per l'efon
- Chants d'Auvergne: Tchut, tchut
- Chants d'Auvergne: Pastorale
- Chants d'Auvergne: Lou Coucut
- Chants d'Auvergne: Obal, din lo coumb
- Chants d'Auvergne: Quand z'eyro petitoune
- Chants d'Auvergne: Laut, sur le rocher
- Chants d'Auvergne: HBeyla-z-y dau f
- Chants d'Auvergne: Postouro, su m'aymo
- Chants d'Auvergne: Uno jionto postouro
- Chants d'Auvergne: Lou diziou b
- Bachianas brasileiras: Aria (Cantilena)
- Bachianas brasileiras: Dansa (Martelo)
Customer Reviews:
Simply beautiful.......2005-08-07
Simply Sublime.......2004-02-27
There are so many fine recordings of these songs.
The great Frederica Von Stade recorded a quite mesmerizing selection of the Auvergne songs at about the same time as Dame Kiri. There is the lovely recording by the legendary Victoria De Los Angeles, a selection of the songs many of us grew up on.
There is the seminal first complete recording (and then some, as I recall) by the late Natania Davrath, a much under-appreciated artist who, in many ways, is responsible for the popularity these songs enjoy today. Even Anna Moffo recorded a lovely handful of the songs in the 60s conducted by no less than Leopold Stokowski!
And then there is Dame Kiri. We know her. We love her. We have come to expect the best from her. We have come to always expect more from her, in fact, than from just about anyone else.
So unfair. We expect her to jump the musical hurdles of our emotional connections to music and art in a way we expect from few others.
And yet she so seldom disappoints. Is this the absolute best recording of the Chants d'Auvergne ever? Such a personal choice. Who is to say?
I can tell you this, once I heard this truly remarkable set, which has literally sent chills up my back since the the first time I heard it all those years ago, I knew my search for the recording of these songs I would keep near me forever was over.
Here is an interpretation combining, in equal measure, patrician elegance with almost peasant-like eloquence. She renders song after song, some deceptively complicated, with a divine simplicity that simply defies the imagination.
I don't know how Dame Kiri achieved this miraculous feat. It must have come from the heart, because it certainly goes to mine.
And finally, it would be unthinkable not to give credit to the exquisite playing of the English Chamber Orchestra and the always sensitive collaboration of conductor Jeffrey Tate.
LUSH AND PASSIONATE!.......2003-03-09
I first heard a selection of these songs 30 years ago, performed by Anna Moffo, and fell in love with them. It's wonderful to find a complete recording of all 5 series on this 2 CD set, sung by Kiri te Kanawa with enormous talent and verve. Whether the mood is passionate, playful, mocking, tender, mournful or-an emotion few composers have ever captured-helpless with pleasure, these pieces have one thing in common: they are the work of a master orchestrator at the height of his powers, using the fullest resources of the modern orchestra. You will not find more beautiful music than this!
Beautiful!.......2001-08-28
Only Kiri.......2001-07-13
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Poèmes de l'Amour
Manufacturer: Warner Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007GADUY Release Date: 2005-03-29 |
Tracks:
- I. La Fleur Des Eaux
- Interlude
- II. La Mort De L'amour
- I. Asie
- II. La Flute Enchantee
- III. L'Indifferent
- I. Le Balcon
- II. Harmonie Du Soir
- III. Le Jet D'eau
- IV. Recueillement
Customer Reviews:
A Thousand and One Nights with Susan Graham.......2005-05-11
On this recording, Graham does a stellar job of illuminating the emotions of the songs almost purely through vocal coloring rather than by characterization. For the Chausson (Poème de l'amour et de la mer), I will say that approach is 100 percent successful. It has to be one of the supreme performances of this vocal tone poem ever captured on disc. Her passion and heartbreak are thrilling.
However, for the Ravel (especially the second and third songs) and for the Debussy, I wish Graham had been a shade more assertive in her interpretations. I think the first song of Shéhérazade can succeed as a swooning travelogue on the high seas -- very much along the same lines as the Chausson -- but the last stanza is a return to more personal story-telling, which should be sustained through the second and third songs. This is a lovely performance, no doubt about it, but Graham's instrument is one of such innate beauty that she can well afford to let her hair down, interpretively, a little more. I would make the same suggestion for the Debussy.
The orchestra, especially in the Chausson, is exemplary. For all the sweeping romanticism, the orchestra shows great subtlety in bringing out the rhythms, dynamics, and intrumental lines. I only wished for a slight bit of rubato at the beginning of the finale of the Chausson (the song "Le temps des lilas" that ends the last movement) -- but in French music understatement is seldom to be discouraged. Following Chausson's Wagnerian drama immediately with the rapturous Shéhérazade, however, was not to advantage. Agreed, ending with the Debussy was advisable, but a palette cleanser is definitely needed between the Chausson and Ravel and the disc length allows for an additional fifteen minutes of music. If nothing else, an instrumental work could have been inserted here -- or a vocalise or two!
Graham's vocal production is well-nigh perfect. She neither hides behind the orchestra nor rides it -- the balance is perfectly judged and natural-sounding. Her facility in French means that you have none of those jarring moments that infect the performances of some other non-native singers. My only complaint in terms of her vocalism is that too often Graham attacks her high, climactic notes just under the proper dynamic and swells. It isn't unattractive, but on repetition it did become distracting -- especially the word "haine" ("hatred") at the climax of Asie, which should be attacked head-on.
The unusual coupling with Debussy -- four of the five Poèmes de Charles Baudelaire -- is most welcome. These orchestrations by John Adams are effective, especially the last song (Recueillement). However, they would have worked even better if the orchestrations had less Chausson and Ravel and more Debussy. I also wonder if scoring for a smaller chamber ensemble might have allowed more of that Debussyan quality of limpid mystery. But my quibbles are infinitessimal and I think these orchestrations will be welcome additions to the repertory.
Make no mistake -- this is a fabulous record! One can bathe in its lushness for a good hour without tiring of Graham's voice, and come back for more! My reservations are matters of my personal taste in art song performance, and even by those standards the room for improvement is slender.
A Superb Graham Enwrapped in Unwavering Romanticism.......2005-04-23
Where Graham falls somewhat short among this league is in the relative sameness of the program, which reflects a conscious decision to explore the more serious Belle Epoque fare for soprano and orchestra. Granted all three song cycles are lovely and sonorous, but together the variety seems lacking for a singer of Graham's caliber, and one ends up missing a lighter touch to offset the somber tone. Things start promisingly with Ernest Chausson's "Poèmes de l'amour et de la mer", a luscious work that evokes an engaging seductive power over a wide range of emotions. It also includes a soaring dream-like interlude. Maurice Ravel's "Shéhérazade," is performed colorfully with a swooning sense of epic melodrama that wouldn't sound out of place in a 1950's Douglas Sirk movie. John Adams contributed the hushed orchestrations for four of Claude Debussy's set of "Cinq Poèmes de Charles Baudelaire" presented here, all performed languorously with a discernible sense of longing. One or two lighter chansons could have lightened this program considerably, and they would have been welcome. Also, at certain moments, the sound feels heavily overproduced. Regardless, Graham is among the finest singers today and always a treat to hear and appreciate and she is supported in a most atmospheric fashion by the BBC Symphony Orchestra led by conductor Yan Pascal Tortelier.
For the Sheer Luxury of Beauty of Voice and Technique!.......2005-03-30
The Chausson 'Poeme de l'amour et de la mer' is a series of heavily orchestrated songs whose protagonist is a young man who meets and falls in love with a girl and returns a year later to discover the girl no longer is moved by him - not unlike the doubt, lust, longing and memory of Resnais' film 'Last Year at Marienbad'. Graham communicates the longing and ecstasy and ultimate devastation of the young man with intense feeling and gorgeous rich sound. Yan Pascal Tortelier conducts the BBC Symphony Orchestra with sonorous swells of sound that never bury the voice and never completely give in to the excesses in Chausson's writing.
Best known of the works on this recording is the 'Sheherazade ' of Maurice Ravel. Here, moving among the three songs well known to every concertgoer, Graham demonstrates her seamless range of tone and color: though a mezzo-soprano by range she transports her gorgeous instrument into the realm of soprano with complete ease. Her French diction is perfect and she makes the poems come alive. If this reading does not erase all memories of such singers as Regine Crespin or Victoria de los Angeles as far as breathy French sensuousness, the uncanny beauty of her sound and her immersion in the texts creates a new standard. 'La Flute enchantee' is from another place of rarefied air!
The Debussy songs 'Le Livre de Baudelaire' are here performed with a new orchestration by contemporary composer John Adams! And if you fear that may be an incongruous pairing then fear not. The orchestral writing is in total sync with Debussy's haunting line. Graham again delivers lush, creamy tone with a true 'French sound'. It simply works.
Apart from the beauty of Susan Graham's artistry and Tortelier's sensitive collaboration the major contribution of this recording is in the thoughtful programming - three cycles by three French composers whose lives overlapped. This is the degree of challenging and rewarding ventures that will maintain the importance of classical music recordings. Highly Recommended. Grady Harp, March 05
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Debussy & Ravel: Piano Works - Samson Francois (6 CD's)
Samson Francois , Claude Debussy , and Maurice Ravel Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002RUAEM Release Date: 2004-11-02 |
Tracks:
- 1. Danseuses De Delphes
- 2. Voiles
- 3. Le Vent Dans La Plaine
- 4. Les Sons Et Les Parfums Tournent Dans L'Air Du Soir
- 5. Les Collines D'Anacapri
- 6. Des Pas Sur La Neige
- 7. Ce Qu'a Vu Le Vent D'Ouest
- 8. La Fille Aux Cheveux De Lin
- 9. La Serenade Interrompue
- 10. La Cathedrale Engloutie
- 11. Danse De Puck
- 12. Minstrels
- 1. Brouillards
- 2. Feuilles Mortes
- 3. La Puerta Del Vino
- 4. Les Fees Sont D'Exquises Danseuses
- 5. Bruyeres
- 6. General Lavine (Eccentric)
- 7. La Terrasse Des Audiences Au Clair De Lune
- 8. Ondine
- 9. Hommage A S. Pickwick Esq. P.P.M.P.C.
- 10. Canope
- 12. Feux D'Artifice
Tracks:
- 1. Reflets Dans L'eau
- 2. Hommage A Rameau
- 3. Mouvement
- 1. Cloches A Travers Les Feuilles
- 2. Et La Lune Descend Sur Le Temple Qui Fut
- 3. Poissons D'or
- Reverie
- 1. Andantino
- 2. Allegretto Scherzando
- La Plus Que Lente, Valse
- 1. Pour Les Degres Chromatiques
- 2. Pour Les Agrements
- 4. Pour Les Sonorites Opposees
- 5. Pour Les Arpeges Composes
- 6. Pour Les Accords
- Masques
- L'Isle Joyeuse
- Berceuse Heroique
Tracks:
- 1. Doctor Gradus Ad Parnassum
- 2. Jimbo's Lullaby
- 3. Serenade For The Doll
- 4. The Snow Is Dancing
- 5. The Little Shepherd
- 6. Golliwogg's Cake-Walk
- 1. Pagodes
- 2. La Soiree Dans Grenade
- 3. Jardins Sous La Pluie
- 1. Prelude
- 2. Menuet
- 3. Clair De Lune
- 4. Passepied
- 1. Prelude
- 2. Sarabande
- 3. Toccata
Tracks:
- 1. Allegramente
- 2. Adagio Assai
- 3. Presto
- Lento/Allegro
- 1. Pavane De La Belle Au Bois Dormant - Pierre Barbizet
- 2. Petit Poucet - Pierre Barbizet
- 3. Laideronnette, Imperatrice Des Pagodes - Pierre Barbizet
- 4. Les Entretiens De La Belle Et De La Bete - Pierre Barbizet
- 5. Le Jardin Feerique - Pierre Barbizet
Tracks:
- Pavane Pour Une Infante Defunte
- 1. Modere, Tres Franc
- 2. Assez Lent
- 3. Modere
- 4. Assez Anime
- 5. Presque Lent
- 6. Vif
- 7. Moins Vif
- 8. Epilogue: Lent
- Prelude
- Jeux D'Eau
- Menuet Sur Le Nom D'Haydn
- 1. Noctuelles
- 2. Oiseaux Tristes
- 3. Une barque Sur L'Ocean
- 4. Alborada Del Gracioso
- 5. La Vallee Des Cloches
- Emmanuel Chabrier (Paraphrase Sur Un Air De Gounod)
- Borodine
Tracks:
- 1. Ondine
- 2. Le Gibet
- 3. Scarbo
- 1. Modere
- 2. Mouvement De Menuet
- 3. Anime
- 1. Prelude
- 2. Fugue
- 3. Forlane
- 4. Riguadon
- 5. Menuet
- 6. Toccata
- Menuet Antique
Customer Reviews:
great pianist!!!!.......2007-02-16
Yesterday Francois would be celebrating his eighty-two anniversary .......2006-05-19
If you still do not know about this legendary artist, no itý s the time for you to convince by yourself about the supreme level occupied by him.
When he left us in 1970 at his 46, he had so much to give. The musical world remained legitimately orphan and much more vile since his premature death.
But, fortunately his legacy will live among us, every time you listen any record you acquire of this peerless musician.
His Ravel is loaded not only of notable, sensual and asserive expressiveness. If you know about some other performance able to equal his Gaspard de la nuit, please, be my guest.
His Debussy is sober, eloquent with Impresionist flair and sublime musicality.
A true artistic and a fundamental treasure in your collection.
Average customer rating:
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My Favorite Encores
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003F3H Release Date: 1991-05-10 |
Tracks:
- Scherzo No. 2, Op. 31
- Reflections in the Water
- Etude, Op. 4, No. 3
- Etude, Op. 10, No. 12: Revolutionary
- La plus que lente
- The Girl with the Flaxen Hair
- Nocturne, Op. 62, No. 2
- Dedication
- Etude, Op. 8, No. 12
- Clair de lune
- Etude tableau, Op. 39, No. 5
- The Isle of Joy
Customer Reviews:
Soul Food.......2003-10-03
Absolutely wonderful.......2000-04-12
Average customer rating:
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Jean-Yves Thibaudet - Debussy · images, études ~ complete works for piano, vol. 2
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SDRF Release Date: 2000-05-09 |
Tracks:
- Images - Serie I
- Images - Serie I
- Images - Serie I
- Images - Serie II
- Images - Serie II
- Images - Serie II
- Le Petit Negre
- Children's Corner
- Children's Corner
- Children's Corner
- Children's Corner
- Children's Corner
- Children's Corner
- La plus que lente
- Valse romantique
- Ballade
- Danse (Tarantelle styrienne)
- Mazurka
Tracks:
- Suite bergamesque
- Suite bergamesque
- Suite bergamesque
- Suite bergamesque
- Hommage a Haydn
- Elegie
- Berceuse heroique
- page d'album
- Etudes - Livre I
- Etudes - LIvre II
- Etudes - LIvre II
- Etudes - LIvre II
- Etudes - LIvre II
- Etudes - LIvre II
- Etudes - Livre II
- Etudes - Livre II
- Etudes - Livre II
- Etudes - Livre II
- Etudes - Livre II
- Etudes - Livre II
- Etude retrouvee
Amazon.com
Jean-Yves Thibaudet is not a pianist to be pigeonholed. Alongside the recordings of his fellow countrymen Debussy and Ravel, he has recorded a tribute to a jazz giant, Conversations with Bill Evans, and he plays on the soundtrack of the film Portrait of a Lady. Perhaps this catholic approach accounts for the freshness of his Debussy playing. Not for him the "stick the pedal down and make an impressionistic wash of sound" approach. His playing is clean and refreshing without losing any of the voluptuous sensuality of Debussy at his most beguiling. There are lollipops to be found among the extensive repertory on these two discs, including the celebrated "Clair de Lune" from the Suite Bergamasque and the "Golliwogg's Cake-Walk" from Children's Corner. The mainstay of the release is the two sets of Images and the two books of Études, 12 studies whose demands are not for the faint of heart. Luckily for us, Thibaudet's heart is strong. He offers virtuosic, thoughtful performances of pieces that, while written to help develop pianists' technique, stand up magnificently as music to be listened to. --Keith ClarkeCustomer Reviews:
Superior recordings and performances.......2005-09-18
We have several recordings of the Preludes and some other works, but there is nothing to come close to Thibaudet for great performances and superior recording quality.
The liner notes are very helpful, and in the first set you get different articles in English, French, German and Italian. Great if you are multilingual, but only of marginal interest to me. The second set has one article and translations, not separate articles.
Well worth purchasing.
BEAUTIFUL.......2002-11-17
Evocative and mesmerizing if a little distorted in places.......2001-04-21
Thibaudet has a gorgeous tone and touch. His musical styling, however, is sometimes accurate, sometimes phlegmatic. He plays the Song of the Doll in "Children's Corner" a little too fast, and in both "Golliwog's Cakewalk" and "Clair de lune" he employs an odd sort of rubato that seems to add a half-beat to certain measures. (In these pieces I know because I used to play them). Despite these quirks, however, his playing has charm, color and a dashing technique reminiscent of Gieseking. The reason I only gave this set 4 stars instead of 5 is because the Etudes are trashy music, mere technical exercises without any redeeming (to me) musical value. If you feel differently, however, I suppose you will rate this as a 5-star album, but to me it was a half-hour of listening time totally wasted. Otherwise, a beautiful album that you will listen to again and again.
Mesmerising and musically imaginative performances.......2000-06-30
However, he is definitely a force to be reckoned with in his native French repertoire, as shown by his marvellous traversal of Ravel's piano pieces in 1992, a set which has won lots of accolades and unanimous praise from critics. He then embarked on a project to record all the solo piano works of Debussy and, in 1996, released the first instalment thereof, a 2-CD set which includes the Preludes, Estampes and Pour le piano. While these recordings aren't able to efface one's memory of the legendary recordings of Walter Gieseking, they're convincing interpretations which further confirm Thibaudet's stature in this repertoire.
Decca has now released the 2nd (and concluding) volume of Debussy's solo piano pieces with Thibaudet, and the results are, if anything, even better. As Thibaudet employs the pedal comparatively sparingly, he doesn't perhaps command the magically luminous and shimmering tone which is the hallmark of Gieseking's Debussy recordings (as can be heard in a 4-CD set released by EMI). Nevertheless, Thibaudet offers here an extraordinary wide range of tonal colours (mostly achieved by the pianist's fingers alone, and is therefore no less impressive from a technical perspective), as well as great sensitivity in phrasing and tempo adjustments that always sound natural and even enchanting while at the same time bringing out the music's many possibilities. Besides, in certain instances (for example in some of the pieces in Children's Corner and the Valse romantique), there exist a degree of charm, wit and sarcastic humour which are mostly absent in Gieseking's recordings of the same pieces.
Thibaudet's performance of the Images is mesmerising. His reading is wonderfully evocative and deeply atmospheric and his tonal gradations and sense of control are both cause for marvel. Under Thibaudet's crisp fingers and sensitive hands, the Etudes are not merely virtuosic pieces composed in an innovative idiom, but are also subtly expressive and musically imaginative vignettes, making one wonder why these gems of the keyboard aren't being performed (and recorded) more often. Indeed, such is the standard of the performances here that, besides some faster than average tempo choices for a few of the pieces (which, however, still sound convincing even if they may not actually be sanctioned by Debussy's markings in the relevant scores), this reviewer has hardly any reservation throughout the 151 minutes of music on offer in this 2-CD set. In fact, the recordings, which are well supported by the Decca engineers, are so musically fascinating and tonally alluring that this reviewer was immediately transported to a trance like state when listening to them for the very first time! This, surely, is one of the most enjoyable new piano releases that have come out in the past few years.
Highly recommended and definitely a set worthy of being investigated by pianophiles.
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