Drum for Life

1. Desert Heat

2. Drum for Life

3. Quick Fix

4. Griz Attack

5. Peh-Yah-Tik

6. Kopy Kat

7. No Looking Back

8. Nah-Mak (Mids)

9. Sweatin' It

10. NDN Gurlz

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Home For The Holidays - Perry Como
White Christmas - Bing Crosby
Jingle Bells - Ella Fitzgerald
Do You Hear What I Hear? - Andy Williams
Carol Of The Bells/Deck The Halls - The Robert Shaw Chorale
I Heard The Bells On Christmas Day - Harry Belafonte
Blue Christmas - Elvis Presley
My Favorite Things - Eddie Fisher
Joy To The World - Julie Andrews
Here We Come A-Caroling - The Mormon Tabernacle Choir
March Of The Toys - The Saint Louis Symphony Orchestra
O Holy Night - Luciano Pavarotti

Tracks:

Rudolph The Red-Nosed Reindeer - Gene Autry
It's The Most Wonderful Time Of The Year - Andy Williams
The Twelve Days Of Christmas - Roger Whittaker
Dance Of The Sugar Plum Fairy - The Boston Pops Orchestra
Mary's Boy Child - Harry Belafonte
I'll Be Home For Christmas - Elvis Presley
Rockin' Around The Christmas Tree - Brenda Lee
Sleigh Ride - Johnny Mathis
Tennessee Christmas - Alabama
Baby's First Christmas - Connie Francis
The Little Drummer Boy - Harry Simeone Chorale
Auld Lang Syne - Guy Lombardo

Customer Reviews:

Only half the songs of the original set!!.......2007-01-17

Although I love the CDs, I was disappointed that there were only about half of the songs I thought there would be. I bought the original double cassette set back in the early 90's and when I found the CDs with the same name and cover, I thought I was getting the same thing only on CD. But the Cassettes had twice as many songs, including Let it Snow,Have Yourself a merry Little Christmas,The First Noel, Jingle Bells by Jim Reeves, The Christmas song by the Carpenters and so many others!!

Its all Christmas.......2007-01-09

It reminded me of Christmas as a child. I played this all throughout the holidays.

A Good Basic Collection.......2006-02-11

This is a good, basic collection of Christmas Music. As a general rule, Time-Life has selected what is probably the definative artist/arangement of each song.

My only complaints are that there are only 24 songs on two disks and one or two of them are not ones that I would have picked (not my style).

Overall, it's a good set that I would recommend to anyone who wants to start a collection.

cd reviews.......2006-01-15

this cd was very good, much recommended

Poor Quality.......2005-12-05

The only good thing about this collection is the inclusion of so many Christmas standards. I was very disappointed in the quality of the recordings, they obviously need digital inhancement.

Varese Sarabande 25th Anniversary Celebration

Average customer rating:

A good value
The Sound Track Since Bernard Hermann
Good mix of film music
A mixed collection of movie music
Uplifts your soul, takes your mind into the heavens

Varese Sarabande 25th Anniversary Celebration

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

Star Wars | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Paramount 90th Anniversary Collection: Scores
In Session: Film Music Celebration
The Essential Elmer Bernstein Film Music Collection
Jerry Goldsmith: 40 Years of Film Music
Music In Film (National Public Radio Milestones Of The Millennium)

ASIN: B00008WI90
Release Date: 2003-04-22

Tracks:

The Man from Snowy River (Bruce Rowland)
The Winds of War (Bob Cobert)
Blue Velvet (Angelo Badalamenti)
Witness (Maurice Jarre)
Raising Arizona (Carter Burwell)
Pee Wees Big Adventure (Danny Elfman)
Halloween (John Carpenter)
A Nightmare On Elm Street (Charles Bernstein)
The Fly (Howard Shore)
RoboCop (Basil Poledouris)
The Empire Strikes Back (John Williams)
The Right Stuff (Bill Conti)
The Final Conflict (Jerry Goldsmith)
The Abyss (Alan Silvestri)
Brainstorm (James Horner)
Peggy Sue Got Married (John Barry)
My Left Foot (Elmer Bernstein)
The Dead (Alex North)
Stanley & Iris (John Williams)
The Milagro Beanfield War (Dave Grusin)
Driving Miss Daisy (Hans Zimmer)

Tracks:

Steel Magnolias (Georges Delerue)
Unforgiven (Lennie Niehaus and Clint Eastwood)
Raggedy Man (Jerry Goldsmith)
The Grifters (Elmer Bernstein)
Green Card (Hans Zimmer)
City Slickers (Marc Shaiman)
Father Of The Bride (Alan Silvestri)
While You Were Sleeping (Randy Edelman)
Babe (Nigel Westlake)
The Adventures Of The Great Mouse Detective (Henry Mancini)
The Adventures of Robin Hood (Erich Wolfgang Korngold)
The Young Indiana Jones Chronicles (Laurence Rosenthal)
The Secret Garden (Zbigniew Preisner)
A Little Princess (Patrick Doyle)
Rudy (Jerry Goldsmith)
Iron Will (Joel McNeely)
Memphis Belle (George Fenton)
Eye Of The Needle (Mikl)
Total Recall (Jerry Goldsmith)
Back To The Future Part III (Alan Silvestri)

Tracks:

To Die For (Danny Elfman)
The Player (Thomas Newman)
Black Robe (Georges Delerue)
Medicine Man (Jerry Goldsmith)
2001 (Alex North)
Star Wars: Shadows Of The Empire (Joel McNeely)
The Crow (Graeme Revell)
Blade (Mark Isham)
The Omen (Jerry Goldsmith)
Vertigo (Bernard Herrmann)
Scream (Marco Beltrami)
The Sixth Sense (James Newton Howard)
Xena: Warrior Princess (Joseph LoDuca)
Air Force One (Jerry Goldsmith)
Starship Troopers (Basil Poledouris)
The Matrix (Don Davis)
The Iron Giant (Michael Kamen)
Youve Got Mail (George Fenton)
A Little Romance (Georges Delerue)
Pleasantville (Randy Newman)

Tracks:

Sunset Boulevard (Franz Waxman)
L.A. Confidential (Jerry Goldsmith)
Rounders (Christopher Young)
The Score (Howard Shore)
The Replacements (John Debney)
Gone In 60 Seconds (Trevor Rabin)
The Bourne Identity (John Powell)
Rush Hour 2 (Lalo Schifrin)
XXX (Randy Edelman)
Die Hard (Michael Kamen)
The Last of the Mohicans (Trevor Jones)
Moby Dick (Christopher Gordon)
The Mists Of Avalon (Lee Holdridge)
Cleopatra (Alex North)
Life As A House (Mark Isham)
Emma (Rachel Portman)
In The Bedroom (Thomas Newman)
Cast Away (Alan Silvestri)
One True Thing (Cliff Eidelman)
Unfaithful (Jan A.P. Kaczmarek)
Far From Heaven (Elmer Bernstein)
Ice Age (David Newman)
Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up

Average customer rating:

Synthpop for a Darkened Room 2
Various Artists
Manufacturer: A Different Drum
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Electronica | Compilations | Dance & DJ | Styles | Music

Dance Pop | Compilations | Dance & DJ | Styles | Music

General | Pop | Styles | Music

Dance Pop | Dance & DJ | Indie Music | Stores | Music

General | Pop | Indie Music | Stores | Music

4-for-3 Dance & DJ | 4-for-3 Music | Stores | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Synthpop for a Darkened Room 3
Synthpop Club Anthems 3
Space Age Electro Pop - The New Wave of the New Century
Synthpop Club Anthems 4
Synthpop Club Anthems 2

ASIN: B00019MRXS
Release Date: 2004-02-10

Tracks:

Regenerate (Cosmicity)
Earthbound (Wideband Network)
Apology (The Echoing Green)
Real (Droom)
Empty (B! Machine)
Danger (Intuition)
Bleed (Daybehavior)
Starless (Syrian)
Beautiful Thing (Real Life)
Conformia (Moulin Noir)
Forbidden Fruit (Opium)
Miss You More (De/Vision)
Satellite (The Dignity of Labour)
My Wandering Mind (Wave In Head)
Adrian - I Lose Control (Somegirl)
Voice In the Rain (Virtual Server)

Album Description

A Different Drum is proud to present this collection of synthpop songs which turns the focus away from the club dance floor and into the heart. Much of the electronic dance music released in today's market only serves one purpose-- to move your body. Though club music often gives the listener something to which they can dance, much of the appeal dies once the listener has left the flashing lights and loud sound systems of the dance floor. One of the strengths of the synthpop genre is that it not only caters to those who love a great beat and catchy hooks, but it also appeals to the mind, with meaningful and memorable lyrical content. Synthpop is also not entirely restricted to club use, but also uses electronic music production to create different moods for different occasions. We don't always feel like dancing.

The "Synthpop for a Darkened Room" series explores the songs that contemplate love, melancholy, questions, and answers. It's the kind of music that can move your mind and your body. You can leave the dark dance club floor and still enjoy these songs in a dark room of your own. Enjoy the emotional journey!

If you love danceable, high-energy synthpop, then you should check out A Different Drum's label samplers in the "Synthpop Club Anthems" series. Those collections pull together the most popular dance mixes and underground hits by some of today's top synthpop bands.

Tracks:

Music For 18 Musicians (Coldcut Remix) - Steve Reich
Eight Lines (Howie B Remix) - Bang On A Can/Bradley Lubman
The Four Sections (Andrea Parker Remix) - London Symphony Orchestra/Michael Tilson Thomas
Megamix (Tranquility Bass Remix) - Steve Reich/London Symphony Orchestra/Michael Tilson Thomas/Theatre Of Voices...
Drumming (Mantronik Maximum Drum Formula) - Steve Reich
Proverb (Nobukazu Takemura Remix) - Theatre Of Voices
Piano Phase (D*Note's Phased & Konfused Mix) - Double Edge
City Life (DJ Spooky That Subliminal Kid Open Circuit) - The Steve Reich Ensemble/Bradley Lubman
Come Out (Ken Ishii Remix) - Steve Reich
Bonus Track 1 - Various Artists

Amazon.com

The beauty of Steve Reich's minimalist compositions can be found not in their repetition but in their evolution. Listening to the Kronos Quartet perform Different Trains, the listener quickly gets over the camp value of the conductor samples to discover an unfolding theme that harks back not only to bustling industrialism but also to the horror of the Nazi concentration-camp trains. Reich is a master of such subtle changes in sonics, and his impeccable timing turns simple phrases into musical tapestries. On Reich Remixed, some of dance music's more innovative artists pay homage to the composer in the way they know best: by sampling his works and remixing them into their own. Coldcut's take on Music for 18 Musicians adds a fast-paced techno flair to the classic composition, Howie B's Eight Lines respectfully keeps the integrity of the original piece, and Tranquility Bass peppers "Megamix" with voices and (eventually) beats. There are some misses here, and, most unfortunate, DJ Spooky's schizophrenic treatment of City Life lobotomizes a previously fine composition. No, you still can't dance to Reich, but you can see how others use him for source material. But after hearing these condensed and diced versions, you might find it's worth delving back into Reich's originals to hear what the fuss is all about. --Jason Verlinde

Customer Reviews:

Boring and unimaginative.......2005-07-13

My opinion is that this compilation doesn't glorify Reich or electronica. I used to think that most techno enthusiasts and maybe even techno composers had probably never heard of him. While I've come to learn that this isn't true, I think this CD would be a good argument in favor of it. I certainly didn't expect Reich Remixed to compare with the originals. And there is certainly nothing wrong with a tribute. But everything here is against Reich's style, both too fast and too simple.

The Coldcut remix of Steve Reich's 18, unfortunately the best track on the disk, is laughable in comparison and a warning against the tracks that follow. After reading the reviews for the original Music for 18 Musicians, there are several people who can say nothing except that it is slow and boring. I think you might as well include Coldplay in that number. It is as if he recorded himself skipping forward through the first 5 or so minutes of the original and smiled at his creation.

He isn't the only one who obviously missed the point. Most of the remixes use some of the cheapest sounding instruments and methods I've heard; these aren't just bad tributes to Reich, they are bad tributes to techno! And don't expect to hear phasing, which was introduced for the first time in Come Out and Drumming, in their remixes. That would require at least some trivial knowledge of Reich's contribution to minimalism, which these artists obviously do not have. And anyway, Reich used much more than rhythmic, vocal/musical repetition and staccato notes, let's get that straight.

I wasted my money on this one. If you haven't been introduced to Reich, I envy you! Try Music for 18 Musicians and Different Trains, many agree that those are among Reich's most powerful pieces.

Children of Reich Create Loving Homage.......2005-04-16

The entrancing hobby of looping gave birth to essencially all forms of techno in existence today, and all followers should be thankful Steve Reich's cassette tapes messed up one day to create a looping effect. He soon became obsessed with overlapping sounds and varying tempos, a basic foundation for modern day electronic music. Such is the reason why a wide variety of artists came together to create a tribute album to this obscure classical composer, and the end result is a diamond in the rough.

If "Reich Remixed" has any style permeating through the whole album, it is the esoteric sounds of trance. Each track brings in a sentimental mourning, but also sings out hosannas of joy, hailing the appreciation of the father of techno. Tranquility Bass's "Megamix", succeeding fully in painting a mural of Reich's repertoire, Coldcut's loving recreation of "Music for 18 Musicians", and Howie B's "Eight Lines" tribute will draw you in with their joyful melodies. Yet darkness lies ahead as well. Andrea Parker brings in a creepy Trip-Hop version of "The Four Sections", perfect for committing a bank robbery if you get off on that. The bonus track from freQ Nasty & B.L.I.M. has the rough sound of Drum n' Bass without corrupting the original message, although it sounds a bit out of place on this album. The masterpiece is Nobukazu Takemura's "Proverb", which stacks the voices in one loop, which will make one double check the CD for scratches. It not only holds true to what Reich was attempting, but re-interprets.

To those who were already die-hard Reich fans, a word of caution. This CD will sound repititive, perhaps even like cheap rip-offs of the original tracks, as they cannot possibly recreate the massive pieces Reich composed in six or seven minutes of CD time. As well, there are slip-ups. "City Life" is butchered to pieces and essentially impossible to enjoy, and "Come Out" only highlights the limitations of techno's possibilities to create as compared to pen, paper, and a symphony orchestra.

The album explores techno's creative possibilities to new levels, and is an aural treat. Consider it Reich's first DJing experience, changing the world of music in the same way his originals shook the ear drums.

Highs: Techno symphony, with the same variety as an orchestra, skillfully mixed, loving and appropriate recreations of Reich's original masterpieces.
Lows: Reich's originals are better, sometimes butchered here, same repitive downfall of techno at times.
The Score: A-, Reich not Lost in Techno Translation.

Decent, but disappointing overall........2002-01-05

There are a few really good tracks on this CD. My personal favorites are Music for 18 Musicians, Four Sections, the Megamix, and Piano Phase. The Desert Music remix (the bonus track) is okay, not great, but okay. And then there's the bottom end of the spectrum, which is everything else. Unfortunately, what I like is overpowered by what I dislike.

Great music for an electronic fan.......2001-10-04

I enjoyed every one of these pieces on their own. I am familiar with most of the electronic artists and each one of these songs is beautiful. I had never heard Steve Reich's music before this. I enjoyed his music but, I didn't think that the remixes were completely true to his form. Reich's music has some good ideas that the remixer's somewhat expanded upon. I think the idea was to take some of Reich's ideas and put it in to a more modern style. If they wanted someone to rehash his ideas, then it would have been boring. I enjoy these artists, but there are artists out there that are using some of his ideas already, namely Plastikman and Tortoise. Overall the songs are great in any sense.

Proxy for a Reich's Greatest Hits CD?.......2001-06-16

Of all modern classical composers, Steve Reich is the one whose music is most likely to attract the rock-oriented ear. 'Music for 18 Musicians' was a ground-breaking album which closed out the 1970s, and it took much of the audience that had been nurtured on Tangerine Dream's 'Ricochet' and, before that, Mike Oldfield's 'Tubular Bells'. It was only to be expected that other artists would start sampling Reich's works.

I can't get enough of 'Music for 18 Musicians' -- I bought it on LP in 1979, and two versions on CD. It is my No. 1 self-hypnosis album. So I was intrigued to discover how it would be re-worked for this album. I was disappointed, frankly. The Coldcut Remix provides no evidence that the DJ has listened beyond the first five minutes of the original.

But there's no heresy in modifying Reich's music. I welcome every effort to do so. I knew about half of the pieces selected here, so, for me, it's partly a Reich sampler. The great thing about the album is that not only did it get me buying more of Reich's output, but it also got me listening more to the originals.

For me, the stand-out track here is 'Piano Phase', which applies prog-rock values to a piece I didn't know at all well. It could so easily be Rick Wakeman or Keith Emerson playing the synth lines over the piano loop!

The opening track has grown on me over the years. At first listen, the Megamix seemed to have too many different samples crowded in; it seemed too ambitious in searching for common musical themes between no fewer than nine of Reich's albums. But now it flows nicely.

The closing track, supposedly based on the Desert Music, is a straightforward techno track, almost Prodigy-like, whose relationship to Reich's music seems entirely tangential.

I believe every Reich fan should hear this album, even though a few will find perhaps nothing to like. And I'd recommend anyone who buys this album without knowing Reich to listen also to 'Different Trains', 'Electric Counterpoint', and of course, 'Music for 18 Musicians'.

Customer Reviews:

great, great!!!.......2006-12-05

This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.

ALL THE MUSIC YOU EVER NEED!!.......2003-05-23

This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!

Average customer rating:

Ludacris meets the Natives

Drum for Life
Southern Cree
Manufacturer: Canyon Records
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

Native American | North America | International | Styles | Music

General | International | Indie Music | Stores | Music
ASIN: B000068OP4
Release Date: 2002-07-02

Tracks:

Desert Heat
Drum For Life
Quik Fix
Griz Attack
Peh-Yah-Tik
Kopy Kat
No Looking Back
Nah-Mak 'Mids'
Sweatin' It
NDN Gurlz

Product Description

1. Desert Heat
2. Drum For Life
3. Quik Fix
4. Griz Attack
5. Peh-Yah-Tik
6. Kopy Kat
7. No Looking Back
8. Nah-Mak "Mids"
9. Sweatin' It
10. NDN Gurlz

Format: CD

Customer Reviews:

Ludacris meets the Natives.......2003-12-13

Ok, I listened to two of the preview tracks and it was all I could take. Normally I enjoy pow-wow/authentic Native American drum pieces. But this is too abrasive for me. If it's not Ludacris sitting in on this, it has definitely been influenced by the ghost of Janis Joplin! Needless to say, it didn't help me to tune into my Cherokee roots.

Average customer rating:

A bargain collection of showtunes

Golden Greats: Greatest Broadway Hits

Manufacturer: Golden Greats
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Easy Listening | Compilations | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
ASIN: B00005USEJ
Release Date: 2002-02-26

Tracks:

Ouverture - Orchestra
Something Wonderfull - Dorothy Sarnoff
Doin' What Comes Natur'lly - Ethel Merman
Life Upon the Wicked Stage - Colette Lyons
So in Love - Patricia Morison
You'll Never Walk Alone - Jan Clayton, Christine Johnson
Bill - Carol Bruce
Hello, Young Lovers - Gertrude Lawrence
Bloody Mary - Male Chorus
I Can't Say No - Celeste Holm
This Was a Real Nice Clambake - Jan Clayton,
Oklahoma! - Alfred Drake
Sue Me - Vivian Blaine, Sam Levene
Woman Is a Sometime Thing - Edward Matthews
Some Enchanted Evening - Ezio Pinza,
I Got Plenty O' Nuttin' - Todd Duncan, Todd Duncan
Guys and Dolls - Douglas Deane, Stubby Kaye, Johnny Silver
It Ain't Necessarily So - Lawrence Tibbett
Make Believe - Jan Clayton
Wonderful Guy - Mary Martin
They Say It's Wonderful - Ethel Merman
When the Children Are Asleep - Jean Darling, Eric Mattson
More I Cannot Wish You - Pat Rooney, Sr., Pat Rooney, Sr.
Puzzlement - Yul Brynner
I Got Lost in His Arms - Ethel Merman

Tracks:

Overture...Summertime - Anne Brown
Why Can't You Behave? - Lisa Kirk, Harold Lang
Can't Help Lovin' Dat Man - Carol Bruce
There's No Business Like Show Business - Chorus
If I Were a Bell - Isabel Bigley
People Will Say That We're in Love - Alfred Drake, Joan Roberts
Bess, You Is My Woman Now - Anne Brown
Luck Be a Lady Tonight - Robert Alda
Shall I Tell You What I Think of You? - Gertrude Lawrence
Girl That I Marry - Ray Middleton
Nobody Else But Me - Jan Clayton
Carousel Waltz - Orchestra
Dites-Moi - Barbara Luna
Ol' Man River - Kenneth Spencer
Summertime
Many a New Day - Joan Roberts
Blow High, Blow Low - Murvyn Vye
It Takes a Long Pull to Get There - Edward Matthews
You've Got to Be Carefully Taught - Billy Tabbert
We Open in Venice - Alfred Drake
I'm Gonna Wash That Man Right Outa My Hair - Mary Martin
Who Do You Love, I Hope? - Kathleen Carnes, Robert Lenn
I've Never Been in Love Before - Robert Alda
Tom, Dick or Harry - Lisa Kirk
I Whistle a Happy Tune - Gertrude Lawrence

Tracks:

New York, New York - Lynn Murray, Lynn Murray
Almost Like Being in Love - Marion Bell, Dave Brooks, David Brooks
Bewitched, Bothered and Bewildered - Vivienne Segal
Beat out Dat Rhythm on a Drum - June Hawkins
How Are Things in Glocca Morra? - Ella Logan
Old Devil Moon - Ella Logan
South American Way - Carmen Miranda
September Song - Walter Huston
This Is the Army, Mister Jones - Irving Berlin
Takin' a Chance on Love - Ethel Waters
My Heart Belongs to Daddy - Mary Martin
Anything Goes - Jeanne Aubert & The Four Admirals
You're the Top - Jeanne Aubert & The Four Admirals
I Get a Kick Out of You - Ethel Merman
Night and Day - Fred Astaire
I Got Rhythm - Red Nichols & His Orchestra
Someone to Watch Over Me - Gertrude Lawrence
Fascinatin' Rhythm - Adele Astaire, Fred Astaire
Strike Up the Band - Red Nichols & His Orchestra
Makin' Whoopee - Eddie Cantor
Heatwave - Ethel Waters
Easter Parade - Clifton Webb
She Didn't Say Yes - Peggy Wood
I've Told Every Little Star - Mary Ellis
Johnny One Note - Lynn Murray, Lynn Murray

Album Description

Import exclusive, budget price compilation featuring Broadway classics like 'You'll Never Walk Alone', 'Summertime', & There's No Business Like Show Business', performed by Ethel Merman, Gertrude Lawrence, Celeste Holm, & many more. 75 tracks in all. Standard double jewel case. Disky. 2001.

Album Details

3 CD set

Customer Reviews:

A bargain collection of showtunes.......2005-08-19

This bargain collection of showtunes is highlighted by the composition of Kurt Weill and the uniquely rolling tongue of Colette Lyons. I have a complaint about this compilation. It includes "Ol' Man River", but it excludes Al Jolson's rendition of "Ol' Man River." Otherwise, this collection gives you ample bang for your buck.

The Coronation of King George II / The King's Consort · Robert King

Average customer rating:

Thumbs up for King's Consort!!

The Coronation of King George II / The King's Consort · Robert King
George Frideric Handel , Henry Purcell , and Thomas Tallis, Orlando Gibbons John Blow
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Similar Items:

Music For Queen Mary-A Celebration Of The Life And Death Of Queen Mary
Handel - Coronation Anthems / Gritton, Blaze, M. George, Choir of King's College Cambridge, AAM, Cleobury

ASIN: B00005QIT8
Release Date: 2001-11-13

Amazon.com

George II's coronation, which is depicted on this Hyperion two-CD set, took place in 1727 amid chaotic circumstances, and it's hard to know how much of the surviving documentation indicates what actually happened as against what was meant to happen. So Robert King's musical recreation of the event is inevitably a mixture of scholarship and speculation, throwing in items from past coronation ceremonies (like Purcell's I was glad) on challengeable evidence. But never mind. If you take this exercise in broad terms--and you should--it's brilliantly effective, with clear, sharp-edged performances of the four coronation anthems (including Zadok the Priest) that Handel definitely did write for the event. Along with that is what would in 1727 have been old music by Tallis, Gibbons, and Blow, plus spatial sound effects of grand processions, fanfares, shouts of acclamation, and the bells of London, all recorded in rural locations west of Swindon, because the real thing is drowned out these days by 21st-century traffic noise. One reservation: it's all a touch staid with overly stately tempi and less atmosphere than it could happily sustain. You just don't believe it's happening in Westminster Abbey (nor is it: most of the material was recorded in a Lutyens church in Hampstead Garden Suburb, north London). Also, over two CDs, the endless trumpet fanfares get a little wearing. But that's probably authentic. And since the second CD comes free, there's nothing to complain about. --Michael White

Customer Reviews:

Thumbs up for King's Consort!!.......2002-03-01

Well, this is just fascinating! Absolutely fascinating! (Sorry for repeating myself, it's a point that I just cannot seem to stress enough!! lol)

Of course, I'm a little biased too, towards the content of this compilation (being a monarchist), yet the musical and historical value of such a recording cannot be effectively conveyed in words. I will admit that I am only vaguely familiar with the sound of the king's consort choir and orchestra, but as they say, first impressions last, and this was a great first impression.

I am usually quite partial to the recordings of the King's college choir, but the King's consort choir has certainly proved an unbelieveable equality to me, with little of the usual vibrato in the high soprano lines, that tend to get on my nerves.

Of particular interest, are the coronation anthems, that Handel actually composed for the purpose of this very coronation. They are all wonderfully portrayed in all their splendour and grandeur, and yes, with a blaze of Handelian glory. They are all enjoyable to listen to, with the typical lyricism and melodious writings of Handels pen.

More unfamiliar, are anthems composed for earlier coronations and incorporated into the service for King George II. This is a great insight to the earlier styles of the renaissance anthem writing. At times they do seem to anticipate choral masterpieces of a later 'baroque' generation.

Tracks:

The Complete Anthems And Services - 7: I Was Glad When They Said Unto Me
The Complete Anthems And Services - 7: O Consider My adversity
The Complete Anthems And Services - 7: Beati omnes qui timent Dominum
The Complete Anthems And Services - 7: I was Glad When They Said Unto Me
The Complete Anthems And Services - 7: In The Black Dismal Dungeon Of Despair
The Complete Anthems And Services - 7: Save Me, O God
The Complete Anthems And Services - 7: Te Deum In B Flat
The Complete Anthems And Services - 7: Julibilate In B Flat
The Complete Anthems And Services - 7: Thy Way, O God, Is Holy
The Music For The Funeral Of Queen Mary 1695: Drum Prosessional
The Music For The Funeral Of Queen Mary 1695: March
The Music For The Funeral Of Queen Mary 1695: Man That Is Born Of A Woman
The Music For The Funeral Of Queen Mary 1695: In The Midst Of Life
The Music For The Funeral Of Queen Mary 1695: Thou Knowest, Lord, The Secrete Of Our Hearts
The Music For The Funeral Of Queen Mary 1695: Thou Knowest, Lord, The Secrete Of Our Hearts
The Music For The Funeral Of Queen Mary 1695: Canzona
The Music For The Funeral Of Queen Mary 1695: Drum Recessional

Customer Reviews:

Excellent performance (not everybody will like this music).......2000-06-13

Henry Purcell is regarded as the most gifted of England composers of all times. His genius reveals in all his music - ceremonial, operas, semi-operas, secular songs, religious and instrumental. This series of King conducting Purcell's anthems and services follows up the success of King's odes and welcome songs recordings. While all the performances in this series are excellent it's the quality of the music that counts and number 7 of this series arguably includes the best music. The booklet enclosed with King's notes is also very illuminating. The rating of four stars and not five is because not all admirers of purcell will enjoy this music as much as they enjoy his operas, semi-operas and wellcome songs as it's more on the melancholic side.

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