O To Be In New York

1. O To Be In New York vocal

2. O To Be In New York sing along (karaoke)

Editorial Reviews

About the Artist
Vocal by Sal Rainone. Instrumental by Sal Rainone.

Product Description
Love of New York song. Christmas song.

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

We Three Kings
It Came Upon A Midnight Clear
Santa Claus Is Coming To Town
Fairytale Of New York
I'll Be Home For Christmas
Mille Cherubini In Coro
O Holy Night
Silent Night
Little Drummer Boy/Peace On Earth
Winter Wonderland Medley
Mary's Boy Child
Panis Angelicus
Pie Jesu
How Great Thou Art
The Lord's Prayer
Battle Hymn Of The Republic
America The Beautiful

Amazon.com

There's a commercial inevitability to holiday song collections that can tempt music fans to mutter "humbug" under their breath. Yet while this collection (released in conjunction with the Tenors' Christmas Spectacular tour of 2003) is no less market savvy, in the end the trio's earnest, energetic performances earn their fair shair of respect. The trio's Celtic shadings impart considerable warmth to "Fairytale of New York" and other performances, but it's the range of influences they (also in solo and duet turns, all solidly backed by the Czech National Chamber Orchestra) bring to bear elsewhere that adds compelling new dimensions to these holiday favorites. Anthony Kearns' "It Came Upon a Midnight Clear" may be solidly traditional, but Ronan Tynan imparts "I'll Be Home For Christmas" with some deft, jazzy drama while Finbar Wright gives "Mary's Boy Child" an unexpected Carribean spin. Elsewhere, the folk-classical influences behind "We Three Kings," "O Holy Night," and the gospel traditional "How Great Thou Art" span renaissance, baroque, and modern with a grace missing from the on-the-sleeve sentiments of the closing duo of patriotic warhorses--what would the Prince of Peace make of "The Battle Hymn of the Republic," anyway? --Jerry McCulley

Customer Reviews:

We Three Kings.......2007-01-16

The 3 Irish Tenors are a joy to listen to in the Christmas season. I thoroughly enjoyed all of it.

3 Tenors Christmas.......2007-01-12

This was VERY disappointing - too noisy & just the wrong type of music for these guys. I played it once & will try to get someone to take it off my hands - I love listening the them, usually, but this album is just a dud.

Beautiful and Amazing.......2004-12-18

When I fist listened to the clips from this CD on Amazon I wondered why on earth they put the patriotic songs at the end, and also wondered a little at the other non christmas songs. After listening to it several times however I realized why. They don't leave Jesus in the manger, but take him all the way up to today! Wow. To me that is totally amazing. There arn't many christmas CD's that do that, but I think it really balances things out. I really enjoyed the Drummer Boy, and all of the rest of the songs. I would definantly say that this was a good buy.

These Three Kings Rule!.......2004-04-24

This recording is a wonderful addition to any Christmas collection. It has power, charm and just enough reverence! Anthony Kearn's "Lord's Prayer" is magnificent! Finbar Wright's "How Great Thou Art" is awe-inspiring! After four years with the "Irish Tenors" poor Mr. Wright still must endure the ignorance of a few "fans", being constantly compared to John McDermott. Finbar took the "Irish Tenors" to a new level, as acknowledged by both Kearns and Tynan. I wonder how long "Ringo" had to endure being compared to Peter Best? Get over it people!

Another Winner.......2003-12-22

In their second Christmas album, the three Irish tenors have another very lovely collection of Christmas favorites and a few not so well known. The duets are particularly beautiful and, while I, like other reviewers, would have preferred an all-Christmas album, the American anthems are stirring and well done. My only caveat is the absence of John McDermott, whom I miss. His voice added something less homogenized to the mix and although Finbar Wright has a more operatic tenor voice, I would prefer McDermott if I had my druthers. Nonetheless, this a a grand Christmas album and I recommend it enthusiastically.

Average customer rating:

As You Like It - Shakespeare in Music
Henry Purcell , Leonard Bernstein , Cole Porter , Felix Mendelssohn , Ambroise Thomas , Hector Berlioz , Sergey Prokofiev , John Wilson , Pelham Humfrey , Ralph Vaughan Williams , Jean Sibelius , New York Philharmonic , Berliner Philharmoniker , Cleveland Orchestra , English National Opera Orchestra , Andre Kostelanetz Orchestra , Esa-Pekka Salonen , Jeanne Lamon , George Szell , James Conlon , Pembroke Davenport , Andre Kostelanetz , Bo Skovhus , Richard Tucker , Carol Lawrence , Lucine Amara , and Charles Bressler
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B00003XAH5
Release Date: 2000-01-18

Tracks:

A Midsummer Night's Dream, Op. 21: Overture. Allegro di molto
'Where The Bee Sucks'
'Take, O Take Those Lips Away'
Musick In The Fairey Queen: Aire 4 In 2 (Dance For The Followers Of The night)
Musick In The Fairey Queen: Chacone
Othello: 'The Willow Song'
Hamlet: 'To Be Or Not To Be'
Hamlet: 'J'ai pu frapper le miserable... Etre ou ne pas etre'
Romeo And Juliet, A Dramatic Symphony, Op. 17: Queen Mab, The Dream Fairy, Scherzo: Prestissimo - Allegretto
Romeo and Juliet, Op. 64: Dance Of The Knights
West Side Story: 'One Hand, One Heart'
Kiss Me, Kate: 'So In Love'
The Merchant Of Venice: 'How Sweet The Moonlight Sleeps Upon This Bank!'
The Merchant Of Venice: Serenade To Music: Andantino
The Merchant Of Venice: Serenade To Music: 'How Sweet The Moonlight'
The Merchant Of Venice: Serenade To Music: 'Look How The Floor Of Heaven...'
The Merchant Of Venice: Serenade To Music: 'Come, Ho! And Wake Diana With A Hymn!'
The Merchant Of Venice: Serenade To Music: 'I Am Never Merry When I Hear Sweet Music'
The Merchant Of Venice: Serenade To Music: 'Music! Hark!'
The Merchant Of Venice: Serenade To Music: 'How Many Things By Season...'
The Merchant Of Venice: Serenade To Music: 'Soft Stillness And The Night'
The Tempest: 'Our Revels Now Are Ended'
The Tempest: 'The Mermaids'
The Tempest: 'Miranda'
The Tempest: 'Caliban's Song'

Average customer rating:

A bargain collection of showtunes

Golden Greats: Greatest Broadway Hits

Manufacturer: Golden Greats
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

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Traditional Pop | Oldies | Pop | Styles | Music

Easy Listening | Compilations | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
ASIN: B00005USEJ
Release Date: 2002-02-26

Tracks:

Ouverture - Orchestra
Something Wonderfull - Dorothy Sarnoff
Doin' What Comes Natur'lly - Ethel Merman
Life Upon the Wicked Stage - Colette Lyons
So in Love - Patricia Morison
You'll Never Walk Alone - Jan Clayton, Christine Johnson
Bill - Carol Bruce
Hello, Young Lovers - Gertrude Lawrence
Bloody Mary - Male Chorus
I Can't Say No - Celeste Holm
This Was a Real Nice Clambake - Jan Clayton,
Oklahoma! - Alfred Drake
Sue Me - Vivian Blaine, Sam Levene
Woman Is a Sometime Thing - Edward Matthews
Some Enchanted Evening - Ezio Pinza,
I Got Plenty O' Nuttin' - Todd Duncan, Todd Duncan
Guys and Dolls - Douglas Deane, Stubby Kaye, Johnny Silver
It Ain't Necessarily So - Lawrence Tibbett
Make Believe - Jan Clayton
Wonderful Guy - Mary Martin
They Say It's Wonderful - Ethel Merman
When the Children Are Asleep - Jean Darling, Eric Mattson
More I Cannot Wish You - Pat Rooney, Sr., Pat Rooney, Sr.
Puzzlement - Yul Brynner
I Got Lost in His Arms - Ethel Merman

Tracks:

Overture...Summertime - Anne Brown
Why Can't You Behave? - Lisa Kirk, Harold Lang
Can't Help Lovin' Dat Man - Carol Bruce
There's No Business Like Show Business - Chorus
If I Were a Bell - Isabel Bigley
People Will Say That We're in Love - Alfred Drake, Joan Roberts
Bess, You Is My Woman Now - Anne Brown
Luck Be a Lady Tonight - Robert Alda
Shall I Tell You What I Think of You? - Gertrude Lawrence
Girl That I Marry - Ray Middleton
Nobody Else But Me - Jan Clayton
Carousel Waltz - Orchestra
Dites-Moi - Barbara Luna
Ol' Man River - Kenneth Spencer
Summertime
Many a New Day - Joan Roberts
Blow High, Blow Low - Murvyn Vye
It Takes a Long Pull to Get There - Edward Matthews
You've Got to Be Carefully Taught - Billy Tabbert
We Open in Venice - Alfred Drake
I'm Gonna Wash That Man Right Outa My Hair - Mary Martin
Who Do You Love, I Hope? - Kathleen Carnes, Robert Lenn
I've Never Been in Love Before - Robert Alda
Tom, Dick or Harry - Lisa Kirk
I Whistle a Happy Tune - Gertrude Lawrence

Tracks:

New York, New York - Lynn Murray, Lynn Murray
Almost Like Being in Love - Marion Bell, Dave Brooks, David Brooks
Bewitched, Bothered and Bewildered - Vivienne Segal
Beat out Dat Rhythm on a Drum - June Hawkins
How Are Things in Glocca Morra? - Ella Logan
Old Devil Moon - Ella Logan
South American Way - Carmen Miranda
September Song - Walter Huston
This Is the Army, Mister Jones - Irving Berlin
Takin' a Chance on Love - Ethel Waters
My Heart Belongs to Daddy - Mary Martin
Anything Goes - Jeanne Aubert & The Four Admirals
You're the Top - Jeanne Aubert & The Four Admirals
I Get a Kick Out of You - Ethel Merman
Night and Day - Fred Astaire
I Got Rhythm - Red Nichols & His Orchestra
Someone to Watch Over Me - Gertrude Lawrence
Fascinatin' Rhythm - Adele Astaire, Fred Astaire
Strike Up the Band - Red Nichols & His Orchestra
Makin' Whoopee - Eddie Cantor
Heatwave - Ethel Waters
Easter Parade - Clifton Webb
She Didn't Say Yes - Peggy Wood
I've Told Every Little Star - Mary Ellis
Johnny One Note - Lynn Murray, Lynn Murray

Album Description

Import exclusive, budget price compilation featuring Broadway classics like 'You'll Never Walk Alone', 'Summertime', & There's No Business Like Show Business', performed by Ethel Merman, Gertrude Lawrence, Celeste Holm, & many more. 75 tracks in all. Standard double jewel case. Disky. 2001.

Album Details

3 CD set

Customer Reviews:

A bargain collection of showtunes.......2005-08-19

This bargain collection of showtunes is highlighted by the composition of Kurt Weill and the uniquely rolling tongue of Colette Lyons. I have a complaint about this compilation. It includes "Ol' Man River", but it excludes Al Jolson's rendition of "Ol' Man River." Otherwise, this collection gives you ample bang for your buck.

Beniamino Gigli: A Life in Words and Music

Average customer rating:

Beniamino Gigli: A Life in Words and Music

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

General | Instructional | Miscellaneous | Styles | Music
ASIN: B0001N9ZES
Release Date: 2004-05-18

Tracks:

'I Was Born With A Voice And Very Little Else...'
Family Background
Gigli's Stage Debut And Poverty-Stricken Start
Puccini: 'O Soave Fanciulla' From La Boheme - Maria Zamboni
Service In The Household Of Countess Spannocchi
Donizetti: 'Spirto Gentil' From La Favoria
Colonel Delfino, And Giovanno Zerri's Legal Agreement
Cannio: O Surdato 'Nnammurato
A Hospital Visit And Scholarship
Mascabni: 'Ah! Ritrovarla Nella Sua Capanna' From Lodoletta
Gigli Graduates And Makes His Debut; He Goes For The High B Flat
Puccini: 'E Lucevan Le Stelle' From Tosca
Marriage, Rome And A Tuor To Spain
Mascagni: 'Apri La Tua Finestra! From Iris
A Letter From Fred Gaisberg Of HMV
Mascagni: 'Mamma, Quel Vino E Generoso' From Cavalleria Rusticana
Gigli Conquers South America, And Recieves An Offer From The Met
Metropolitan Opera Debut In Mefistofele
BoitoL 'Giunto Sul Passo Estremo' From Mefistofele

Tracks:

The Critics' Verdict, And More Performances
Donizetti: 'Tombe Degl'avi Miei' From Lacuia Di Lammermoor
Gigli's Fate Becomes Entwined With Caruso's
Giordano: 'Un Di All'azzurri Spazio' From Andrea Chenier
Who Will Be Caruso's Sucessor
Verdi: 'De'miei Bollenti Spiriti' From La Travita
Life Forms A Regular Pattern, And Gigli Learns To Sing In Foreign Languages
Lalo: 'Vainement, Ma Bien Aimee' From Le Roi d'Ys
Manon At The Met
Massenet: 'O Dolce Incanto' From Manon
Catalani's Loreley
Catalani: 'Nel Verde Maggio' From Loreley
Summer In Italy, Then Back To New York And Some Physical Training
Gounod: 'Ah! Ne Furis Pas Encore!' From Romeo Et Juliette
Honorary Captain Of The NYPD
Meyerbeer: 'O Paradiso' From L'Africaine
Flourishing Finances And Professional Rivalries
Crushin Remarks; The Attraction Of Radio
Sullivan: The Lost Chord
A New Decade, And The Honour Of Playing Nemorino At The Met
Donizetti: 'Quanto E Bella' From L'elisir D'amore

Tracks:

Debuts In Paris And London, And London's Critical Reception
Flotow: 'M'Appari' (Ach! So Fromm) From Marta (Martha)
Crisis: The Death Of Gigli's Mother, And Tension At The Met
Departure From The Met
America's Loss Is Europe's Gain
Speech: Gigli In An Interview At The Savoy Hotel, London
Cherished London Reviews
Leoncavallo: 'No. Pagliaccio Non Son!' From Pagliacci
Recording Reflects The Drama
Leoncavallo: 'Suvvia, Cosi Terrible' From Pagliacci
Touring, Gigli's Working Relationships, And A New Turn Of Events
De Curtis: Non Ti Scordar Di Me
Film Popularity, Hitler And Goebbels, And The Caracalla Tradition
Puccini: 'Che Gelida Manina' From La Boheme
Voice Expert John Steane's Recommendation
Puccini: 'O Soave Fanciulla' From La Boheme
A New Recording Of Tosca
Puccini: 'Recondita Armonia' From Tosca
Patience And Hard Work Produce A Perfect Set Of Master Recordings
Puccini: 'E Lucevan Le Stelle' From Tosca
Verdi: 'Ingemisco' From The Requiem
Verdi: 'Ingemisco' From The Requiem
The Recording Of Madama Butterfly
Puccini: Closing Moments Of Act I, Madama Butterfly

Tracks:

War Keeps Gigli In Italy
Introductory Speech To Cavalleria Rusticana By Mascagni
Translation Of The Speech
Mascani: 'Mamma, Quel Vino E Generoso' From Cavalleria Rusticana
More Role Debuts, Gigli's Wartime Films, And Andrea Chenier
Giordano: 'Un Di All'azzurro Spazio' From Andrea Chenier
John Steane's Verdict
Giordano: 'Come Un Bel Di Di Maggio' From Andrea Chenier
Rome Opera House Ralies Wartime Spirits
Verdi: 'Teco Is Sto - Gran Dio' From Un Ballo In Maschera
Verdi: 'Non Sai Tu Che Se L'anima Mia' From Un Ballo In Maschera
Verdi: 'Oh, Qual Soave Brivido' From Un Ballo In Maschera
Gigli's Political Affliations
Verdi: 'Celeste Aida' From Aida
Postwar Italy: An HMV Manager's Report
Verdi: 'Pur Ti Riveggo, Mia Dolce Aida' From Aida
Covent Garden With Rina, Then A Tour Of Britain And Ireland
Speech Given By Gigli After A Concert At The Royal Albert Hall
The Final Phase - And No Thoughts Of Retirement
Di Veroli: Ritorna Amore
A Last Visit To The USA
Cottrau: Santa Lucia
Gigli's Death, His Obituaries, And His Place In The Tenor Lineage
Meyerbeer: 'O Paradiso' From L'Africaine

Average customer rating:

Best of George Gershwin

Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Tin Pan Alley | Oldies | Pop | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

Classical | Box Sets | Stores | Music

Tracks:

Rhapsody In Blue, For Piano And Orchestra
An American In Paris
Evergreens: Summertime
Evergreens: The Man I Love
Evergreens: Fascinating Rhythm
Evergreens: Love Is Here To Stay
Evergreens: Somebody Loves Me

Tracks:

Porgy & Bess - Instrumental Versions Of The Highlights: Summertime
Porgy & Bess - Instrumental Versions Of The Highlights: I Got Plenty Of Nothin
Porgy & Bess - Instrumental Versions Of The Highlights: I Love You, Porgy
Porgy & Bess - Instrumental Versions Of The Highlights: It Ain't Necessarily So
Porgy & Bess - Instrumental Versions Of The Highlights: Bess, You Are My Woman Now
Porgy & Bess - Instrumental Versions Of The Highlights: There's A Boat That's Leavin' Soon For New York
Porgy & Bess - Instrumental Versions Of The Highlights: Summertime
Piano Medleys: Rhapsody In Blue Themes
Piano Medleys: The Man I Love
Piano Medleys: They Can't Take That Away From Me
Piano Medleys: I Got Rhythm
Piano Medleys: Somebody Loves Me
Piano Medleys: s' Wonderful

Tracks:

Concerto In F, For Piano And Orchestra: Allegro
Concerto In F, For Piano And Orchestra: Adagio
Concerto In F, For Piano And Orchestra: Allegro agitato
Piano Book - Piano Versions Of Famous Songs: By Strauss (Johann Strauss - The Son)
Piano Book - Piano Versions Of Famous Songs: Love Walked In
Piano Book - Piano Versions Of Famous Songs: But Not For Me
Piano Book - Piano Versions Of Famous Songs: Embraceable You

Average customer rating:

Simply Musicals

Manufacturer: Simply
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music
Similar Items:

Simply Jazz
Greatest Songs from the Musicals

ASIN: B0002S303Y
Release Date: 2004-09-07

Tracks:

Comedy Tonight [From a Funny Thing Happened on the Way to the Foru] - National Symphony Orchestra, Martin Yates
Circle of Life [From The Lion King] - National Symphony Orchestra, David Shannon, Martin Yates
Elaborate Lives [From Aida] - Vanessa A. Jones, Sean McDermott, National Symphony Orchestra Ensemble, Patrick Vaccariello
All That Jazz [From Chicago] - Jan Horvath, Julian Kelly, National Symphony Orchestra
If I Were a Rich Man [From Fiddler on the Roof] - John Owen Edwards, Jerry Lanning, National Symphony Orchestra
On the Street Where You Live [From My Fair Lady] - John Owen Edwards, Gary Mauer, National Symphony Orchestra
Luck Be a Lady [From Guys and Dolls] - Gregg Edelman, John Owen Edwards, National Symphony Orchestra
Younger Than Springtime [From South Pacific] - Graham Bickley, John Owen Edwards, National Symphony Orchestra
What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
Anything You Can Do [From Annie Get Your Gun] - Mark Adam, John Owen Edwards, National Symphony Orchestra, Caroline O'Connor
Impossible Dream [From Man of La Mancha] - John Owen Edwards, , National Symphony Orchestra
Try to Remember [From the Fantasticks] - Graham Bickley, National Symphony Orchestra, Martin Yates
Oklahoma! [From Oklahoma!] - John Owen Edwards, National Symphony Orchestra

Tracks:

Chitty Chitty Bang Bang [From Chitty Chitty Bang Bang] - Simon Bowman, , National Symphony Orchestra, Sally Ann Triplett, , Martin Yates
What Kind of Fool [From Saturday Night Fever] - Julian Kelly, National Symphony Orchestra Ensemble, Caroline O'Connor
Memory [From Cats] - John Owen Edwards, National Symphony Orchestra,
Anthem [From Chess] - Andrew Halliday, National Symphony Orchestra, Martin Yates
Phantom of the Opera [From The Phantom of the Opera] - Graham Bickley, Claire Moore, National Symphony Orchestra, Martin Yates
What Kind of Fool Am I? [From Stop the World I Want to Get Off] - Holloway/Gold/Yates, National Symphony Orchestra, Martin Yates
Dancing Queen [From Mamma Mia] - Julian Kelly, National Symphony Orchestra Ensemble, Caroline O'Connor
Sun and Moon [From Miss Saigon] - Graham Bickley, Katrina Murphy, National Symphony Orchestra, Martin Yates
Anything Goes [From Anything Goes] - John Owen Edwards, Louise Gold, National Symphony Orchestra
As Long as He Needs Me [From Oliver!] - John Owen Edwards, National Symphony Orchestra, Sally Ann Triplett
People's Song [From Les Miserables] - National Symphony Orchestra, Martin Yates
Time Warp [From the Rocky Horror Show] - National Symphony Orchestra Ensemble, Martin Yates
We Are the Champions [From We Will Rock You] - Dean Collinson, , Jim Graeme, Paulette Ivory, Sally Ann Triplett, Martin Yates

Tracks:

Tonight (Quintet) [From West Side Story] - John Owen Edwards, Paul Manuel, National Symphony Orchestra, Caroline O'Connor, Tinuke Olafimihan
Good Mornin' [From Singin' in the Rain] - Craig Barna, Michael Gruber, National Symphony Orchestra, Randy Rogel,
Summer Nights [From Grease] - John Barrowman, Shona Lindsay, National Symphony Orchestra Ensemble, Martin Yates
Supercalifragilisticexpialidocious [From Mary Poppins] - Jim Graeme, , National Symphony Orchestra, Martin Yates
Make Believe [From Show Boat] - John Owen Edwards, Teri Hansen, Doug LaBrecque, National Symphony Orchestra
You'll Never Walk Alone [From Carousel] - Muriel Dickinson, John Owen Edwards, National Symphony Orchestra
Woman in Love [From Guys and Dolls] - Gregg Edelman, John Owen Edwards, Emily Loesser, National Symphony Orchestra
Deadwood Stage [From Calamity Jane] - John Owen Edwards, Debbie Gravitte, National Symphony Orchestra
Maybe This Time [From Cabaret] - National Symphony Orchestra, Sally Ann Triplett, Martin Yates
New York New York [from New York New York] - Craig Barna, Sean McDermott, National Symphony Orchestra
If Ever I Would Leave You [From Camelot] - Gerry Anderson, Robert Meadmore
Nowadays [From Chicago] - Julian Kelly, National Symphony Orchestra, Caroline O'Connor
76 Trombones [From The Music Man] - National Symphony Orchestra, Martin Yates

Tracks:

Macavity [From Cats] - National Symphony Orchestra, Jacqui Scott, Martin Yates
With One Look [From Sunset Boulevard] - Kim Criswell, National Symphony Orchestra, Martin Yates
Whistle Down the Wind [From Whistle Down the Wind] - Jim Graeme, National Symphony Orchestra Ensemble, Martin Yates
All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, Katrina Murphy, National Symphony Orchestra, Martin Yates
Only You [From Starlight Express] - John Owen Edwards, National Symphony Orchestra Ensemble, Grania Renihan
Another Suitcase in Another Hall [From Evita] - John Owen Edwards, National Symphony Orchestra, Grania Renihan
King Herod's Song [From Jesus Christ Superstar] - Christopher Biggins, National Symphony Orchestra, Martin Yates
Music of the Night [From The Phantom of the Opera] - John Owen Edwards, Jim Graeme, National Symphony Orchestra
Buenos Aires [From Evita] - Julian Kelly, National Symphony Orchestra, Caroline O'Connor
As If We Never Said Goodbye [From Sunset Boulevard] - National Symphony Orchestra, Jacqui Scott, Martin Yates
Unexpected Song [From Song and Dance] - Clare Burt, National Symphony Orchestra, Martin Yates
Close Every Door [From Joseph & the Amazing Technicolor Dreamcoat] - John Barrowman, John Owen Edwards, National Symphony Orchestra
Our Kind of Love [From the Beautiful Game] - National Symphony Orchestra, Sally Ann Triplett, Martin Yates

Average customer rating:

Great!!!

Bernstein: Reaching for the Note

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

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General | Soundtracks | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Bernstein: Symphony No. 3 ("Kaddish"); Chichester Psalms

ASIN: B00000FEPX
Release Date: 1998-10-20

Tracks:

'Manfred' Overture op. 115
El Salon Mexico
Prelude For Piano No. 2
On The Town: New York, New York
On The Town: Carried Away
On The Waterfront: Love Theme
Candide: Overture
Candide: Glitter And Be Gay
West Side Story: Prologue
West Side Story: Tonight
West Side Story: America
West Side Story: Somewhere
Symphony No. 2 'The Age Of Anxiety': Part I: The Prologue - Lento moderato
A Quiet Place: Postlude To Act I

Tracks:

Symphony No. 3 'Kaddish': 2. Kaddish - Andante con tenerezza
Chichester Psalms: 2. Psalm 23 (Complete); Psalm 2 (Vs. 1-4) - Andante con moto, ma tranquillo - Allegro feroce
Songs of a Wayfarer: Wenn mein Schatz Hochzeit macht
Symphony No. 2 In C Minor 'Resurrection': 4. 'Urlicht'
Symphony No. 2 In C Minor 'Resurrection': 5. (Conclusion) 'O Schmerz! Du Alldurchdringer!'
Symphony No. 5 In C Sharp Minor: 4. Adagietto
The Rite Of Spring: Sacrificial Dance, The Chosen Victim
Songfest: 3. 'To What You Said...'
Mass: 10. A Simple Song
Divertimento For Orchestra: 2. Waltz - Allegretto, con grazia
Symphony No. 7 In A Major, Op. 92: 2. Allegretto
Symphony No. 9 In D Minor: 4. Final Chorus 'Ode To Joy (Freedom)' (Conclusion)

Customer Reviews:

Great!!!.......1999-11-01

Buy this CD especially if you have seen the movie, the selections on this CD gives you a nice intro to Mahler, and contemporary music as well as to the Westside, and Candide. Good playing and sound.

Average customer rating:

Beautiful lyrics
Love New York

O To Be In New York

Manufacturer: R.B. Makinson
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | International | Indie Music | Stores | Music
ASIN: B000067P39
Release Date: 2002-05-07

Tracks:

O To Be In New York vocal
O To Be In New York sing along (karaoke)

Album Description

Love of New York song. Christmas song.

Customer Reviews:

Beautiful lyrics.......2003-04-18

Nice song about New York. Beautiful lyrics.

Love New York.......2002-05-23

Song about loving New York and loving Christmas in New York. Words and music by Leonora S. Finley. Beautifully sung by Sal Rainone, plus you sing it karaoke.

Average customer rating:

By George!: Gershwin's Greatest...

Manufacturer: Music Masters Jazz
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music
ASIN: B000000FRG
Release Date: 1993-03-09

Tracks:

Rhapsody in Blue
Someone to Watch Over Me
American in Paris
Strike Up the Band
Porgy and Bess/Selections
Foggy Day
Fascinating Rhythm
They Can't Take That Away from Me

Pop Music:

Pop Music