At the Front

Track Listings

 
1. Lady Carmichael: South of the Grampians: Mickie Ainsworth
2. Bachelor
3. Ge Do Theid Mi Do M'Leabaidh
4. Battle of Harlew
5. Jenny Nettles: The Grays of Tongside
6. Tae the Beggin'
7. Tamosher
8. Blackbird and the Thrush/The Moray Club
9. Lang Jonnie Moir
10. Brown Milkmaid: Dunnottar Castle/Maid of Glengarrysdale/Disused Railw
11. Lady Leroy
12. Stirling Castle: Earl of Mansfield

At the Front,The Battlefield Band,Temple Records,Celtic/Irish,Folk Revival,Int'l & World Music,Pop,Scotland,Scottish Folk
Instruments of the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
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Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Carnivàle
Average customer rating: 5 out of 5 stars
  • HBO, you're idiots!
  • best part isn't even by jeff beal
  • "Carnivale" review
  • Carnivale sound track
  • Awesome!
Carnivàle
Jeff Beal
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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  1. Deadwood: Music From HBO Original Series
  2. Carnivale - The Complete Second Season
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  5. Monk

ASIN: B0006J2GA2
Release Date: 2004-12-14

Tracks:

  1. Carnivale End Title (Ben's Theme)
  2. Dora Mae's Funeral
  3. Carnivale Main Title Theme
  4. Meet Samson, Ben's Dream
  5. Justin At Mr. Chin's (Justin's Theme)
  6. His Name Was Michael
  7. Storm's Coming
  8. Ben Heals The Girl
  9. Rita Sue And Jonesy
  10. Lodz And Ben
  11. The Carnivale Convoy
  12. We Can Be Saved
  13. The Mark Of The Beast
  14. The Silent Film
  15. Fix Up Dora Mae
  16. Black Blizzard
  17. Ben Heals Kerrigan
  18. Justin Calls Iris
  19. Management's Advice
  20. You're The One
  21. The Russian Front
  22. Babylon
  23. Ben Searches the Templar Hall
  24. Sofie Reads The Cards For Ben
  25. Lodz And Management's Plot
  26. Lucky To Have Jonesy (Sofie's Theme)

Amazon.com

HBO's pioneering series takes the dark carnival gambit of Ray Bradbury's Something Wicked This Way Comes, drops it in the bleak heartland of Dust Bowl-era America and jolts it with a compelling undercurrent of Biblical apocalypse. That's no easy dramatic flux to musically evoke, but veteran TV composer Jeff Beal graces the show with cues that seamlessly fuse Appalachian folk traditions with a brooding, goth-inspired ambient gloom. The anxious solo fiddle of the show's theme is a repeating motif, one the composer uses to variously evoke melancholy ("Dora Mae's Funeral"), bittersweet romance ("Rita Sue and Jonesy") or supernatural wonders ("Ben Heals the Girl"). Beal's use of mournful solo horn (as on "Mark of the Beast") often heralds the show's undercurrent of Biblical doom, while his hesitant, haunting piano passages seem to hang in the air for eternity. The evocative cues here stand in stark contrast to the oft-quirky jazz cool of the composer's Emmy-winning work on Monk, ample tribute to Beal's masterful abilities to channel his musical instincts into even the most diverse dramatic material. --Jerry McCulley

Customer Reviews:

5 out of 5 stars HBO, you're idiots!.......2007-05-07

This was a great show, and the music is awesome. Haunting and wistful, it's great in the background when working or taking a bubble bath.

2 out of 5 stars best part isn't even by jeff beal.......2007-03-04

the tone for the shows music was created by wendy melvoin & lisa coleman...the theme they created is the best part of this cd. too bad more of the original music from the first season wasn't included in this compilation. also, just a correction to a previous post; the people who designed the main titles won the emmy, the jeff beal.

5 out of 5 stars "Carnivale" review.......2006-11-04

Without a doubt "Carnivale" is head and shoulders above any series I have seen. There is not a weak point in any of the catagories.
the acting was superb. The Sets were awsome. The music was incredible. The lightening was phenominal.. Great great Series.

5 out of 5 stars Carnivale sound track.......2005-10-07

This is an excellent CD...I love it! There is not a single track that is not worth lisening to.

5 out of 5 stars Awesome!.......2005-08-18

I am a huge fan of "Carnivale" and had hoped from the start for a soundtrack! THANK YOU!!! The music is AWESOME!
Live at CBGB
Average customer rating: 4.5 out of 5 stars
  • Landmark Recording
  • 1 minor flaw but still essential
  • Fast and Furious
  • Agnostic Front: Kings of Hardcore and the Live Show
  • Hide the kids...
Live at CBGB
Agnostic Front
Manufacturer: Relativity
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003C2W
Release Date: 1990-10-25

Tracks:

  1. Victim In Pain
  2. Public Assistance
  3. United Blood
  4. Friend Or Foe
  5. Strength
  6. Blind Justice
  7. Last Warning
  8. Toxic Shock
  9. United & Strong
  10. Crucified
  11. Liberty & Justice
  12. Discriminate Me
  13. Your Mistake
  14. Anthem
  15. With Time
  16. Genesis
  17. The Pain Song
  18. Fascist Attitudes
  19. The Eliminator

Customer Reviews:

5 out of 5 stars Landmark Recording.......2003-01-26

I was at this show and let me tell you that this album is an important document in the annals NYHC history. Not only do Agnostic Front perfectly represent the NYHC style of the time, it represents it at it's pinnacle moment. Agnostic Front was in top form and their performance that day was mind blowing. Everyone there knew they were witnessing something special as this album was recorded. This was supposed to be Agnotic Front's farewell performance. After that day it seems the hardcore scene was forever changed, it died a little, and "Live At CBGB" is it's swan song. As "A Music Fan" notes below, the recording is very clean, and he feels that the vocals may have been re-recorded. It's possible. Agnostic Front had to perform their trademark tune "Eliminator" twice because of microphone problems (that unfortunately wrecked both performances), but otherwise this album is exactly as I remember it being performed. If you are a hardcore fan, or a music historian, you owe it to yourself to own this album.

4 out of 5 stars 1 minor flaw but still essential.......2002-08-27

This album captures the essence of a Sunday Matinee at CB's (minus the beatdowns). The only thing that prevents this album from garnering a 5 star review is the fact that alot of the tracks and vocals sound like they were re-recorded - it sounds a lil too clean..some of the rawness is missing. I would have liked all of the feedback and sound drop-outs when the band is getting jumped on by the crowd left intact, but having said that, this is worth it just to hear Vinny Stigma telling the crowd to "sing this song in uni-since." Also killer versions of "Anthem," "Blind Justice/Last Warning," and Iron Flag's "Crucified."

5 out of 5 stars Fast and Furious.......2002-04-23

This introduced me to Agnostic Front. From start to finish, it plows through you like a freight train. Even the GUITAR SOLOS were brutal! Roger & company aren't messing around here. This is the best of old school NYHC. Don't pass it up.

5 out of 5 stars Agnostic Front: Kings of Hardcore and the Live Show.......2002-02-05

I picked Live At CBGB up for the first time when I was 16. It was the first time I ever had heard AF, and I was completely blown away by it. Eleven years later and I still get chills from this album. anyone whowants to know what real hardcore sounds like should pick it up.

4 out of 5 stars Hide the kids..........1998-11-03

These guys make the ultimate distinction between punk and hardcore. This isn't an album for somebody looking to expose themselves to Agnostic Front for the first time, but it is an excellent one for people already familiar with their hard hitting style. They're often misclassified as a racist band, which couldn't be further from the truth. They just tell the truth about the world, and that offends/scares a lot of people...
Emily Dickinson in Song: Dwell in Possibility
Average customer rating: Not rated
    Emily Dickinson in Song: Dwell in Possibility

    Manufacturer: Gasparo Records
    ProductGroup: Music
    Binding: Audio CD

    All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
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    Larsen, LibbyLarsen, Libby | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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    ASIN: B00029LNV4
    Release Date: 2004-06-29
    Tenors Of The Bolshoi
    Average customer rating: Not rated
      Tenors Of The Bolshoi

      Manufacturer: Pearl
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000000WT6
      Release Date: 1992-12-23

      Tracks:

      1. Manon: The Dream
      2. I Pagliacci: Harlequin's Serenade
      3. Lohengrin: Lohengrin's Narrative
      4. Songs And Dances Of Death: Field-Marshal Death
      5. Sadko: Indian Guest's Song
      6. Boris Godunov: The Simpleton Upbraids Boris
      7. Romeo et Juliette: Ange Adorable
      8. La Traviata: Parigi, o cara
      9. Oh, Do Not Tempt Me With Nezhdanova
      10. Oh, The Wind Blows Across The Fields
      11. It Is Not The Wind Howling
      12. Sorotchintsy Fair: Gritzko's aria
      13. Eugene Onegin: Lensky's aria
      14. In The Forest By The Front Line

      Tracks:

      1. Prince Igor: Vladimir's cavatina
      2. Russian And Ludmilla: The Bayan's Song
      3. Sadko: Indian Guest's Song
      4. Dubrovsky: Dubrovsky's aria
      5. Eugene Onegin: Lensky's arioso
      6. Eugene Onegin: 'Quarrel' Scene
      7. Eugene Onegin: Lensky's aria
      8. Dunya The Weaver
      9. The Queen Of Spades Entry Of Hermann...I Do Not Even Know Her Name
      10. 'Storm' aria
      11. Forgive Me, Bright, Celestial Vision
      12. Death Of The Countess
      13. Hermann At The Barracks
      14. Final Scene And Death Of Hermann
      John Philip Sousa: Music for Wind Band, Vol. 2
      Average customer rating: 5 out of 5 stars
      • An Excellent Value!
      John Philip Sousa: Music for Wind Band, Vol. 2

      Manufacturer: Naxos American
      ProductGroup: Music
      Binding: Audio CD

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      5. On Wings of Lightning

      ASIN: B00005NUOT
      Release Date: 2001-10-16

      Tracks:

      1. March: The Royal Welch Fusiliers
      2. March: Untitled
      3. March: The Fairest Of The Fair
      4. Songs Of Grace And Songs Of Glory
      5. Legend: Willow Blossoms
      6. Suite: At The Movies: The Serenaders
      7. Suite: At The Movies: The Crafty Villain And The Timid Maid
      8. Suite: At The Movies: Balance All And Swing Partners
      9. Patrol: Rose, Shamrock And Thistle
      10. March: Wisconsin Forward Forever
      11. March: Solid Men To The Front
      12. March: King Cotton
      13. March: Bullets And Bayonets

      Customer Reviews:

      5 out of 5 stars An Excellent Value!.......2001-10-22

      This CD, like the first in the series (Volume 1) provides expert performances of some of Sousa's famous, and not so famous, compositions. It is great fun to hear the suites and other "non-march" numbers. All of these, as well as the marches, are well performed and recorded, and at a very reasonable price. Highly recommended for those interested in classic concert band music!
      Live in Europe
      Average customer rating: 4 out of 5 stars
      • Sista Monica Rips!
      Live in Europe
      Sista Monica
      Manufacturer: Mo Muscle
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B00005K9W0
      Release Date: 2001-06-26

      Tracks:

      1. Windy City Burner
      2. I Don't Want To Hurt You Baby
      3. What Difference Does It Make?
      4. It's A New Day! Put It In The Crock Pot
      5. Never Say Never
      6. The Sista Don't Play
      7. I Been Bamboozled
      8. Stop Talkin' Bout Me Stalkin' You
      9. Get Out My Way

      Customer Reviews:

      4 out of 5 stars Sista Monica Rips!.......2002-03-30

      Fabulous blues vocals, tasty, fat humbucker-driven guitar, smooth keys--a great singer backed by a tight, driving band. Get this CD if you love gritty, growling blues.
      John Philip Sousa: Music for Wind Band, Vols. 1-5 (Box Set)
      Average customer rating: 5 out of 5 stars
      • Sousa Authenticity
      John Philip Sousa: Music for Wind Band, Vols. 1-5 (Box Set)

      Manufacturer: Naxos American
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B0002TNI8A
      Release Date: 2004-09-21

      Album Description

      This five CD box set to commemorate Sousa's sesquicentennial includes Volumes 1-5 in this ongoing American Classics series. Highlights include: Looking Upward Suite, King Cotton, The Fairest of the Fair, The National Game, The Glory of the Yankee Navy, The Atlantic City Pageant, Cubaland, Semper Fidelis and The Stars and Stripes Forever.

      Customer Reviews:

      5 out of 5 stars Sousa Authenticity.......2006-11-01

      My review as stated separately for Volume V in this series goes for this boxed set even more emphatically!
      An Ennio Morricone Anthology: All Music Composed & Conducted By Ennio Morricone - From The EMI General Music Vaults
      Average customer rating: 3.5 out of 5 stars
      • Remembering Past Enchantments And Past Ills
      • Delightful scores from Ennio Morricone
      An Ennio Morricone Anthology: All Music Composed & Conducted By Ennio Morricone - From The EMI General Music Vaults

      Manufacturer: Drg
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000000PIZ
      Release Date: 1995-09-19

      Tracks:

      1. The Lady Caliph
      2. Women at the River
      3. Without Apparent Motive
      4. Night Search
      5. A Friend
      6. The Ballad of Hank McCain
      7. Rosemary
      8. God With Us
      9. What Am I Doing?
      10. Like Maddalena
      11. Moscow Farewell
      12. Amusing Diversion
      13. End Credits
      14. A Neighborhood Song
      15. The Wind, The Shout
      16. My Name Is Nobody
      17. March in F
      18. The Unholy Three
      19. Dedication
      20. Belinda May
      21. Lullaby in Blue
      22. Companeros

      Tracks:

      1. Slalom
      2. Sestriere
      3. Viva la revolucion
      4. Chi mai
      5. A Far Away Italy
      6. To Forget Palermo
      7. Three Columns on Front Page
      8. The Lamb is Going to Die?
      9. Song of Nostalgia
      10. This Kind of Love
      11. To the People of Parma
      12. A Little Bitter Irony
      13. Place of Spain
      14. Reason, Heart, Love
      15. Veruschka
      16. The Cousin
      17. The Hellbenders
      18. To Serenity
      19. The Venetian Woman
      20. Western?
      21. Theme for a Woman Alone
      22. Castles in Scotland
      23. The Outsider

      Customer Reviews:

      2 out of 5 stars Remembering Past Enchantments And Past Ills.......2004-06-07

      Few composers outside of the classical canon have expressed the ineffable as beautifully as Ennio Morricone. The Italian Morricone, who has written scores of wildly varying quality for over 400 films, came to international prominence with and is still best - known in America for his "Spaghetti Western" scores of several classic Sergio Leone films of the Sixties, such as A Fistful of Dollars (1964), The Good, The Bad, And The Ugly (1966), and Once Upon A Time In The West (1969).

      With the Leone scores, Morricone created musical pieces structured like complex mathematical equations, many of which were suffused with a driving, hypnotic, and archetypal power. In fact, the soundtrack for The Good, The Bad, And The Ugly was so dramatically dynamic that it thoroughly outstripped the finished film in terms of imaginative potential. Only with Once Upon A Time In The West did Leone create a film well crafted and realized enough to match Morricone's entrancing, playful, and occasionally perditious score. Similarly, Dario Argento's The Bird With The Crystal Plumage (1969) almost completely failed to utilize Morricone's contribution, the best portions of which were heard only dimly and sporadically in the finished film. Leone's late masterpiece, Once Upon A Time In America (1984), two - thirds a perfect film, also failed to fully rise to the occasion of Morricone's simultaneously poignant, wistful, and wonderfully exuberant score.

      Today, Morricone's work is available on literally hundreds of soundtracks and soundtrack compilations dedicated to the composer, very few of which are entirely satisfying. An Ennio Morricone Anthology (1995), which contains 45 tracks from 39 films produced in Italy from 1965 onward, perpetuates this frustrating tradition.

      Of the 45 tracks, about a third represent Morricone realizing or approaching the height of his talent, another third are fairly interesting but ultimately repetitious and self-cannibalizing, and the final third, which may have worked reasonably well within the context of the films they were written for, never rise above the status of shrill, discordant, and bellowing kitsch (several attempt a Henry Mancini - like levity and fall flat). In fact, there is a great deal of healthy, raw, and leveling vulgarity even in some of Morricone's most famous compositions, such as "Le Vent, Le Cri" from 1981's The Professional and "Chi Mai" from 1971's Maddalena, both of which are included.

      Those seeking haunting compositions on the scale of "L'Estasi Dell 'Oro" or "Il Triello" from The Good, The Bad, And The Ugly or "Poverty" from Once Upon A Time In America will be disappointed to find very few pieces approaching their caliber here, especially if already familiar with such well - known pieces such as "Moscow Farewell" from the 1987 film of the same name or the otherworldly "Il Gatto A Nove Code" from The Cat O' Nine Tails (1971).

      As compositions of vastly different quality are interspersed amongst one another in dizzying array, many may find An Ennio Morricone Anthology virtually impossible to listen to from beginning to end without skipping tracks repeatedly. As a genius whose greatest compositions address both the immanent and the transcendent, both perdition and salvation, both the archaic and the modern, Morricone and his admirers deserve a more carefully selected and thoughtfully produced anthology than this haphazard collection offers.

      5 out of 5 stars Delightful scores from Ennio Morricone.......1998-12-19

      Few composers in film music today are as greatly admired as Ennio Morricone whose scores for a wide range of screen fares and many Oscar nominations and wins have attracted the attention of fans all over the world. This compilation is one of the best and contains very fine original musics and rare tracks of this Italian composer.
      Live at CBGB's
      Average customer rating: 5 out of 5 stars
      • A great recording
      • a definite 5 star no contest!
      • Long live the Godfathers of NYHC and hardcore in general!!!
      Live at CBGB's
      Agnostic Front
      Manufacturer: Nuclear Blast Americ
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000ECX0FG
      Release Date: 2006-03-07

      Tracks:

      1. Eliminator
      2. New Jack
      3. Victim in Pain
      4. Your Mistake
      5. Blind Justice
      6. Last Warning
      7. Strength
      8. Crucified
      9. All Is Not Forgotten
      10. Peace
      11. One Voice
      12. Over the Edge
      13. Friend or Foe
      14. Gotta Go
      15. Riot Riot Upstart
      16. Police State
      17. Undertow
      18. Publis Assistance
      19. Anthem
      20. So Pure to Me [*]
      21. Take Me Back [*]

      Tracks:

      1. Eliminator [5.1 Surround Sound]
      2. New Jack [5.1 Surround Sound]
      3. Victim in Pain [5.1 Surround Sound]
      4. Your Mistake [5.1 Surround Sound]
      5. Blind Justice [5.1 Surround Sound]
      6. Last Warning [5.1 Surround Sound]
      7. Strength [5.1 Surround Sound]
      8. Crucified [5.1 Surround Sound]
      9. All Is Not Forgotten [5.1 Surround Sound]
      10. Peace [5.1 Surround Sound]
      11. One Voice [5.1 Surround Sound]
      12. Over the Edge [5.1 Surround Sound]
      13. Friend or Foe [5.1 Surround Sound]
      14. Gotta Go [5.1 Surround Sound]
      15. Riot Riot Upstart [5.1 Surround Sound]
      16. Police State [5.1 Surround Sound]
      17. Undertow [5.1 Surround Sound]
      18. Public Assistance [5.1 Surround Sound]
      19. Anthem [5.1 Surround Sound]
      20. Bonus Material [DVD][*]

      Customer Reviews:

      5 out of 5 stars A great recording.......2006-12-16

      The sound is great and if you weren't a big fan of Agnostic Front before, you will be after hearing this album. I was lucky enough to find it on vinyl and have been listening to it alot.

      5 out of 5 stars a definite 5 star no contest!.......2006-10-18

      best live album i have ever heard! well worth your cash for the cd/dvd. so much energy in all the songs. the intro to crucified gives me goosebumps. highly recommended for even the smallest listener of AF.

      move that pit, motherf**kers!

      5 out of 5 stars Long live the Godfathers of NYHC and hardcore in general!!!.......2006-10-07

      These cats do it again just as they did 20 years ago, but even more brutal. A must by for the true hardcore fan.

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