8th Sacrement

Track Listings

 
1. 8th Sacrament
2. Pace Domine
3. Come Back My Love
4. Respect
5. New York
6. Our"i
7. Education

Editorial Reviews

About the Artist
"Rhythm is the essence of Tabou Combo," says Tabou Combo's drummer Herman Nau. The infectious rhythm of Haiti's national dance music, Konpa (con-pah), has propelled the country's preeminent dance band around the world. The 12 members of the band have covered many territories since leaving Haiti and relocating to New York City in 1971. By that time, Tabou had already established itself as Haiti's number one group, and as the "Ambassadors of Compas." Tabou Combo now has worldwide fans and followers from London to Paris, Holland, Switzerland, Japan, South America, throughout the Caribbean and in North America.

It is easy to understand why. Tabou Combo's relentless and high-energy style of Compas dance beat knows no language barrier. Singing in English, Spanish, French or their native Creole, Tabou serves a hot mix of grooves and textures with roots from around the world. You will hear a strong dose of the Dominican Republic's national dance music, meringue. The Dominican Republic and Haiti share the island of Hispaniola. In addition, there is Haiti's dance-till-you-drop carnival music, rara, the hypnotic drums of Haitian voodoo rituals. Add to that quadrilles and contra-dances from Haiti's French colonizers and funk from the American soul era to James Brown for good measure.

Tabou Combo got started in 1968 in Petion-Ville, a town just outside Port-au-Prince, by Albert Chancy and Herman Nau and some friends, all in their teens. They began by naming themselves "Los Incognitos", because they were unknown at that time. They changed to Tabou Combo in 1969, in order to bear a name closer to the Haitian culture. That year, the band won first prize in a televised talent contest, gaining a national reputation in Haiti, and by 1970 it was one of the island's leading band. Then the Chancy's parents stepped in, and Albert, the band's guitarist and original leader was sent to college in Montreal, and gave up music. The band dissolved and its members drifted to the United States. Early in 1971, however, an unexpected meeting led to a Tabou reunion with Jean-Claude Jean as a leader and the band has been together, with a few changes, ever since.

Drummer Herman Nau is responsible for the incorporation of Brazilian samba and rock rhythms into Konpa. The mixture of all these influences makes for a serious bass line that brings new meaning to the word bottom; layer upon layer of accents courtesy of drums, percussion and congas; the constant intertwining of two guitars with the feel of West African Soukous topped with bright piano riff and the brassy sound of a 4-man horn section. All the men on horns are Americans. Tabou started the practice among Haitian bands of using foreign horn players due to the lack of formally trained horn players in Haiti.

Haiti has no shortage of great singers and TABOU COMBO features some very best. Out front is lead vocalist Roger M. Eugène (Shoubou), crooning with the best of them and switching gears with ease to generate excitement and electricity. Shoubou loves interacting with audiences. He often imitates dancers in the audience and has been known to give on stage Creole lessons as he invites people to sing along. Joining Shoubou, doing back vocals in the call and response tradition is Yves Joseph (Fanfan). As Tabou's main songwriter, Fanfan says he often hears himself in dreams singing the songs that he writes for the band. Doing double duty in Tabou Combo's vocal section is Herman Nau who dominates the rhythm with the hard drumming that has earned him the reputation as Haiti's strongest drummer. Herman quotes "The richest rhythms in the world come from Africa and the Caribbean. In Haiti alone, there are 71 different rhythms and each has different meaning." On stage, Herman constantly is! surprising band members with his rhythmic variations and shadings always with the kick that gives Konpa its drive.

Also doing back vocals while he adds still more punctuation to Herman's rhythm is percussionist songwr

Product Description
Mini Records is the Premier Haitian music label and has recorded the best of Haitian music genres Compas, Zouk, Jazz and more for more than 30 years.

8th Sacrement,Tabou Combo
8th Sacrement
Average customer rating: 5 out of 5 stars
  • After 25 Years of Dancing to this Album ...
8th Sacrement

ProductGroup: Music
Binding: Audio CD

HaitiHaiti | Caribbean & Cuba | International | Styles | Music
GeneralGeneral | International | Styles | Music
GeneralGeneral | International | Indie Music | Stores | Music
Caribbean & CubaCaribbean & Cuba | International | Indie Music | Stores | Music
ASIN: B00005O3W6
Release Date: 1974-01-01

Tracks:

  1. 8th Sacrament
  2. Pace Domine
  3. Come Back My Love
  4. Respect
  5. New York
  6. Our"i
  7. Education

Album Description

Mini Records is the Premier Haitian music label and has recorded the best of Haitian music genres Compas, Zouk, Jazz and more for more than 30 years.

Customer Reviews:

5 out of 5 stars After 25 Years of Dancing to this Album ..........2001-10-16

After 25 years of dancing to this album I still think it is the best around. It never fails to get everyone off their chairs. I first heard it during Carnaval in Eindhoven (the Netherlands) and I am sure it can be heard all over the world, wherever people want to have a party. There is one love song on side two that you can use to catch your breath, but every other song on the album is guaranteed to keep you moving, jumping, shaking, shouting, and then some.
8th Sacrement
Average customer rating: Not rated
    8th Sacrement
    Tabou Combo
    Manufacturer: Musicrama, Inc
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | International | Styles | Music
    ASIN: B00000DXO1
    Release Date: 1994-01-01

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