Canciones Espanolas [Import]

1. No Me Digas Que No

2. La Hi Ja De Don Juan Alba

3. Malaguena Canaria

4. El Lagarto Esta Llorando

5. Las Barandillas Del Puente

6. Amapolas Y Espigas

7. Calle Sin Rumbo

8. Isa Canaria

9. La Violetera

10. El Parado

11. El Ramilletillo

12. Las Vaqueiras

13. A Lo Largo Del Camino

14. Nanas Asturianas

Canciones Espanolas,Maria Dolores Pradera,Bmg,World Music

Average customer rating: Excellent Introduction to Spanish Classical Guitar Music The guitar is an orchestra in miniature! GUITAR MAJESTY Sweet, sweet music, an essential addition to your collection A True Classic

Spanish Guitar Music Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Albeniz, Mateo Pérez de | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Williams, John [guitar] | ( W ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Essential Guitar: 33 Guitar Masterpieces 300 Years of Guitar Masterpieces Baroque Guitar Masters of Flamenco Guitar Classic Williams: Romance of the Guitar ASIN: B00005YJ4Q Release Date: 2002-01-29

Tracks:

1. Albeniz: Asturias
2. Albeniz: Tango
3. Sanz: Canarios
4. Rodrigo: Fandango
5. Torroba: Nocturno
6. Segreras - El Colibri
7. Albeniz: Sonata in D
8. De Falla: The Corregidor's Dance
9. De Falla: Fisherman's Song
10. De Falla: The Miller's Dance
11. Torroba: Madronos
12. La Nit de Nadal
13. El Noy de la Mare
14. Granados: Ma Maja de Goya
15. Abeniz: Cordoba
16. Tarrega: Recuerdos de la Alhambra
17. Granados: Spanish Dance No. 5
18. El Testamen de Amelia
19. Villa-Lobos: Prelude No. 4 in E Minor
20. Albeniz: Sevilla
21. De Falla: Homanaje
22. Mudarra: Fantasia
23. Turina: Fandanguillo

Customer Reviews:

Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18

As a sampler, this CD is an excellent introduction both to Spanish classical guitar music and to guitarist John Williams.
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).

John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.

As a marketing ploy, it is very effective.

For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.

However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.

Over 70 minutes playing time.

Recommended.

The guitar is an orchestra in miniature!.......2005-02-05

This admirable concept belongs to Hector Berlioz and it must not be a surprise the best guitarrists in the story have in common this trademark.

John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.

From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.

GUITAR MAJESTY.......2004-12-21

John Williams is a true Guitar virtuoso. His repetoire is very extensive and I use his music in my office while I work at my daily office duties. This album is a must for all guitar enthusiasts old or young.

Sweet, sweet music, an essential addition to your collection.......2004-12-07

I originally bought this album three years ago, looking for a good introduction to Spanish guitar music. And this one fits that need perfectly. I still listen to and enjoy it today. I play this for guests at happy hour or dinner for a relaxed atmosphere. At Amazon's current price, this is a great value.

A True Classic.......2004-01-26

This album/cd is extraordinary. All the songs are gorgeous and exciting to listen to. John Williams' interpretation and technique are perfect. After 22 years of listening to it, I still enjoy and appreciate it more every time. I love giving it as a gift.

Average customer rating: The classical heritage

Music of Spain Manufacturer: RCA ProductGroup: Music Binding: Audio CD Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Bream, Julian | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Boccherini, Luigi | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Granados, Enrique | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music Tarrega, Francisco | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Turina, Joaquin | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bream, Julian | ( B ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Rachmaninov: His Complete Recordings Bach: The Landowska Recordings Bach: Lute Suites, Trio Sonatas The Verdi Recordings Kurt Atterberg: The Symphonies (Box Set) ASIN: B0009U55QA Release Date: 2005-09-06

Customer Reviews:

The classical heritage .......2006-04-16

The visible embellishment of this noble instrument was enriched still more by the Spanish composers, who following the traces of his contemporaries. In the case of Fernando Sor, Haydn was his musical guide, where as Aguado, could establish himself with major vehemence, due its particular style, based in the notable right-hand articulation, eschewed the classical patterns, being able to print his own music a flamboyant and refined character.

In the particular case of Fernando Sor, we have a wisdom blending of the counterpoint technique, an evocative mood from his own that, added the well known influence of the Italian composers (Domenico Cimarrosa and Giovanni Batista Pergolesi) and his beloved love for the Operatic genre, allowed him to enrich still more the lyrical possibilities of the guitar. Besides, unlike Nicolo Paganini, for instance fortunately did not transform the guitar in a simple device to show his overwhelming gifts. He used the guitar to play music, on the opposite approach of Paganini who used the music as mere device to play his instrument.


In the guitar genre there has not been most deserved and superb tribute to Mozart that this Variations Op. 9 based on a motive of The most famous Mozart ?s Magic Flute. Loaded of such imaginative freshness and enraptured inspiration you may notice that one of the Variations conserves an undeniable Italian flavor; this is one of the most beloved hidden treasures the guitar can offers us, which raise with special charm in the hands of this formidable soloist.

Aguado on the contrary acquired due his personal state of things, a notable adroitness who excelled by far, to Sor, so his musical approaches rode in opposite directions, trying to exploit at maximum levels the technical possibilities of the instrument.


Julian Bream makes a colossal tribute to both composers in this egregious and golden album.

Average customer rating: The most noble voice PURCHASE THIS JEWEL WHILE YOU CAN luminous artistry from a genius A special Dignity and an Unfailing Beauty of Voice.

Songs Of Spain / De Los Angeles, et al Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Morales, Cristóbal de | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Spain | Continental Europe | Europe | International | Styles | Music General | International | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music Similar Items: Isabel Bayrakdarian ~ Azulão The Fabulous Victoria De Los Angeles The Maiden and the Nightingale: Songs of Spain The Very Best of Victoria de los Angeles On the Wings Of Song and Zarzuela Arias - Victoria de los Angeles ASIN: B00000I4KQ Release Date: 1999-02-23

Tracks:

1. El rossinyol
2. El testament d'Amelia
3. Adios meu homino
4. Mina nay por me casare
5. Tengo que subir
6. Ahi tienes mi corazon
7. La vi llorando
8. Ya se van los pastores
9. Campanas de Belen
10. Jaeneras que yo canto
11. A dormir ahora mesmo
12. Granadinas
13. Hincarse de rodillas
14. Cancion de trilla
15. Parado de Valldemosa
16. Nik baditut
17. Andregaya
18. Din, dan, boleran
19. Mariam matrem
20. Ay, triste vida corporal!
21. Que es mi vida, preguntais?
22. Porque es, dama, tanto quereros?
23. No me llames segalaherba
24. Ay, luna que reluces
25. En esta larga ausencia
26. Molinillo que mueles amores
27. Confiado jilguerillo
28. Seguidillas religiosas
29. Cancion de cuna
30. El jilguerillo con pico de oro
31. El canape

Tracks:

1. Ah, el novio no quiere dinero
2. Coma la rosa en la guerta
3. Estavase la mora
4. Aquel rey de Francia
5. Damos gracias a ti, Dios
6. Sobre Baca estaba el rey
7. Ay que non hay!
8. Rosa das rosas
9. Maravillosos e piadosos
10. Tres moricas m'enamoran
11. Paseabase el rey moro
12. Dime a do tienes las mientes
13. Si no's huviera mirado
14. Dexo la venda
15. Puse mis amores
16. Aqui me declaro su pensamiento
17. Pues que me tienes
18. Gentil dama, non se gana
19. Mi querer tanto vos quiere
20. Una hija tiene el rey
21. Una matica de ruda
22. Si la noche se hace oscura
23. Pastorcico, non te aduermas
24. Ay triste que vengo
25. No soy you quien la descrube
26. Pase el agua, Julieta
27. Aquel caballero, madre
28. Duelete de mi, Senora
29. De Antequera salio el Moro
30. De los alamos vengo, madre
31. Enfermo estaba Antioco
32. Dame acogida en tu hato
33. Morenica, dame un beso
34. Senora, si te olvidare
35. De donde venis, amore?

Tracks:

1. La rosa enflorece
2. Ven querida
3. Adio, querida
4. Durme, durme, hermozo hijico
5. Paxaro d'hermosura
6. Avrix, mi galanica
7. Irme quiero, la mi madre
8. Ya viene el cativo
9. Yo m'enamori d'un aire
10. Una matica de ruda
11. Anda, jaleo
12. Los cuatro muleros
13. Las tres hojas
14. Los mozos de Monleon
15. Las morillas de Jaen
16. Sevillanas del siglo 18
17. El cafe de Chinitas
18. Nana de Sevilla
19. Los pelegrinitos
20. Zorongo
21. Romance de Don Boiso
22. Los reyes de la baraja
23. La tarara
24. El combat del somni: Damunt de tu, nomes les flors
25. A l'ombra del Lledoner: Canco de grumet
26. Canciones negras: Cancion de cuna para dormir a un negrito
27. Cuatro madrigales amatorios: De los alamos vengo, madre
28. Coleccion de tonadillas: Callejeo
29. Coleccion de tonadillas: El tra la la y el punteado
30. Seis canciones castellanas: No quiero tus avellanas
31. Seis canciones castellanas: Jota
32. Panxolina
33. Tu pupila es azul
34. Cantos populares espanolas: Malaguena
35. Cantos populares espanolas: Granadina
36. Cantos populares espanolas: El Vito
37. Cantos populares espanolas: Pano murciano
38. Clavelitos
39. Adios, Granada
40. Madrigal

Tracks:

1. Coleccion de tonadillas: Amor y odio
2. Coleccion de tonadillas: Callejeo
3. Coleccion de tonadillas: El majo discreto
4. Coleccion de tonadillas: El majo olvidado
5. Coleccion de tonadillas: El majo timido
6. Coleccion de tonadillas: El mirar de la maja
7. Coleccion de tonadillas: El tra la la y el punteado
8. Coleccion de tonadillas: La maja de Goya
9. Coleccion de tonadillas: Las currutacas modestas
10. Tres majas dolorosas: Oh muerte cruel!
11. Tres majas dolorosas: Ay majo de mi vida
12. Tres majas dolorosas: De aquel majo amante
13. Goyescas: La maja y el ruisenor (Rosario)
14. 'La vida breve': Vivan los que rien! (Salud - Act 1)
15. 'La vida breve': Alli esta! Riyendo! (Salud - Act 2)
16. 'Acis y Galatea': Confiado jilguerillo
17. El tripili
18. Llorad, corazon
19. Iban al pinar
20. No lloreis, ojuelos
21. Mananica era
22. Mira que soy nina
23. Gracia mia
24. El pano moruno
25. Seguidilla murciana
26. Asturiana
27. Jota
28. Nana
29. Cancion
30. Polo
31. 'La Tempranica': Zapateado (La tarantula e un bicho mu malo)

Customer Reviews:

The most noble voice.......2004-05-28

Victoria de los Angeles' voice not only has a silken quality and fascinating glow to it but it is one of the most regal, noble sounds you'll ever hear. She illuminated those moments of quietness, gentleness and noble, feminine pride and elegance like no other soprano before and after her. This release of her "Spanish Songs" has never been surpassed. The songs of her homeland seem to have been written for her beautiful instrument alone, she fills every piece with special beauty and charm, religious flair and beautiful, noble simplicity. Buy this recording and see why Victoria is one of the best sopranos ever having come from Spain.

PURCHASE THIS JEWEL WHILE YOU CAN.......2002-01-08

FOR A LONG TIME "SONGS OF SPAIN" HAS BEEN MY FAVORITE ALBUM OF CLASSICAL, POPULAR, SECULAR AND RELIGIOUS (CHRISTIAN AND SEPHARDIC) SPANISH SONGS. DE LOS ANGELES DEFIES A RIVAL IN THIS GENRE. DE LARROCHA, SORIANO AND ZANETTI PROVIDE UNEQUALED ACCOMPANIEMENTS. THE RECORDINGS ARE SECOND ONLY TO LIFE PERFORMANCES. I UNDERSTAND THAT EMI INTENDS TO TAKE THIS SET OUT OF PUBLICATION. PURCHASE THIS JEWEL WHILE YOU CAN! I JUST PURCHASED MY THIRD SET FROM AMAZON AND I TREASURE IT AS MUCH AS MY FIRST!

luminous artistry from a genius.......2000-12-26

the vocal artist of vocal artistsdisplays her absolutely gorgeous voice and musical understanding of spanish feeling with a warmth that is unmatched anywhere.the only thing better was to hear her in person!

A special Dignity and an Unfailing Beauty of Voice........2000-09-17

This set offers four generously-filled CDs comprising almost 140 Spanish songs from Victoria de los Angeles' repertoire. To all of them she brings a special dignity and an unfailing beauty of voice. The earliest recordings date from 1950 and the last is the items she sang at the opening of the Barcelona Olympics in 1992. Yes, you will find the ubiquitous "Clavelitos!" here, and a later version of "La maya el ruisenor" from "Goyescas". The enclosed booklet provides illuminating notes by Lionel Salter, who also translated many of the texts which are also included. Accompanists include Gerald Moore and Alicia de Larrocha, and Victoria de Los Angeles provides a guitar accompaniment herself in one song. The last track of all, a zapateado from a zarzuela, recorded live in New York, must almost have brought the house down.

Average customer rating: Very nice introduction to the work of a great soprano The very best performance by Victoria de los Angeles In Memoriam: A Tribute To The Late Victoria the genius of de los angeles A n angelic voice

The Very Best of Victoria de los Angeles Victoria De Los Angeles Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: The Very Best of Lucia Popp Very Best of Very Best of The Very Best of Janet Baker The Very Best of Franco Corelli ASIN: B000083GOE Release Date: 2003-04-22

Tracks:

1. O Mio Babbino Caro
2. Un Bel Di Vedremo
3. Si. Mi Chiamano Mimi - Jussi Bjorling
4. Senza Mamma
5. Voi Lo Sapete, O Mamma
6. Qual Fiamma Avea Nel Guardo!... Hui! Stridono Lassu
7. Ebben? Ne Andro Lontana
8. Nacqui All'Affano...Non Piu Mesta
9. Una Voce Poco Fa
10. E Strano!... Ah, Fors' E Lui...Sempre Libera
11. Porgi, Amor
12. Dich, Teure Halle
13. Einsam In Truben Tagen
14. Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table
15. Les Grands Seigneurs...Ah! Je Ris
16. Quand Je Vous Aimerai?...L'Amour Est Un Oiseau Rebelle

Tracks:

1. Auf Flugein Des Gesanges
2. Ich Liebe Dich
3. Wiegenlied
4. Les Filles De Cadiz
5. Cuba Dentro De Un Piano
6. Chevre
7. Punto De Habanera
8. Cancion De Cuna Para Dormir A Un Negrito
9. Canto Negro
10. De Espana Vengo
11. Cancion Del Amor Dolido
12. Cancion Del Fuego Fatuo
13. La Pastoura Als Camps
14. Bailero
15. Chut, Chut
16. Uno Jionto Postouro
17. Oh! Had I Jubal's Lyre
18. An Die Musik
19. Dein Blaues Auge
20. Vergebliches Standchen - Gerald Moore
21. L'Invitation Au Voyage
22. La Flute Enchantee
23. Chanson Espagnole
24. Chanson Francaise
25. Chanson Italienne
26. Clavelitos!
27. Malaguena - Gerald Moore
28. Granadina - Gerald Moore
29. Adios, Granada
30. Zapateado (La Tarantula E Un Bicho Mu Malo) - Alicia De Larrocha

Customer Reviews:

Very nice introduction to the work of a great soprano.......2007-07-13

This 2 CD set is a terrific introduction to the body of work of Victoria de los Angeles. As the "liner notes" point out: "She was an artist who brought individuality and a sense of joy to everything she performed. . . ." And this is not hyperbole. She was a top soprano in the middle part of the twentieth century.

Some cuts exemplify her art:

"Un bel di" is a ravishing version of this well known aria. She demonstrates a rich voice with fine musicality. This is a ravishing version of this aria. The singer displays good vocal control. There are nice transitions across the registers.

"Si, mi chiamano Mimi" is another well known work for sopranos. Again, nicely done. She appears (to me anyhow) to catch the spirit of Mimi very nicely indeed.

From "La Traviata," she essays "E strano. . .Sempre Libera." This is an affecting version. She does not have the coloratura armamentarium that some have brought to bear on this aria, but she does a fine job nonetheless. She seems to capture the desperate spirit of Violetta in "Sempre Libera."

Rossini's "Una voce poco fa" is a nice tour de force for sopranos. De los Angeles does a nice job here. This is a work from the Bel canto repertoire, but she does well. She shows vocal agility and captures the spirit of the work. This is an affecting, charming version. There is some occasional vocal harshness, but not a serious issue.

From "Carmen," "L'amour est un oiseau rebelle." Richly and nicely sung.

Her range on this CD is worth noting: from Puccini and Verdi to Wagner to Rossini to Gounod.

And then another of her specialties--songs. She does a nice turn with the Spanish song "Malaguena." Then, in a nice twist, she accompanies herself on guitar in "Adios Granada." I'm not normally so excited about songs, but in this case I found her work enchanting.

So, if you want to get a sense of the artistry of Victoria de los Angeles, this is an excellent starting point. Highly recommended!

The very best performance by Victoria de los Angeles.......2006-09-13

Is the recording on Allegro records of her performance of Madame Butterfly in New Orleans in 1954, not the Rome recording. She is simply radiant, perfect, a voice truly that is a victory for the angels. Unbelievably marvelous.

In Memoriam: A Tribute To The Late Victoria.......2005-02-01

Victoria De Los Angeles died Saturday of heart failure at the age of 83 in Barcelona, Spain. The world of opera mourns her loss. She was a gifted soprano and a wonderful human being. On stage, she was able to directly speak to her audience and communicate with them in a very special and rare way that is not always seen today. She never hid herself behind a facade nor distanced herself from fans and audiences. She was born to sing opera. It was in her blood. This album showcases De Los Angeles in her most memorable and successful roles. Victoria De Los Angeles was one of the first singers from Spain to win worldwide acclaim. Others would follow- Placido Domingo and Montserrat Caballe. De Los Angeles is showcased in this album which may also serve as a tribute to the now late soprano.

Her voice was essentially full lyric with some spinto. Hearing her renditions of "O Mio Babbini Caro"- a signature soprano role, as well as "Ebben Ne Andro Lontana" from La Wally and her performances as Mimi, one is clearly treated to the truest form of a pure lyric soprano. Her voice is spunned gold, with sweet, warm, feminine textures. Her reperotire remained in the Italian and French. Of course, being Spanish, she was a leading singer in Spanish Lieder and romantic ballads. Her Art Songs in Spanish are full of elegance and grace. A champion of obscure composers, she sang and recorded recitals that featured the works of lesser known composers, though strictly Lieder and Folk/Art Song.

Victoria De Los Angeles is fortunately a well-documented artist. Some film footage exist of her performances. I seem to recall that there exists a taped performance of her Violetta in Verdi's La Traviata. She excelled in the lyric roles of Mimi in Puccini's La Boheme, Marguerite in Gounod's Faust. Her Madame Butterfly is a pure lyric rendition, with less of the dramatic intensity other singers have given the role- i.e. Leontine Price, Maria Callas, Renata Tebaldi, etc. But her Butterfly is actually the way the role ought to be sung. It's a voice of grace, naivete and above all romance that must colorize Butterfly. The dramatic intensity only makes her sound older and madly passionate. She is only a fifteen year old girl who has been deceived and betrayed. She must remain youthful sounding. De Los Angeles does justice to the truest form of Butterfly. She was thrilling in French and Italian operas and her Spanish songs were briliant and beautiful.

Victoria will always be remembered. She was a unique and talented artist of the lyric repertoire. Her pure, lovely voice was like an angel's. There will never be another Victoria De Los Angeles. With her death, the end of an era also passes. In particular, I will always remember one reported incident. She was about to make her first recital in America but she had no accompanist- pianist/guitarist etc. When asked how she would handle this, she remarked: "Well I brought my guitar with me". And she proceeded to accompany herself with the guitar.

the genius of de los angeles.......2004-02-14

the incomparable de los angeles combines exquisite sound and nuance to the world of superb singing. her mastery of a variety of styles is astounding and yet it always sounds natural.her magic will live forever.

A n angelic voice.......2004-02-06

De los Angeles' ability to sing with elegance and style has rarely been equalled and never been surpassed. She's the greatest Charlotte in "Werther", the most tender Santuzza in "Cavalleria Rusticana" and the most sumptuos Nedda in "I Pagliacci". Her Lieder-Recordings are legendary, my favourites are the Spanish ones of course. What a piano-culture and what a velvet sound! Get this set, it's cheap and it has GREAT singing!

Average customer rating: An exquisite gem of a desert island CD Sweeping, seductive, and superlative! Mesmerizing music for the heart La Ninna Nanna "Stunningly beautiful" is an understatement

Ninna Nanna: Lullabies (1500-2002) William Byrd , Jordi Savall , and Hesperion XXI Manufacturer: Alia Vox Spain ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music General | Classical | Styles | Music Classical | Imports | Stores | Music Similar Items: Lux Feminae Du temps & de l'instant Villancicos y Danzas Criollas Diáspora Sefardí Bella Terra ASIN: B000071XAC Release Date: 2003-02-11

Tracks:

1. Anon. (Purtugal): Cancao de embalar: Jose embala o menino
2. Anon. (England): Lullaby: My little sweet darling
3. Anon. (Greece): Berceuse: Dors mon bebe
4. Anon. (Sefarade): Berceuse Ladino: Nani, nani
5. Anon. Berbere: Berceuse Amazigh
6. William Byrd: Lullaby: Come, pretty babe
7. Tarquino Merula: Canzonetta spirituale sopra la nanna: Hor ch'e tempo di dormire
8. Anon. (Alicante): Mareta, mareta no'm faces plorar
9. Johann Friedrich Reichardt (1752-1814): Chanson d'une maleureuse mere: Dorsmon enfant
10. Modest Mussorgsky: La Chambre des enfants (1870): Avec la poupee
11. Anon (Israel): Berceuse hebraique: Noumi, noumi yaldati
12. Arvo Part: Berceuse de Noel (2002)
13. Max Reger (1873-1916): Maria Wiegenlied: Maria sitzt am Rosenhag
14. Manual de Falla (1876-1946): Nana: Duermete, nino, duerme. Canciones populares (1914)
15. Darius Milhaud: Berceuse hebraique: Dors, dors (1925)
16. Federico Garcia Lorca: Nana de Sevilla: Este galapaguito (1930)
17. Arvo Part: Berceuse Estonienne: Kuus, kuus kallike (2002)
18. Anon. Catalogne: Cancao de Bressol: La mare d e Deu

Amazon.com

This is a formidable collection of lullabies, spanning 500 years, 18 of them (from almost as many countries) in Greek, Latin, Hebrew, Catalan, English, and more, each one lovely, each one in its own idiom. Some are anonymous; others are by composers as different as Byrd, Mussorgsky, Milhaud, and Arvo Pärt. The disc shouldn't be listened to in one setting--no matter how interesting they are, they're still lullabies and can mellow the listener into torpor--but in three-or-so chunks, the contents are fascinating. Figueras can make her sound move from folk to classical, from a mother who is passionate about her child's safety to one who merely wants to entertain into slumber. The anonymous Greek lullaby (track 3) contains the oddest little vocal quirk--a whipping up of the tone at the close of some phrases--which only an artist like Figueras could pull off. And Savall and soloists accompany on various instruments--flute, harp, viols, etc.--with pianist Paul Badura-Skoda playing on three of the lullabies. The CD is a wonderful tour of the world through the centuries with only one subject in mind: sleep. And sleep is something, after all, that takes up a third of our lives. This CD keeps getting sweeter the more you listen. Recommended. --Robert Levine

Customer Reviews:

An exquisite gem of a desert island CD.......2005-06-09

Every time I catch sight of a Vox Alia CD with its distinctive packaging I find resistance is futile and I end up buying it. This gorgeous collection of lullabies delivered much more than I had ever dreamt possible.

What gives this CD its magic is the fact that this is music making amongst friends and family. In fact the record label is Jordi Savall's own, Monserat Figueras is his wife, and Arianna Savall his daughter - so it really is an all family affair. The whole of Hesperion XXI play like they know each other intimately and we are just privileged eavesdroppers who were lucky enough to have overheard them. If some of the major record labels are increasingly marketing their music like MacDonalds hamburgers then this is like being invited to dine at a lovely family run Spanish restaurant. There is a heartwarming homeliness here the majors could never emulate in a hundred years. So it is entirely appropriate that this should be a collection of lullabies, for this is a celebration of family intimacy of the most deeply poetic and affectionate kind.

The selection of music might strike a casual listener as being unusual - exotic is a better term - yet they are all so instantly attractive that I think this would make a lovely gift (especially given the beautiful booklet that comes with it) to a child, a mother, a partner, a friend, a music lover; even people who know nothing about the composers here would surely be enchanted. I was particularly delighted by the reviewer who wrote that her daughter listened to this at night - oh, how fortunate it would be to grow up with music like this with its imaginatively chosen collection of music from so many countries and centuries - you would carry this music in your heart for the rest of your life! Amongst the songs is a Greek song, a Catalan song, a 16th century English song, a song by William Byrd, Max Reger, Moussorgsky as well as two by Arvo Part, both of which carry dedications to Monserat Figueras, Arianna and Jordi Savall (in the photograph reproductions of the first pages of the handwritten score Arvo Part has written in German 'gewidmet an...' if you were wondering where this info comes from).

Typical of the CD is how difficult it is to hold back a tear listening to Reger of all composers - I would have never thought it possible, especially when it would have been simply all too easy to choose some all to well known Schubert Lied, but here it is, they have picked Reger and it is PERFECT. Yet that is only one gem amongst so many more here. I am speechless, for this CD is indeed a rare treasure made for people who truly love beautiful music making - a CD to cherish and to weep for joy over.

I should add that as usual from Vox Alia the recorded sound is audiophile quality, and a notch above what you get from about 95% of record labels. In my opinion they even surpass some boutique audiophile labels like Linn, which is really saying something. So if you love to luxuriate in rich sound this will fit like a glove.

If you fall in love with this recording please, please may I suggest you BUY it for someone you love, rather than burning it, just as a way of saying 'thank you' to this family of musicians. This is a family run label rather than some huge impersonal coorporation and I have seen too many private boutique record firms go bust over the years, so please help ensure that these artists continue to make lovely recordings such as this one.

I am adding this CD to my desert island collection.

Sweeping, seductive, and superlative!.......2004-01-14

Figueras offers the listener a triumphant collection of evocative songs. Let's dispense with a possible concern. This CD is sub-titled "Lullabies". Anyone going to sleep listening to Figueras should see either a hearing or a brain specialist. While they may pacify children, adult listeners will be exhilarated by the sweeping range of her voice and exquisite presentation. Figueras' expressive style simply transcends descriptive praise. From soaring appeals to the heavens to quiet, soothing reassurances, she demonstrates the magnitude of her evocative skills. One can sense constrained passion in each song as she moves from one culture to another through the collection. That one of the pieces was commissioned for this collection is further proof of the extent she provides the listener - she's not confined to neither time nor place.

What is most clearly manifest in this musical anthology is Figueras' professionalism and her Catalan background. Unlike the operatic divas who have deigned to release popular renditions, she demonstrates how someone who truly understands the music of mountain villages or plains communities in any nation can elevate even the most "common" music. The selections range over five centuries or more, reinforcing the impression that nothing exceeds the capacity of her elegant voice to convey feeling to the enraptured listener. Each of us will likely settle on a favourite selection. Predictably, my own is a Catalan piece of an anonymous composer. Perhaps because the lullaby is in her native tongue, the richness of Figueras' rendition evokes intense emotional response. Would that i'd been born a Catalan!

Alia Vox was launched to give fresh impetus to the recordings of Figueras, her husband Jordi Savall and the groups they have created together. This CD will remain a testimony to their efforts to produce the highest quality discs. The sound is excellent, clearly imparting voice and background instruments alike. With 18 selections from a variety of eras and locations, the notes for this CD are extensive. The text of each tune is given in the original and seven other languages. Could scholarship and the universality of music be given finer endorsement? [stephen a. haines - Ottawa, Canada]

Mesmerizing music for the heart.......2003-10-18

Rarely has there been a more beautiful collection of lullabies than those presented in Ninna Nanna. Clearly a labour of love of Montserrat Figueras and her family, it brings together songs that mothers have been singing to their infants over the centuries - whatever their culture or language. "It is like food for the young child" reflects Montserrat Figueras in her dedication, the most intense reflection of affection and tenderness.

Lullabies in this collection, come from cultural backgrounds as diverse as Russia, Morocco, Greece, England and, of course, the Iberian Peninsula. They span from the Renaissance to contemporary music. Most of the musical versions have been masterly arranged by Jordi Savall, suited to fit the extraordinary voice of his wife. We also find some arrangements by well-known composers such as Moussorgski, Reger or de Falla.

Being lullabies, the songs show similarities: above all their tunes are beautifully soft and melodious. Yet, the tunes show considerable diversity in rhythm and tonality. Some are melancholy and almost haunting, others joyful and jubilant. Montserrat Figueras' voice is, as always, in a class of her own, radiating with richness and intensity. The music touches the deeper cords in the listener's consciousness. Her voice is superbly and sensitively accompanied by Hesperion XXI, the accomplished team of musicians under the leadership of Jordi Savall.

The informative booklet accompanying the CD is well presented and includes the songs' texts in eight languages, including the original. This is a CD you will not get tired to listen to many times, whether you play it for your children, your family and friends, or just for yourself. [Friederike Knabe, Ottawa, Canada]

La Ninna Nanna.......2003-08-17

Very few times in life we can be transported back to share such deep experiences as that of holding a child in your arms while singing a lullaby. This CD is exceptional not only because of the high quality of the production but also by the deep emotions that each song carries. A true gift for all those of us that need to stop and enjoy a moment of peace!

"Stunningly beautiful" is an understatement.......2003-05-31

I bought this as a gift for our daughter, and it works great; but I also can't stop listening to it myself day and night, having nothing to do with her bedtime and nap times. If one wants to go to sleep, it works beautifully for that; or if one wants to stay up and pay attention to every wonderful nuance, it also works for that. Or if it's just on as background music, it changes any room to a place of comfort and home. Montserrat Figueras here sings in at least twelve different languages, in music spanning 500 years, and puts it all across with heartfelt directness. What more difficult musical task could there be than all the above, together? But she does it.

This disc is really a family affair: Figueras and Savall, plus their daughter who also sings and plays, and their son who took the photos; plus their friends and colleagues, among the most imaginative and soulful players alive. Extraordinary. And the new music composed by Arvo Part for this album: it's proof that music can objectively make a person weep.

And the booklet: a gorgeous presentation with full background information, photos of the sessions, and each song is given in translation to eight or nine languages! (The original, plus eight more translations if different.)

The only thing you can't do is play this in the car, while driving around to lull the child with the motion. Oh, that works great for the child, but it's the driver's concentration we should be worried about. There is no way to keep one's mind safely on the road while this CD is on.

I rarely give a "five star" rating to anything, but this is one of those times.

Average customer rating: Isabel's voice is enchanting! A real diamond! Amazing amazing stuff Fascinating Program Beautifully Performed

Isabel Bayrakdarian ~ Azulão Manuel de Falla , Enrique Granados , Carlos Guastavino , Xavier Montsalvatge , Fernando J. Obradors , Jaime Ovalle , Joaquin Rodrigo , Catalan Traditional , Heitor Villa-Lobos , Isabel Bayrakdarian , and Jamie Parker Manufacturer: Musica Viva ProductGroup: Music Binding: Audio CD All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Isabel Bayrakdarian ~ Joyous Light Isabel Bayrakdarian ~ Pauline Viardot-Garcia (Lieder, Chancon, Canzoni, Mazurkas) Isabel Bayrakdarian ~ Cleopatra Songs Of Spain / De Los Angeles, et al Mozart: Arie e Duetti ASIN: B0000DFZY4 Release Date: 2003-10-21

Tracks:

1. El Majo Discreto
2. El Majo Timido
3. El Tra La La Y El Punteado
4. La Maja De Goya
5. La Maja Y El Ruisenor
6. Song Of The Birds
7. La Rosa Y El Sauce
8. Con Que La Lavare?
9. Vos me Matasteis
10. De Donde Venis, Amore?
11. De Los Alamos Vengo, Madre
12. El Vito
13. Al Amor
14. Corazon, Porque Pasais?
15. La Mi Sola, Laureola
16. Del Cabello Mas Sutil
17. Chiquitita La Novia
18. El Pano Moruno
19. Asturiana
20. Cancion
21. Nana
22. Jota
23. Polo
24. Cancion De Cuna Para Dormir A Un Negrito
25. Aria (Cantilena)
26. Dance/Danse (Martel)
27. Azulao

Album Description

Following on the enormous success of her first recording for CBC RECORDS - Joyous Light (CBC SMCD 5215) - the stunning young Canadian lyric soprano ISABEL BAYRAKDARIAN turns her attention to the seductive colours and rhythms of Spain and Latin America. The centre piece of this recording is the vocal evergreen, Bachianas Brasileiras # 5 for soprano and eight cellos by Brazilian composer Heitor Villa-Lobos. After winning the Metropolitan Opera National Auditions in 1997, Isabel (who is of Armenian descent) has gone on to make debuts with such international companies as the Metropolitan Opera (New York), Lyric Opera of Chicago, Paris Opera and La Scala (Milan), Semperoper (Dresden) and the Canadian Opera Company (Toronto).

Customer Reviews:

Isabel's voice is enchanting!.......2006-10-12

I had never heard of Isabel Bayrakdarian before. I was looking for a copy of Obradors' "Chiquitita la Novia" and happened to come upon this cd. Am I glad I bought it, in fact, I'm wearing it out. Her voice is like a bright
sunlight. Her interpretations are exquisite. My favorite on the recording is Granados' "La Maja y el Ruisenor".
Brava Isabel!

A real diamond!.......2006-04-13

I heard this voice first time on CBC Radio - from a concert in Toronto. It was magical! Soon after, I had a chance to listen to her in recital and this was an EVENT! Over two thousand people in the concert hall were holding their breath for two hours and it seemed that the hall itself became small and cozy. It was indeed a contact soul to soul.
Isabel has a rare talent that combines beautiful tone, clarity and unbelievable fluidity of her voice, intelligent thinking, good sensitive heart and generous nature. You believe every intonation, every nuance. She is always authentic, always noble and her expressivity is never forced, emotions are never overacted.
This CD captures well her magic voice. And God, she is amazing in pianissimos! That's why to me, the Lullaby by Xavier Montsalvatge with its softness and warmth is the highlight of this recording.

Amazing amazing stuff.......2004-10-07

The only reason I didn't give this disc five stars is because I'm not too crazy about Grandos' "Tonadillas." They aren't bad, but they're an incredibly weak opening group and the piano is a bit bouncy and boppy when compared to the more somber numbers on this disc with the cello ensemble.

I first fell in love with Bayrakdarian's voice on the CD "Joyous Light," a collection of Armenian liturgical music arranged for soprano and orchestra (some of it just solo voice.) This disc intrigued me because of her incredible voice and the somewhat off the beaten path repertoire & instrumentation (soprano, piano & cello ensemble!?!) I was happy to see a young, amazing talent NOT do a disc of Italian or German arias. Her CDs definately seem to explore the lesser known repertoire and that's to be commended, because we get to hear a stellar voice bring some real gems to light. Interesting that soprano's solo disc includes an instrumental piece, but it fits in nicely and is certainly appreciated by this listener.

The first two of the Rodrigo madrigales are arrestingly beautiful. The disc as a whole is sublime. She's definately one to watch. I can't think of another soprano I'd rather hear these days than Bayrakdarian. I'm flying back to my hometown next year to her in concert. It's months & months away and I can't think of another performance anytime soon that I'm looking this forward to.

Fascinating Program Beautifully Performed.......2003-11-21

There's been a lot of buzz lately about a young soprano just emerging up in Canada, a striking-looking young woman still in her twenties, winner of the Met Auditions, who has a burgeoning career in opera and recital. Her name is Isabel Bayrakdarian, member of an Armenian family who immigrated to Canada in 1989. She apparently had a nice untrained voice but didn't begin training professionally until 1993; meanwhile she had gotten a degree in biomedical engineering. But only four years later she won the Met Auditions and a couple of years later recorded a CD of seemingly esoteric Armenian songs that became a runaway best-seller in Canada. She made her Metropolitan début in 2002 in the role of Catherine in William Bolcom's 'A View from the Bridge.' This CD is a recording of a program that had been presented on CBC Radio and featuring pianist James Parker, himself a virtuoso with a solo career, and ten Toronto cellists led by cello soloist and Canadian Symphony principal, Bryan Epperson. And all of it in music by Hispanic composers.

First, the program is well-constructed, alternating vocal/piano music with vocal/cello ensemble music, with cello ensemble music. Timbres are changed often enough that one's ear does not tire. Second, every bit of the program is superbly performed. Pride of place must be given to Miss Bayrakdarian, whose voice is crystalline and yet imbued with a womanly sensuality that well serves the alternately sultry and kittenish Spanish music present here. She sings Granados's delicious 'Four Tonadillas' with the kind of charm that I thought only a native Spaniard could bring to it. She negotiates the agréments and their subtle alterations of intonation so typical of Spanish singing with complete mastery. Late in the program she performs, with the cello ensemble, the ever-popular Bachianas Brasileiras No. 5 as well as I've ever heard it. She also inhabits the sung version of Granados's 'La Maja y el Ruiseñor' ('The Maiden and the Nightingale') arranged for the opera he made from his piano suite 'Goyescas.'

The cello group plays Pablo Casals's arrangement of the Catalan Christmas carol, 'El Cant dels Ocells' ('The Song of the Birds'). And they lend a hand in Joaquin Rodrigo's 'Cuatro madrigales amatorios' ('Four Love Madrigals'), with cello ensemble accompaniment arranged (as in others here recorded) by Peter Tiefenbach. I particularly liked the interplay of teasing soprano and sporty cellos in 'Vos me matásteis' ('I die for love of you'), the second of this set, which is then followed by a bang-up performance of the familiar, catchy 'De los álamos vengo, madre' ('I've been down by the poplars, mother').

Fernando Obradors wrote wonderful songs that occasionally get sung by non-Spanish singers--I remember once being entranced by Elly Ameling singing the set recorded here by Bayrakdarian with superb assistance from pianist Parker, 'Canciones clásicas españolas' ('Classic Spanish Songs'). And I must say that at times I hear a hint of Ameling in Bayrakdarian's voice, something I call 'a smile in the voice.' This set is followed by an expert arrangmement, this time by Claude Kenneson, of Manuel de Falla's 'Suite populaire espagnole' that employs the cello ensemble (with some melting solo work by Epperson, their leader) playing three all-instrumental pieces and then accompanying Bayrakdarian in three of the six songs.

The CD is rounded out by Xavier Montsalatge's Lullaby from 'Cinco canciones negras,' the aforementioned Bachianas Brasileiras No. 5, and then the song that gives this album its title, Jayme Ovalle's 'Azulão' ('Bluebird'). The latter uses all the forces available here--soprano, pianist, cellists--in a haunting lament: 'Go bluebird, bluebird, companion of mine, go! Go see my faithless love.'

I cannot praise this issue highly enough. Ms Bayradkarian's voice is world-class and she sings with great musicality and feeling. Her accompanists are flawless. The recorded sound is quite good. The unattributed notes are very helpful. There are full translations of all the sung texts.

TT=76:14

Scott Morrison

Average customer rating: Nice repertory and singing, but give the girl some castanets

Canciones Amatorias Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music General | Classical | Styles | Music Classical | Imports | Stores | Music Similar Items: Brahms: Lieder Dvorak: Lieder Schumann: Frauenliebe und -leben Canciones Argentinas Peter Lieberson: Neruda Songs ASIN: B0000682WC Release Date: 2002-07-09

Tracks:

1. Granados: Descubrase el pensamiento
2. Granados: Mananica era
3. Granados: Llord, corazon, que teneis razon
4. Granados: Mira que soy nina
5. Granados: No lloreis, ojuelos
6. Granados: Iban al pinar
7. Granados: Gracia mia
8. Granados: Oh muerte cruel!
9. Granados: Ay! Majo de mi vida
10. Granados: De aquel majo amante
11. Rodrigo: Pastorcito santo
12. Rodrigo: Coplillas de Belen
13. Rodrigo: Por mayo era
14. Rodrigo: Adela
15. Rodrigo: Cancion del Duero
16. Nin: Asturiana
17. Nin: El pano murciano
18. Nin: El vito
19. Guastavino: La rosa y el sauce
20. Guastavino: Cita
21. Guastavino: La palomita
22. Ginastera: Cancion al arbol del olvido, Op. 3 No. 2
23. Ginastera: Chacarera
24. Ginastera: Triste
25. Ginastera: Zamba
26. Ginastera: Arrorro
27. Ginastera: Gato

Customer Reviews:

Nice repertory and singing, but give the girl some castanets.......2002-12-25

This recital was a mixed blessing. The program is well chosen. The music is exciting and alluring, accessible yet rare enough to be attractive to travelers along the byways of song. The performances are beautiful and thoughtful. Fink's tone is consistently attractive, her technique and ornamentation are impressive. But there are essential Spanish elements missing. Rhythms are not accented, with scarcely any rubato in evidence. She does not bite into her consonants or relish the typical Spanish sounds like "ll," "j," and "y." Part of the problem is in the foursquare playing of Roger Vignoles on the piano. In any case, the songs are captivating and Bernarda Fink's expressiveness is beautiful but undermined by this lack of flair. Though less effective than her debut art song recorded of Schumann Lieder on harmonia mundi, this remains nonetheless a record of lasting appeal.

The program is of love songs offered from the perspective of man, woman, and third person. This music is so rarely heard and worth hearing as to make the disc self-recommending. Spanish composers lean more toward collections than narrative cycles, and here we have some collections presented in full and some excerpted. Spanish art song conveys a rich bittersweetness, stretching the ear with tangy chromaticisms and veiled harmonies, their unsettling effect kept within bounds by recognizable rhythms, modulations, melismas, and other characteristic flourishes. Refined, yes, but never too distant from its popular variants.

The Granados collection that begin the disk has the first 5 songs rather centered on the pains of love, from different angles: deeply sympathetic narrator, a girl in the torments of young love, one man rueful, another wry and cynical. The last 2 songs move into more sanguine areas of the heart, the 6th a lighthearted folksong admiring young beauties at work, the 7th an exuberant transport in rhythms alternately propulsive and swaying. The Granados mini-cycle "La maja dolorosa" that follows is the best-known item in the program. Portraying three different women in grief, or perhaps a progression of grief in the same woman, the first song represents stark betrayal and disbelief; the second emerges somewhat, still distraught, dispossessed, drenched in desolate desire; in the third, bereavement gives way to a proud nostalgia.

The Rodrigo selection is astute: "Pastorcito santo" a haunting, gently lilting Christmas carol, "Coplillas de Belén" another carol with jazzy rhythms imparting the impatient joy of Christmas morning. "Por mayo era" starts with the heat of the day underscored by piano arpeggios (shifting neatly to depict a nightingale). The fullness of the scene is contrasted with the singer's desolation in the second verse, where the arpeggios now become fractured and acerbic. "Adele" is pure folksong, sad and plain in regard of the girl's demise for love, free of harmonic twists and other commentary. The set concludes with the vibrant and soaring "Cancion del Duero," with rustic images elevated by the rapture of joyous and world-embracing love, building to a thrilling final verse and a rousing sendoff.

The 3 Nin songs, while enjoyable, are more self-conscious in execution and the music a tad more bombastic. His arrangement of "El Vito" is too dense, not nearly as fun as Obridors's. "El pano murciano," about setting a kiss in silver, after a rather excessive piano introduction, does give into the simple whimsy of the verses.

The program ends with music of the singer's homeland, Argentina. Guastavino is very sentimental: "La rosa y el sauce" ("The Rose and the Willow") is a pensive elegy. "Cita" offers a charming scene of a lazy tryst. "La palomita" ("Little Dove") is in antique style. These are united expressively in a straightforward musical style. Ginastera is represented by a sensuous, sad tango "Canción al arbol del olvido" ("The Tree of Forgetting") and a collection of 5 popular songs. "Chacarera" is notable for its dense rhythms. "Triste" starts with slow arpeggios again depicting a dry landscape of the soul, the blankness pierced by the singer's stricken cries of "Ah!" "Arroró" is a lovely lullaby, with sharp insomniac harmonies and the long hours tolling in the piano layer. Ginastera's accompiments are restrained but inventive.

Though by rights this music ought to be close to home for her, what I found lacking here were musical traits that are distinctly Spanish -- the rhythmic verve, the bite of the consonants -- elements that would have given her performances greater personality. This is especially noticeable in the faster songs, where words are less distinguishable because of this weakness and accentuation of individual words doesn't come through. Berganza and De Los Angeles both have it -- you can compare their versions of "La maja dolorosa". Berganza's is on a 2-disk set on DG, De Los Angeles in a 4-disk compilation on EMI. Native qualities of De Los Angeles's voice, the inimitable blend of sweetness and sadness, give her an advantage in these songs. Her performance of the first features cor anglais accompaniment along with the piano, deepening the sorrowful effect. With this additional support, DLA takes a slower tempo resting on sturdy chest tones. The third song is underpinned by tentative staccato in the piano as the bereaved avows feelings and memories. Berganza is more confessional, but at times a tad lugubrious. Both have a piquancy to their voice that Fink lacks here. Even Margaret Price on an Orfeo disk of French and Spanish songs sounds no less authentic.

The elements of rhythm and enunciation are even more decisive in comparing DLA's performance of 6 of the 7 Granados songs, recorded live in 1971 with De Larrocha at the piano delivering more robust sound. Though DLA is less secure tonally throughout, her performances have a radiance that Fink's lack. "Mañana era" is very delicate with more sadness in the voice; "Mira que soy niña" has crispness of rhythm; "Gracia mia" dances, the rapid-fire phrases maintaining a contour that Fink loses. Though both singers have facility in ornamentation, De Los Angeles is more successful thank Fink because her placement and pacing are better.

Average customer rating: Maria Bayo vuelve a grabar cancion española.

Canciones españolas Manufacturer: Valois ProductGroup: Music Binding: Audio CD Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music ASIN: B00007A3IQ Release Date: 2003-01-14

Customer Reviews:

Maria Bayo vuelve a grabar cancion española........2003-09-18

Maria Bayo ya fue protagonista de un celebrado disco de cancion española en el sello CLAVES alla por 1992, y once años despues edita un nuevo acercamiento a este genero, con el que vuelve a merecer el aplauso, y que es un complemento ideal al primero.
Ahora revisa Bayo melodías españolas de Toldrá, Guridi, Montsalvage... o de influencia española (Ravel) para rematar el recital con el 'Açulao', una pieza portuguesa muy típica como bis en este tipo de recitales. Vuelvo a decir los mismos elogios que al primer cd: la voz es bellisima, plena de matices, y la forma de decir la poesía de los textos tiene un gusto incomparable... .
Malcom Martineau acompaña al piano de manera notable, lo que redondea un disco con el que Maria Bayo vuelve a cosechar un gran y merecido triunfo.
Habrá que esperar ahora al acercamiento al barroco español que Maria Bayo ya prepara, ni mas ni menos que con Rousset. Exito asegurado, seguro.

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Average customer rating: Brilliant Conducting and Essential Interpretation Spanish Soul Concerto "Adagio" is very authentic !!!!! Big Disappoinment !

Rodrigo: Concierto de Aranjuez & Fantasia para un Gentilhombre; Manuel Barrueco Manuel Barrueco , Joaquin Rodrigo , Placido Domingo , and Philharmonia Orchestra Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Concertos | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Similar Items: Manuel Barrueco Plays Albéniz & Turina Cuba! / Manuel Barrueco Manuel Barrueco ~ Bach & de Visae Manuel Barrueco ~ Cantos y Danzas / Hendricks · Pahud Manuel Barrueco ~ Brouwer, Villa-Lobos & Orbon ASIN: B000002RWY Release Date: 1997-11-11

Tracks:

1. Concierto de Aranjuez: I Allegro con spirito
2. Concierto de Aranjuez: II Adagio
3. Concierto de Aranjuez: III Allegro gentile
4. Coplillas de Belen (Villancicos, III)
5. Pastorcito Santo (Villancicos, I)
6. Un tiempo fue Italica famosa
7. Adela (3 Canciones espa olas)
8. Coplas del Pastor enamorado
9. Zarabanda lejana
10. Fantasia para un gentilhombre: I Villano y Ricercare
11. Fantasia para un gentilhombre: II Espanoleta y Fanfare de la Caballeria de Napoles
12. Fantasia para un gentilhombre: III Danza de las Hachas
13. Fantasia para un gentilhombre: IV Canario

Customer Reviews:

Brilliant Conducting and Essential Interpretation.......2006-05-07

Shame, shame, shame on the reviewer who says Domingo is not a conductor. This is the most moving, soul satisfying performance I have ever heard of the Rodrigo Concerto. I originally heard this on my local classical musical station, and I nearly caused a traffic accident when THAT passage played: I am sure you know what passage I am talking about. I am not exaggerating, this piece makes love to you. Most recordings are too fast and sterile. This one sent me orbiting.

Spanish Soul Concerto.......2005-11-25

Rodrigo's Concierto De Aranjuez has never sounded more Spanish than on this EMI recording conducted by Spanish tenor Placido Domingo. Aside from his career as a tenor, Domingo has for a few years since the 90's developed as a conductor as well. This natively Spanish album of guitar and orchestral music is wholly suited to his talents. I love the opening movement, allegro con spirito, with its brisk, jovial rhythms and it is a sharp contrast from the sensually slow adagio. The rest of the album contains Spanish orchestral pieces and songs, almost the equivalent of Lieder. Especially when sung by Domingo, "Capilllas De Belen" "Un Tiemp Fue Italica Famosa" and "Coplas del Pastor" are romantic Spanish Lieder. The "Fantasy for a Knight" - Fantasia Para Un Gentilhombre" is admirably executed. EMI has done a lot of great albums that prominently feature Domingo and this is one that speaks to his authentically Spanish soul...and to the Spanish audience.

"Adagio" is very authentic !!!!!.......1999-08-13

The second movement of this great composition is indeed the most authentic version I have ever heard since I first listened to this masterpiece 25 years ago .Andre Previn's version is also excellent. I have heard John Williams's version and respectfully submit that Manuel Barrueco truly captures the soul and spirit of Joaquin Rodrigo in a Concierto clearly composed for the Gods!!!!!!

Big Disappoinment !.......1999-04-29

We were expecting that this recording of the Concierto D' Aranjuez came out to be the best, but it shows one more time that only John Williams's recording with the Philharmonia Orchestra bring to the audience the authentic message from the composer. On Manuel's recording is very difficult to hear the guitar and the sound sometime is very weak. Manuel decided to take a lot of notes out on technical challenge parts, maybe he did not know how to practice those parts or he did not have enough time to prepare the piece. I would like to say that Placido Domigo is not a conductor, a good musician can tell the diference between this reocording conducted by Placido and a recording conducted by a real and professional conductor. I will buy twenty times John Williams's recording then this CD.

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