Valerie Lemrcier is a Successful Comedienne and Actress (The Visitors-sabrina-quadrille) Living Inparis. Her Former Boyfriend, Bertrand Burgalat, Masterminded this Wonderful, Kitschy Easy Listening, Disco-inspiredlp Gem. He Wrote and Arranged the Whole Score While Valerie Penned Witty and Funny Lyrics.trumpets, Moogs, and Dance Beats Abound on Songs Like Bungalow, 95c, and dormir Dans Tonlit". This Record is One of the Treasures of the Tractate Label : Timeless and Essential.
Chante,Valerie Lemercier,Import [Generic],Dream Pop,France,Indie Pop,Int'l & World Music,Pop,World Music
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Uncovered
Kenny Lattimore , Chanté Moore , Kenny Lattimor , and Chante' Moore Manufacturer: La Face ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007MR13K Release Date: 2006-10-10 |
Tracks:
- Uncovered (Intro)
- Love Ballad
- The Good Life
- I Got You Babe
- No Ordinary Love
- Figure It Out
- Live With You
- Here On Earth
- Just A Dream
- Tonight (2 Step)
- Every Time You Go
- Beautiful Distraction
- Vocal Booth
Tracks:
- To Me, You're Everything
- Rejoice (Clap Your Hands)
- Make Me Like The Moon
- Your Name
- I Give You My Praise
- I Do Love You
- Mine All Mine
- No Limit
- Never Alone
- I Just Love To Praise You
- No Limit (Remix)
Customer Reviews:
2 for 1...you can not beat that!.......2007-05-30
I have to give credit to Kenny as well. I have to admit, I was not a fan until they did their first album together. I actually got married off of "When I say I do" from that album and he brings a lot the CD as well. This is a must listen to CD, especially when you are with that special someone.
Amazing.......2007-05-29
Awesome.......2007-05-15
I have been looking for this CD for over a year and yes it was worth the wait. I like the 2-CD deal addressing two very different topics, perfect fit for the CD title.
A breath of fresh air.......2007-05-08
Uplifting.......2007-04-16
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Things That Lovers Do
Kenny Lattimore & Chanté Moore Manufacturer: La Face ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006IXG9 Release Date: 2003-02-11 |
Tracks:
- Things That Lovers Do
- You Don't Have To Cry
- With You I'm Born Again
- Love Saw It
- Loveable (From Your Head To Your Toes)
- You're All I Need To Get By
- When I Said I Do
- Close The Door
- Here We Go
- Is It Still Good To You
- Make It Last Forever
- Still
Amazon.com
With the release of this gorgeously produced album of duets from R&B singers and real-life couple Kenny Lattimore and Chante Moore, pure romance receives its ultimate soundtrack. Two things make the collection distinct: the pair's innovative choice of songs, and the album's sequence, which follows a narrative arc of flirting, dating, sex, love, marriage, honeymoon, and the aftermath. Beautiful but almost forgotten love songs get new life, notably "With You I'm Born Again"--famously recorded by Billy Preston and Syreeta--and Lionel Richie's "Still," Keith Sweat's "Make It Last Forever," country singer-songwriter Clint Black's "When I Said I Do," and Ashford & Simpson's "You're All I Need to Get By" and "Is It Still Good to You." Lattimore and Moore's married status makes this material resonate. The intimacy underscoring the spare, elegant "Still" is palpable, and when the pair question their devotion in "Is It Still Good to You," there's no doubt they've been down that road for real. Lattimore and Moore can also sing; indeed, the two could make the Yellow Pages sound sensual. And if there's any doubt about the album's effectiveness as an aphrodisiac, consider the warning label on the back: "This project may cause pregnancy," it screams before coyly adding, "Well, we got pregnant just making this album, so proceed with caution!" Point taken. --Kim HughesCustomer Reviews:
Sounds just ok.......2007-03-26
Enjoyable.......2007-02-17
music lover.......2006-08-01
Really Nice Album Don't Understand Why it Didn't Do That Well in the Stores.......2006-07-10
I still listen to this often @}->---.......2006-01-14
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Precious
Chanté Moore Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OKZ Release Date: 1992-09-29 |
Tracks:
- Love's Taken Over
- Precious
- It's Alright
- Finding My Way Back To You
- Listen To My Song
- As If We Never Met
- Candlelight and You
- Who Do I Turn To
- I Wanna Love (Like That Again)
- Sexy Thang
- Because You're Mine
- Love's Taken Over (Quiet Storm Mix)
Customer Reviews:
A Timeless Classic.......2007-05-21
A classic.......2007-05-12
A great voice and classic tracks. Buy it!
One of my Old Favorites.......2007-04-17
This was her debut album and it's great. "Love's Taken Over" is so smooth, and the orchestration in the background is simple, yet still strikes a mood. I've always believed that live instruments and instrumentation makes a song more timeless than enhanced electronics and maybe that's why even toda, that song's quality sticks out so much. I still remember when "It's Alright" was popular too and the numerous remixes to it that came out. It was a nice, mildly up-beat take among the slower moody ballads. Anothe rhighlight is 'I Wanna Love Like That', which has a bit of a bossa beat to it, "Candlelight and You", featuring Keith Washington and maybe one of my favorites, which still sort of sticks out as a good chillout track, the reprise to "Love's Taken Over".
I certainly recommend this. Over 13 years later, this still gets rotation from me. I don't really look at it as though she didn't get much air-play. I remember when her songs from this album were always on night programs in the early nineties and then the remixes to "It's Alright" were also featured very frequently. But it's true that she didn't get the air-play that several other more 'pop' R&B artists got at the time. This one and her second album are the only Chante Moore albums I checked out, and both of them are terrific.
CD review.......2007-03-10
Another underrated, ignored R&B album.......2005-10-10
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A Love Supreme
Chanté Moore Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OUA Release Date: 1994-11-15 |
Tracks:
- Intro
- Searchin'
- This Time
- My Special Perfect One
- I'm What You Need
- Your Love's Supreme
- Old School Lovin'
- Free/Sail On
- Without Your Love (Interlude)
- I Want To Thank You
- Mood
- Thank You For Loving Me
- Soul Dance
- Am I Losing You?
- Thou Shalt Not
Customer Reviews:
Chante is AMAZING!!!.......2007-04-14
CD review.......2007-03-10
Terrific!.......2006-12-23
The direction for this album's on display from the beginning. "Searchin' "is a spoken word cut with a heavy beat and roll to it. But then "This Time" follows up, and it's loaded with funk & soul. An amazing blend of musical styles is on display here - along with very creative lyrical patters. All of it is delightful enough! "I'm What You Need" was another standout to me with a smoother flow while I also enjoyed her rendition of the old classic "Free". "Mood" has a kickin' attitude to it, and "Thank You for Loving Me" also had a larger than life build to it also. But "Am I Losing You" was easily one of the bigger stand-outs, thanks to it's simplicity and pure emotion in the song. She and her artists did a fantastic job of capturing the mood in the song, in my opinion.
I enjoyed this one. I don't think it was totally without fault, and not all the songs grabbed me. I also think what may have made this more of an absolute stunner would have been if more subtle, live instruments were used... I just think that sometimes they add even more class, life and longevity to the music. Chante Moore never really got all of the credit she deserved, and this really was an album that was sort of ahead of it's time to me. She blended different elements from different elemental styles here - it's something that artists have done before but it's something that a lot of neo-soul artists are heavy into doing right now (take Khari Simmons/Jiva, for example, or The Rebirth, or Break Reform). Ever since the duet she did with El Debarge a year (maybe more) before her first album, you knew she'd be special. Here's to hoping that she returns to this type of bold approach to the music.
This was the first tape I bought when I finsh basic training at Ft. Knox, Ky.......2006-01-21
Moore, moore, moore, bring us more of this "Love Supreme"!.......2005-08-18
"Searchin'", "This Time", "I'm What You Need", "Old School Lovin'", "Free/Sail On" and "Am I Losing You" show the diversity and co-song writing abilities in this underrated, talented r&b queen! This type of diversity is lacking in Mariah, Whitney, Christina and any other top vocalists today.
Her voice isn't hugely powerful, she's "moore" like a Diana Ross with lungs with a tinge of Shanice/Mariah (refering to the whistle tone which she doesn't over use in any shape, manner or form). Her range takes us from sweet (as in Free/Sail On), heavenly (as in "Without Your Love"), sexy/sultry ("I'm What You Need", "Old School Lovin'", "Searchin'"), sad ("Am I Losing You") to gospel ("I Want To Thank You", "Thou Shalt Not") and fun ("Mood"-almost sounds like Janet Jackson, "Thank You For Lovin' Me").
I'm not totally sure of her involvement in the actual writing of the lyrics but they are romatically brilliant and I wouldn't be surprised if the lyrics were her's and the co-writing by Law, Hamblim, Hall, etc., was mainly in the music.
This is a classic 90's r&b that was underrated and talent mostly unrecognized. Too bad because we need "moore" of this type of talent today.
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Chante Piaf
Mireille Mathieu Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000C8WYB Release Date: 2003-10-07 |
Tracks:
- Vie en Rose
- Foule
- Sous le Ciel de Paris
- Mon Dieu
- ' Homme a Moto
- Exodus
- Padam Padam
- ' Hymne a Moto
- Mon Man oi
- Jezebel
- Accordiste
- Milord
- Non, Je Ne Regrette Rien
Album Description
Reissue of 1993 tribute to Edith Piaf by the legendary French vocalist. Copy controlled. Capitol. 2003.Album Details
2003 Studio Album from One of the Most Famoust French Pop Singers. 13 Covers of Edith Piaf Songs Including "la Vie En Rose", "la Foule", "Padam Padam" and Many Others.Customer Reviews:
Good french music.......2007-06-21
Excellent music collection.......2007-01-19
Excellent.......2005-12-07
A few words about two of my personal favourites: "Mon Dieu" is a touching and passionate plea to God to let her hold on to her beloved a while longer.
"L'hymne a l'amour" is a wonderful and powerful declaration of love, in which the woman asserts that whatever happens, she doesn't care as long as her beloved loves her back.
Most of the other songs are very well known classics which I'm sure need no introduction (please note that I'm not very knowledgeable about Edith Piaf, so I apologize in advance to fans who know more about her songs than myself).
All I can say is that I love this disc, that I've played it loads of times and still keep playing it, and that you're really missing out by not acquiring it. The songs are touchingly and passsionately performed, Mireille's voice is great, and you cannot fail to be emotionally affected, especially if you understand French. If not,I believe Mireille Mathieu can really make you wish to learn the language.
Du grand Mireille Mathieu pour la grande Piaf.......2004-04-29
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20th Century Masters - The Millennium Collection: The Best of Chante Moore
Chanté Moore Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00022LJ1U Release Date: 2004-05-18 |
Tracks:
- Old School Lovin'
- Love's Taken Over
- Who Do I Turn To?
- It's Alright
- This Time
- I'm What You Need
- My Special Perfect One
- Wey U [Waiting to Exhale] - Babyface, Chantoore
- I Love You - Chantoore, Keith Washington
- Train of Thought
- This Moment Is Mine
- Chant Got a Man
Customer Reviews:
Wey U, Wey U, Wey U !!!.......2007-02-25
Get this compilation if you like R&B period!
Exceptional Talent.......2005-10-08
ONE OF THE BEST IN THE LATE 90'S & 2000'S........2005-08-06
Chante Moore is the best!!!!.......2005-05-18
Although this greatest hits compilation doesn't even began to demonstrate all of Chante Moore's vocal abilities, it is a nice blend of all her previous work. Standouts are "Love's Taken Over," My Special Perfect One," and "Wey U (you must listen to Chante's backup vocals and the instruments of this track--no it's not tropical sounds--that's Chante Moore's incredibly sweet and high voice.) If Minnie Riperton were alive, I know she would be happy, like a proud mom. Also great collectibles include her latest release with her husband and musical partner, Kenny Lattimore, "Things That Lovers Do," her unbelievable cover of Minnie Riperton's "Inside My Love" (she adds her own sweet style and matches Minnie's incredible range). Most recently, Chante Moore collaborated with the smooth-jazz supergroup the Rippingtons to sing Aretha Franklin's "Till You Come Back to Me," which she totally redefines in her own special way.
Don't let the "singers/strippers" and the music industry of today dictate to you what is good music. Don't get me wrong, some popular singers of today are excellent. But there are many more who are not recognized by the majority, yet sound even better than popular artists , like Chante Moore.
Candlelight & You Special ---- Aired in 93.......2004-06-21
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Chante Piaf
Mireille Mathieu Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002IXS Release Date: 1994-01-18 |
Tracks:
- La Vie En Rose
- La Foule
- Sous Le Ciel De Paris
- Mon Dieu
- L'omme A La Moto
- Exodus
- Padam Padam
- L'Bymne A' L'Amour
- Mon Manege A Moi
- Jezebel
- L'Accordeoniste
- Milord
- Non, je ne regrette rien
Customer Reviews:
MIREILLE CHANTE PIAF.......2005-04-03
Mathieu is Mathieu and Piaf is Piaf, and never the twain . ........2004-02-15
Three stars here because Mathieu puts her own mark on several songs and they stand well, especially "Mon manege a moi" - and she does well with "La vie en rose". But on too many songs she seems almost self-conscious, her usual enthusiasm vanishes. She sings the words but her heart doesn't seem to be in it; Especially on "Mon Dieu" and on one of Piaf's signature songs, "Non, je ne regrette rien".
If you are lucky enough to own her "Embrujo" album try listening to the wonderful "L'hymne a l'amour" on this album and then on "Embrujo", which is in Spanish. Her effort in Spanish is so much more free, effortless, and beautiful - it's her, not Piaf, and it works.
Finally, the choice of a few of the songs leaves me bewildered. If I were trimming the work of Edith Piaf to thirteen songs I don't think I'd include "Exodus", it's not really Edith's song. And why on earth did they include the silly novelty motorcycle song, "The Terror of Highway 101" translated to French? It's like honoring Sinatra with "Old MacDonald". My Goodness.
Anyhow, Mireille will remain my favorite singer alive today. And Edith will remain my favorite in the history of mankind. And never the twain shall meet.
A Must..........2002-04-14
In this album, Mathieu sings some of the most famous Piaf songs. Let's not forget that this is Mireille singing . . . not Edith Piaf & the results are breathtaking. Yes, she does a [Heck] Of A Job!!!! Her own interpretations are spellbinding & Heavyweight.
A few people performed Piaf's songs with such elegant and power.
Strictly Recommended.
A great performance!.......2001-08-31
At least she tried.......2000-12-29
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Love's Illusion-Music From The Montpellier Codex 13th Century
Anonymous 4 , and Marsha Genensky Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000007E5 Release Date: 1994-08-23 |
Tracks:
- Montpellier Codex: Plus Bele Que Flor - Quant Revient - L'autrier Joer - Flos Filius (Mo 21)
- Montpellier Codex: Puisque Bele Dame M'eime - Flos Filius (Mo 231)
- Montpellier Codex: Amours Mi Font Souffrir - En Mai - Flos Filius (Mo 111)
- Montpellier Codex: Ne Sai, Que Je Die - Iohanne (Mo 185)
- Montpellier Codex: Si Je Chante - Bien Doi Amer - Et Sperabit (Mo 311)
- Montpellier Codex: Or Ne Sai Je Que Devenir - Puisque D'amer - Kyrieleyson (Mo 267)
- Montpellier Codex: H? Dieus, De Si Haut Si Bas - Maubatus - Cumque (Mo 92)
- Montpellier Codex: Celui En Qui - La Bele Estoile - La Bele, En Qui - Iohanne (Mo 20)
- Montpellier Codex: Qui D'amours Se Plaint - Lux Magna (Mo 215)
- Montpellier Codex: Amours, Dont Je Sui - L'autrier, Au Douz Mois - Chose Tassin (Mo 270)
- Montpellier Codex: Au Cuer Ai Un Mal - Ja Ne M'en Repentirai - Jolietement (Mo 260)
- Montpellier Codex: Quant Voi La Fleur - Et Tenuerunt (Mo 241)
- Montpellier Codex: Quant Se Depart - Onques Ne Sai Amer - Docebit Omnem (Mo 131)
- Montpellier Codex: Joliement - Quant Voi La Florete - Je Sui Joliete - Aptatur (Mo 34)
- Montpellier Codex: Amor Potest Conqueri - Ad Amorem Sequitur (Mo 238)
- Montpellier Codex: Ce Que Je Tieng - Certes Mout - Bone Compaignie - Manere (Mo 33)
- Montpellier Codex: J'ai Si Bien Mon Cuer Assiz - Aucun M'ont - Angelus (Mo 128)
- Montpellier Codex: Ne M'oubliez Mie - Domino (Mo 236)
- Montpellier Codex: J'ai Mis Toute Ma Pensee - Je N'en Puis - Puerorum (Mo 255)
- Montpellier Codex: Blanchete - Quant Je Pens - Valare (Mo 168)
- Montpellier Codex: Dame, Qeu Je N'os Noumer - Amis Donc Est - Lonc Tans A (Mo 337)
- Montpellier Codex: Li Savours De Mon Desir - Li Grant Desir - Non Veul Mari (Mo 323)
- Montpellier Codex: Entre Copin - Je Me Cuidoie - Bele Ysabelos (Mo 256)
- Montpellier Codex: S'on Me Regarde - Prenn?s I Garde - H?, Mi Enfant (Mo 223)
- Montpellier Codex: Quant Yver La Bise Ameine - In Seculum (Mo 223)
- Montpellier Codex: Ne M'a Pas Oubli? - In Seculum (Mo 207)
- Montpellier Codex: On Doit Fin[e] Amor - La Biaut? - In Seculum (Mo 134)
- Montpellier Codex: Ja N'amerai Autre Que Cele - In Seculum (Mo 3)
- Montpellier Codex: Quant Je Parti De M'amie - Tuo (Mo 200)
Amazon.com essential recording
How's this for a concept: "True love may exist only outside of marriage, and a man must subject himself totally to the will of his beloved, whether or not her requests seem rational." If you think these ideas strange, be glad you weren't looking for love in France in the Middle Ages. These precepts course through thousands of song lyrics and love poetry during the 12th and 13th centuries and some of them appear on this exceptional recording by Anonymous 4. Specifically, these four women perform 13th century French motets found in an important manuscript known as the Montpellier Codex. These polyphonic works span the entire century and thus express a variety of styles. Sometimes the use of texts is striking, as when a love song, a diatribe against hypocrisy, and a rousing drinking song are sung simultaneously. Not bad, if you can get away with it. Anonymous 4 can-and does. --David VernierCustomer Reviews:
Excellent Rendition of Early Music. Buy It........2005-10-29
This is not to say I have a totally tin ear but rather to indicate that there is as strong or stronger connection between these secular songs and the liturgical music of the day as there is between Aretha Franklin's soul singing and Southern Baptist church songs. One would be foolish to think that church music influenced secular music for the first time in 1956.
The text for these songs is based on the Montpellier Codex from the 13th century and, as I said, are all in what I believe is an early version of French. The accompanying booklet gives all the French lyrics, plus translations of these lyrics into English and German (since the record company, harmonia mundi, is, I believe, headquartered in Germany and the recording is manufactured in Germany.
While this is the first album I have reviewed by this group (named after an anonymous 13th century English writer on music who lived and worked in Paris and wrote about the music done) I have been listening to their recordings for several years now and I decided to start with this one and leave some of the liturgical works for later, closer to the Christmas season.
On a purely visceral level, I like this recording very much. On an intellectual level, I believe this is as good or better than any other medieval pieces, and most other Renaissance vocal pieces I have heard, except for some works with larger choruses such as Guillaume Du Fay's Mass for St. Anthony of Padua and Ensemble Gilles Binchois recording of eleventh century French Polyphony.
For those who are new to Anonymous 4 recordings, they are generally done not in a studio but in the nave of a large church, so there is a distinct sense of their singing in a great open space, with little or no sense of electronic enhancement. I really like this effect for this music and find it just one more reason to recommend this and other Anonymous 4 recordings. I think my highest recommendation comes from the fact that I can listen to this recording many times over and not become tired of it. There are other unusual types of music such as Russian chants, tangos, and even jazz which I can take for an hour or so and then must change. This material I can listen to for hours on end.
Highly recommended for fans of early music or for people who want something different.
Fun and full of love.......2005-10-13
The Montpellier Codex has over 300 different motets (not including duplications), including many double motets, where the tenor piece is based on a plainchant, and different voices have their own texts. These 'fin amours' songs were most likely performed mostly in private entertainment settings, and song have argued that certain parts should be done by instruments rather than voices. Of course, the Anonymous 4 is an a capella group, so that idea does not come into practice here.
This is a playful and fun recording, full of lovely songs that reach the heart in strong ways.
-- Liner Notes --
This text accompaniment to this disc is very full, so much so that the booklet is not contained within the jewel case, but rather within a slipcover in which both the CD/jewel case and the booklet reside. The liner notes include a description of the work, a brief piece about the quartet, and the lyrics of the songs both in original language and in translation - all repeated in English, German, and French sections (however, the French lyrics are in the older French language; a modern translation would be helpful). The cover art is a section of the lovely Tapestry, Lady and the Unicorn, Atelier of the Loire Valley, 'mille fleurs', fifteen century in the Museum of Cluny, France.
-- Anonymous 4 --
Contrary to the implication of their name, the Anonymous 4 are not anonymous. This is a vocal quartet made up of Ruth Cunningham, Marsha Genensky, Susan Hellauer, and Johanna Rose at the time of this recording (Ruth Cunningham will later go on to a solo career early, and another member will join - Jacqueline Horner). They came together as a formal group in 1986, and have been ensemble-in-residence at St. Michael's Church in New York City, giving concert series in New York as well as throughout North America. They have been featured a number of times on national media in North America as well as Germany. They then went on to yet more success, eventually performing more that 1000 concerts worldwide.
Their specialty is working with chant, monophonic and polyphonic music, and working with medieval texts. According to one source, 'The group takes its name from an anonymous music theorist of the late 13th century, Anonymous IV, who is the principal source on the two famous composers of the Notre Dame school, Léonin and Pérotin.'
The group ended a touring career of nearly two decades in 2004.
from a newcomer viewpoint.......2003-02-23
I'm still fairly new to classical music, so I can only speak of my attempts at overcoming my difficulties in listening to mediaeval polyphony. When one knows any piece of music has a text, one wants to be able to hear the words - even if one doesn't know the language -, and this is main reason why a first listening of LOVE'S ILLUSION may be disturbing, if not annoying. One initial solution is to think of it as instrumental, and take the words for granted; I suggest also repeated listening of your favorite tracks, while trying to follow one singer's voice, with booklet in hand. I have paid some attention to this record and I believe it has helped me.
The major flaw of this record is not presenting a translation of the 13th century French songs into contemporary French. The difference is indeed quite astounding.
Love's Illusion.......2002-12-11
OUTSTANDING.......2001-01-11
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Tchaikovsky: Piano Concertos, Symphony Pathetique, The Seasons, & Piano Pieces; Mikhail Pletnev/Russian National Orchestra (4 CD's)
Mikhail Pletnev , Piotr Ilyitch Tchaikovsky , Vladimir Fedoseyev , Philharmonia Orchestra , and Russian National Orchestra Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00030FJG2 Release Date: 2004-11-16 |
Tracks:
- I. Allegro Non Troppo - Allegro Con Spirito
- II. Andante Semplice - Prestissimo - Tempo I
- III. Allegro Con Fuoco
- I. Quasi Rondo
- II. Contrastes
Tracks:
- I. Allegro Brillante
- II. Andante Non Troppo
- III. Allegro Con Fuoco
- Allegro Brillante
Tracks:
- I. Adagio - Allegro Con Brio
- II. Allegro Con Grazia
- III. Allegro Molto Vivace
- IV. Finale: Adagio Lamentoso
- Marche Slave Op.31
- I. Prelude
- II. Fugue A 4 Voix
- III. Impromptu
- IV. Marche Funebre
- V. Mazurque
- VI. Scherzo
Tracks:
- Introduction
- Danse Des Pages
- Vision D'Aurore
- Andante
- La Fee-Argent
- Le Chat Botte Et La Chatte Blanche
- Gavotte
- Canari Qui Chante
- Le Chaperon Rouge Et Le Loup
- Adagio
- Finale
- I. Janvier (Au Coin Du Feu)
- II. Fevrier (Carnaval)
- III. Mars (Chant De L'alouette)
- IV. Avril (Perce-Neige)
- V. Mai (Les Nuits De Mai)
- VI. Juin (Barcarolle)
- VII. Juillet (Chant Des Moissonneurs)
- VIII. Aout (La Moisson)
- IX. Septembre (La Chasse)
- X. Octobre (Chant D'automne)
- XI. Novembre (Course En Troika)
- XII. Decembre (Noel)
Customer Reviews:
Very Impressive..........2006-10-10
Pletnev delivers a big performance that is, at the same time, utterly transparent at all times. No matter how treacherously difficult the music gets, he never comes close to losing his sange froide. But the performance is never cold. Pletnev and Fedoseyev capture Tchaikovsky's mercurial quality as well as anyone and better than most.
Most of all though, it just sounds as if Pletnev and Fedoseyev thought long and carefully about these performances..they understand this music from the inside out and nothing escapes them. Phrasing, in particular, has classical clarity and awareness that VERY few musicians every manage to find in these concertos. At the same time, this is deeply thrilling playing, especially in the outer movements. There is always a wonderful sense of occasion, and kudos to the Philharmonia, playing on the edge of their seats without ever breaking a sweat.
Additional kudos to the recording engineers, for making an ideal recording in every respect: ambience, inner-detail, attacks, dynamic range, overall perspective, solo perspective, are all simply perfect.
I have to confess to a soft-spot for Tchaikovsky's second concerto, which is, to me, a significantly better concerto than the first, although the first is much better-known...and Pletnev just plays the be-jeebers out of it, especially in the last movement, music and playing that would move a stone. You'll be on the edge of your seat yourself.
In short, this recording was when it was made, and still is, at the very top of Tchaikovsky Piano Concerto recordings.
A pleasant overall experience.......2006-08-06
That said, they are, in general, wonderful recordings. The playing in each of them is excellent, and the conducting in the Pathetique, despite Pletnev's reputation for being a better pianist that conductor, is very good. The symphony is excellent, worth the price of the set alone, and is reminiscent at times of the Mravinsky/Leningrad recording that has become something of a legend. In fact, I daresay this is better than the Mravinsky. He gets the tempi about right in it, as well, taking a bit faster tempo than I'm used to in the third movement, which I find I actually prefer. That is not as true for the Serbo-Russian March, which seems a bit fast to me. It's a fine recording, to be sure, and at times the tempo is actually very appropriate, and the playing more than makes up for the times when it isn't.
To be honest, many of the piano works I have little experience with, except the first concerto. However, I can say that the playing in the piano concertos is excellent, and Fedoseyev seems to have less of a problem with tempi than Pletnev. I have become quite a fan of Pletnev's version of the first concerto, and the second, while just as well recorded, I find to be less engaging. It is nonetheless a striking work and deserves a place in anyone's collection, and this is a good start. The Seasons (or 'musical pancakes', as Tchaikovsky put it), I find, are good pieces to listen to when I need some quiet music that doesn't distract me. The playing in them is nearly flawless, and they are pretty good pieces, given that each was written in one sitting ('quick to prepare and serve', Tchaikovsky said). Actually, nearly all of Tchaikovsky's piano music is like this. He wrote them for the money only, and considered them to be amateurish and unremarkable (though he cared little for the 1812 Overture and Fifth Symphony, as well, so don't take that to mean they are bad pieces). As such, they are considered to be nonessential, extraneous pieces. They are good to have in your collection, however, and given the quality of the other pieces, even if you're unimpressed with them, it is well worth the price. Finally, there is the arrangement of the Sleeping beauty. I can say little about the arrangement itself, not being all that familiar with the ballet and how it originally sounded, but I will say what I've said for the rest. It's played nicely. That pretty much sums up the set as a whole. I'm sure there are better, but the Pathetique justifies the price alone.
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Exposed
Chanté Moore Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000051Y0W Release Date: 2000-11-14 |
Tracks:
- Straight Up
- Take Care Of Me
- I'm Keeping You
- Go Ahead With All That
- Bitter
- When It Comes To Me
- Train Of Thought
- Better Than Making Love
- Man
- You Can't Leave Me
- Everything We Want
- Love's Still Alright
Amazon.com
Like every R&B diva worth her salt, Chante Moore must have listened to those 22nd-century girls Destiny's Child while writing Exposed. Released in the latter half of 2000, Moore's fourth album has the ubiquitous stuttering rhythms, silky smooth vocals, and contemporary hip-hop soul grooves that are synonymous with She'kspere's protégés. This effort assures that she's back on the scene with some fresh and interesting material, a guest spot from Chi-town rapper Da Brat, and surprisingly subtle production from Jermaine Dupri. The common theme running through the tracks is the ever-popular one of relationships. Highlights include "Straight Up," the brilliantly catchy uptempo groove of "Everything We Want," and "Take Care of Me," featuring the aforementioned Da Brat. Moore professes to want to be all things to all people, but she lets herself down on the type of songs she was previously known for: saccharine-sweet lovers' soul. So where she excels as an urban bawl-out screamer, on this set, the ballads like "Bitter" and "Love's Still Alright" don't work so well. The sound is too commercial and overblown--almost as if she has an eye on others' (Mariah Carey's, perhaps?) chart success. Exposed isn't revolutionary by any means, but it does have some good moments. --Na'solo So'FahedCustomer Reviews:
I'm at a Catch 22.......2007-06-03
Chante is AMAZING!!!.......2007-04-14
a little below average.......2006-11-10
Great music :-).......2006-04-06
NOT HER BEST BUT SOLID........2005-10-09
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