Sanäti

1. Haytama

2. Kamoun Soufi

3. Ma Wa'l Hob

4. Sanäti

5. Market Beach

6. Mustahil

7. Nabab

8. Toinet

9. Sidi'h Bibi

10. Bessma

11. Layoun Lokdhor [Toires Remix]

Tracks:

Mattinata - Romano Ledenzio And His Orchestra
Mala Femmena - Frankie Fanelli
Canto D'Amore - Romano Ledenzio And His Orchestra
Guaglione - Carlo Savina And His Orchestra
Lary Mary(Luna Mezza Mare) - Lou Monte
Anema E Core - Perry Como
Funiculi Funicula - Romano Ledenzio And His Orchestra
Soldi, Soldi, Soldi(From 'Boccaccio '70') - Sophia Loren
Santa Lucia - Gino Del Vescovo And His Mandolins
Hey Gumbaree(Bibadee Bobadee Bu) - Lou Monte
Come Back To Sorrento - Romano Ledenzio And His Orchestra
Volare(nel Blu Dipinto Di Blu) - Domenico Modugno
A Man Without Love(Quando M'Innamore) - Sergio Franchi
O Sole Mio - Romano Ledenzio And His Orchestra
Forget Domani(From 'The Yellow Rolls Royce') - Perry Como
Mama - Lou Monte
O Mio Bambino Caro - Romano Ledenzio And His Orchestra
Non Dimenticar(Don't Forget) - Lou Monte
Al Di La(From 'Rome Adventure') - Frankie Fanelli
Arrivederci Roma(Goodbye To Rome) - Romano Ledenzio And His Orchestra

Customer Reviews:

ITALIAN LISTENER.......2007-07-16

This was a great cd. it came on time and was as promised in good condition. I would recomend the seller again.

Terrific!.......2007-05-30

I bought this CD because I missed listening to the music my grandfather played. This CD brought back a flood of memories for me. Wonderful compilation of my favorite italian classics.

So-So CD.......2007-04-06

This is more cafe style but still worth listening to.
Great dinner background music.

This CD will put you to sleep.......2007-02-26

We bought this CD for our daughter's wedding. After reviewing it, we could have saved our money. The version of Funiculi sounded like the Salvation Army band and it was totally lifeless. Lou Monte's Hey Gumbaree (it is actually Eh Cumpare in Italian--that should have given it away) was awful, and he consistently butchers the Italian language in all his other songs (annoying, I mean, couldn't he have learned the right pronunciation?).

While Perry Como and others have melodic voices (and very wisely sing in English because they don't know Italian), these are '50s versions of the songs, for the most part. While you have to appreciate them, they are really old and reflect the '50s type of instrumention and style. Would have loved to have heard all these songs done in a fresh and original way. Soldi Soldi was our favorite by far, and that is why we gave the CD two stars.

Could have gone to the library for this one.

Thanks for letting me voice our opinion. We are a big Italian family and just spent hundreds of dollars buying every CD out there for our daughter's wedding and figured we would share our opinion with others.

Mi piace davvero!.......2007-02-20

This is a beautiful CD filled with the authentic sounds of Italy! Each track brings be back a little farther to the streets of Italy...Rome...Trevi Fountain...bellissimo!!!!

Average customer rating:

Epic sonic landscapes
Conan the Barbarian...
One of The All-Time Great Soundtracks
Great soundtrack
Tis Good!

Conan the Barbarian

Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

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Similar Items:

The 13th Warrior: Original Motion Picture Soundtrack
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ASIN: B00008O89K
Release Date: 2003-03-13

Tracks:

Prologue/Anvil of Crom
Riddle of Steel/Riders of Doom
Gift of Fury
Column of Sadness/Wheel of Pain
Atlantean Sword
Theology/Civilization
Love Theme
Search
Orgy
Funeral Pyre
Battle of the Mounds, Pt. 1
Orphans of Doom/The Awakening

Amazon.com

This early '80s sword-and-steroids epic by writer/director John Milius is notable for making a bankable action-star of Arnold Schwarzenegger and cementing the reputation of film composer Basil Poledouris (Robocop, Hunt For Red October, Free Willy, Starship Troopers). A dream assignment for a young composer eager to showcase the range his skills, the lusty Conan score hearkens back to the '30s heyday of Erich Wolfgang Korngold's unabashed Euro-classicism, but with enough modern rhythmic and percussive flourishes to satisfy the modern listener. Buyer beware--this music is not intended for rush hour commute listening, and Amazon.com will not be held liable for the carnage such exposure might inspire. --Jerry McCulley

Album Description

Basil Poledouris' exciting score to Arnold Schwarzenegger's 1982 barbarian epic. 12 tracks. Warner Music. 2003.

Album Details

The Original Soundtrack the Governor Arnold Schwarzenegger's Motion Picture Debut Film, Written by Basil Pouledouris.

Customer Reviews:

Epic sonic landscapes.......2007-06-30

Aside from the fact that this soundtrack stands on its own as a phenomenal piece of fine art, there is another thing I'd like to add to all above reviews. The score has been written so masterfully that in effect it tells the whole story by itself. Every piece has been written by the composer to reflect current scene in its spirit and with finest storytelling qualities. I have listened to these tracks over and over, and the mind drifts automatically from scene to scene with no need for visuals. You just know which moment of the movie you are in, if you but seen it once. If you haven't, you can likely imagine the scenes, as the music is alive with epic landscapes, tonal adventures, and boundless emotion. This being said, The Anvil of Crom will surely become one of your all time favorites if orchestral scores on par with Flight of Valkyries is your thing.. I have read somewhere that the composer spent close to a year writing all tracks, and tried to make all musical elements closely resemble what people think of being 'medieval' and 'historical' sound. I know of few soundtracks which fit the screenplay so precisely, and it is the only soundtrack CD I have ever bought =)

Conan the Barbarian..........2007-05-08

Among others, I miss Bail Poledouris also. "Conan the Barbarian" is an outstanding soundtrack. I also have the "Varese" edition, I bought it back in the 90's for $11.99.

My only complaint: If you remember the scene just before Conan kills the giant snake, he stumbles onto that jade copy of Thulsa Doom's "two snakes" symbol and freezes for a few seconds (just before the female sacrifice jumps in), that violin passage was the best part of the movie for me (it lasted maybe one minute!). I wish that violin solo was on the soundtrack, but, alas, no such luck!

Still, the soundtrack garners '5' stars from me...

One of The All-Time Great Soundtracks.......2007-03-21

This soundtrack is phenomenal! From the very first cut, the main theme "Anvil of Crom," the Conan The Barbarian soundtrack hooks you with its huge martial sound of heavy percussion and blaring horns.

Basil Poledouris proved that he could capture the essence of the character, and set the moood of each scene, whether it required foreboding, mystery, romance, humor, and especially, combat.

Just as this movie launched Arnold Schwarzenegger as a major movie star, this soundtrack launched Basil Poledouris as a major league composer, conductor, and soundtrack creator. If you love rousing, thrilling, penetrating music, this is the soundtrack for you.

Great soundtrack.......2007-03-18

I love it from beginning to end. I like the soundtrack when I first saw the movie. My favorite part is the beginning. I would recommend it.

Tis Good!.......2007-03-11

If you've seen the movie then you know the music, if you havn't seen the movie... then why the heck are you looking at the soundtrack??? All and all, if you just want good instrumental! Then Boom! There You Go!

Luciano Pavrotti: The Best (Farewell Tour)

Average customer rating:

Luciano Pavrotti: The Best (Farewell Tour)
Luciano Pavorotti
Luciano is the best!

Luciano Pavrotti: The Best (Farewell Tour)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007V5WB4
Release Date: 2005-09-13

Tracks:

La donna obile
Una furtiva lagrima
"Libiamo ne'lieti calici (Brindisi)
Donna non vidi mai
Che gelida manina
O soave fanciulla
Mi batte il cor...O Paradiso!
M'appari
Quando le sere al placido chiaror d'un ciel stellato
Se quel guerrier io fossi!..Celeste Aida
Forse la soglia attinse
Recitar! - "Vesti la giubba"
Come un bel di maggio
Ah mes amis - Pour mon
Di quella pira
Nessun dorma!

Tracks:

Torna a Surriento
Santa Lucia luntana
La Danza
L'ultima canzone
Non t'amo pi
Mattinata
'O sole mio
'A vucchella
Core 'ngrato
Nel blu, dipinto di blu
Vivere
Il Canto
Caruso
Buongiorno a te
Ti adoro
E lucevan le stelle
Questa o quella (Ballata)
Parmi veder le lagrime

Customer Reviews:

Luciano Pavrotti: The Best (Farewell Tour).......2007-06-27

Wonderful Pavarotti sings the best of the best. His voice never ceases to amaze me. Listening pleasure at it's finest.

Luciano Pavorotti.......2007-02-17

All the songs are wonderful, can never become tired of listening to his songs. Excellent.

Luciano is the best!.......2007-01-20

I can't speak more highly of this collection of Pavrotti's songs. I keep this two CD pack in my car so I can enjoy it on my way to and from work. Even after I have arrived, I find myself sitting in my car waiting for a song to end. Walking out on a song seems sacriligious. While I grew up listening to Caruso and Lanza, there is no question that Pavrotti is the Master! Although, I do have to admit Pavrotti has the greater advantage of modern recording technology to better present his talent than Caruso and Lanza had. However, Lanza definitely didn't have the power that Pavrotti has. With Caruso, we will never know... I highly recommend this collection of Pavrotti's, if you are a Pavrotti fan. If you aren't, buy it anyway and become one:)

Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski

Average customer rating:

Only one diva, only Bartoli.
Amazing disc
Beautiful Music, but vocally unmusical.
Not to my taste
Exciting, moving, beautiful, energetic, heart-felt, fantastic...

Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
Cecilia Bartoli , George Frideric Handel , Alessandro Scarlatti , Antonio Caldara , Marc Minkowski , and Les Musiciens du Louvre
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Sacred Songs
Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs
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Lamento

ASIN: B000A6T1HC
Release Date: 2005-09-13

Tracks:

All'arme si accesi guerrieri (Aria dell Pace)
Mentre io godo (Aria della Speranza)
Un pensiero nemico di pace
Vanne pentita a piangere
Sparga il senso lascivo veleno
Caldo Sangue
Come nembo che fugge col vento
Ecco negl'orti tuoi...Che dolce simpatica
Qui resta...L'alta Roma
Lascia la spina cogli la rosa
Ahi qual cordoglio...Doppio affetto
Si piangete pupille dolente
Ahi quanto cieca...Come foco allo splendore
Disserratevi oh porte d'Averno
Notte funesta...Ferma l'ali

Amazon.com

Cecilia Bartoli's new CD features a collection of music that could not be heard in her native Rome at the start of the 18th century due to Papal censorship. Theaters, the Church felt, were places of evil and corruption and operas led people to immorality. But some music-loving senior members of the priesthood asked composers to write oratorios and cantatas--indeed, operas without staging, essentially--for their own private entertainment. Call it what you will, the music is sensational--by turns virtuosic, gentle, and playful--and always expressive: just right, it seems, for Cecilia Bartoli's temperament. The opening aria on the CD, a call for peace in the name of Jesus, is, in fact, a dazzling martial air with trumpets blaring and the voice going through an amazing array of coloratura fireworks. It shows Bartoli at her most aggressive. The listener is practically hurled back from the speakers when she begins, with rapid-fire runs and trills and cascades of notes, all perfectly in place. Showy arias are offset by several tender ones ("Lascia la spina" from Handel's Il trionfo del Tempo e del Disinganno returns in the composer's Rinaldo, four years later, as the now-famous "Lascia ch'io pianga"), and Bartoli exhibits again, her many, many levels of pianissimo and sensitive phrasing. Marc Minkowski and his Musiciens are just right for this repertoire and back Bartoli up superbly. This is a fascinating project, rivetingly performed and presented. --Robert Levine

Album Description

Limited Australian pressing. An extraordinary album of dramatic arias written in Rome at a time when opera performance was forbidden by the Church, and female singers were forbidden from singing in public. Decca. 2005.

Customer Reviews:

Only one diva, only Bartoli........2007-06-19

Just like Farinelli was the opera phenomenon of his time, fast-forward to the 21st century, Bartoli gives once again this music of the Italian settecento a breath of new life in all its splendor and glory.

In Opera Proibita, Bartoli's repertoire not only reflects on her as a consummate vocal artist but also as the ultimate scholar. Rarely an opera singer would dig this dip and go that far to unearth great scores from total obscurity. Even more uncommonly a singer would take the challenge of singing these arias without the risk of ridiculing herself, but to the contrary establishing a new record and precedent.

Her execution of the Handel arias is truly astonishing in coloratura and melismas probably not heard for three hundred years when only the best castrati commanded the virtuosity to tackle these arias. Also surprising and refreshing was to hear works by Handel that show his wild side.

Bartoli brings this album to a high climax with the arias from Il Trionfo del Tempo e del Disinganno. This is really her realm and true medium. Her vocal runs in "Un pensiero nemico di face" sound like a first violin, and as if this was not difficult enough she ornaments the da capo melismas in tempo from allegro to presto molto vivace, and transitions into a note crescendo with great ease and certainty. Wonderful!

Amazing disc.......2007-03-03

This disc has all the elements needed for an amazing disc. The conductor, orchestra, and music are all top notch. Bartoli's singing is amazing. I find this album energizing and a testament to how exciting baroque music can be. However, if you don't like Bartoli's voice in previous recordings, you probably won't change your opinion because of this disc.

Beautiful Music, but vocally unmusical........2007-02-09

I owned over a dozen of Bartoli solo albums, plus other operatic albums of hers. From the early days of 'Arias Antique' I got impressed by her beautiful singing and her outstanding technique.
Alas, starting from her Vivaldi Album, I do not find her singing that beautiful any more. True, the songs picked there are technically very challenging, used to be sung by male castrato singers. The songs picked here are even more difficult.
BUT - is singing just about technique?
There are some songs in the Vivaldi Album that have the vocal musical lines broken in places. Here in Opera Proibita, almost every song has this problem, even the slow ones of Caldara. Compare her singing in the earlier part of her career, her early Mozart operas, I could not help but wonder if Ms. Bartoli has taken the correct turn in her career: her forced high notes, though squarely hit, do not sound at all pleasing; her runs and trills, though taken accurately at great tempi, is no longer truly musical. Compare her singing with the other two great baroque mezzo-sopranos Bernarda Fink and the tragically short-lived late Lorraine Hunt Lieberson, you would understand what I mean.

With the latest turn in Ms. Bartoli's singing, I am being forced to admit that this is a singer of great technical brilliance and enormous fame, but not at all pleasing to the ear.

Not to my taste.......2006-11-05

Cecilia Bartoli has her fans, no doubt, as the other reviews on this site demonstrate, people who love her warmth of tone and her impassioned interpretations. These vocal qualities may suit the performance conventions of the nineteenth-century repertoire; however in this anthology of eighteenth century sacred arias the result is an unhappy imbalance. The problem is, in my opinion, one of clashing calls for attention, whose affect is to distract the listener from attention to the music itself. True, the god of the counter-reformation was to be worshipped ecstatically. And true, also, that I am an anti-romantic listener, who grew up with those early music performances which valued detached purity of tone. This was vaunted as the ideal means of interpretation of the rediscovered seventeenth and eighteenth-century repertoire (it protested too much its rightness, and alienated people- but I like it). However to return to the subject at hand- I find Bartoli's readings of these crypto-erotic arias overblown and self-indulgent. I guess that this sort of coloratura always offered a chance for a bit of ego to be let loose, even in church- however when the performance goes so far as to insist on attention to itself rather than deflecting attention to the music, I stop enjoying the music. This recording does not find the balance between the big romantic personality and eighteenth-century performance conventions, which, after 30 or 40 years of self-critique, have some authority. I disliked it very much. I am a great admirer of Mark Minkowski's opera interpretations, which I think find a perfect balance between these opposing impulses of warm and cool- a binary we can trace throughout aesthetics and through the ages. Here there's an overbalance in favour of warm (hot, in fact), which the performers might argue is just the sort of vivification that Baroque performance needs. Not for me. I gave it to a friend (she's still a friend).

Exciting, moving, beautiful, energetic, heart-felt, fantastic..........2006-09-02

What more can I add?

Cecilia Bartoli just "does it" for me almost every time. She is just fantastic in my books. I love her dearly. She can give one an adrenalin rush with her bravura singing and then break one's heart with her pathos.

This is a superb collection of Baroque arias from "almost" operas! ;-))
I also liked the cheeky and none-too-subtle references to La Dolce Vita on
cover and the images inside the disc. Nice to see an opera singer with a playful sense of humour!

I am listening to this disc as I write this review and all I can say is that I love this disc and it is clearly one of the best Signorina Bartoli has released, although I like all of her recordings. Listen to track 12 and you will buy this disc.

More, please!

PS: How about DECCA getting Cecilia Bartoli and Andreas Scholl together for a musical project? I'd love to see two of my favourite singers together on the one disc.
PSPS: If you like Opera Proibita, buy Andreas Scholl's Arcadia and Arias for Senesino, too!

Average customer rating:

A Marvelous Performance of Adeste Fideles
Bocelli never disappoints!
Worst C.D Ever...But still a great artist
the Perry Como of operatic tenors
Absolutely lovely!

Viaggio Italiano / Andrea Bocelli

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Romanza
Andrea Bocelli - The Opera Album ~ Aria
Cieli di Toscana
Sogno
Andrea Bocelli - Amore

ASIN: B0000041OA
Release Date: 1997-11-18

Tracks:

Turandot: Nessun dorma
L' Arlesiana: Lamento di Federico
Macbeth: Ah, la paterna mano
Rigoletto: La donna e mobile
Elisir d'amore: Una furtiva Iagrima
Panis Angelicus
Ava Maria
O Sole Mio
Core n'grato
Santa Lucia luntana
I' te vurria vasa
Tu, 'ca nun chiagne!
Marinarello
Piscatore 'e Pusilleco
Message Bocelli
Adeste Fideles (bonus track)

Amazon.com essential recording

Opera is in fashion, and the woods are full of pop vocalists who think they have the chops to sing arias. The best contender so far is Andrea Bocelli, who at least has a real voice, if a small one, and sometimes manages a really exciting tenor sound. Unfortunately, he is inconsistent in his tone and production, and, despite the fact that he's singing in his native language, he often sounds as though he has only the barest idea of what the words mean. The Moscow Radio Symphony Orchestra, conducted by Vladimir Fedoseyev, plays stodgily. Anyone with a real interest in tenor arias would be much better advised to check out recordings by the young Luciano Pavarotti. --Sarah Bryan Miller

Customer Reviews:

A Marvelous Performance of Adeste Fideles.......2006-11-13

Andrea Bocelli sings magnificently on this CD. Never have I heard Adeste Fidelis sung with such energy, joy, and understanding.

Bocelli never disappoints!.......2006-07-07

I hate to admit it but it has only been fairly recent that I "discovered" Andrea Bocelli, when he appeared on Oprah Winfrey(or was it Dr. Phil?), and American Idol. His voice mezmorized and touched me so much that I HAD to find out more. Over the last few weeks I have purchased apx. 6 of his CD's, and I can honestly say I love them all, including this one. Bocelli does not disappoint, and it doesnt seem to matter if he is singing in french, english, spanish or italian...as the purity, honesty and richness of his voice goes above and beyond various cultures and ethnicities. From a technical level, there are other well-knows (past and present) who are equal to or above Bocelli. However, what makes Andrea stand alone is a certain something that is hard to place your finger on, or put in to words, but all who appreciate him SEE and FEEL this. Some say he sings like an angel, or if God had a voice, it would sound like Bocelli. My own hypothesis is that Bocelli sings with his heart because his eyes cannot see the words. As such, along with his beautiful vocals pours forth his very spirit. It is this very essense that makes him so unique, and has caused so many people from all around the world to love him.

Worst C.D Ever...But still a great artist.......2006-06-22

Reviewed By D. J.P Vergaleto

I just had to write this review. I recently purchesed 3 Bocelli C.Ds and was rewarded with 1 Very good , 1 not bad, n this one that STINKS...IF THE REVIEWERS WERE HONEST I COULD HAVE SAVED SOME MONEY.... I buy a lot from Amazon, ITs a great site, and 99 percent of the time when i read reviews they are on the money and help me out a great deal....With that said

Let me say that this cd entices you with all the big name italian songs, BUT DONT LET IT FOOL YOU..It sounds like it was made in 1 day. Who ever mixed the album has Bocellis voice so loud it sounds like he is SCREAMING ( I THINK HE IS) AND the
orchestra sounds like it is made of 3 pieces as you can only faintly hear it. There is not 1 song on this C.D ID recommend.

But dont worry , if you like Bocelli and dont know what to buy
let me tell you that I Enjoyed (Cieli Di Toscana) The first song Melodramma Rivals Bocellis Con Te Partiro Which is on his ROMANZA C.D AND HIGHLY Recomended, Also Sogno is Another very good C.D. So save yourself money and stay away from this one.
Also his Verdi CD IS VERY well made, not as strong a voice as Caruso , but once you hear Bocelli you wont care. Great Great voice that is very Hypnotic and when you hear him you wont care if he is as good as Caruso because he is Different , totally different and there both great Tenors. Peace

the Perry Como of operatic tenors.......2006-03-25

I found this to be a wonderful cd. This was my first sustained exposure to Mr. Bocelli's art (I first heard his wonderful singing on the Charlotte Church cd "Time To Say Goodbye" -- also strongly recommended) and, on the whole, I enjoyed his singing very much. I also love Perry Como so the comparison above is not meant to be disparaging in any way, but merely to indicate that he's perhaps better in slower tempo pieces where the line of the melody naturally accentuates the richness of his voice. But if anyone doubts his chops, the first selection on this cd should put those doubts to rest -- his rendition of Puccini's "Nessun dorma" is both powerful and dramatic and stands up (dare I say it?) even to Pavarotti's.

Absolutely lovely!.......2006-02-25

Even though it was Andre Bocelli's Romanza CD that introduced me to his wonderful voice, I have to admit that I enjoy his opera offerings more than his popular works. I still enjoy Romanza and his other pop CD's, but it is his opera selections that seem to show the full beauty of his voice.

I am not an opera expert by any means, so I don't get hung up on whether or not someone is techically perfect or not. If I like it, that's good enough for me!

My teenage sons and I were in a pizza place the other day and above the noise, I heard a beautiful song- a male singer- and was shushing the boys, trying to determine who it was. With great patience, my 17 year old son said, "Mom, that's Andre Bocelli. Can't you tell?"

Enough said.

Average customer rating:

Un gran concierto
Give em a 3.5
The Most Enjoyable Evening IN !!!!!!!!!!!
Hmmmm....
Last Encore of songs missing off C.D.

The 3 Tenors in Concert 1994

Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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The 3 Tenors in Concert 1994 / William Cosel

ASIN: B000002IZE
Release Date: 1994-08-30

Tracks:

Le Cid: O Souverain, O Juge, O Pere
Maravilla: Amor, Vida De Mi Vida
Werther: Pourquoi Me Reveiller
Spring Is Here: With a Song In My Heart
Granada
Non Ti Scordar Di Me
'A Tribute to Hollywood': My Way
Tribute To Hollywood: Moon River
Tribute To Hollywood: Because
'A Tribute to Hollywood': Singin' In the Rain
Tu, Ca Nun Chiagne
Pagliacci: Vesti la Giubba
Turondat: Nessun Dorma!
'Around the World': America
'Around the World': All I Ask Of You
'Around the World': Funiculi, Funicula
'Around the World': Sous Les Ponts De Paris
'Around the World': Brazil
'Around the World': Be My Love
'Around the World': Marechiare
'Around the World': Lippen Schweigen
'Around the World': Santa Lucia Luntana
'Around the World': Those Were the Days
'Around the World': Te Quiero Dijiste
'Around the World': Torna A Surriento
Encores: La Donna E Mobile
Encores: Libiamo Ne' Lieti Calici

Amazon.com

It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience. Much of the fun and flavor of the concert is dependent on seeing the action, though, and without the visuals you notice flaws in the singing much more. Domingo comes off as the more solid performer, and his voice is in far better shape than the other two. But if you crave big, high, and loud--and you don't take your opera too seriously--you'll love this disc. --David Vernier

Customer Reviews:

Un gran concierto.......2005-07-19

Yo tenia el Cd de este concierto, pero sin duda el DVD presenta la realidad, lo sublime de este evento, porque ademas de ver las interpretaciones, trae varios puntos y canciones extras. Carreras creo que esta bien, saca la tarea. Placido Domingo en Amor vida de mi vida, logra llevar el concierto a su punto mas alto en ese momento, punto superado unicamente por Pavarotti en Nessum Dorma. Pavarotti como siempre sublime como dije en Nessum Dorma, Ave maria y en los popurris. La calidad del DVD es genial, con full screen y sonido digital. Otro punto buenisimo es la aparicion de Frank Sinatra en la cancion My way y de otras luminarias del cine y la política. Espero que este comentario sirva de ayuda para aquellos que quieran este DVD.

Give em a 3.5.......2004-01-25

The Three Tenors has/have become a cottage industry, churning out one CD after another for every imaginable event and in every combination. This does not mean that the results are necessarily inferior but it does imply a commercial, layman's approach. And maybe this is better - spreading the joys of fine music to the masses. After all, where besides figure skating and cartoons do most people have a chance to even hear opera?

This event, like the first one in Rome, has a magnificent setting but, like Rome, the show was marketed mainly to the American audience. They still include the dreadful "Maria" with the hilarious pronunciation and even added "With a Song In My Heart" (or, as Carreras is wont to sing, "Weeth a Soeeng een My Haht"). Though some may deride the choice of encores, they were almost perfect. The Three Tenors, despite their prior celebrity, are creations of our culture of entertainment in ways that Caruso could only dream about.

Synopsis: Carreras stands out, Domingo substitutes volume for quality and Pavarotti soars when he doesn't have to.

The Most Enjoyable Evening IN !!!!!!!!!!!.......2003-05-01

I am not a regular Opera fan, hoever these THREE are the Best. their songs they sing together are SUPER!!! And the range of NOTES REACHED ARE REMARKABLE. tHE MIXTURE of songs is a treat for all, even if you are not an OPERA FAN!!!! Great show!!!!!!

Hmmmm...........2002-04-21

Not what I thought it was going to be. I like only about 4 of the 20+ tracks on this CD. I shoudl have just bought the DVD instead and actually watched them perform. Much, much more entertaining.

Last Encore of songs missing off C.D........2002-02-06

The Three Tenors are my absolute favourite singers. The 1994 Concert was undoubtedly their best in my view. I taped this live concert from the television, and have played and played and played it!! I also taped it on a cassette, however, when I bought the C.D. I was really disappointed that they did not include the last set of encore songs, which included O Sole a Mio (don't know if I've spelt that correctly), where Placido and Jose try and outdo Luciano!! It received such a fantastic reception from the crowd, (one of the many standing ovations), and really showed how much the Three Tenors seemed to enjoy performing the concert. How come this was not included? I don't know if it was on the Video because I play my own.

Many thanks for your time,

Tracks:

Azzurro
Tarantella Del Diavolo
O' Sole Mio
Notte Di Christallo
Tarantella Di Napoli
Macia Di Bergamo A Monte Catini
Volare
Piccola Maria
Torna A Sorriento
Tarantella Meridionale
Marina
Che La La
Tarantella Siciliana
Tarantella Meridionale
Santa Lucia
Guaglione - Nisa
O Maria
Valsa Della Primavera
Funiculi Funicula
La Passeggiata
Arrivederci Roma
Il Padrone - Rota
Quanne Ta Fatte Mammeta
Balatta Siciliana

Customer Reviews:

Every song sounds the same.......2007-04-13

My husband and I buy many Italian CDs so we think we have good judgement after so many purchases. We were somewhat disappointed in this CD. Every song has the same instrumentation and basically sounds the same. We wonder even if the mandolins are "live" or just canned, they sound so tinny and the same each song. This CD could have used more feeling, romance, whatever...possible had there been some sensitive arrangements with solos, etc. Instead, it was the same bunch of mandolin sounds which made for a very boring CD, in our opinion. A few vocals would have helped the monotony, too. Would not recommend.

Traditional Italian music.......2007-03-31

This is a great album of really very traditional Italian music. It is not anglicised but just like you hear when you go to Italian festas.

Italian dinner music.......2007-03-08

Excellent....Perfect! We recently had an Italian themed dinner party and needed just the right instrumental background/mood music. Mandolins from Italy was perfect. We also needed it FAST. Althought shipping was not cheap, we received it on time and made our party a hit.

WELL DONE!

Perfect for a themed party, or just background music!.......2007-02-03

Very cute! Romantic, uplifting, nostalgic background music for an Italian night with friends! Enjoy!

Just like my dad's music.......2007-01-09

I love this music. It takes me back to my childhood when my Dad played the mandolin and my uncle accompanied him on guitar. Some old Italian melodies and some new ones to sing along with. Very nice.

Average customer rating:

One of Savall's finest
Nearly every night for 6 months!
Diáspora sefardí / Hespèrion XXI

Diáspora Sefardí

Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

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Orient - Occident
Villancicos y Danzas Criollas
Isabel I: Reina de Castilla
Elizabethan Consort Music
El Cant de la Sibil-la, Mallorca & València, 1400-1560

ASIN: B00004RBWV
Release Date: 2000-03-14

Tracks:

El Moro De Antequera
Levantose El Conde Nino
El Rey De Francia
Por Alli Paso Un Cavallero
Por Que Llorax Blanca Nina
La Guirnalda De Rosas
Nani Nani
El Rey Que Tanto Madruga

Tracks:

Las Estrellas De Los Cielos
En La Santa Helena
A La Una Yo Naci
Improvisacion
Paxarico Tu Te Llamas
Yo Era Nina De Casa Alta
Longe De Mi Tu Estaras
Hermoza Muchachica
Axerico De Quinze Anos
Improvisacion Sobre 'Axerico'

Amazon.com essential recording

The Sephardic Jews, scattered through the world after their expulsion from Spain in 1492, kept alive for centuries not only their language, Ladino, but an extraordinary repertory of "folk" songs, many of them quite sophisticated. As Ladino culture began to slowly fade away over the course of the 20th century, musicologists collected and transcribed these melodies from Ladino-speaking communities in Sarajevo, Sofia, Salonika, Smyrna, Jerusalem, and other cities. Beginning in the 1970s, these extraordinary songs were revived (to considerable excitement) for concert audiences--a revival sparked in large part by a 1976 recording by Hesperion XX. This now-legendary early music ensemble, renamed Hesperion XXI for the new century, has returned to the music of the Sephardic Diaspora with this beautifully produced and packaged release. Disc 1 contains eight songs performed lovingly by the magnetic Montserrat Figueras (who sings with an appropriately unstudied tone). The second disc includes eight more melodies performed instrumentally; the choice of instruments reflects the influence of the Muslim-ruled areas where the Sephardim settled with the oud, rebab, and qanun (Middle Eastern equivalents of the lute, fiddle, and dulcimer) performing alongside harps, lutes, flutes, and frame drums. (Inexplicably, however, the final track of this second CD--an improvisation for the sarod and tabla--sounds nice but feels completely foreign to the theme of this release.) It may have been more effective programming to mingle the vocal and instrumental tracks across the two CDs rather than segregating them. --Matthew Westphal

Customer Reviews:

One of Savall's finest.......2004-05-19

Hespérion XXI (formerly Hespérion XX, but renamed to honour the new century) is one of the most accomplished ensembles specialising in the early music of the Iberian peninsula. It is one of the ongoing collectives led by the formidable Jordi Savall, renowned for his interpretations on the viol da gamba. The members are always changing, which makes the ensemble simply a name for a grouping of artists and interpreters of this immensely rich musical heritage, yet always under Savall's masterful direction. Diaspora Sefardi is a double-CD of music of the Sephardic Jews, a diverse culture originating in Spain and later settling in countries around the Mediterranean after their expulsion from most of Spain in 1492. Never losing sight of their basic identity as Jews or their awareness of their Spanish origins, the Sephardic culture gradually incorporated numerous influences from the peoples among whom it evolved: from the Arab culture of north Africa, from the Turks, Greeks, Bulgarians, Rumanians, Serbocroats, etc. In short, Sephardic music is an amazing blend of all these influences, immediately recognisable for its unique manifestation of this diversity.

Led by the impeccable soprano Montserrat Figueras, a generous collection of sephardic romances resides on disc one, and ten instrumental pieces are found on disc two. Savall (performing on lira, viola and rebab) is joined by some virtuoso players here: Pedro Estevan on percussions, Yair Dalal on oud, Andrew Lawrence-King on arpa doppia, Pedro Memelsdorff on flutes, and a handful of others on psaltry, qanun, laud, sarod and medieval harp. This recording differs in kind from other interpretations (by Savall or by countless other interpreters of this music) in that it employs a more diverse instrumentation that lies beyond the standard western European grouping of percussion, viol, flutes and harps, and rather embraces the instrumentations of eastern influences of this music (oud, qanun, sarod, etc.).

Disc one, subtitled "Por que llorax blanca nina" (Why do you weep fair child?) is a selection of beautiful songs, mostly from 16th and 17th century documents, though all of them look back much earlier to a very old tradition of songs. Montserrat Figueras is full of vitality, her breathtaking voice and accomplished techniques show her complete mastery of this challenging material.

Disc two, "Las estrellas de los cielos" (The stars in the sky), is a diverse collection of instrumental pieces, interpreted and performed to perfection by this ensemble. This second disc is the real jewel here. Even in the complexity of rhythms, fostered by Pedro Estevan's challenging techniques, the rhythms are extremely accessible, allowing the listener to move around within the multifaceted and subtle instrumentations. Some are traditional dance pieces, while others more meditative reflections and variations on the music of the popular romances.

Listening to this music is always a rewarding enterprise. Full of surprises, it never provokes the same response twice. This release comes highly recommended for the curious listener. It comes beautifully packaged with lyrics and an informative essay by Paloma Diaz-Mas.

Nearly every night for 6 months!.......2003-05-01

After owning this CD for about 4 years, when my newborn daughter needed bedtime soothing I grabbed this (the 2nd CD). We listen to it nearly every night and I am never bored with it. It only bothers me a little when I find it getting stuck in my head during the day. I still enjoy sitting in the dark listening to it after 6 months. Beautiful moving music.

Diáspora sefardí / Hespèrion XXI.......2000-11-13

En este disco Jordi Savall y su grupo retoman el trabajo que emprendieron en discos anteriores sobre la música de origen judío ("Secular music from christian and jewish Spain" y los dedicados a la Sibila). El primer disco está compuesto por obras vocales que pertenecen a distintas expresiones de la diáspora judía a través de Europa, pero todas en ladino (lengua de los sefarditas o judíos españoles), interpretadas con una gran variedad de instrumentos (percusiones, flauta dulce, salterio, arpa, laúdes, etc.) sobre las que se alza la voz de Monserrat Figueras, que maneja bastante bien el estilo y el dramatismo requeridos, a pesar de que a mi juicio su interpretación es poco variada, y no se distingue tanto de sus versiones de música barroca italiana, por ej. El segundo disco trae sólo obras instrumentales, en las que se da un mayor espacio a la improvisación y la ornamentación, lo que considero bastante pertinente pare este tipo de música, y que realmente está muy bien lograda en este caso, permitiendo trabajar toda suerte de matices (el uso del aire por parte del flautista Pedro Memmelsdorff, por ejemplo). En todo caso, es necesario señalar que éste es un disco muy fresco, donde realmente se percibe un compromiso emotivo de los músicos con las obras, que pertenecen a un repertorio bastante poco trabajado en el campo de la música antigua, y sobre el cual todavía debe quedar mucho por investigar.

Average customer rating:

Cornucopia of Pavarotti's works
Don't...!!!
Great Tenor - Poor CD Quality
Great Music......Horrible Mastering
Surely I am proud to be an Italian-American!!

Pavarotti: Greatest Hits

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000042HZ
Release Date: 1997-09-30

Tracks:

Turandot: Nessun dorma
La Boheme: Che gelida manina
La Traviata: Brindisi
Aida: Se quel guerrier io foss ... Celeste Aida
L'Elisir d'Amore: Una furtiva lagrima
Rigoletto: Questa o quella
Martha: M'appari
TOSCA: E lucevan le stelle
Fedora: Amor ti vieta
Pagliaccci: Recitar!... Vesti la guibba
Manon Lescaut: Donna non vidi mai
Rigoletto: La donna e mobile
L'africana: Mi batte il cuor ... O paradiso
Werther: Pourquoi me reveiller
Carmen: La fleur que tu m'avais jetee
Manon Lescaut: Ma se vi talenta ... Tra voi, belle
La Gioconda: Cielo e mar!
TOSCA: Recondita armonia
La Favorita: Spirito gentil
II torvatore: Di quella pira
L'amico Fritz: Suzel, buon di

Tracks:

O sole mio
Torna a Surriento
Orchestra del Teatro Comunale di Bologna: Core 'ngrato
Orchestra del Teatro Comunale di Bologna: Funiculi Funicul
Notte 'e piscatore
O Holy Night (Cantique de Noel)
Panis angelicus
Ave Marie: Ave Maria
Mattinata
La danza
Caro mio ben
Caruso
My Way
Santa Lucia
Tu che m'hai preso il cuor
Mamma
La mai canzone al vento: La mia canzone al vento
Volare
Passione
Granda: Granada

Customer Reviews:

Cornucopia of Pavarotti's works.......2007-03-01

This is a "Super hits" CD, with over forty different cuts (quite a few of which have appeared elsewhere, of course). For those who are aficionados of Pavarotti, this is what might be called "hog heaven."

Disc 1 features estimable works such as "Nessun dorma" (well done, with his voice showing to good effect), "Che gelida manina" (excellently done, with good characterization), ""Celeste Aida" (elegantly sung), "Di quella pira" (a much better than average version), "E lucevan le stelle" (Pavarotti does a nice job in the Puccini-Verdi repertoire), "La donna e mobile" (sung with aplomb), "Recondita armonia" (the other aria from Tosca, which also shows Pavarotti's voice off to good effect), and so on.

Disc 2 is especially interesting, because it features a more popular set of works, from the redoubtable "O sole mio" (richly orchestrated and nicely sung, not overpowered by Pavarotti's operatic voice), "Core n'grato" (compare with Caruso's version), "Oh, holy night," "La danza" (spritely sung with excellent breath control in a treacherous song), "Santa Lucia" (again, smoothly sung), "Ave Maria" (seemingly sung with respect and affection).

A cornucopia of Pavarottiana. For those fans of Pavarotti, this "greatest hits" collection will be welcome. For those who may not be aware of this tenor when his voice was still fresh, this is a fine entrée to his work.

Don't...!!!.......2005-01-24

To combine a voice as beautiful as Pavarotti's with some of the world's greatest music and outstanding orchestras, and end up with this...`thing'...is unforgivable. After buying and listening to it, it brought to mind those painful words "A fool, a fool. I saw a fool today. I saw him in the mirror."

R. J. Rogers

Great Tenor - Poor CD Quality.......2004-10-11

I have never been a huge fan of Maestro Pavarotti but I must admit that this compilation is a masterful collection of his operatic highlights.

I particularily enjoy the first disc which contains just about all the major tenor arias. The singing is superb and listening to this CD it becomes obvious what the fuss over the pre-3 Tenors Pavarotti was all about - the man really did have one of the greatest tenor voices of all time.
His diction was flawless, his line perfect and his interpretation in keeping with the greatest of the Italian tenors of days gone by.

The second disc is interesting in that it is a bit uneven. It contains a few neapolitan standards, a x-mas song, a duet with Frank Sinatra and some other random selections.

Overall this is a 5 star CD but due to the extremely low volume, particularily on the first and most important disc I can only give it a 4 star rating.

On a final note, anyone puzzeled by the current hype over the now againg and commercially over-blown Pavarotti should purchase this CD. This is the great tenor in his prime and as such a CD well worth having...even if you're not a Pavarotti fan.
I'm still not, but I recognize greatness when I hear it.

Great Music......Horrible Mastering.......2004-07-24

Pavarotti has a voice that can take hold of you and change your entire mood...even if you don't know Italian. The problem with this set is the mastering (mastering evens out the volumes and signal to noise ratio on an album). The first CD in this collection is so quiet that you literally have to crank your player to get any kind of volume. For a professional CD this is absolutely unacceptable.
The song choices are good with the exception of "My Way" with Frank Sinatra. Both singers sound ....ummm...let's just say less than their best on the recording. It sits out like a boil on a pretty girl's face.

Surely I am proud to be an Italian-American!!.......2004-06-26

With his wondrous soaring vocals and the humble demeanor within his strong body, Pavarotti is an inspiration to Italian- Americans everywhere - Italian-Americans like me. My family plays his beautiful operas on vinyl nearly every day in me Papa's little wine and cheese shop on 18th and Broadway. The customers compliment the music with glee, pinching my plump cheeks with merriment and wishing me well on their way out the door. Ah, how I love this land of America!!

Oops, I am sorry, Nana.

My Nana has shushed me to "pipe down, little bambino."

Tracks:

Santa Lucia
Vieni Sul Mar'
La Danza
La Donna E Mobile
M'appari
Libiamo Ne'lieti Calici
Caro Mio Ben
Lunge De Lei - De' Miei Bollenti Spiriti
Mattinata
Torna A Surriento
Funiculi, Funicula
O Paradiso
Amor Ti Vieta
Una Furtiva Lagrima
Core 'Ngrato
Ave Maria
Nessun Dorma!

Customer Reviews:

uplifting.......2007-02-15

Pavarotti's voice will lift your spirit and fill your home with rich sound. He is the best.

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