| 1. Solitude |
| 2. Solitude |
Editorial Reviews
Taken from the hit Japanese pop duo's 2002 release, 'F Album'. Three tracks including 2 versions of 'Solitude'. Track two is printed in Japanese. Johnny's Entertainment.
Solitude,Kinki Kids,Sony,Rock/Pop,World Music
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Solitude Standing
Suzanne Vega Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002GHB |
Tracks:
- Tom's Diner
- Luka
- Ironbound/Fancy Poultry
- In The Eye
- Night Vision
- Solitude Standing
- Calypso
- Language
- Gypsy
- Wooden Horse (Caspar Hauser's Song)
- Tom's Diner (Reprise)
Amazon.com
Suzanne Vega emerged in the mid-'80s, and while her intimate voice and acoustic guitar brought to mind Joni Mitchell, her urbane lyrics suggested a sensibility that was as much reportorial as confessional. Vega's second album, which replaced the delicate acoustic textures of her self-titled debut with more dramatic arrangements, includes Vega's career song, "Luka," surely one of the biggest hits ever written about child abuse. But it was the energetic folk-rock production of "Luka," thick with ringing guitars and pushed by perky drums, that let the listener luxuriate in a song that suggested the darkness that can lurk behind a neighbor's door. The title tune confronts personal loneliness with a similarly powerful performance, while "Ironbound/Fancy Poultry" makes a downtown landscape sound downright homey. Well-turned tunes like "Calypso" and "Gypsy" recall the softer textures of her debut. Ironically, Vega's next big hit would come when the English production duo DNA made a dance hit out of "Tom's Diner," a nursery-rhyme tribute to a coffee shop that opens the album. --John MilwardCustomer Reviews:
This CD blew me away..........2007-07-20
A firm standing album.......2007-06-05
Mother of the MP3.......2007-04-10
This album got me through high school.......2006-12-30
Suzanne Vega is a writer. In fact check out the book Solitude Standing and you'll see that her life is her lyrics.
They used to list her as folk music and I do believe it's because they can't "slot" her anywhere. Her music had too much soft guitar to be rock/pop so she got the folk label but now that there are more categories she could be considered alternative. That's what they call you when they don't know what you are.
If you like to be entertained by storytelling and good, well-written songs then you won't be disappointed with this purchase.
Whenever I hear anything from this album I'm taken back to those strong teenage emotions felt on rain soaked afternoons that I walked home listening to this in my walkman.
I have never seen another album on Amazon receive so many fives. The only one who didn't give five was actually rating a so-called live performance.
_,.-:*'``'*:-.,_,.-:**:-.FIVE STARS*:-._,.-:*'``'*:-._,.-
One of the few REAL Class acts .......2006-10-13
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Solitude/Solitaire
Peter Cetera Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002L9Z Release Date: 1990-10-25 |
Tracks:
- Big Mistake
- They Don't Make 'Em Like They Used To
- Glory Of Love
- Queen Of The Masquerade Ball
- Daddy's Girl
- The Next Time I Fall
- Wake To Love
- Solitude/Solitaire
- Only Love Knows Why
Customer Reviews:
Dude...what were you thinking?.......2006-12-17
sappy love songs.......2006-09-14
it might have been a bit tedious and boring.
The problem is everywhere: If you are a Hardrock fan like bands Uriah Heep, Stevie Ray Vaughan, AC/DC, Rory Gallagher, Deep Purple, Led Zeppelin, your ears can't be familar with all these silly love songs. My ears cannot work like that.
there are two alternatives:
- if you are a hardrock fan. You like a mythological lyrics, you won't like Peter Cetera or Chicago. Keep your fingers away from this !!!
- if you are a sappy love song fan then please buy this cd !!!
Glory of Cetera........2006-06-19
quality music.......2006-02-23
There are only two songs worth listening to over and over again.......2006-01-05
Peter Cetera joined the Chicago Transit Authority (later named Chicago) in 1967 as a bass player. He soon became one of the major songwriters and vocalist for the group, penning a majority of their hits throughout the seventies and eighties. Chicago hit a low point in the late seventies which prompted Cetera to consider a solo career. It was the video music-era that kept Chicago together (for a few more albums at least). Cetera was getting more and more exposure due to the music videos and was becoming a break out star. He released his first solo album in 1981, but stayed with Chicago in 1985. It was the following year that he released the highly successful Solitude/Solitaire.
"Big Mistake" pretty much sums up the pop-rock musical landscape at the time with its bouncing keyboard tones, melodic vocals, and powerful choruses. The guitars have that liquid sound that everyone was looking for to compliment their synths. "They Don't Make `Em Like They Used To" compares a special woman to a one-of-a-kind automobile. I can see Cetera's point here, but the sentiment seems a little corny. The addition of synthesized brass adds great texture to the track. It's more likely than not that you bought this album for "Glory of Love." Who can deny this touching and emotional ballad that was the theme for The Karate Kid: Part II? It fit the movie perfectly, and probably every wedding and prom that occurred that year.
"Daddy's Girl" has one of those keyboard and bass build-ups that lead into a driving chorus section. It was another ballad that helped catapult this album up the charts; "The Next Time I Fall." Amy Grant's (virtually unknown in the pop circle at the time) soft tones complimented Cetera's high-pitched melodic delivery perfectly. On "Solitude/Solitaire," Peter struggles with thoughts of running away from the world where he could never be found. The track is commanded by a strong synthesizer presence.
Cetera went on to release a handful of solo albums, but eventually fell off the face of the Earth. Cetera's vocal talent and musicianship certainly could not be to blame for his trip into obscurity. You can't deny the guy's good. I think it boiled down to two things; his sound had gotten old and dated, and people would rather see him back with Chicago. Cetera wouldn't even talk about the group or allow for his songs to be played during VH1's Behind the Music special on Chicago a few years ago, so I don't think there's a chance of a reunion there.
The Verdict
I've always enjoyed Peter's work in Chicago, but Solitude/Solitaire is a far cry from that (except for the ballads). It's a different sound, a different feel, and not as polished as his later work with Chicago. I'm sure that's what he was going for, but I don't think it was a good choice. Although the album's nine songs are decent, they're only two songs worth listening to over and over again; "Glory of Love" and "The Next Time I Fall."
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Superman - The Movie: Original Motion Picture Soundtrack
Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000046PVN Release Date: 2000-02-15 |
Tracks:
- Prelude and Main Title March
- Planet Krypton, The
- Destruction of Krypton
- Star Ship Escapes
- Trip to Earth, The
- Growing Up
- Death of Jonathan Kent
- Leaving Home
- Fortress of Solitude, The
- Welcome to Metropolis
- Lex Luthor's Lair
- Big Rescue, The
- Super Crime Fighter
- Super Rescues
- Luther's Luau
- Planet Krypton (Alternate), The
- Main Title March (Alternate)
Tracks:
- Superman March (Alternate)
- March of the Villains, The
- Terrace, The
- Flying Sequence, The
- Lois and Clark
- Crime of the Century
- Sonic Greeting
- Misguided Missiles and Kryptonite
- Chasing Rockets
- Supefeates
- Super Dam and Finding Lois
- Turning Back the World
- Finale and End Title March
- Love Theme from Superman
- Can You Read My MInd (Alternate performed by Margot Kidder)
- Flying Sequence/Can You Read My Mind, The
- Can You Read My Mind (Alternate Instrumental)
- Theme from Superman (Concert Version)
Amazon.com
Released during the era of leisure suits and pet rocks, the film Superman: The Movie has aged about as well. But the often-clumsy charms of Richard Donner's cartoonish, hit-and-miss take on the Man of Steel was blessed with at least one superlative artistic effort: John Williams's epic score. The composer's Oscar-nominated music (coming on the heels of Star Wars and Close Encounters) was a wall-to-wall heroic symphony, rife with memorable melodies and ominous arrangements. Almost every original cut on this soundtrack appears in an expanded version, supplemented by nearly a dozen previously unreleased cues and alternate takes. Featuring a deluxe slipcase and extensive, new liner notes, this is the definitive release of one of Maestro Williams's greatest scores. --Jerry McCulleyCustomer Reviews:
Original 1978 Recording?.......2007-04-04
AWESOME! John Williams shows again why he's the master of movie scores.......2006-08-31
The original soundtrack release from 1978, while still an excellent collection, was sadly lacking in several of the best cues from the film. Most important of these was Track 12 (Disc 1) in which the helicopter crashes on the Daily Planet's roof and dangles precariously above the street. Williams builds on it, introducing Superman's theme into it as Clark Kent runs across the street, then rips open his shirt to reveal the 'S' - the symbol of the House of El - then enters the revolving door & exits as Superman. At the end of this is one of my favorite cues; the Superman theme is played as the Man of Steel appears above Metropolis, flying over the city on the hunt for criminals. 'Crime of the Century' (Track 6, Disc 2) was one of my favorite cues; this one portrayed the missile convoy as it made its way along the freeway, where Luthor staged the accident to get his cronies close enough to sabotage the missiles. There are too many new tracks to list here that should have been included the first time around, just a lack of space precluded this from happening.
Is John Williams Superman???.......2006-08-20
Excellent!.......2006-08-10
Hector, about the liner notes..........2006-07-14
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Liszt: Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005ND3L Release Date: 2001-10-09 |
Tracks:
- Hungarian Rhapsody No. 12 In C-Sharp Minor
- Liebestraum No.3
- Mephisto Waltz No.1
- Funerailles (No.7 Of Harmonies Poetiques Et Religieuses)
- Rigoletto: Conc Paraphrase
- La Campanella
Tracks:
- Die Forelle
- Der Muller Und Der Bach
- Wohin?
- Lebe Wohl!
- Das Wandern
- Der Lindenbaum
- Horch, Horch, Die Lerch
- Auf Dem Wasser Zu Singen
- Die Post
- Aufenthalt
- Lob Der Tranen
- Erlkonig
- I. Allegro Con Fuoco
- II. Adagio
- III. Presto
- IV. Allegro
Tracks:
- Lento Assai - Allegro Energico -
- Andante Sostenuto
- Allegro Energico - Andante Sostenuto - Lento Assai
- Valse Impromptu
- I. 'Hohe Liebe' In A flat
- II. 'Selinger Tod' In E Flat
- III. 'O Lieb' In A Flat
- Grand Galop Chromatique
Tracks:
- I. Sposalizio
- II Penseroso
- III. Canzonetta Del Salvator Rosa
- IV. Sonetto 47 Del Petrarca
- V. Sonetto 104 Del Patrarca
- VI. Sonetto 123: Del Petrarca
- VII. Apres Une Lecture De Dance (Fant Quasi Son)
Tracks:
- I. La Chapelle De Guillaume Tell
- II. Au Lac De Wallenstadt
- III. Pastorale
- IV. Au Bord D'une Source
- V. Orage
- VI. Vallee D'Obermann
- VII. Eglogue (Hirtengesang)
- VIII. Le Mal Du Pays
- IX. Les Cloches De Geneve
Tracks:
- I Gondoliera
- II. Canzone
- III. Tarantella
- Les Jeux D'eau A La Villa D'Este (No.4 Of Annees De Pelerinage, Troisieme Annee)
- Benediction De Dieu Dans La Solitude: (No.3 Of Harmonies Poetiques Et Religieuses)
- Ballade No.2 In B
Tracks:
- I. Preludio: Presto
- II. Molto Vivace
- III. Paysage: Poco Adagio
- IV. Mazeppa: Allegro
- V. Feux Follets: Allegretto
- VI. Vision: Lento
- VII. Eroica: Allegro
- VIII. Wilde Jagd: Presto Furioso
- IX. Ricordanza: Andantino
- X. Allegro Agitato Molto
- XI. Harmonies Du Soir: Andantino
- XII. Chasse-Neige: Andante Con Moto
Tracks:
- Zwei Konzertetuden: I. Waldesrauschen
- Zwei Konzertetuden: II. Gnomenreigen
- I. Il Lamento
- II. La Leggierezza
- III. Un Sospiro
- I. Andante Con Moto
- II. Un Poco Piu Mosso
- III. Lento Placido
- IV. Quasi Adagio
- V. Andantino
- VI. Allegretto Sempre Cantabile
- Reminiscences De Don Juan
Tracks:
- Reminiscences De Norma
- Totentanz (Danse Macabre)
- Malediction
- Fant On Hungarian Folk Themes
Customer Reviews:
Ethereal LIszt in Superb Sound.......2006-09-29
A great collection of Liszt treasures.......2004-01-12
Bolet won a Gramophone Award for his 1st book of Années de Pelerinage, which is not strange when listening to the recordings. This is a portrait of a man who's entirely on his own, looking for his soul while wandering trough the beautiful Switzerland - I can't say it better than B. Johnson already did. It's Romantic nonsense, of course, but in Liszt's days it was a common idea, and it can still sweep me away. Bolet's superior tonal colouring - beautiful, but not too far-driven, for the risk it would almost be too intimidating - and his peaceful nature lift this music to the greatest heights. My only complaint would be the `Orage' piece: Bolet's technique can't quite handle it, and its aggressive nature is much less overwhelming as a result. Nevertheless, the rest of the pieces show him at his very best. So does the second year of the Années (that is oddly placed in the set before the first year by Decca). The Dante Sonata, one of Liszt's greatest pieces, fares very well under Bolet's hands.
Equally excellent were the Schubert Song Transcriptions. The transcriptions aren't very different from the original songs, but they are definitely interesting. Especially when someone like Bolet takes them under his hands! All songs are terrifically played, with real standouts like `Auf dem Wasser zu singen', `Der Mueller und der Bach' and `Erlkoenig'. Bolet's romantic touch (he may have been the last of his kind) lets the music unendingly flow. Brilliant!
These comments also apply to Liszt's Consolations, which are placed on another disc. Liszt shows here how much he's in debt to Schubert, and wrote music of a disarmingly lyrical nature. Bolet gives almost naively innocent readings of these pieces. Talking about singing music, why not include the Liebesträume, `Venezia e Napoli' and many, many other pieces as well. Although some people still regard Liszt as a bombastic composer, he was in fact much more active on the spiritual and lyrical area. It is largely this nature of Liszt that is put into the spotlights by Bolet. He is really terrific whenever music ought to sound peaceful and meditative.
But Liszt was also a stunning virtuoso. People may eschew him for that, but that's often without any good ground. The B minor Sonata and the Transcendental Etudes, to give some names, are not only pianistically but also musically amazing works. It takes to be both a good technician and a musician to play them well, and this is where Bolet occasionally fails. He was over 65 when he made these recordings, and I can't help but say that his technique was not anymore what it used to be. In many pieces you can hear him struggle.
In what may be the most difficult music Liszt wrote, the Transcendental Etudes, Bolet takes tempi that are almost too easy (e.g. no.10 should be `Allegro molto agitato' but Bolet plays it very moderately), perhaps because his technique was by then too limited to give the pieces a really impressive treatment. Even then, I do feel a ertain nobility in Bolet's slow approach that gives every study a dignified stature (and that's something you won't find with Kissin or Cziffra!). The sonata is similarly noble and yet tremendously powerful in its scope, even though Bolet may lack some technial control at isolated spots.
Anoter treacherous piece is the `Reminiscences de Don Juan', which is a transcription of no less an opera than -of course- Don Giovanni! Bolet plays this 20-minute piece with a lot of humour and swing: it's a great way to clean up your mind! Also recommendable are the Etudes de Concert (e.g. Waldesrauschen), whose light spirit is very well captured.
A treasure trove set overall, I can recommend it without any limitations. There's no other composer that suited Bolet as well as Liszt, and the vice versa may be true as well. But the pianist also has his weaker points, particularly regarding his technique, that wasn't what it used to be. Oh, and the piano sound is not always equally convincing: the instrument sounds a little shrill at times. But there's an amazing amount of colour in the instrument, and it allows Bolet to reachfor the deepest, darkest sonorities you've heard. This collection is therefore not just THE best Liszt: there are many more pianists who made supreme recordings of him (e.g. Arrau, Brendel, Richter) and I definitely recommend searching them out as well. After you've heard this!
An excellent collection of Liszt interpretations........2003-12-03
Liszt for the ages........2001-12-05
It doesn't get any better than this.
After I heard throughout the seventies about this "unknown" great of the romantic repertoire, I was fortunate enough to see him for the first time about a month after he recorded the first issue of this now legendary Liszt series. While his technique may not have exactly been what it used to be before (e.g. Orage in Suisse of Les Annees), all the performances benefit from the wisdom of many, many years. While all the performances are of a uniform Olympic level, two issue stand out in my mind.
First, there is the cd of Schubert Liszt transcriptions. Bolet really sets the standards for "singing" on the piano. His version of "Der Muller und der Bach" has to be believed to be heard.
Most importantly though, there is "Suisse" the first year of Liszt's years of pilgrimage. I own this disc from the day it appeared on the shelves and still listen to it every month. Surely, there are more technically brilliant versions. For the true "Liszt Nuts", I would certainly advise Leslie Howard's version of "L'Album d'un voyageur", that contains the first version of many of the "Suisse" pieces, and some additional pieces that Frenz (for reasons that escape me completely) excluded from the later Suisse. Yet, nobody, not even Brendel or Berman, have come close to Bolet on delivering on the central theme of Suisse, man finding himself back in an exploration of nature.
While they stem from the earlier days of digital recording the recordings are still more than respectable and benefit greatly from Bolet's attention for color, aided by his favorite Bechstein.
Many of these recordings have not been available for a while. Get them before they're history!
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Angels in America
Thomas Newman Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000TAZB0 Release Date: 2003-12-02 |
Tracks:
- Threshold of Revelation - Thomas Newman
- Angels in America (Main Title) - Thomas Newman
- Lesionnaire - Thomas Newman
- Ellis Island - Thomas Newman
- Acolyte of the Flux - Thomas Newman
- Umdankbar Kind - Thomas Newman
- The Ramble - Thomas Newman
- Ozone - Thomas Newman
- Pill Poppers - Thomas Newman
- Quartet - Thomas Newman
- Solitude - Duke Ellington
- Bayeux Tapestry - Thomas Newman
- Spotty Monster - Thomas Newman
- Mauve Antarctica - Thomas Newman
- Her Fabulous Incipience - Thomas Newman
- The Infinite Descent - Thomas Newman
- A Closer Walk With Thee - Lewis, George & His Ragtime Band
- Broom of Truth - Thomas Newman
- Submit! - Thomas Newman
- Plasma Orgasmata - Thomas Newman
- Delicate Particle Logic - Thomas Newman
- The Mormons - Thomas Newman
- Prophet Birds - Thomas Newman
- More Life - Thomas Newman
- Black Angel - Thomas Newman
- Garden of the Soul - Thomas Newman
- Heaven - Thomas Newman
- Bethesda Fountain - Thomas Newman
- The Great Work Begins (End Title) - Thomas Newman
- Tropopause - Thomas Newman
- I'm His Child - Zella Jackson-Price
Amazon.com
Playwright Tony Kushner adapted his sprawling meditation on the AIDS epidemic of the 80's into an equally epic, Mike Nichols-directed HBO miniseries. But while Thomas Newman's score spans that dramatic landscape with rich stylistic diversity, the young champion of the daunting Newman family musical tradition (his father was Fox legend Alfred; his brother fellow film scorer David; his cousin songwriter/composer Randy) never lets musical bombast get in the way of compelling emotional introspection. Anchored by a delicate wind and string-driven main theme that's as mature as it is bittersweet, Newman proceeds to explore some of the same adventurous, rhythmically restless soundscapes that characterized his work on Erin Brockovich and American Beauty. But that typically moody experimentalism is leavened elsewhere by moments of neo-baroque choral exultation, smokey 30's jazz (courtesy of George Lewis and his Ragtime Band and Duke Ellington) and even flashes of gospel and orchestral post-modernism, all of it served up with a masterful sense of irony-free restraint that's become one of the composer's most refreshing hallmarks. It's easily one of Newman's -- and 2003's -- most accomplished and satisfying film scores. --Jerry McCulleyCustomer Reviews:
Some of his best work.......2007-06-12
Angels in America - Always Great!.......2007-01-03
GREAT!!!!!!!!!!!!!!!!!!!!!!!!!!!.......2005-11-01
The Celestial Xpression of Thomas Newman.......2005-08-31
Amazing work.......2004-11-28
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Waldteufel: Famous Waltzes
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000014FR Release Date: 1997-03-18 |
Tracks:
- Les Patineurs, Op. 183 (The Skaters)
- Trjolie, Op. 159 (Very Pretty)
- Estudiantina, Op. 191
- Pomone, Op. 155 (Pomona)
- EspaOp. 236
- Solitude, Op. 174
- Les Sirs, Op. 154 (The Sirens)
- Pluie de diamants, Op. 160 (Golden Rain)
- Mon r, Op. 151 (My Dream)
Customer Reviews:
EXCELLENT PERFORMANCES AT BUDGET PRICE.......2000-07-19
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Blue Bob
David Lynch Manufacturer: Solitude / Mri ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000085U0F Release Date: 2003-04-01 |
Tracks:
- 9-1-1
- Rollin' Down (To My House)
- Thank You, Judge
- I Cannot Do That
- Factory Interlude [Instrumental]
- Blue Horse [Instrumental]
- Bad Night
- Mountains Falling
- Go Get Some [Instrumental]
- Pink Western Range
- Marilyn Monroe
- City of Dreams
Album Description
BlueBob is a music idea based on the pounding machinery of the smokestack industry & the raw amplified birth of rock & roll. The music is inspired by machines, fire, smoke & electricity. By submerging itself in the ever reverberating golden past, Blue Bob is trying to poke forward. Three videos are planned from the album. Solitude. 2002.Customer Reviews:
Not weird, not dark, not ridicuous... Not Remarkable.......2007-05-18
The sexy side of the Steal Mill..........2006-03-16
If you have seen Mulholland Dr. then you have heard some of this music before (mostly towards the end). Also if you have seen Fire Walk With Me then you have heard this type of sound (the scenes in Canada with Jeac).
Over all a very fun trip into Lynch's world, and a great album to have sex to!
Uh, not quite..........2005-01-19
David Lynch seduces again.......2004-12-22
But less known is the fact that that the man likes to play a little tune on the guitar once in a while: acoustic (which can be heard on the 'Good wood' album) and electric: which resulted in this 'Blue Bob'.
David likes to toy with both of them. He writes the lyrics (as he did for the two first Julee Cruise albums), plays the percussion and does the singing. With all this, he is accompanied by one John Neff, so in a way we could talk about a two-man-formation.
But David really has his moments here. The sound is all too familiar for his die hard fans who know David's film feature debut 'Eraserhead'. Soundscapes filled with machinery, bouncing steele, hydraulic pumps, hissing steam.... The album has become a nihilistic, brooding and almost industrial sounding record with which David just seems to have fun with. Tongue-in-cheek-fun that is. You never quite know when he is taking himself seriously or just jamming with a good sense of black humor behind it.
The most stand out song must be 'Mountains falling'; never sounded an electric guitar that grimm, lustful, steamy, erotic and haunting like on this song, an 8-minute-plus ode to an unidentifiable 'you' Mr. Lynch sees in a dream.
Lynch uses this song partly in his genious magnum opus 'Mulholland Dr.', as also the song 'Go get some', the latter used as backing music for a steamy lesbian scene with Naomi Watts.
David Lynch has proven to be that flamboyant artist again, untouchable, childlike, and surreal at times, although this one is not so much for the eye as it is for the ear.
Perfect Pool Hall Tunes.......2004-11-21
There's nothing "alien" or space-like in the sounds in BLUE BOB. The album is down to earth, raw, and gritty. But it reminds me of early rock/rhythm and blues as you might imagine it, not how it actually sounds.
This is one of my favorite albums. Yep--I checked it out because I'm a Lynch fan. But after a year, BLUE BOB more than stands on its own.
I play the thing relentlessly, especially when I'm in the game room shooting pool and enjoying beverages. It's an excellent album, and it holds up to repeated listenings better than most music. It's unusual stuff, full of the humor and darkness you'd expect, but most tunes are *very* accessible.
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Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Henry Purcell , Nancy Argenta , and Nigel North Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059LOH Release Date: 2001-06-05 |
Tracks:
- O Solitude - Nancy Argenta/Nigel North
- Ah! How Sweet It Is To Love - Nancy Argenta/Richard Boothby/Paul Nicholson
- Not All My Torments - Nancy Argenta/Nigel North/Paul Nicholson
- Stripp'd Of Their Green - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Tell Me, Some Pitying Angel - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- If Music Be The Food Of Love - Nancy Argenta/Richard Boothby/Paul Nicholson
- Hark! Hark! The Echoing Air - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- The Fatal Hour Comes On Apace - Nancy Argenta/Nigel North
- Incassum, Lesbia - Nancy Argenta/Nigel North/Paul Nicholson
- Sweeter Than Roses - Nancy Argenta/Nigel North/Richard Boothby
- Cupid, The Slyest Rogue Alive - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- From Silent Shades - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Dear Pretty Youth - Nancy Argenta/Nigel North/Richard Boothby
- From Rosy Bow'rs - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Now That The Sun Hath Veil'd His Light - Nancy Argenta/Paul Nicholson
- Beneath A Poplar's Shadow - Nancy Argenta/Nigel North/Richard Boothby
- I Attempt From Love's Sickness To Fly - Nancy Argenta/Paul Nicholson
- Let Us Dance - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
- Fairest Isle - Nancy Argenta/Nigel North
- O Solitude - Nancy Argenta/Richard Boothby
Tracks:
- Nymphs And Shepherds - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
- Amidst The Shades And Cool Refreshing Streams - Nancy Argenta/Nigel North
- Love In Their Little Veins Inspires - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/Nigel North
- Fly Swift, Ye Hours - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- They Tell Us That Your Mighty Powers - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
- The Plaint: O Let Me Weep - Nancy Argenta/Pauline Nobes/Richard Boothby/Nigel North/John Toll
- In The Black, Dismal Dungeon Of Despair - Nancy Argenta/Nigel North/John Toll
- See, Even Night Herself Is Here - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones
- Why Should Men Quarrel? - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/John Toll
- Seek Not To Know - Nancy Argenta/Paul Goodwin/Sophia McKenna/Richard Boothby/Nigel North/John Toll
- Retir'd From Mortals' Sight - Nancy Argenta/Nigel North
- To Arms, Heoric Prince - Nancy Argenta/Mark Bennett/Richard Boothby/Nigel North/John Toll
- O Lead Me To Some Peaceful Gloom - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- Halcyon Days - Nancy Argenta/Paul Goodwin/Pauline Nobes/Richard Boothby/Nigel North/John Toll
- Bid The Virtues - Nancy Argenta/Paul Goodwin/Richard Boothby/Nigel North/John Toll
- Lord, What Is Man? (A Divine Hymn) - Nancy Argenta/Richard Boothby/Nigel North/John Toll
- Music For A While - Nancy Argenta/John Toll
- If Music Be The Food Of Love (1st Setting) - Nancy Argenta/Richard Boothby/John Toll
- Sawney Is A Bonny Lad (A Scotch Song) - Nancy Argenta/Nigel North
- When I Have Often Heard Young Maids Complaining - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Richard Boothby/Nigel North/John Toll
- Ah! Cruel, Bloody Fate - Nancy Argenta/Nigel North/John Toll
- Thy Hand, Belinda... When I Am Laid In Earth - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North
Customer Reviews:
Nice Collection.......2007-03-05
PERFECT!.......2006-10-26
The only flaw there is, is not related to the singing or playing: no text enclosed.
Great singing and excellent value for money.......2004-09-19
More than two hours of beautiful 17th century 'ayres'.......2001-08-02
Average customer rating:
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Behind Silence and Solitude
All That Remains Manufacturer: Metal Blade ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000634IM Release Date: 2002-03-26 |
Tracks:
- Behind Silence And Solitude
- From These Wounds
- Follow
- Clarity
- Erase
- Shading
- Home To Me
- One Belief
Customer Reviews:
This is the beganing .......2007-05-09
Some mouths should stay closed...and some fingers, bound .......2005-06-22
Speeding on in harmonic minor and diminished fury,
Anonymetal
Talent And Heart.......2005-03-04
Favorite Tracks 1 & 3
Great album.......2004-10-12
Great Cd!.......2003-12-20
Average customer rating:
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Summer Solitude
Various Artists Manufacturer: Delta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001V3D Release Date: 1993-04-13 |
Tracks:
- Afternoon Stream
- Evening Sunset
Customer Reviews:
Great for Yoga or massage.......2001-04-01
Pop Music:
- Suona Chitarra [Import]
- Supergestort Und Superversaut [CD-single] [Import]
- Surround [CD-single] [Import]
- Tiempo Despacio [Import]
- Ties of Blood [Import]
- Tocuhe [Import]
- Todo Piano [Import]
- Wai Wai Wai [Import]
- Zouk Love en Francais [Import]
- 40th Commemoration: Ultimate Italian Pops Collection [Import]
