| 1. No Lo Superare |
| 2. Intentemos Otra Vez |
| 3. Porque Te Quiero |
| 4. Un Bohemio Y Sonador |
| 5. Azuquita |
| 6. Mia |
| 7. Locura |
| 8. Que Sera De Ti |
| 9. No Se, No Se |
| 10. En Suenos |
| 11. Pideme |
Mia,Alfredo Rojas,EMI Int'l,Int'l & World Music,Latin,Pop
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Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
Benny Andersson , Julian Poole , Jenny Galloway , Nicolas Colicos , Paul Clarkson , Bjorn Ulvaeus , Lisa Stokke , Eliza Lumley , Melissa Gibson , Siobhan McCarthy , Louise Plowright , Jenny Galloway , Bjorn Ulvaeus , and Stig Anderson Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000031WEN Release Date: 2000-10-17 |
Tracks:
- Overture/Prologue
- Honey, Honey
- Money, Money, Money
- Thank You For The Music
- Mamma Mia
- Chiquitita
- Dancing Queen
- Lay All Your Love On Me
- Super Trouper
- Gimme! Gimme! Gimme!
- The Name Of The Game
- Voulez-Vous
- Entr'acte
- Under Attack
- One Of Us
- S.O.S.
- Does Your Mother Know
- Knowing Me, Knowing You
- Our Last Summer
- Slipping Through My Fingers
- The Winner Takes It All
- Take A Chance On Me
- I Do, I Do, I Do, I Do, I Do
- I Have A Dream
Amazon.com
Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth VincentelliCustomer Reviews:
Mamma Mia.......2007-03-22
Mamma Mia Musical CD.......2007-03-21
JUST GREAT MUSIC.......2007-03-08
Mamma Mia.......2007-01-29
Not good at all.......2007-01-09
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Mamma Mia! 5th Anniversay [CD/DVD Combination]
Original Cast Recording Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MQ58V8 Release Date: 2006-10-17 |
Tracks:
- Overture / Prologue
- Honey, Honey
- Money, Money, Money
- Thank You For The Music
- Mamma Mia
- Chiquitta
- Dancing Queen
- Lay All Your Love On Me
- Super Trouper
- Gimme! Gimme! Gimme!
- The Name Of The Game
- Voulez-Vous
- Entr'Acte
- Under Attack
- One Of Us
- S.O.S.
- Does Your Mother Know
- Knowing Me, Knowing You
- Our Last Summer
- Slipping Through My Fingers
- The Winner Takes It All
- Take A Chance On Me
- I Do, I Do, I Do, I Do, I Do
- I Have A Dream
- Mamma Mia
- Dancing Queen
- Waterloo
Customer Reviews:
The Most Amazing CD and DVD!!.......2007-05-06
Skip The Rest! This Is The Mamma Mia Offering You Want........2007-04-12
1. I found the sound quality of the songs to be better on this CD than on other Mamma Mia CD's that don't have the three finale songs.
2. This CD has the three finale songs included: (Mamma Mia, Dancing Queen, and Waterloo). Another CD may have the three finale songs included, but it doesn't have the DVD.
3. This offering has a DVD included. Included on the DVD is the history of the making of Mamma Mia (approximately 15 minutes). It also shows song numbers being performed in other countries in various languages. The DVD also shows the two main Broadway performers telling of their experiences in the play. The two remaining parts of the DVD show the songs Money Money Money and Dancing Queen performed as they appeared when the play first opened in London. If you want one Mamma Mia offering this is the one to get. Even if you already have one I would definitely include this one in your collection as well. I've ordered several of these copies (I'd be embarrassed to say how many) and plan on ordering another batch for members of my music class in grades 4-8 as a gift. Treat yourself! It's worth it.
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Match Point
Various Artists Manufacturer: Milan Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BU0C7K Release Date: 2005-12-20 |
Tracks:
- 'Mal Reggendo All'aspro Assalto' From 'Il Trovatore'
- 'Un Di, Felice' From 'La Traviata'
- 'Mia Piccirella' From 'Salvatore Rosa'
- 'Gualtier Malde!...Caro Nome' From 'Rigoletto'
- 'Mi Par D'udir Ancora' From I Pescatori Di Perle'
- 'Arresta ... Quali Sguardi!' From 'Guillaume Tell'
- 'O Figli, O Figli Miei!' From 'Macbeth'
- 'Desdemona Rea, Si, Per Ciel' From 'Otello'
- 'Una Furtiva Lagrima' From L'elisir D'amore'
Album Description
Match Point tells the story of social-status climber Chris, a modest tennis instructor. His marriage to Chloe gains him comfort and prestige in society, but his passion leads his astray into the arms of his soon-to-be sister-in-law, the very sexy American, Nola. In Match Point, which deals with luck, ambition and guilt, writer/director Woody Allen draws on the talent of actors Jonathan Rhys-Meyers, Emily Mortimer, and in the role of Nola, Scarlett Johannson.Customer Reviews:
Music that calms me.......2007-02-08
Interesting Choices.......2007-01-05
Great for non experts.......2006-10-05
On-Point.......2006-05-12
For Those so Engrossed by the Film, Here are the Excerpts that Molded It.......2006-04-28
Woody Allen created his character Chris as a lover of opera and integrated that love for opera into the family of wealth he 'enters'. The story is so well written and Allen is so well versed in opera that his selections for excerpts greatly added to the depth of the film.
Here are the old recordings of Enrico Caruso singing arias from 'Il Trovatore', 'Salvator Rosa', 'Les Pecheurs de perles', 'Macbeth', and 'L'elisir d'amore'. In addition to these are excerpts from contemporary singers performing arias form 'La Traviata' (performed by Monika Krause and Georg Tichy), 'Rigoletto' (sung by Alida Ferrarini with Alexander Rahbari conducting), 'William Tell' and 'Otello' (performed by Igor Morozov and Janez Lotric with Johannes Wildner conducting the Slovak Radio Symphony Orchestra). Probably copyright laws prevented the use of the 'live performances' at Covent Garden we heard in the film with very fine young singers, here substituted with Slovak recording artists. But the mood is still there.
This soundtrack recording makes for nice reminiscing about a fine film while adding a bit of flavor to the usual classical music collection! Grady Harp, April 06
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MIA: The Complete Anthology
The Germs Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YLAR Release Date: 2000-10-17 |
Tracks:
- Forming
- Sex Boy
- Lexicon Devil
- Circle One
- No God
- What We Do Is Secret
- Communist Eyes
- Land Of Treason
- Richie Dagger's Crime
- Strange Notes
- American Leather
- Lexicon Devil
- Manimal
- Our Way
- We Must Bleed
- Media Blitz
- The Other Newest One
- Let's Pretend
- Dragon Lady
- The Slave
- Shut Down (Annihilation Man)
- Caught In My Eye
- Round And Round
- My Tunnel
- Throw It Away
- Not All Right
- Now I Hear The Laughter
- Going Down
- Lions Share
- Forming 2
Customer Reviews:
Legendary punk album.......2006-12-13
CLASSIC.......2006-11-16
The tunes aren't so much sung as growled, and Darby Crash's lyrics can be among the most expressive I've heard in the punk genre. There's a grueling intensity to the tunes that's exciting even now. While the band won't appeal to everybody, the record left me slack-jawed with amazement the first time I heard it. The band X may have encapsulated the hopes of the L.A. punk scene, but this record still makes the hackles on the back of your neck rise. There's nothing formulaic here. If you're willing to give it a chance (and that means something more than listening to a bunch of twenty second audio samples), it's hard to imagine your not being moved. That's why this is punk music at its very best.
raw, crusty, lightning speed!.......2006-09-10
silly silly people........2006-07-13
like minor threat. hate the ideology. go with the germs.......2006-07-10
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Bellini: I Capuleti e i Montecchi
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XV2XO Release Date: 2005-02-15 |
Tracks:
- Sinfonia
- Aggiorna Appena...
- O Di Capellio, Generosi Amici
- E Serbata A Questo Acciaro
- Si: M'abbraccia
- L'amo Tanto, E M'e Si Cara
- Vanne Lorenzo
- Lieto Del Dolce Incarno
- Ascolta. Se Romeo T'uccise Un Figlio
- Riedi Al Campo
- La Tremenda Ultrice Spada
- Eccomi In Lieta Vesta...
- Oh! Quante Volte
- Propizia E L'ora
- Si, Fuggire: A Noi Non Resta
- Odi Tu? L'altar Funesto
- Vieni, Ah! Vieni
Tracks:
- Lieta Notte, Avventurosa
- Deh! Per Pieta, T'arresta
- Tace Il Fragor
- Che Miro?
- Soccorso, Sostegno Accordagli
- Accorriam...Romeo!
- Ne Alcun Ritorna!
- Morte Io Non Temo Il Sai
- Prendi, Gl'istanti Volano
- Deh! Padre Mio, Deh Padre Mio!
- Deserto E Il Luogo
- Chi Sei Tu?
- Qua' Voci! Oh Dio!
- Ella E Morta, O Sciagurato
- Siam Giunti
- Ecco La Tomba
- Tu Sola, O Mia Giulietta
- O Tu, Mia Sola Speme
- Ah! Crudel! Che Mai Facesti?
Customer Reviews:
Highest Level of Artistry Displayed .......2007-02-13
Now coming to the comparison made by a reviewer between Bellini and Verdi. Well, even if Bellini had lived to 80, it would not be his aim to write like Verdi. Bellini stood alone amongst the great opera composers of Italy. Even his contemporaries recognized it and called his music 'filosofico'. Bellini's aim was not to create dramas with music like Donizetti or Verdi, but rather music drama - a fact which Wagner recognized. Only that Bellini's aim was to realize it via the voice (think Norma), while Wagner did it with the orchestra. It is note-worthy that Wagner spared Bellini the usual bashing he gave to the Italians. Not only that - he admitted to Cosima that the love duet from Capuleti was the source of his inspiration for his own in Tristan. In his old age, he was proud to say that he learned from 'these pages' what Messrs Brahms etc had failed to learn. One should approach a Bellini opera as one does a Chopin Ballade or Wagner's Tristan, not Verdi. That is not to say that Verdi is inferior, but just different.
And regarding Bellini's orchestration, Wagner and Bizet were on separate occasions, were tasked to 'improve' the orchestration of Norma. Both eventually gave up the job as impossible and concluded that the orchestration written by Bellini was the most suitable. Comparing the orchestration between the early Il Pirata (with its almost Wagnerian finale!) with Norma, it dawns upon one that the decision to thin out the orchestra by Bellini was deliberate, in line with his purpose of using the voice as the primary tool to express the drama.
"Behold the Tomb".......2006-09-30
I have downoaded the text from Karadar Classical Music as well as a synopsis from Opera japonica. We learn that the Capuleti and Montecchi are local versions of the Guelph and Ghilbelline parties respectively. The Ghibelline Dante would have been allied with the Montecchi, Romeo's party. Capellio, Juliet's father, seeks to avenge the death of a son at the hands of Romeo. Romeo's part is sung by a mezzo-soprano, adding further to the absurdity of the EMI cover photo. Although Romeo and Juliet are already lovers, she refuses to elope with him out of loyalty to her father. These lovers really seem more interested in dying than in making love. Juliet does manage to declare that she breathes easier when she learns that Romeo has survived a fight. We know that Romeo has reached his appointed place when he sings, "Ecco la tomba." Janet Baker, as Romeo, shines in the slow, heart-broken singing that follows, interspersed with sympathetic passages by the chorus of Montecchi. There is no doubt that Bellini's operas allow top performers to sing as beautifully as they can. The instrumental accompaniment in this concluding scene is reduced to a bare minimum.
Well-sung Shakespearean travesty.......2005-10-15
Sound: Analog stereo. The engineering is competent, I suppose, but as a matter of personal taste I do not care for the distant and echo-y soundscape. It sounds as though the opera were taking place at the far end of a Gothic cathedral.
Documentation: No printed libretto, although there is a reference to an on-line libretto available at the EMI Classics website, (which failed to download in five tries over two days) just in case I want to listen to this opera while I am working at my computer. The accompanying essay by James Harding is the most useless I have ever found in a CD case--and that is by no means an easily earned distinction. Harding is vitally interested in Bellini's lame love life but indifferent to such trifles as the plot of the opera he is supposed to be writing about.
Format: Disk 1, Act I, Scenes 1 and 2; 60:42. Disk 2, Act I, Scene 3; Act II, Scenes 1-3; 74:23.
Bellini premiered "I Capuleti e i Montecchi" at Teatro La Fenice in Venice exactly one month before his twenty-ninth birthday. It was a success but it was not without critics. In his essay, Harding writes, "It was unfair of Berlioz to denounce I Capuleti e i Montecchi as a travesty of Shakespeare." Berlioz clearly had a point, for where the Bard had twenty characters, the librettist "Romani made do with only five. You will look in vain," Harding gushes on, "for the Nurse and Friar Laurence" and, I must add, for Mercutio, Benvolio and Paris, too. In the opera, Paris and Tybalt become a single character, Tebaldo, to the great detriment of the plot.
"I Capuleti e i Montecchi" came about midway in Bellini's too short career. The really big hits on which his fame rests were yet to come. The music is competent but somehow lacking that indefinable ping that makes "La Sonnambula," "Norma" and "I Puritani" extraordinary.
Overall, the performance is good. Best by far in the cast is Janet Baker. She does not generate overt excitement but she offers an overwhelming sense of rightness when she essays any part in the narrow range that she made her own. This recording is a little late for the best of Sills but she is still very bright and amazingly agile. As always, I feel that her voice is just a little too cool and too thin, but that is purely a matter of personal taste. It is also late for Nicolai Gedda, who sounds unexpectedly baritonal as Tebaldo, a part that any other 19th Century composer would surely have written for a baritone. (I know, I know, Gounod's Tybalt is a tenor. I sang the role, myself, back in college days. But Gounod's Tybalt is markedly different in character from Bellini's Tebaldo-Paris.) Gedda is very good, but I am not at all sure that I would have recognized him if his name had not been on the cover.
"I Capuleti e i Montecchi" is not a great opera, but three famous and very fine singers offer intelligent and entertaining performances. That's worth five stars as far as I'm concerned.
FOR THE HISTORICALLY MINDED: William Shakespeare wrote his "Romeo and Juliet" in the 1590s, in the early days of his career. As was usual for him, he based his play on older materials. The first literary mention of the Montagus and the Capulets is in Dante's "Purgatorio," vi, lines 106-108. The Montagus lived in Verona and the Capulets in Cremona. They were used by Dante as examples of warring factions that had been exterminated. About 1530, Luigi da Porto mistakenly assumed that the Montagus and the Capulets had both resided in Verona and had feuded with one another. He worked up a tale that involved two young members of his warring clans, Giulietta and Romeo. In 1554, Matteo Bandello published a novella called "Romeo e Giulietta" which proved to be an international hit. A French version was adapted from Bandello by Pierre Boaistuau in 1559. This, in turn, was translated into English in 1562 by Arthur Brooke as a "tragical history" in verse form called "Romeus and Juliet," later to be pounced on by Will Shakespeare in search of a popular hit. The only major changes that Shakespeare made in Brooke's plot were to compress the time frame and to introduce Tybalt into the story at an earlier point in order to build him up as a worthy adversary for Romeo. And, oh, yes, he created an array of living characters such as had never been conceived before.
A number of commentators have taken note of the much simplified plot of "I Capuleti e i Montecchi." They have accounted for it by declaring that Shakespeare's version was not yet well-known in the world, so Romani must have based his work on an earlier version of the story, by which I presume they mean by Bandello or even by da Porto. I don't buy that explanation. By 1830, the cult of Bardolatry was firmly established. The standard German translations (that the Germans to this day hold to be superior to the English originals) were well along. Two generations earlier, the tourist industry of Stratford Upon Avon had been given a kick start by the great actor, Garrick (in a bicentennial celebration conceived by David Garrick, written by David Garrick, produced by David Garrick, directed by David Garrick and starring David Garrick--additional dialogue by W. Shakespeare.) Just seventeen years later, Verdi would write his "Macbeth" and make sketches for a "King Lear," that greatest of all operatic might-have-beens. One of the twenty or so books that Verdi kept close to himself until the day he died was an Italian translation of the works of Shakespeare.
No, I do not think that Romani dealt with any obscure 16th Century originals. I think that he exercised a hack's privilege to pillage a respectable source for his convenience. Berlioz was correct. In both the literal and the figurative senses of the word, this is a travesty.
beautiful and moving opera .......2005-08-12
record this opera earlier in their careers (1975) yet still
be glad they did. Though there are some audible signs of vo-
cal wear their artistry and commitment are never in doubt and
they offer memorable performances. Janet Baker is on the other
hand in splendid voice and sings superbly - she portrays a
somber Romeo and is supremely moving in the tomb scene.
Robert Lloyd and Raimund Herincx offer excellent support.
Very well recorded and beautifully conducted by Maestro
Patane - a very welcome release !
Wonderful nostalgia .......2005-05-20
At the time Beverly was a known commodity in Bell Canto operas; however, Janet was mainly known as a song recitalist. Nevertheless, Janet Baker, in this opera, proves that she could sing opera with the best of them showing her great operatic credentials-she is up to every vocal challenge Bellini throws at her. She tackles the role with great artistry and beauty of tone. Her last scene STILL dissolves me to copious tears.
In this recording Beverly sings a little cautiously not throwing out high E's with abandon as before; however, her years of experience being a sublime singer of Bell Canto operas comes through. Her singing is gorgeous, sweet and touching to the highest degree, I truly believe that this recording was one of her best.
It truly is great to hear this recording again-ah the memories. Time has NOT diminished its appeal!
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Pavarotti: Greatest Hits
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000042HZ Release Date: 1997-09-30 |
Tracks:
- Turandot: Nessun dorma
- La Boheme: Che gelida manina
- La Traviata: Brindisi
- Aida: Se quel guerrier io foss ... Celeste Aida
- L'Elisir d'Amore: Una furtiva lagrima
- Rigoletto: Questa o quella
- Martha: M'appari
- TOSCA: E lucevan le stelle
- Fedora: Amor ti vieta
- Pagliaccci: Recitar!... Vesti la guibba
- Manon Lescaut: Donna non vidi mai
- Rigoletto: La donna e mobile
- L'africana: Mi batte il cuor ... O paradiso
- Werther: Pourquoi me reveiller
- Carmen: La fleur que tu m'avais jetee
- Manon Lescaut: Ma se vi talenta ... Tra voi, belle
- La Gioconda: Cielo e mar!
- TOSCA: Recondita armonia
- La Favorita: Spirito gentil
- II torvatore: Di quella pira
- L'amico Fritz: Suzel, buon di
Tracks:
- O sole mio
- Torna a Surriento
- Orchestra del Teatro Comunale di Bologna: Core 'ngrato
- Orchestra del Teatro Comunale di Bologna: Funiculi Funicul
- Notte 'e piscatore
- O Holy Night (Cantique de Noel)
- Panis angelicus
- Ave Marie: Ave Maria
- Mattinata
- La danza
- Caro mio ben
- Caruso
- My Way
- Santa Lucia
- Tu che m'hai preso il cuor
- Mamma
- La mai canzone al vento: La mia canzone al vento
- Volare
- Passione
- Granda: Granada
Customer Reviews:
Cornucopia of Pavarotti's works.......2007-03-01
Disc 1 features estimable works such as "Nessun dorma" (well done, with his voice showing to good effect), "Che gelida manina" (excellently done, with good characterization), ""Celeste Aida" (elegantly sung), "Di quella pira" (a much better than average version), "E lucevan le stelle" (Pavarotti does a nice job in the Puccini-Verdi repertoire), "La donna e mobile" (sung with aplomb), "Recondita armonia" (the other aria from Tosca, which also shows Pavarotti's voice off to good effect), and so on.
Disc 2 is especially interesting, because it features a more popular set of works, from the redoubtable "O sole mio" (richly orchestrated and nicely sung, not overpowered by Pavarotti's operatic voice), "Core n'grato" (compare with Caruso's version), "Oh, holy night," "La danza" (spritely sung with excellent breath control in a treacherous song), "Santa Lucia" (again, smoothly sung), "Ave Maria" (seemingly sung with respect and affection).
A cornucopia of Pavarottiana. For those fans of Pavarotti, this "greatest hits" collection will be welcome. For those who may not be aware of this tenor when his voice was still fresh, this is a fine entrée to his work.
Don't...!!!.......2005-01-24
R. J. Rogers
Great Tenor - Poor CD Quality.......2004-10-11
I particularily enjoy the first disc which contains just about all the major tenor arias. The singing is superb and listening to this CD it becomes obvious what the fuss over the pre-3 Tenors Pavarotti was all about - the man really did have one of the greatest tenor voices of all time.
His diction was flawless, his line perfect and his interpretation in keeping with the greatest of the Italian tenors of days gone by.
The second disc is interesting in that it is a bit uneven. It contains a few neapolitan standards, a x-mas song, a duet with Frank Sinatra and some other random selections.
Overall this is a 5 star CD but due to the extremely low volume, particularily on the first and most important disc I can only give it a 4 star rating.
On a final note, anyone puzzeled by the current hype over the now againg and commercially over-blown Pavarotti should purchase this CD. This is the great tenor in his prime and as such a CD well worth having...even if you're not a Pavarotti fan.
I'm still not, but I recognize greatness when I hear it.
Great Music......Horrible Mastering.......2004-07-24
The song choices are good with the exception of "My Way" with Frank Sinatra. Both singers sound ....ummm...let's just say less than their best on the recording. It sits out like a boil on a pretty girl's face.
Surely I am proud to be an Italian-American!!.......2004-06-26
Oops, I am sorry, Nana.
My Nana has shushed me to "pipe down, little bambino."
I must go down to the dark cellar to count our day's earnings, for it is almost night, and stern Papa will be back soon to close shop and make sure all is well.
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The Opera Band
Amici Forever Manufacturer: RCA Victor ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000V0DE2 Release Date: 2004-01-13 |
Tracks:
- Prayer in the Night
- Senza Catene (Unchained Melody)
- Canto Alla Vita
- Vita Mia
- Requiem for a Soldier (Band of Brothers)
- Whisper of Angels
- The Pearl Fishers
- Soave sia il vento
- Nimrod: Lux Aeterna
- Song to the Moon
- Zadok the Priest
- Nessun Dorma
Amazon.com
The debut of the young, classically trained international quintet of sopranos Jo Appleby and Tsakane Valentine, tenors David Habbin and Geoff Swell, and basso Nick Garret offers up a familiar take on the crossover formula that has enriched everyone from genre pioneers The Three Tenors to Russell Watson and beyond. While their occasionally electro-pumped rhythms and youth-angled marketing shtick ("The world's first opera band!") may borrow a page from Opera Babes and Bond, it still manages to evoke the spirit (if not the letter) of its eclectic classical sources. And if the world hasn't exactly been burning for yet another dramatized update of Turandot's melodic "Nessun Dorma," The Pearl Fishers, or--for that matter--"Unchained Melody," Amici Forever's takes on the pop side of the crossover equation are indeed promising, recasting Alex North's "Unchained.." ("Senza Catene") and their reworked theme to the miniseries Band of Brothers("Requiem for a Soldier") in a successful, neo-classical light. If Neopolitan-shaded originals like "Canto Alla Vita" and "Vita Mia" sound like Josh Groban clones, their glorious harmonic vocal reworkings of Faure's "Pavane" ("Whisper of Angels") and Elgar's "Enigma Variations" ("Nimrod: Lux Aeterna") bristle with an ambitious sense of adventure that's missing from much of their crossover competition. Serious opera buffs may still quarrel with the daring "impurity" of it all, but if Amici Forever prod a few more pimply punters to peruse Puccini, won't it all have been worth it? --Jerry McCulleyCustomer Reviews:
great choice.......2007-01-11
Brilliant offering.......2007-01-10
Easy Listening.......2006-09-21
Very Relaxing Music.......2006-09-11
What more can you expect?.......2006-08-04
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Early Venetian Lute Music
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004GLLX Release Date: 2000-02-22 |
Tracks:
- Calata Ala Spagnola
- Tastar De Corde, Rececar Dietro
- Pavana Alla Venetiana
- Rececar
- Jay Pris Amours (Duet)
- Recercar
- La Bernardina De Josquin (Duet)
- Recercar Quinto
- Canto Bello
- La Villanella
- O Mia Cieca E Dura Sorte (After Marchetto Cara)
- Che Farala Che Dirala (After Don Michele Vicentino)
- Non Mi Negar Signora (After Serafino Dall'Aquila)
- Recercar
- Pavana
- Calata
- Recercar
- Je Ne Fay (Duet)
- Recercar
- De Tous Biens (Duet)
- Tastar De Corde, Recercar Dietro
- Calata Ala Spagnola
- Poi Che Colse La Mia Stella (After Bartolomeo Tromboncino)
- Laudato Dio
- Saltarello & Piva (Duet)
Customer Reviews:
thanks naxos.......2007-03-18
Superb album.......2007-01-12
Heavenly.......2006-10-11
Simply WONDERFUL!!!! just amazing........2006-02-01
A Journey Back In Time!.......2003-12-11
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064ADMK Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Top Shelf.......2007-01-04
TERRIFIC CD'S.......2006-03-23
Great Collection of Broadways greatest Songs .......2005-06-14
Great Compilation!.......2005-01-17
Average customer rating:
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Cecilia Bartoli - An Italian Songbook (Bellini, Donizetti, Rossini)
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000042H2 Release Date: 1997-09-16 |
Tracks:
- Bel Canto Songs: Aragonese
- Bel Canto Songs: Vaga luna che inargenti
- Bel Canto Songs: II barcaiolo
- Bel Canto Songs: Ah! rammenta, o bella Irene
- Bel Canto Songs: L'abbandono
- Bel Canto Songs: Or che di fiori adorno
- Bel Canto Songs: Malinconia, ninfa gentile
- Bel Canto Songs: Amore e morte
- Bel Canto Songs: Bolero
- Bel Canto Songs: La conocchia
- Bel Canto Songs: II fervido desiderio
- Bel Canto Songs: Torna, vezzosa Fillide
- Bel Canto Songs: Vanne, o rosa fortunata
- Bel Canto Songs: Dolente immagine di Fille mia
- Bel Canto Songs: La farfalletta
- Bel Canto Songs: A ma belle mere
- Bel Canto Songs: Per pieta, bell'idol mio
- Bel Canto Songs: Me voglio fa 'na casa
- Bel Canto Songs: L'esule
- Bel Canto Songs: La danza (tarantella napoletana)
Amazon.com
The Italian mezzo-soprano Cecilia Bartoli is one of the most charming and talented singers to appear on the scene in recent years, and this collection of Italian songs by three great opera composers--Bellini, Donizetti, and Rossini--is a most deserving bestseller. There are many small pleasures in the selections, which reflect the bel canto predilections of their authors, and Bartoli renders them artfully. Some will be familiar even to casual listeners (Rossini's La Danza, the famous tarantella); others will be new to most, but equally deserving of a hearing. The sensitive and skillful accompaniment is by conductor-pianist James Levine. --Sarah Bryan MillerCustomer Reviews:
Lovely rendition of Italian songs.......2007-03-11
Some sampling of the songs. . . . The CD begins with a song by Rossini, "Aragones." This is lushly sung; Bartoli has a wondrously rich and textured voice. The pace is contemplative, altogether consistent with the words of the song, the reflection of a disappointed lover. Well done.
Donizetti's "Il barcaiolo" is also well done. Bartoli shows her vocal agility in this tune. This is a spirited song, and her coloratura technique animates her rendition. There are segments sung forte, showing the power of her voice. There is a nice soft closing to the song, so she ranges from forte to piano.
Bellini is represented, too. His "Vaga luna che inargenti" is a pleasant love song. Bartoli sings this tenderly, creating a melancholy spirit, fitting the song's words.
To close, there is Rossini's wonderful tarantella, "La danza." Levine plays at a quick pace, as he must for this spirited song. Bartoli shows great vocal agility and strong breath control (this is a tough song to get right!). A wonderfully spirited version. She even takes a pass at a trill toward the close. All in all, most satisfying.
Thus, this represents a nice CD, showing Bartoli's skills with the songs of some of the great Bel Canto composers. An album that is a lot of fun to listen to!
Best 'Italian' Selection yet........2006-06-16
This would be my first choice for Italian material with only piano accompaniment. For a very first Bartoli album, see her 'flagship' recording, 'Cecilia Bartoli' where she is backed by full orchestra and chorus.
Salon pieces to delight the listener.......2006-03-13
This in no way robs the songs of immense charm. It would be easy to perform these songs without a great deal of thought, simply making them sound "pretty". But Cecilia Bartoli never does that - she always gives everything, voice, intelligence, musicality, to her performance.
That is what makes this recording so superb. I can see there are some less-than-satisfied reviewers - I am surprised by the comments. For rest assured, there is no vocal difficulty here at all. Cecilia Bartoli's voice is in superb condition throughout, and her interpretation is of course second to none. Having recorded "Vaga luna" myself, I would be the first to say if I thought anything was lacking in Ms Bartoli's performance - but there's nothing adverse I can say at all. It's simply gorgeous singing, with immaculate phrasing, an intensely personal approach, and some of the most beautiful sounds you're likely to hear.
It is hard to imagine anyone being disappointed by this recording. The comments made about squally sound are not just unfair, they're totally inaccurate. I remember purchasing this CD on the very day it was released in Australia, and it's a firm favourite of mine.
In all... delightful.
The Italian Songbook.............2005-12-09
che bella.........2004-12-23
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