Mia [Import]

Track Listings

 
1. No Lo Superare
2. Intentemos Otra Vez
3. Porque Te Quiero
4. Un Bohemio Y Sonador
5. Azuquita
6. Mia
7. Locura
8. Que Sera De Ti
9. No Se, No Se
10. En Suenos
11. Pideme

Mia,Alfredo Rojas,EMI Int'l,Int'l & World Music,Latin,Pop
Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
Average customer rating: 4 out of 5 stars
  • Mamma Mia
  • Mamma Mia Musical CD
  • JUST GREAT MUSIC
  • Mamma Mia
  • Not good at all
Mamma Mia! The Musical Based on the Songs of ABBA: A Decca Broadway Original Cast Recording (1999 London Cast)
Benny Andersson , Julian Poole , Jenny Galloway , Nicolas Colicos , Paul Clarkson , Bjorn Ulvaeus , Lisa Stokke , Eliza Lumley , Melissa Gibson , Siobhan McCarthy , Louise Plowright , Jenny Galloway , Bjorn Ulvaeus , and Stig Anderson
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. ABBA - Gold: Greatest Hits
  2. Hairspray (2002 Original Broadway Cast)
  3. Movin' Out (Based on the Songs and Music of Billy Joel) (2002 Original Broadway Cast)
  4. Wicked (2003 Original Broadway Cast)
  5. Jersey Boys (2005 Original Broadway Cast)

ASIN: B000031WEN
Release Date: 2000-10-17

Tracks:

  1. Overture/Prologue
  2. Honey, Honey
  3. Money, Money, Money
  4. Thank You For The Music
  5. Mamma Mia
  6. Chiquitita
  7. Dancing Queen
  8. Lay All Your Love On Me
  9. Super Trouper
  10. Gimme! Gimme! Gimme!
  11. The Name Of The Game
  12. Voulez-Vous
  13. Entr'acte
  14. Under Attack
  15. One Of Us
  16. S.O.S.
  17. Does Your Mother Know
  18. Knowing Me, Knowing You
  19. Our Last Summer
  20. Slipping Through My Fingers
  21. The Winner Takes It All
  22. Take A Chance On Me
  23. I Do, I Do, I Do, I Do, I Do
  24. I Have A Dream

Amazon.com

Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars Mamma Mia.......2007-03-22

I have not stopped playing this cd. It is just great! It makes any trip in my car most enjoyable Happy I bought it!

5 out of 5 stars Mamma Mia Musical CD.......2007-03-21

This is a grand list of songs from the original musical when it was first introduced in England. The songs from ABBA are very recognizable even if you haven't seen the show. But, making a trip to NY to see the Broadway production is a plus. ENJOY!

4 out of 5 stars JUST GREAT MUSIC.......2007-03-08

I RECENTLY SAW THE SHOW MAMMA MIA IN LAS VEGAS. ALWAYS LIKES THE MUSIC OF ABBA, AND THOUGH THE PLOT WAS THIN, THE MUSIC WAS WELL PERFORMED. IN THIS PARTICULAR ALBUM, THE ENGLISH ACCENTS WERE A BIT MUCH, BUT THE SONGS WERE GREAT. ALL I CAN SAY IS THANK YOU FOR THE MUSIC, ABBA.

5 out of 5 stars Mamma Mia.......2007-01-29

Every time I hear the music and songs it brings back memories of seeing the Broadway Show

1 out of 5 stars Not good at all.......2007-01-09

This is not what we wanted. The British accents throw it was off. We just saw it in NY and this is not what we were looking for.
Mamma Mia! 5th Anniversay [CD/DVD Combination]
Average customer rating: 5 out of 5 stars
  • The Most Amazing CD and DVD!!
  • Skip The Rest! This Is The Mamma Mia Offering You Want.
Mamma Mia! 5th Anniversay [CD/DVD Combination]
Original Cast Recording
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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  4. Number Ones
  5. Play the Songs That Inspired Mamma MIA!

ASIN: B000MQ58V8
Release Date: 2006-10-17

Tracks:

  1. Overture / Prologue
  2. Honey, Honey
  3. Money, Money, Money
  4. Thank You For The Music
  5. Mamma Mia
  6. Chiquitta
  7. Dancing Queen
  8. Lay All Your Love On Me
  9. Super Trouper
  10. Gimme! Gimme! Gimme!
  11. The Name Of The Game
  12. Voulez-Vous
  13. Entr'Acte
  14. Under Attack
  15. One Of Us
  16. S.O.S.
  17. Does Your Mother Know
  18. Knowing Me, Knowing You
  19. Our Last Summer
  20. Slipping Through My Fingers
  21. The Winner Takes It All
  22. Take A Chance On Me
  23. I Do, I Do, I Do, I Do, I Do
  24. I Have A Dream
  25. Mamma Mia
  26. Dancing Queen
  27. Waterloo

Customer Reviews:

5 out of 5 stars The Most Amazing CD and DVD!!.......2007-05-06

I just saw "Mamma Mia! in Las Vegas and couldn't wait to buy this CD. The songs are done well and put me right back in the 3rd row, center of the theater and the DVD was an added little bonus!

5 out of 5 stars Skip The Rest! This Is The Mamma Mia Offering You Want........2007-04-12

What separates this Mamma Mia offering from all the others are the following:

1. I found the sound quality of the songs to be better on this CD than on other Mamma Mia CD's that don't have the three finale songs.

2. This CD has the three finale songs included: (Mamma Mia, Dancing Queen, and Waterloo). Another CD may have the three finale songs included, but it doesn't have the DVD.

3. This offering has a DVD included. Included on the DVD is the history of the making of Mamma Mia (approximately 15 minutes). It also shows song numbers being performed in other countries in various languages. The DVD also shows the two main Broadway performers telling of their experiences in the play. The two remaining parts of the DVD show the songs Money Money Money and Dancing Queen performed as they appeared when the play first opened in London. If you want one Mamma Mia offering this is the one to get. Even if you already have one I would definitely include this one in your collection as well. I've ordered several of these copies (I'd be embarrassed to say how many) and plan on ordering another batch for members of my music class in grades 4-8 as a gift. Treat yourself! It's worth it.
Match Point
Average customer rating: 4.5 out of 5 stars
  • Music that calms me
  • Interesting Choices
  • Great for non experts
  • On-Point
  • For Those so Engrossed by the Film, Here are the Excerpts that Molded It
Match Point
Various Artists
Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

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  1. Woody Allen Classics
  2. The Legendary Enrico Caruso: 21 Favorite Arias
  3. Woody's Winners: 20 Classic Tracks from the Films
  4. Match Point
  5. Casanova

ASIN: B000BU0C7K
Release Date: 2005-12-20

Tracks:

  1. 'Mal Reggendo All'aspro Assalto' From 'Il Trovatore'
  2. 'Un Di, Felice' From 'La Traviata'
  3. 'Mia Piccirella' From 'Salvatore Rosa'
  4. 'Gualtier Malde!...Caro Nome' From 'Rigoletto'
  5. 'Mi Par D'udir Ancora' From I Pescatori Di Perle'
  6. 'Arresta ... Quali Sguardi!' From 'Guillaume Tell'
  7. 'O Figli, O Figli Miei!' From 'Macbeth'
  8. 'Desdemona Rea, Si, Per Ciel' From 'Otello'
  9. 'Una Furtiva Lagrima' From L'elisir D'amore'

Album Description

Match Point tells the story of social-status climber Chris, a modest tennis instructor. His marriage to Chloe gains him comfort and prestige in society, but his passion leads his astray into the arms of his soon-to-be sister-in-law, the very sexy American, Nola. In Match Point, which deals with luck, ambition and guilt, writer/director Woody Allen draws on the talent of actors Jonathan Rhys-Meyers, Emily Mortimer, and in the role of Nola, Scarlett Johannson.

Customer Reviews:

4 out of 5 stars Music that calms me.......2007-02-08

I am no expert. I just like listening to arias that have the capacity to bring me into the music. For me, the songs are like oxygen and taking deep breaths lowers my heart rate and helps me get my mind off everything but the soulfullnes and beauty of the human voice instument.

4 out of 5 stars Interesting Choices.......2007-01-05

Very interesting choices for this soundtrack. Very evocative. Understood that these are old recordings, so sound quality is not fabulous.

5 out of 5 stars Great for non experts.......2006-10-05

I really have no knoledge about opera or I had never had an interest for it but when I saw the movie I just loved the music. The CD is not a disappointment at all. It is only opera and a great selection of songs I would say. If you liked what you heard on the movie you should have it.

5 out of 5 stars On-Point.......2006-05-12

I love everything that has to do with this film at the moment, and the soundtrack is NO exception. Woody Allen has a knack for picking just the right songs to compliment his films, and while watching the WONDERFUL Match Point you can't help but be drawn into the music that laces each scene like delicate embrodery placed only to embelish each frame and make it all the more impressive. This is a soundtrack to enjoy OVER AND OVER again. Each track, although there aren't many, is a joy in itself, but the best track is 'Una Furtive Lagrima' which serves as the theme song of sorts. Seriously though, even though I'm reviewing the soundtrack and not the film, I can't stress enough how brilliant this film really is, and the soundtrack is the perfect companion to the film. They go together hand in hand and should be enjoyed time and time again.

4 out of 5 stars For Those so Engrossed by the Film, Here are the Excerpts that Molded It.......2006-04-28

This soundtrack is a fun little exercise in discovery for those who loved the film MATCH POINT and want to know more about the music that accompanied the story in such an integrated way. It is also a terrific souvenir for opera fans who do not yet own the recordings of the legendary Enrico Caruso!

Woody Allen created his character Chris as a lover of opera and integrated that love for opera into the family of wealth he 'enters'. The story is so well written and Allen is so well versed in opera that his selections for excerpts greatly added to the depth of the film.

Here are the old recordings of Enrico Caruso singing arias from 'Il Trovatore', 'Salvator Rosa', 'Les Pecheurs de perles', 'Macbeth', and 'L'elisir d'amore'. In addition to these are excerpts from contemporary singers performing arias form 'La Traviata' (performed by Monika Krause and Georg Tichy), 'Rigoletto' (sung by Alida Ferrarini with Alexander Rahbari conducting), 'William Tell' and 'Otello' (performed by Igor Morozov and Janez Lotric with Johannes Wildner conducting the Slovak Radio Symphony Orchestra). Probably copyright laws prevented the use of the 'live performances' at Covent Garden we heard in the film with very fine young singers, here substituted with Slovak recording artists. But the mood is still there.

This soundtrack recording makes for nice reminiscing about a fine film while adding a bit of flavor to the usual classical music collection! Grady Harp, April 06

MIA: The Complete Anthology
Average customer rating: 4.5 out of 5 stars
  • Legendary punk album
  • CLASSIC
  • raw, crusty, lightning speed!
  • silly silly people.
  • like minor threat. hate the ideology. go with the germs
MIA: The Complete Anthology
The Germs
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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  1. Group Sex
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ASIN: B00004YLAR
Release Date: 2000-10-17

Tracks:

  1. Forming
  2. Sex Boy
  3. Lexicon Devil
  4. Circle One
  5. No God
  6. What We Do Is Secret
  7. Communist Eyes
  8. Land Of Treason
  9. Richie Dagger's Crime
  10. Strange Notes
  11. American Leather
  12. Lexicon Devil
  13. Manimal
  14. Our Way
  15. We Must Bleed
  16. Media Blitz
  17. The Other Newest One
  18. Let's Pretend
  19. Dragon Lady
  20. The Slave
  21. Shut Down (Annihilation Man)
  22. Caught In My Eye
  23. Round And Round
  24. My Tunnel
  25. Throw It Away
  26. Not All Right
  27. Now I Hear The Laughter
  28. Going Down
  29. Lions Share
  30. Forming 2

Customer Reviews:

5 out of 5 stars Legendary punk album.......2006-12-13

This album is special to me, not only because the music is great, but because it was among the first albums that got me into punk rock. Darby Crash's lyrics were nihilistic and meaningful. There's something very dark about the songs too. All the great songs are on this collection, including my favorites (Circle One, No God, Communist Eyes, Lexicon Devil, Our Way, and Dragon Lady). Be warned, this has a much harder sound than many hardcore punk bands of the time.

5 out of 5 stars CLASSIC.......2006-11-16

From the moment I purchased the album years ago, it was clear that it was going to be one of the classics in the punk repertoire. In reality, the Germs might very well have helped spawn the hardcore moviement, and Joan Jett's production lends a razor-sharp immediacy to the songs.

The tunes aren't so much sung as growled, and Darby Crash's lyrics can be among the most expressive I've heard in the punk genre. There's a grueling intensity to the tunes that's exciting even now. While the band won't appeal to everybody, the record left me slack-jawed with amazement the first time I heard it. The band X may have encapsulated the hopes of the L.A. punk scene, but this record still makes the hackles on the back of your neck rise. There's nothing formulaic here. If you're willing to give it a chance (and that means something more than listening to a bunch of twenty second audio samples), it's hard to imagine your not being moved. That's why this is punk music at its very best.

5 out of 5 stars raw, crusty, lightning speed!.......2006-09-10

Now this album is something else. I was laughing because of the one review I saw saying you must have some insane reason to like the germs. This is actually pretty true, you sort of need a different appreciation of music for this collection. It certainly is raw stuff, they don't spare on sounding like they know exactly what they are doing. a lot of songs though really come together like lexicon devil, media blitz, communist eyes etc. then there are songs like "shut down" which is some 8 minutes of mess. vocals range from pretty crusty to completely raspy to inaudible. Caught in my eye has a chorus saying "I got you caught in my eye" and he sounds kind of like an old man coughing up a hairball or a loogee when singing the word 'eye'. so this probably isn't making the CD too appetizing to you but it really is good stuff. straight up late 70's crusty punk. fast drums, muffled rockin guitars, crusty raspy like fast paced vocals. the germs got it all!

5 out of 5 stars silly silly people........2006-07-13

if your idea of "the greatest band in the world" involves NOFX, then you should definitely NOT buy this album. This is for old punk fans or for people who want to get into punk and discover one of the greatest bands of all time. Dont ever compare the germs to NOFX. thats just stupid.

5 out of 5 stars like minor threat. hate the ideology. go with the germs.......2006-07-10

darby crash is a martyr, and a genius. he's one of the most unique punk lyricists, and the germs are truly an original band. if you hate the straight edge movement you'll love the germs.
Bellini: I Capuleti e i Montecchi
Average customer rating: 5 out of 5 stars
  • Highest Level of Artistry Displayed
  • "Behold the Tomb"
  • Well-sung Shakespearean travesty
  • beautiful and moving opera
  • Wonderful nostalgia
Bellini: I Capuleti e i Montecchi

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Bellini, VincenzoBellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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  5. Handel - Julius Caesar / Treigle · Sills · Forrester · Wolff · NYCO · Rudel

ASIN: B0002XV2XO
Release Date: 2005-02-15

Tracks:

  1. Sinfonia
  2. Aggiorna Appena...
  3. O Di Capellio, Generosi Amici
  4. E Serbata A Questo Acciaro
  5. Si: M'abbraccia
  6. L'amo Tanto, E M'e Si Cara
  7. Vanne Lorenzo
  8. Lieto Del Dolce Incarno
  9. Ascolta. Se Romeo T'uccise Un Figlio
  10. Riedi Al Campo
  11. La Tremenda Ultrice Spada
  12. Eccomi In Lieta Vesta...
  13. Oh! Quante Volte
  14. Propizia E L'ora
  15. Si, Fuggire: A Noi Non Resta
  16. Odi Tu? L'altar Funesto
  17. Vieni, Ah! Vieni

Tracks:

  1. Lieta Notte, Avventurosa
  2. Deh! Per Pieta, T'arresta
  3. Tace Il Fragor
  4. Che Miro?
  5. Soccorso, Sostegno Accordagli
  6. Accorriam...Romeo!
  7. Ne Alcun Ritorna!
  8. Morte Io Non Temo Il Sai
  9. Prendi, Gl'istanti Volano
  10. Deh! Padre Mio, Deh Padre Mio!
  11. Deserto E Il Luogo
  12. Chi Sei Tu?
  13. Qua' Voci! Oh Dio!
  14. Ella E Morta, O Sciagurato
  15. Siam Giunti
  16. Ecco La Tomba
  17. Tu Sola, O Mia Giulietta
  18. O Tu, Mia Sola Speme
  19. Ah! Crudel! Che Mai Facesti?

Customer Reviews:

5 out of 5 stars Highest Level of Artistry Displayed .......2007-02-13

This isn't the Shakespearean version, in case you get disappointed, but is based on an Italian source. In spite of the obvious fact the Sills and Gedda were already past their prime by the time of this recording, they still have plenty to give us, and their musical insight makes this recording better than other well-sung performances recorded in the studio. Baker is absolutely fantastic throughout and gave a very satisfying performance both musically and artistically.

Now coming to the comparison made by a reviewer between Bellini and Verdi. Well, even if Bellini had lived to 80, it would not be his aim to write like Verdi. Bellini stood alone amongst the great opera composers of Italy. Even his contemporaries recognized it and called his music 'filosofico'. Bellini's aim was not to create dramas with music like Donizetti or Verdi, but rather music drama - a fact which Wagner recognized. Only that Bellini's aim was to realize it via the voice (think Norma), while Wagner did it with the orchestra. It is note-worthy that Wagner spared Bellini the usual bashing he gave to the Italians. Not only that - he admitted to Cosima that the love duet from Capuleti was the source of his inspiration for his own in Tristan. In his old age, he was proud to say that he learned from 'these pages' what Messrs Brahms etc had failed to learn. One should approach a Bellini opera as one does a Chopin Ballade or Wagner's Tristan, not Verdi. That is not to say that Verdi is inferior, but just different.

And regarding Bellini's orchestration, Wagner and Bizet were on separate occasions, were tasked to 'improve' the orchestration of Norma. Both eventually gave up the job as impossible and concluded that the orchestration written by Bellini was the most suitable. Comparing the orchestration between the early Il Pirata (with its almost Wagnerian finale!) with Norma, it dawns upon one that the decision to thin out the orchestra by Bellini was deliberate, in line with his purpose of using the voice as the primary tool to express the drama.

4 out of 5 stars "Behold the Tomb".......2006-09-30

I find it difficult to evaluate Bellini's work because it depends so heavily on performance. Never a connoiseur of performances, I leave it to others to tell one bel canto aria from another. It is discouraging to realize that Bellini, who died young, never took much interest in orchestral music, making him a lesser counterpart to Verdi, who combines the Italian devotion to the voice with powerful dramatic effects from the orchestra. Even the cover of the EMI CD is disappointing because it slaps a mod-erotic photograph on an opera where the lovers are too traumatised to make love. The libretto is so poor that the recording does not bother to supply it, confirming the view that Bellini's operas are for connoiseurs of vocal sound only.

I have downoaded the text from Karadar Classical Music as well as a synopsis from Opera japonica. We learn that the Capuleti and Montecchi are local versions of the Guelph and Ghilbelline parties respectively. The Ghibelline Dante would have been allied with the Montecchi, Romeo's party. Capellio, Juliet's father, seeks to avenge the death of a son at the hands of Romeo. Romeo's part is sung by a mezzo-soprano, adding further to the absurdity of the EMI cover photo. Although Romeo and Juliet are already lovers, she refuses to elope with him out of loyalty to her father. These lovers really seem more interested in dying than in making love. Juliet does manage to declare that she breathes easier when she learns that Romeo has survived a fight. We know that Romeo has reached his appointed place when he sings, "Ecco la tomba." Janet Baker, as Romeo, shines in the slow, heart-broken singing that follows, interspersed with sympathetic passages by the chorus of Montecchi. There is no doubt that Bellini's operas allow top performers to sing as beautifully as they can. The instrumental accompaniment in this concluding scene is reduced to a bare minimum.

5 out of 5 stars Well-sung Shakespearean travesty.......2005-10-15

Source: Studio recording made at Abbey Road Studio, London, June 16-25, 1975.

Sound: Analog stereo. The engineering is competent, I suppose, but as a matter of personal taste I do not care for the distant and echo-y soundscape. It sounds as though the opera were taking place at the far end of a Gothic cathedral.

Documentation: No printed libretto, although there is a reference to an on-line libretto available at the EMI Classics website, (which failed to download in five tries over two days) just in case I want to listen to this opera while I am working at my computer. The accompanying essay by James Harding is the most useless I have ever found in a CD case--and that is by no means an easily earned distinction. Harding is vitally interested in Bellini's lame love life but indifferent to such trifles as the plot of the opera he is supposed to be writing about.

Format: Disk 1, Act I, Scenes 1 and 2; 60:42. Disk 2, Act I, Scene 3; Act II, Scenes 1-3; 74:23.

Bellini premiered "I Capuleti e i Montecchi" at Teatro La Fenice in Venice exactly one month before his twenty-ninth birthday. It was a success but it was not without critics. In his essay, Harding writes, "It was unfair of Berlioz to denounce I Capuleti e i Montecchi as a travesty of Shakespeare." Berlioz clearly had a point, for where the Bard had twenty characters, the librettist "Romani made do with only five. You will look in vain," Harding gushes on, "for the Nurse and Friar Laurence" and, I must add, for Mercutio, Benvolio and Paris, too. In the opera, Paris and Tybalt become a single character, Tebaldo, to the great detriment of the plot.

"I Capuleti e i Montecchi" came about midway in Bellini's too short career. The really big hits on which his fame rests were yet to come. The music is competent but somehow lacking that indefinable ping that makes "La Sonnambula," "Norma" and "I Puritani" extraordinary.

Overall, the performance is good. Best by far in the cast is Janet Baker. She does not generate overt excitement but she offers an overwhelming sense of rightness when she essays any part in the narrow range that she made her own. This recording is a little late for the best of Sills but she is still very bright and amazingly agile. As always, I feel that her voice is just a little too cool and too thin, but that is purely a matter of personal taste. It is also late for Nicolai Gedda, who sounds unexpectedly baritonal as Tebaldo, a part that any other 19th Century composer would surely have written for a baritone. (I know, I know, Gounod's Tybalt is a tenor. I sang the role, myself, back in college days. But Gounod's Tybalt is markedly different in character from Bellini's Tebaldo-Paris.) Gedda is very good, but I am not at all sure that I would have recognized him if his name had not been on the cover.

"I Capuleti e i Montecchi" is not a great opera, but three famous and very fine singers offer intelligent and entertaining performances. That's worth five stars as far as I'm concerned.

FOR THE HISTORICALLY MINDED: William Shakespeare wrote his "Romeo and Juliet" in the 1590s, in the early days of his career. As was usual for him, he based his play on older materials. The first literary mention of the Montagus and the Capulets is in Dante's "Purgatorio," vi, lines 106-108. The Montagus lived in Verona and the Capulets in Cremona. They were used by Dante as examples of warring factions that had been exterminated. About 1530, Luigi da Porto mistakenly assumed that the Montagus and the Capulets had both resided in Verona and had feuded with one another. He worked up a tale that involved two young members of his warring clans, Giulietta and Romeo. In 1554, Matteo Bandello published a novella called "Romeo e Giulietta" which proved to be an international hit. A French version was adapted from Bandello by Pierre Boaistuau in 1559. This, in turn, was translated into English in 1562 by Arthur Brooke as a "tragical history" in verse form called "Romeus and Juliet," later to be pounced on by Will Shakespeare in search of a popular hit. The only major changes that Shakespeare made in Brooke's plot were to compress the time frame and to introduce Tybalt into the story at an earlier point in order to build him up as a worthy adversary for Romeo. And, oh, yes, he created an array of living characters such as had never been conceived before.

A number of commentators have taken note of the much simplified plot of "I Capuleti e i Montecchi." They have accounted for it by declaring that Shakespeare's version was not yet well-known in the world, so Romani must have based his work on an earlier version of the story, by which I presume they mean by Bandello or even by da Porto. I don't buy that explanation. By 1830, the cult of Bardolatry was firmly established. The standard German translations (that the Germans to this day hold to be superior to the English originals) were well along. Two generations earlier, the tourist industry of Stratford Upon Avon had been given a kick start by the great actor, Garrick (in a bicentennial celebration conceived by David Garrick, written by David Garrick, produced by David Garrick, directed by David Garrick and starring David Garrick--additional dialogue by W. Shakespeare.) Just seventeen years later, Verdi would write his "Macbeth" and make sketches for a "King Lear," that greatest of all operatic might-have-beens. One of the twenty or so books that Verdi kept close to himself until the day he died was an Italian translation of the works of Shakespeare.

No, I do not think that Romani dealt with any obscure 16th Century originals. I think that he exercised a hack's privilege to pillage a respectable source for his convenience. Berlioz was correct. In both the literal and the figurative senses of the word, this is a travesty.

5 out of 5 stars beautiful and moving opera .......2005-08-12

One may regret that Beverly Sills and Nicolai Gedda did not
record this opera earlier in their careers (1975) yet still
be glad they did. Though there are some audible signs of vo-
cal wear their artistry and commitment are never in doubt and
they offer memorable performances. Janet Baker is on the other
hand in splendid voice and sings superbly - she portrays a
somber Romeo and is supremely moving in the tomb scene.
Robert Lloyd and Raimund Herincx offer excellent support.
Very well recorded and beautifully conducted by Maestro
Patane - a very welcome release !

5 out of 5 stars Wonderful nostalgia .......2005-05-20

Back in the 1970's I was a very intense fan of both La Sills and La Baker. The very idea of both of them coming together for an opera recording sent this rapid fan into a severe swoon! Therefore, this recording sent me into a state of ecstasy! I along with other Sills and Baker fans would gather around my stereo listening to this recording with Baker and Sills weaving their vocal magic which always elicited from us many tears and bravos.
At the time Beverly was a known commodity in Bell Canto operas; however, Janet was mainly known as a song recitalist. Nevertheless, Janet Baker, in this opera, proves that she could sing opera with the best of them showing her great operatic credentials-she is up to every vocal challenge Bellini throws at her. She tackles the role with great artistry and beauty of tone. Her last scene STILL dissolves me to copious tears.
In this recording Beverly sings a little cautiously not throwing out high E's with abandon as before; however, her years of experience being a sublime singer of Bell Canto operas comes through. Her singing is gorgeous, sweet and touching to the highest degree, I truly believe that this recording was one of her best.
It truly is great to hear this recording again-ah the memories. Time has NOT diminished its appeal!
Pavarotti: Greatest Hits
Average customer rating: 4.5 out of 5 stars
  • Cornucopia of Pavarotti's works
  • Don't...!!!
  • Great Tenor - Poor CD Quality
  • Great Music......Horrible Mastering
  • Surely I am proud to be an Italian-American!!
Pavarotti: Greatest Hits

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000042HZ
Release Date: 1997-09-30

Tracks:

  1. Turandot: Nessun dorma
  2. La Boheme: Che gelida manina
  3. La Traviata: Brindisi
  4. Aida: Se quel guerrier io foss ... Celeste Aida
  5. L'Elisir d'Amore: Una furtiva lagrima
  6. Rigoletto: Questa o quella
  7. Martha: M'appari
  8. TOSCA: E lucevan le stelle
  9. Fedora: Amor ti vieta
  10. Pagliaccci: Recitar!... Vesti la guibba
  11. Manon Lescaut: Donna non vidi mai
  12. Rigoletto: La donna e mobile
  13. L'africana: Mi batte il cuor ... O paradiso
  14. Werther: Pourquoi me reveiller
  15. Carmen: La fleur que tu m'avais jetee
  16. Manon Lescaut: Ma se vi talenta ... Tra voi, belle
  17. La Gioconda: Cielo e mar!
  18. TOSCA: Recondita armonia
  19. La Favorita: Spirito gentil
  20. II torvatore: Di quella pira
  21. L'amico Fritz: Suzel, buon di

Tracks:

  1. O sole mio
  2. Torna a Surriento
  3. Orchestra del Teatro Comunale di Bologna: Core 'ngrato
  4. Orchestra del Teatro Comunale di Bologna: Funiculi Funicul
  5. Notte 'e piscatore
  6. O Holy Night (Cantique de Noel)
  7. Panis angelicus
  8. Ave Marie: Ave Maria
  9. Mattinata
  10. La danza
  11. Caro mio ben
  12. Caruso
  13. My Way
  14. Santa Lucia
  15. Tu che m'hai preso il cuor
  16. Mamma
  17. La mai canzone al vento: La mia canzone al vento
  18. Volare
  19. Passione
  20. Granda: Granada

Customer Reviews:

5 out of 5 stars Cornucopia of Pavarotti's works.......2007-03-01

This is a "Super hits" CD, with over forty different cuts (quite a few of which have appeared elsewhere, of course). For those who are aficionados of Pavarotti, this is what might be called "hog heaven."

Disc 1 features estimable works such as "Nessun dorma" (well done, with his voice showing to good effect), "Che gelida manina" (excellently done, with good characterization), ""Celeste Aida" (elegantly sung), "Di quella pira" (a much better than average version), "E lucevan le stelle" (Pavarotti does a nice job in the Puccini-Verdi repertoire), "La donna e mobile" (sung with aplomb), "Recondita armonia" (the other aria from Tosca, which also shows Pavarotti's voice off to good effect), and so on.

Disc 2 is especially interesting, because it features a more popular set of works, from the redoubtable "O sole mio" (richly orchestrated and nicely sung, not overpowered by Pavarotti's operatic voice), "Core n'grato" (compare with Caruso's version), "Oh, holy night," "La danza" (spritely sung with excellent breath control in a treacherous song), "Santa Lucia" (again, smoothly sung), "Ave Maria" (seemingly sung with respect and affection).

A cornucopia of Pavarottiana. For those fans of Pavarotti, this "greatest hits" collection will be welcome. For those who may not be aware of this tenor when his voice was still fresh, this is a fine entrée to his work.

1 out of 5 stars Don't...!!!.......2005-01-24

To combine a voice as beautiful as Pavarotti's with some of the world's greatest music and outstanding orchestras, and end up with this...`thing'...is unforgivable. After buying and listening to it, it brought to mind those painful words "A fool, a fool. I saw a fool today. I saw him in the mirror."

R. J. Rogers

4 out of 5 stars Great Tenor - Poor CD Quality.......2004-10-11

I have never been a huge fan of Maestro Pavarotti but I must admit that this compilation is a masterful collection of his operatic highlights.

I particularily enjoy the first disc which contains just about all the major tenor arias. The singing is superb and listening to this CD it becomes obvious what the fuss over the pre-3 Tenors Pavarotti was all about - the man really did have one of the greatest tenor voices of all time.
His diction was flawless, his line perfect and his interpretation in keeping with the greatest of the Italian tenors of days gone by.

The second disc is interesting in that it is a bit uneven. It contains a few neapolitan standards, a x-mas song, a duet with Frank Sinatra and some other random selections.

Overall this is a 5 star CD but due to the extremely low volume, particularily on the first and most important disc I can only give it a 4 star rating.

On a final note, anyone puzzeled by the current hype over the now againg and commercially over-blown Pavarotti should purchase this CD. This is the great tenor in his prime and as such a CD well worth having...even if you're not a Pavarotti fan.
I'm still not, but I recognize greatness when I hear it.

3 out of 5 stars Great Music......Horrible Mastering.......2004-07-24

Pavarotti has a voice that can take hold of you and change your entire mood...even if you don't know Italian. The problem with this set is the mastering (mastering evens out the volumes and signal to noise ratio on an album). The first CD in this collection is so quiet that you literally have to crank your player to get any kind of volume. For a professional CD this is absolutely unacceptable.
The song choices are good with the exception of "My Way" with Frank Sinatra. Both singers sound ....ummm...let's just say less than their best on the recording. It sits out like a boil on a pretty girl's face.

5 out of 5 stars Surely I am proud to be an Italian-American!!.......2004-06-26

With his wondrous soaring vocals and the humble demeanor within his strong body, Pavarotti is an inspiration to Italian- Americans everywhere - Italian-Americans like me. My family plays his beautiful operas on vinyl nearly every day in me Papa's little wine and cheese shop on 18th and Broadway. The customers compliment the music with glee, pinching my plump cheeks with merriment and wishing me well on their way out the door. Ah, how I love this land of America!!

Oops, I am sorry, Nana.

My Nana has shushed me to "pipe down, little bambino."

I must go down to the dark cellar to count our day's earnings, for it is almost night, and stern Papa will be back soon to close shop and make sure all is well.
The Opera Band
Average customer rating: 4 out of 5 stars
  • great choice
  • Brilliant offering
  • Easy Listening
  • Very Relaxing Music
  • What more can you expect?
The Opera Band
Amici Forever
Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000V0DE2
Release Date: 2004-01-13

Tracks:

  1. Prayer in the Night
  2. Senza Catene (Unchained Melody)
  3. Canto Alla Vita
  4. Vita Mia
  5. Requiem for a Soldier (Band of Brothers)
  6. Whisper of Angels
  7. The Pearl Fishers
  8. Soave sia il vento
  9. Nimrod: Lux Aeterna
  10. Song to the Moon
  11. Zadok the Priest
  12. Nessun Dorma

Amazon.com

The debut of the young, classically trained international quintet of sopranos Jo Appleby and Tsakane Valentine, tenors David Habbin and Geoff Swell, and basso Nick Garret offers up a familiar take on the crossover formula that has enriched everyone from genre pioneers The Three Tenors to Russell Watson and beyond. While their occasionally electro-pumped rhythms and youth-angled marketing shtick ("The world's first opera band!") may borrow a page from Opera Babes and Bond, it still manages to evoke the spirit (if not the letter) of its eclectic classical sources. And if the world hasn't exactly been burning for yet another dramatized update of Turandot's melodic "Nessun Dorma," The Pearl Fishers, or--for that matter--"Unchained Melody," Amici Forever's takes on the pop side of the crossover equation are indeed promising, recasting Alex North's "Unchained.." ("Senza Catene") and their reworked theme to the miniseries Band of Brothers("Requiem for a Soldier") in a successful, neo-classical light. If Neopolitan-shaded originals like "Canto Alla Vita" and "Vita Mia" sound like Josh Groban clones, their glorious harmonic vocal reworkings of Faure's "Pavane" ("Whisper of Angels") and Elgar's "Enigma Variations" ("Nimrod: Lux Aeterna") bristle with an ambitious sense of adventure that's missing from much of their crossover competition. Serious opera buffs may still quarrel with the daring "impurity" of it all, but if Amici Forever prod a few more pimply punters to peruse Puccini, won't it all have been worth it? --Jerry McCulley

Customer Reviews:

5 out of 5 stars great choice.......2007-01-11

this was a gift for family. family member loves album quality and selections.

5 out of 5 stars Brilliant offering.......2007-01-10

Amici Forever is suberb in every way. Their arrangements are exceptional and the original lyrics are perfect poetry.

3 out of 5 stars Easy Listening.......2006-09-21

Bought the album after hearing someone talk about the group. Thought the voices were okay (baritone was the best) but in some songs didn't blend properly. Selection of pieces was interesting . . . pop, classical, opera. Good album for "background" music.

5 out of 5 stars Very Relaxing Music.......2006-09-11

I first heard it at a shop that sells English products. I thought it was interesting to hear and decided to get the CD for myself. I find the chorus very relaxing especially the last song which nearly put me to sleep as I am doing my homework. Amici Forever is a good CD to listen to when you have nothing to do or to soothe your wracked nerves.

5 out of 5 stars What more can you expect?.......2006-08-04

CD was delivered quickly, in excellent shape, and for a great price. What more can you say? George
Early Venetian Lute Music
Average customer rating: 5 out of 5 stars
  • thanks naxos
  • Superb album
  • Heavenly
  • Simply WONDERFUL!!!! just amazing.
  • A Journey Back In Time!
Early Venetian Lute Music

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004GLLX
Release Date: 2000-02-22

Tracks:

  1. Calata Ala Spagnola
  2. Tastar De Corde, Rececar Dietro
  3. Pavana Alla Venetiana
  4. Rececar
  5. Jay Pris Amours (Duet)
  6. Recercar
  7. La Bernardina De Josquin (Duet)
  8. Recercar Quinto
  9. Canto Bello
  10. La Villanella
  11. O Mia Cieca E Dura Sorte (After Marchetto Cara)
  12. Che Farala Che Dirala (After Don Michele Vicentino)
  13. Non Mi Negar Signora (After Serafino Dall'Aquila)
  14. Recercar
  15. Pavana
  16. Calata
  17. Recercar
  18. Je Ne Fay (Duet)
  19. Recercar
  20. De Tous Biens (Duet)
  21. Tastar De Corde, Recercar Dietro
  22. Calata Ala Spagnola
  23. Poi Che Colse La Mia Stella (After Bartolomeo Tromboncino)
  24. Laudato Dio
  25. Saltarello & Piva (Duet)

Customer Reviews:

5 out of 5 stars thanks naxos.......2007-03-18

first i want to thank the folks at naxos for all the great music they have provided over the years at a budget price. i have about 30 albums released by naxos, and they are all wonderful. this album of lute music is a classic listening experience for late nights or lazy sunday afternoons. it is a beautiful quiet trip back into the sounds of another time and place. recorded in a church in england, the acoustics of that building come through clearly, giving the overall sound a haunting tone. the lute playing is itself is gorgeous. nobody looking for a recording of lute playing could go wrong here. naxos also has released a series of solo lute albums featuring the works of sylvius leopold weiss, with robert barto performing, which i recommend heartily, as well. thanks again, naxos.

5 out of 5 stars Superb album.......2007-01-12

This is an excellent album. It's currently my favorite lute album. It's beautiful, relaxing, and enjoyable to listen to. This album is highly recommended to anyone who enjoys lute music.

5 out of 5 stars Heavenly.......2006-10-11

Perfect. Timeless, gentle music. I have given many massages to this music (can't stand most new age stuff). Has the ancient sound that is exactly what I was looking for. Strong recommendation: Glenn Gould, consort of Musicke by William Byrd and Orlando Gibbons. One of my favorite albums EVER. Incredibly powerful, primal, simple.

5 out of 5 stars Simply WONDERFUL!!!! just amazing........2006-02-01

One of the best-buy i have made since long time ago. A high quality CD that can be enjoyed in every moment. Beautiful melodies, you can feel the ancient times with those, and you can try to imagine how could it be medieval life.

5 out of 5 stars A Journey Back In Time!.......2003-12-11

This is a wonderful CD! Beautifully recorded in St. Andrews Church in Toddington, England! The quiet melodies of each piece are different enough that you will never get bored playing it over and over again!The next time you have a bad day, or come home from work some night with frayed nerves, try this!Turn out all of the lights, light a candle in a jar, preferably a scented one (sounds awfully 60's doesn't it!) put this CD on the stereo, get comfortable, let your mind drift back to the 16th century, watch the candle light flicker on the walls and ceiling and feel yourself relax!!!This CD is a lot cheaper than a bottle of tranquilizers or a visit to the shrink!BEWARE: Don't substitute Lute music played on an acoustic guitar! A Lute has different dynamics, nuances and colours!Good Listening To You!!!
Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
  • Fabulous for any Broadway-lover
  • Top Shelf
  • TERRIFIC CD'S
  • Great Collection of Broadways greatest Songs
  • Great Compilation!
Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Cecilia Bartoli - An Italian Songbook (Bellini, Donizetti, Rossini)
Average customer rating: 4.5 out of 5 stars
  • Lovely rendition of Italian songs
  • Best 'Italian' Selection yet.
  • Salon pieces to delight the listener
  • The Italian Songbook......
  • che bella..
Cecilia Bartoli - An Italian Songbook (Bellini, Donizetti, Rossini)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Bellini, VincenzoBellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DonizettiAll Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
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Bartoli, CeciliaBartoli, Cecilia | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
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Bellini, VincenzoBellini, Vincenzo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
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Bartoli, CeciliaBartoli, Cecilia | Divas | Opera & Vocal | Styles | Music
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Rossini, GioacchinoRossini, Gioacchino | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Bartoli, CeciliaBartoli, Cecilia | ( B ) | Performers, A-Z | Classical Music Blowout | Stores | Music
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Similar Items:
  1. Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs
  2. Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
  3. Cecilia Bartoli - The Vivaldi Album / Il Giardino Armonico
  4. Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet
  5. Cecilia Bartoli - Mozart Arias

ASIN: B0000042H2
Release Date: 1997-09-16

Tracks:

  1. Bel Canto Songs: Aragonese
  2. Bel Canto Songs: Vaga luna che inargenti
  3. Bel Canto Songs: II barcaiolo
  4. Bel Canto Songs: Ah! rammenta, o bella Irene
  5. Bel Canto Songs: L'abbandono
  6. Bel Canto Songs: Or che di fiori adorno
  7. Bel Canto Songs: Malinconia, ninfa gentile
  8. Bel Canto Songs: Amore e morte
  9. Bel Canto Songs: Bolero
  10. Bel Canto Songs: La conocchia
  11. Bel Canto Songs: II fervido desiderio
  12. Bel Canto Songs: Torna, vezzosa Fillide
  13. Bel Canto Songs: Vanne, o rosa fortunata
  14. Bel Canto Songs: Dolente immagine di Fille mia
  15. Bel Canto Songs: La farfalletta
  16. Bel Canto Songs: A ma belle mere
  17. Bel Canto Songs: Per pieta, bell'idol mio
  18. Bel Canto Songs: Me voglio fa 'na casa
  19. Bel Canto Songs: L'esule
  20. Bel Canto Songs: La danza (tarantella napoletana)

Amazon.com

The Italian mezzo-soprano Cecilia Bartoli is one of the most charming and talented singers to appear on the scene in recent years, and this collection of Italian songs by three great opera composers--Bellini, Donizetti, and Rossini--is a most deserving bestseller. There are many small pleasures in the selections, which reflect the bel canto predilections of their authors, and Bartoli renders them artfully. Some will be familiar even to casual listeners (Rossini's La Danza, the famous tarantella); others will be new to most, but equally deserving of a hearing. The sensitive and skillful accompaniment is by conductor-pianist James Levine. --Sarah Bryan Miller

Customer Reviews:

5 out of 5 stars Lovely rendition of Italian songs.......2007-03-11

The booklet coming with the CD says of Cecilia Bartoli that she "is justly famous for her coloratura mezzo-soprano voice and her interpretations of Rossini and Mozart." This CD features her lush voice taking on songs of three great Bel Canto composers--Rossini, Bellini, and Donizetti. Some might think of these as trifles, but the singing and musicality is rich and the songs evocative. The piano accompaniment is by famed conductor James Levine, and he does a splendid job.

Some sampling of the songs. . . . The CD begins with a song by Rossini, "Aragones." This is lushly sung; Bartoli has a wondrously rich and textured voice. The pace is contemplative, altogether consistent with the words of the song, the reflection of a disappointed lover. Well done.

Donizetti's "Il barcaiolo" is also well done. Bartoli shows her vocal agility in this tune. This is a spirited song, and her coloratura technique animates her rendition. There are segments sung forte, showing the power of her voice. There is a nice soft closing to the song, so she ranges from forte to piano.

Bellini is represented, too. His "Vaga luna che inargenti" is a pleasant love song. Bartoli sings this tenderly, creating a melancholy spirit, fitting the song's words.

To close, there is Rossini's wonderful tarantella, "La danza." Levine plays at a quick pace, as he must for this spirited song. Bartoli shows great vocal agility and strong breath control (this is a tough song to get right!). A wonderfully spirited version. She even takes a pass at a trill toward the close. All in all, most satisfying.

Thus, this represents a nice CD, showing Bartoli's skills with the songs of some of the great Bel Canto composers. An album that is a lot of fun to listen to!

5 out of 5 stars Best 'Italian' Selection yet........2006-06-16

'An Italian Songbook' by mezzo-soprano Cecilia Bartoli and accompaniest extraordinare, James Levine is the best of the three collections of Italian material from Bartoli I have reviewed to date. Much of this may be due to Levine, but I believe it is more due to the quality of the material selected. All songs are by 'heaviweights Vincenzo Belline, Gaetano Donizetti, and Gioachino Rossini. It is certainly not due to a difference in the quality of Ms. Bartoli's singing, which is uniformly beautiful throughout.

This would be my first choice for Italian material with only piano accompaniment. For a very first Bartoli album, see her 'flagship' recording, 'Cecilia Bartoli' where she is backed by full orchestra and chorus.

5 out of 5 stars Salon pieces to delight the listener.......2006-03-13

Italian art song never became the serious and high form of art that it did within Germany, and hasn't the same place in culture that the French mélodies had. Rather, Italian operatic composers wrote lighter vocal pieces with fairly simple piano accompaniment, designed to be performed in a more intimate setting. One hears immediately the Bellini line (so familiar to those who love Bellini's operas) in his songs - ditto with the Donizetti and Rossini songs.

This in no way robs the songs of immense charm. It would be easy to perform these songs without a great deal of thought, simply making them sound "pretty". But Cecilia Bartoli never does that - she always gives everything, voice, intelligence, musicality, to her performance.

That is what makes this recording so superb. I can see there are some less-than-satisfied reviewers - I am surprised by the comments. For rest assured, there is no vocal difficulty here at all. Cecilia Bartoli's voice is in superb condition throughout, and her interpretation is of course second to none. Having recorded "Vaga luna" myself, I would be the first to say if I thought anything was lacking in Ms Bartoli's performance - but there's nothing adverse I can say at all. It's simply gorgeous singing, with immaculate phrasing, an intensely personal approach, and some of the most beautiful sounds you're likely to hear.

It is hard to imagine anyone being disappointed by this recording. The comments made about squally sound are not just unfair, they're totally inaccurate. I remember purchasing this CD on the very day it was released in Australia, and it's a firm favourite of mine.

In all... delightful.

5 out of 5 stars The Italian Songbook.............2005-12-09

...........sung like a string of pearls. I have never heard "Vaga luna che inargenti" sung so beautifully radiant and lucid. What a contrast when listening to her mournful "L'abbandono" where she sounds so utterly sad and full of melancholy. Brilliant vocal colouring here. "Malincolia, ninfa gentile" is sung with the appropriate pathos but without gimmicks and tricks. Utterly gorgeous Bellinian line. "II fervido desiderio" is sung with just the right amount of yearning and passion. "Per pieta, bell'idol mio" finds her beautifully charming and endearing, who could say no to her? The closing piece, "La Danza" is a tasty little song that suits her to a T. In my humble opinion every young voice student should not only study the Italian Songbook but own this in order to hear how it's done. This is still my favourite Bartoli album.

4 out of 5 stars che bella.........2004-12-23

Cecilia Bartolia is such a refreshing singer in the current state of vocal affairs. For one thing, she is a serious student of the music she sings, and scorns all the 'popera' and crossover artists. She has sought out plenty of unknown/lesser known material to record (Salieri, Vivaldi, Gluck, etc). In the CD in question she does wonderful work with these Italian pezzi. Her voice is now dark, now breathy, now intense, always altered to reflect the words she is singing. Her vocal agility and control are simply remarkable. Pay no attention to the Bartoli nay-sayers, she is a first rate singer.

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