Third Volume of the Serie of Four Albums, 'musica and Natureza', Inspired by the Nature for Therapy and Meditation.
Floresta,Keco Brandao,Azul,World Music
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Haunted Heart
Paul McCartney , Gustav Mahler , Joni Mitchell , Emile Paladilhe , Arthur Schwartz , James ("Jimmy") Van Heusen , Various Composers , Heitor Villa-Lobos , Jimmy Webb , Richard A. Whiting , Stevie Wonder , Guy Wood , Bill Frisell , Fred Hersch , and Renée Fleming Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007Z9QUS Release Date: 2005-05-10 |
Tracks:
- Haunted Heart
- River
- When Did You Leave Heaven?
- You've Changed
- Answer Me
- My Cherie Amour
- In My Life
- The Moon Is A Harsh Mistress
- Wozzeck/The Midnight Sun
- Liebst du um Schit
- My One And Only Love/This Is Always
- Can do Amor
- Psych
- Hard Times Come Again No More
Amazon.com
While countless fans flock to see soprano Renee Fleming's performances of the Countess in The Marriage of Figaro because she's got the voice and the dramatic ability to handle such meaty roles, the versatile singer throws her fans a curveball on Haunted Heart, singing popular standards and ballads as well as a few altered classical pieces. In her liner notes, Fleming calls this album a "look back at the road not taken" -- she played a weekly gig in a jazz club while in school. Nonetheless, her feel for the material here is undeniable. Interestingly, she drops her voice a full octave from her usual tessitura, and the change reveals a robust gospel-oriented approach filled with dramatic breaths and moans. The lyrical Fred Hersch (piano) and the idiosyncratic Bill Frisell (guitar) provide support, and both are adventurous jazz players who create subtle and uniquely haunting backdrops. It adds up to an interesting cross-section of ideas well carried off by the generous talents of all involved. --Tad Hendrickson
\
Interview with Renee Fleming
Renee Fleming speaks about recent projects, including her memoir The Inner Voice and her recent Handel CD, in our interview.
Customer Reviews:
Sublime and ridiculous.......2007-06-13
The ridiculous: Fleming ended the majority of most phrases in most of the songs with a guttural of some sort which for me becomes irritating to the point of distraction. These punctuations are mostly quite awful: really tasteless, clumsy, and overused big time and I'm amazed at how this ever got released. Without these ersatz testifyin' noises this CD would be stunning.
So, if you have the ability and inclination to edit out this garbage from your perception as you listen I think you'll be glad you experienced these artists at work together. (Unfortunately I'm not up to it).
Eeeeeeeeeeewwwwwww.......2007-06-06
Better than I thought it would be.......2007-04-10
I think this is the most artistically successful recording of Pop/Jazz by a classical singer. I enjoyed it even better than the Anna Sophie Von Otter'/ Elvis Costello CD.
The perspective I am coming from is that of a classical singer who started out as a pop singer/songwriter. I perform and teach cross-genre but love a world class instrument such as Flemming's
I wanted to get the perspective of a friend who used to sing jingles and is also a trained singer but is usually critical of any attempts that opera singers make at crossing -over.
My friend is very familiar with Flemming's voice, but did not recognise it in this context when I played the CD for her. Her reaction was very complimentary, although she did comment that the diction was a bit strange.
She then played it for her brother a well known jazz singer and arranger who had a somewhat negative reaction.He found the singing to be overly dark and round. He prefers a cleaner more 'spoken' approach to this style of singing. I understand this perspective and therefore personally prefer Ella to Sarah as well, but let's not get too picky. Obviously, Rene Flemming is of the Sarah Vaghan School of jazz singing, which is not too shabby.
I will continue to enjoy this CD and will wait for another opera diva to top this one. But, somehow I think the next really good CD of Pop/ jazz from an opera star will also come from Rene.
To those who have been unreasonably mean and negative towards her, I can only say you are not fit to polish her shoes!
Brava Renee.......2007-04-09
I hope Renee keeps recording whatever catches her fancy because I'll certainly always listen.
Art is always new. .......2007-03-10
I welcome Renee's elan demonstrated with her recent recordings, Love sublime with Brad Mehldau, and Haunted Heart with Fred Hersch and Bill Frissell. Bravery, fun, and talent combined by artists and for people who are listening. Hearing long time favorites Mehldau, Hersch, and Frissell is all the more sublime.
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Barrios: Guitar Music, Vol. 1
Antigoni Goni Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005A7JY Release Date: 2001-04-17 |
Tracks:
- Maxixe
- U Sueno En La Floresta
- Vals, Op.8, No.4
- Humoresque
- Sarita (Mazurka)
- Madrigal - Gavota
- Vidalita Con Vars
- Junto A Tu Corazon - Vals
- Mabelita
- Tu Y Yo (Gavota Romantica)
- Villancido De Navidad
- Pepita
- Ste Andina: Aconquija
- Ste Andina: Aire
- Ste Andina: Cordoba
- Ste Andina: Cueca
Customer Reviews:
Very nice and soothing.......2007-02-01
Barrios Defined.......2006-07-07
Good Introduction to Barrios.......2005-03-30
This is Volume 1 of a projected series of Barrios' guitar music. It is my first time hearing Antigoni Goni who is excellent, leading me to want to hear her other recordings as well as live in recital.
There isn't too much overlap between her and Russell in Barrios, making getting both CDs worth it if you like Barrios.
Excellent recording quality.
Highly recommended.......2003-07-25
The programme features rarely heard gems like Humouresque, Pepita, and the magical Tu y Yo. Her expressive phrasing often breathes new life into the often played works such as Maxixe, Junto a Tu Corazon, Vals no4.
Romantic guitar music, with Latin American folkloric influence
Absoultely the Best Barrios.......2002-03-27
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The Great Paraguayan: Guitar Music of Barrios
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00077F948 Release Date: 2005-10-18 |
Customer Reviews:
Guitar Music of Barrios.......2007-06-03
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Manhã de Carnaval
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001N9ZE8 Release Date: 2004-06-15 |
Tracks:
- Pixaim
- Sounds Of Bells
- Blackbird
- Lament
- Gathering In Planaltina
- Luiza
- Girl From Ipanema
- Morning Of The Carnival
- I. Divertimiento
- II. Valseana
- III. Preludio E Toccatina
- Seven Strings
- Juliana's Choro
- Water And Wine
- Itching Powder
- Sentimental Melody
- Appassionata
Album Description
The guitar has played a major part in the evolution of Brazilian music, especially during the twentieth century. On this recording the charm, beauty and sensuality of Brazilian guitar music can be heard in pieces as diverse as Marco Pereira's Pixaim, a fast rhythmic dance originating from North-East Brazil, João Pernambuco's cheeky Blackbird, the classic song Girl from Ipanema by Antonio Carlos Jobim, a founder of the Bossa Nova movement and, from Brazil's most famous composer, Heitor Villa-Lobos, the hauntingly lyrical Sentimental Melody, written for the film Green Mansions in 1957. Award winning guitarist, Graham Anthony Devine was born in England and, in his teens, moved to Brazil where he has become an established performer and teacher, giving many recitals and masterclasses throughout South America. He is a laureate of many international guitar competitions in Europe and the United States.Customer Reviews:
Lesser known guitarist wins me over.......2005-04-07
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Music of Barrios
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003D0C Release Date: 1995-02-28 |
Tracks:
- Un Sueno En La Floresta
- Gavota Madrigal
- Danza Paraguaya No. 1
- Danza Paraguaya No. 2: Jha, Che Valle!
- Danza Paraguaya No. 3 : London Carape
- Julia Florida
- Vals, Op. 8, No. 3
- Vals De Primavera
- Vals Tropical
- Vals, Op. 8, No. 4
- Las Abejas
- Fabiniana
- Mazurka Apasionata
- Pais De Abanico
- Cueca
- I. Preludio (Saudade)
- II. Andante Religioso
- III. Allegro Solemne
- A Mi Madre
- Caazapa
- Una Limosna Por El Amor De Dios
Customer Reviews:
Simply Brilliant!.......2007-02-02
I particularly enjoy the Danza Paraguaya tunes featured here, but prefer Williams for Cueca, and for his inclusion of Maxixa and Aconquija... in short: you've got to get both to fully appreciate the genius of Barrios!
6 Stars.......2007-01-11
Alexander-Sergei Ramirez.......2006-08-25
Mangore, el mago de la guitarra.......2006-07-17
El interprete de este volumen es increiblemente bueno, tanto en la parte tecnica como lo interpretativo. pocas interpretaciones había escuchado tan bien logradas y me sorprendi al ver la pieza "a mi madre" pues consideraba que tenia todas las partituras de Mangore. veo que su produccion sigue dando de que hablar. esta fue una pieza que me conmovio.
damned fine Barrios.......2005-05-31
This album will always be compared to John Williams's and in the end I think Russell's is better; Williams's reputation for being to mechanistic is well-earned in my opinion and his "Ultima Cancion" doesn't quite do it for me like Russell's does. It's a shame that Julian Bream never extensively recorded this music, it would be interesting to hear what he could do with it.
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Villa-Lobos: Forest of the Amazon
Manufacturer: Delos Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005B16V Release Date: 2001-04-03 |
Tracks:
- Overture
- Deep In the Forest
- Excitement Among the Indians
- First Bird Song
- Nature's Dance
- Second Bird Song
- (Vocalise)
- Sails
- On the Way To the Hunt
- Third Bird Song
- Twilight Song
- The Indians In Search of the Girl
- Fourth Bird Song
- Rima's Music
- (Vocalise)
- Head Hunters
- Love Song
- Sentimental Melody
- Forest Fire
- (Finale)
Customer Reviews:
A "must Have" for Fans of Villa Lobos.......2007-01-26
Dr. Heller was a student of Villa Lobos, and in many ways, the present recording represents his homage to the master. Little is altered, more is added, and we are the richer for this wonderful new rendition of a little-heard masterpiece. See Dr. Heller's own review below.
I am reluctant to criticize such a great talent as Renee Fleming, but I actually prefer the singing of the wonderful Brazilian soprano Bidu Sayao on the 1958 recording. It is said that she came out of retirement in Maine (USA) to join Villa Lobos in New York to make the recording (there's a Wikipedia article about her). It's also worth noting that of the zillions of recordings of the 5th Bachianas Brasilieras (for soprano and 8 'cellos), hers is possibly the very best -- light, lyrical, sinuous, with the mystical sound that perfectly suits that haunting theme that blends the discpline of Bach with the "wildness" of the Brazilian frontier.
Bottom line -- if you like the nationalistic series of Villa Lobos' compositions, you should have this CD. Hats off to Dr. Heller for producing it.
Magnificent work.......2006-08-14
"Forest of the Amazon" is, more or less, a 74-minute symphonic poem. The work is divided into 20 sections here, however each section flows into another without a break. Despite the length, this work holds the listener's attention throughout. Villa-Lobos was a brilliant orchestrator and knew how to write a great melody. I was immediately lured into this work by the powerful and evocative overture (Track 1). Other exciting sections include "On the way to the Hunt" (Track 9) and "Head Hunters" (Track 16). The imaginative use of male voices and percussion definitely give "Forest of the Amazon" an exotic flavor. Of course the singing by Renée Fleming is lovely, and Villa-Lobos' melodies for the soprano solo are beautiful and memorable. As an example, listen to "Love Song" (Track 17) or "Sentimental Melody" (Track 18). Amazingly, the symphonic poem is a cohesive work; with early themes reappearing later in the work. Yet the piece is incredibly varied, in which the listener takes an Amazonian journey though Villa-Lobos' unique sound world, which incorporates ethnic, popular and classical elements.
I have two (very slight) reservations about this release. First, the present release represents a remastering of a 1994/1995 recording. Although, the sound quality of the remastering is quite good, it may not be up to the excellent standards of CPO's recordings of the Villa-Lobos symphonies. Second, there is an electronic instrument that accompanies the soprano in certain places (Track 4 and Track 6 for instance). I am not familiar with this instrument, but it is one of which I am not particularly fond. However, its presence is not extensive.
Overall, I should mention that the playing by the Moscow Radio Symphony Orchestra, led by the enthusiastic Alfred Heller, is quite good. In fact, we owe many thanks to Alfred Heller, whose research and dedication made this recording possible.
So in conclusion, this release is wholly recommendable to both fans of Villa-Lobos and those who may be new to this master. In "Forest of the Amazon" Villa-Lobos fully explores the evocative potential of the modern orchestra. This is a major statement by a major composer.
Highly recommended.
74:05
From the conductor.......2006-07-12
1. It was not a session orchestra that Villa-lobos conducted, but the Symphony of the Air (NBC Symphony Orchestra).
2. My recording was not just a little longer, but 27 minutes longer (circa 74 minutes total) and included the entire composition. It represented a critical edition.
3. Sadly the Villa-Lobos recording of circa 47 minutes was made when he was ill, done in one day and they kept him there until 2:00AM the next morning as reported to me by pianist Felicja Blumental.
4. Villa-Lobos was my friend and mentor. I watched him orchestrate, "Forest of the Amazon" in December 1958 and I coached Bidú Sayao for his recording.
It irks me to see the uninformed write such a pontifical review as well as an inaccurate one to match his/her arrogance. After a very long time, I finally became irritated enough to say something. Apologies to all for not having done this sooner
I am not saying to buy my recording, but the Ivorx review is absurd. It is based on nothing at all and misinforms the reader. This person owes apologies to the memory of Villa-Lobos and the memories of the excellent musicians who played for his album as well as one to Amazon.com.
sheer sonic lushness.......2005-08-28
More than 25 minutes longer version.......2002-04-10
It is superb epic music, of the many compositions Villa-Lobos wrote one of his best! The only thing I don't like are some short wordless vocalises to imitate birds.But the real songs (sung by Renee Fleming or the choir) which appear like intermezzos on certain places in the driving orchestral music are beautiful. The recording was released before in 1996 on another label (Consonance).
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Laureate Series: Guitar
Carlo Domeniconi , Joaquin Rodrigo , Federico Mompou , Agustin Barrios-Mangore , Leo Brouwer , and Antigoni Goni Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000014FB Release Date: 1998-07-17 |
Tracks:
- Koyunbaba: Suite For Guitar, Op. 19: I Moderato - II Mosso - III Cantabile - IV Presto
- Invocaci Danza - Hommage a Manuel de Falla
- Suite Compostelana: I Preludio
- Suite Compostelana: II Coral
- Suite Compostelana: III Cuna
- Suite Compostelana: IV Recitativo
- Suite Compostelana: V Canci
- Suite Compostelana: VI Mua
- Un Suen la Floresta
- El Decameregro: I: El arpa del Guerriero
- El Decameregro: II: La huida de los amantes por el Valle de los Ecos
- El Decameregro: III: Ballada de la doncella enamorada
Customer Reviews:
must have performance at this price.......2003-10-16
From Marietta, GA.......2003-05-09
Essential.......2003-03-03
Does this inspire a life-times work?.......2002-06-26
feel that I was a little negative towards this album, and in
particular to the almighty piece "Koyunbaba". Any attempt
at this great work should be appreciated. However, I, along
with others I am sure, believe that the John Williams' performance
of it (The Guitarist) deserves the loundest and longest
applause of all. If John is a schoolboy, then we are all
mere ants....
OK, but a little over-rated!.......2002-05-20
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Latin American Guitar Music
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027P9 Release Date: 1992-06-02 |
Tracks:
- La Catedral
- Medley: Madrigal (Gavota)
- Medley: Minuet
- Medley: Mazurka appassionata
- Medley 2: Estudio
- Medley 2: Preludio
- Medley 2: Sueno en la Floresta
- Medley 2: Valse No. 3
- Medley 3: Cueca
- Medley 3: Aire de Zamba
- Medley 3: Aconquija
- Medley 3: Maxixa
- Una Limosna por el amor de Dios
- Villancico de Navidad
- Themes & Variations With Fugue: Folia de Espana
Customer Reviews:
Forgotten musical treasures!.......2005-07-27
When you listen "Una limosna el amor de Dios" or to my view the best track: "Sueño en la floresta" you will be inmediatly in rapture state. Williams added a profound,touching and expressive lyricism that completes the circle.
Williams have been always a guitarrist deeply involved with the Latin American composers: He has developed a great admiration for Antonio Lauro and his performance of Concierto de Aranjuez with Ormandy and Philadelphia Orchestra in 1967 stands by far as the most convincing version I have ever listened.
Go for this album and you will convince by yourself.
Terrific Music, Terrific Guitarist, Terrific Price!.......2002-02-13
Great CD for the price!.......2002-01-17
Latin American Guitar Music.......2001-08-17
Excellent recordings of lesser-known works.......1999-12-01
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John Williams: The Seville Concert from the Royal Alcázar Palace
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001ENYEO Release Date: 2004-02-24 |
Tracks:
- Sevilla (Sevillanas)
- Prelude
- Andante
- I. Allegro Giusto
- II. Largo
- III. Allegro
- Sakura Variations
- Usher Waltz, Op.29 (After Edgar Allan Poe)
- Asturias (Leyenda)
- Sueno En La Floresta
- Adagio
- Torre Bermeja
- Granada
- Cadiz
- Cordoba
Customer Reviews:
Satisfactory, though not great........2007-04-07
My song-by-song review of the master guitarist John Williams.......2005-07-08
--This popular guitar piece is usually played slow and without a strong direct rhythm, such as Williams plays here. While Segovia was responsible for taking the quite mediocre flamenco song and making it more expressive as a classical guitar piece, Williams improved on all those extra notes Segovia put in, by restoring the original dance rhythym (sevilla means dance).
2. Prelude to the Fourth Lute Suite.
--This piece is extremely complex, full of notes and usually satisfies the average listener because it doesn't repeat phrases as much as the other songs in this set. Beginning classical guitarists will hear this and immediately go get the sheet music or tablature for it to start learning it. They are doomed too. The piece is far too advanced. Williams' version here is popular because of how utterly note-for-note flawless it is, in spite of being so complex and difficult that Segovia even said it was impossible to play on guitar!
3. Andante
--I think Amazon.com has mistitled this piece. It is the exact same song as "Sonata in D minor" on the regular CD. But anyway, again, Williams plays flawlessly a difficult piece, but this one is more mellow than the Prelude.
4. I. Allegro Giusto
5. II. Largo
6. III. Allegro
--I personally thought these three movements sounded slightly "rushed", especially the slower second movement "Largo".
7. Sakura Variations
--Williams plays this traditional popular Japanese song several times, each being a different style of the same tune. Nice way to keep things interesting.
8. Usher Waltz, Op.29 (After Edgar Allan Poe)
--This song appears to be nothing but "smart noise", as I like to say. It requires technical feats of skill, but it seems to just spin it's wheels, and would do little more than draw comical smiles if played at a restaurant or club for an audience.
9. Asturias (Leyenda)
--This is a popular piece that just says "spanish pride" all over it. Those who never heard it before would swear this is a soundtrack to a film about wars in old Mexico. While this version is tight, Williams recorded this song back in the 80's on an album called "Spanish Guitar Music", and this earlier version I feel has more power and gusto, while the version on this Seville Concert Album doesn't quite have that earliers gustoin spite of it's own praiseworthy traits.
10. Sueno En La Floresta
--I am a true dedicated fan of John Williams, and I don't like seeing people say he doesn't play with soul, etc. However, while this advanced virtuosic tremelo piece composed by Barrios is technically perfect, it sounds "rushed"; and those small pauses and breaks that give a piece "soul" are all but absent here. He should have slowed it down just a bit. Did Williams ever play this piece with soul? Yes. In 1978, found on his album "John Williams plays barrios".
11. Adagio
--Otherwise titled "Concerto de Arajaunez", guitar + symphony piece composed by Joquin Rodrigo, and intended to highlight the guitar, by giving it most of the limelight. This is very different from the orchestra concertos in songs 4, 5 and 6 on this same album. Williams gives the guitar true color and expression in each of the solo spots.
12. Torre Bermeja
--Some songs just have a very thick authentic "Mexican" sound to them more so than others, and this would be such one. It was Segovia who popularized the notion that no classical guitarist should play one song the same way all the time. I personally feel that the earlier version Williams recorded back in 1958 when he was 17, despite the lessor quality clarity in the recording, is much more expressive. That was when Williams was fresh out of Segovia school.
13. Granada
--A soft and moving Spanish piece, the one you'd want to have playing when your girlfriend walks in the door to eat the gourmet dinner with you under soft lights. This is the stuff I listen to when everybody is out of the house and I can just sit back with nothing but this album and a six-pack of beer and just *V E G* for a precious 3 minutes. Or I'll put the CD player on repeat and turn it into an hour.
14. Cadiz
--A rather lively swashbuckling piece that didn't do a damn thing for me personally. I am a classical guitarist, and this one will never be in my repetoire.
15. Cordoba
--A very expressive piece with a slow beautiful yet haunting beginning, evoking images of the Mosk in Spain. The main body of the song requires some of the most impossible guitar fingering, and yet Williams brings it out without buzzing strings or squeaks. In the video "The Seville Concert", Williams introduces this piece by saying that Cordoba is his personal favorite.
--
Overall, while the extra songs on this special edition CD are interesting, they are not sufficient to justify the extra price, and IMO it is only Cordoba which justifies the increased price. The average person, whether amatuer guitarist or not should be satisfied with what amounts to a culmination of Williams' unbelievably accurate playing. This album however will not satisfy guitar enthusiasts who prioritize feeling and soul more than technical perfection. He simply just doesn't "take his time" often enough for that crowd of listeners.
If I had produced this album, I would have shelved "Cadiz", and put William's latest recording of "Recuerdos de la Alhambra" on it instead; the famous tremelo piece by Tarrega which is the "most" Spanish sounding piece in all the guitar literature in guitarist majority opinion. Cadiz is simply awful. I never thought any noise could be worse than "Usher Waltz". Boy was i wrong!
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Villa-Lobos: Music for Flute
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YYPX Release Date: 2000-11-14 |
Tracks:
- Quinteto Em Forma De Choros - William Bennet/Neil Black/Janice Knight/Thea King/Robin O'Neill
- Modinha - William Bennet/Simon Wynberg
- Bachianas Brasileiras No.6: Aria (Choro) Largo - William Bennet/Robin O'Neill
- Bachianas Brasileiras No.6: Fant Allegro - William Bennet/Robin O'Neill
- Distribution Of Flowers - William Bennet/Simon Wynberg
- Assobio A Jato (The Jet Whistle): Allegro Non Troppo - William Bennet/Charles Tunnell
- Assobio A Jato (The Jet Whistle): Adagio - William Bennet/Charles Tunnell
- Assobio A Jato (The Jet Whistle): Vivo - William Bennet/Charles Tunnell
- Choros No.2 - William Bennet/Thea King
- Song Of Love - William Bennet/Simon Wynberg
- Trio: Anime - Neil Black/Thea King/Robin O'Neill
- Trio: Languisamente - Neil Black/Thea King/Robin O'Neill
- Trio: Vivo - Neil Black/Thea King/Robin O'Neill
Pop Music:
