Arco & Tecla [Import]

Product Description
Violinist and Pianist Perform Songs from Caetano Veloso, Tom Jobim, Milton Nascimento, Vinicius De Moraes, Dory Caymmi, Among Others.

Arco & Tecla,Ricardo Amado,Flavio Augusto,Rob,World Music

Average customer rating: A musical treasure-box a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Holborne, Anthony | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by White | White, Robert | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Ballets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Solo Instrumental | New Age | Styles | Music Classical | Box Sets | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Byrd, William | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Dowland, John | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Holborne, Anthony | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music White, Robert | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Bargain Box Sets | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music The Decca Records Store | Specialty Stores | Music Similar Items: Dowland: Complete Lute Works, Vol.1-5 William Byrd: Consort Songs Bach: The Landowska Recordings Britten Conducts Britten Janácek: Operas ASIN: B000004CYV Release Date: 2007-03-13

Tracks:

1. First Booke Of Songes: I. Unquiet Thoughts
2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
4. First Booke Of Songes: IV. If My Complaints Could Passions Move
5. First Booke Of Songes: V. Can She Excuse My Wrongs
6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
7. First Booke Of Songes: VII. Dear, If You Change
8. First Booke Of Songes: VIII. Burst Fourth My Tears
9. First Booke Of Songes: IX. Go Crystal Tears
10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
11. First Booke Of Songes: XI. Come Away, Come Sweet Love
12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
16. First Booke Of Songes: XVI. Would My Conceit
17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
18. First Booke Of Songes: XVIII. His Golden Locks
19. First Booke Of Songes: XIX. Awake, Sweet Love
20. First Booke Of Songes: XX. Come, Heavy Sleep
21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

1. Second Booke Of Songs: I. I Saw My Lady Weep
2. Second Booke Of Songs: II. Flow My Tears
3. Second Booke Of Songs: III. Sorrow, Stay
4. Second Booke Of Songs: IV. Die Not Before Thy Day
5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
6. Second Booke Of Songs: VI. Time's Eldest Son
7. Second Booke Of Songs: VII. Then Sit Thee Down
8. Second Booke Of Songs: VIII. When Others Sing Venite
9. Second Booke Of Songs: IX. Praise Blindness Eyes
10. Second Booke Of Songs: X. O Sweet Woods
11. Second Booke Of Songs: XI. If Floods Of Tears
12. Second Booke Of Songs: XII. Fine Knacks For Ladies
13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
15. Second Booke Of Songs: XV. White As Lilies Was Her Face
16. Second Booke Of Songs: XVI. Woeful Heart
17. Second Booke Of Songs: XVII. A Shepherd In A Shade
18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
19. Second Booke Of Songs: XIX. Shall I Sue
20. Second Booke Of Songs: XX. Toss Not My Soul
21. Second Booke Of Songs: XXI. Clear Or Cloudy
22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

1. Third Booke Of Songs 1603: I. Farewell, Too Fair
2. Third Booke Of Songs 1603: II. Time Stands Still
3. Third Booke Of Songs 1603: III. Behold A Wonder Here
4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
9. Third Booke Of Songs 1603: IX. What If I Never Speed?
10. Third Booke Of Songs 1603: X. Love Stood Amazed
11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
17. Third Booke Of Songs 1603: XVII. I Must Complain
18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

1. A Pilgrimes Solace: I. Disdain Me Still
2. A Pilgrimes Solace: II. Sweet Stay Awhile
3. A Pilgrimes Solace: III. To Ask For All Thy Love
4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
6. A Pilgrimes Solace: VI. Were Every Thought An Eye
7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
8. A Pilgrimes Solace: VIII. Tell Me, True Love
9. A Pilgrimes Solace: IX. Go Nightly Cares
10. A Pilgrimes Solace: X. From Silent Night
11. A Pilgrimes Solace: XI. Lasso vita mia
12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
14. A Pilgrimes Solace: XIV. Thou Mighty God
15. A Pilgrimes Solace: XV. When David's Life
16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
3. A Pilgrimes Solace: XIX. Up Merry Mates
4. A Pilgrimes Solace: XX. Welcome Black Night
5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
2. Mr. Henry Noell Lamentations: II. Domine ne in furore
3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
6. Mr. Henry Noell Lamentations: VI. De profundis
7. Mr. Henry Noell Lamentations: VII. Domine exaudi
8. Lachrimae: Lachrimae Antiquae
9. Lachrimae: Lachrimae Antiquae Novae
10. Lachrimae: Lachrimae Gementes
11. Lachrimae: Lachrimae Tristes
12. Lachrimae: Lachrimae Coactae
13. Lachrimae: Lachrimae Amantis
14. Lachrimae: Lachrimae Verae
15. Lachrimae: Mr. John Langton's Pavan
16. Lachrimae: Mr. Nicholas Gryffith His Galiard
17. Lachrimae: Sir John Souch His Galiard
18. Lachrimae: Semper Dowland Semper Dolens
19. Lachrimae: Mr. Giles Hobies Galiard
20. Lachrimae: The King Of Denmark's Galiard
21. Lachrimae: Sir Henry Umpton's Funerall
22. Lachrimae: Mr. Henry Noell His Galiard
23. Lachrimae: The Earl Of Essex Galiard
24. Lachrimae: Mr. Bucton His Galiard
25. Lachrimae: Mr. George Whitehead His Almand
26. Lachrimae: Captain Digorie Piper His Galiard
27. Lachrimae: Mr. Thomas Collier His Galiard
28. Lachrimae: Mrs. Nichols Almand

Tracks:

1. Sacred Songs: Sorrow, Come!
2. Sacred Songs: I Shame At Mine Unworthiness
3. Sacred Songs: An Heart That's Broken And Contrite
4. Psalms: Psalm 100: All People That On Earth Do Dwell
5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
6. Psalms: Psalm 130: Lord To Thee I Make My Moan
7. Psalms: Psalm 104: My Soul Praise The Lord
8. Psalms: Psalm 100: All People That On Earth Do Dwell
9. Psalms: Psalm 134: Behold And Have Regard
10. A Prayer For The Queen's Most Excellent Majesty
11. Instrumental Music: Solus cum sola pavan
12. Instrumental Music: Lachrimae
13. Instrumental Music: Galliard
14. Instrumental Music: Pipers Pavan
15. Instrumental Music: Lachrimae
16. Instrumental Music: Lady Rich Galliard
17. Instrumental Music: Earl Of Essex Galliard
18. Instrumental Music: If My Complaints
19. Instrumental Music: Lachrimae Doolande
20. Instrumental Music: Lord Willoughbie's Welcome Home
21. Instrumental Music: My Lord Chamberlaine His Galliard
22. Instrumental Music: Comagain
23. Instrumental Music: Pavan Lachrymae
24. Instrumental Music: Sorrow Stay

Tracks:

1. Lute Music: Preludium
2. Lute Music: Lachrimae
3. Lute Music: Can She Excuse
4. Lute Music: Dr. Case's Pavan
5. Lute Music: Melancholy Galliard
6. Lute Music: Sir John Smith, His Almain
7. Lute Music: Fantasia
8. Lute Music: A Dream
9. Lute Music: Almain
10. Lute Music: The Queen's Galliard
11. Lute Music: Coranto
12. Lute Music: Resolution
13. Lute Music: Mrs. Vaux Galliard
14. Lute Music: Almain
15. Lute Music: Mr. Dowland's MIdnight
16. Lute Music: Fantasia
17. Lute Music: Loth To Depart
18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
19. Lute Music: The Earl Of Essex, His Galliard
20. Lute Music: Pavan
21. Lute Music: John Dowland's Galliard
22. Lute Music: Aloe
23. Lute Music: The Lady Clifton's Spirit
24. Lute Music: What If A Day
25. Lute Music: Mr. Giles Hobie's Galliard
26. Lute Music: Come Away (Song arrangement)
27. Lute Music: Galliard
28. Lute Music: Fancy (Fantasia)

Tracks:

1. Lute Music: Lachrimae (Basic Version)
2. Lute Music: Galliard To Lachrimae
3. Lute Music: [Jig]
4. Lute Music: Galliard On 'Wasingham'
5. Lute Music: Complaint (Ballad Setting)
6. Lute Music: Mignarda (Galliard)
7. Lute Music: Semper Dowland Semper Dolens (Pavan)
8. Lute Music: The Frog Galliard
9. Lute Music: A Fancy (Fantasia)
10. Lute Music: Fancy (Fantasia)
11. Lute Music: Piper's Pavan
12. Lute Music: Captain Digorie Piper's Galliard
13. Lute Music: Lady Laiton's Almain
14. Lute Music: Dowland's Galliard
15. Lute Music: Dowland's First Galliard
16. Lute Music: Tarleton's Jig
17. Lute Music: Walsingham (ballad Setting)
18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
19. Lute Music: Sir Henry Guilforde, His Almain
20. Lute Music: Pavan (Related To 'Lachrimae')
21. Lute Music: Mr. Langton's Galliard
22. Lute Music: Mrs. Clifton's Almain
23. Lute Music: Galliard
24. Lute Music: Lady Hunsdon's Puffe (Almain)
25. Lute Music: Galliard
26. Lute Music: Go From My Window (Ballad Setting)
27. Lute Music: Fancy (Fantasia)

Tracks:

1. Lute Music: Pavana Johan Douland
2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
3. Lute Music: La mia Barbara
4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
5. Lute Music: Lachrimae
6. Lute Music: Farewell Fancy (Chromatic Fantasia)
7. Lute Music: Farewell (On The 'In Nomine' Theme)
8. Lute Music: The King of Denmark's Galliard
9. Lute Music: Mrs. Vaux's Jig
10. Lute Music: Mrs. Nichol's Almain
11. Lute Music: Galliard
12. Lute Music: Lord Strang's March
13. Lute Music: Mrs. Winter's Jump
14. Lute Music: Can She Excuse (Galliard)
15. Lute Music: The Shoemaker's Wife, A Toy
16. Lute Music: Mrs. Norrish's Delight
17. Lute Music: Galliard
18. Lute Music: Mrs. White's Thing (Almain)
19. Lute Music: Mrs. White's Nothing
20. Lute Music: The Frog Galliard
21. Lute Music: Solus cum sola
22. Lute Music: The Lord Viscount Lisle, His Galliard
23. Lute Music: Orlando Sleepeth (Ballad Setting)
24. Lute Music: Robin (Ballad Setting)
25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

1. Lute Music: The Lady Russell's Pavan
2. Lute Music: Fancy (Fantasia)
3. Lute Music: Sir John Langton's Pavan
4. Lute Music: Earl Of Derby, His Galliard
5. Lute Music: A Coy Toy
6. Lute Music: Fortune My Foe
7. Lute Music: [Almain]
8. Lute Music: Mr. Knight's Galliard
9. Lute Music: Sir John Souch His Galliard
10. Lute Music: Tarletone's Riserrectione
11. Lute Music: The Lady Rich, Her Galliard
12. Consort Music: Lachrimae Pavan
13. Consort Music: Can She Excuse Galliard
14. Consort Music: Captain Piper's Pavan And Galliard
15. Consort Music: The Frog Galliard
16. Consort Music: Round Battell Galliard
17. Consort Music: Fortune My Foe
18. Consort Music: Dowland's First Galliard
19. Consort Music: Katherine Darcie's Galliard
20. Consort Music: Tarleton's Jigge
21. Consort Music: Almain a 2
22. Consort Music: Mistress Nichols Almain a 2
23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
25. Opusculum: Mr. John Langton Pavan And Galliard
26. Opusculum: La mia Barbara Pavan and Galliard
27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

1. Consort Music: Mistress NIchols Almain
2. Consort Music: Volta a 4 ('Ioh. Douland')
3. Consort Music: Were Every Thought an Eye
4. Consort Music: Lady If You So Spite Me
5. Consort Music: Pavan a 4
6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
13. A Musicall Banquet: VIII. Far From Triumphing Court
14. A Musicall Banquet: IX. Lady, If You So Spite Me
15. A Musicall Banquet: X. In Darkness Let Me Dwell
16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).

Average customer rating: Astounding recording, worthy of consideration! One of the Greatest Baroque Players Today I think this is actually the devil playing! Hauntingly Beautiful The Devil's Sonata as it Should be Played!

Tartini: The Devil's Sonata / Andrew Manze Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD All Works by Tartini | Tartini, Giuseppe | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Classical | Imports | Stores | Music Similar Items: Pandolfi: Complete Violin Sonatas Biber: Violin Sonatas Uccellini - Sonatas / Romanesca - Manze · North · Toll Biber: The Rosary Sonatas Telemann: Twelve Fantasias for Violin Solo; Gulliver Suite for Two Violins ASIN: B000005Z35 Release Date: 1998-03-10

Tracks:

1. The Devil's Sonata: La Sonata del Diavolo in G Minor - Largo
2. The Devil's Sonata: La Sonata del Diavolo in G Minor - Allegro
3. The Devil's Sonata: La Sonata del Diavolo in G Minor - Andante, Allegro, Adagio
4. The Devil's Sonata: L'arte del Arco - Theme & variation 1
5. The Devil's Sonata: L'arte del Arco - Variations 2 & 4
6. The Devil's Sonata: L'arte del Arco - Variations 9, 15, & 12
7. The Devil's Sonata: L'arte del Arco - Variatios 10 & 20
8. The Devil's Sonata: L'arte del Arco - Variation 29
9. The Devil's Sonata: L'arte del Arco - Variation 30
10. The Devil's Sonata: L'arte del Arco - Variation 33
11. The Devil's Sonata: L'arte del Arco - Variation 34
12. The Devil's Sonata: L'arte del Arco - Variation 23
13. The Devil's Sonata: L'arte del Arco - Variation 38
14. The Devil's Sonata: Sonata in A minor - Cantabile
15. The Devil's Sonata: Sonata in A minor - Allegro
16. The Devil's Sonata: Sonata in A minor - Andante
17. The Devil's Sonata: Sonata in A minor - Giga
18. The Devil's Sonata: Sonata in A minor - Aria (with variations)
19. The Devil's Sonata: Sonata in A minor - Variation 1
20. The Devil's Sonata: Sonata in A minor - Variation 2
21. The Devil's Sonata: Sonata in A minor - Variation 3
22. The Devil's Sonata: Sonata in A minor - Variation 4
23. The Devil's Sonata: Sonata in A minor - Variation 5
24. The Devil's Sonata: Pastorale for violin in scordatura - Grave
25. The Devil's Sonata: Pastorale for violin in scordatura - Allegro
26. The Devil's Sonata: Pastorale for violin in scordatura - Largo, Presto, Andante

Amazon.com's Best of 1998

Violinist Andrew Manze did something truly breathtaking in 1998--he transformed the way we hear Giuseppe Tartini's The Devil's Sonata by playing it solo, without accompaniment. And we'll never hear it the same way again. It's a riveting performance, filled with as much improvisation as many jazz compositions, and yet it remains thoroughly faithful to Tartini's vision (Manze was inspired to play the work solo by the composer's own correspondence). Hands down, one of the best Baroque performances ever. --Jason Verlinde

Amazon.com essential recording

This is one of the craziest classical CDs you will ever hear, but the madness is inspired. Andrew Manze, following a suggestion in one of Tartini's letters, gets rid of the published accompaniment and plays these pieces on the solo violin. In the other three works he takes plenty of liberties, but in the famous Devil's Trill Sonata he embellishes, improvises, departs from the text and comes back again. The verbal description sounds like my idea of a nightmare, but the execution is so inspired that this is one of the most compelling Baroque performances ever. Whether it is "authentic" or not, I have no idea, and Manze probably doesn't either. But this is a recording you will remember. --Leslie Gerber

Customer Reviews:

Astounding recording, worthy of consideration!.......2006-02-02

I picked this disc up several years ago, and I frequently return to it whenever I crave a fine example of baroque violin. The naysayers will say what they will about Manze's departure from a literal interpretation of the music, while his advocates point out that this is very much in the style of baroque performers as historians now understand it.

In either case, Manze proves that this music is still as alive and relevant as it was in Tartini's day. The perfomance is technically above reproach. The only complaint I can think of, and I'm nitpicking here, is that there is just a bit too much reverb for my liking. I prefer a much more straightforward recording of solo violin work, such as in the Michael Rabin or Itzhak Perlman recordings of Paganini's 24 Caprices.

This disc was well worth the $20 I paid for it.

One of the Greatest Baroque Players Today.......2005-10-06

Andrew Manze utterly captures the essence of Baroque playing in this recording. At the heart of Baroque tradition is embellishment and intricate decoration, beautifully exmplified in this work. The quality of Manze's playing is heard in his masterful control of tone and dynamic. As a violinist, I am awed by his ability and the passion that he exudes. In particular his dynamic range and control of vibrato makes this work fascinating to listen to. If you wish to hear a recording that best exemplifies the music of the Baroque period as it was intended to be played, this recording is for you.

I think this is actually the devil playing!.......2005-03-19

Manze's interpretation of the Devil's Trill Sonata is absolutely breathtaking. Other than the pure amazing virtuosity, the most brilliant part of Manze's rendition is that despite the extreme amount of liberty he takes with the piece, it still remains true to the style and feel of the original.

Tartini said that he heard the Sonata played by the Devil in a dream, but was unable to fully capture the way it sounded when he woke and composed it. When I hear Manze's version, I can't imagine the piece could have been any better in Tartini's original dream than it is on this CD.

If you are a purist this rendition might not interest you from a historical perspective. However, as a music lover, I can't imagine anyone who wouldn't like this amazing CD. Enjoy!

Hauntingly Beautiful.......2004-11-13

Having listened to several performances of Tartini's the Devil's Sonata this is simply gorgeous. Andrew Manze is breathtaking and amazing, to think it is only played by one man yet it seems like a full orchestra. The technique of the Devil's Sonata is estounding and truelly unigue and masterful, but with Manze it was made Heavenly. I was taken away by this CD and I think anyone with a true appreciation for beauty will be. I like to think Tartini would be proud of this performance.

Angela.

The Devil's Sonata as it Should be Played!.......2004-11-06

If I wish to demonstrate to someone why the 'Baroque Violin' is special, this is the album I play to them. There is no 'modern' rendering that approaches it. The dynamic range, intimacy and passion inherent in this CD are incomparable. Though I am sure the adherents of Josh Bell, Sarah Chang and Vanessa Mae would hoot me down, I will assert that in musicianship and technical ability Manze is the finest violinist living. Period.

In over 20 years of pursuing the 'ideal' solo violin recording this would be my choice.

Average customer rating: Interesting music interestingly sung The marriage of skill and magic There is no such thing as too much Emma Kirkby emma's pure and magical voice. Voice of an Angel!

The Emma Kirkby Collection Claudio Monteverdi , George Frideric Handel , Johann Sebastian Bach , Sigismondo D'India , John Dowland , Guillaume de Machaut , Hildegard of Bingen , Thomas Campion , Henry Lawes , Henry Purcell , Michael East , The Consort of Musicke , Taverner Consort Players , Roy Goodman , Anthony Rooley , Emma Kirkby , Christopher Page , Denys Darlow , Andrew Parrott , Parley of Instruments , London Handel Orchestra , Gothic Voices , David Reichenberg , and Instrumental Ensemble Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Hildegard of Bingen | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Machaut | Machaut, Guillaume de | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Monteverdi | Monteverdi, Claudio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Kirkby, Emma | ( K ) | Featured Performers, A-Z | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music Virelais | Vocal Non-Opera | Opera & Vocal | Styles | Music Kirkby, Emma | Divas | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Emma Kirkby sings Handel, Arne, Haydn & Mozart Emma Kirkby - Handel Opera Arias / Goodman, Brandenburg Consort A Purcell Songbook [Australia] Emma Kirkby - Handel Opera Arias and Overtures · 2 / Brandenburg Consort · Goodman William Byrd: Consort Songs ASIN: B000002ZJG Release Date: 1993-11-12

Tracks:

1. Confiterbor tibi, Domine (Psalm 110)
2. Now Hath Flora Robbed Her Bowers
3. Stript Of Their Green Our groves Appear
4. Voglio di vita uscir
5. Piangono al pianger mio
6. Flow Not So Fast, Ye Fountains
7. Foy Porter
8. Columba aspexit
9. Sheep May Safely Graze
10. Time Stands Still
11. Diana
12. Quel squardo sdegnosetto
13. Maledetto sia l'aspetto
14. The Lark
15. Move Now With Measured Sound
16. Sharp Thorns Despising
17. Sich tiben im Lieben
18. You Meaner Beauties Of The Night

Customer Reviews:

Interesting music interestingly sung.......2007-02-01

Much of this vocal music is from an era with which I am unfamiliar. It ranges from the work of Hildegarde of Bergen (1098-1179) to Handel (1685-1759); obviously, this album covers much territory! Emma Kirkby displays her virtuosity on this CD. The notes from the CD say that "One of the favorite adjectives used by critics. . .is the word 'celestial.'" At a later point, the notes speak of Kirkby further: "There is a freshness, an openness, an honesty about her voice. . ."

Some comments on works randomly selected.

Monteverdi's "Confitebor tibi, Domine." Here, Kirkby displays a clean light voice. She exhibits a spirited "Gloria Patri" with some spare but interesting ornamentation.

Campion's "Now hath Flora robbed her bowers." This cut shows off to good effect the agility in her voice.

John Dowland, "Flow not so fast, ye fountains." Here is displayed her smooth voice; her singing flows smoothly from one note to the next. There is a poignancy in her singing on this piece.

Guillaume de Machaut, "Foy porter." She treats the redoubtable de Machaut well; his works are some of the best of his time. This is smoothly song and does his work justice.

Hildegarde of Birgen, "Columba aspexit." This is the oldest composition on this CD by far. The work is spare, but well sung. There is a hypnotic quality to the work and Kirkby sings it well.

Lawes, "The Lark." Again, nice agility of her voice is displayed.

Other compositions on this CD are by Purcell, J. S. Bach, Sigismondo d'India, and Handel.

All in all, a nice sampling of the work of Emma Kirkby. I was not much familiar with her work before listening to this CD, but I am delighted that I did purchase this work.

The marriage of skill and magic.......2007-01-12

Ms. Kirby's voice is limpid, exquisitely pitched, strong, and yet beautifully refined. Her command of her voice is extraordinary, with phrasing, delicate embellishments and what I think are some vocal cadenzas, all showing the skill and craft of an artist who has brought her artistry to its highest state. But she makes her artistry sound so easy, so natural: nothing of bravura, nothing forced here. The selections are wonderfully chosen; together, they give us the whole range of early to late Baroque, in every mood. Each listening refreshes the spirit. What an artist!

There is no such thing as too much Emma Kirkby.......2002-07-16

The only defect in this disk is that it isn't a three or four disk set. Some people don't appreciate her beautiful voice and I feel sorry for them. I first heard her voice live in a concert here in Ann Arbor in December of 1980 and she stunned me. The memory of her beautiful voice still lives in my mind and heart.

Well, this disk gives us 18 selections from a number of different composers from the Baroque. Every one of them is a treasure and has its own charms. I can't pick a favorite, but I can say that each of these pieces show off her voice and singing style in different ways.

Yes, I wish she had included more Purcell and something even nicer than what we have on track 3, but what would I give up? Well, that is where I say we need this to have been a two or three disk collection.

You won't go wrong with this wonderful disk!

emma's pure and magical voice........2000-10-16

This cd shows Emma's versatility as a Baroque and early music performer. Her pure voice matches the music so well. I really enjoy the song "You meaner beauties of the night." This is only one among many cd's which shows Emma's great voice. I highly recommend the Emma Kirkby collection.

Voice of an Angel!.......1999-07-20

One of the most beautiful angelic voice in the world! But I don't think this collection shows her best recording pieces.

Average customer rating: The best guitar duo in the world plays Lobos & Marlos Nobre

Alma Brasileira Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Duets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Brazil | South & Central America | International | Styles | Music General | International | Styles | Music General | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Similar Items: Music for Two Guitars A Brazilian Songbook Sérgio & Odair Assad Play Piazzolla Sergio & Odair Assad Play Rameau, Scarlatti, Couperin, Bach Nadja Salerno-Sonnenberg, Sergio and Odair Assad ASIN: B000005IYY Release Date: 1991-11-03

Tracks:

1. Ciclo Nordestino No. 3: Cantiga de Cego
2. Baiao Malandro
3. A lenda do caboclo
4. Jobiniana No. 1
5. Ciclo Nordestino No. 3: Capoeira
6. Choro de mae
7. Serie de arco
8. Toccata em ritmo de samba
9. Alma Brasileira
10. Ciclo Nordestino No. 1: Martelo
11. Suite Retratos: Pixinguinha
12. Suite Brasileira: Baiao
13. Ciclo Nordestino No. 2: Praiana
14. Frevo
15. Suite Brasileira: Cancao

Customer Reviews:

The best guitar duo in the world plays Lobos & Marlos Nobre.......2001-04-22

Sergio & Odair Assad made the world most famous guitar duo. They play in such a incredible virtuosistic and musical way, that you can hear them like a gigantic guitar, listining as a 12 strings guitar, never like two different instruments.I listen this beautiful CD many times, always astonished by the extraordinary musicality of the two musicians. The repertoire it is not the best, mixing some easy writing popular stuff with the work of two truly genius of the latin-american music, Villa-Lobos (Choros nº5/Lenda do Caboclo) and MARLOS NOBRE, the heir of Villa-Lobos, the world famous composer of our time in Latin-America, with the gems of the two-guitar repertoire, a truly favourite pieces, his "Cantiga de Cego", "Capoeira", "Martelo" and "Praiana" from his 15 pieces of the cycle "Ciclos Nordestinos I,II and III". This music it is the truly revelation and discover of this CD. The Duo Assad must now record the whole 15 pieces of this genial work from Marlos Nobre.

Average customer rating: Great Singers, not-Great Verdi Verdi the patriot Good music. Libretto by baboons ok... Verdi: The Early Years...Still A Great Opera

Verdi - Giovanna d'Arco (Joan of Arc)/ Caballé · Domingo · Milnes · LSO · Levine Giuseppe Verdi , James Levine , Montserrat Caballé , Plácido Domingo , London Symphony Orchestra , Ambrosian Opera Chorus , Sherrill Milnes , Robert Lloyd , and Keith Erwen Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Caballe, Montserrat | Divas | Opera & Vocal | Styles | Music Similar Items: Verdi: I Vespri Siciliani Il Corsaro Verdi: Attila Verdi - I Lombardi / Anderson, Leech, Pavarotti, Ramey; Levine Verdi: Un Giorno di Regno ASIN: B000002S1A Release Date: 1990-05-07

Tracks:

1. Sinfonia
2. Qual V'Ha Speme?
3. Il Re!
4. Sotto Una Quercia Parvemi
5. V'Ha Dunque Un Loco Simile
6. Pondo E Letal, Martiro
7. Gelo, Terrore M'Invade!
8. Oh, Ben S'Addice Questo Torbido
9. Sempre All'Alba Ed Alla Sera
10. Paventi, Carlo, Tu Forse?
11. Tu Sei Bella
12. Pronta Sono!...Son Guerriera...
13. Ai Lari!...Alla Patria!
14. Questa Rea Che Vi Percuote
15. Franco Son Io, Ma In Core
16. So Che Per Via Di Triboli
17. Qui! Qui...Dove Piu S'Apre Libero Il Cielo
18. O Fatidica Foresta
19. Ho Risolto...
20. T'Arretri E Palpiti!...
21. Taci!...Le Vie Traboccano
22. Vieni Al Tempio

Tracks:

1. Dal Cielo A Noi Chi Viene
2. Ecco Il Luogo...Speme Al Vecchio Era Una Figlia...
3. Te, Dio, Lodiam
4. Compiuto E Il Rito!...Non Fuggir, Donzella!
5. No! Forme D'Angelo...L'Amaro Calice Sommessa Io Bevo
6. Ti Discolpa!...Imbianca E Tace!
7. I Franchi!...Oh Qual Mi Scuote Rumor Di Guerra?
8. A Lui Pensa!...Amai, Ma Un Solo Istante
9. Tu Che All'Eletto Saulo
10. Or Dal Padre Benedetta
11. Ecco! Ella Vola
12. Di Novel Prodigio Il Ciel Ne Arrise
13. Quale Piu Fido Amico
14. Un Suon Funereo
15. Che Mai Fu?...S'Apre Il Cielo...

Customer Reviews:

Great Singers, not-Great Verdi.......2007-05-21

Most of the reviewers here have been kind to this recording, pointing out the singing of the three pricipals and Levine's conducting. No argument on these. But most have gone a bit overboard on the quality of Verdi's composition. It is, in all truth, very small potatoes for the man who wrote OTELLO, DON CARLO and FALSTAFF. Even the usually very astute Mr. Cantrell of Canada gives this more credit that is deserved. But we all know it's a matter of individual taste as well as objective quality.

I'd suggest thrift if you want to try out this opera and go with the Opera d'Oro version with Tebaldi. She's as good as Caballe (it was a frequently performed role in her early years) and the sound is quite OK. Then, if you feel you need a starrier cast and better sound, go to this one.

Verdi the patriot.......2006-02-10

Giovanna d'Arco is an average opera compared with the rest of Verdi's works. I'm glad someone recorded it as it is rarely performed. Caballe is excellent in the title role. I think recording is the best because, as others have already noted, the sound quality is horrible in the Tebaldi versions. It's interesting to see how Verdi's music was developing at this time. The opera was a success, due largely to its themes and the Italian people's nationalistic feelings towards the Austrian presence within their own country. Verdi had used his music to inspire this movement and inspire Italian unity, which would come but not for many years later. Is it just me or does "Ai Lari!...Alla Patria!" sound vaguely similar to the main motif of the Dies Irae of his famous Requiem many years later? Perhaps he was drawing some inspiration for his later works from these early works.

Good music. Libretto by baboons.......2005-11-24

Source: Analog studio recording from 1973, digitally remastered in 1998.

Cast: Giovanna d'Arco - Montserrat Caballe; Carlo VII, Re di Francia - Placido Domingo; Giacomo d'Arco - Sherrill Milnes; Lord Talbot - Robert Lloyd; Dilil - Keith Erwen. Conductor - James Levine, with the London Symphony Orchestra and the Ambrosian Opera Chorus.

Format: Disk 1: Prologue and Act I, 71:22. Disk 2: Acts II and III, 49:28.

Documentation: Libretto in Italian, French, German and English. Brief and perfunctory history of the opera. Track listing with timings.

"Giovanna d'Arco" was Verdi's seventh opera. In the years that followed his huge success with "Nabucco," Verdi wrote to the order of impresarios and publishers--and he did it primarily for the money. Later in life, he came to loathe this period and the working conditions imposed on him. He described it as his "years in the galley." Even so, he managed to grind out more good operas than clunkers. "Giovanna d'Arco" was one of the more successful. It was produced between "I due Foscari" and "Alzira," two of the clunkers. Verdi was writing on tight schedules and setting librettos churned out by writers whom it is overpraising to call hacks. If ever a libretto was written by baboons, it was this one. I'm not sure whether the baboon-in-chief was Schiller, on whose play "Die Jungfrau von Orleans" it was loosely based, or Temistocle Solera, who cast it into Italian doggerel. There is certainly blame enough to share.

Verdi, a hard-headed and canny peasant from Busetto, could count "Giovanna" as a success as measured by that most objective of judges, the box office. Its financial success in Italy and elsewhere was due solely to Verdi's music. Even in its first run, the libretto of "Giovanna D'Arco" was a problem. It blatantly contradicted both the facts and the popular legend of the young woman who always called herself Jehanne la pucelle (Joan the Maiden).

In the opera, Giovanna encounters the despairing Charles VII of France, bucks him up and sets off to drive back English invaders. Having won great successes on the battlefield, Giovanna is rapturously acclaimed by the French. Charles, of course, has fallen for the warrior-girl. He offers his love. The English, having lost Orleans, are in disarray. Up pops Giovanna's beloved father, who has convinced himself that his daughter has sold herself to the devil to win the love of the king. In an aria, "Franco son io," that surely would have earned a seal of approval from the Vichy government, Giacomo tells the English invaders that he is a patriotic Frenchman who would die for his country and its honor, therefore he has come to betray his country, his king and his daughter to them. Later, he publicly advises his little girl to purge her soul of sin by allowing herself to be burnt at the stake. The people of France turn on Giovanna, thinking that her old Pa must surely have some inside dope. In the last act of the opera, Giovanna is a prisoner in the English camp, chained to a rock, awaiting her fate. Her father, that patriotic Frenchman, happens to be strolling around in enemy territory and he overhears her prayers. Moved by her obvious piety, he decides that he has made a mistake. He releases her. She rides off into yet another battle. She is successful but mortally wounded. She expires in the finale, to the grief of all--excepting the local troop of frustrated devils, of course--especially of the king and her dear old Dad.

If you manage somehow to push aside the idea that it is supposed to have something to do with the historical Joan of Arc, "Giovanna" is a highly enjoyable pot-boiler, full of crackling, good tunes and rousing, lively choruses. Even a gang of devils has its own charming little dance tune. When he wrote "Giovanna," Verdi was still adhering to traditional operatic forms and walking in the well-trodden paths of Donizetti and Bellini. Already, though, he had replaced their elaborately decorated melodies with a raw power unknown to the older masters. In his years in the galley, Verdi developed the tools of greatness but he still awaited a librettist who would provide him with characters into whom he could breathe life, a Rigoletto, a Violetta or an Azucena.

This recording, to the best of my knowledge, is the only one currently available that offers more or less modern sound. Caballe, Domingo and Milnes are all justly acclaimed singers and all are in good voice. James Levine's hard-charging conducting is appropriate for the opera. The orchestra and the chorus are excellent. These things fully justify a five-star rating.

That said, I feel obliged to point out that Caballe, with all her undoubted and splendid virtues, just isn't a Joan of Arc. There is not a thing in her lovely voice to make men imitate the action of the tiger, to stiffen the sinews, summon up the blood, to disguise fair nature with hard-favour'd rage. And Domingo--wonderful voice, tremendous singer, no doubt about it--but he's not very apt to get at the heart and soul of a character. He's an amiable, one-size-fits-all sort of guy.

Amazon has two other sets of "Giovanna d'Arco." Both offer sound quality that is inadequate. (Audiophiles would more likely say they are abominable.) Both star Regina Tebaldi, who is a Joan of Arc to the very core. Tebaldi performed the part many times in the early days of her career. Her Giovanna is all down-and-dirty, big-time Italian diva singing. Even for Tebaldi, it is impressive. Read the other Amazon reviews and you will find that even those who rate this opera highly, tend to do so with an implied ho-hum. Tebaldi shows why there were likely to be riots in the streets of Austrian-occupied Italy after a performance! On one of the recordings, Tebaldi is teamed with the young Carlo Bergonzi, who had just moved up from baritone to tenor. There is still a baritonal darkness in his voice, but all the ring and power that anyone could want. On the other set, Tebaldi's Carlo VII is the sadly under-recorded Gino Penna. Neither tenor needs to take a back seat to Domingo in sound and both offer far more impressive characterizations.

By all means purchase this fine 1973 recording, but make an inexpensive investment in Tebaldi's Giovanna as a second set to discover what the opera is all about.

ok..........2005-07-08

but the Tebaldi cd is much better if you can put up with its poor audio quality.

I usually like Levine, but he rushes a bit too much in this cd.

Verdi: The Early Years...Still A Great Opera.......2003-10-15

Giuseppe Verdi is best remembered for Aida, which is generally considered to be his masterpiece, but hardcore opera fans enjoy his Trovatore, the intimate and romantic La Traviata, and his Shakespeare-based operas Macbeth and Othello. The early Verdi operas were directly influenced by the "bel canto" style, were of an impossibly melodramatic nature and naturally were not as mature as his later works. One of these early operas was Giovanna D'Arco (Joan of Arc). The opera deals with the martyrdom of the spiritual and militant Joan of Arc, set to very bel canto techniques- lyrically slow cavatinas for the soprano and florid coloratura caballetas, as well as showcases for the heroic tenor, not to mention chorus and ensembles. This opera would not have been recorded or interesting if the vocal cast was weak. Fortunately, all the singers in this recording are in fine singing condition, they are recognized as opera "big time" stars and provide a fiery drama,

Montserrat Caballe, the lush voiced Catalan soprano, sings with grace and lyric ease in the role of Joan of Arc. Especially touching are the moments which bring out the spiritual and mystic visionary that she was and is contrasted when she engages in battle and leads her forces into vicotry. She sounds appropriately heroic and intense in those scenes which was why they had to cast Montserrat Caballe, who has a Niagra Fall voice and commanding presence. Tenor Placido Domingo does a marvelous job as Joan's love interest and the hero of the opera. Placido has no difficulty in any of the tenor arias and his acting power saves the opera from being shallow. Placido Domingo's art of acting and singing combined with the beauty of Montserrat Caballe's voice (even if she fails to be as dramatic an actress) makes this recording a must have. The othe strength is bass-baritone Sherril Milnes, whose acclaimed voice conveys appropriate drama, darkness and masculine power. This opera is a must have if you are a fan of Domingo and Caballe and if you want to get a taste of what the young Verdi was like when he composed his first operas. It's a rare jewel at a good price.

Average customer rating: Tebaldi at her best! Tebaldi the Great A legacy for the ages! Best Collection Modified rapture

La Tebaldi Manufacturer: Decca ProductGroup: Music Binding: Audio CD General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Tebaldi, Renata | ( T ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Very Best of The Best of Tebaldi Grandi Voci: Renata Tebaldi Verdi: Il Trovatore Renata Tebaldi: Aria & Scenes ASIN: B0000041Y8 Release Date: 1991-08-09

Tracks:

1. Madama Butterfly: Un bel dvedremo
2. La Boheme: Si, mi chiamano Mimi
3. TOSCA: Vissi d'arte
4. Mefistofele: L'altra notte
5. Aida: Ritorna vincitor
6. Otello: Mia madre aveva...Piangea cantando...Ave Maria - Verdi
7. Il Trovatore: Siam giunti...D'amor sull'ali rosee
8. Verdi: Pace, pace, mio Dio!
9. Guglielmo Tell: S'allontanano alfine!...Selva opaca
10. Adriana Lecouvreur: Ecco, respiro appena...Io son l'umile ancella
11. Cecilia: Grazie sorelle

Tracks:

1. Gianni Schicchi: O mio babbino caro
2. Suor Angelica: Senza mamma, o bimbo
3. Andrea Chenier: La mamma morta
4. La Wally: Ebben?... Ne andro lontana
5. Don Carlo: Tu che la vanit
6. Un Ballo in Maschera: Ecco l'orrido campo...Ma dall'arido stelo divulsa
7. Un Ballo in Maschera: Morro, ma prima in grazia
8. Giovanna d'Arco: Oh ben s'addice...Sempre all'alba
9. Turandot: In questa reggia
10. La Gioconda: Suicidio!
11. La rondine: Sogno di Doretta
12. Cavalleria Rusticana: Voi lo sapete
13. L'arlesiana: Esser madre e un inferno

Customer Reviews:

Tebaldi at her best!.......2007-04-07

I'd highly recommend these CDs!They have a little of everything. They'd make an excellent addition to anyone's opera collection. Her voice is etherial!

Tebaldi the Great.......2007-02-19

Renata Tebaldi is one of the glorious voices of the past half century. Recordings here come from the 1950s and 1960s. She had a sumptuous spinto voice, clearly manifest on this 2 CD set. Here are some of her "greatest hits." As would be expected, the repertoire of Puccini and Verdi is heavily represented here.

She "leads off" with "Un bel di" from Puccini's "Madame Butterfly." Her voice brings life to this aria; her characterization is right on. At the point, where the volume of her voice increases, the sound remains lush; there is no bleating or ugliness in her singing.

There follow two more classic Puccini arias that Tebaldi does justice to. "Si, mi chiamano Mimi" from "La Boheme" is a wonderful version of this work. She captures the poignancy in Mimi's character. Her work here can probably justly be termed "iconic." In short, this is a ravishing turn by "La Tebaldi." So, too, is her take of "Vissi d'arte" from "Tosca." One can understand the enthusiasm of her claque at La Scala as one listens to her singing. Her rich voice fits these roles nicely; her characterization is well rendered. Her version of "Ritorna vincitor" from Verdi's "Aida" is also well done. Her voice richly captures the character and fits the music well.

Verdi and Puccini are not the only composers represented on this 2 CD set. Also recorded are her singing Boito ("Mefistofele"), Rossini ("William Tell"), Cilea ("Adriana Lecouvreur"), Giordano ("Andrea Chenier"), Catalani ("La Wally"), and so on. Once more, the selection of music in this set well represents her body of work.

All in all, a satisfying selection of "the greatest hits" of Renata Tebaldi. The "liner notes" conclude by referring to her as possessing "a perfect voice of bewitching beauty." I'm not sure that anyone can achieve perfection (the statement has a bit of hyperbole); nonetheless, her voice is ravishing as already noted. Those interested in her recorded oeuvre would be well rewarded by acquiring this work. The CDs serve well to introduce "La Tebaldi" to those who may not have heard her before. Such listeners will be richly rewarded by that introduction.

A legacy for the ages!.......2001-02-23

Perhaps the greatest spinto and certainly among the greatest sopranos of all times, with an extremely powerful, amazingly beautiful instrument, Renata Tebaldi on this set heard in some of her best moments! I will not repeat comments on her beautiful voice since it often overshadows the pathos with which she performed each role. To me, she knew exactly where to draw the line between acting and singing. Not too much to become annoying, not too little to become boring. This compilation also shows how versatile this soprano was, with repertoire ranging from Puccini and Verdi to Rossini and even Wagner (though no Wagner aria is heard on this particular double cd). In her early years she also performed Mozart roles!

Her Puccini arias will make the most demanding listener cry. Her verdian heroines, enriched with her personal touch, are of exceptional value. Her Desdemona (Otello), Donna Leonora (Forza del destino) and Aida stand perhaps out. Her many verisimo roles sooo moving, full of sorrow and pain, exactly how they are supposed to sound. Just listen to "La mamma morta"! An unsurpassed shocking experience! A previous reviewer (F.W.Barton) correctly mentioned that not all moments are from her complete studio recordings, so this is a unique chance to enjoy alternative Tebaldi performances. Strongly recommended!!!!

Best Collection.......2001-01-11

If you love the warmth and power of Renata Tebaldi then this collection is for you. This has Two CD's of her best works. My favorites are her "o mio babbino caro" her tosca which isnt as dramatic as callas but has a vocal warmth in that aria that makes her voice so perfect for the aria. Another soothing aria would be her Un del di from Butterfly what sweetness and amazing finish to that aria!!! Her amazing power was noticed in La mamma morta and In questa reggia ( which was sooo good that it made me wonder WHY DIDNT SHE SING THIS ROLE ON STAGE) oh and of course her Suicido was also very well done.....Renata Tebaldi was without a doubt one of the best of the century...and this collection proves it.

Modified rapture.......2000-04-24

I bought this collection of Tebaldi's Decca recordings with the hope to experience some great singing. However, I can't help feeling a bit disappointed in the end. There are some thrilling performances here, for example, the dark, passionate renditions of the arias from La Gioconda and L'arlesiana, but overall, the achievements are rather uneven. Tebaldi certainly possesses a most beautiful and powerful voice, something to take bath in. Yet, she evinces little of the psychological insights, intense pathos and interpretive individuality of Claudia Muzio, Meta Seinemeyer, Maria Callas and Leonie Rysanek. Compare her performance of 'Ma dall'arido Stelo divulsa' from Verdi's 'Un Ballo in Maschera' with that by Leonie Rysanek (On RCA Living Stereo): The aria is magnificently vocalised by Tebaldi, but it is Rysanek who effectively combine vocal opulence with dramatic insights, evincing Amelia's exteme desperations. Perhaps Tebaldi was constrained by the restrictions and protocols of recording studios and unable to realise her full dramatic potentials --- in this case she is best heard on live recordings where we could experience her in full flight. Furthermore, the 1964 Come back album items on the second disc demonstrate a voice that has lost much of its pristine freshness and youthfulness, even though there are exciting things to hear. Still, the beauty of the voice and the sincerity of utterances are there for us to experience. For ardent Tebaldi fans, this is definitely a must, but for those looking for truly great singing and acting, you might want to look elsewhere for Tebaldi's live recordings and Maria Callas, etc.

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Vivaldi: Le Quattro Stagioni; Guido: Le Quattro Stagioni Stagioni dell' Anno [Hybrid SACD] Manufacturer: Cpo Records ProductGroup: Music Binding: Audio CD All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Vivaldi: Six Violin Concertos for Anna Maria [Hybrid SACD] Tchaikovsky: Piano Concerto No. 1; Francesca da Rimini [Hybrid SACD] Beethoven: Symphonies Nos. 1-9 [Special Edition] [Hybrid SACD] Bach: The Four Great Toccatas and Fugues [SACD] ASIN: B0001WGEIO Release Date: 2004-05-18

Tracks:

1. Allegro
2. Largo E Pianissimo
3. Allegro
4. Allegro Ma Non Molto
5. Adagio
6. Presto
7. Allegro
8. Adagio Molto
9. Allegro
10. Allegro Non Molto
11. Largo
12. Allegro
13. Le Temps Vole (Presto)
14. La Nuit (Adagio)
15. Chaque Saison S'ensuit (Allegro)
16. Andante, Les Ruisseaux (Adagio), Les Oyseaux, Andante
17. Air De Trompette (Allegro)
18. Chant Des Coucous (Presto)
19. Un Violant Orage (Prestissimo)
20. Celebrons Le Retour De L'automne (Allegro Assai)
21. La Chasse (Allegro), Fuite Du Cerf, Allegro
22. La Saison Des Frimats (Largo)
23. Laissons Gronder Les Vents (Prestissimo), Bannissons La Tristesse (Allegro)

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Verdi: Complete Preludes, Overtures and Ballet Music Manufacturer: Chandos ProductGroup: Music Binding: Audio CD All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music ASIN: B000BLI35W Release Date: 2005-11-22

Tracks:

1. Overture To Oberto, conte Di San Bonifacio
2. Overture To Un Giorno Di Regno
3. Overture To Nabucco
4. Prelude to Ernani
5. Prelude To I Due Foscari
6. Overture To Giovanna D'arco
7. Overture To Alzira
8. Prelude To Attila
9. Prelude To Macbeth
10. Ballo I
11. Ballo II
12. Ballo III
13. Prelude to I Masnadieri
14. Prelude To Il Corsaro
15. Overture To La Battaglia Di Legnano

Tracks:

1. Prelude To Jerusalem
2. 1. Pas De Quatre
3. 2. Pas De Deux
4. 3. Pas Solo
5. 4. Pas D'ensemble
6. Overture To Luisa Miller
7. Overture To Stiffelio
8. Prelude To Rigoletto
9. 1. Pas De Bohemiens
10. 2. Seviliana
11. 3. La bohemienne
12. 4. Galop

Tracks:

1. Prelude To La Traviata, Act I
2. Prelude To La Traviata, Act III
3. Overture To Les Vepres Siciliennes
4. I. L'Hiver
5. II. Le Printemps
6. III. L'Ete
7. IV. L'Automne
8. Prelude To Simon Boccanegra
9. Prelude To Un Ballo In Maschera

Tracks:

1. Prelude To La Forza Del Destino
2. Prelude To Don Carlo, Act II
3. I. Andante/Tempo Di Valzer/Allegro Vivo
4. II. Finale. Prestissimo
5. Overture To La Forza Del Destino
6. Prelude To Aida
7. I. Danza Sacra Delle Sacerdotesse, Act I
8. II. Danza Di Piccoli Schiavi Mori, Act II
9. Ballet Music From Aida, Act II
10. Overture To Aida
11. Ballet Music From Otello, Act III

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Tercer Arco Los Piojos Manufacturer: Dbn ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Mexico | International | Styles | Music International | Imports | Stores | Music Similar Items: Ritual Chac Tu Chac ASIN: B00005LNRI Release Date: 2001-04-18

Tracks:

1. Esquina Libertad
2. Taxi Boy
3. El Farolito
4. Shup Shup
5. Al Atardecer
6. Que Decis
7. Don't Say Tomorrow
8. Todo Pasa
9. Intro Marado
10. Marado
11. Gris
12. Muevelo
13. Verano Del '92

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Verdi: Overtures, Vol. 2 Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music 4-for-3 Opera & Vocal | 4-for-3 Music | Stores | Music Similar Items: Verdi: Overtures, Vol. 1 ASIN: B000001447 Release Date: 1994-11-29

Tracks:

1. Ernani: Prelude
2. Il finto Stanislao (Un giorno di regno): Sinf
3. Don Carlo: Prelude to Act III
4. Giovanna d'Arco: Sinf
5. Rigoletto: Prelude
6. Nabucco: Ov
7. I masnadieri: Prelude
8. Macbeth: Sinf
9. La battaglia di Legnano: Sinf
10. I due Foscari: Prelude
11. La forza del destino: Sinf

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