| 1. When Will You Be Back? |
| 2. Making Our World |
| 3. Free Line |
| 4. Pancartes |
| 5. Japanese Title |
| 6. Send Me Your Sun |
| 7. Divers |
| 8. Gila Gila |
| 9. I Call You Call Me |
| 10. Nana |
Montage,Kahimi Karie,Jvc Victor,World Music
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2001: A Space Odyssey - Original Motion Picture Soundtrack (1996 Reissue)
Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000033WB Release Date: 1996-10-29 |
Tracks:
- Overture: Atmospheres - The Sudwesfunk Orchestra, Ernest Bour
- Main Title: Also Sprach Zarathustra (Thus Spake Zarathustra) - The Vienna Philharmonic, Herbert Von Karajan
- Requiem For Soprano, Mezzo Soprano, Two Mixed Choirs & Orchestra - The Bavarian Radio Orchetra, Francis Travis
- The Blue Danube (Excerpt) - The Berlin Philharmonic Orchestra, Herbert Von Karajan
- Lux Aeterna - The Stuttgart Schola Cantorum, Clytus Gottwold
- Gayane Ballet Suite (Adagio) - The Leningrad Philharmonic Orchestra, Gennadi Rezhdestvensky
- Jupiter And Beyond - The Bavarian Radio Orchestra, Francis Travis, The Sudwesfunk Orchestra, Ernest Bour, Internationale.
- Also Sprach Zarathustra (Theme from 2001: A Space Odyssey) - Vienna Philharmonic Orchestra
- The Blue Danube (Reprise) - The Berlin Philharmonic Orchestra, Herbert Von Karajan
- Also Sprach Zarathustra (Theme from 2001: A Space Odyssey) - Sudwesfunk Orchestra
- Lux Aeterna - The Stuttgart Schola Cantorum, Clytus Gottwold
- Adventures (Unaltered) - Internationale Musikinstitut, Gyorgy Ligeti
- HAL 9000 - Dialog Montage
Amazon.com
This commemorative reissue of music from 2001: A Space Odyssey combines the Also sprach Zarathustra theme, various Johann and Richard Strauss segments, and a ballet suite by Aram Khachaturian--all of which prove how much Stanley Kubrick's film attempts to avoid the soundtrack clichés of most science-fiction movies. Instead of the expected sci-fi effects, there is a more ironic application of music that would be otherwise incongruous to the celestial settings. Here, "The Blue Danube" complements scenes involving weightlessness and descending spacecraft, while Gyorgy Ligeti's creepy "monolith" music connotes Armageddon more than interplanetary exploration. The tracks play as they had appeared on the original soundtrack release back in the '60s, but there is also previously unreleased supplemental material and a dialogue montage entitled "HAL 9000." --Joseph LanzaCustomer Reviews:
great music, great reissue.......2007-04-16
I noticed that the music in the movie is mixed in surround sound, it would be great if they could release this on DVD-Audio or SACD surround. I'd buy it again!
fantastic.......2007-03-11
whoa........2006-09-04
Great Music for Halloween, very creepy.......2006-03-17
Bleakest of Futures..........2005-10-08
As a soundtrack for '2001: A Space Odyssey' this music together on one album is just great.
And besides, this soundtrack has indeed, like so many others I guess, made me aware of the genius of Ligeti, which otherwise might have gone unnoticed for me.
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Music for a Darkened Theatre, Vol. 1: Film & Television Music
Manufacturer: Fontana Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OEB Release Date: 1990-10-15 |
Tracks:
- Excerpts From: Pee Wee's Big Adventure
- Excerpts From: Batman
- Excerpts From: Dick Tracy
- Excerpts From: Beetlejuice
- Excerpts From: Nightbreed
- Excerpts From: Darkman
- Excerpts From: Back To School
- Excerpts From: Midnight Run
- Excerpts From: Wisdom
- Excerpts From: Hot To Trot
- Excerpts From: Big Top Pee Wee
- Excerpts From: The Simpsons
- Excerpts From: Alfred Hitchcock Presents: The Jar
- Excerpts From: Tales From The Crypt
- Excerpts From: Face Like A Frog
- Excerpts From: Forbidden Zone
- Excerpts From: Scrooged
Customer Reviews:
Great compilation - and that's just the first half........2005-09-14
Elfman pioneered the sound that drives today's movie adaptations of comic-books and darker-themed children's stories. Side-One kicks things off with a rollicking, hyper-cartoonish theme from the first Pee-Wee movie - the one where Pee-Wee searches for his beloved bike. Elfman's theme contains layers of different rides - on tightropes, highways, in the middle of a NASCAR rally - which rudely yet melodically crash into each other.
The Batman entry actually contains several pieces - the opening credits, the extended sequence in the cathedral and the climax - which show Batman's darkened extreme at its "Frank Miller" best. (Dir. Tim Burton couldn't sustain the mood in the next sequel, and the franchise took a turn towards the camp of the TV series with the next 2 movies.)
The theme for "Dick Tracy" is perhaps the most romantic on this disc, a quality that surpasses the theme's comic-book origins, but ends on an ironic note that's pure Elfman.
"Beetlejuice" (opening & closing credits) gives Elfman's childish ID a chance to stretch its legs, or in this case, slam-dance.
"Nightbreed" is an enigma wrapped in a dark mystery, and that's just Elfman's score. Elfman's work on this movie is as good as the movie wasn't, having a more powerful narrative than the script - easily the best track on the entire disc, one likely to exceed the movie in its dose of chills.
"Darkman" doesn't quite rise to the occasion, though the score may be hobbled by the movie itself, which seldom surpassed one of the many "Batman" clones of the early 1990's. "Darkman" (the movie, I mean) excelled as a parody of many comicbook staples (the wronged hero, the relentless villain, the scientific breakthrough with just one flaw), but not enough to escape being largely anonymous. Within those constraints, it's still a moving if scary piece.
When is Elfman not like Elfman? When he was in the mid-late `80's and scored "Back to School" (A Rodney Dangerfield vehicle) and "Midnight Run". Horns in "School" bring it closer to Elfman's over-the-top style, while "Run" sounds like a love-theme for the run-down, out-of-the-way parts of America that seldom appear in Elfman-movies. "Run" is a fun score for a fun movie - it's nothing like Elfman's previous work but it perfectly captures the on-the-road-without-a-map craziness of the movie.
To this day, I don't know why I never ventured to Side-two, but it's irrelevant. Even half this disc is worth it
The best of Elfman!!!.......2005-09-05
I'd recommend this to anyone who likes film music, or everyone who is even the tiniest bit an Elfman fan. It's amazing!
Great Collection, A LIttle Too Eclectic.......2003-08-19
What Great Music.......2003-05-11
super.......2003-04-17
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The Carl Stalling Project: Music From Warner Bros. Cartoons, 1936-1958
Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002LJE Release Date: 1990-07-17 |
Tracks:
- Putty Tat Trouble Part 6
- Hillbilly Hare
- Early WB Scores: The Depression Era
- The Good Egg
- Various Cues From Bugs Bunny Films
- There They Go Go Go
- Stalling Self-Parody: Music From Porky's Preview
- Anxiety Montage
- Stalling: The War Years
- Medley: Dinner Music For A Pack Of Hungary Cannibals
- Carl Stalling With Milt Franklyn In Session
- Speedy Gonzalez/Meets Two Crows From Taco
- Powerhouse And Other Cuts From The Early 50's
- Porky In Wackyland/Dough For The Do Do
- To Itch His Own
Amazon.com
For fans of Bugs Bunny, Daffy Duck, et al., this is the essential cartoon soundtrack as well as a monument to surrealism. During his 22 years as a composer for Warner Bros. animated shorts, Stalling invented the musical vocabulary of cartoons. Producer Hal Willner has lovingly assembled a sonic collage that showcases Stalling's compositional genius and uncanny ability to borrow a tune. It's a whirling collection of random moments, chock full of music you never knew you knew, from Bugs Bunny's theme from "Rabbit Fire" to Raymond Scott's "Powerhouse" to Stalling's own "Woo! Woo!" Also included in the mix: outtakes from recording sessions, and several complete scores. --Heidi MacDonaldCustomer Reviews:
Best compilation CD ever.......2007-02-18
Only a handful of tracks are a complete score from one cartoon; most are snippets from several cartoons edited together with a common theme.
This CD is about a composer and his music, more than about the cartoons for which he composed it. To drive home this point, it includes the score from, of all things, 1939's "The Good Egg." No one would consider "The Good Egg" to be among the best Warner cartoons, but the score, heard by itself, turns out to be a tour de force that is highly representative of Stalling's work. That's what makes this CD such a great listening experience: It was pieced together by musicologists who chose the music based on its auditory qualities, and not on the relative fame of the cartoon associated with it. It is not merely a trip down memory lane (although it is that, too), but is a great creative work in its own right.
Despite the vast amount of Stalling music that exists, this CD provides as ambitious and exhaustive an overview as can be given, and its 1995 follow-up, while also worth having, is but a pale afterthought. There's no following this act.
Here we go........2006-11-16
Stallings CDs.......2006-11-10
Not to mention these are some of the finest musicians you will ever hear...a lesson in classical music, and cartoons.
The Carl Stalling Project.......2005-09-12
Carl Stalling was the chief music arranger for Warner Brothers cartoons from 1936 to 1958. He was one of the foremost composers of cartoon music. This disk is much better than "The Carl Stalling Project Volume II."
Warner Brother's King of Music.......2003-12-02
Willner sifted through hundreds of cartoons to choose about 40 with the most significant music. He presents the music in a variety of formats. A few tracks provide the soundtrack for a single entire cartoon. Others are medlies from a certain period in Stalling's career or pieces that set a particular mood (such as the "Anxiety Montage"). There are also tapes from recording sessions for 1951's "Putty Tat Trouble" that give insight on how this music was recorded. I couldn't recommend this CD any more highly. (After you've given it a listen, check out a Raymond Scott "best of" album like "Reckless Nights and Turkish Twilights" to see just how many of its tracks are familiar from various cartoons.)
Stalling's music, instead of following the traditional rules of musical structure (exposition, development, theme, variations, etc.), was written to follow the rapid action of cartoons. Stalling would not compromise on this, even if it meant having the 50-piece orchestra play fortissimo for five seconds and then having only one piccolo playing the next four seconds. To ensure a perfect correspondence between the sound and the image, Stalling and the cartoon's directors would agree on a few sketches and on the timing of the action. This enabled Stalling to compose and record the music without even seeing the movie. Carl Stalling was also a master at telling a story through music, with gestures so clear, that there is never any doubt as to his intentions.
Stalling once said, "One problem with cartoons today is that they have so much dialogue the music doesn't mean much." Unfortunately, this statement rings true as we move into 2004. But keeping Carl Stalling from rolling in his grave is not why you need to buy this CD. You need it because it is IMPOSSIBLE to maintain a bad mood while this CD is playing. You need this to listen to as a stress reducer on those tough days. You need this because it is complete childhood in a disc.
I challenge you to turn on your television and watch some Looney Tunes. Turn up the volume and listen while doing something else (wash dishes, write a paper perhaps.) I guarantee you will know exactly what is happening, and to whom. This was the comedic skill and genius talent of Carl Stalling.
As Porky Pig would say: "abieh-abieh-abieh... That's All Folks!"
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Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition)
Nacio Herb Brown , Gene Kelly , and Arthur Freed Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JOF3 Release Date: 2002-10-01 |
Tracks:
- Main Title/Singin' In The Rain - Gene Kelly
- Fit As A Fiddle (And Ready For Love) - Gene Kelly
- Tango (Temptation) - MGM Studio Orchestra
- All I Do Is Dream Of You - Debbie Reynolds
- All I Do Is Dream Of You (Outtake) - Gene Kelly
- Make 'Em Laugh - Donald O'Connor
- Beautiful Girl Montage - MGM Studio Orchestra & Chorus
- Beautiful Girl - Jimmie Thompson
- You Were Meant For Me - Gene Kelly
- You Are My Lucky Star (Outtake) - Debbie Reynolds
- Moses - Gene Kelly
- Good Morning - Gene Kelly
- Singin' In The Rain - Gene Kelly
- Would You? - Betty Noyes
- Broadway Melody Ballet - MGM Studio Orchestra & Chorus
- Would You? End Title - Gene Kelly
- Singin' In The Rain (In A-Flat) - Debbie Reynolds
- Finale - Gene Kelly
- Main Title (Alternate Version) - MGM Studio Orchestra
- Beautiful Girl (Alternate Version/Tempo Track) - Gene Kelly
- Would You? (Unused Version) - Debbie Reynolds
- Would You (Duet) (Unused Version) - Gene Kelly
- Beautiful Girl (Unused Original Version) - Jimmie Thompson
- Singin' In The Rain (Alternate Vocal) - Gene Kelly
- Should I (Unused Instrumental) - MGM Studio Orchestra
Tracks:
- The Broadway Melody - Charles King
- You Were Meant For Me - Charles King
- The Wedding Of The Painted Doll - James Burroughs
- Singin' In The Rain - Cliff Edwards
- Should I - Charles Kaley
- Beautiful Girl - Sam Ash
- All I Do Is Dream Of You - Gene Raymond
- Broadway Rhythm - Frances Langford
- I've Got A Feelin' Your Foolin' - Robert Taylor
- You Are My Lucky Star - Marjorie Lane
- Would You - Jeanette MacDonald
- Good Morning - Judy Garland
- Singin' In The Rain - Judy Garland
- All I Do Is Dream Of You - Judy Garland
- Dignity - MGM Studio Orchestra
- Stunt Montage (Extended Version) - MGM Studio Orchestra
- First Silent Picture (Extended Version) - MGM Studio Orchestra
- Have Lunch With Me - MGM Studio Orchestra
- Dancing On A Rainbow - Arthur Freed
- Singin' In The Rain (Radio Broadcast) - Arthur Freed
- Broadway Melody Ballet (Original Version) - Gene Kelly
Amazon.com
A vibrant tribute to MGM's legendary confluence of brains, talent, hard work, ambition--and dare we say it?--massive egos, Singin' in the Rain long ago took its rightful place among the first rank of the studio's dizzying catalog of film musicals. This double-disc, 46-track 50th-anniversary edition features all of the film's familiar songs, as well as numerous outtakes and extended versions, many culled directly from the film's original recording masters. Its second disc also chronicles the film's clever--if studio imposed--self-referential musical gambit of recycling a slate of Arthur Freed/Nacio Herb Brown songs from Metro's first decade by including 14 of the originals, including performances by Jeanette McDonald, Judy Garland, Mickey Rooney, and Freed himself. Featuring a dozen previously unreleased recordings and an illustrated booklet containing the insightful reminiscences of the film's original writers, Betty Comden and Adolph Green, it's the ultimate musical companion to one of cinema's magical, enduring masterpieces. --Jerry McCulleyAlbum Description
The complete 50th Anniversary Edition and a bonus disc featuring the original recordings that inspired the 1952 MGM classic! Includes 12 previously unreleased tracks 'Would You?' (duet) (unused version), 'Beautiful Girl' (unused original version), 'Singin' In The Rain' (alternative vocal), 'Should I' (unused instrumental), 'You Were Meant For Me', 'All I Do Is Dream Of You', 'Broadway Rhythm', 'You Are My Lucky Star', 'Would You?', 'Dancing On A Rainbow' plus 'Broadway Melody Ballet' (original version). Rhino. 2002.Customer Reviews:
the perfect movie.......2007-03-10
Who can say what is beatiful? Look at faces of Gene and Stan during the shooting on the set: whole concentration and attention for everything.
This is a unique moment in their story, and in the story of cinema.
Unforgettable.
I LOVE MY FAVORITE SONG, AND THANKS TO THIS CD I CAN LISTEN TO IT ALL DAY LONG!!.......2007-01-28
Wonderful Soundtrack to a Wonderful Movie.......2006-06-16
Great CD.......2006-03-20
musical memories.......2006-03-14
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Missing Years
Little Texas Manufacturer: Montage Music Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000Q66HB4 Release Date: 2007-06-12 |
Tracks:
- Gotta Get Me Down Home
- Missing Years
- Rebel
- Knees
- A Reason
- Party Life
- Texas 101
- So Long
- When He's Gone
- You Aint Seen Me Latley
- Your Blues
- Your Woman
Album Description
Little Texas proudly releases it's first studio record from since reuniting in 2004. It features 12 new songs including the hits; "Knees", "Rebel", "Texas 101" and the title track, "Missing Years". Impressively, the band is still among the Top 30 acts consistently being played on country radio today. This is a definite testament of their ability to write and deliver a hit song that touches the heart of a listener like no one else. The band is back and better than ever, with a renewed energy and excitement to make more of the music that fans nationwide came to love and respect during the group's early days.Customer Reviews:
Welcome Back.......2007-07-01
The "Missing Years" Haven't Been Kind to Little Texas.......2007-06-27
What happens to a group's identity when its lead singer changes not once but three times over the course of the last decade or so? Despite chartering a formidable identity in country music with hits such as "First Time for Everything," "My Love," and "God Bless Texas," bruised egos and group politics caused its first lead singer Brady Seals to abandon ship in favor of a solo career. After the departure of second front man Tim Rushlow, the group subsequently disbanded. However, when the group reunited in 2004 with Steven Troy as their new lead, Rushlow and Seals held legal injunctions to prevent their previous cohorts from using their patented identity as "Little Texas." Such legal faux pas was enough reason for Troy to throw in the towel without any new material surfacing. In exasperation, guitarist Porter Howell stepped up to the microphone, and "Missing Years" is the result of such onerous struggle. So how does this pertinacious effort fare? There are continuities and discontinuous vis-à-vis their copious back catalog. While these Lone Star State loving-guys had previously depended on big love ballads, the ballads here are more organic and subdued. Nevertheless, for those who have taken a fancy to their rowdy anthemic Bon Jovi-esque rock, there is much in galore.
On the ballad-front, the title track, though somehow lyrically verbose, is a brooding bluesy piece that has a mesmerizing ability to draw one into its narrative plot. The lads' fraternity-like harmonies adds poignancy to this modern day spin of the story of the prodigal son who left home after graduation only to find that home was what he missed the most after his squandered years. Though utilizing some maudlin and poorly thought out metaphors such as "let my lap be your pillow, let my love be your bed," the Brett James/Angelo-composed "Your Blues" is still quite an affecting love song that calls to mind their former number 1 hit "My Love." Save for the title track, the better tracks are the ones not penned by the boys, "On My Knees" coming from the pens of Don Pfrimmer and Marc Beeson, despite some quirky chord changes, is a desperate prayer for divine intervention at the threshold of heartbreak.
Almost endemic to the group's ethos, there is always that obligatory valentine to the Lone Star state to which they have derived their name. "Texas 101" is this disc's entry. In an ingenuous effort to eschew clichés, "Texas 101" tries to stay current in its laudatory praise of the State's contributions with passing references of the George Bush and Dixie Chicks debacle and Willie's weed smoking bus incident. However, the couple of living large and wild rousers, namely "Party Life" and "Gotta Get Me Down Home" are as frivolous as the titles suggest. Perhaps, nothing is more appalling than the lead single "Your Woman," an ill-constructed tuneless uptempo with an irritating chorus, about a man gloating that he now has the heart of his friend's former lover. Dump "Rebel" into the bin of anonymous-sounding mindless redneck anthems that currently flood country music.
Though it is good to see these quartet coming together again jamming through some familiar sounding rockers, it is also pleasing to see growth with the choice of more subtle and hence more affecting ballads. Nevertheless, as a whole, the album does not have the verve and the drive of their previous CDs. Mostly fault at the abundance of self-composed materials that tend to favor clichés over originality glazed over mediocre melodic lines. Sad to say the missing years from recording have not mounded these lads for the better.
Country Is Getting Back Where It Should Be.......2007-06-21
Awesome!!!.......2007-06-21
'90s country hitmakers regroup and come back strong.......2007-06-16
Howell's an appealing lead vocalist, singing with a huskiness and geniality that brings to mind Jack Ingram. He's a winning center point for harmonies that are not as beholden to the Eagles as the band's earlier work. The instrumental sound is also a touch more modern, dropping the processed guitars of the '90s in favor of a twangier contemporary country sound. Generous amounts of steel and mandolin give this a rootsier feel than the band's previous albums.
Even with the changes, this still sounds like a Little Texas album. Howell and O'Brien continue to write, and outside songwriters chip in material that suits the band well. The country-blues stompers "Gotta Get Me Down Home" and "Party Life," though a bit late to redneck goodtime party scene, are great vehicles for Howell's soulful voice. The name-checking swing of "Texas 101" could easily serve as the basis for a popular CMT video or fan sing-a-along written concert favorite.
The partying stops for several fine ballads, including the retrospective "So Long" with its study of spouses grown apart, friends passed away, and relationships scattered to the winds of time. The sentiment's flipside, "When He's Gone," is too morose for a bride's first dance with her father, but it's a sweet ode to dads everywhere. The title track's return-to-home travelogue is reminiscent of Tim McGraw's "Everywhere," but the happier ending provides less of an emotional wallop.
After a decade away from the studio, Little Texas manages the neat trick of still sounding like Little Texas without sounding trapped in the past. They've got the musical goods for another run at the charts, but only the vagaries of country radio can make that final determination. Either way, the band's fans should like this updated sound, and contemporary country listeners will find these '90s superstars appealing. 3-3/4 stars, if allowed fractional ratings. [©2007 redtunictroll at hotmail dot com]
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Music for a Darkened Theatre, Vol. 2: Film & Television Music
Manufacturer: Fontana Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002P4P Release Date: 1996-12-03 |
Tracks:
- Edward Scissorhands Suite: Main Titles
- Edward Scissorhands Suite: Storytime
- Edward Scissorhands Suite: Suite
- Edward Scissorhands Suite: Suburbia-Barber
- Edward Scissorhands Suite: The Grand Finale
- Dolores Claiborne Suite: Main Titles
- Dolores Claiborne Suite: Vera's World
- Dolores Claiborne Suite: Flashback
- Dolores Claiborne Suite: Sad Room
- Dolores Claiborne Suite: End Titles
- To Die For Suite: Main Titles
- To Die For Suite: Suzie's Theme
- To Die For Suite: Busted
- To Die For Suite: Wheepy Donuts
- To Die For Suite: Finale
- Black Beauty Suite: Main Titles
- Black Beauty Suite: Baby Beauty
- Black Beauty Suite: Jump For Joy
- Black Beauty Suite: Frolick-Sick
- Black Beauty Suite: Bye Bye Jerry
- Black Beauty Suite: Memories
- Black Beauty Suite: End Titles
- Batman Returns Suite:Birth Of A Penguin
- Batman Returns Suite: Trouble Suite
- Batman Returns Suite: The Finale
- Batman Returns Suite: End Titles
Tracks:
- Mission Impossible Suite: Trouble
- Mission Impossible Suite: Looking For Job
- Mission Impossible Suite: Betrayal
- Sommersby Suite: Main Titles
- Sommersby Suite: Return Montage
- Sommersby Suite: Finale-End Titles
- Dead Presidents Suite: Main Titles
- Dead Presidents Suite: Daughter
- Dead Presidents Suite: Montage
- Dead Presidents Suite: Nam
- Dead Presidents Suite: Nightmare
- Nightmare Before Christmas Suite: Overture
- Nightmare Before Christmas Suite: Jack And Sally Suite
- Nightmare Before Christmas Suite: Christmas Eve Montage
- Freeway Suite: Main Titles
- Freeway Suite: On The Road
- Freeway Suite: Back In The Car
- Shrunken Heads Suite: Main Titles
- Television Odds 'N Ends Suite: Amazing Stories 'Family Dog'
- Television Odds 'N Ends Suite: Amazing Stories 'Family Dog'
- Television Odds 'N Ends Suite: Amazing Stories 'Mummy, Daddy
- Television Odds 'N Ends Suite: Barkley Superhero 'Nike Commercial'
- Television Odds 'N Ends Suite: The Flash 'Theme'
- Television Odds 'N Ends Suite: Pee Wee's Playhouse
- Television Odds 'N Ends Suite: Beetlejuice - Animated Tv Series 'Theme'
- Untitled
- Untitled
- Untitled
- This Is Halloween (Original Demo For Nightmare Before Christmas)
Amazon.com
A delightfully buoyant, mock-creepy collection of film scores from Hollywood's first and best call for quirk, strangeness, and charm. Focusing on Elfman's post-1992 work (much of it for director Tim Burton), this 2 CD set features excerpts from Edward Scissorhands, To Die For, and Batman Returns, among other lesser items. -- Jeff BatemanCustomer Reviews:
Priceless, at any price.......2007-07-06
There are no words to describe what this music does to me. I did try listening to some of the other tracks, but they didn't even come close. I rate this music right up there with the 1971 score for "Jane Eyre" by John Willams... and that's pretty high :D
Good overview.......2007-04-18
Great Music!!!!!!!!!.......2005-09-08
Very nice for a Danny Elfman collection.......2005-08-02
Bring on Volume 3.......2005-05-04
Edward Scissorhands is magical, Black Beauty is a rollercoaster of emotion, and Dolores Claiborne makes me want to find the nearest piano. This is not a "Most Popular" compilation, rather it aptly showcases Danny Elfman's (and Orchestrator, Steve Bartek's) brilliance and wide range of style.
Every suite has an Elfman signature, such as the layered complexity which never sounds overdone, or the use of a choir as an instrument.
This (and Volume 1) are examples of the work of a modern day composer who consistently stands out as one of the best.
If you like this and have the spare cash, grab the individual scores from some of the movies he has worked on, including "Men In Black", "Spiderman", "Batman", "Batman Returns", "Nightmare Before Christmas", "Edward Scissorhands", "Mars Attacks" and so many more.
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Paramount 90th Anniversary Collection: Scores
Various Artists Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000068TN9 Release Date: 2002-07-02 |
Tracks:
- Saving Private Ryan 'Hymn To The Fallen' - John Williams
- Double Indemnity 'Prelude' - Miklos Rozsa
- The Lost Weekend 'Finale' - Miklos Rozsa
- The Heiress 'Departure/Morris Suggests Love/The Proposal/Finale' - Aaron Copland
- Sunset Boulevard 'Prelude' - Franz Waxman
- The Ten Commandments 'Prelude' - Elmer Bernstein
- Breakfast At Tiffany's 'Moon River' - Henry Mancini
- Hatari! 'Baby Elephant Walk' - Henry Mancini
- Rosemary's Baby 'Main Title (Vocal)' - Christopher Komeda
- Romeo & Juliet 'Love Theme From Romeo & Juliet' - Nino Rota
- Once Upon A Time In The West 'Once Upon A Time In The West' - Ennio Morricone
- Love Story 'Theme From Love Story' - Francis Lai
- The Godfather 'Main Title (The Godfather Waltz)' - Nino Rota
- The Godfather 'Love Theme From The Godfather' - Nino Rota
- Chinatown 'Love Theme From Chinatown (Main Title) - Jerry Goldsmith
- The Godfather - Part II 'End Title' - Nino Rota
- Star Trek: The Motion Picture 'End Title' - Jerry Goldsmith
- Raiders Of The Lost Ark 'Raiders Of The Lost Ark' - John Williams
- Terms Of Endearment 'Theme From Terms Of Endearment' - Michael Gore
- Flashdance 'Love Theme From Flashdance' - Giorgio Moroder
- Beverly Hills Cop 'Axel F' - Harold Faltermeyer
Tracks:
- Witness 'Building The Barn' - Maurice Jarre
- Children Of A Lesser God 'Main Title' - Michael Convertino
- The Untouchables 'The Strength Of The Righteous (Main Title)' - Ennio Morricone
- Fatal Attraction 'Fatal Attraction' - Maurice Jarre
- The Addams Family 'Main Title' - Marc Shaiman
- Dead Again 'Winter 1948' - Patrick Doyle
- Indecent Proposal 'Flashback & Photos' - John Barry
- The Firm 'How Could You Lose Me?-End Title' - Dave Grusin
- Clear And Present Danger 'Main Title/A Clear And Present Danger' - James Horner
- Braveheart 'For The Love Of A Princess' - James Horner
- Primal Fear 'Courtroom Montage' - James Newton Howard
- Mission: Impossible 'Zoom B' - Danny Elfman
- Star Trek: First Contact 'End Credits' - Jerry Goldsmith
- Titanic 'Hard To Starboard' - James Horner
- The Rugrats Movie 'Baby Shower Happenings' - Mark Mothersbaugh
- The Talented Mr. Ripley 'Italia' - Gabriel Yared
- Rules Of Engagement 'Semper Fidelis (Always Faithful)' - Mark Isham
- Mission: Impossible 2 'The Bait' - Hans Zimmer
- Lara Croft: Tomb Raider 'Main Titles' - Graeme Revell
- Vanilla Sky 'To The Roof' - Nancy Wilson
- The Sum Of All Fears 'The Mission' - Jerry Goldsmith
- Forest Gump 'I'm Forrest...Forrest Gump' - Alan Silvestri
Amazon.com
Granddaddy of the Hollywood studios, Paramount Pictures is rightfully proud of its century of contributions to both American cinema and the art of film scoring. But the first disc of this 43-track double-CD anthology merely hints at the studio's musical peaks, blithely skipping through its first seven decades in just 17 tracks. Indeed, the package as a whole seems more interested in marketing its post-'70s catalog of hits and blockbusters than it does in paying real homage to history and roots. Even rarities like Double Indemnity and The Lost Weekend are served up via modern budget-line rerecordings, as is Ennio Morricone's epochal Once upon a Time in the West). Contemporary recordings of Aaron Copland's rare score to The Heiress and Franz Waxman's great Sunset Blvd. fare better, but soundtrack fans may miss the originals. The studio's rich pop-crossover successes in the '60s are documented via Breakfast at Tiffany's "Moon River" and excerpts from Romeo and Juliet and Love Story, while successful franchises like Star Trek and Raiders also get their due. Too often the '90s-focused second disc only underscores some uncomfortable trends in contemporary scoring--orchestral nervous tics punctuated by booming crescendos, treacly piano Muzak--and makes one wonder if the music of The Rugrats Movie and Lara Croft: Tomb Raider are really film music milestones. --Jerry McCulleyCustomer Reviews:
Great Movies have Great Soundtracks!.......2007-05-10
Only Disc 1 Is Worth Anything.......2006-07-19
And that brings up another problem. With all due respect to the late Jerry Goldsmith, who has provided some truly great classic movie scores, was it REALLY necessary to include TWO versions of the SAME Star Trek march in this collection? This seems evocative of the milk-it-for-all-its-worth attitude Paramount has had lately toward its now-tarnished crown-jewel franchise. Where's James Horner's theme music from Star Trek II and III? If they're gonna put Star Trek on here twice, they should have provided a little diversity. It wouldn't have taken much, I'm sure.
I'm sure that Paramount's had other films with far more memorable music (even Harold Faltermeyer's Top Gun Anthem could have helped on Disc 2). This just seems like a lazy attempt at something that really could have been great.
More of a propaganda CD.......2002-10-30
It seems a little odd to me that out of 90 years of film making the most memorable scores have been largely released within the last few years. I was pleased to find themes from the Godfather, Indiana Jones and Witness. I was perplexed with the inclusion of songs from Rugrats, both Mission Impossible movies (one would have been more than enough) and Tomb Raider (memorable???).
This is my own personal bias, but I do prefer movie soundtracks that evoke a feeling of excitement. With this collection I just couldn't get excited. I kept finding myself being let down by songs that didn't in some way complement the preceeding song.
There are certainly some great tracks here, but overall I was disappointed. My advise would be to look elsewhere.
Great selection of Film Hits!.......2002-09-25
Older recordings, main themes only.......2002-08-27
I would also personally have enjoyed more "secondary" music themes (otherwise it becomes like reading book summaries that always only quote the opening paragraph), and I could easily have done without the "pop" tunes (like Baby Elephant Walk and the Rugrats theme). In fact, it would have been very nice to listen to an album comprised of tracks chosen for their strong musical value rather than apparently for their box office and/or hit song popularity. But, to be fair, that may be precisely what draws some people to this CD set.
Film score music constitutes the single most significant body of classical music of our time. I hope some of these tracks will entice listeners to buy entire soundtracks and listen to some of these works as a whole.
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A Chorus Line (1975 Original Broadway Cast) (Multichannel/Stereo SACD)
Marvin Hamlisch , Edward Kleban , and Donna McKechnie Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000087N0S Release Date: 2003-03-11 |
Tracks:
- Opening: I Hope I Get It - Company
- I Can Do That - Wayne Cilento
- At the Ballet - Carole Bishop, Kay Cole, Nancy Lane
- Sing! - Renee Baughman, Don Percassi
- Montage, Pt. 1: Hello Twelve, Hello Thirteen, Hello Love [Expanded Vers - Baayork Lee, Cameron Mason
- Montage, Pt. 2: Mother - Patricia Garland, Ron Kuhlman
- Montage, Pt. 3: Gimmie the Ball - Ronald Dennis, Michael Stuart
- Nothing - Priscilla Lopez
- Dance: Ten; Looks: Three - Pamela Blair
- Music and the Mirror - Donna McKechnie
- One - Company
- What I Did for Love - Priscilla Lopez, Company
- One (Reprise)/Finale
Amazon.com
Michael Bennett's 1975 tale of Broadway's gypsies--the chorus dancers--resonated with audiences as few shows ever have, examining with both hilarity and heartbreak the grueling life of ordinary performers always auditioning for an opportunity to be members of a faceless chorus line. And along the way, it picked up the Pulitzer, the New York Drama Critics Award, and nine Tonys, and became the longest-running show in Broadway history. The original cast (eight of whom contributed their real-life memories to the show) included no major stars, but are unmatched on this cast recording of Marvin Hamlisch and Edward Kleban's score, including Priscilla Lopez's poignant "Nothing," Donna McKechnie's yearning dance number "The Music and the Mirror," one of Broadway's most famous torch ballads in "What I Did for Love," and the ultimate high-kicking chorus number, "One." Fans of the show will welcome the 1998 remastered CD, which adds two and a half minutes to "Hello Twelve, Hello Thirteen, Hello Love." While still incomplete, the montage now includes "Four-foot ten," "Little brat," and "The worst thing in school...." --David HoriuchiCustomer Reviews:
great soundtrack for a great show............2007-06-09
A Chorus Line.......2007-05-31
What They Did For Love.......2007-02-12
The CD begins with the track entitled "Opening: I Hope I Get It." Too many actors and actresses have arrived to compete for jobs in a chorus line in a Broadway production. Zach, the man who must chose the people who make the final cut, stuns the actors by requesting them to talk about themselves. This provides the premise for the rest of the music of the show. One by one the actors open up and share their life stories in song; and the music by Marvin Hamlisch enhances their songs greatly.
Several memorable stories told in song by the actors include "I Can Do That" in which Mike, performed by Wayne Cilento, tells about how he swiped his sister's dance shoes to race to a dance rehearsal; the beautiful ballad about escaping the heartache of real life at the theater entitled "At The Ballet" performed by Carole Bishop, Nancy Lane and Kay Cole; "Montage, Part 3: Gimme The Ball" performed by Michel Stuart and Ronald Dennis as Greg and Richie respectively; and "Dance: Ten; Looks Three" performed by Pamela Blair in the role of Val. Excellent!
Other numbers on this original cast recording deserve very special mention. "What I Did For Love" is delivered flawlessly by Priscilla Lopez and Company; in this song Priscilla's character Diana Morales sings beautifully of how she would have no regrets if she could never dance again. Priscilla Lopez also performs the memorable balled "Nothing" about how she simply did not profit from a course she took with an acting professor several years earlier.
The finale, a reprise of the smash number "One," features the cast singing together as polished professionals instead of the somewhat clumsy chorus line hopefuls they were before. I still remember feeling chills up and down my spine when I saw this number in the show at New York's Schubert Theater in 1979.
The liner notes have an excellent essay by Marc Kirkeby and the photos of the cast are a real treat. The notes indicate which actors performed each song and the artwork will impress you.
The sound is excellent even on my portable CD player. There is very little, if any, surface noise.
A Chorus Line represents a sophisticated look at the real lives of struggling actors and actresses. These people scramble for jobs in their chosen profession so that they can be happy and well fed at the same time. The catchy melodies by Marvin Hamlisch will delight you; and the lyrics by Edward Kleban display forethought and sheer brilliance.
I highly recommend this CD for fans of the theater and for people who love the outstanding music of Marvin Hamlisch. People who enjoy convincing exposés of the real lives of struggling actors will also enjoy this CD.
God, I hope you get it..........2006-11-28
A Chorus Line begins with the famous, pulse-pounding "GOD I HOPE I GET IT", where we hear the dancers inner thoughts while learning the choreography. This is a mostly danced number, but it is energetic, effecting and a brilliant opening.
More great numbers are "AT THE BALLET", which has three dancers taking down their "audition facades" and describing the therapy dance provided during troubled childhoods. The "MONTAGE" numbers are a funny mixture of painful, embarrassing, and entirely too real memories of teenage years. "DANCE 10, LOOKS 3" Is a hillarious yet sadly true song about the power of appearance. "WHAT I DID FOR LOVE" is one of the most original love songs of all time, about the sacrafices made not for the people we love, but for ourselves. It sumarizes the whole musical: Why we do what we do for the things we love.
The idea of A Chorus Line has become a little cliche after years and years of exposure and performance, but it is deffinately worth the praise it receives and fame it has accumilated. A must have for every lover of musical theatre.
a great musical.......2006-11-06
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The Very Best of Little Texas: Live and Loud
Little Texas Manufacturer: Montage Music Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P2A23S Release Date: 2007-05-15 |
Tracks:
- Hello Again
- Life Goes On
- Amy's Back In Austin
- Some Guys Have All The Love/My Love/First Time For Everything (Medley)
- Peaceful Easy Feeling
- Loud and Proud
- Kick A Little
- You And Forever And Me/I'd Rather Miss You (Medley)
- What Might Have Been
- Get Back
- God Blessed Texas
Album Description
Little Texas has delivered a live album showcasing a mix of long-time Little Texas favorites and a few surprises all recorded by the group in pure, big and bold, in-your-face, Little Texas style.Customer Reviews:
Live and Loud (as Little Texas should be).......2007-07-01
AWESOME!!!!.......2007-05-16
A stunning return.........2007-05-16
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An American in Paris (1951 Film Soundtrack)
George Gershwin , Gene Kelly , and Oscar Levant Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000033JE Release Date: 1996-07-16 |
Tracks:
- Main Title (An American In Paris/'S Wonderful/I Got Rhythm) - MGM Studio Orchestra
- Paris Narration/Left Bank (Themes From An American In Paris) - MGM Studio Orchestra
- Nice Work If You Can Get It (Outtake) - Georges Guetary
- Embraceable You - MGM Studio Orchestra
- By Strauss - Gene Kelly, Georges Guetary, Mac MacLain, Grace Stark, Pete Roberts
- Street Exhibit - MGM Studio Orchestra
- I Got Rhythm - Gene Kelly, MGM Children's Chorus
- But Not For Me - Benny Carter & His Orchestra
- Medley: Do, Do, Do/Bidiin' My Time/I've Got A Crush On You/Love Is Here To Stay - MGM Orchestra
- Someone To Watch Over Me - Benny Carter & His Orchestra
- Medley: My Cousin In Milwaukee/A Foggy Day/The Half-Of-It Dearie Blues/But Not For Me (Outtake) - Oscar Levant
- Tra-La-La - Gene Kelly, Oscar Levant
- I'm No Enemy (Love Is Here To Stay) (Outtake) - MGM Studio Orchestra
- Love Is Here To Stay - Gene Kelly
- Medley: What Time Is It?/Love Is Here To Stay (Reprise) - MGM Studio Orchestra, Gene Kelly
- (I'll Build A) Stairway To Paradise - Georges Guetary
- I've Got A Crush On You (Outtake) - Gene Kelly
- Love Walked In (Outtake) - Georges Guetary, Oscar Levant
- Medley: We Would Get Married (Love Walked In) (Outtake)/I Don't Think I'll Fall In Love Today... - Oscar Levant, MGM Studio Orchestra
- Concerto In F (3rd Movement) - Oscar Levant, MGM Studio Orchestra
Tracks:
- Painting Montage (Tra-La-La/Love Is Here To Stay) - MGM Studio Orchestra
- Kiss Me (Outtake) - MGM Studio Orchestra
- 'S Wonderful - Gene Kelly, Georges Guetary
- Lise, I Love You ('S Wonderful/Love Is Here To Stay) - MGM Studio Orchestra
- Strike Up The Band (Extended Version) - MGM Studio Orchestra
- Liza (Complete Version) - Oscar Levant
- Medley: Oh, Lady Be Good/'S Wonderful - MGM Studio Orchestra
- Medley: That Certain Feeling/Clap Yo' Hands - MGM Studio Orchestra
- I've Got A Crush On You (Outtake) - MGM Studio Orchestra
- I Got Rhythm (Extended Version) - MGM Studio Orchestra
- Tra-La-La (Outtake) - MGM Studio Orchestra
- But Not For Me - Georges Guetary
- Utrillo Did It (Love Is Here To Stay/An American In Paris/Nice Work If You Can Get It) - MGM Studio Orchestra
- An American In Paris Ballet (Extended Version) - MGM Studio Orchestra
- Finale (An American In Paris) - MGM Studio Orchestra
- Painting Montage (An American In Paris) (Deleted Version) - MGM Studio Orchestra
- Main Title: An American In Paris (Alternate Version - Outtake) - MGM Studio Orchestra
- Adam Cook Monologue (How Long Has This Been Going On?) (Extended Version) - Oscar Levant
- Nice Work If You Can Get It (Partial As Used In Film) - Georges Guetary, Oscar Levant
- Third Prelude (Outtake) - Oscar Levant
- My Cousin In Milwaukee (Outtake) - Oscar Levant
- A Foggy Day (Outtake) - Oscar Levant
- The Half-Of-It Dearie Blues (Outtake) - Oscar Levant
- But Not For Me - Oscar Levant
- Bidin' My Time (Outtake) - Oscar Levant, Saul Chaplin
- 'S Wonderful (Reprise) (Outtake) - Gene Kelly
- Finale (Alternate Version - Outtake) - MGM Studio Orchestra
Amazon.com essential recording
This is a considerably expanded version of the soundtrack album to Vincente Minnelli's Oscar-winning film. With two discs and 100 minutes of music (much of which is presented for the first time), these original session masters are highlighted by the MGM Studio Orchestra, Oscar Levant, Benny Carter, and Gene Kelly, all of whom perform such memorable Gershwin tunes as "Someone to Watch Over Me," "Love Is Here to Stay," and "S'Wonderful." Just about all of the material has a monotonously mono sound, but Levant's version of "Concerto in F" is included here for the first time in true stereo. Along with several Levant improvisational piano solos based on Gershwin's music, there are also some outtakes as well as extensive production and historical notes. --Joseph LanzaCustomer Reviews:
Magic of love.......2007-03-10
Noone is better, noone could do better.
American masterpiece with european feelings.
Filled with musical gems.......2004-02-17
TOO LONG !!!!!!!!!!!.......2002-06-17
I would buy the ORIGINAL CAST SOUNDTRACK released by MGM records. You will enjoy this version ever so much more without all the extras!!!
GERSHWIN'S TALENT.......2001-08-12
Ga Ga for Gershwin.......2000-12-13
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