Montage [Import]

Track Listings

 
1. When Will You Be Back?
2. Making Our World
3. Free Line
4. Pancartes
5. Japanese Title
6. Send Me Your Sun
7. Divers
8. Gila Gila
9. I Call You Call Me
10. Nana

Montage,Kahimi Karie,Jvc Victor,World Music
2001: A Space Odyssey - Original Motion Picture Soundtrack (1996 Reissue)
Average customer rating: 4.5 out of 5 stars
  • great music, great reissue
  • fantastic
  • whoa.
  • Great Music for Halloween, very creepy
  • Bleakest of Futures...
2001: A Space Odyssey - Original Motion Picture Soundtrack (1996 Reissue)

Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. 2001 - A Space Odyssey
  2. Stanley Kubrick's Clockwork Orange (1971 Film)
  3. A Clockwork Orange: Wendy Carlos's Complete Original Score
  4. Barry Lyndon
  5. The Ligeti Project II: Lontano / Atmosphères / Apparitions / San Francisco Polyphony / Concert Românesc - Berlin Philharmonic Orchestra / Jonathan Nott

ASIN: B0000033WB
Release Date: 1996-10-29

Tracks:

  1. Overture: Atmospheres - The Sudwesfunk Orchestra, Ernest Bour
  2. Main Title: Also Sprach Zarathustra (Thus Spake Zarathustra) - The Vienna Philharmonic, Herbert Von Karajan
  3. Requiem For Soprano, Mezzo Soprano, Two Mixed Choirs & Orchestra - The Bavarian Radio Orchetra, Francis Travis
  4. The Blue Danube (Excerpt) - The Berlin Philharmonic Orchestra, Herbert Von Karajan
  5. Lux Aeterna - The Stuttgart Schola Cantorum, Clytus Gottwold
  6. Gayane Ballet Suite (Adagio) - The Leningrad Philharmonic Orchestra, Gennadi Rezhdestvensky
  7. Jupiter And Beyond - The Bavarian Radio Orchestra, Francis Travis, The Sudwesfunk Orchestra, Ernest Bour, Internationale.
  8. Also Sprach Zarathustra (Theme from 2001: A Space Odyssey) - Vienna Philharmonic Orchestra
  9. The Blue Danube (Reprise) - The Berlin Philharmonic Orchestra, Herbert Von Karajan
  10. Also Sprach Zarathustra (Theme from 2001: A Space Odyssey) - Sudwesfunk Orchestra
  11. Lux Aeterna - The Stuttgart Schola Cantorum, Clytus Gottwold
  12. Adventures (Unaltered) - Internationale Musikinstitut, Gyorgy Ligeti
  13. HAL 9000 - Dialog Montage

Amazon.com

This commemorative reissue of music from 2001: A Space Odyssey combines the Also sprach Zarathustra theme, various Johann and Richard Strauss segments, and a ballet suite by Aram Khachaturian--all of which prove how much Stanley Kubrick's film attempts to avoid the soundtrack clichés of most science-fiction movies. Instead of the expected sci-fi effects, there is a more ironic application of music that would be otherwise incongruous to the celestial settings. Here, "The Blue Danube" complements scenes involving weightlessness and descending spacecraft, while Gyorgy Ligeti's creepy "monolith" music connotes Armageddon more than interplanetary exploration. The tracks play as they had appeared on the original soundtrack release back in the '60s, but there is also previously unreleased supplemental material and a dialogue montage entitled "HAL 9000." --Joseph Lanza

Customer Reviews:

5 out of 5 stars great music, great reissue.......2007-04-16

This is a great collection of music and I love the great mastering job that was done with this. The inclusion of the tracks from the original MGM soundtrack release are a great bonus. The liner notes include interpretations of the film and the music that are insightful.

I noticed that the music in the movie is mixed in surround sound, it would be great if they could release this on DVD-Audio or SACD surround. I'd buy it again!

5 out of 5 stars fantastic.......2007-03-11

I have the old lp release of this music, what an incredible array of classical music, topped off by my personal favorite piece of music in the world, the blue danube waltz. Let yourself be carried away in deep space by this incredible score.

5 out of 5 stars whoa........2006-09-04

"Atmospheres" was enough to make me buy this album. just try to imagine what eternity might sound like. okay, now you know exactly what Atmospheres is. wow. who else could having captured the feelings that are in this score? this is above talented. this is above genius. this is above avand garde. this is too good to be labeled as anything at all.

5 out of 5 stars Great Music for Halloween, very creepy.......2006-03-17

I bought this CD to use for a haunted house program, the music will creep you out.

5 out of 5 stars Bleakest of Futures..........2005-10-08

The atonal, unsettling atmosphere of much of the music of Ligeti is fitting to the bleak vision of a human future reigned by nothing but cold technology and of humans drained of emotions except for the deepest animalist fear originating from our inner reptilian brainparts which have not changed for over millions of years. The incongruity of Johann Strauss' lovely 'An der schönen blauen Donau' with the cold technicality of spacefaring as depicted here could not be more complete, but what a perfect find on Stanley Kubrick's part! It makes the uneasiness and confusion even greater. And then, to top it of, the complete and flabbergasting irony of using Richard Strauss' Fanfare for the 'rise of Man' in his 'Also Sprach Zarathustra': what a great destiny for 'Man' indeed, this bleakest of bleak visions of the future!
As a soundtrack for '2001: A Space Odyssey' this music together on one album is just great.
And besides, this soundtrack has indeed, like so many others I guess, made me aware of the genius of Ligeti, which otherwise might have gone unnoticed for me.
Music for a Darkened Theatre, Vol. 1: Film & Television Music
Average customer rating: 4.5 out of 5 stars
  • Great compilation - and that's just the first half.
  • The best of Elfman!!!
  • Great Collection, A LIttle Too Eclectic
  • What Great Music
  • super
Music for a Darkened Theatre, Vol. 1: Film & Television Music

Manufacturer: Fontana Mca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002OEB
Release Date: 1990-10-15

Tracks:

  1. Excerpts From: Pee Wee's Big Adventure
  2. Excerpts From: Batman
  3. Excerpts From: Dick Tracy
  4. Excerpts From: Beetlejuice
  5. Excerpts From: Nightbreed
  6. Excerpts From: Darkman
  7. Excerpts From: Back To School
  8. Excerpts From: Midnight Run
  9. Excerpts From: Wisdom
  10. Excerpts From: Hot To Trot
  11. Excerpts From: Big Top Pee Wee
  12. Excerpts From: The Simpsons
  13. Excerpts From: Alfred Hitchcock Presents: The Jar
  14. Excerpts From: Tales From The Crypt
  15. Excerpts From: Face Like A Frog
  16. Excerpts From: Forbidden Zone
  17. Excerpts From: Scrooged

Customer Reviews:

4 out of 5 stars Great compilation - and that's just the first half........2005-09-14

I first got this on cassette in the summer of '94 and listened to it every day, drawn by its thematic range and compositional depth. And that was just side-one.

Elfman pioneered the sound that drives today's movie adaptations of comic-books and darker-themed children's stories. Side-One kicks things off with a rollicking, hyper-cartoonish theme from the first Pee-Wee movie - the one where Pee-Wee searches for his beloved bike. Elfman's theme contains layers of different rides - on tightropes, highways, in the middle of a NASCAR rally - which rudely yet melodically crash into each other.

The Batman entry actually contains several pieces - the opening credits, the extended sequence in the cathedral and the climax - which show Batman's darkened extreme at its "Frank Miller" best. (Dir. Tim Burton couldn't sustain the mood in the next sequel, and the franchise took a turn towards the camp of the TV series with the next 2 movies.)

The theme for "Dick Tracy" is perhaps the most romantic on this disc, a quality that surpasses the theme's comic-book origins, but ends on an ironic note that's pure Elfman.

"Beetlejuice" (opening & closing credits) gives Elfman's childish ID a chance to stretch its legs, or in this case, slam-dance.

"Nightbreed" is an enigma wrapped in a dark mystery, and that's just Elfman's score. Elfman's work on this movie is as good as the movie wasn't, having a more powerful narrative than the script - easily the best track on the entire disc, one likely to exceed the movie in its dose of chills.

"Darkman" doesn't quite rise to the occasion, though the score may be hobbled by the movie itself, which seldom surpassed one of the many "Batman" clones of the early 1990's. "Darkman" (the movie, I mean) excelled as a parody of many comicbook staples (the wronged hero, the relentless villain, the scientific breakthrough with just one flaw), but not enough to escape being largely anonymous. Within those constraints, it's still a moving if scary piece.

When is Elfman not like Elfman? When he was in the mid-late `80's and scored "Back to School" (A Rodney Dangerfield vehicle) and "Midnight Run". Horns in "School" bring it closer to Elfman's over-the-top style, while "Run" sounds like a love-theme for the run-down, out-of-the-way parts of America that seldom appear in Elfman-movies. "Run" is a fun score for a fun movie - it's nothing like Elfman's previous work but it perfectly captures the on-the-road-without-a-map craziness of the movie.

To this day, I don't know why I never ventured to Side-two, but it's irrelevant. Even half this disc is worth it

5 out of 5 stars The best of Elfman!!!.......2005-09-05

I was obsessed about getting this CD right from when I heard about it. I found it at the library and was so excited about it, and it didn't let me down. In fact, it was a lot better than I expected. It's a fun and creepy (strange mix, but it really works!) collection of Danny Elfman's film and television soundtracks. The first track, Pee Wee's Big Adventure, is probably my favorite. Also, I really like Batman and Wisdom. Batman is creepy and dark, and Wisdom is just weird, in the best possible way.
I'd recommend this to anyone who likes film music, or everyone who is even the tiniest bit an Elfman fan. It's amazing!

4 out of 5 stars Great Collection, A LIttle Too Eclectic.......2003-08-19

You should be able to tell from the movies and TV shows listed here whether or not you'd be interested in this collection. It's a little too eclectic for my tastes (hence only 4 stars) but better than volume 2. I think thatthe miscellaneous collected ites here along with the previously unreleased stuff should make this worth buying. Especially if you're a fan of Elfman's movie soundtrack work.

5 out of 5 stars What Great Music.......2003-05-11

I fell in love with the music of Danny Elfman when Beetlejuice came out. There was something different about the music that he made. When Edward Scissorhands, and then Nightmare Before Christmas - I knew this man was a musical master. Its the verbal form of surrealism.

5 out of 5 stars super.......2003-04-17

What a great CD. Danny's music is so original and inventive. this CD contains his pre 90's quirky, gothic music. it's all very well written and beautifully orchestrated. batman and darkman contain some really excellent long, dark, gothic cues that really take u away from reality. in my opinion no one, apart from howard shore, is as inventive and original as danny in the world of filmmusic. he far surpasses the repetitive works of williams or horner. buy this, and volume two, and keep supporting one of the greatest film composers of all time.ohh...and buy fellowship of the ring and two towers by howard shore....amazing work!
The Carl Stalling Project: Music From Warner Bros. Cartoons, 1936-1958
Average customer rating: 5 out of 5 stars
  • Best compilation CD ever
  • Here we go.
  • Stallings CDs
  • The Carl Stalling Project
  • Warner Brother's King of Music
The Carl Stalling Project: Music From Warner Bros. Cartoons, 1936-1958

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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  5. Raymond Scott: Chesterfield Arrangements 1937-1938

ASIN: B000002LJE
Release Date: 1990-07-17

Tracks:

  1. Putty Tat Trouble Part 6
  2. Hillbilly Hare
  3. Early WB Scores: The Depression Era
  4. The Good Egg
  5. Various Cues From Bugs Bunny Films
  6. There They Go Go Go
  7. Stalling Self-Parody: Music From Porky's Preview
  8. Anxiety Montage
  9. Stalling: The War Years
  10. Medley: Dinner Music For A Pack Of Hungary Cannibals
  11. Carl Stalling With Milt Franklyn In Session
  12. Speedy Gonzalez/Meets Two Crows From Taco
  13. Powerhouse And Other Cuts From The Early 50's
  14. Porky In Wackyland/Dough For The Do Do
  15. To Itch His Own

Amazon.com

For fans of Bugs Bunny, Daffy Duck, et al., this is the essential cartoon soundtrack as well as a monument to surrealism. During his 22 years as a composer for Warner Bros. animated shorts, Stalling invented the musical vocabulary of cartoons. Producer Hal Willner has lovingly assembled a sonic collage that showcases Stalling's compositional genius and uncanny ability to borrow a tune. It's a whirling collection of random moments, chock full of music you never knew you knew, from Bugs Bunny's theme from "Rabbit Fire" to Raymond Scott's "Powerhouse" to Stalling's own "Woo! Woo!" Also included in the mix: outtakes from recording sessions, and several complete scores. --Heidi MacDonald

Customer Reviews:

5 out of 5 stars Best compilation CD ever.......2007-02-18

Carl Stalling gave me the best musical education I ever had. I'm spending the rest of my life learning the titles and composers of all the hundreds of tunes I first heard in his cartoon scores. I've had this CD ever since it came out, and it still is one of my favorites.

Only a handful of tracks are a complete score from one cartoon; most are snippets from several cartoons edited together with a common theme.

This CD is about a composer and his music, more than about the cartoons for which he composed it. To drive home this point, it includes the score from, of all things, 1939's "The Good Egg." No one would consider "The Good Egg" to be among the best Warner cartoons, but the score, heard by itself, turns out to be a tour de force that is highly representative of Stalling's work. That's what makes this CD such a great listening experience: It was pieced together by musicologists who chose the music based on its auditory qualities, and not on the relative fame of the cartoon associated with it. It is not merely a trip down memory lane (although it is that, too), but is a great creative work in its own right.

Despite the vast amount of Stalling music that exists, this CD provides as ambitious and exhaustive an overview as can be given, and its 1995 follow-up, while also worth having, is but a pale afterthought. There's no following this act.

3 out of 5 stars Here we go........2006-11-16

This CD features music from the Warner Brothers cartoon film scores by Carl Stalling. There are some complete scores and also some "medleys", with clips from various cartoons strung together. Carl Stalling was a master at writing music for cartoons, but something is lost when you just hear the music without seeing the cartoon.

5 out of 5 stars Stallings CDs.......2006-11-10

If you harken back to the days when you snuggled on the couch on a Saturday morning with your little ones, and ate donuts and drank juice and watched "Bugs Bunny" you will love these CDs. You'll recognize all the characters and their entrances and their pratfalls...and laugh and say "I've heard that!"...it's a walk down memory lane and a very special one, at that. I highly reccommend these to anyone who loves B Bunny.
Not to mention these are some of the finest musicians you will ever hear...a lesson in classical music, and cartoons.

4 out of 5 stars The Carl Stalling Project.......2005-09-12

Music from Warner Brothers cartoons "Golden Years" (1936-1958).
Carl Stalling was the chief music arranger for Warner Brothers cartoons from 1936 to 1958. He was one of the foremost composers of cartoon music. This disk is much better than "The Carl Stalling Project Volume II."

5 out of 5 stars Warner Brother's King of Music.......2003-12-02

Even if you do not recognize his name, Carl Stalling is a very familiar composer. He wrote the soundtrack for many of our young lives as the composer for Warner Bros.' "Merrie Melodies" and "Looney Tunes" cartoons from late 1930's to late 1970's. Hal Willner has compiled this CD that for the first time lets you hear the music on its own, and lets you realize just how much of the cartoons' impact came from Stalling's music.

Willner sifted through hundreds of cartoons to choose about 40 with the most significant music. He presents the music in a variety of formats. A few tracks provide the soundtrack for a single entire cartoon. Others are medlies from a certain period in Stalling's career or pieces that set a particular mood (such as the "Anxiety Montage"). There are also tapes from recording sessions for 1951's "Putty Tat Trouble" that give insight on how this music was recorded. I couldn't recommend this CD any more highly. (After you've given it a listen, check out a Raymond Scott "best of" album like "Reckless Nights and Turkish Twilights" to see just how many of its tracks are familiar from various cartoons.)

Stalling's music, instead of following the traditional rules of musical structure (exposition, development, theme, variations, etc.), was written to follow the rapid action of cartoons. Stalling would not compromise on this, even if it meant having the 50-piece orchestra play fortissimo for five seconds and then having only one piccolo playing the next four seconds. To ensure a perfect correspondence between the sound and the image, Stalling and the cartoon's directors would agree on a few sketches and on the timing of the action. This enabled Stalling to compose and record the music without even seeing the movie. Carl Stalling was also a master at telling a story through music, with gestures so clear, that there is never any doubt as to his intentions.

Stalling once said, "One problem with cartoons today is that they have so much dialogue the music doesn't mean much." Unfortunately, this statement rings true as we move into 2004. But keeping Carl Stalling from rolling in his grave is not why you need to buy this CD. You need it because it is IMPOSSIBLE to maintain a bad mood while this CD is playing. You need this to listen to as a stress reducer on those tough days. You need this because it is complete childhood in a disc.

I challenge you to turn on your television and watch some Looney Tunes. Turn up the volume and listen while doing something else (wash dishes, write a paper perhaps.) I guarantee you will know exactly what is happening, and to whom. This was the comedic skill and genius talent of Carl Stalling.

As Porky Pig would say: "abieh-abieh-abieh... That's All Folks!"
Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition)
Average customer rating: 5 out of 5 stars
  • the perfect movie
  • I LOVE MY FAVORITE SONG, AND THANKS TO THIS CD I CAN LISTEN TO IT ALL DAY LONG!!
  • Wonderful Soundtrack to a Wonderful Movie
  • Great CD
  • musical memories
Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition)
Nacio Herb Brown , Gene Kelly , and Arthur Freed
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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  5. M-G-M's Brigadoon: Original Motion Picture Soundtrack (1954 Film)

ASIN: B00006JOF3
Release Date: 2002-10-01

Tracks:

  1. Main Title/Singin' In The Rain - Gene Kelly
  2. Fit As A Fiddle (And Ready For Love) - Gene Kelly
  3. Tango (Temptation) - MGM Studio Orchestra
  4. All I Do Is Dream Of You - Debbie Reynolds
  5. All I Do Is Dream Of You (Outtake) - Gene Kelly
  6. Make 'Em Laugh - Donald O'Connor
  7. Beautiful Girl Montage - MGM Studio Orchestra & Chorus
  8. Beautiful Girl - Jimmie Thompson
  9. You Were Meant For Me - Gene Kelly
  10. You Are My Lucky Star (Outtake) - Debbie Reynolds
  11. Moses - Gene Kelly
  12. Good Morning - Gene Kelly
  13. Singin' In The Rain - Gene Kelly
  14. Would You? - Betty Noyes
  15. Broadway Melody Ballet - MGM Studio Orchestra & Chorus
  16. Would You? End Title - Gene Kelly
  17. Singin' In The Rain (In A-Flat) - Debbie Reynolds
  18. Finale - Gene Kelly
  19. Main Title (Alternate Version) - MGM Studio Orchestra
  20. Beautiful Girl (Alternate Version/Tempo Track) - Gene Kelly
  21. Would You? (Unused Version) - Debbie Reynolds
  22. Would You (Duet) (Unused Version) - Gene Kelly
  23. Beautiful Girl (Unused Original Version) - Jimmie Thompson
  24. Singin' In The Rain (Alternate Vocal) - Gene Kelly
  25. Should I (Unused Instrumental) - MGM Studio Orchestra

Tracks:

  1. The Broadway Melody - Charles King
  2. You Were Meant For Me - Charles King
  3. The Wedding Of The Painted Doll - James Burroughs
  4. Singin' In The Rain - Cliff Edwards
  5. Should I - Charles Kaley
  6. Beautiful Girl - Sam Ash
  7. All I Do Is Dream Of You - Gene Raymond
  8. Broadway Rhythm - Frances Langford
  9. I've Got A Feelin' Your Foolin' - Robert Taylor
  10. You Are My Lucky Star - Marjorie Lane
  11. Would You - Jeanette MacDonald
  12. Good Morning - Judy Garland
  13. Singin' In The Rain - Judy Garland
  14. All I Do Is Dream Of You - Judy Garland
  15. Dignity - MGM Studio Orchestra
  16. Stunt Montage (Extended Version) - MGM Studio Orchestra
  17. First Silent Picture (Extended Version) - MGM Studio Orchestra
  18. Have Lunch With Me - MGM Studio Orchestra
  19. Dancing On A Rainbow - Arthur Freed
  20. Singin' In The Rain (Radio Broadcast) - Arthur Freed
  21. Broadway Melody Ballet (Original Version) - Gene Kelly

Amazon.com

A vibrant tribute to MGM's legendary confluence of brains, talent, hard work, ambition--and dare we say it?--massive egos, Singin' in the Rain long ago took its rightful place among the first rank of the studio's dizzying catalog of film musicals. This double-disc, 46-track 50th-anniversary edition features all of the film's familiar songs, as well as numerous outtakes and extended versions, many culled directly from the film's original recording masters. Its second disc also chronicles the film's clever--if studio imposed--self-referential musical gambit of recycling a slate of Arthur Freed/Nacio Herb Brown songs from Metro's first decade by including 14 of the originals, including performances by Jeanette McDonald, Judy Garland, Mickey Rooney, and Freed himself. Featuring a dozen previously unreleased recordings and an illustrated booklet containing the insightful reminiscences of the film's original writers, Betty Comden and Adolph Green, it's the ultimate musical companion to one of cinema's magical, enduring masterpieces. --Jerry McCulley

Album Description

The complete 50th Anniversary Edition and a bonus disc featuring the original recordings that inspired the 1952 MGM classic! Includes 12 previously unreleased tracks 'Would You?' (duet) (unused version), 'Beautiful Girl' (unused original version), 'Singin' In The Rain' (alternative vocal), 'Should I' (unused instrumental), 'You Were Meant For Me', 'All I Do Is Dream Of You', 'Broadway Rhythm', 'You Are My Lucky Star', 'Would You?', 'Dancing On A Rainbow' plus 'Broadway Melody Ballet' (original version). Rhino. 2002.

Customer Reviews:

5 out of 5 stars the perfect movie.......2007-03-10

My old Gene did it: the perfect movie, the perfect american history, the perfect music. Some people think musicals are "B" movies. I say them: look about the dream, the performance, the music.
Who can say what is beatiful? Look at faces of Gene and Stan during the shooting on the set: whole concentration and attention for everything.
This is a unique moment in their story, and in the story of cinema.
Unforgettable.

5 out of 5 stars I LOVE MY FAVORITE SONG, AND THANKS TO THIS CD I CAN LISTEN TO IT ALL DAY LONG!!.......2007-01-28

I love Singin' in the Rain. It was the movie that made me like musicals, not those simple, mellow movies like South Pacific and the Sound of Music, but REAL musicals, with people like Fred Astaire or Eleanor Powell tapping their hearts out, or great singers like Frances Langford or Dick Powell putting over a song like they mean it.The Singin' in the Rain 2disc special edition introduced me to my favorite movie, the Broadway Melody of 1936, the MOST AMAZING MOVIE EVER! So I was so glad when my parents got me the soundtrack to Singin' in the Rain, and besides the music of the 1951 versions of the Nacio Herb Brown/Arthur Freed, there are also the original versions of the songs in their original movies. I am so glad that Rhino put the duet of Robert Taylor and June Knight singing I've Got a Feelin' You're Foolin' on this CD set! It's my favorite song, and now I can listen to it! Hooray!! It's the best song EVER!! There's also vocals of Charles King singing the Broadway Melody, which is great! And many more, like Bing Crosby, Frances Langford, Jeanette MacDonald, and other great singers I can't think of right now. This CD set is great, the sound is nice and un-staticy (mostly), there are 30-plus songs, and the price is phenomenal. I love my favorite song, and now I can listen to it all day long!! Yay! :)

5 out of 5 stars Wonderful Soundtrack to a Wonderful Movie.......2006-06-16

Yes, this is it--the first real musical I ever saw. Okay, I saw "Wizard of Oz" and "The Sound of Music", and I love both of those musicals dearly. I had even seen "My Fair Lady." I thought musicals were all like those. Until this one. I had never seen such dancing. And this CD causes me to relive the joy of the musical each time I listen to it. Complete with the tap sounds. I love that they included even the deleted songs. Now we just need a DVD that has all the deleted scenes in context. But the studio probably threw all those away. Oh well, our imaginations can take care of what is missing.

5 out of 5 stars Great CD.......2006-03-20

This is a great CD of music for your family to listen to. Our family enjoys it very much.

4 out of 5 stars musical memories.......2006-03-14

I enjoyed this CD very much, as I remember seeing the movie years ago. I grew up watching MGM musicals and this was one of the best. I loved all of the wonderful songs that came from this movie. Great sound on this CD.
Missing Years
Average customer rating: 4.5 out of 5 stars
  • Welcome Back
  • The "Missing Years" Haven't Been Kind to Little Texas
  • Country Is Getting Back Where It Should Be
  • Awesome!!!
  • '90s country hitmakers regroup and come back strong
Missing Years
Little Texas
Manufacturer: Montage Music Group
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Contemporary Country | Country | Styles | Music
GeneralGeneral | Country | Styles | Music
ContemporaryContemporary | Bluegrass | Country | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Country RockCountry Rock | Rock | Styles | Music
Similar Items:
  1. The Very Best of Little Texas: Live and Loud
  2. 5th Gear
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  5. Pure BS

ASIN: B000Q66HB4
Release Date: 2007-06-12

Tracks:

  1. Gotta Get Me Down Home
  2. Missing Years
  3. Rebel
  4. Knees
  5. A Reason
  6. Party Life
  7. Texas 101
  8. So Long
  9. When He's Gone
  10. You Aint Seen Me Latley
  11. Your Blues
  12. Your Woman

Album Description

Little Texas proudly releases it's first studio record from since reuniting in 2004. It features 12 new songs including the hits; "Knees", "Rebel", "Texas 101" and the title track, "Missing Years". Impressively, the band is still among the Top 30 acts consistently being played on country radio today. This is a definite testament of their ability to write and deliver a hit song that touches the heart of a listener like no one else. The band is back and better than ever, with a renewed energy and excitement to make more of the music that fans nationwide came to love and respect during the group's early days.

Customer Reviews:

5 out of 5 stars Welcome Back.......2007-07-01

This is the original line-up of LT, only fewer. Porter Howell comes up from the back and does a great job on lead vocals. There are plenty of good potential singles on here in the fashion of other LT singles. 'Missing Years' is on the radio in some places, and I think we'll hear more. The price is right and if you are a fan or curious, this as a good of an album as anything these guys have done. Try 'Texas 101' and 'Party Life' - two other favorites from this album. Using [..] I bought this along with their recent live album (Live and Loud). Good deal.

3 out of 5 stars The "Missing Years" Haven't Been Kind to Little Texas.......2007-06-27

Prime Cuts: Missing Years, Your Blues, Knees

What happens to a group's identity when its lead singer changes not once but three times over the course of the last decade or so? Despite chartering a formidable identity in country music with hits such as "First Time for Everything," "My Love," and "God Bless Texas," bruised egos and group politics caused its first lead singer Brady Seals to abandon ship in favor of a solo career. After the departure of second front man Tim Rushlow, the group subsequently disbanded. However, when the group reunited in 2004 with Steven Troy as their new lead, Rushlow and Seals held legal injunctions to prevent their previous cohorts from using their patented identity as "Little Texas." Such legal faux pas was enough reason for Troy to throw in the towel without any new material surfacing. In exasperation, guitarist Porter Howell stepped up to the microphone, and "Missing Years" is the result of such onerous struggle. So how does this pertinacious effort fare? There are continuities and discontinuous vis-à-vis their copious back catalog. While these Lone Star State loving-guys had previously depended on big love ballads, the ballads here are more organic and subdued. Nevertheless, for those who have taken a fancy to their rowdy anthemic Bon Jovi-esque rock, there is much in galore.

On the ballad-front, the title track, though somehow lyrically verbose, is a brooding bluesy piece that has a mesmerizing ability to draw one into its narrative plot. The lads' fraternity-like harmonies adds poignancy to this modern day spin of the story of the prodigal son who left home after graduation only to find that home was what he missed the most after his squandered years. Though utilizing some maudlin and poorly thought out metaphors such as "let my lap be your pillow, let my love be your bed," the Brett James/Angelo-composed "Your Blues" is still quite an affecting love song that calls to mind their former number 1 hit "My Love." Save for the title track, the better tracks are the ones not penned by the boys, "On My Knees" coming from the pens of Don Pfrimmer and Marc Beeson, despite some quirky chord changes, is a desperate prayer for divine intervention at the threshold of heartbreak.

Almost endemic to the group's ethos, there is always that obligatory valentine to the Lone Star state to which they have derived their name. "Texas 101" is this disc's entry. In an ingenuous effort to eschew clichés, "Texas 101" tries to stay current in its laudatory praise of the State's contributions with passing references of the George Bush and Dixie Chicks debacle and Willie's weed smoking bus incident. However, the couple of living large and wild rousers, namely "Party Life" and "Gotta Get Me Down Home" are as frivolous as the titles suggest. Perhaps, nothing is more appalling than the lead single "Your Woman," an ill-constructed tuneless uptempo with an irritating chorus, about a man gloating that he now has the heart of his friend's former lover. Dump "Rebel" into the bin of anonymous-sounding mindless redneck anthems that currently flood country music.

Though it is good to see these quartet coming together again jamming through some familiar sounding rockers, it is also pleasing to see growth with the choice of more subtle and hence more affecting ballads. Nevertheless, as a whole, the album does not have the verve and the drive of their previous CDs. Mostly fault at the abundance of self-composed materials that tend to favor clichés over originality glazed over mediocre melodic lines. Sad to say the missing years from recording have not mounded these lads for the better.

5 out of 5 stars Country Is Getting Back Where It Should Be.......2007-06-21

I have to agree with the last reviewer, this album is awesome, the songs are written cleverly and the melodies just sound amazing. There is really no country band that can harmonize as well as a group than Little Texas. I have been a fan of theirs since their first album and I am glad to see some of the 90's artists making a comeback. I have recently added this album, Daryle Singletary's new album, Tray Lawrence and Ty Herndon's new offering to my collection. It is a shame that country radio is just receptive to all the popular acts, I am getting tired of Kenny Chesney's beach music and Toby's rebel, funny lyrical music, don't get me wrong I still like them but I am ready for some great 90's artists to keep resurfacing. Little Texas's new album has substance and meaning. I find their music and Porter's voice a little like Hilljack, which is an awesome group in its own right. In fact 'Texas 101' was written by Johnny Slate, Hilljack lead singer Paul Jefferson and Porter Howell, so it has been used on two albums and is a great "Texas" song. Support more 90's Country Artists and go buy this Great CD. You won't be disappointed. Hopefully more 90's artists like Blackhawk and Bryan White will release new albums in the near future.

5 out of 5 stars Awesome!!!.......2007-06-21

Anyone who is saying this CD isn't good because it doesn't have Tim or Brady on it is just crazy!! This is the best CD they have ever released. Porter sounds so much better then Tim. Brady didn't even do lead vocals that much and he isn't that big of a loss and the same for Tim. It's a shame this music isn't getting the air play with radio. It's a big loss for country listeners. I don't know about everyone else but I'm sick of radio just playing only the "top 10" over and over. There is so much more out there. Most of it sounds better then what is being played!! Good job Little Texas!! I love the song The Reason and Party Life.....and I could just keep going because every song on this disc is great!!!

4 out of 5 stars '90s country hitmakers regroup and come back strong.......2007-06-16

As a sextet, Little Texas had eighteen country hits throughout the '90s, their greatest success coming in the first half of the decade. The group's first run ended with 1997's "Little Texas" and was followed a seven-year hiatus. They reappeared in 2004 with Steven Troy replacing Tim Rushlow on vocals, and returned to touring. Troy left in 2006 and lead guitarist (and founding group member) Porter Howell stepped up to the microphone. Now operating as a quartet, with Howell joined by fellow founders Dwayne O'Brien on vocals and guitar, Duane Propes on vocals and bass, and Del Gray on drums, they've cut their first album in a decade.

Howell's an appealing lead vocalist, singing with a huskiness and geniality that brings to mind Jack Ingram. He's a winning center point for harmonies that are not as beholden to the Eagles as the band's earlier work. The instrumental sound is also a touch more modern, dropping the processed guitars of the '90s in favor of a twangier contemporary country sound. Generous amounts of steel and mandolin give this a rootsier feel than the band's previous albums.

Even with the changes, this still sounds like a Little Texas album. Howell and O'Brien continue to write, and outside songwriters chip in material that suits the band well. The country-blues stompers "Gotta Get Me Down Home" and "Party Life," though a bit late to redneck goodtime party scene, are great vehicles for Howell's soulful voice. The name-checking swing of "Texas 101" could easily serve as the basis for a popular CMT video or fan sing-a-along written concert favorite.

The partying stops for several fine ballads, including the retrospective "So Long" with its study of spouses grown apart, friends passed away, and relationships scattered to the winds of time. The sentiment's flipside, "When He's Gone," is too morose for a bride's first dance with her father, but it's a sweet ode to dads everywhere. The title track's return-to-home travelogue is reminiscent of Tim McGraw's "Everywhere," but the happier ending provides less of an emotional wallop.

After a decade away from the studio, Little Texas manages the neat trick of still sounding like Little Texas without sounding trapped in the past. They've got the musical goods for another run at the charts, but only the vagaries of country radio can make that final determination. Either way, the band's fans should like this updated sound, and contemporary country listeners will find these '90s superstars appealing. 3-3/4 stars, if allowed fractional ratings. [©2007 redtunictroll at hotmail dot com]
Music for a Darkened Theatre, Vol. 2: Film & Television Music
Average customer rating: 4.5 out of 5 stars
  • Priceless, at any price
  • Good overview
  • Great Music!!!!!!!!!
  • Very nice for a Danny Elfman collection
  • Bring on Volume 3
Music for a Darkened Theatre, Vol. 2: Film & Television Music

Manufacturer: Fontana Mca
ProductGroup: Music
Binding: Audio CD

Elfman, DannyElfman, Danny | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
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  2. Serenada Schizophrana
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  5. Edward Scissorhands: Original Motion Picture Soundtrack

ASIN: B000002P4P
Release Date: 1996-12-03

Tracks:

  1. Edward Scissorhands Suite: Main Titles
  2. Edward Scissorhands Suite: Storytime
  3. Edward Scissorhands Suite: Suite
  4. Edward Scissorhands Suite: Suburbia-Barber
  5. Edward Scissorhands Suite: The Grand Finale
  6. Dolores Claiborne Suite: Main Titles
  7. Dolores Claiborne Suite: Vera's World
  8. Dolores Claiborne Suite: Flashback
  9. Dolores Claiborne Suite: Sad Room
  10. Dolores Claiborne Suite: End Titles
  11. To Die For Suite: Main Titles
  12. To Die For Suite: Suzie's Theme
  13. To Die For Suite: Busted
  14. To Die For Suite: Wheepy Donuts
  15. To Die For Suite: Finale
  16. Black Beauty Suite: Main Titles
  17. Black Beauty Suite: Baby Beauty
  18. Black Beauty Suite: Jump For Joy
  19. Black Beauty Suite: Frolick-Sick
  20. Black Beauty Suite: Bye Bye Jerry
  21. Black Beauty Suite: Memories
  22. Black Beauty Suite: End Titles
  23. Batman Returns Suite:Birth Of A Penguin
  24. Batman Returns Suite: Trouble Suite
  25. Batman Returns Suite: The Finale
  26. Batman Returns Suite: End Titles

Tracks:

  1. Mission Impossible Suite: Trouble
  2. Mission Impossible Suite: Looking For Job
  3. Mission Impossible Suite: Betrayal
  4. Sommersby Suite: Main Titles
  5. Sommersby Suite: Return Montage
  6. Sommersby Suite: Finale-End Titles
  7. Dead Presidents Suite: Main Titles
  8. Dead Presidents Suite: Daughter
  9. Dead Presidents Suite: Montage
  10. Dead Presidents Suite: Nam
  11. Dead Presidents Suite: Nightmare
  12. Nightmare Before Christmas Suite: Overture
  13. Nightmare Before Christmas Suite: Jack And Sally Suite
  14. Nightmare Before Christmas Suite: Christmas Eve Montage
  15. Freeway Suite: Main Titles
  16. Freeway Suite: On The Road
  17. Freeway Suite: Back In The Car
  18. Shrunken Heads Suite: Main Titles
  19. Television Odds 'N Ends Suite: Amazing Stories 'Family Dog'
  20. Television Odds 'N Ends Suite: Amazing Stories 'Family Dog'
  21. Television Odds 'N Ends Suite: Amazing Stories 'Mummy, Daddy
  22. Television Odds 'N Ends Suite: Barkley Superhero 'Nike Commercial'
  23. Television Odds 'N Ends Suite: The Flash 'Theme'
  24. Television Odds 'N Ends Suite: Pee Wee's Playhouse
  25. Television Odds 'N Ends Suite: Beetlejuice - Animated Tv Series 'Theme'
  26. Untitled
  27. Untitled
  28. Untitled
  29. This Is Halloween (Original Demo For Nightmare Before Christmas)

Amazon.com

A delightfully buoyant, mock-creepy collection of film scores from Hollywood's first and best call for quirk, strangeness, and charm. Focusing on Elfman's post-1992 work (much of it for director Tim Burton), this 2 CD set features excerpts from Edward Scissorhands, To Die For, and Batman Returns, among other lesser items. -- Jeff Bateman

Customer Reviews:

5 out of 5 stars Priceless, at any price.......2007-07-06

Years ago, watching peter Jennings cover the funeral procession of Princess Diana, my soul was captured by some hauntingly beautiful music that at times played in the background. So began my mission to find out what it was, who wrote it and how I could get it. After some correspondence with the network I was put in touch with the woman who "put together" that part of the programming. All she could remember is that it came from the movie "Black Beauty". THEN I found out how many versions of that had been made lol. With determination, I finally found it, and had a local music store order it for me.
There are no words to describe what this music does to me. I did try listening to some of the other tracks, but they didn't even come close. I rate this music right up there with the 1971 score for "Jane Eyre" by John Willams... and that's pretty high :D

5 out of 5 stars Good overview.......2007-04-18

Very nice overview of Elfman work. Insufficient by itself but worth having along with the full soundtracks. Bonus disc is a nice extra.

5 out of 5 stars Great Music!!!!!!!!!.......2005-09-08

I Love Danny Elfman's music so much that I have started my own collection of the soundtracks that he composed. For a while, I was trying to find the "Beetlejuice" theme song from the TV show, but thanks to this release, I finally have it!!! Keep up the good work Elfman!

5 out of 5 stars Very nice for a Danny Elfman collection.......2005-08-02

Music For A Darkened Theater, Vol.2 is a great cd!!! I love all of the tracks on both cd's,but my fav. ones are the t.v. scores and the This Is Halloween demo!!! If you love this,then i recomend looking at all the actually albums on this cd and his other works!!!! good job,Danny Elfman.

5 out of 5 stars Bring on Volume 3.......2005-05-04

The liner notes and "This is Halloween Demo" on this compilation are well worth the CD price by themselves. Danny comments on each of the tracks on the CDs which is a rare and ego-free look at what a composer thinks of his own work.

Edward Scissorhands is magical, Black Beauty is a rollercoaster of emotion, and Dolores Claiborne makes me want to find the nearest piano. This is not a "Most Popular" compilation, rather it aptly showcases Danny Elfman's (and Orchestrator, Steve Bartek's) brilliance and wide range of style.

Every suite has an Elfman signature, such as the layered complexity which never sounds overdone, or the use of a choir as an instrument.

This (and Volume 1) are examples of the work of a modern day composer who consistently stands out as one of the best.

If you like this and have the spare cash, grab the individual scores from some of the movies he has worked on, including "Men In Black", "Spiderman", "Batman", "Batman Returns", "Nightmare Before Christmas", "Edward Scissorhands", "Mars Attacks" and so many more.
Paramount 90th Anniversary Collection: Scores
Average customer rating: 3 out of 5 stars
  • Great Movies have Great Soundtracks!
  • Only Disc 1 Is Worth Anything
  • More of a propaganda CD
  • Great selection of Film Hits!
  • Older recordings, main themes only
Paramount 90th Anniversary Collection: Scores
Various Artists
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
Television SoundtracksTelevision Soundtracks | Soundtracks | Styles | Music
Star TrekStar Trek | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Classical | Styles | Music
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ASIN: B000068TN9
Release Date: 2002-07-02

Tracks:

  1. Saving Private Ryan 'Hymn To The Fallen' - John Williams
  2. Double Indemnity 'Prelude' - Miklos Rozsa
  3. The Lost Weekend 'Finale' - Miklos Rozsa
  4. The Heiress 'Departure/Morris Suggests Love/The Proposal/Finale' - Aaron Copland
  5. Sunset Boulevard 'Prelude' - Franz Waxman
  6. The Ten Commandments 'Prelude' - Elmer Bernstein
  7. Breakfast At Tiffany's 'Moon River' - Henry Mancini
  8. Hatari! 'Baby Elephant Walk' - Henry Mancini
  9. Rosemary's Baby 'Main Title (Vocal)' - Christopher Komeda
  10. Romeo & Juliet 'Love Theme From Romeo & Juliet' - Nino Rota
  11. Once Upon A Time In The West 'Once Upon A Time In The West' - Ennio Morricone
  12. Love Story 'Theme From Love Story' - Francis Lai
  13. The Godfather 'Main Title (The Godfather Waltz)' - Nino Rota
  14. The Godfather 'Love Theme From The Godfather' - Nino Rota
  15. Chinatown 'Love Theme From Chinatown (Main Title) - Jerry Goldsmith
  16. The Godfather - Part II 'End Title' - Nino Rota
  17. Star Trek: The Motion Picture 'End Title' - Jerry Goldsmith
  18. Raiders Of The Lost Ark 'Raiders Of The Lost Ark' - John Williams
  19. Terms Of Endearment 'Theme From Terms Of Endearment' - Michael Gore
  20. Flashdance 'Love Theme From Flashdance' - Giorgio Moroder
  21. Beverly Hills Cop 'Axel F' - Harold Faltermeyer

Tracks:

  1. Witness 'Building The Barn' - Maurice Jarre
  2. Children Of A Lesser God 'Main Title' - Michael Convertino
  3. The Untouchables 'The Strength Of The Righteous (Main Title)' - Ennio Morricone
  4. Fatal Attraction 'Fatal Attraction' - Maurice Jarre
  5. The Addams Family 'Main Title' - Marc Shaiman
  6. Dead Again 'Winter 1948' - Patrick Doyle
  7. Indecent Proposal 'Flashback & Photos' - John Barry
  8. The Firm 'How Could You Lose Me?-End Title' - Dave Grusin
  9. Clear And Present Danger 'Main Title/A Clear And Present Danger' - James Horner
  10. Braveheart 'For The Love Of A Princess' - James Horner
  11. Primal Fear 'Courtroom Montage' - James Newton Howard
  12. Mission: Impossible 'Zoom B' - Danny Elfman
  13. Star Trek: First Contact 'End Credits' - Jerry Goldsmith
  14. Titanic 'Hard To Starboard' - James Horner
  15. The Rugrats Movie 'Baby Shower Happenings' - Mark Mothersbaugh
  16. The Talented Mr. Ripley 'Italia' - Gabriel Yared
  17. Rules Of Engagement 'Semper Fidelis (Always Faithful)' - Mark Isham
  18. Mission: Impossible 2 'The Bait' - Hans Zimmer
  19. Lara Croft: Tomb Raider 'Main Titles' - Graeme Revell
  20. Vanilla Sky 'To The Roof' - Nancy Wilson
  21. The Sum Of All Fears 'The Mission' - Jerry Goldsmith
  22. Forest Gump 'I'm Forrest...Forrest Gump' - Alan Silvestri

Amazon.com

Granddaddy of the Hollywood studios, Paramount Pictures is rightfully proud of its century of contributions to both American cinema and the art of film scoring. But the first disc of this 43-track double-CD anthology merely hints at the studio's musical peaks, blithely skipping through its first seven decades in just 17 tracks. Indeed, the package as a whole seems more interested in marketing its post-'70s catalog of hits and blockbusters than it does in paying real homage to history and roots. Even rarities like Double Indemnity and The Lost Weekend are served up via modern budget-line rerecordings, as is Ennio Morricone's epochal Once upon a Time in the West). Contemporary recordings of Aaron Copland's rare score to The Heiress and Franz Waxman's great Sunset Blvd. fare better, but soundtrack fans may miss the originals. The studio's rich pop-crossover successes in the '60s are documented via Breakfast at Tiffany's "Moon River" and excerpts from Romeo and Juliet and Love Story, while successful franchises like Star Trek and Raiders also get their due. Too often the '90s-focused second disc only underscores some uncomfortable trends in contemporary scoring--orchestral nervous tics punctuated by booming crescendos, treacly piano Muzak--and makes one wonder if the music of The Rugrats Movie and Lara Croft: Tomb Raider are really film music milestones. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Great Movies have Great Soundtracks!.......2007-05-10

If you love movies and movie music, you can't go wrong with this two cd Paramount Anniversary set.

2 out of 5 stars Only Disc 1 Is Worth Anything.......2006-07-19

Normally I have a lot to say in my reviews, but not this time. The main problem with this collection is that all the most memorable film scores are just on one disc, with the second used mostly to play out stuff from the last ten years that, really, musically isn't very memorable and only includes three pieces anyone will recognize just because, like the movies they come from, they're based on old TV shows - The Addams Family, Star Trek, and Mission: Impossible.

And that brings up another problem. With all due respect to the late Jerry Goldsmith, who has provided some truly great classic movie scores, was it REALLY necessary to include TWO versions of the SAME Star Trek march in this collection? This seems evocative of the milk-it-for-all-its-worth attitude Paramount has had lately toward its now-tarnished crown-jewel franchise. Where's James Horner's theme music from Star Trek II and III? If they're gonna put Star Trek on here twice, they should have provided a little diversity. It wouldn't have taken much, I'm sure.

I'm sure that Paramount's had other films with far more memorable music (even Harold Faltermeyer's Top Gun Anthem could have helped on Disc 2). This just seems like a lazy attempt at something that really could have been great.

2 out of 5 stars More of a propaganda CD.......2002-10-30

There are some really great songs on this 2 CD set. However, those really great songs seem to be lightly interspersed amongst a large number of forgettable songs whose main purpose seems to be to remind you of those movies you enjoy(ed) so much.

It seems a little odd to me that out of 90 years of film making the most memorable scores have been largely released within the last few years. I was pleased to find themes from the Godfather, Indiana Jones and Witness. I was perplexed with the inclusion of songs from Rugrats, both Mission Impossible movies (one would have been more than enough) and Tomb Raider (memorable???).

This is my own personal bias, but I do prefer movie soundtracks that evoke a feeling of excitement. With this collection I just couldn't get excited. I kept finding myself being let down by songs that didn't in some way complement the preceeding song.

There are certainly some great tracks here, but overall I was disappointed. My advise would be to look elsewhere.

4 out of 5 stars Great selection of Film Hits!.......2002-09-25

This one was a pleasant surprise! I thought- how could any CD that had "Baby Elephant Walk" be all that good? This one is. Lots of great scores- classics and a few hidden treasures. After hearing the beautiful title score for "Children of a Lesser God", I had to buy the entire soundtrack - very soothing. There are a few that may seem too overplayed ("Love Story", "Raiders of the Lost Ark",), but most are a welcome addition to any compilation. Try NOT loving "Building the Barn" from "Witness" or the "Hymn to the Fallen" from "Saving Private Ryan". Hours of great listening.

2 out of 5 stars Older recordings, main themes only.......2002-08-27

This is a great album concept, but I really wish Paramount had re-recorded these scores as they deserve to be heard. The tracks range from 1944 to the present, and the older recordings sound just like the cleaned-up older recordings that they are.

I would also personally have enjoyed more "secondary" music themes (otherwise it becomes like reading book summaries that always only quote the opening paragraph), and I could easily have done without the "pop" tunes (like Baby Elephant Walk and the Rugrats theme). In fact, it would have been very nice to listen to an album comprised of tracks chosen for their strong musical value rather than apparently for their box office and/or hit song popularity. But, to be fair, that may be precisely what draws some people to this CD set.

Film score music constitutes the single most significant body of classical music of our time. I hope some of these tracks will entice listeners to buy entire soundtracks and listen to some of these works as a whole.
A Chorus Line (1975 Original Broadway Cast) (Multichannel/Stereo SACD)
Average customer rating: 4.5 out of 5 stars
  • great soundtrack for a great show.....
  • A Chorus Line
  • What They Did For Love
  • God, I hope you get it...
  • a great musical
A Chorus Line (1975 Original Broadway Cast) (Multichannel/Stereo SACD)
Marvin Hamlisch , Edward Kleban , and Donna McKechnie
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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Similar Items:
  1. West Side Story (1957 Original Broadway Cast)
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ASIN: B000087N0S
Release Date: 2003-03-11

Tracks:

  1. Opening: I Hope I Get It - Company
  2. I Can Do That - Wayne Cilento
  3. At the Ballet - Carole Bishop, Kay Cole, Nancy Lane
  4. Sing! - Renee Baughman, Don Percassi
  5. Montage, Pt. 1: Hello Twelve, Hello Thirteen, Hello Love [Expanded Vers - Baayork Lee, Cameron Mason
  6. Montage, Pt. 2: Mother - Patricia Garland, Ron Kuhlman
  7. Montage, Pt. 3: Gimmie the Ball - Ronald Dennis, Michael Stuart
  8. Nothing - Priscilla Lopez
  9. Dance: Ten; Looks: Three - Pamela Blair
  10. Music and the Mirror - Donna McKechnie
  11. One - Company
  12. What I Did for Love - Priscilla Lopez, Company
  13. One (Reprise)/Finale

Amazon.com

Michael Bennett's 1975 tale of Broadway's gypsies--the chorus dancers--resonated with audiences as few shows ever have, examining with both hilarity and heartbreak the grueling life of ordinary performers always auditioning for an opportunity to be members of a faceless chorus line. And along the way, it picked up the Pulitzer, the New York Drama Critics Award, and nine Tonys, and became the longest-running show in Broadway history. The original cast (eight of whom contributed their real-life memories to the show) included no major stars, but are unmatched on this cast recording of Marvin Hamlisch and Edward Kleban's score, including Priscilla Lopez's poignant "Nothing," Donna McKechnie's yearning dance number "The Music and the Mirror," one of Broadway's most famous torch ballads in "What I Did for Love," and the ultimate high-kicking chorus number, "One." Fans of the show will welcome the 1998 remastered CD, which adds two and a half minutes to "Hello Twelve, Hello Thirteen, Hello Love." While still incomplete, the montage now includes "Four-foot ten," "Little brat," and "The worst thing in school...." --David Horiuchi

Customer Reviews:

5 out of 5 stars great soundtrack for a great show............2007-06-09

I first heard this soundtrack on my cousin's CD player, back when she was pursuing musical theater, as a young teenager (at least ten years ago). Some of the greatest songs from the musical repertoire are here: "What I Did For Love," "One," and "Nothing." It's always a great sign when a score (in this case, by the talented duo of Hamlisch and Kleban) works so well that people don't have to see the musical to know what it's about from just a few musical numbers. That isn't to say that the show isn't wonderful, too. To make long stories [very] short for the sake of the increasingly decreasing attention spans of my readers who just want to know "Should I buy this," A CHORUS LINE is the story of a group of singer/dancers from diverse backgrounds, coming together on one Broadway stage for the same reason. They all want a crack at being a part of a dancing chorus line on The Great White Way, that could be their big break. There are other dramas going on, behind that, of course (and we hear all of their stories, complete with monologue, song and dance number). The drama is high, but so is the infectiousness. You really build attachments and interests in each of the characters, and the story is so well-written, you'll be compelled to stick through the songs and follow the stories, just to see who is "The One." This is truly a great example of storytelling in musical theater. There is a reason it was one of the longest running shows on Broadway.

5 out of 5 stars A Chorus Line.......2007-05-31

Makes you recall the thrill of attending this terrific musical. You experience the glory and the pain and love every minute of it again.

5 out of 5 stars What They Did For Love.......2007-02-12

A Chorus Line was an unlikely Broadway hit--there were no big name celebrities to brighten up the stage, no elaborate sets, and, according to the liner notes, "almost no plot." However, A Chorus Line shined brightly because it highlighted the lives of the people who are in the chorus line of a Broadway musical. By focusing on the people who normally don't make the leap into stardom, A Chorus Line paradoxically gained remarkable strength and popularity. A Chorus Line ran for fifteen years; and this CD shows why.

The CD begins with the track entitled "Opening: I Hope I Get It." Too many actors and actresses have arrived to compete for jobs in a chorus line in a Broadway production. Zach, the man who must chose the people who make the final cut, stuns the actors by requesting them to talk about themselves. This provides the premise for the rest of the music of the show. One by one the actors open up and share their life stories in song; and the music by Marvin Hamlisch enhances their songs greatly.

Several memorable stories told in song by the actors include "I Can Do That" in which Mike, performed by Wayne Cilento, tells about how he swiped his sister's dance shoes to race to a dance rehearsal; the beautiful ballad about escaping the heartache of real life at the theater entitled "At The Ballet" performed by Carole Bishop, Nancy Lane and Kay Cole; "Montage, Part 3: Gimme The Ball" performed by Michel Stuart and Ronald Dennis as Greg and Richie respectively; and "Dance: Ten; Looks Three" performed by Pamela Blair in the role of Val. Excellent!

Other numbers on this original cast recording deserve very special mention. "What I Did For Love" is delivered flawlessly by Priscilla Lopez and Company; in this song Priscilla's character Diana Morales sings beautifully of how she would have no regrets if she could never dance again. Priscilla Lopez also performs the memorable balled "Nothing" about how she simply did not profit from a course she took with an acting professor several years earlier.

The finale, a reprise of the smash number "One," features the cast singing together as polished professionals instead of the somewhat clumsy chorus line hopefuls they were before. I still remember feeling chills up and down my spine when I saw this number in the show at New York's Schubert Theater in 1979.

The liner notes have an excellent essay by Marc Kirkeby and the photos of the cast are a real treat. The notes indicate which actors performed each song and the artwork will impress you.

The sound is excellent even on my portable CD player. There is very little, if any, surface noise.

A Chorus Line represents a sophisticated look at the real lives of struggling actors and actresses. These people scramble for jobs in their chosen profession so that they can be happy and well fed at the same time. The catchy melodies by Marvin Hamlisch will delight you; and the lyrics by Edward Kleban display forethought and sheer brilliance.

I highly recommend this CD for fans of the theater and for people who love the outstanding music of Marvin Hamlisch. People who enjoy convincing exposés of the real lives of struggling actors will also enjoy this CD.

5 out of 5 stars God, I hope you get it..........2006-11-28

I Just saw the new Broadway revival (which is fantastic), knew I had to give the original a re-listen, and have come to the conclussion that while it does not inspire deep thought or endeavor to change the world, A Chorus Line is a musical everyone, not just dancers and singers, can relate too. The central conceit of the show is the audience being invited to sit in on auditions for the dancing chorus of a broadway musical. Slowly the cast of hopeful auditionees dwindles to a victorious 8, who eventually earn roles and reveal much about their struggle for success. Yes, on the whole, it is a musical dancers will identify with, but it is not solely about dancing. A Chorus Line is about why and how we are able to do what we love. As we watch the audition play out on stage and hear the stories of the characters, one can't help but feel the same fear and pressure, and the cd masterfully captures the intimacy of "A Chorus Line".
A Chorus Line begins with the famous, pulse-pounding "GOD I HOPE I GET IT", where we hear the dancers inner thoughts while learning the choreography. This is a mostly danced number, but it is energetic, effecting and a brilliant opening.
More great numbers are "AT THE BALLET", which has three dancers taking down their "audition facades" and describing the therapy dance provided during troubled childhoods. The "MONTAGE" numbers are a funny mixture of painful, embarrassing, and entirely too real memories of teenage years. "DANCE 10, LOOKS 3" Is a hillarious yet sadly true song about the power of appearance. "WHAT I DID FOR LOVE" is one of the most original love songs of all time, about the sacrafices made not for the people we love, but for ourselves. It sumarizes the whole musical: Why we do what we do for the things we love.
The idea of A Chorus Line has become a little cliche after years and years of exposure and performance, but it is deffinately worth the praise it receives and fame it has accumilated. A must have for every lover of musical theatre.

5 out of 5 stars a great musical.......2006-11-06

I enjoy listening to the original broaadway musical A Chorus Line. However I didnt realize I was purchasing the broadway version. I was actually looking for the film version.
The Very Best of Little Texas: Live and Loud
Average customer rating: 5 out of 5 stars
  • Live and Loud (as Little Texas should be)
  • AWESOME!!!!
  • A stunning return..
The Very Best of Little Texas: Live and Loud
Little Texas
Manufacturer: Montage Music Group
ProductGroup: Music
Binding: Audio CD

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  1. Missing Years
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ASIN: B000P2A23S
Release Date: 2007-05-15

Tracks:

  1. Hello Again
  2. Life Goes On
  3. Amy's Back In Austin
  4. Some Guys Have All The Love/My Love/First Time For Everything (Medley)
  5. Peaceful Easy Feeling
  6. Loud and Proud
  7. Kick A Little
  8. You And Forever And Me/I'd Rather Miss You (Medley)
  9. What Might Have Been
  10. Get Back
  11. God Blessed Texas

Album Description

Little Texas has delivered a live album showcasing a mix of long-time Little Texas favorites and a few surprises all recorded by the group in pure, big and bold, in-your-face, Little Texas style.

Customer Reviews:

5 out of 5 stars Live and Loud (as Little Texas should be).......2007-07-01

Little Texas is a GREAT live band, and this is the only live album that I know about. This is the original line-up of LT, only fewer. Porter Howell comes up from the back and does a great job on lead vocals. Since this is also billed as a 'greatest hits' album, you get the basics (with the exception of any of the good stuff from their new 'Missing Years' album - too bad). Favorites are 'God Blessed Texas' (best heard live, and Porter Howell is a good match for this song) and the catchy "Amy's Back in Austin.' Using [...] I bought this along with their recent studio album (Missing Years). Good deal.

5 out of 5 stars AWESOME!!!!.......2007-05-16

This CD is so good there isn't enough words to describe it!! The way the disc is mixed you can't tell when it's changing to the next track. It's like you're "live" at the show. I love it!!!

5 out of 5 stars A stunning return.........2007-05-16

Little Texas has returned with a superb live album. I received it yesterday, and I have played it front to back several times. The album is A++ in its quality. One cannot help but conclude that this "pared-down" version of the original Little Texas to a pure guitar band is not only the essential of its original line-up, but that this is the way Little Texas should have been from the outset. The difference - Porter Howell. His superb guitar playing and songwriting have always been a defining feature of Little Texas, but now he is front and center on vocals. The result is a believable and appealing delivery by someone who obviously LOVES the music. The other original members, Del Gray, Dwayne O'Brien, and Duane Propes provide songwriting and harmony vocals that distinguish Little Texas from other country bands. The rhythm section of Propes and Gray is the best in the field to my ear. I won't comment on all the songs, but the live "First Time For Everything" is a special treat. The inclusion of "Get Back" shows that Little Texas can rock and that they, like the Beatles, have a sound that surpasses their numbers. "Hello Again" Little Texas. You are indeed back again...and better than ever.
An American in Paris (1951 Film Soundtrack)
Average customer rating: 5 out of 5 stars
  • Magic of love
  • Filled with musical gems
  • TOO LONG !!!!!!!!!!!
  • GERSHWIN'S TALENT
  • Ga Ga for Gershwin
An American in Paris (1951 Film Soundtrack)
George Gershwin , Gene Kelly , and Oscar Levant
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000033JE
Release Date: 1996-07-16

Tracks:

  1. Main Title (An American In Paris/'S Wonderful/I Got Rhythm) - MGM Studio Orchestra
  2. Paris Narration/Left Bank (Themes From An American In Paris) - MGM Studio Orchestra
  3. Nice Work If You Can Get It (Outtake) - Georges Guetary
  4. Embraceable You - MGM Studio Orchestra
  5. By Strauss - Gene Kelly, Georges Guetary, Mac MacLain, Grace Stark, Pete Roberts
  6. Street Exhibit - MGM Studio Orchestra
  7. I Got Rhythm - Gene Kelly, MGM Children's Chorus
  8. But Not For Me - Benny Carter & His Orchestra
  9. Medley: Do, Do, Do/Bidiin' My Time/I've Got A Crush On You/Love Is Here To Stay - MGM Orchestra
  10. Someone To Watch Over Me - Benny Carter & His Orchestra
  11. Medley: My Cousin In Milwaukee/A Foggy Day/The Half-Of-It Dearie Blues/But Not For Me (Outtake) - Oscar Levant
  12. Tra-La-La - Gene Kelly, Oscar Levant
  13. I'm No Enemy (Love Is Here To Stay) (Outtake) - MGM Studio Orchestra
  14. Love Is Here To Stay - Gene Kelly
  15. Medley: What Time Is It?/Love Is Here To Stay (Reprise) - MGM Studio Orchestra, Gene Kelly
  16. (I'll Build A) Stairway To Paradise - Georges Guetary
  17. I've Got A Crush On You (Outtake) - Gene Kelly
  18. Love Walked In (Outtake) - Georges Guetary, Oscar Levant
  19. Medley: We Would Get Married (Love Walked In) (Outtake)/I Don't Think I'll Fall In Love Today... - Oscar Levant, MGM Studio Orchestra
  20. Concerto In F (3rd Movement) - Oscar Levant, MGM Studio Orchestra

Tracks:

  1. Painting Montage (Tra-La-La/Love Is Here To Stay) - MGM Studio Orchestra
  2. Kiss Me (Outtake) - MGM Studio Orchestra
  3. 'S Wonderful - Gene Kelly, Georges Guetary
  4. Lise, I Love You ('S Wonderful/Love Is Here To Stay) - MGM Studio Orchestra
  5. Strike Up The Band (Extended Version) - MGM Studio Orchestra
  6. Liza (Complete Version) - Oscar Levant
  7. Medley: Oh, Lady Be Good/'S Wonderful - MGM Studio Orchestra
  8. Medley: That Certain Feeling/Clap Yo' Hands - MGM Studio Orchestra
  9. I've Got A Crush On You (Outtake) - MGM Studio Orchestra
  10. I Got Rhythm (Extended Version) - MGM Studio Orchestra
  11. Tra-La-La (Outtake) - MGM Studio Orchestra
  12. But Not For Me - Georges Guetary
  13. Utrillo Did It (Love Is Here To Stay/An American In Paris/Nice Work If You Can Get It) - MGM Studio Orchestra
  14. An American In Paris Ballet (Extended Version) - MGM Studio Orchestra
  15. Finale (An American In Paris) - MGM Studio Orchestra
  16. Painting Montage (An American In Paris) (Deleted Version) - MGM Studio Orchestra
  17. Main Title: An American In Paris (Alternate Version - Outtake) - MGM Studio Orchestra
  18. Adam Cook Monologue (How Long Has This Been Going On?) (Extended Version) - Oscar Levant
  19. Nice Work If You Can Get It (Partial As Used In Film) - Georges Guetary, Oscar Levant
  20. Third Prelude (Outtake) - Oscar Levant
  21. My Cousin In Milwaukee (Outtake) - Oscar Levant
  22. A Foggy Day (Outtake) - Oscar Levant
  23. The Half-Of-It Dearie Blues (Outtake) - Oscar Levant
  24. But Not For Me - Oscar Levant
  25. Bidin' My Time (Outtake) - Oscar Levant, Saul Chaplin
  26. 'S Wonderful (Reprise) (Outtake) - Gene Kelly
  27. Finale (Alternate Version - Outtake) - MGM Studio Orchestra

Amazon.com essential recording

This is a considerably expanded version of the soundtrack album to Vincente Minnelli's Oscar-winning film. With two discs and 100 minutes of music (much of which is presented for the first time), these original session masters are highlighted by the MGM Studio Orchestra, Oscar Levant, Benny Carter, and Gene Kelly, all of whom perform such memorable Gershwin tunes as "Someone to Watch Over Me," "Love Is Here to Stay," and "S'Wonderful." Just about all of the material has a monotonously mono sound, but Levant's version of "Concerto in F" is included here for the first time in true stereo. Along with several Levant improvisational piano solos based on Gershwin's music, there are also some outtakes as well as extensive production and historical notes. --Joseph Lanza

Customer Reviews:

5 out of 5 stars Magic of love.......2007-03-10

Nothing but Gene and George: the hard work and the happiness in music, conducting by the magician Vince.
Noone is better, noone could do better.
American masterpiece with european feelings.

5 out of 5 stars Filled with musical gems.......2004-02-17

This comprehensive edition is a must have for fans of the movie and of the Gershwins. The outtakes, contrary to the first review above, are excellent. Gene Kelly offers a wonderful vocal of "I've Got a Crush on You" and his short riff on "'S Wonderful" is almost like an acoustic version, much different than the over-the-top duet in the movie. And the Oscar Levant piano pieces are as close to George sitting down at the keys as we're going to get.

4 out of 5 stars TOO LONG !!!!!!!!!!!.......2002-06-17

I would not suggest buying this version of this sondtrack!!! The underscores and the extra tracks that are not featured in the film are not neccesary. Rhino records puts the extras out to jack up the price of the CD (making one LP into 2 CDs).
I would buy the ORIGINAL CAST SOUNDTRACK released by MGM records. You will enjoy this version ever so much more without all the extras!!!

5 out of 5 stars GERSHWIN'S TALENT.......2001-08-12

Many agree that the talented George Gershwin is a fabulous pianist, and alongside Ira, he helped to create some of the most beloved music ever. After viewing the movie that was filled with song and dance, I was pleased to discover that the soundtrack was readily available. The plot of An American in Paris mainly focuses on the lives of three friends and their dreams in addition to the romance that they encounter in the most popular European city. Gene Kelley is a struggling artist who soon falls in love, and the many songs in this cd express his emotions. Who wouldn't want to dance to Gershwin's spectacular tunes such as "Embraceable You?" These original songs included in this two cd set are well worth the price. Furthermore, "I'll Build a Stairway to Paradise" is a true favorite with unique lyrics. Don't miss out on this must have cd collection.

5 out of 5 stars Ga Ga for Gershwin.......2000-12-13

Nearly every popular Gershwin tune is represented here, either as an instrumental, a vocal, or a production number. I am not a big fan of the film, but the soundtrack is fabulous. There are some stereo tracks here, too. Yet another triumph in the Turner/Rhino soundtrack collection of MGM films.As a sidenote I would like to thank Rhino for their extremely co-operative staff. When I bought this CD I opened up the very extensive booklet and was disappointed to find that due to an error on the assembly line I had received an insert that had some pages repeated and others deleted. I contacted Rhino and they sent me a new booklet which arrived within a week! That's what I call excellent customer service. The really neat thing is the fact that I have both booklets. The flubbed copy is sort of a collector's item to me.

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