Rune Moon V.2 [Import]

Product Description
Japanese pressing includes a bonus picture label for the first pressing. Sony. 2005.

Tracks:

Intro
Believe
This Is Not The End
Every Word Is A Knife In My Ear
Bad Sun
Time Won't Let Me Go
Tragedy Bound
Fistful of Sand
Angelina
Split Me Wide Open
Above And Below
The Ocean

Amazon.com

Sam Endicott will probably never be taken seriously. Not after fronting a band called Skabba the Hut. Not after switching ridiculous dreadlocks for an even more ridiculous faux-hawk. And certainly not after taking a feud with the Killers' Brandon Flowers seriously. It's too bad because Endicott's band the Bravery has made a second album that is worth taking seriously. On The Sun and the Moon, the New York five-piece trades in the faux British accents and Duran Duran synthesizer flares of its self-titled 2005 debut for something a little more real. Bursting to life with sweeping, opulently textured songs like "This Is Not the End" and "Time Won't Let Me Go," it's a warmer and statelier set that seems somehow more dignified. Give or take a few stray lyrics, it could easily pass for the work of a band that has unexpectedly stumbled on credibility. --Aidin Vaziri

Customer Reviews:

Best Album EVER!.......2007-07-15

The Bravery's latest album is incredible! The music sets, lyrics, and beats are profound and amazing! All the songs are so addicting that you'll never want to let it stop!

Much better than first time :)).......2007-07-14

Excellent work, guys ! :))
Your songs are so killing !
You are knife in my ears ! :))

A somewhat unsatisfying transformation.......2007-07-11

With The Bravery's debut album being a very admirable part of the regrettably brief new wave resurgence movement in music alongside such similar artists as The Killers, Franz Ferdinand, Bloc Party, and Editors, I hoped that their second release would sound fairly similar to their self-titled release, which is one of my all-time favorite albums. I'm all for bands going in new directions, but unfortunately The Bravery seems to have moved in a direction that is more or less a bland alternative style, and comes short of the appeal of their prior upbeat 80's-ish style. Only two or three tracks maintain the style of the self-titled debut, and conveniently they are some of the album's better songs. I liked approximately six tracks including the intro; among them are "Believe", "This Is Not the End", "Tragedy Bound", and "The Ocean". I did not intensely enjoy too many of my favorites on this album however, unlike I have enjoyed past songs "Rites of Spring", "An Honest Mistake", and "Tyrant". Basically the band sounds like a blend of newer Arctic Monkeys with newer Kaiser Chiefs, except with an electronic touch on occasion. Although I am a fan of both those bands, I dislike The Bravery's take on the style used on The Sun and the Moon, and really was fairly unimpressed with the lyrics as well. Still, the album has a fair amount of good melodies on it, and while I didn't enjoy enough of them to justify a purchase, I'd still give this CD three stars since it was if nothing else a mildly decent effort.

Setting the record straight!.......2007-07-03

I almost didn't buy this CD because of the reviews here on Amazon. What a mistake that would have been!!! This one is very similar to the first one, but even more interesting because it is more varied. I LOVED their debut album - it's one of the only CDs I have (out of hundreds!) that I can listen to over and over without getting sick of it. The Sun and the Moon has the same infectious beats, but isn't QUITE as peppy as the first one with respect to the lyrics. Its depth makes it very interesting to listen to, and I have a feeling I'll like it even more as I listen to it again and again. If you're on the fence about this one, give it a chance!!!

Better than others will lead you to believe........2007-06-22

Most of my favorite bands that have put out new albums in the last year or so seem to have changed their sound for the worst ie Linkin Park, Incubus, Evanescence, 311 etc. So when I read the reviews on here about the Bravery changing their sound as well I figured as much and was apprehensive to buy the new cd. However, the change is slight and still sounds like The Bravery. There are still several songs with the electronica sound and those that aren't make up for it with clever lyrics and a distinct Bravery-esk sound. If you enjoyed their first cd, this one is a must buy.

Average customer rating:

Sublime and ridiculous
Eeeeeeeeeeewwwwwww
Better than I thought it would be
Brava Renee
Art is always new.

Haunted Heart
Paul McCartney , Gustav Mahler , Joni Mitchell , Emile Paladilhe , Arthur Schwartz , James ("Jimmy") Van Heusen , Various Composers , Heitor Villa-Lobos , Jimmy Webb , Richard A. Whiting , Stevie Wonder , Guy Wood , Bill Frisell , Fred Hersch , and Renée Fleming
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Sacred Songs
Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
Renée Fleming
Handel
Renee Fleming: By Request

ASIN: B0007Z9QUS
Release Date: 2005-05-10

Tracks:

Haunted Heart
River
When Did You Leave Heaven?
You've Changed
Answer Me
My Cherie Amour
In My Life
The Moon Is A Harsh Mistress
Wozzeck/The Midnight Sun
Liebst du um Schit
My One And Only Love/This Is Always
Can do Amor
Psych
Hard Times Come Again No More

Amazon.com

While countless fans flock to see soprano Renee Fleming's performances of the Countess in The Marriage of Figaro because she's got the voice and the dramatic ability to handle such meaty roles, the versatile singer throws her fans a curveball on Haunted Heart, singing popular standards and ballads as well as a few altered classical pieces. In her liner notes, Fleming calls this album a "look back at the road not taken" -- she played a weekly gig in a jazz club while in school. Nonetheless, her feel for the material here is undeniable. Interestingly, she drops her voice a full octave from her usual tessitura, and the change reveals a robust gospel-oriented approach filled with dramatic breaths and moans. The lyrical Fred Hersch (piano) and the idiosyncratic Bill Frisell (guitar) provide support, and both are adventurous jazz players who create subtle and uniquely haunting backdrops. It adds up to an interesting cross-section of ideas well carried off by the generous talents of all involved. --Tad Hendrickson

Interview with Renee Fleming
Renee Fleming speaks about recent projects, including her memoir The Inner Voice and her recent Handel CD, in our interview.

Customer Reviews:

Sublime and ridiculous.......2007-06-13

The sublime: much of the artistry of this recording is about sound, and the subtle blending/responding of voice with guitar sounds and / or piano sounds. It is in the sensitive musical interplay between the artists where this effort shines. Definitely not recommended for road trips!

The ridiculous: Fleming ended the majority of most phrases in most of the songs with a guttural of some sort which for me becomes irritating to the point of distraction. These punctuations are mostly quite awful: really tasteless, clumsy, and overused big time and I'm amazed at how this ever got released. Without these ersatz testifyin' noises this CD would be stunning.

So, if you have the ability and inclination to edit out this garbage from your perception as you listen I think you'll be glad you experienced these artists at work together. (Unfortunately I'm not up to it).

Eeeeeeeeeeewwwwwww.......2007-06-06

Ugh. Like a manufactured home vs. a stick-built house, Fleming's manufactured (aka "training and technique") blues voice compares unfavorably to other jazz/blues singers/lounge acts. Would not, COULD not, listen to this recording straight through--one big long, breathy, minor key train wreck in the making. Took the CD on a road trip and had to pull over and remove from queue--either that or drive into a wall.

Better than I thought it would be.......2007-04-10

I have to admit, Haunted Heart was a lot better than I thought it would be,especially her recordings of "River", "The Moon's a Harsh Mistress, "My Cherie Amour" and "In my life".
I think this is the most artistically successful recording of Pop/Jazz by a classical singer. I enjoyed it even better than the Anna Sophie Von Otter'/ Elvis Costello CD.
The perspective I am coming from is that of a classical singer who started out as a pop singer/songwriter. I perform and teach cross-genre but love a world class instrument such as Flemming's
I wanted to get the perspective of a friend who used to sing jingles and is also a trained singer but is usually critical of any attempts that opera singers make at crossing -over.
My friend is very familiar with Flemming's voice, but did not recognise it in this context when I played the CD for her. Her reaction was very complimentary, although she did comment that the diction was a bit strange.
She then played it for her brother a well known jazz singer and arranger who had a somewhat negative reaction.He found the singing to be overly dark and round. He prefers a cleaner more 'spoken' approach to this style of singing. I understand this perspective and therefore personally prefer Ella to Sarah as well, but let's not get too picky. Obviously, Rene Flemming is of the Sarah Vaghan School of jazz singing, which is not too shabby.

I will continue to enjoy this CD and will wait for another opera diva to top this one. But, somehow I think the next really good CD of Pop/ jazz from an opera star will also come from Rene.

To those who have been unreasonably mean and negative towards her, I can only say you are not fit to polish her shoes!

Brava Renee.......2007-04-09

This talented woman can sing anything. I really enjoyed this cd with the lights turned down and a glass of wine to relax after a very stressful day at work. Renee could definitely have another singing career outside of opera should she choose. Hearing her drop that gorgeous voice down one octave rivals the best chanteuses in the business - Cassandra Wilson, Nancy Wilson, Regina Belle, Sarah Vaughan, etc. This cd of different musical styles reminds me of Nina Simone and Cassandra Wilson, two great singers whom could interpret any song genre and make their versions special. I loved all the songs and the standouts here are "Haunted Heart", "River", "My One and Only Love", "My Cherie Amour", "Cancao do Amor", and Beatles "In My Life", and "Hard Times Come Again No More".
I hope Renee keeps recording whatever catches her fancy because I'll certainly always listen.

Art is always new. .......2007-03-10

Renee Fleming is an artist bringing us something new, and beautiful. The poor will always be with us as manifest in those who resent other's movement from their established zones. Renee Fleming is a great female voice with accomplishments her detractors will never have, but in their dreams.

I welcome Renee's elan demonstrated with her recent recordings, Love sublime with Brad Mehldau, and Haunted Heart with Fred Hersch and Bill Frissell. Bravery, fun, and talent combined by artists and for people who are listening. Hearing long time favorites Mehldau, Hersch, and Frissell is all the more sublime.

Average customer rating:

Why do I have to be the bad guy?
A Brilliant, Haunting Album (slightly enhanced by the bonus CD)
Woken up from a dream last night, somewhere lost in war...

Ghosts of the Great Highway
Sun Kil Moon
Manufacturer: Caldo Verde
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Little Drummer Boy Live
Tiny Cities
Songs for a Blue Guitar
The Search
Easy Tiger

ASIN: B000LRZ02K
Release Date: 2007-02-06

Tracks:

Glenn Tipton
Carry Me Ohio
Salvador Sanchez
Last Tide
Floating
Gentle Moon
Lily and Parrots
Duk Koo Kim
SPaloma
Pancho Villa

Tracks:

Somewhere [#][*]
Carry Me Ohio [Alternative Version][#][*]
Salvador Sanchez [Acoustic][#][*]
Arrival [#][*]
Somewhere [Version 2][#][*]
Gentle Moon [Radio Recording][#][*]

Customer Reviews:

Why do I have to be the bad guy?.......2007-05-19

So I was floating out in the Pacific Ocean and I asked my wife for this CD. As soon as it was delivered to the ship, I popped it in and listened. Next track...Next track...Next track. This all sounds the same. Being at sea, opening mail is like Christmas day, and this was like I got a pair of sox instead of a bike. And why is this a double disc? Both CD's are the exact same thing. Could you at least put some kind of effect on the guitar so I could say, "Hey, this doesn't ALL sound the same." I dont think Mark Kozelek is trying to gain fans because this album really turned me off to the modern folk american singer/songwriter. Switch it up a bit, big guy. I'd love to hear a some drum and bass thrown in. Did someone say remix? = ) Holla!

P.S. I do like three Red House Painters songs.

A Brilliant, Haunting Album (slightly enhanced by the bonus CD).......2007-02-12

Since this package is a rerelease with bonus material -- and since the original release now appears to be out of print -- I'll reiterate my original review below with a paragraph at the end about the bonus tracks.

Album of the Year, 2003

With his early '90s band, the Red House Painters, San Francisco's Mark Kozelek struck a chord of disquiet and bohemian poignancy that made that band the darling of the scribbling-poems-to-the-pretty-barista-who-will-never-know-my-name set. With lovely, unadorned melodies and Kozelek's angst-ridden tributes to disillusionment, the Red House Painters influenced a score of later bands who lacked his rich melodic imagination and incisive lyrics -- Low is a good example -- resulting in Kozelek himself being typecast as the maestro of "mopecore." Then he did something unforgivable in the minds of some of his fans: he evolved.

Without rehashing the epic travails and record-biz nightmares that caused RHP's fine album "Old Ramon" to be delayed in release for years after it was finished, the good news is that "Ghosts of the Great Highway" not only continues the evolutionary path Kozelek took on later RHP work like "Songs for a Blue Guitar" and his solo album "Rock and Roll Singer," it's a masterpiece on its own terms, and the most magnificent rock album of 2003.

If you thought they didn't make albums like Neil Young's "Everybody Knows This is Nowhere" anymore, cue up "Ghosts of the Great Highway," and marvel over the fact that Kozelek and company are able to cross-pollinate folk, country, punk, and psychedelic influences without sounding the least bit retro, stealing the purifying flame of Crazy Horse meltdowns like "Cortez the Killer" while sounding like no one but themselves. If you're a Nick Drake fan warming your hands over the ashes of "Pink Moon," consider the fact that at least one song on this album, "Duk Koo Kim," is as beautiful and otherwordly as anything in Drake's oeuvre (particularly the acoustic version, released on a limited edition EP last year), and consider the possibility that Kozelek is as unfairly ignored and marginalized in our time as Drake was in his.

"Glenn Tipton," "Duk Koo Kim," "Carry Me Ohio" and "Gentle Moon" are all instant classics, full of heart, understated grace, and authentic yearning, while avoiding the art-school sentimentality of Kozelek's early work. "Duk Koo Kim" is especially worthy of note, reinvented here as a 14-minute folk-punk-psychedelic apocalypse, with backwards guitars, Portuguese guitars, and bells swirling around Kozelek's aching voice. (I can't praise this track enough, other than to say that if I was a very bright teenager with a set of headphones and a bong, I'd probably decide to become a musician after hearing this song alone.) It's one of the most terrifying love songs ever written, as emotionally naked as the songs on Joni Mitchell's "Blue." (Like several of the songs on this album, "Duk Koo Kim" is the tale of a hero who died young -- in this case, a Korean boxer killed in the ring.) The only misstep on the record is Kozelek's formula-grunge treatment of his gorgeous tune "Lily and Parrots," which appeared as a hidden acoustic track on his "White Christmas Live."

At his best, Kozelek writes and sings like an oracle, and plays feedback-drenched electric guitar with as much intensity as his punk and heavy metal heroes while never descending into mere chaos and noise. If you're a music critic or record reviewer (I happen to be an editor of Wired magazine, and have no connection to Kozelek), entertain the notion that instead of hyping the latest skinny-tie buzz band that no one will care about in 3 years, you might consider running a piece on Kozelek and this album. If you're a music fan who enjoys Wilco, Iron and Wine, and other forward-looking traditionally-influenced bands, give this a listen. It's far beyond what almost everyone is doing these days.

"Ghosts" disc two, 2007

Hearing these bonus tracks (two brilliant, one fine, and two only mediocre), I suggest that what Kozelek should have done was to release "Ghosts" originally with the instrumental "Arrival" inserted somewhere in the running order, and finishing with either version of "Somewhere." Kozelek's reinvention of West Side Story's yearning love song is profound, heart-wrenching, and gorgeous. (The yearning is even more poignant knowing that the song's composers, Stephen Sondheim and Leonard Bernstein, were gay and bisexual respectively, but the feelings expressed are universal.) "Somewhere" would have been an emotionally devastating capper to a magnificent album; at least we have it now. I prefer the slightly punchier second take, which employs the same Portuguese guitar-like instrument as "Duk Koo Kim" on the original album, but the string arrangement on the first version is also lovely. The straightforward folky reading of "Salvador Sanchez" is fine; the other two bonus tracks are merely competent. In my dreams, Kozelek would also have supplemented this bonus disc with the astounding double-tracked acoustic version of "Duk Koo Kim" that appeared only on a vinyl EP -- it's one of the true masterpieces of his career, and is now in danger of being a "lost" track available only to connoisseurs. But enough second-guessing. This is a great album, now made slightly greater.

Woken up from a dream last night, somewhere lost in war..........2007-02-10

To me, this is Mark Kozelek's masterpiece. Ever since I purchased this album in 2004, it's been one of my favorite albums, and I believe now, it is my favorite album. There's a little bit of everything on this album and that's why I like it so much. The guitar-laden "Salvador Sanchez," the driving rhythms of "Lily and Parrots," the nostalgia of "Carry Me Ohio," and the epic "Duk Koo Kim." The only thing holding me back from giving this re-issued album five stars is the bonus disc. I don't think it has much to offer. The versions of Leonard Bernsteins are good, the first version being better than the other, but not really noteworthy. The radio version of "Gentle Moon" and the acoustic version of "Carry Me Ohio" are both off a little bit vocally, and I think the live versions on "Little Drummer Boy" is much better, vocally and musically. The only song I actually really dig on the bonus disk is "Arrival," a two-to-three minute instrumental. But you're the consumer, so buy it and make up your mind as well.

Average customer rating:

Subtle Charms
i think once you hear this album "your mind will change and your heart will lose it's pain"
Bill says
It'll cut right through you..
My stars go to "anniversary song"

Pale Sun, Crescent Moon
Cowboy Junkies
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Black Eyed Man
Lay It Down
The Trinity Session
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Open

ASIN: B000002WPK
Release Date: 1993-11-23

Tracks:

Crescent Moon
First Recollection
Ring On The Sill
Anniversary Song
White Sail
Seven Years
Pale Sun
The Post
Cold Tea Blues
Hard To Explain
Hunted
Floorboard Blues

Amazon.com

The Cowboy Junkies' Michael Timmins is a most literary songwriter. On the Toronto quartet's Pale Sun Crescent Moon, Timmins imbeds lines from William Faulkner's Absalom, Absalom into the song "First Recollection" and a line from Gabriel Garcia Marquez's "The General in His Labyrinth" in the song "Seven Years" without it seeming the least bit awkward. He has found the perfect literary voice for his writing in his sister Margo Timmins, whose alto is all smoke and suggestion. Songs are not poems, however, and never was that distinction more obvious than it is here. The album's so-called songs float in atmospheric harmonies, unshaped by melody or meter. This droning music may seem haunting on first encounter, but by the third song the melodic monotony encourages dozing. --Geoffrey Himes

Customer Reviews:

Subtle Charms.......2006-12-21

Another fine album from the Cowboy Junkies. "Pale Sun" is more brooding moody music created by Michael Timmins and sung by his sister Margo. Highlights include "Anniversary Song", "Crescent Moon", and the haunting "Floorboard Blues". I really find it hard to describe just exactly what this band does, but they do it so well it tends to seep into your being.

i think once you hear this album "your mind will change and your heart will lose it's pain".......2006-06-24

after 16 years this is still one of my favorite albums of all time. Margo's voice gets in your heart and you can feel her emotions as she sings. if you buy any albums by the cowboy junkies this should be the one.

Bill says.......2006-03-15

When she asks me what it is I am playing, I know the stuff is good. When she asks me to leave the music for her to play, I know the stuff is excellent. On this one she followed me and grabbed it. Five stars. You'll only need to play it once and you'll see.

It'll cut right through you.........2004-07-18

I'm generally indifferent to the Cowboy Junkies, but on this CD Margo Timmins' vocals reach right into your being. The tunes are outstanding and there are some nice rockers (for this band).

For those who like incandescent vocals, this CD ranks right up there with albums like Van Morrison's Veedon Fleece.

Other than Trinity Sessions, which is in a world of its own, I haven't been too impressed with the other CD's by this band, but in this effort Margo and the boys found something that reaches deep and will stay with you.

4.5.

My stars go to "anniversary song".......2004-02-11

I bought this c.d. probably 10 years ago for the 'anniversary song'. It is the best thing going for this tedious disc.
I like women in rock with harmonious and soothing voices, and the singer here definitely falls into the category. However, I found this album very boring, but her voice is excellent. Most of the songs sound alike with the exception of it's most commercial recording of the anniversary song.
I don't know their catalog of music but I hope that the rest of their records aren't as bland as this one. Just my thoughts..I seem to have the lowest star review here so other people seem to appreciate their haunting lyrics hopefully over their non melodies.

The Ultimate Gilbert & Sullivan Collection

Average customer rating:

Well worth the price
Not Exactly "The Ultimate" Collection...
Where's the chicks?!?!
Not quite the ultimate....
Great Music - Questionable Selection

The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Operettas | Opera & Vocal | Styles | Music

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Similar Items:

The Best of Gilbert & Sullivan
Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
Topsy-Turvy
The Best of Gilbert & Sullivan

ASIN: B000007OU0
Release Date: 1998-06-09

Tracks:

H.M.S. Pinafore: We Shall Sail The Ocean Blue
H.M.S. Pinafore: I'm Called Little Buttercup
H.M.S. Pinafore: My Galant Crew, Good Morning
H.M.S. Pinafore: I'm The Monarch Of The Sea
H.M.S. Pinafore: When I Was A Lad
H.M.S. Pinafore: Nevermind The Why And Wherefore
H.M.S. Pinafore: Kind Captain, I've Important Information
H.M.S. Pinafore: Carefully On Tip - Toe Stealing
H.M.S. Pinafore: For He Is An Englishman
The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
The Pirates Of Penzance: With Cat Like Tread
The Sorcerer: My Name Is John Wellinton Wells
The Gondoliers: Take A Pair Of Sparkling Eyes
Patience: If You're Anxious To Shine
The Mikado: If You Want To Know Who We Are
The Mikado: A Wand'ring Minstrel I
The Mikado: Behold The Lord High Executioner
The Mikado: As Someday It May Happen
The Mikado: Three Little Maids From School Are We
The Mikado: The Sun Whose Rays Are All Ablaze
The Mikado: Here's A How - De - Do!
The Mikado: From Ev'ry Kind Of Man Obedience I Expect
The Mikado: A More Humane Mikado Never Did In Japan Exist
The Mikado: The Criminal Cried As He Dropp'd Him Down
The Mikado: The Flowers That Bloom In The Spring, Tra La
The Mikado: On A Tree By A River A Little Tom Tit
The Mikado: There Is Beauty In The Bellow Of The Blast
The Mikado: For He's Gone And Married Yum-Yum

Customer Reviews:

Well worth the price.......2006-04-13

I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.

Not Exactly "The Ultimate" Collection..........2004-12-23

It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).

In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.

Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.

Where's the chicks?!?!.......2003-05-15

It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.

Not quite the ultimate...........2002-03-25

This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!

Great Music - Questionable Selection.......2002-02-05

It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.

Average customer rating:

this project has no business working as well as it does but...
The best so far from Kozelek!
An outside view
Usually I'm a skeptic...
How About Some New Material...

Tiny Cities
Sun Kil Moon
Manufacturer: Caldo Verde
ProductGroup: Music
Binding: Audio CD

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Ghosts of the Great Highway
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Z

ASIN: B000BI0WQ8
Release Date: 2005-11-01

Tracks:

Exit Does Not Exist
Tiny Cities Made Of Ashes
Neverending Math Equation
Space Travel Is Boring
Dramamine
Jesus Christ Was An Only Child
Four Fingered Fisherman
Grey Ice Water
Convenient Parking
Trucker's Atlas
Ocean Breathes Salty

Amazon.com

Isaac Brock--the singer, guitarist and leader behind the enormously popular alt-pop act Modest Mouse--would be few people's first choice for a covers album. But that is part of the genius behind this surprisingly excellent album. Sun Kil Moon leader Mark Kozelek's own recorded cover choices in the past--Kiss, Simon and Garfunkel, AC/DC, and most successfully John Denver--hew far closer to the traditional indie approach to covers: a semi-ironic, studied transformation of a tune into something it wasn't before. With Sun Kil Moon's breezy take on Brock's compositions, there is no irony, just a true love for the weird pop genius that Modest Mouse has in spades. Songs are slowed down a lot and stretched out, and frequently you don't recognize the tune until the chorus kicks in, but it totally works even if you've never heard the originals. Labors of love are rarely as enjoyable for all involved. Huzzah. --Mike McGonigal

Album Description

Mark Kozelek has released six studio albums as frontman for Red House Painters along with three solo records; however, it is with Mark's new band Sun Kil Moon that he has received some of his greatest commercial and critical success. With Sun Kil Moon, Pitchfork says, Mark is "putting to use a variety of wondrous subtle sonic touches that mark unbelievable artistic growth, unraveling unexplored harmonic territory while staying faithful to his trademark brand of languid folk-rock introspection." Two years ago, Mark saw Modest Mouse and sensed something original and explosive. The unorthodox songwriting of singer Isaac Brock intrigued him with its fractured, intuitive lyric style and cathartic, rapid-fire vocal delivery. Sun Kil Moon added songs like "Dramamine" to their set list and began work on what would become Tiny Cities, a full-length album of Modest Mouse covers released on Mark's label Caldo Verde. As with his past covers of AC/DC, KISS, Simon and Garfunkel, and John Denver, Mark's aim was to bring attention to the words and sentiments--to reinterpret freely but to respect the spirit. On Tiny Cities, Mark slows down Issac Brock's words to let them breathe without sacrificing their idiosyncratic power. The results bear the singular, hypnotic style that could only come from Mark Kozelek. Digipak.

Customer Reviews:

this project has no business working as well as it does but..........2007-05-24

... it does. For those who like Sun Kil Moon, the flavor of this record is very reminiscent of Ghost of the Great Highway, a very delicate, lonesome-road kind of sound. How Modest Mouse's brash, disjointed edginess got melded to this style I have no idea, but it works, way, way better than you'd expect. This stuff goes right up with the Ghosts material for soul-searing beauty. I think Kozelek fans will like the outcome more than Modest Mouse fans will, but any way you slice it this is a terrific record.

The best so far from Kozelek!.......2006-12-30

Not being a huge fan of the Red House Painters with the exception of the superb "roller coaster" album, I have come to admire their music more from the solo work recorded years later by Mark Kozelek. All of Kozelek's albums including the wonderful first Sun Kil Moon CD (which is also highly recommended) are uniquely filled with longing and melancholy in different ways. This effort by Sun Kil Moon is in my opinion their triumph. At first I was skeptical about picking up a CD of covers, but I am glad that I did. I consider the track "Trucker's Atlas" to be a flawless song of unparalleled musicianship. Most of the other tracks are equally as brilliant. Kozelek's work makes anyone that was born in the mid to late 1960's recall childhood and growing up. This album again has that melancholy that catapults you into the past. A fine effort and his best so far!

An outside view.......2006-11-07

I'll be honest on two accounts: Firstly I have never heard of Sun Kil Moon or Mark Kozelek before (until Amazon recommended this album) and secondly, I know little of Modest Mouse (apart from Phil Ek - Built to Spill)

When Amazon recommended this album, I thought I'd give it a try. I listened to a few of the samples, and then went to iTunes and listened some more. I downloaded Ocean Breathes Salty and fell in love straight away! Eventually I bought the album and have appreciated the work of Sun Kil Moon with the wonderful acoustic blends and mellow sounds.

When I found out that this album was a cover of Modest Mouse songs, I had to listen to some of the Modest Mouse songs to compare. Being very inexperienced in both artists, I felt that the Modest Mouse songs were, quite plainly, unappealing(especially Ocean Breathes Salty). However Sun Kil Moon's take on the songs were great. Mark has stripped back some songs to great moody and atmospheric numbers, with his voice adding to the instruments around. If you want an album to relax to (I play it when I'm studying) and to lose yourself in, I recommend it!!

Usually I'm a skeptic..........2006-10-10

... But honestly, I think this album is brilliant.

I know nothing of Sun Kil Moon/Red House Painters/insert other name-dropping incident here], but I AM familiar with being a *huge* Modest Mouse fan.

That being said, I also have eclectic (admittedly bizarrely so) taste, and when this version of "Neverending Math Equation" was put on a mix CD for me, I didn't even realize what it was (I didn't have the track listing handy). I just thought, "Wow, this is a nice song... I wonder who is this?" Then it started sounding eerily familiar and as it dawned on me what the song actually was, I couldn't stop giggling. Bought the entire album, and now it pretty much lives on repeat.

If you're a "Modest Mouse Purist," so to speak, you may not like this album... AT ALL. And from what I've read, if you're a die-hard fan of *this* artist, you probably won't like it either. But if you're either a) addicted to cover songs, and/or b) readily open to and fascinated by the idea of reinterpreting different musical styles, then I recommend not only getting this album, but also getting the Modest Mouse originals and enjoy the Dichotomy Circus that ensues...

How About Some New Material..........2006-04-30

When I first heard that Sun Kil Moon was releasing a new album, I was pretty excited. After all, "Ghosts of the Great Highway" is one of my favorite albums (of all time). But when I learned that it was going to be a cover album, my excitement quickly faded. The fact that it was Modest Mouse covers intrigued me, but I was still pretty bummed it wasn't new material.

After discovering and falling in love with Sun Kil Moon, I started buying other Mark Kozelek and Red House Painter albums. None of them captured my attention like "Ghosts of the Great Highway." They were just too mopey, and I didn't like his vocals as much. Listening to "Tiny Cities" I can't help but notice Kozelek has reverted back to his old style (especially the vocals).

I have found that my favorite artists and albums successfully mix together melancholy and hope. The vast majority of Kozelek's previous work (excluding "Ghosts of the Great Highway") lacks the second part of the equation: hope. Unfortunately, "Tiny Cities" is no exception.

I never expect Sun Kil Moon to eclipse their debut, and that's ok with me. I would, however, like to see them try. And the only way they can do that is by writing their own songs...

Average customer rating:

Choral work at it's finest.
Love it
Light and shadows
Cambridge Singers = Quality
American Gramaphone, please reissue this title.

Brother Sun, Sister Moon
Gregorian Chant , William Byrd , John Taverner , Giovanni Pierluigi da Palestrina , Samuel Scheidt , John Sheppard , Maurice Durufle , Robert White , Cambridge Singers , Gerald Finley , and John Rutter
Manufacturer: American Gramaphone
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000005MF
Release Date: 1990-10-25

Tracks:

Music Of The Morning Rite: a. Alleluia - b. Haec Dies
Music Of The Morning Rite: Easter Sequence
Dum Transisset Sabbatum
Sanctus
Exsultate Deo
a. Easter Acclamations b. Surrexit Christus Hodie
Music Of The Evening Rite: Before The Ending Of The Day
Music Of The Evening Rite: In Pace
Music Of The Evening Rite: Into Thy Hands, O Lord
Music Of The Evening Rite: Ubi Caritas
Music Of The Evening Rite: Keep Me As The Apple Of An Eye And Nunc Dimittisa
Music Of The Evening Rite: O Christ, Who Art The Light And Day
Music Of The Evening Rite: a. We Will Lay Us Down In Peace b. Libera Nos, Salva Nos

Amazon.com

A brief glance at the packaging for this recording might make you think New Age, and indeed this label normally offers recordings in that vein. The disc's cover tells nothing about the music inside--all we see are the ruins of an ancient abbey, the moon in the sky on the front, the sun on the back. But wait. If you get far enough to listen to the recording, you'll find one of the most beautiful and beautifully programmed choral recordings in the catalog. The compositions, organized into the categories "Music of the Morning Rite" and "Music of the Evening Rite," are mostly from 16th- century composers--Byrd, Taverner, Sheppard, White--with a few Gregorian chants and a gorgeous rendition of the 20th-century motet by Duruflé, "Ubi caritas." Conductor/choral music legend John Rutter has assembled a program that's both uplifting and restful; the performance is faultless. One could only complain about the short (39 and a half minutes) playing time. --David Vernier

Customer Reviews:

Choral work at it's finest........2007-06-03

I really enjoyed this work. I was first introduced to this title through American Gramophone's website and was also my first introduction in the works of John Rutter and the Cambridge Singers. You do not have be religious to enjoy this work. I find the music uplifting and very sublime. I have listened to it many times, and I find that my favorite period to play it is in the morning hours. .

I have since purchased many other Rutter titles including "Images of Christ", and more recently "Lighten our Darkness"

Love it.......2007-05-02

13 years ago, I had the tape of brother sun, sister moon and as a teenager and I would play it every night as I slept, I loved it. I dont know what happened to it and I have ever sence been looking for it, and I just baught the CD and am so excited.

Light and shadows.......2003-07-29

Recorded in the Great Hall of University College School, London, the Cambridge Singers under the direction of John Rutter produced a true masterpiece in 'Brother Sun, Sister Moon' in 1988. The title derives from a famous prayer by St. Francis of Assisi, and is inspired by liturgical music from (or derivative of) the Middle Ages and Renaissance polyphony and Gregorian chant. The music is meditative, uplifting, and elegant in simplicity and stunning vocal quality.

--Brother Sun--
The first half of the disc is largely composed of pieces from the liturgical Morning Prayer cycle, concentrating on texts from Easter, the most important of Christian days. From the Alleluia to the Acclamations and Surrexit Christus Hodie (Christ is risen today), the flow from Gregorian Chant to compositions by Byrd, Taverner and Palestrina (giants of this type of music) in increasing energy and glory, as befits both a Morning service (time to wake up!) as well as a celebration of the resurrection of Christ. Perhaps of particular note here is the cantoring of bass Gerald Finley in the Easter Acclamations.

--Sister Moon--
The second half of the disc concentrates on music of the evening; in particular, the Compline service, a service of unwinding and sombre meditation with which monastic communities conclude their days of work and worship. Many churches have reincorporated Compline into a regular cycle of services; some have even done so as a result of exposure to this recording. The music here is softer and less energetic than that of Morning prayer. This includes music from Whyte and Sheppard (also masters of the Medieval-to-Renaissance liturgical polyphony) as well as a brilliant motet by twentieth century composer Duruflé for the Ubi Caritas.

--Liner Notes--
The notes for this recording include the titles and words, in both Latin and English, for each of the pieces recorded here. It has an excerpt from a prayer by St. Francis, and a basic introduction to the music relating it historically and liturgically. One thing conspicuously missing is any biographical information about John Rutter, or any descriptive information about the Cambridge Singers apart from the basic listing of singers.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. For this particular recording, the choir consisted of eleven sopranos, six altos, six tenors, and six basses.

Cambridge Singers = Quality.......2002-05-23

I do love this cd, but tend to play certain tracks as my first love is chant. I play the Victimae Paschali Laudes in the car and sing along - it is so very beautiful that this rendition of this Easter Chant is worth purchasing this cd alone. I love that one track so much, my only criticism of the cd is that I wish they'd centered the entire cd on chant - and I hope they will do one like that in the future because the quality of the voices is stunning.

American Gramaphone, please reissue this title........2000-03-30

I originally obtained this CD through Minnesota Public Radio. The first time I listened to the Ubi Caritus, I was moved to tears. The CD became my favorite to play at Christmas and other times. I gave the CD to a friend who has moved to Oregon, deeply regret that it is no longer in production.

Tracks:

Mirror People
Light
Welcome Tomorrow
No New Tale to Tell
Here on Earth
Lazy
Waiting for the Flood
Rain Bird
Telephone Is Empty
Everybody Wants to Go to Heaven
Earth, Sun, Moon
Youth
Mirror People [Slow Version]

Album Description

Remastered from original tapes and now includes 16-page color booklet with lyrics. Features 'No New Tale To Tell'. Beggars Banquet.

Customer Reviews:

I disagree with J Green's review.......2007-01-27

The disc IS remastered (it says so on the disc, plus there is a band logo design on it). The year of release was printed on the back insert, but not the year of remastering, and who knows why.

Not Remasterd nor re-issued.......2006-04-24

This is one of my favorite bands and when i saw that Express and Earth, Sun, Moon. were available as remasterd / reissues i jumped on it. Express is. This album is not. Copyright 1987 Beggars Banquet. Now I have two copies of the same thing. I give it three stars ONLY because it is a GREAT album, none the less.

viva nostalgia!.......2005-08-06

love and rocket's 'acoustic' album, 'earth, sun, moon' was quite a departure from densely sonic and chugging 'express.' tracks like 'kundalini express' and 'holiday on the moon' were replaced with tracks like 'waiting for the flood' and l&r's signature track, 'no new tale to tell.' the album is wrought with emotive acoustic arrangements, accentuated by daniel ash's and david j's dichotomous vocals. david j had the more deadpan delivery while daniel ash had the more melodic voice and more range. that, however, made the band that much better.

'earth, sun, moon' was arguably l&r's artistic peak, demonstrating a range previous unseen in earlier albums. it walks the fine line between artistic credibility and commecial success. 'no new tale to tell' proved to be a massive college hit, and understandably so. the 'wooo wooo WOOO wooo' intro is a definite ear-catcher and strangely appropriate intro. 'no new tale to tell's' outro is one of the finer outros your likely to hear, especially with daniel ash's trademark guitar burning up the background: 'when your up, it's a long way down, when you're down, it's a long way up. it's all the same thing, no new tale to tell.' existentialism, for some reason, always sounds better in a catchy melody.

a few of 'express'' crumbs landed on 'earth, sun, moon's' table. the album's first two tracks, 'mirror people' and 'youth' are awash in the same fuzzy, psychedelic sonics that made 'express' such a standout album. based on these two tracks, the listener might think he or she is on her way to 'express' part ii. however, 'welcome tomorrow' dispells any notion that this is another 'express.' the following tracks, 'no new tale to tell,' 'here on earth,' 'waiting for the flood,' and 'rainbird' (the exception being the rawkish 'lazy'), and 'everybody wants to go to heaven' see l&r leaning towards more pastoral/spiritual plains, and asking questions about life, religion, god, family, etc. and it succeeds fabulously.

'earth, sun, moon' saw the band pull the reigns in on their trademark sound without abandoning their identity, all the while expanding their pallet and creating their definitive album.

I Would Take This One to My Grave.......2005-04-02

I have had this CD through many phases of my life, and the music has been a soothing soundtrack through both the thick and the thin. There was a time when I was really down and out financially a few years ago and I had to sell just about every CD I owned, but I did not give this one up. So, in my opinion it is one of the best that I own. As many people have said in their reviews, it is good music. It is the kind that you can't label. The lyrics have actual meaning, and the music is actually worthwhile to listen to. Yet it is nearly impossible to categorize. And honestly, I think that's a good thing.

ANOTHER ONE OF MY '80'S FAVORITES. .......2005-01-30

This album was originally released in 1987. I remember going to the record store and purchasing the tape (Jesus Christ....do they even MAKE tapes anymore??? Im really dating myself here). I played it incessently. It was the backround music on many a road trip. It's kinda fun to play the whole album now because a whole array of images from that period flood back into my conscious. I hadnt listened to this album in years until I found all my old tapes in a closet about a year ago. WHAT A GREAT DISCOVERY. This is a great album. I cant really identify one song on here that I DONT like (which is unusual, especially with the albums that are released these days). To think that these same guys, minus Peter Murphy, were once Bauhaus. Not to say that I didnt like Bauhaus, but what a DRAMATIC change in music style. Bauhaus was an aquired taste. A great, innovative group, but not for everyone. Love and Rockets is a great group. Their music is mellow yet danceable. Most of the songs on this album are done acoustically which gives the album a unique kind of sound. Lyrically, every song is a comment on society, most of which are right on the mark. I really recommend this album, along with "Express" and "Seventh Dream of Teenage Heaven" to any MUSIC fan. One must not consider themselves Goth or punk or whatever. This is just great music.

Average customer rating:

The picture

100 Hymns & Songs of Inspiration

Manufacturer: Castle Music UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008GEKT
Release Date: 2003-04-14

Tracks:

Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
Now Thank We All Our God - Choir Of Gloucester Cathedral
This Day, The First of Days - Choir Of Gloucester Cathedral
Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
God Save the Queen - Choir Of Gloucester Cathedral
Day of Resurrection - Choir Of Gloucester Cathedral
God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
O Come All Ye Faithful - Choir Of Gloucester Cathedral
Awake My Soul and With the Sun - Choir Of Norwich Cathedral
Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
All People That on Earth Do Dwell - Choir Of Norwich Cathedral
Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
There Is a Green Hill - Choir Of Norwich Cathedral
Lord of Beauty - Choir Of Sheffield Cathedral
Rejoice Today With One Accord - Choir Of Sheffield Cathedral
New Every Morning - Choir Of Sheffield Cathedral
Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
O God Our Help in Ages Past - Choir Of Sheffield Cathedral

Tracks:

Morning Has Broken - Choir Of Marlborough College Chapel
Happy Are They - Choir Of Marlborough College Chapel
In Christ There Is No East or West - Choir Of Marlborough College Chapel
Silent Night - Choir Of Marlborough College Chapel
Be Thou My Guardian - Choir Of Marlborough College Chapel
Ye Servants of the Lord - Choir Of Marlborough College Chapel
At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
Behold the Great Creator Makes - Choir Of Marlborough College Chapel
Rejoice the Lord Is King - Choir Of Marlborough College Chapel
Creator of the Stars of Night - Ely Cathedral Choir
He Comes With Clouds Descending - Ely Cathedral Choir
O Little Town of Bethlehem - Ely Cathedral Choir
Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
This Is the Day the Lord Hath Made - Ely Cathedral Choir
How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
Lord Thy Word Abideth - Ely Cathedral Choir
Jesus Lord We Look to Thee - Ely Cathedral Choir
O Lord Our God Arise - Ely Cathedral Choir
Lord of All Hopefulness - Ely Cathedral Choir

Tracks:

Soldiers of Christ Arise - Choir Of Wakefield Cathedral
Lift Up Your Hearts - Choir Of Wakefield Cathedral
Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
Maker of the Sun - Choir Of Wakefield Cathedral
O King Most High - Choir Of Wakefield Cathedral
O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
We Love the Place O God - Choir Of Wakefield Cathedral
Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
Give Rest O Christ - Choir Of Wakefield Cathedral
Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
O Thou in All Thy Might So Far - Choir Of Truro Cathedral
O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
Strife Is O'er the Battle Done - Choir Of Truro Cathedral
O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
Jesus Shall Reign - Choir Of Truro Cathedral
God of Love My Shepherd Is - Choir Of Truro Cathedral
O Jesu Saviour of Mankind - Choir Of Truro Cathedral
Immortal Invisible God Only Wise - Choir Of Truro Cathedral

Tracks:

Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
Come Rejoicing - Choir Of All Saints - Margaret Street, London
God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
Once in Royal David's City - Choir Of Keble College
God Be in My Head - Choir Of Keble College
O Thou Who Camest from Above - Choir Of Keble College
Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
For All the Saints - Choir Of St Edmunsbury Cathedral
Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
I Was Glad - Choir Of Eastbourne College Chapel
Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
Locus Iste - Choir Of Eastbourne College Chapel
Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel

Tracks:

Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
O Worship the King - The Choir of the Abbey School, Tewkesbury
O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
Jesus Christ Is Risen Today - The Choir of York Minister
First Nowell - The Choir of York Minister
Abide with Me - The Choir of York Minister
Breathe on Me Breath of God - Choir Of Keble College
Rock of Ages - Choir Of Keble College
On This Day, The First of Days - Choir Of Keble College
Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
O Quam Gloriosum - Choir Of Eastbourne College Chapel
Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
O for a Closer Walk With God - Choir Of Eastbourne College Chapel
Prayer of St Patrick - Choir Of Eastbourne College Chapel
Lord's Prayer - Choir Of Eastbourne College Chapel
Blessed Be the God and Father - Choir Of Eastbourne College Chapel
Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel

Album Description

Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.

Customer Reviews:

The picture.......2006-12-11

I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.

Average customer rating:

the end of an era in A-ha's music
Average
A-ha's most mature/eclectic album to date
East of Good Music, West of Enjoyable
Preacher for the Church of a-ha

East of the Sun, West of the Moon
a-ha
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD

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Analogue

ASIN: B000006SA4
Release Date: 1995-04-21

Tracks:

Crying In The Rain
Early Morning
I Call Your Name
Slender Frame
East Of The Sun
Sycamore Leaves
Waiting For Her
Cold River
The Way We Talk
Rolling Thunder
(Seemingly) Nonstop July

Album Details

Considerably Less Synth, More Traditional Rock-Oriented 1991 Release from the Norwegian Trio that Brought You the 1985 Hit 'Take on Me'. crying in the Rain - an Everly Brothers Top-20 Hit - is Included.

Customer Reviews:

the end of an era in A-ha's music.......2007-06-30

Luis Mejia (son)- Aha's works of the 80's were excellent, some were lazy too but this album is an inspiration of sweet sounds, beautiful melodies and sets at the greatest state of pop.

Being released in 1992, it still contains the rythms that have always characterized A-ha. The ballads are amazing and the lyrics are maybe the best that Paul Savoy have written. The use of keyboards of A-ha keeps being a wonder, and even when in they use mainly a synthesizer amog all the songs, they're still the dominant musical feature.

Within the songs, ballads like Crying In The Rain, Rolling Thunder, Slender Frame and the title track are the best content in the album, being soft, sensitive and delicate. Another great feature is the pop sound keyboard applied in the fast tracks such as Sycamore Leaves and Cold River, which applies also excellent guitars by Paul. I Call Your Name and Early Morning are nice pop ballads but in times they seem out of tune. The Way We Talk is a song for staying shock for the new style of "ruining an album just at the end". Now here is where experience enters among listeners, even before spliting, they were just starting to try some alternative sounds, such as in (Seemingly) Non Stop July, and as a person hears the new century albums, one notices the brutal change.

When it comes to the bad aspects I can say a lot, too. First of all it isn't new for A-ha to try to enchant the audience with beautiful choruses for hiding the not-so-good structure of the songs. Also they've stayed in the same musical mood since Stay On These Roads, the structure of these songs and sound patterns can be characterized in their past 4 albums.

In conclusion, even with it's failures, it's excellent for we, the fan audience and also for the new listeners for identify their sounds and create ideas.

Average.......2007-02-08

A few good songs on this one. Not my favorite, but not my least favorite of their work either.

A-ha's most mature/eclectic album to date .......2006-03-28

Ever since I heard the pulse-pounding rhythm and magnificent vocals of 1985's awesome hit, 'Take On Me,' I have forever remained (and will remain) an A-ha fan. I recognize that holding onto the music of the 1980s is not always easy to prove to others as "worthy contributions." However, the Norwegian trio is in a class above the fray that is highly removed from the 'stamp&go' mentality of pop music. "East Of The Sun, West Of The Moon" is the best example I can think of to prove this statement. Turning away the trademark 'synth sounds' that had been known with their group for the last 3 albums, A-ha has now taken an adult-contemporary/soft-rock approach with this album. The result is nothing short of amazing and consistent.

From the powerful melancholic rendition (would we expect nothing less from A-ha by now? haha) of Carole King's classic 'Crying In The Rain' (originally a hit in the 60's by the Everly Brothers) to the short somber closer of 'Seemingly Nonstop July,' A-ha makes a terrific sound change that is both pleasing and fitting. Morten Harket has a simply gifted vocal range that allows him free reign to sing anything put in front of him. Magne Furuholmen and Pal Waaktaar have a unique sense of melody, arrangment and lyricism which is put to the test and mastered with this album. Not only do the tracks have a soft, groovy and sometimes dramatically-operatic tone, but they also have perceptive depth and sensibility. Check out the title track and see how one can feel lost and long for that place of serenity lying out of reach. Check out 'I Call Your Name' and notice the heartbreaking image of being still in love with your spouse while the whole relationship has fallen apart. 'Waiting For Her' may seem adolescent, but Morten's delivery makes it all the more relevant for anyone in that situation. 'The Way We Talk' is a short but pleasant gift when Magne takes center stage as lead vocals, and does an impressive job with it.

In conclusion, I would highly recommend this album to fans of A-ha or just fans of this type of music in general. As a music fan, nothing impresses me more than seeing diversity and versatility with an artist(s). A-ha made a stunning leap with "East Of The Sun, West Of The Moon" and that caused many listeners to dismiss it as shoddy, mismanaged and overall poor in nature. But I urge the interested reader (and listener) to judge the recordings for themselves, not what the critics dictate. Just because one changes their sound does not mean they have changed their hearts for the craft. After all, don't we (as individuals) have different sides to ourselves that not all totally understand? Think about it .... go out and purchase this wonderful album and feel connected for a short period of time with the themes, sound and tone of this album .... I would give it over 10 stars if I could!

East of Good Music, West of Enjoyable.......2006-03-13

This was a poor effort by a-ha. You can tell by its sales ranking: The Rockwell Box Set did better. The only thing that makes this CD look good is by compairing it to their new CD, Analogue, which should be sold with an apology to all a-ha fans. A-ha got lazy, and greedy on this one. A-ha got back on track with Lifelines and most certainly, Minor Earth/Major Sky. But East of the Sun, West of the Moon, no good.

Preacher for the Church of a-ha.......2006-02-04

If I could have my dream job, it would be to convert the world to the beautiful sounds of this band of beautiful men - and this would be the album I would do it with. Simply put - it's perfection.

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