| 1. Dry! Dry! Dry! |
| 2. Andalucia |
| 3. Boomerang Boogie |
Dry Dry Dry,Pe'z,Toshiba EMI,World Music
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High 'N' Dry
Def Leppard Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001DVD Release Date: 1992-12-01 |
Tracks:
- Let It Go
- Another Hit And Run
- High 'N' Dry (Saturday Night)
- Bringin' On The Heartbreak
- Switch 625
- You Got Me Runnin'
- Lady Strange
- On Through The Night
- Mirror, Mirror (Look Into My Eyes)
- No No No
Amazon.com
Although it's difficult to remember through the smoke of Pyromania, this 1981 album, the quintet's second, hoisted Def Leppard to the apex of the New Wave of British Heavy Metal. Building on raw metal anthems, the band adds subtle melodic touches, catchy guitar riffs, and simpler lyrical themes. Producer Mutt Lange, a longtime associate of AC/DC, absorbs these pop-oriented changes without severely blunting the metal edge. While the album foreshadows Leppard's multiplatinum success, it also retains the aggressive power and rough-edged distortion of heavy metal. The power ballad "Bringing on the Heartbreak" ushered in a style that would come to define 1980s metal. Although later albums showcase well-crafted songwriting and glossy production, this one catches Leppard at the peak of their true metal years. --Marc GreilsamerCustomer Reviews:
A great album from a once great band.......2007-06-27
Released at the start of a new decade, the Judas Priest sounding debut from Def Leppard, '"On through the Night," (1980) may not have been the most original album of all-time, but it's still a great little-known gem in the chronicles of the NWOBHM (New Wave of British Heavy Metal). For their sophomore release, the band hooked-up with its unofficial sixth member, long-time Def Leppard collaborator and producer, John "Mutt" Lange. Released a year after the debut, Def Leppard's second album "High N' Dry" (1981) has some of the same NWOBHM elements that were on the "On though the Night, but also sees the band establishing its own identity and searching out new terrain.
AC/DC's monumental album "Back in Black" (1980) no doubt had an influence on Def Leppard's "High N' Dry." From singer Joe Elliot's attempts to sound like Brian Johnson, to guitarists Steve Clarke and Pete Willis attempts to imitate the Young brothers, "High N' Dry" sounds a lot like AC/DC. This isn't so surprising when you consider the fact that Lange produced "Back in Black." That said, the seeds of Def Leppard's signature sound that is so apparent on "Pyromania" (1983) and "Hysteria," (1987) like the melodic sing-along choruses and metallic yet infectious hooks, make their appearance on "High N' Dry." In a sense "High N' Dry" can be seen as the album that bridged the gap between Def Leppard's NWOBHM years, apparent on their debut, to their definitive pop-metal heyday of "Pyromania" and "Hysteria."
The band's early line-up on their first three albums was by far the best. Sorry Phil Collin (and Vivian Campbell), but the Pete Willis/Steve Clarke combo were by far the finest duel-guitarists that the band ever had. Their riffs and solos throughout the album are just plain killer, easily as good as anything AC/DC had to offer (is it blasphemy to hold that opinion?). It should be noted that apart from "Hit and Run," every song on "High N' Dry" was co-penned by either Clarke and/or Willis. With both long since gone (Willis was fired in '83 and Clarke died in '91) it's easy to see how the band has suffered creatively ever since. The songwriting throughout the whole disc is terrific, with very well-crafted but hard-rocking songs, one after the other, without a dud in the lot. Even the album's one balled "Bringing on the Heartbreak" sounds great and is light-years better than the syrupy trash that made up the band's most recent steaming-pile of manure, abomination of an album "X."
Another great feature of "High N' Dry" is its organic sound. While the band may be most well known for their ultra-slick "Hysteria," on "High N' Dry" the band sounds a lot rawer, much more rough-around-the edges and a lot more ballsy than they would on later albums ("Pyromania" can be seen as a mid-way point between the two).
"High N' Dry" is also great simply because the band wants to rock. Def Leppard at this point in their career were hungry and eager to prove to the world that they kicked ass, and they did. Don't believe Joe Elliot when he tells you that Def Leppard were always really a pop band at heart, not a metal one, that just isn't true. While there is a clear pop-sensibility to "High N' Dry" it most definitely has a metallic edge and a lot of balls.
When I think of Def Leppard, I think of the group existing as two separate entities. First, there is the Def Leppard of the 80s, a great rock band who put out four terrific albums, even if they did get a little too commercial towards the end. And second there is the Def Leppard of the 90s/00s, an embarrassment; a band for soccer moms, the less said about the better.
So even if Def Leppard has sucked beyond belief for years, go back in time with "High N' Dry," and rock out to an album from a once really great band.
Solid, AC/DC influenced scruff rocker.......2007-05-23
And they made a pretty good fist of it. In fact due to it's heads down passion this album stands up decades later. Opening blasts of rifferama like Let it Go, Another Hit and Run and High 'n' Dry (Saturday Night) ride thick full bodied riffs while Bringin' On the Heartbreak is probably their besst ever ballad and tellingly was written before ballads were the bands reason to be. Side two - in the old money - doesn't have the highlights but such is it's solid recording, youthful swagger and desire to conquer that the tunes retain a certain hard rock honesty.
Def Leppard were never metal but on this album they deliver their most pounding and raucous hard rock, the sort of wattage that must of reduced many club dates to sweat soaked rubble. An album best played at volume and all up a totally viable slab of riff driven hard rock. Dig in.
80's pop-metal from before the formula was established........2007-02-23
Revamped leppard.......2006-11-10
Raw power.......2006-10-12
I've never been a huge Def Leppard fan, but being a teenager during their hey-day, how could one not be familiar with the likes of "Photograph" and the other multi-platinum hits from Pyromania? With that said, though, the other noticeable difference between this album and the next is that there really are no bad songs on this album. It's just plain high-intensity rock 'n' roll from start to finish.
If "Bringing On The Heartbreak" single-handedly ushered in the rock-ballad genre, I suppose that's not the worst legacy to have. I have to admit that I like that song, even if I do despise a lot of what came after.
This is without a doubt the high-point of Def Leppard's creative output. Although Pyromania is the Def Leppard everybody remembers, High 'n' Dry is what made them. If you're a fan, you owe it to yourself to add this to your collection.
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The Music of John Williams: 40 Years of Film Music
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000C6K09 Release Date: 2003-10-07 |
Tracks:
- The Sugarland Express-Main Theme
- Jaws-Main Theme
- Close Encounters Of The Third Kind-Suite
- Raiders Of The Lost Ark-March
- Raiders Of The Lost Arc-The Map Room:Dawn
- E.T. The Extra-Terrestrail-Adventures On Earth
- Indiana Jones And The Temple Of Doom-Mine Car Chase
- Indiana Jones And The Temple Of Doom-End Credits
- Empire Of The Sun-Exsultate Justi
- Indiana Jones And The Last Crusade-Indy's First Adventure
Tracks:
- Indiana Jones And The Last Crusade-End Credits
- Always-Follow Me/Dorinda's Solo Flight
- Hook-Main Themes
- Jurassic Park-Main Themes
- Schindler's List-Main Theme
- Amistad-Dry Your Tears, Afrika
- Saving Private Ryan-Hymn To The Fallen
- A.I. Artificial Intelligence-Where Dreams Are Made
- Minority Report
- Catch Me If You Can
Tracks:
- The Rare Breed-Suite (Universal Emblem/Hilary's Plight/Scottish Romeo/The Hunt)
- Jane Eyre-Suite: The Jane Eyre Theme
- Jane Eyre-Suite: To Thornfield
- Jane Eyre-Suite: Restoration
- The Cowboys-Overture
- The Poseidon Adventure-Prelude
- The Towering Inferno-Main Titles
- Family Plot-End Titles
- The Fury-Main Titles
- Superman-Main Theme
- Dracula-Main Titles & Storm
- The River-Main Theme & Love Theme
- The Witches Of Eastwick- Dance Of The Witches
Tracks:
- Born On The Fourth Of July-End Credits
- Presumed Innocent-End Titles
- JFK-Arlington/End Titles
- Harry Potter And The Philosopher's Stone-Hedwig's Theme
- Harry Potter And The Chamber Of Secrets-Fawkes The Phoenix
- Star Wars: A New Hope- Main Theme
- Star Wars: The Empire Strikes Back-Hans Solo And The Princess
- Star Wars: The Empire Strikes Back-The Imperial March
- Star Wars: The Phantom Menace- Anakin's Theme
- Star Wars: The Phantom Menace-The Flag Parade
- Star Wars: Attack Of The Clones-Across The Stars
- Star Wars: The Phantom Menace-Duel Of The Fates
Customer Reviews:
Very disappointing, considering what it could have been.......2007-04-20
Disc 1: 60 minutes
Disc 2: 50 minutes
Disc 3: 61 minutes
Disc 4: 58 minutes
What gives Silva? There is *MUCH* more John Williams in the silva screen back catalogue by the Prague Philharmonic than what is in this set, and thats not including their entire discs devoted to Star Wars Films, Indiana Jones Trilogy etc. Why isn't Hook "When You're Alone" included on Disc 2? There's room. Why isn't 1941 on Disc 1? There's room. Why isn't Earthquake on Disc 3? There's room. Why isn't Far and Away on disc 4? There's room. Where's the other ten minutes of the Rare Breed suite on disc 3? Why isn't Midway on disc 1? Where are the Land of the Giants, Time Tunnel and Lots In Space tv themes? Etc. Etc. Etc.
C'mon Silva, most of these 4 disc mega boxes released in the past few years are packed to the brim, but not this one, and with new recordings made after this was released (the terminal, munich, geisha, war of the worlds, star wars ep 3, harry potter 3), it only makes sense for a "re-do" in the next couple of years.
Further, with Silva releasing the 100 Greatest Film Themes on six discs in a couple of months, it's only a matter of time before we see the ultimate six disc john williams set.
This isn't a BAD set to own, but it could have been much better and when compared to the Jerry Goldsmith and John Barry sets in this same series, this one is a major letdown.
Always a pleaser.......2007-03-31
JOHN WILLIAMS 40 Years of Film Music.......2007-01-10
Movie Music Magic & Memorabilia.......2006-12-13
John Williams: 40 Years of Outstanding Film Music.......2006-11-28
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Dry
PJ Harvey Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001F0H Release Date: 1997-06-10 |
Tracks:
- Oh My Lover
- O Stella
- Dress
- Victory
- Happy And Bleeding
- Sheela-Na-Gig
- Hair
- Joe
- Plants And Rags
- Fountain
- Water
Amazon.com essential recording
Dry is the cornerstone of the 1990s "women in rock" movement. To paraphrase what Lou Reed said about the Velvet Underground: Not many people bought the album, but those who did formed a band. The attraction is unmistakable: bluesy riffs played with punk-rock energy suddenly crash to a hush, while Harvey's desperate wails become fatigued moans. What is she so hung up about? Well, in the spirit of the Stones, love and hope and dirty dreams and sex and sex and sex. Through the raucous "Oh My Lover" and "Joe," Harvey airs her laundry quite loudly but never loses her wit, as "Sheela-Na-Gig," which features the mantra "I'm gonna wash that man right outta my hair / I'm gonna take my hips to a man who cares," attest. --Bill CrandallCustomer Reviews:
Exceeds the 5 star rating!.......2006-12-30
PJ Harvey is a powerful singer, song writer and musician. This CD is not for someone expecting happy, sappy love songs or a tame beat.
She exudes a raw, feminine, tough, and sometime comical outlook in her songs. She holds nothing back.
Each song is an experience.
Oh My Lover: she sings to her lover "You can love her and you can love me at the same time, much to discover." Not only is this song sexual, it's also pretty emotional to me. She asks him to "take at your leisure, take whatever you can find." Then she almost pleads with him to say her name and offers to take on his troubles. To me this song always represented a woman willing to go to the extreme to please her man, to keep him.
Dress: this is a really fast, upbeat song. But the lyrics are kind of sad. She's lonely and gets all dressed up and tries to get male attention. It reminds me of all the uncomfortable stuff we do trying to attract the opposite sex. At the end of the song, she's still alone.
Happy and Bleeding: I always took this song to be a celebration of a woman's amazing body and its capabilities. Whether or not that is the correct interpretation, I have no idea. "...fruit flower myself inside out, I'm happy and bleeding for you."
Sheela-Na-Gig: if you have never seen a Sheela-Na-Gig, you need to look one up in order to fully appreciate this song. This is one of the songs I feel she takes a more 'comical' approach. She is showing off her child bearing hips and other assorted 'assets' while her 'partner' is accusing her of exhibitionism. All the while she professes to find a new man. At one point he asks her to clean her "dirty pillows" because he doesn't want to be unclean.
Fountain: I always thought this song was beautiful. She starts it off by standing under a fountain and washing away a man. Then another man comes and saves her, only to leave her like the other one did. The beat starts off slow and then builds.
That's just a few of the songs on this CD and each one is remarkable in its own right. I will never tire of this CD, its music or its lyrics. PJ Harvey is in a class by herself.
One of the best debut albums, ever!.......2006-05-18
From the beginning riffs of "Oh My Lover" I was hooked. What a great opening song, I can hear (and relate to!) the yearning and hurt in Polly's voice as she sings her heart out to an unfaithful lover. "Oh, my lover! Don't you know it's alright? You can love her, you can love me at the same time.."
"Dress" is a great song. What a classic rock song. I remember hearing it for the first time nearly knocked me off my chair! It's fast with lots of guitar and a hint of salsa, I think. I swear you can't help but tap your foot to this song! I'm warning you, it's infectious! "Put on that dress, I'm going out dancing. Starting off red, clean and sparkling then he'll see me.." I think this song is about a disillusioned woman who learns that sometimes in life being dressed for success doesn't necessarily guarantee it.
One of my favorite PJ Harvey songs ever is "Sheela-Na-Gig." To me this is such an empowering song and I love to shout along with the lines, "Gonna wash that man right outta my hair!.. Gonna take my hips to a man who cares!.." The title (I hear) refers to a Celtic statue of a nude pagan girl amusing herself you know, down south. Hence the chorus, "Sheela-Na-Gig, You exhibitionist!" Starts off with excellent guitar and then we hear Polly's voice and this poetry:
I've been trying to show you over and over..
Look at these, my child bearing hips
Look at these, my ruby red ruby lips
Look at these, my work strong arms and
You've got to see my bottle full of charm...
"Plants and Rags" leaves me breathless. I cannot get enough of this song! I got goosebumps the first time I heard it. To me this is the best song of the album but I'm a bit bias because I feel this song has a very RID OF ME vibe to it and ROM is, ultimately, my favorite of all PJ recordings. Don't be fooled as this song is quite sinister. It starts off rather slow, with a bit of guitar and PJ's nonchalant vocals, "Plants and rags. Ease myself into a body bag..." The song gets even eerier soon enough, with heavy weird strings and the building drama of a creepy violin. You really start to get a sense for the song, especially as PJ's voice grows more urgent as she sings, "White and black. You looking for the sun, boy? The sun doesn't shine down here, no, no..." O Goodness, this song is so good, I wanna name a star after it!
And this album is so awesome that when I am King I shall declare everyday, PJ Harvey Day.
God bless Polly Jean.
"Gonna take my hips to a man who cares...".......2006-05-03
A True Musical Genius Emerges With This Irresistable Album.......2006-01-30
The album starts with the simplistic "Oh My Lover", the track is simple yet effective and isn't an all-out assault on the ears. I really like the starkness in P.J.'s voice.
"O Stella" seems a bit like a reprise of the previous track, though I do like this song better, it's shorter and does more musically, but that doesn't mean I hate "Oh My Lover".
Next up is "Dress", I like the repitition in the lyrics and the double bass part which is played to perfection. The song has a very syncopated feel, even though at times an irregular feel.
"Victory" is another great track with a nice echo section in it and some nice guitar parts. The bass is great, the drums are probably stronger than ever since the start of the album.
"Happy And Bleeding" sounded like it had elements of country and folk in it upon first listen and I still can hear little elements of it, though not as much now, it's another great track though a bit of variation in the riffs would've be nice.
"Sheela-Na-Gig" is one of the best songs on the album and the most successfull single off the album, the structure of the song is perfect, especially the 'I'm gonna wash that man right of my hair...' bit. I like the chorus, it's really catchy.
"Hair" keeps the same formula that has made the album what it is and doesn't interrupt the flow at all. All the basic things are here, good lyrics, catchy hooks and superb instrumenation.
"Joe" is another short track that is set at a very fast tempo, it seems to be gone and over really quick. It's still a nice track though.
"Plants And Rags" is the best song on the album and seems a bit out of place on the album, I love the way the strings are used and written. This song is without a doubt the most emotional album on the album and P.J. proves her voice's potential well on this track.
"Fountain" starts off incredibly lo-fi and then breaks into the signature sound of the album. I like the contrast and how it makes the song a bit segmented. "Water" has been described as the 'lightest' track off the album, although it does seem a bit light, it still has that punch about it. Great vocals by P.J. again.
Overall, "Dry" is special, it retains it's rock-alternative sound while still displaying emotion and beauty. The two best tracks would have to be "Plants And Rags" & "Sheela-Na-Gig", simply because they well, standout. This album though is incredibly solid throughout and flows nicely making this an irresistable album by a true musical genius.
A very good album.......2005-12-15
That said, it's not as good as Rid of Me, but it's a very good album. If you can find a bootleg of the demos that led to this album (called "Jungle Queen"), the non-electric sessions of these same songs are much more captivating...I'd have to say Albini's influence spoiled things a little bit.
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Thirtieth Anniversary Special
Dry Branch Fire Squad Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OLHFR6 Release Date: 2007-05-15 |
Tracks:
- I've Lived a Lot In My Time
- Devil, Take the Farmer
- I Saw a Man At Close Of Day
- Rollin' On Rubber Wheels
- Church By the Road
- He's Coming To Us Dead
- A Distant Land To Roam
- Over In the Glory Land
- Do You Ever Dream Of Me?
- The Honest Farmer
- Long Journey
- Oak Grove Church
- Hide You In the Blood
- Golden Ring
- Carolyn At the Broken Wheel Inn
- When I Went Down In the Valley To Pray
- The Orphan Train
- While Roving On Last Winter's Night
- Dip Your Fingers In Some Water
- We Believe In Happy Endings
- How Great Thou Art
Album Description
For three decades now, the beloved Dry Branch Fire Squad has been a bastion of mountain soul, bluegrass, and old-time music - carrying timeless traditions into the modern era with a blend of reverence, soul, and wit all their own. This special edition thirtieth anniversary collection is designed to complement Rounder's previous Dry Branch anthology, Tried and True (Rounder 11519), and contains material (some previously unreleased) recorded in the twenty years since that collection's release. Under the stewardship of Ron Thomason, Dry Branch Fire Squad has weathered the storms on the sea of time, all to forge an iron-clad brand of defiantly rugged old-time and traditional bluegrass music that imparts essential reminders of the past while unafraid to meet the future head-on.Customer Reviews:
this group is GREAT.......2007-06-28
A charming hour that treats us to DBFS's sound since 1989.......2007-05-19
Their ninth album on Rounder Records, this heartfelt 30th anniversary collection only draws material from the label's releases since 1989. The reason is that there was a previous band anthology, "Tried and True," (Rounder 11519) released in 1987. Would it have been better for a 30-year album to also draw material from all three decades, and from as far back as their three pre-Rounder LPs from the 1977-78 timeframe? While their Rounder material has been superior to their earliest recordings, it would've been exciting to document all 30 years with a couple songs like Out on the Blue Ridge Mountain from their earliest 1977 "Live at the Crying Cowboy Concert Saloon" LP (RT-513). Also, the early days of the band emphasized basic, mournful, sensitive vocal duet arrangements with Ron Thomason and tenor John Baker (fiddler Kenny Baker's son). You'll need to get DBFS's 1979, 1981 or 1982 Rounder albums ("Born to be Lonesome," "Antiques and Inventions," or "Fannin' the Flames") to experience them together. Or to hear some of Thomason's originals like "Dak's Song" or "Oh! What a Storm." So, to truly celebrate all 30 years with this band, I recommend also picking up a copy of the 1987 "Tried and True" anthology mentioned earlier.
Among the 21 tracks on "30th Anniversary," there are four previously unreleased songs (He's Coming To Us Dead, Over in the Glory Land, Golden Ring, How Great Thou Art). Although liner notes don't indicate when they were recorded, they're quite recent, and three feature the band's newest lineup of Ron Thomason, Brian Aldridge, Dan Russell and Tommy Boyd. A hit for George Jones and Tammy Wynette, "Golden Ring" is still arranged with Ron's crosspicked guitar, and the song does appear on the band's 1981 album "Antiques and Inventions" with a different group except for common denominator Thomason. The binding thread or glue in all of the band configurations, Ron primarily plays guitar or mandolin. His clawhammer banjo picking appears in two songs - his solo rendition of Grayson & Whitter's "He's Coming To Us Dead" and the band's quartet offering of "The Honest Farmer," accompanied only by fiddle and banjo.
Vocal arrangements capture the emotional essence of their largely traditional bluegrass and gospel canon. On all vocal cuts, Thomason sings lead. In the last two decades, the band's mournful signature sound has also regularly been built around Ron's lead with female tenor or high baritone parts (courtesy of Suzanne Thomas and Mary Jo Leet). All three of them are showcased together in "Dip Your Fingers in Some Water," and the quartet (with Charles Leet singing bass) entitled "When I Went Down in the Valley to Pray." Hazel Dickens, who recalls a time when it was "downright subversive practically to be a woman in bluegrass," sings tenor on "Hide You in the Blood." These songcarriers have kept nuggets like Carter Stanley's "Rollin' on Rubber Wheels" in their repertoire for years. Ron once said that he viewed the band as "spokesmen for a way of life" among the people who originally propagated the music. It's their revitalization of dusty old classic treasures (like A. P. Carter's "A Distant Land To Roam") that has also built their fanbase. Doc Watson simply called it "the old music," folk ballads and the kinds of songs sung by the Carter Family and Grayson & Whitter. Interestingly, their vocal stacking for that A.P. Carter cover includes four vocal parts, but no tenor according to the liner notes.
Instrumentally, the band's unpretentious picking is sufficient for their authentic kind of repertoire. With some electric bass and steel guitar, "Carolyn at the Broken Wheel Inn" is a unique selection. Besides those mentioned above, others in the band have included Dave Edmundson (fiddle, vocals), John Hisey (banjo, vocals), [...] Irwin (bass), Bobby Maynard (fiddle) and Adam McIntosh (banjo, mandolin, vocals). The band's widespread appeal in live performance is also due to their showmanship and stage presence that enhance their purest form bluegrass. The charismatic band opens up, sings and plays with sincerity, and builds rapport. All in all, this is a charming hour that treats us to DBFS's sound since 1989. (Joe Ross, staff writer, Bluegrass Now)
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Of Vengeance and Violence
Dry Kill Logic Manufacturer: Repossession Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GY72XS Release Date: 2006-09-25 |
Tracks:
- L5(Progogue)
- My Dying Heart
- 4039
- Caught In The Storm
- From Victim To Killer
- The Innocence Of Genius
- Boneyard
- Kingdom Of The Blind
- Dead Mans Eyes
- Confidence Vs Consequence
- Breaking The Broken
- Lying Through Your Teeth
- In Memoria Di
Product Description
1) L5 (Prologue)
2) My Dying Heart
3) 4039
4) Caught In a Storm
5) Kingdom of the Blind
6) The Innocence of Genius
7) Boneyard
8) Dead Mans Eyes
9) Confidence vs. Consequence
10) Breaking the Broken
11) Lying through your Teeth
12) From Victim to Killer
13) In Memoria Di
Format: CD
Customer Reviews:
Solid, but still not quite great.......2007-06-07
As a result, "Of Vengeance and Violence" is doubtlessly DKL's heaviest and best record yet. It sports an abundance of jagged, abrasive rhythms, propulsive, industrial-strength, sometimes thrashy riffing, good vocals, and hefty drumming (including a few blast beats -- Phil Arcuri's drumming seems to grow more complex and furious as the album plays.) There are several flashes of brilliance sprinkled on throughout the album, such as the fiery, turgid guitar lead, memorable groove, and ripping, even borderline-wailing solo behind "4039," the blowtorch riffs, bullying rhythm, and forceful double bass/blast beat pummel that anchors the heaviest tracks ("Boneyard" and "Dead Man's Eyes"), and the deft, almost blistering rave-up, "Lying Through Your Teeth." But surprisingly, the album's biggest highlights are definitely the two soft numbers: "Kingdom of the Blind" and "In Memoria Di." The former is a power ballad of sorts where frontman Cliff Rigano takes over and shows the world his astonishingly great, proper-singing abilities; and the latter song is an acoustic-strummed, lighter-waving set closer with more exceptional vocals.
At the end of the day though, there's an indefinable "something" that seems missing from "Of Vengeance and Violence." For one, most of the heavier fare blends together too much. Plus, a substantial amount of the record seems a bit flat, flaccid, and/or formulaic - catchy, technically proficient, and sufficiently heavy, but lacking a noticeable flare, backbone or timeless innovation, thus giving off an air of somewhat tired or uninspired songwriting. And whatever the problem may be, one thing is for sure: The members of Dry Kill Logic obviously put a respectable amount of work into "OVAV," because this is by far their finest, and most accomplished, realized, and relevant release to date, but the album (and the band, in general) are still a ways behind most of their peers, and miles behind groups like Lamb of God, Chimaira, and Machine Head. It does not speak well for DKL that they are three full-length albums into their career and have gotten only so far. This is a very competent band, they have all of the tools they need to get the job done, but they just haven't completely done it yet. Hopefully they will get another shot at greatness before the music industry (and the rest of the world) gives up on them.
Lest this review comes across as too harsh, it should be noted that "Of Vengeance and Violence" isn't a bad album by any stretch of the imagination -- in fact, this is a good, solid record. But is it worth buying? Well, that all depends on your loyalty to this band and/or this genre. If you are already a big Dry Kill Logic fan, or if you just can't seem to get enough of this whole moshcore/metalcore/New Wave Of American Heavy Metal scene, then by all means, pick this album up. And "Of Vengeance and Violence" is still worth hearing even if neither of those apply to you, just don't expect too much.
third time's a charm.......2007-04-21
Not bad.......2007-01-05
Dry Kill Logic's third album.......2006-12-17
long time fan says..........2006-12-04
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Peter & The Commissar
Manufacturer: Collector's Choice ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002LO7GU Release Date: 2004-11-09 |
Tracks:
- Peter and The Commissar
- Variations On "How Dry I Am"
- The End of a Symphony
Product Description
1. Peter And The Commissar
2. Peter And The Commissar (Introduction)
3. Variations On How Dry I Am
4. End Of A Symphony, The
Format: CD
Customer Reviews:
Hilarious!!!.......2007-07-03
I will never think of "Peter and the Wolf" in the same way again, and Allan's creative genius is clearly demonstrated in his variations on "How Dry I Am." Then, he seems to access all the thoughts you've ever had on the "never ending" finales to classical symphonies -- right on target!
I have loved "Hello Muddah, Hello Faddah" and many of Allan's other famous parodies for years -- don't want to admit how many, but I had never heard this album. It is now my favorite!
As to the sound -- it is crisp and clean -- even when heard through a car stereo.
Buy it. You won't be sorry. (Heck, I'm buying several more to give as gifts!)
Peter and the Commissar.......2007-01-22
A very funny piece.......2007-01-18
I got a second copy for a friend and he was absolutely delighted when he received it.
Allan Sherman did some great comedy pieces and this is certainly one of his best, I think.
Great CD.......2006-07-09
Classical Gas.......2006-01-30
Average customer rating:
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Dead and Dreaming
Dry Kill Logic Manufacturer: Repossession Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0003JAGVG Release Date: 2004-10-05 |
Tracks:
- Lost
- Paper Tiger
- Buckles
- With Deepest Regrets...
- Neither Here Nor Missed
- The Perfect Enemy
- Living Witness
- One Handed Knife Fight
- As Thick As Thieves
- 200 Years
- No Reason
Product Description
1. Lost
2. Paper Tiger
3. Buckles
4. With Deepest Regrets
5. Neither Here Nor Missed
6. Perfect Enemy
7. Living Witness
8. One Handed Knife Fight
9. As Thick As Thieves
10. 200 Years
11. No Reason
Format: CD
Customer Reviews:
More mature than debut, but lacking the obvious hooks.......2007-04-13
Decent effort.......2007-03-29
screw hindsight every song makes the cd.......2006-10-23
Good stuff!.......2006-08-16
This album is so good I can't think of anything I could write for a title that would tell how much I love it.......2006-02-06
If you like Dry Kill Logic and haven't bought this album yet, get off your ass and do so.
Average customer rating:
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Nixon in China
John Adams , Edo de Waart , Trudy Ellen Craney , Marion Dry , John Duykers , Stephanie Friedman , and Thomas Hammons Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005IYW Release Date: 1990-10-25 |
Tracks:
- Act I, Scene I: Beginning - Orch Of St. Luke's/Edo De Waart
- Act I, Scene I: 'Soldiers Of Heaven Hold The Sky'
- Act I, Scene I: 'The People Are The Heroes Now'
- Act I, Scene I: Landing Of The Spirit Of '76
- Act I, Scene I: 'Your Flight Was Smooth, I Hope?'
- Act I, Scene I: 'News Has A Kind Of Mystery:'
- Act I, Scene II: Beginning - Orch Of St. Luke's/Edo De Waart
- Act I, Scene II: 'You Know We'll Meet With Your Confrere The Democratic Candidate If He Should Win.'
- Act I, Scene II: 'You've Said That There's A Certain Well-Known Tree'
- Act I, Scene II: 'Founders Come First, Then Profiteers.'
- Act I, Scene II: 'We No Longer Need Confucius.'
- Act I, Scene II: 'Like The Ming Tombs.'
- Act I, Scene III: Beginning - Orch Of St. Luke's/Edo De Waart
- Act I, Scene III: 'Ladies And Gentlemen, Comrades And Friends,'
- Act I, Scene III: 'Mr. Premier, Distinguished Guests,'
- Act I, Scene III: Cheers
Tracks:
- Act II, Scene I: Beginning - Orch Of St. Luke's/Edo De Waart
- Act II, Scene I: 'Look Down At The Earth,'
- Act II, Scene I: 'This Is Prophetic!'
- Act II, Scene I: 'At Last The Weather's Warming Up.'
- Act II, Scene II: Beginning - Orch Of St. Luke's/Edo De Waart
- Act II, Scene II: 'Oh What A Day I Thought I'd Die!'
- Act II, Scene II: 'Whip Her To Death!'
- Act II, Scene II: Tropical Storm
- Act II, Scene II: 'Flesh Rebels'
- Act II, Scene II: 'I Have My Brief'
- Act II, Scene II: 'It Seems So Strange'
- Act II, Scene II: 'I Am The Wife Of Mao Tse-Tung'
Tracks:
- Act III: Beginning - Orch Of St. Luke's/Edo De Waart
- Act III: 'Some Men You Cannot Satisfy.'
- Act III: 'I Am No One.'
- Act III: The Maos Dance
- Act III: 'Sitting Around The Radio'
- Act III: 'Let Us Examine What You Did.'
- Act III: 'When I Woke Up I Dimly Realized The Jap Bombers Had Given...
- Act III: 'I Have No Offspring.'
- Act III: 'I Can Keep Still,'
- Act III: 'After That The Sweat Had Soaked My Uniform'
- Act III: 'Peking Watches The Stars,'
- Act III: 'You Won At Poker.'
- Act III: 'I Am Old And I Cannot Sleep'
Customer Reviews:
The Inner Psychological and Philosopical Questions of Power .......2007-06-25
The composer, John C. Adams, uses the "minimalist" approach to which I am also somewhat unfamiliar. The only minimalist works I've heard proir to "Nixon in China" are Gorecki's beautiful and sad, "Symphony of Sorrow" and "The Photographer" by Philip Glass.
This opera seems to sound a lot like what little of the music of Philip Glass I have heard. It also sounds a bit like Carl Orff's "Carmina Burana" at times. There are really no "songs" that one can sieze, as the entire 2 1/2 hours has the same unending feel to it.
I would say that the music style makes "Nixon in China" a piece of moods and feelings rather than "beautiful melodies". These moods and feelings are dependent on the well-crafted liberetto (collection of lyrics) and expressive singing. At times, the opera becomes very intense and urgent. In this sense, "Nixon in China" is more akin to "Orfeo" than "The Magic Flute".
Through it all, "Nixon in China" is a very intriguing opera. It is a truly modern work, unlike anything by Beethoven through Stravinsky or Schoenberg. The setting and subject matter are also something new: not mythological or based on some great novel or play; but rather a diplomatic mission between two of the most important nations on the geo-political stage in our modern age: China and the USA.
The inner psychological and philosopical questions of power are also explored through the complex characterizations of Nixon, Mao, Kissenger and Cho En-lai. As a student of music, psychology and history; I found the very idea of "Nixon in China" quite interesting.
An Opera about Nixon.......2007-01-20
Fabu.......2005-11-22
The libretto is stunningly brilliant. It gets enough attention so I won't add anything here.
The music is lyrical and addictive. You will find yourself whistling, humming or just full out singing it outloud while walking down the street. The first time you listen to it you will be completely hooked from the very beginning and be in full on gush mode by the end of Nixon's "News" aria at the end of the very first scene.
I won't mention this recording too much. Could it be better? Yes. I am simply desperate for a DVD version like the other Adams operas "el Nino" and "Death of Klingenhoffer." But US residents shouldn't complain since I paid double the price here in the Netherlands.
In the end "Nixon in China" basically uses every trick in the opera bag. It will definitely be an opera that lasts. Ten years after I heard it for the first time it is just as crisp and addictive as before.
Lastly. On a complete side note. I've heard excerpts of "Nixon in China" in the "Civilizations IV" computer game as the background music to the modern era.
getting down in the horn of africa.......2005-08-17
just listen to the samples and be bewitched and feel your feet start to shuffle. buy it, make all your friends listen to it and they will love you for it.
funtimes await you!
A Waste of Commission Money.......2002-10-23
The only thing worse is experiencing a live performance...awful sets ..
The recording is fine.
Average customer rating:
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Man in the Hills/Dry & Heavy
Burning Spear Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009KTWA Release Date: 2003-06-03 |
Tracks:
- Man In The Hills
- It's Good
- No More War
- Black Soul
- Lion
- People Get Ready
- Children
- Mother
- Door Peep
- Groovy
- Any River
- The Sun
- It's A Long Way Around
- I W.I.N.
- Throw Down Your Arms
- Dry And Heavy
- Wailing
- Black Disciples
- Shout It Out
Customer Reviews:
It Is Good When A Man Can Think For Himself.......2005-06-10
Those colors and full original artwork is missed but the notes and packaging will do.
An Excellent Decision By Island.......2005-01-30
It never fails with Burning Spear; every time I buy one of his albums, I'm dissappointed at first and then growing to love it later, go out and buy another one, am disappointed then grow to love it then....etc. etc. These appealed to me much more quickly than most of his stuff, though and some of the songs here are my favorites of the artist. I love "I W.I.N." and "Throw Down Your Arms." "Dry & Heavy" is really good. The first one I began to listen to a lot was "Children." "Mother" is great, also and "The Sun" is an exciting one. But their isn't a bad track on the whole cd! From beginning to end I highly recommend this; for collectors of reggae or anyone who likes music and especially for fans of Burning Spear.
There's a lot to read inside the cover insert as well.
Maybe I just need to give it more time.......2003-11-23
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Sandbox - Mark Sandman Original Music
Mark Sandman Manufacturer: Hi-n-Dry / KUFALA Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00068RDOW Release Date: 2004-11-16 |
Tracks:
- Double Stripper Double Sax
- I Can Do That
- Tomorrow
- Patience
- Cocoon
- Imaginary Song
- Goddess
- Jealous Dream
- Justine
- The Phone
- Devils Boots
- Born Again
- Wig
- 51%
- Good Time Last Night
Tracks:
- Riley the Dog
- Some Other Dog
- Snow
- Doreen
- Get Along
- Monas Sister
- Hombre
- Hotel Room
- Lets Not Talk
- Bathtub
- I Wanna Go Home
- Deep Six
- Livin With U
- They Bent Me
- Middle East
- Early Man
Album Description
Morphine leader Mark Sandman was the inventor of a sound called "low rock" the distinctive blend of sonorous saxophone, bass and deep grooves that, along with Mark's lyric poetry, propelled Morphine to fame. But Mark created much more than the brilliant music of Morphine. He was a tireless musical experimenter who wrote and recorded constantly throughout his life. Although Morphine and the seminal swamp-blues quartet Treat Her Right became well known and successful, much of his work was never commercially released and remains unheard except by his large circle of friends, who he regularly commandeered to critique his latest, usually over a bottle of Patron. Sandbox brings everyone into that circle. After 5 years meticulously culling the large collection of original music, poetry and art left behind by Mark after his untimely death in 1999, the surviving members of Morphine, Bill Conway and Dana Colley, have assembled the essential Mark Sandman collection. More a musical adventure than a "greatest hits" set, the 30 songs on Sandbox are connected by the voice and the singular musical and lyrical vision of Mark Sandman. For Morphine and Treat Her Right devotees, it's a final affectionate encore. For the uninitiated, an invitation to discover the depth and scope of Mark's unique and challenging artistry. Sandbox also includes a DVD of rare and unseen footage, artifacts of Mark's career and even more Sandman music.Customer Reviews:
Phenomenal!.......2007-04-11
If you only knew...........2007-01-28
Impressive.......2006-09-14
memoir of a madman.......2006-03-04
But now, as a tribute to a man who couldn't stop working, couldn't stop playing that fine music, we have this set of two Cds and a DVD. The Cds are wonderful, tracking his recordings and demos from previous bands (Treat Her Right, Hypnosonics, and more) and solo efforts. Every song is packed with a down low blues, dripping with sex.
The DVD is great, mixing live shows with low budget music videos, showing a single and solitary vision that Sandman was only begining to solidify. His interviews are wonderful. He was quiet, direct, and hated doing interviews (at least from what I could tell). Everyone should own this. Do you like Norah Jones? Buy this. Do you like Eric Clapton? Buy this. Pantera? Buy This.
Get the point?
What a perfect package of art..........2005-12-21
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