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Ballade,Hiroshi Itsuki,Tokuma,World Music
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Chopin: Favorite Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000427J Release Date: 1996-02-13 |
Tracks:
- Grande Valse brillante, op. 18
- Fantaisie Imprpmptu, Op. 66
- Nocturne In E flat Major, Op. 9 No. 2
- Waltz In A Minor, Op 34 No. 2
- Mazurka In D Major, Op. 33 No. 2
- Scherzo In B Flat Minor.D Flat Major, Op. 31
- Waltz In A flat Major, Op 69 No. 2
- Nocturne In F Sharp Major, Op. 15 No. 2
- Waltz In B Minor, Op. 69 No. 2
- Ballade In G Minor, Op. 23
- Mazurka In B Flat Major, Op. 7 No. 1
- Waltz In G Flat Major, Op. 70 No. 1
- Nocturne In B Major, Op 32 No. 1
- Polonaise In A Flat Major, Op. 53
Tracks:
- Ballade No3 In A Flat Major Op.47
- Prelude In C Sharp Minor, Op. 45
- Waltz In D Flat Major, Op. 64 No. 1 'Minute'
- Waltz In C Sharp Minor, Op. 64 No.2
- Etude In C Minor, Op. 10 No. 12 'Revolutionary'
- Etude In G Flat Major, Op.10 No.5 'Black Key'
- Nocturne In F Minor, Op. 55 No.1
- Polonaise In A Major, Op. 40 No. 1 'Military'
- Barcarolle In F Sharp Major, Op. 60
- Prelude In D Flat Major, Op.28 No. 15 'Raindrop'
- Etude In A Minor, Op. 25 No. 11 'Winter Wind'
- Etude In E Major, Op. 10 No. 3 'Tristesse'
- Scherzo No.3 In C Sharp Minor, Op.39
Customer Reviews:
Why are you waiting?.......2006-12-16
(Btw, Ashkenazy vs. Davidovich re. the impromptus is a toss up. But since the impromptus aren't on this disc, you can make that critical decision another time.)
Ashkenazy's scherzo #2 (op. 31) IS the best. Period. Other interpretations that your favorite classical music station may substitute are downright lame.
The rest are basically sublime. The first and 4th ballades will send shivers up your spine by Vlad's sheer technical ability. His artistry is second to none.
Chopin: Favorite Piano Works.......2006-07-25
Chopin: Favorite Piano Works (London 2 CD).......2006-02-24
chopins Mazurkas.......2005-08-08
REST FOR THIS WEARY SOUL.......2005-03-09
If you love Chopin, as I do, buy this recording it will sooth your soul as only great music can.
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The Pianist: Music from the Motion Picture
Janusz Olejniczak , and Frederic Chopin Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007E8SQ Release Date: 2002-11-26 |
Tracks:
- Nocturne in C-Sharp minor (1830)
- Nocturne in E minor, Op. 72, No. 1
- Nocturne in C minor, Op. 48, No. 1
- Ballade No. 2 in F Major, Op. 38
- Ballade No. 1 in G minor, Op. 23
- Waltz No. 3 in A minor, Op. 34, No. 2
- Prilude in E minor, Op. 28, No. 4
- Grande Polonaise for Piano and Orchestra (preceded by an Andante Spianato), Op. 22
- Andante spianato in G Major
- Grande Polonaise in E-flat Major
- Moving to the Ghetto Oct. 31, 1940
- Mazurka in A minor, Op. 17, No. 4
Amazon.com
Roman Polanski's telling of famed Polish composer-pianist Wladyslaw Szpilman's survival in the Nazi-controlled Warsaw ghetto can't help but be infused with the director's deepest passions: he himself escaped the Kraków ghetto as a boy of 7. The musician's status as a musical hero to the oppressed Polish Jews of World War II was surpassed only by that of Chopin, the composer who was at the core of Szpilman's repertoire. Thus this score revolves tightly around Chopin's music, with modern Polish pianist Janusz Olejniczak paying passionate homage to both his musical and national forebears, the haunting strains of the Nocturne in C-sharp Minor setting the film's historical and dramatic tone. The underscore of previous Polanski collaborator Wojciech Kilar (The Ninth Gate, Death and the Maiden) is represented here by the soulful "Moving to the Ghetto," a cue that helps anchor the soundtrack's troubling time and place with understated grace. The collection concludes with a rare, remastered performance of Chopin's Mazurka Op. 17, No.4 by Szpilman himself, recorded in Warsaw in 1948. --Jerry McCulleyCustomer Reviews:
Marvellous!.......2006-02-11
"The Pianist" music soundtrack is a wonderful collection of Chopin's piano works. Of course a few masterpieces of the polish great composer have been left out, but I think that's more than understable. After all, Polanski needed certain pieces that connected best with some of the images and scenes of his movie. And in the end we all agree that he certainly pulled it off.
Before watching the movie, I didn't know who Janusz Olejniczak was either. Now I do. His Chopin is really marvellous, especially the "Nocturne in C-sharp Minor", "La grande Polonaise brillante" and "Nocturne in E Minor Op. 72 No 1". Getting to know Olejniczak's Chopin is yet another reason to be thankful to Polanski.
Absolutely beautiful.......2006-01-30
Being half-Polish, I heard of Frederic Chopin through the years but was never told of him or his beautiful - if somewhat sad - music (I learned much about Beethoven, my favorite composer, though). I was cheated but feel that I have caught up for lost time with this soundtrack.
My favorite track is "Nocturne in E Minor, Op. 72, No. 1." It's four and a half minutes of pure bliss. Kudos to Janusz Olejniczak for playing beyond beautiful piano (he's not a concert pianist for no reason, eh?).
The Pianist is one of the best movie soundtracks of all time. The movie was powerful (unlike *other* directors who made Holocaust films, Roman actually lived through that black period in human history, making it a cut above the rest), the book was moving and the soundtrack is great relaxation.
one word beautiful.......2005-11-08
Felt the movie,now feel the music that truly inspires.........2005-05-29
All the piano works are classical and have a story of it's own.
From the Nocturnes; sad, moving and played on the first part of the movie (yes, the intro) and when the jews are fighting and facing their nightmares.
To Ballade 1 & 2, which was played by Spilzman (adrien brody) in that movie when he met up with the german officer Hosenfeld (thomas kretschmann)..
Just by listening to the soundtrack you could already see and feel the whole movie. Especially the Nocturnes... very touching.. recommending this album to those who fell in love to the piano works in the movie like i was, just by listening it for the first time! :)
A Too-Easily Dismissed Artist.......2005-05-09
A number of eminent pianists - Rubinstein, Bolet, Moravec, Ax, among many others - have recorded movie soundtracks. And, like them, Olejniczak has recorded a great deal more. For instance, his albums for the Opus 111 label, which also recorded Sokolov, should be sampled by all lovers of Chopin, if only because Olejniczak can be heard playing on one record an Erard piano from Chopin's time, and on another an even more remarkable Pleyel. It's fascinating to find the Erard really does have what Chopin called a "ready-made" tone; the Pleyel by comparison is a revelation.
But then so it the playing of Olejniczak. He was not discovered by Roman Polanski. Olejniczak was a prize-winner of the Warsaw Chopin competition at the age of 18. He is greatly respected in his native Poland and in Japan, which both know something about great Chopin playing.
Olejniczak is a forceful artist who nevertheless never pounds; one frequently is put in mind of how Chopin envied the powerful way Liszt played his etudes. Olejniczak's Polish "accent" is, of course, entirely appropriate for Chopin, as is his wonderful voicing of chords and sure but free rhythm. Olejniczak plays with a full-throated lyricism -- it is the Bellini of "Norma" rather than "Sonnambula" -- but the pianist can also be touchingly tender. Above all he is dramatic in the fullest sense, vividly characterizing each piece. It's easy to see why Polanski and other film directors have been drawn to him. Chopin clearly is Olejniczak's life blood.
That previous reviewer may sincerely prefer such very different musicians, one to the other, as Rachmaninoff, Rubinstein, Cortot and Argerich, but I hope no one will hold it against Olejniczak (who, by the way, I don't know personally -- no special pleading here!) simply because he is not as widely known as some other pianists. He is a genuine find, and Polanski should be thanked for sharing a superb talent with a wider public.
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The Chopin Ballades & Scherzos [Hybrid SACD]
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002TKFS6 Release Date: 2004-09-14 |
Tracks:
- No. 1, Op. 23 in G Minor
- No. 2, Op. 38 in F
- No. 3, Op. 47 in A-Flat
- No. 4, Op. 52 in F Minor
- No. 1, Op. 20 in B Minor
- No. 2, Op. 31 in B-Flat Minor
- No. 3, Op. 39 in C-Sharp Minor
- No. 4, Op. 54 in E
Customer Reviews:
a good collection of classical music........2007-01-10
As Good As It Gets.......2006-03-24
Rubinstein was temperamentally well suited to these works, moreso than in the Mazurkas and Preludes. The narrative aspect of the Ballades suited his intuitive sense of structure well. At this point in his career, Rubinstein had known these pieces for six decades. It is no wonder, therefore, that he performs them more convincingly than, say, Kissin does on his recent recording.
The Scherzos are outright virtuoso works. Rubinstein would occasionally perform all four in concert, back-to-back. Any other pianist would have been exhasted by the effort. Not Rubinstein, who posessed a seemingly inexaustable reserve of energy. The pianist is just as on top of these pieces, technically, as any of his colleagues, and much more attuned to them musically.
The sound, made from original three channel tapes produced by RCA's legendary Jack Pfeiffer, is spectacular in this new SACD edition--sounding every bit as lifelike as the best of today's digital recordings.
This is the one to get!
Great performances and sound.......2004-11-28
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Claude Bolling: Suite for Cello & Jazz Piano Trio
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000025XO Release Date: 1990-10-25 |
Tracks:
- Suite For Cello & Jazz Piano Trio: Baroque In Rhythm
- Suite For Cello & Jazz Piano Trio: Concertante
- Suite For Cello & Jazz Piano Trio: Galop
- Suite For Cello & Jazz Piano Trio: Ballade
- Suite For Cello & Jazz Piano Trio: Romantique
- Suite For Cello & Jazz Piano Trio: Cello Fan
Customer Reviews:
Never fails to entertain..........2007-07-04
Claude Bolling Jazz CDs.......2006-11-10
Great music, but ..........2006-09-20
Ma continues to Expand his Repertoire.......2003-10-17
Ma has traveled from the beautiful solitude of the solo Bach Sonatas to the ravishing sensuousness of the Tango to "modern" chamber music and now to sophisticated jazz settings. Each of these pieces seems written with him in mind (and maybe that was the case) and if not, it is as near a perfect fit as one can imagine. The yearning of the cello combines with the other instruments to produce some of the most beautiful sounds around. This is a winner.
Bolling and Ma--a combination made in heaven!.......2002-10-07
"Baroque in Rhythm" opens the album with a, well, baroque sound. Ma serenely carries the first few minutes of the song himself, when Bolling and his bassist and drummer come in for back-up. The result is pure, propulsive magic. "Galop" has the feel of a musical dressage session, with Ma's cello richly filling the role of spirited horse, and Bolling's piano providing a prancing, mincing sound to back up the illusion. "Romantique" starts off sounding as though it's actually going to be a cheesy lounge ballad, but it soon turns mystical and minor and rich. Bolling can pack regret and memory and smoky sadness into piano-playing like practically no one else I know. "Romantique" is truly a magically evocative composition. On the song "Cello Fan," Bolling's piano and Ma's cello playfully sound as though they're racing each other, or else talking to each other at very high speed, each rushing to outdo the other. It's great breathless fun, and the whole album is a treasure.
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The Best of Fauré
Gabriel Faure , Antonio de Almeida , Jeremy Summerly , John Georgiadis , Keith Clark , Oxford Camerata , Schola Cantorum of Oxford , CSR Symphony Orchestra , Czecho-Slovak Radio Symphony Orchestra (Bratislava) , National Symphony Orchestra , National Symphony Orchestra of Ireland , Colm Carey , Francois-Joel Thiollier , Jean Martin , Pascal Devoyon , Pierre-Alain Volondat , Lisa Beckley , and Dong-Suk Kang Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000014HU Release Date: 1999-06-22 |
Tracks:
- Ouverture - John Georgiadis
- Pastorale - John Georgiadis
- Trois Romances Sans Paroles, Op. 17, No. 1 In A Flat Major - Jean Martin
- Romance, Op. 28 - Pascal Devoyon
- Pavane, Op. 50 - Keith Clark
- Requiem, Op. 48: Pie Jesu - Lisa Beckley
- Prelude - John Georgiadis
- Sicilienne - John Georgiadis
- Kitty-Valse - John Georgiadis
- Tendresse - John Georgiadis
- Le Pas Espagnol - John Georgiadis
- Barcarolle No. 1 In A Minor, Op. 20 - Pierre-Alain Volondat
- Berceuse, Op. 16 - Pascal Devoyon
- Reqiem, Op. 48 - In Paradisum - Colm Carey
- Shylock, Musique De Sc, Op. 57: Nocturne - John Georgiadis
- Ballade In F Sharp Major, Op. 19 - Francois-Joel Thoillier
- Ballade - The Best Of Faure
Customer Reviews:
Faure Essentials.......2007-05-29
music inside you.......2005-10-01
You would feel in this way, when listening to this CD.
An excellent compilation of Faure's work.......2003-02-15
Romance.......2002-11-23
good value.......2002-03-01
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Brahms: Works for Solo Piano
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000042GM Release Date: 1997-11-11 |
Tracks:
- Variations On A Theme By Paganini, Op.35: Book 1 - Heft 1
- Variations On A Theme By Paganini, Op.35: Book 2 - Heft 2
- Variations And Fugue On A Theme By G.F. Handel, Op.24: B Flat Major
- 4 Ballades, Op.10: Andante
- 4 Ballades, Op.10: Andante
- 4 Ballades, Op.10: Intermezzo. Allegro
- 4 Ballades, Op.10: Andante con moto
Tracks:
- Works For Solo Piano: Ziemlich langsam
- Works For Solo Piano: Poco larghetto
- Works For Solo Piano: Allegro
- Works For Solo Piano: Walzer Nr. 1 - 8
- Works For Solo Piano: Walzer Nr. 9 - 16
- Works For Solo Piano: Scherzo es-moll
Tracks:
- Works For Piano Solo: Allegro
- Works For Piano Solo: Andante
- Works For Piano Solo: Scherzo. Allegro molto e con fuoco
- Works For Piano Solo: Finale. Allegro con fuoco
- Works For Piano Solo: Allegro non troppo ma energico
- Works For Piano Solo: Andante con espressione
- Works For Piano Solo: Scherzo. Allegro
- Works For Piano Solo: Finale. Introduzione (sostenuto) - Allegro non troppo e rubato
- Works For Piano Solo: Agitato
- Works For Piano Solo: Molto passionato, ma non troppo allegro
Tracks:
- Works For Piano Solo: Allegro maestoso
- Works For Piano Solo: Andante espressivo - Andante molto
- Works For Piano Solo: Scherzo. Allegro energico
- Works For Piano Solo: Intermezzo. Andante molto
- Works For Piano Solo: Finale. Allegro moderato ma rubato
- Works For Piano Solo: Presto energico
- Works For Piano Solo: Andante
- Works For Piano Solo: Allegro passionato
- Works For Piano Solo: Adagio
- Works For Piano Solo: Andante con grazia ed intimissimo sentimento
- Works For Piano Solo: Andante teneramente
- Works For Piano Solo: Allegro agitato
Tracks:
- Works For Solo Piano: 8 Pieces, Op.76 - I Capriccio in F sharp minor
- Works For Solo Piano: 8 Pieces, Op. 76 - II Capriccio in B minor
- Works For Solo Piano: 8 Pieces, Op. 76 - III Intermezzo in A flat major
- Works For Solo Piano: 8 Pieces, Op. 76 - IV Intermezzo in B flat major
- Works For Solo Piano: 8 Pieces, Op. 76 - V Capriccio in C sharp minor
- Works For Solo Piano: 8 Pieces, Op. 76 - VI Intermezzo in A major
- Works For Solo Piano: 8 Pieces, Op. 76 - VII Intermezzo in A minor
- Works For Solo Piano: 8 Pieces, Op. 76 - VIII Capriccio in C major
- Works For Solo Piano: 6 Pieces, Op. 118 - I Intermezzo in A minor
- Works For Solo Piano: 6 Pieces, Op. 118 - II Intermezzo in A major
- Works For Solo Piano: 6 Pieces, Op. 118 - III Ballade in G minor
- Works For Solo Piano: 6 Pieces, Op. 118 - IV Intermezzo in F minor
- Works For Solo Piano: 6 Pieces, Op. 118 - V Romanze in F major
- Works For Solo Piano: 6 Pieces, Op. 118 - VI Intermezzo in E flat minor
- Works For Solo Piano: 4 Pieces, Op. 119 - I Intermezzo in B minorn B
- Works For Solo Piano: 4 Pieces, Op. 119 - II Intermezzo in E minor
- Works For Solo Piano: 4 Pieces, Op. 119 - III Intermezzo in C major
- Works For Solo Piano: 4 Pieces, Op. 119 - IV Rhapsody in E flat major
Tracks:
- Works For Solo Piano: Andante moderato
- Works For Solo Piano: Andante non troppo e con molto espressione
- Works For Solo Piano: Andante con moto
- Works For Solo Piano: g-moll
- Works For Solo Piano: d-moll
- Works For Solo Piano: F-dur
- Works For Solo Piano: fis-moll
- Works For Solo Piano: fis-moll
- Works For Solo Piano: Des-dur
- Works For Solo Piano: F-dur
- Works For Solo Piano: a-moll
- Works For Solo Piano: e-moll
- Works For Solo Piano: E-dur
- Works For Solo Piano: d-moll
- Works For Solo Piano: d-moll
- Works For Solo Piano: D-dur
- Works For Solo Piano: d-moll
- Works For Solo Piano: B-dur
- Works For Solo Piano: f-moll
- Works For Solo Piano: fis-moll
- Works For Solo Piano: D-dur
- Works For Solo Piano: h-moll
- Works For Solo Piano: e-moll
- Works For Solo Piano: e-moll
Customer Reviews:
I disagree with the consensus here.......2007-07-11
The problem is that Katchen's performances are flawed and often unpleasant. The worst problem is that he bangs the keys a lot. Fortissimo passages are ideally not supposed to be noisy; they are intended to be loud and forceful without being unpleasant. It's a key distinction that Katchen fails to realize. I also think that Katchen's technique is a bit patchy. He blurs the passagework and there is a lack of both accuracy and delicacy in the fast passages. To take an example, the Op. 76 set is marred by both of these problems: a lack of accuracy and a tendency to bang on the keyboard. I also found many of the passages that didn't suffer from these problems to be interpretationally uninteresting (the slow parts of the Paganini Variations, Bk II are undistinguished, to take an example). Big thumbs down.
I did some direct comparison of sets to the Katchen performances and in every case Katchen was far inferior.
Take the Op. 39 Waltzes: Leon Fleisher's old recording is wonderful and much more sensitive and interesting than Katchen.
I also listened to Radu Lupu's recording of the Opp. 117-119 pieces (THAT is a wonderful recording - if you are looking for a superb recording of Brahms piano music, get that one and save yourself the aggravation of the Katchen set) and it's simply no contest.
I also sampled the terrific Op. 79 Rhapsodies and the Paganini Variations as played by a favorite pianist of mine, the lesser-known French pianist Nicholas Angelich, and Katchen's sloppy and undirected interpretations pales before the versions by a "non-superstar" pianist.
So while I admit I haven't listened to every portion of the Katchen set, I found every reason to avoid it when compared to some alternatives available.
Don't hesitate to get this set.......2007-07-04
I'll confess, I bought this set to fill the gaps in my piecemeal collection. What a delightful surprise to find my "stopgap" set more than holds its own against recordings by the likes of Richter, Rubinstein and Gilels. To help the reader overcome any reluctance I offer a few comments on the few "downsides" mentioned by others:
Yes, Katchen does play fast, but not always, and certainly not out of inability to hold the listener's attention through more artful means. Katchen's track times are often slower than Rubinstein's or even Gilels'; but where the spirit moves him, he can go like a rocket. He's generally fastest in the earlier works, where a case can be made for playing them with youthful ardor; Katchen does this to a T. This applies to the first 2 sonatas, the Paganini variations (why would anything associated with Paganini lack splash and dazzle?) and to a much lesser extent, parts of the Handel variations. The main thing is, it works. The very few places where I felt Katchen was rushing the music are heavily outnumbered by places where the added energy seems to "fit" like a glove.
Yes, in an exhaustive set you inevitably endure the "bottom of the barrel." I'm surprised how little of this 6-CD set strikes me as anything less than indispensible. Every track is worth hearing. Katchen has been surpassed here and there, but he doesn't put in a bad performance in the whole batch.
Yes, the recordings are more than 40 years old. They will not satisfy the most jaded audiophile (there's not quite the "presence" of a good recording today). But they are amazingly clean and lifelike for their age (even the 3 tracks that are mono). They sound noticeably better than the popular Rubinstein recordings of equal vintage. At first I thought I heard a touch of bass-heaviness, but now I just think Katchen gives us a strong, clear bass line. Once again, it works. The sound is simply not a problem for a normal listener.
Finally, there's the small stuff. Getting the CDs out of their tight-fitting sleeves without putting your fingerprints on the playing surface is well-nigh impossible, unless you give in and apply a letter opener to solve the problem once and for all. Is that any reason not to get this much wonderful music at such a low price? London has even revived the old practice of offering different program notes in different languages, so that multilingual readers can benefit from more than one set of comments. All around it's a winner!
Superb interpretations by Katchen.......2006-11-16
A little rushed sometimes, but beautiful.......2005-02-03
I feel that the ballades, op. 10 are played way too fast (although I'm not exactly sure how close Katchen is to Brahms's tempi indications). I've heard them by several other performers and, being a Gould fan, would have to say that his slower interpretation really captures how beautiful the pieces are more than anyone else. I also enjoy Kempff's performances of many later works. Katchen really seems so rushed for some reason. To me, that really takes attention away from the fine details, which I think are so essential to Brahms's piano music. He's not quite delicate enough with some of the pieces.
This faster speed is only very slight for the rest of the set, but pretty consistently. I think he does a better job with more intense pieces like many of his larger-scale variations and the sonatas. Those I would give 5 stars, but only 4 stars for the op. 116-119, for they're a little too fast.
My only other qualm is the arrangement of the set. It would be nice to have all the sonatas together on a disc, 116-119 on a disc, etc., going along with the whole chronological thing..
However, all these things are personal preference. I would definitely recommend this set. It's made up about 1/2 of my music listening for the past couple months. It's not expensive at all for what you're getting, and if you get just one Brahms piano cd, you're going to want to get more, so you should just get it over with and have this whole set, it's fabulous music. Just keep in mind that this is not the only interpretation that should be considered.
Radiant and inspired recordings.......2004-09-19
The other outstanding version of these Variations is of Michael Ponti (live preformance)
gifted with a major emphasis in the striking and color tone ; but the point to remark is that in both performings the approach is similar ; every one of the Variations must be played as a microcosmos in itself ; with nuance , grace , majesty, powerful imagination, sense of the span and above al ; savoir vivre . If you intend to play with authoritative precision without Mediterranean dewy and radiant mood ; you are destined to fail with these Variations and becoming unbearable for the audience and the listener . Lamentably , there are many of them in the actual market but I think you can guess them .
The two Rhapsodies are performed with the highest commitment . Melodic flight and arresting lyricism .
The Sonatas are superbly performed . The Sonata No. 3 may find serious matchers with Clifford Curzon and Paul Badura Skoda .
The intermezzos are depicted with the adequate illuminating . These intimate pages must be played with the perfect balance of light and shadows ; think in Chopin Nocturnes for instance . Only Glenn Gould gets close to him in the Intermezzo Op. 117 No. 2 .
The Ballades may be the weakest works of this fundamental set . Benedetti Michelangeli and Emil Gilels recorded brilliant and eloquent versions.
Finally The Paganini Variations find in Benedetti Michelangeli a serious and unbeatable adversary .
To be honest , this set is widely recommendable for you , to know the whole and intimate world of Johannes Brahms , the beloved son of Hamburg.
Katchen also recorded a powerful Islamey and an unforgettable Rachmaninoff No. 2 .
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Codex Faenza: Instrumental Music of the Early 15th Century
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000009OM1 Release Date: 1998-07-28 |
Tracks:
- Biance Flour (Codex Faenza)
- Untitled (Codex Faenza)
- Non Avra Ma Pieta Questa Mia Donna
- Non Ara May Pieta Questa Mia Dona (Codex Faenza)
- Hont, Paour, Doubtance
- Hont Paur (Codex Faenza)
- Le Ior (Codex Faenza)
- Bel Fiore Danca (Codex Faenza)
- Aquil' Altera, Ferma/Creatura Gentil/Uccel' Di Dio
- Aquila Altera (Codex Faenza)
- Untitled (Codex Faenza)
- Aspire Refus (Codex Faenza)
- Elas Mon Cuer (Codex Faenza)
- J'Ay Grant Desespoir De Ma Vie
- Jay Grant Espoir (Codex Faenza)
- Kyrie: Cunctipotens Genitor Deus
- Ave Maris Stella
Customer Reviews:
An academic exercise well worth studying.......2006-03-12
That's where the "Codex Faenza" comes in. This tome was an early 15th century book of instrumental arrangements of 14th century music. The Unicorn Ensemble performs several works from the Codex Faenza, sometimes preceding the instrumental version with the original vocal arrangement for comparison. The last two tracks, the anonymous compositions "Kyrie" and "Ave maris stella," feature alternating sections of plainchant and organ music.
In many cases, the busy melodies gain something in the translation. The top lines have an improvisatory quality that can seem odd when sung, but sound more natural when played instrumentally. The Unicorn Ensemble has mastered late medieval/early Renaissance instrumentation, and their performances effectively evoke the spirit of past times.
I was somewhat critical of The Unicorn Ensemble's version of Dufay's "Chansons" for making Guillaume Dufay's music sound more conservative than it really was. Here, the group does the opposite: they update the sound of Ars Nova composers and demonstrate how their achievements foreshadowed the continued musical advances of the early Renaissance. It's an academic exercise in many ways, but one well worth studying.
Amazing stuff!.......2005-06-04
This is just the sort of CD that reinforces the view that Naxos is above all a serious record label of high quality. This would be worth buying even if it cost three times the price.
Essential to any early music collection.......2003-09-04
If you like the quick, lively medieval tunes, then this album may not be your cup of tea. However, I don't think any early music collection is complete without this, and I found that even slower medieval tunes have their virtues, particularly when performed by the always impressive Ensemble Unicorn. Another great album, same incredibly low price as always from the Naxos label, and the same top-notch skill I've come to expect from the Ensemble Unicorn.
the Unicorn ensamble playing is an insperasion 4 the soul........2001-09-24
a delight 4 the ears of any early music lover.
i would have paid mutch more to buy it.
buy it.
take a trip to nature and inhale this beutifull music.
love u unicorn, glad i got ur cd.
peace and love from exotic israel.
another glorious entry.......2000-12-13
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György Ligeti Edition 1: String Quartets and Duets - Arditti String Quartet
Gyorgy Ligeti , David Alberman , Irvine Arditti , Garth Knox , Rohan deSaram , and Arditti String Quartet Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029OY Release Date: 1997-01-21 |
Tracks:
- String Quartet No. 1 'Metamorphoses Nocturnes': Allegro Grazioso
- String Quartet No. 1 'Metamorphoses Nocturnes': Vivace, Capriccioso
- String Quartet No. 1 'Metamorphoses Nocturnes': Adagio, Mesto
- String Quartet No. 1 'Metamorphoses Nocturnes': Presto
- String Quartet No. 1 'Metamorphoses Nocturnes': Andante Tranquillo
- String Quartet No. 1 'Metamorphoses Nocturnes': Tempo Di Valse, Moderato, Con Eleganza, Un Poco Capriccioso
- String Quartet No. 1 'Metamorphoses Nocturnes': Allegretto, Un Poco Gioviale
- String Quartet No. 1 'Metamorphoses Nocturnes': Prestissimo
- String Quartet No. 2: Allegro Nervoso
- String Quartet No. 2: Sostenuto, Molto Calmo
- String Quartet No. 2: Come Un Meccanismo Di Precisione
- String Quartet No. 2: Presto Furioso, Brutale, Tumultuoso
- String Quartet No. 2: Allegro Con Delicatezza
- Hommage A Hilding Rosenberg
- Balada Si Joc: Balada Andante
- Balada Si Joc: Allegro Vivace
- Andante And Allegretto: Andante Cantabile
- Andante And Allegretto: Allegretto Poco Capriccioso
Amazon.com essential recording
This is a fine collection of moving, muscular performances by this seminal postwar composer. Surely the best known of the works on this disc is the Second String Quartet, one of the masterpieces of 20th-century music--although you might not know it's a masterpiece until the heartbreaking last movement. But the First String Quartet, written before Ligeti emigrated from Hungary to the West, is fascinating: it shows Ligeti working through the influence of Bartók, particularly Bartók's Third and Fourth Quartets--music Ligeti knew only silently, from the score, since performances of Bartók's music were banned by the Hungarian communist regime. This excellent recording provides a complete overview of Ligeti's compositional career through the medium of string chamber music, from homages to Bartók to the achievement of Ligeti's own groundbreaking style. --Joshua CodyCustomer Reviews:
Important, but not as interesting as the vocal works........2006-08-30
To me, the average amateur 'classical music' consumer, it is interesting, imaginative, and certainly 'new' when compared to 19th and early 20th century music, but it just doesn't seem to have the same cachet as the vocal works. While I would sooner listen to Ligeti's vocal works than most other modern music, I actually prefer Bartok, Berg, and Schoenberg for their instrumental works.
I agree with the top reviewer that the String Quartet No. 2 is the hit of the disk, but it doesn't blow me away in the same way that 'Lux Aeterna' does. That may be just the '2001' factor at work, but there you have it.
Still excellent and still evocative of other modernists, not the least of whom is Frank Zappa.
Not really my style..........2006-08-23
I bought the CD but I am returning it. Ligeti is very talented but his music (to me) is only tolerable in short bursts. I couldn't see myself listening to the whole CD time and again.
String works, includes his must-have glorious Second Quartet.......2004-12-07
String Quartet No. 1 ("Metamorphoses nocturnes") was written between 1953 and 1954, as the composer was struggling to express himself creatively in Stalinist Hungary. The work shows clear inspiration from Bartok's third and fourth quartets, which Ligeti knew only from their score as they had been suppressed. Similarly, Ligeti had no hope his own work would be performed, and it was written essentially "for his desk drawer". Ironically, when Ligeti submitted the piece to a Western competition, it was deemed too traditional for recognition. This first string quartet is a study in the juxtaposition of unlike sections; under a thin verneer of normality, the music is heterogenous. I think this is a fine work, and it is one of the composer's few pre-emigration pieces that do not sound like juvenalia in comparison with his later works.
String Quartet No. 2 (1968) was composed long after Ligeti's move to the West and so is entirely avant-garde, linked with the techniques of his other works of the 1960's. Ligeti was quite proud of this piece, claiming it as his favourite of his works of the time, and feeling that he had made a permanent contribution to the string quartet tradition. The work is indeed a part of his micropolyphonic style of the 1960's, but there is a great deal more here. It is a twitching, paranoid, nervous, neurotic piece with a grimy, constantly shifting texture, like the soundtrack to a Kafka story. It really must be heard to be believed, and this second quartet is the high point of this disc.
"Hommage a Hilding Rosenburg" for violin and cello (1982) is a short birthday greeting to that Swedish composer. It is the least important work on the disc and is really nothing more than something of a fanfare.
"Balada si joc" for two violins (Romanian "Ballad and dance", 1950) is a short string duet inspired by Ligeti's time spent in Romania collecting folk music during his music studies. The result uses no actual folk material, but is an authentic imitation of the music Ligeti encountered both in his boyhood and in his return to Transylvania at this later time. When it was later expanded to use an orchestra, it became the first two movements of his "Concert Romanesc" (found on "The Ligeti Project II"). The string duet, however, manages to create with but two instruments nearly the same moving passion as the later orchestration. The following "Andante and Allegretto" for string quartet (1950) is another early work, again inspired by folk music. It is not as successful as "Balada si joc", indeed even forgettable.
While there are other recordings of these works available, such as the recent recordings reissued in Deutsche Grammaphon's "Echo 20/21" series, this performance by the Arditti Quartet can certainly be seen as definitive. It takes a lot of talent to please Ligeti, one of the most demanding composers, especially in a crushingly difficult work like the second string quartet.
While I think "Gyorgy Ligeti Edition 3: Piano Works" or "The Ligeti Project IV" are better places to begin on this series of Ligeti's collected works, this set of string works should be one of the first Ligeti works you buy, especially for the String Quartet No. 2.
Great Recordings of Modern String Quartets.......2004-08-07
The recording of the 2nd quartet is, as usual with the Arditti Quartet, phenomenal, but what makes this recording is their production of his 1st quartet. The performance is very clean and precise, yet still very musical. Most impressive of all, Arditti stays true to Ligeti's tempi, including the blistering tempo of the end!
As an added bonus, there are two very delightful duets for violins, which are very tonal and based on Hungarian folk tunes (these were written as part of graduation from the Budapest Academy of Music).
you must listen to Ligeti........2004-03-06
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Rachmaninoff Plays Chopin
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FOO Release Date: 1994-08-16 |
Tracks:
- Sonata No. 2 In B-Flat Minor, Op. 35, 'Funeral March': Grave; Doppio movimento
- Sonata No. 2 In B-Flat Minor, Op. 35, 'Funeral March': Scherzo
- Sonata No. 2 In B-Flat Minor, Op. 35, 'Funeral March': Marche funebre
- Sonata No. 2 In B-Flat Minor, Op. 35, 'Funeral March': Presto
- Nocturne In E-Flat, Op. 9, No. 2
- Waltz In C-Sharp Minor, Op. 64, No. 2
- Waltz In A-Flat, Op. 64, No. 3
- Ballade In A-Flat, No. 3, Op. 47
- Mazurka In A Minor, Op. 68, No. 2
- Waltz In E Minor, Op. Posth.
- Mazurka In C-Sharp Minor, Op. 63, No. 3
- Nocturne In F-Sharp, Op. 15, No. 2
- Waltz In E-Flat, Op. 18 'Grande valse brillante'
- Waltz In F, Op. 34, No. 3 'Valse brillante'
- Waltz In D-Flat, Op. 64, No. 1 'Minute'
- Waltz In B Minor, Op. 69, No 2
- Waltz In G-Flat, Op. 70, No. 1
- Scherzo In C-Sharp Minor, No. 3, Op. 39
- Waltz In D-Flat, Op. 64, No. 1 'Minute'
- Waltz In A-Flat, Op. 42, 'Two-Four'
- Waltz In A-Flat, Op. 64, No. 3
Customer Reviews:
AMAZING.......2006-01-07
Lawrence
An interesting release.......2005-07-29
Deep and Penetrating.......2003-02-16
This transfer of Rachmaninoff, while far from perfect, is much more than acceptable. It is much better than what we have from Piano Library which contains 99% of the same thing. Rachmaninoff's understanding of music is deep and penetrating: being a composer himself, he understood the structure of the pieces so well.
Here each piece has it's own life and identity each with a focal point. It is water tight compact and yet very much natural and alive. But it is not natural in Arrau's way, still less as oppressive as Horowitz or Richter. It is somewhere in between, closer to Argerich but with more consistency and depth. And like Casals' playing, it keeps our attention from the first note up to its focal point until its very end. But unlike Casals, he touches our hearts. It is very emotional but never to the point of being sentimental. His Chopin may not be as neurotic as Cortot. Nonetheless, he sheds light on the dark and nervous side of Chopin so well: a very throbbing interpretation that is so unique.
Sure, he did have fingers of steel that helped him to bring out whatever colour or atmostphere as appropriate. And despite that fact that there are some minor alterations on the scores like his Chopin, he is one of the few pianists who could really show you every note on the score counts and, above all, how it counts...
So, come and listen to the pianist with "arms of steel and heart of Gold" in action. It's hard to imagine how a listener fails to be touched by his playing.
I really wish DDD existed back then.......2000-06-19
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Chopin: The Piano Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041KB Release Date: 1997-06-24 |
Tracks:
- 24 Preludes, Op.28: I - C Major
- 24 Preludes, Op.28: II - A Minor
- 24 Preludes, Op.28: III - G Major
- 24 Preludes, Op.28: IV - E Minor
- 24 Preludes, Op.28: V - D Major
- 24 Preludes, Op.28: VI - B Minor
- 24 Preludes, Op.28: VII - A Major
- 24 Preludes, Op.28: VIII - F Sharp Minor
- 24 Preludes, Op.28: IX - E Major
- 24 Preludes, Op.28: X - C Sharp Minor
- 24 Preludes, Op.28: XI - B Major
- 24 Preludes, Op.28: XII - G Sharp Minor
- 24 Preludes, Op.28: XIII - F Sharp Major
- 24 Preludes, Op.28: XIV - E Flat Minor
- 24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
- 24 Preludes, Op.28: XVI - B Flat Minor
- 24 Preludes, Op.28: XVII - A Flat Major
- 24 Preludes, Op.28: XVIII - F Minor
- 24 Preludes, Op.28: XIX - E Flat Major
- 24 Preludes, Op.28: XX - C Minor
- 24 Preludes, Op.28: XXI - B Flat Major
- 24 Preludes, Op.28: XXII - G Minor
- 24 Preludes, Op.28: XXIII - F Major
- 24 Preludes, Op.28: XXIV - D Minor
- Prelude In C Sharp Minor, Op.45
- Prelude In A Flat Major
- Impromptu In A Flat Major, Op.29
- Impromptu In F Sharp Major, Op.36
- Impromptu In G Flat Major, Op.51
- Fantaisie-Impromptu In C Sharp Minor, Op.66
Tracks:
- Ballade No.1 In G Minor, Op.23
- Ballade No.2 In F Major, Op.38
- Ballade No.3 In A Flat Major, Op.47
- Ballade No.4 In F Minor, Op.52
- Scherzo No.1 In B Minor, Op.20
- Scherzo No.2 In B Flat Minor, Op.31
- Scherzo No.3 In C Sharp Minor, Op.39
- Scherzo No.4 In E Minor, Op.54
Tracks:
- 3 Nocturnes, Op.9: I - B Flat Minor
- 3 Nocturnes, Op.9: II - E Flat Major
- 3 Nocturnes, Op.9: III - B Major
- 3 Nocturnes, Op.15: I - F Major
- 3 Nocturnes, Op.15: II - F Sharp Major
- 3 Nocturnes, Op.15: III - G Minor
- 2 Nocturnes, Op.27: I - C Sharp Minor
- 2 Nocturnes, Op.27: II - D Flat Major
- 2 Nocturnes, Op.32: I - B Major
- 2 Nocturnes, Op.32: II - A Flat Major
- 2 Nocturnes, Op.37: I - G Minor
- 2 Nocturnes, Op.37: II - G Major
Tracks:
- 2 Nocturnes, Op.48: I - C Minor
- 2 Nocturnes, Op.48: II - F Sharp Minor
- 2 Nocturnes, Op.55: I - F Minor
- 2 Nocturnes, Op.55: II - E Flat Major
- 2 Nocturnes, Op.62: I - B Major
- 2 Nocturnes, Op.62: II - E Major
- Nocturne In E Minor, Op.72 No.1
- Nocutrne In C Sharp Minor
- Nocturne In C Minor
Tracks:
- 12 Etudes, Op.10: I - C Major
- 12 Etudes, Op.10: II - A Minor
- 12 Etudes, Op.10: III - E Major
- 12 Etudes, Op.10: IV - C Sharp Minor
- 12 Etudes, Op.10: V - G Flat Major 'Black Key'
- 12 Etudes, Op.10: VI - E Flat Minor
- 12 Etudes, Op.10: VII - C Major
- 12 Etudes, Op.10: VIII - F Major
- 12 Etudes, Op.10: IX - F Minor
- 12 Etudes, Op.10: X - A Flat Major
- 12 Etudes, Op.10: XI - E Flat Major
- 12 Etudes, Op.10: XII - C Minor 'Revolutionary'
- 12 Etudes, Op.25: I - A Flat Major
- 12 Etudes, Op.25: II - F Minor
- 12 Etudes, Op.25: III - F Major
- 12 Etudes, Op.25: IV - A Minor
- 12 Etudes, Op.25: V - E Minor
- 12 Etudes, Op.25: VI - G Sharp Minor
- 12 Etudes, Op.25: VII - C Sharp Minor
- 12 Etudes, Op.25: VIII - D Flat Major
- 12 Etudes, Op.25: IX - G Flat Major
- 12 Etudes, Op.25: X - B Minor
- 12 Etudes, Op.25: XI - A Minor 'Winter Wind'
- 12 Etudes, Op.25: XII - C Minor
Tracks:
- 2 Polonaises, Op.26: I - C Sharp Minor
- 2 Polonaises, Op.26: II - E Flat Minor
- 2 Polonaises, Op.40: I - A Major
- 2 Polonaises, Op.40: II - C Minor
- Polonaise In F Sharp Minor, Op.44
- Polonaise In A Flat Major, Op.53
- Polonaise-fantaisie In A Flat Major, Op.61
Tracks:
- 3 Polonaises, Op.71: I - D Minor
- 3 Polonaises, Op.71: II - B Flat Major
- 3 Polonaises, Op.71: III - F Minor
- Polonaise In B Flat Minor
- Polonaise In G Flat Major
- Polonaise In G Minor
- Polonaise In B Flat Major
- Polonaise In A Flat Major
- Polonaise In G Sharp Minor
Tracks:
- Waltz In E Flat Major, Op.18
- 3 Waltzes, Op.34: I - A Flat Major
- 3 Waltzes, Op.34: II - A Minor
- 3 Waltzes, Op.34: III - F Major
- Waltz In A Flat Major, Op.42
- 3 Waltzes, Op.64: I - D Flat Major
- 3 Waltzes, Op.64: II - C Sharp Minor
- 3 Waltzes, Op.64: III - A Flat Major
- 2 Waltzes, Op.69: I - A Flat Major
- 2 Waltzes, Op.69: II - B Minor
- 3 Waltzes, Op.70: I - G Flat Major
- 3 Waltzes, Op.70: II - F Minor
- 3 Waltzes, Op.70: III - D Flat Major
- Waltz In E Minor (1830)
- Waltz In E Major (1829)
- Waltz In A Minor (?1843)
- Waltz In A Flat Major (1827)
- Waltz In E Flat Major ('Sostenuto', 1840)
- Waltz In E Flat Major (1829 - 1830)
Tracks:
- 4 Mazurkas, Op.6: I - F Sharp Minor
- 4 Mazurkas, Op.6: II - C Sharp Minor
- 4 Mazurkas, Op.6: III - E Major
- 4 Mazurkas, Op.6: IV - E Flat Minor
- 5 Mazurkas, Op.7: I - B Flat Major
- 5 Mazurkas, Op.7: II - A Minor
- 5 Mazurkas, Op.7: III - F Minor
- 5 Mazurkas, Op.7: IV - A Flat Major
- 5 Mazurkas, Op.7: V - C Major
- 4 Mazurkas, Op.17: I - B Flat Major
- 4 Mazurkas, Op.17: II - E Minor
- 4 Mazurkas, Op.17: III - A Flat Major
- 4 Mazurkas, Op.17: IV - A Minor
- 4 Mazurkas, Op.24: I - G Minor
- 4 Mazurkas, Op.24: II - C Major
- 4 Mazurkas, Op.24: III - A Flat Major
- 4 Mazurkas, Op.24: IV - B Flat Minor
- 4 Mazurkas, Op.30: I - C Minor
- 4 Mazurkas, Op.30: II - B Minor
- 4 Mazurkas, Op.30: III - D Flat Major
- 4 Mazurkas, Op.30: IV - C Sharp Minor
- 4 Mazurkas, Op.33: I - G Sharp Minor
- 4 Mazurkas, Op.33: II - D Major
- 4 Mazurkas, Op.33: III - C Major
- 4 Mazurkas, Op.33: IV - B Minor
- 4 Mazurkas, Op.41: I - C Sharp Minor
- 4 Mazurkas, Op.41: II - E Minor
- 4 Mazurkas, Op.41: III - B Major
- 4 Mazurkas, Op.41: IV - A Flat Major
Tracks:
- 3 Mazurkas, Op.50: I - G Major
- 3 Mazurkas, Op.50: II - A Flat Major
- 3 Mazurkas, Op.50: III - C Sharp Minor
- 3 Mazurkas, Op.56: I - B Major
- 3 Mazurkas, Op.56: II - C Major
- 3 Mazurkas, Op.56: III - C Minor
- 3 Mazurkas, Op.59: I - A Minor
- 3 Mazurkas, Op.59: II - A Flat Major
- 3 Mazurkas, Op.59: III - F Sharp Minor
- 3 Mazurkas, Op.63: I - B Major
- 3 Mazurkas, Op.63: II - F Minor
- 3 Mazurkas, Op.63: III - C Sharp Minor
- 4 Mazurkas, Op.67: I - G Major
- 4 Mazurkas, Op.67: II - G Minor
- 4 Mazurkas, Op.67: III - C Major
- 4 Mazurkas, Op.67: IV - A Minor
- 4 Mazurkas, Op.68: I - C Major
- 4 Mazurkas, Op.68: II - A Minor
- 4 Mazurkas, Op.68: III - F Major
- 4 Mazurkas, Op.68: IV - F Minor
- Mazurka In A Minor ('a Emile Gaillard', 1840)
- Mazurka In A Minor ('Notre temps', 1840)
- Mazurka In B Flat Major (1826)
- Mazurka In G Major (1826)
- Mazurka In A Flat Major (1834)
- Mazurka In C Major (1833)
- Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
- Mazurka In D Major (1832)
- Mazurka In D Major (?1820)
- Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy
Tracks:
- Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
- Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
- Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
- Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
- Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
- Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
- Piano Sonata No.3 In B Minor, Op.58: III - Largo
- Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
- Fantaisie In F Minor, Op. 49
Tracks:
- Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
- Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
- Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
- Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
- Variations sur un air national allemand - E Major (1826)
- Rondo In C Minor, Op.1
- 3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
- Rondo 'a la Mazur' In F Major, Op.5
- Marche funebre In C Minor, Op.72 No.2
- Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
- Rondo In C Major, Op.73 - Vladimir Ashkenazy
- Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy
Tracks:
- Variations In A Major ('Souvenir de Paganini', 1829)
- Variations brillantes In B Flat Major, Op.12
- Rondo In E Flat Major, Op.16
- Bolero In A Minor, Op.19
- Cantabile In B Flat Major
- Variation In E Major
- Largo In E Flat Major
- Allegro de concert In A Major, Op.46
- 3 Nouvelles Etudes (1837): I - F Minor
- 3 Nouvelles Etudes (1837): II - A Flat Major
- 3 Nouvelles Etudes (1837): III - D Flat Major
- Tarentelle In A Flat Major, Op.43
- Fugue In A Minor (1841 - 42)
- Albumblatt in E Major (1843)
- Op.74 No.2: Wiosna - Spring
- 2 Bourrees (1846): I - G Minor; II - A Major
- Galop Marquis
- Berceuse In D Flat Major, Op.57
- Barcarolle In F Sharp Major, Op.60
Customer Reviews:
My experience of this CD.......2007-04-04
Beautiful!.......2006-08-18
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.
Well worth the money. Wonderful! Wonderful!.......2006-06-10
Best investment to make.......2006-05-21
Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.
Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.
The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.
This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.
A great pianist interpreting the most inspired composer ever !.......2005-09-15
Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).
Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.
Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)
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