C'E il Sole [Import]

1. C'È il Sole

2. Mercati Mercati

3. Questo Amore

4. Dalla Nave

5. Come Mi Vuoi

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8. Sono Fatti Miei

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C'E il Sole,Eduardo de Crescenzo,Bmg Int'l,Int'l & World Music,Italy,Pop,World Music

Average customer rating: Great Collection A remarkable anthology High-quality, marvelously varied intro to baroque music

Essential Baroque Manufacturer: Decca ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Academy of Ancient Music | ( A ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Academy of Ancient Music | ( A ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: 25 Baroque Favorites The Best of Baroque Music Baroque Masterpieces Greatest Hits: Harpsichord Baroque Guitar ASIN: B00006L3IL Release Date: 2002-10-08

Customer Reviews:

Great Collection.......2007-01-19

Essential Baroque is a great collection, especially for the price. It has two CDs packd full of the best Baroque music. Like most Baroque collections, it has the best of some of the better known artists like Handel, Bach, and Vivaldi. However, unlike most other collections, it excels in adding some good pieces from lesser known artists from the period.

A remarkable anthology.......2005-09-08

A fine selection of pieces excerpted from the chamber ensemble, solo and opera repertory. Some recordings, though from paramount artists, are elderly; yet, performers are anyway flawless. It may be objected that a few of Vivaldi's masterpieces were disregarded.

High-quality, marvelously varied intro to baroque music.......2003-12-13

I am buying this as the perfect gift for Russian and Chinese scientist friends. They have knowledge of classical music but perhaps not much about baroque music, which achieved special popularity in the U.S. during the 1970's and 1980's. Russians seem to have more familiarity with romantic classical music, while the more recently arrived Asian classical buffs have special affinity to the "Classical" classical period and the great 19th Century romantics. How can a baroque sampler be better than with a span of music ranging from solo harpsichord to full orchestra and chorus, and from the very familiar (Pachelbel Canon and Hallelujah Chorus from Handel's Messiah) to a trio sonata by Zelenka and the Dardanus Overture by Rameau. Not only that, but both the period instrument and living tradition baroque styles are represented by noted performers (e.g. Trevor Pinnock and Christopher Hogwood; and Henryk Szeryng, Andras Schiff, Pepe Romero, and Alicia de Larrocha, respectively). The producers were careful enough to state that the "Albinoni Adagio in g minor" was actually composed by Remo Giazotto - though in fact Giazotto did use a fragment of Albinoni. This is definitely not a supermarket special, but a box of choice musical bonbons.

Average customer rating: Great CD ~*IT's Pure CLASSICAL*~ Poor Compilation

#1 Classical Album Manufacturer: Decca ProductGroup: Music Binding: Audio CD Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Baltimore Symphony Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Salzburg Chamber Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Soundtracks | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: The #1 Opera Album #1 Piano Album Mendelssohn: Greatest Hits Saint-Saëns: Greatest Hits Grieg: Greatest Hits ASIN: B0000667S0 Release Date: 2002-05-14

Tracks:

1. Also Sprach Zarathustra: Opening - Berlin Philharmonic
2. William Tell Overture: Finale - Riccardo Chailly
3. Peer Gynt, Op.23: Morning Mood - Vienna Philharmonic
4. 'O Sole Mio - Luciano Pavarotti
5. Suite No.3 In D Major, BWV 1068: Air - Stuttgart Chamber Orchestra
6. Suite No.2 In B Minor, BWV 1067: Badinerie - Stuttgart Chamber Orchestra
7. Piano Concerto No.21 In C Major, K 467: Andante - Andras Schiff
8. Radetzky March, Op.28 - Vienna Philharmonic
9. Violin Concerto No.1 In G Minor: Adagio - Kyung Wha Chung
10. Eine Kleine Nachtmusik: Allegro - Vienna Mozart Ensemble
11. Chants D'Auvergne: Bailero - Kiri Te Kanawa
12. Waltz In D Flat Major, Op.64 No.1 'Minute' - Vladimir Ashkenazy
13. Cantata No.28: Sheep May Safely Graze - Stuttgart Chamber Orchestra
14. The Flight Of The Bumblebee - Philharmonia Orchestra
15. Bolero: Finale - Charles Dutoit
16. Les Contes D'Hoffman: Barcarolle - Richard Bonynge
17. Adagio In G Minor - Martin Haselbock
18. Pizzicato Polka - Vienna Philharmonic
19. Das Land Des Lachelns: Dein Ist Mein Mein Ganzes Herz - Placido Domingo

Tracks:

1. Carmina Burana: O Fortuna - Radio-Symphonie-Chor Berlin
2. Jazz Suite No.2: Waltz II - Riccardo Chailly
3. Adagio For Strings - David Zinman
4. Fantasia On Greensleeves - Sir Neville Marriner
5. The Four Seasons: Spring: I. Allegro - Alan Loveday
6. Trumpet Voluntary - Philip Jones Brass Ensemble
7. Canon - Stuttgart Chamber Orchestra
8. Casanova: Nuns' Chorus - Mormon Tabernacle Choir
9. Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 'Moonlight': I. Adagio Sostenuto - Vladimir Ashkenazy
10. Rome & Juliet: Fantasy: Love Theme - Vienna Philharmonic
11. Warsaw Concerto - Cristina Ortiz
12. Symphony No.9 'From The New World': II. Largo (Excerpt) - Chicago Symphony Orchestra
13. The Nutcracker: Dance Of The Sugar Plum Fairy - Vienna Philharmonic Orchestra
14. Concierto De Aranjuez: II. Adagio (Excerpt) - Carlos Bonell
15. Solomon: Arrival Of The Queen Of Sheba - Sir Neville Marriner
16. Hungarian Dance No.5 In G Minor - Royal Philharmonic Orchestra
17. Thais: Meditation - Nigel Kennedy
18. Turandot: Nessun Dorma - John Alldis Choir

Customer Reviews:

Great CD.......2003-01-24

This is good CD for casual Classical listening, new comers to classical music or the car! I love it. It has a good variety of pieces, something to suit every mood.

~*IT's Pure CLASSICAL*~.......2002-08-14

I dont own this cd yet, but i will. I listened to samples and this is a beautifull, famous, pure classical music... if there's anyone who doesn't agree with me they probably are not familiar with classical music or (maybe can't read!!) You will enjoy this cd though!

Poor Compilation.......2002-06-14

After just one listening to this cd, I had to stop. It is just such a poor compliation of music, the flow, the rythm, it is terrible. Unlike the #1 Opera album, which I enjoyed, this one is a throwback.

Average customer rating:

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Music Verdi, Giuseppe | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music Caruso, Enrico | ( C ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Complete Recordings, 1902-1920 (Box Set) Rachmaninov: His Complete Recordings Sibelius: The 7 Symphonies; Finlandia; Kullervo; etc. Beethoven - Fidelio Wagner - Lohengrin ASIN: B0001TSWQO Release Date: 2004-11-09

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Tracks:

1. Adagio - Angela Malmsbury
2. O Mio Babbino Caro - J. Michael Leonard
3. Piano Concerto No.2. 2nd Movement - Jorge Luis Prats
4. Gnossiennes No.1 - Pro Arte Guitar Trio
5. Touch Her Soft Lips And Part - Black Dyke Mills Band
6. Canon - Harold Britton
7. Barcarolle - Kenneth Smith
8. Rhapsody In Blue - Jack Gibbons
9. Adagio, Orchestral Version - London Symphony Orchestra
10. Hebrides Overture - London Symphony Orchestra
11. Zadok The Priest - Huddersfield Choral Society

Tracks:

1. Symphony No.40. 1st Movement - London Mozart Players
2. Gymnopedies, No.1 - Pro Arte Guitar Trio
3. Spring - Allegro - Moscow Virtuosi
4. Night On The Bare Mountain - Loris Tjeknavorian
5. Morning - John Lubbock
6. The Entertainer - Philip Dyson
7. The Sorcerer's Apprentice - Enrique Batiz
8. Aquarium - Royal Philharmonic Orchestra
9. Nocturne In E Flat - Peter Frankl
10. Capulets And Montagues - Loris Tjeknavorian
11. Pastoral Symphony, 5th Movement - Richard Hickox

Tracks:

1. Symphony No.9, 2nd Movement - London Philharmonic Orchestra
2. Dam Busters March - London Philharmonic Orchestra
3. O Sole Mio - Beniamino Gigli
4. Waltz Of The Flowers - Royal Philharmonic Orchestra
5. Moonlight Sonata, 1st Movement - John Lill
6. Jupiter - London Festival Orchestra
7. Dance Of The Swans - Royal Philharmonic Orchestra
8. Simple Symphony - Richard Hickox
9. Fur Elise - Alan Schiller
10. Air On A G String - John Lubbock
11. Flight Of The Bumblebee - Loris Tjeknavorian
12. Symphony No.1. 1st Movement - Halle Orchestra

Tracks:

1. Prelude A L'Apres Midi D'Un Faune - Enrique Batiz
2. Serenade For Strings In E Major - The Northern Sinfonia Of England
3. Concerto For Violin & Oboe, 2nd Movement - Chamber Orchestra Of Europe
4. Pavane Pour Une Infante Defunte - Mexico State Symphony Orchestra
5. Violin Concerto In G Minor, 3rd Movement - Xue-Wei
6. A Walk To Paradise Garden - The Philharmonia Orchestra
7. Spartacus Suite - The Armenian Philharmonic Orchestra
8. Fantasia On A Theme Of Thomas Tallis - Sir Neville Marriner
9. Summertime - Graham Johnson

Average customer rating: Correction Fritz Wunderlich can do no wrong.... The Wonder of Wunderlich I wish I could give this release more than 5 stars: it's terrific!!!

The Art of Fritz Wunderlich Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lortzing | Lortzing, Albert | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Monteverdi | Monteverdi, Claudio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: The Magic of Wunderlich [Includes Bonus DVD] Fritz Wunderlich: Great German Tenor Schumann: Dichterliebe / Wunderlich, Giesen Schubert: Die Schöne Müllerin, 3 Lieder / Fritz Wunderlich Carlo Bergonzi - The Sublime Voice ~ 40 Tracks from the Legendary Tenor ASIN: B0009PLMQW Release Date: 2005-09-13

Tracks:

1. Duetto And Chorus: Kommt, Eilet Und Laufet
2. Aria: Sanfte Soll Mein Todeskummer
3. Recitative And Chorale: O Schmerz! Hier Zittert Das Gequalte Herz
4. Aria With Chorus: Ich Will Bei Meinem Jesu Wachen
5. Recitative: Mein Jesus Schweigt Zu Falschen Lugen Stille
6. Aria: Geduld!
7. Duet: Et Misericordia
8. Aria: Deposuit Potentes
9. Recitative: So Stehe Denn, Du Gottergeb'ne Seele
10. Aria: Adam Muss In Uns Verwesen
11. Chorus: Jauchzet, Frohlocket, Auf, Preiset Die Tage
12. Recitative: Es Begab Sich Aber Zu Der Zeit
13. Aria: Frohe Hirten, Eilt, Ach Eilet
14. Aria: Ich Will Nur Dir Zu Ehren Leben
15. Recitative: Und Liess Versammeln Alle Hohenpriester
16. Terzetto: Ach! Wann Wird Die Zeit Erscheinen
17. Recitative: Und Gott Befahl Ihnen Im Traum-Genug, Mein Schatz Geht Nicht Von Hier
18. Aria: Nun Mogt Ihr Stolzen Feinde Schrecken

Tracks:

1. Overture
2. Aria: Hier Soll Ich Dich Denn Sehen
3. Recitative And Aria: Konstanze, Dich Wiederzusehen, Dich!/O Wie Angstlich, O Wie Feurig
4. Aria: Wenn Der Freude Tranen Fliessen
5. Quartet: Ach! Belmonte! Ach, Mein Leben!
6. Aria: Ich Baue Ganz Auf Deine Starke
7. Recitative And Aria: Welch Ein Geschick!/Wie, Du Solltest Fur Mich Sterben!
8. Aria: Dies Bildnis Ist Bezaubernd Schon
9. Zum Ziele Fuhrt Dich Diese Bahn
10. Wie Stark Ist Nicht Dein Zauberton
11. Der Welcher Wandert Diese Strasse Vol Beschwerden
12. Tamino Mein! O Welch Ein Gluck!

Tracks:

1. Duet: Strahlt Auf Mich Der Blitz Des Goldes - Hermann Prey
2. Duet: Hier Nimm Den Ring Der Treue
3. Scene And Duet: Ich Denk Ihn Lieber Mir Von Meinem Stande/Liebe Ist Seligkeit, Ist Licht Und Leben
4. Toast: O Freunde, So Leeret In Vollen Zugen - Chor Des Bayerischen Rundfunks
5. Duet: Ich Sah Euch Lieblich Und Engelsschon - Chor Des Bayerischen Rundfunks
6. Duet: O, Lass Uns Fliehen Aus Diesen Mauern - Chor Des Bayerischen Rundfunks
7. Scene And Duet: er Ist's! Carlos! Mein PRinz!/Gott, Der Entflammte Der Liebe Heisse Glut - Hermann Prey
8. Duet: Infame Feder! Welch Scheusslicher Pinsel/Ach, Geliebte! Nie Kehrst Du mir Wieder! - Hermann Prey
9. Aria: Und Es Blitzten Die Sterne
10. Scene: Nicht An Mich, Geliebter, Denke
11. Duet: Du Sussester Engel, Wie Herrlich Hast Du Geteufelt!
12. Leukippos, Du?
13. Arioso: Ja, Ich Lieb Sie, Olga
14. Aria: Wohin Seid Ihr Entschwunden

Tracks:

1. Recitative And Arioso: Holdes Laubgezewig, Du Schones/Schattige Ruh, Nie Gab Natur Sie Mir
2. Aria: Der Gedanke An Die Flammen Der Liebe
3. Aria: Bleibt Ihr Treu Dem, Der Euch So Verachtet?
4. Aria: Finstre Furie, Ihr Geister Der Holle
5. Aria: Nur Einen wunsch, Nur Ein Verlangen - Hermann Prey
6. Recitative And Duet: O Unverhofftes Gluck/Das Hore Ich Von Dir, Von Meinem Freunde? - Hermann Prey
7. Ma Se Il Nostro Gioir/Alcun Non Sia
8. Perche A Lo Sdegno/Padre Cortese/Si Non Vedro
9. Aria: Erwacht In Meinem Herzen
10. Duet: Nur Weinen Lernte Ich/Nur Klagen lernte Ich
11. Aria: Keine Schlange Lasst Sich Toten
12. Romance: O Schweige Still, O Lasse Dich Erbitten
13. Trio: Doch Nun Zu Dir/Trenne Nicht Das Band Der Liebe - Hermann Prey
14. Aria: Man Wird Ja Einmal Nur Geboren
15. Song: Lebe Wohl, Mein Flandrisch Madchen - Chor Des Bayerischen Rundfunks
16. Recitative And Duet: Du Stehst Wirklich Vor Mir/Der tempel Brahmas Strahlt - Hermann Prey

Tracks:

1. I. Im Wunderschonen Monat Mai
2. II. Aus Meinen Tranen Spriessen
3. III. Die Rose, Die Lilie, Die Taube, Die Sonne
4. IV. Wenn Ich In Deine Augen Seh
5. V. Ich Will Meine Seele Tauchen
6. VI. Im Rhein, Im Heiligen Strome
7. VII. Ich Grolle Nicht
8. VIII. Und Wussten's Die Blumen, Die Kleinen
9. IX. Das Ist Ein Floten Und Geigen
10. X. Hor Ich Das Liedchen Klingen
11. XI. Ein Jungling Liebt Ein Madchen
12. XII. Am Leuchtenden Sommermorgen
13. XIII. Ich Hab Im Traum Geweinet
14. XIV. Allnachtlich Im Traume Seh Ich Dich
15. XV. Aus Alten Marchen Winkt Es
16. XVI. Die Alten Bosen Lieder
17. Zartliche Liebe: 'Ich Liebe Dich' WoO 123
18. Adelaide Op.46
19. Resignation WoO 149
20. Der Kuss Op.128
21. Was Ist Silvia, Saget An
22. Lied Eines Schiffers An Die Dioskuren D 360
23. Liebhaber In Allen Gestalten D 558
24. Der Einsame D 800
25. Im Abendrot Op. Post. D 799
26. Leise Flehen Meine Lieder
27. An Die Laute D 905
28. Der Musensohn D 764
29. An Die Musik D 547

Tracks:

1. Granada
2. Mattinata
3. Funiculi-Funicula
4. O Sole Mio
5. Vergiss Mein Nicht
6. Ein Lied Geht Um Die Welt
7. Du Bist Die Welt Fur Mich
8. Ich Kusse Ihre Hand, Madame
9. Caro Mio Ben
10. Ave Maria
11. Plaisir D'Amour
12. La Danza
13. Serenade: Fern Im Weiten Land, Dort Unten Im Suden
14. Be My Love
15. Santa Lucia
16. Tiritomba
17. Heute Nacht Oder Nie

Tracks:

1. Wien, Wien, Nur Du Allein
2. Denk Dir, Die Welt War Ein Blumenstrauss
3. Ich Kenn Ein Kleines Wegerl Im Helenental
4. In Wien Gibt's Manch Winziges Gasserl
5. Draussen In Sievering
6. Ich Weiss Auf Der Wieden Ein Kleines Hotel
7. Ich Muss Wieder Einmal In Grinzing Sein
8. Im Prater Bluhn Wieder Die Baume
9. Herr Hofrat, Erinnern Sie Sich Noch?
10. I Hab Die Schonen Maderln Net Erfunden
11. Es Steht Ein Alter Nussbaum Drausst In Heiligenstadt
12. Wien Wird Bei Nacht Erst Schon
13. Wenn Es Abend Wird/Gruss Mir Mein Wien
14. Ob Blond, Ob Braun, Ich Liebe Alle Frau'n
15. Weine Nicht, Bricht Eine Schone Frau Dir Das Herz
16. Mein Herz Ruft Immer Nur Nach Dir, O Marita
17. Eine Kleine Fruhlingsweise
18. Schlaf Ein, Mein Blond-Engelein
19. Annchen Von Tarau
20. Still Wie Die Nacht

Customer Reviews:

Correction.......2006-12-13

Now folks, both of what the two other reviewers wrote about the tragical death of Fritz Wunderlich is wrong. Wunderlich died in hospital at September 17 1966. He had broken his skull, when he fell down the stairs in the hunting-house of a friend. Late in the evening of September 16, Wunderlich, as usual when not at home, had phoned his wife in Munich. He was very tired from strolling through the forest the whole day, making out the ideal locations for the hunt, which should start early in the next morning (Wunderlich was a passionate hunter). After he had wished his wife a good night, he went to the staircase in order to go down to his bedroom at the first floor. He still wore his heavy hunting boots - with open shoestrings! As walking downstairs, Wunderlich struggled over the open shoestrings and grabbed for the banisters, which was not more than a rope, fixed to the wall. The banisters teared out, and Wunderlich fell down the whole stairs. Fritz Wunderlich died in hospital the next day. It was only short before his 36'th birthday. An exceptional singing career had come to an untimely end. Some people believe that Wunderlich was drunken at the time of accident. If this is true can't be proven any more. But still this is not what his close friends said, regarding his accident and his death. In my opinion Wunderlich was the last of the really great tenors of the last century. All the tenors which came to fame after him (sorry folks, even such maestros as Pavarotti and Domingo) lack a certain quality in singing. It's the ease of breath flow, or singing on the breath without pushing the voice, it's the overtones, the legato, the mezza voce, the messa di voce and many more things - in short: the overall beauty of the voice through both registers. Wunderlich was the last tenor who had all this. Other examples are Caruso, McCormack, Gigli (despite the sobbing in his later recordings) and of course the wonderful Jussi Björling. But these are only some few names. If you listen for example to the cd's in the box "Famous tenors of the past" you will find that there were many very good and outstanding tenors in the first half of the 20'th century and - as we can only assume - in the time before the invention of the grammophone. Take a close look at todays famous tenors (I know, there are some quite good and promising ones) but what are they in comparison to those tenors (or better to say, to their voices and singing) I just mentioned before?

Please make your own decision.

Fritz Wunderlich can do no wrong...........2006-05-05

... okay, maybe. It's just that I've never heard a recording I didn't love. And I prefer that he sing everything in German even when that means not using original language.

This is a bit strange because I'm most often bugged by Don Carlos and Vepres in Italian (just a personal quirk). Of course, I'm also bugged by dropping the "s" in Don Carlos, which is always incorrect. The man's name IS Carlos whether in Italian or French.

I tried to write Mr. Avila a personal note, but could not, so let me say that Fritz Wunderlich did not die of cancer, but a dreadful accident in Scotland (I'll not go into the whys and wherefores, I just wanted to set PART of the record straight.)

The Wonder of Wunderlich.......2005-11-22

Deutsche Grammophone does it again! This is an extensive 3-cd compilation album featuring the artistry of the great German tenor Fritz Wunderlich in a variety of vocal repertoire - Baroque cantata/oratorio, opera and Lieder. Like the other critic pointed out, I first heard Fritz sinigng a superb Tamino in the Karl Bohm Magic Flute, although I have also heard him sing Lieder opposite the mezzo soprano Christa Ludwig and baritone Dietrich Fischer Dieskau, who were his contemporaries and colleagues. Wunderlich died tragically in 1966 of cancer. He inspired a generation of purely lyric tenors or "tenors di grazie" whose charming voice would never roughen and lack grace. His Germanic style earned him popularity in World War II Europe and he was the leading exponent of Lieder in the 50's. His tenor voice is glorious, as close to a male angel as possible. On this recording, we are treated to sumptuous arias from Bach's Christmas/Easter Oratorios, and movements from 2 cantatas. Also noteworthy are the unsurpassed performances of Mozart tenor heroes- such as Belmonte from "Die Entfuhrung Aus Dem Serail" (Abduction from the Seraglio) and his unbeatable Tamino from Die Zauberflote The Magic Flute. He sings bel canto opera arias fo tenor, from master composers Rossinni, Bellini and Verdi. While I don't much like that he is singing Italian arias in German, one must remember that at this time, in the LP Era of World War II Germany and Austria, German-born opera singers sang Italian opera in German translation/revisions. While many German singers could indeed sing in Italian, they were mostly trained to sing it in German because of excessive national pride and because Germans viewed Italian opera as course and un-melodic. Still, there have been superb German singers who sang in Italian like Wagner diva Birgit Nilsson,baritone Dietrich Fischer Dieskau, tenor Peter Schreier, soprano Edda Moser, baritone Walter Berry, tenor Herman Pretty, all post-Wunderlich sensations. Wunderlich sings Lieder in one CD with great and unrivaled musicianship. Especially impressive are the Viennese pieces. Further to the cd's this album is equipped with photos of Wunderlich and his family and a detailed profile biography.

I wish I could give this release more than 5 stars: it's terrific!!!.......2005-10-28

I knew little about the German tenor Fritz Wunderlich (1930-1966), except reading the accolades given to his recordings and performances by reviewers in "American Record Guide" over the past 13 years. I knew Wunderlich recorded the role of Tamino in the famous DG recording of Mozart's "Die Zauberflote", with Karl Bohm/Berlin Philharmonic (Now on DG Originals CDs), but was not aware of what a wide range of repertoire he had until hearing this release.

This release has a wide variety of Wunderlich's discography, including Bach arias from his Christmas and Easter Oratorios, and movements from 2 cantatas; his Mozart roles in "Die Entfuhrung aus dem Serail" (Eugen Jochum/Bavarian Radio Orchestra) and "Die Zauberflote" (Karl Bohm/Berlin Philharmonic); a variety of arias and duets by Rossini, Bellini, Verdi, Richard Strauss, mostly sung in German, and with Hermann Prey, baritone and Erika Koth, soprano in many of the duets; Baroque arias by Handel, from "Xerxes" (including the famous "Ombre mai fu" sung in German) and "Julius Caesar", selections from Monteverdi's "Orfeo" (an early track from 1955 sung in Italian); Schumann's "Dichterliebe", 4 Beethoven Lieder, including "Adelaide" and "Der Kuss"; and 9 Schubert lieder, including "An der Musik," and "Der Musensohn", all with Hubert Giesen, piano; Popular songs such as "Granada" and Viennese songs, with chamber orchestra accompaniment. There are no texts for the songs, but you may have text booklets with other CD releases, so don't really need them when you hear Wunderlich's beautiful voice.

There is a booklet with articles about Wunderlich's career, including a preface by his widow, Eva Wunderlich, photos of Wunderlich as a boy and young man, with his wife Eva in 1965, and children Constanze, Wolfgang, and Barbara. I enjoy reading and looking at the booklet, even apart from listening to the beautiful recordings.

Wunderlich was a genius, and his voice sounds great in every track, mono (some, but not a majority) and stereo (most of the tracks in the 7 discs are stereo) alike. If you love great music, and opera, but like me aren't often of a mind to sit still for 3 hours to listen to one, get this. It's a great release, and reasonably priced to boot. I'm thankful to God for great music, for the ability to hear and feel, and for Fritz Wunderlich and his service to music lovers everywhere.

Average customer rating: An awesome display of vocal fireworks A Great singer, BUT... Review... Unequalled Neopolitan Songs Not a Corelli fan and even less now after hearing these CDs.

Franco Corelli - Songs and Arias George Frideric Handel , Gioachino Rossini , Giuseppe Verdi , Tortorella , Wilder , Louis Niedermeyer , Anonymous , Charles Gounod , Wolfgang Amadeus Mozart , Franz Schubert , Georges [composer] Bizet , Cesar Franck , Agustin Lara , Stefano Donaudy , Ernesto de Curtis , Ciarone , Giovanni Baptista Pedrazuolli , Edvard Grieg , Guy d' Hardelot , Mingardo , Ferrafo , Jose Serrano , Manuel Cardoso , Bareri , Vincenzo d' Annibale , Gaetano Errico Pennino , Vincenzo Bellini , and Ernesto Tagliaferri Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Corelli, Franco | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Tenors | Voices | Opera & Vocal | Styles | Music Similar Items: Heroes - Franco Corelli The Very Best of Franco Corelli Franco Corelli: Corelli in Concert Franco Corelli: The Unknown Recordings The Singers: Franco Corelli ASIN: B000002SF0 Release Date: 1996-11-26

Tracks:

1. Pieta, Signore (Aria Di Chiesa)
2. Ave Maria, D.839 (Inno Alla Vergine)
3. Serse - Ombra Mai Fu (Largo)
4. Ave Maria
5. (OrchMottl): L'Ange
6. Requiem - Ingemisco
7. Adeste Fideles
8. Ave Maria
9. Ave Verum Corpus, KV 618
10. Petite Masse Solennelle - Domine Deus
11. Agnus Dei
12. Panis Angelicus
13. Granada
14. Vaghissima Sembianza
15. Ti Voglio Tante Bene
16. Mon Ciel, c'est Toi
17. Il Canto Della Rinuncia
18. I Love Thee
19. Because
20. Carretiere
21. Tu Lo Sai
22. Pourquoi Fermer Ton Coeur?

Tracks:

1. Mammina Mia
2. Te Quiero
3. Core 'ngrato
4. Senza Nisciuno
5. Adda Turna
6. 'O Paese d' 'o Sole
7. Pecche?
8. Fenesta Che Lucive
9. Piscatore 'e Pusilleco
10. Tu, Ca nun chiagne!!
11. I' te Vurria Vasa
12. Tora a Surriento
13. Dicitencello Vuje
14. Gaupparia
15. Silenzio Cantatore
16. Voce 'e Notte!
17. 'O Maranariello
18. Passione
19. 'O Sole Mio
20. 'O Surdato 'Nnammerato
21. 'AVucchella
22. Torna!
23. Addio, Mia Bella Napoli

Customer Reviews:

An awesome display of vocal fireworks.......2004-05-21

If it's a tenor voice you want to hear look no further. Franco Corelli is undisputedly one of (if not the) greatest tenors of the 20th century. His voice is capable of unbelievable power and exquisite pianissimo's. The broad range of religious arias, Italian songs and arias is enough to keep anyone's attention and have them panting for more. I recommend this wholeheartedly. Enjoy...

A Great singer, BUT..........2002-11-05

First of all: in my opinion I think it would be hard to find any other tenor with more thrilling sound than Franco Corellis.
But what goes wrong when it comes to his studiorecordings? It sounds too often that he wants to surpass oneself, like he wants to give us even more broadly tones all the way up( of cource his high c in "Granada" is good and the ending of "sole mio" is unbelievable) and it only will go at the expense of his overtones, because he uses too much muscles and is too heavy. The result of it: you get tired listening to him. And for Heavens sake: Whats the use for him to sound more manful?!!!!
Of course some songs here are good, but maybe only 10 out of 44, and thats not good enough for such a GREAT singer.
At last, why does he sing "off the voice" in Bach/Gounods Ave Maria? It`s so unnecessary, beacause he really had breath enough!
In my conclusion I will not recommend this recording, Because it`s such a disappointment.

Review..........2002-01-18

I own this C.D. and I have listened to it many, many times. Allthough I understand the feelings of the reviewer saying the songs are sang by the same fiery tone, I don't understand them fully. I would come to this conclusion if I would have listened to this the songs on a (too) soft volume.

If you really listen to it, not as backround music , but so you can hear it well and you aren't doing anything else, you will notice with how much passion a lot of the songs are sang by Corelli. Core 'ngrato is filled with passion, and I think Corelli is unsurpassed with that song. He didn't have lack of musicality either... Perhaps some more lessons would have done him good, but almost everyone could use some more. I even say that listening to some of Corelli's recordings is like having a singing lesson.

I would really recommend this C.D. if you are interested in his voice. the Core 'ngrato, Ave Maria and O sole Mio are great for instance. If you want to try full opera recordings try Il trovatore, Norma or Andrea Chenier

Unequalled Neopolitan Songs.......2001-05-16

Franco Corelli, who sang from 1951 to 1975, was the greatest tenore di forza of the postwar era. A powerful and exciting singer, never a subtle, elegant, or refined one, he had his detractors (who called him crude, vulgar, self-indulgent, and who lambasted his execrable French), but there can be no argument about the quality of his voice, a big, vibrant tenor with a thrilling timbre (often described as rich, dark, or baritonal) and a brilliant, secure top that must have been the envy and despair of other tenors. A nervous performer repeatedly subject to pre-performance jitters and anxiety attacks (a wag once said of him that Corelli could always think of more reasons not to sing than to sing), once onstage he was a generous singer who gave fully of himself and, like Caruso, poured out his magnificent voice unstintingly, never holding back.

The voice itself was one of the glories of the generously-endowed operatic scene of the Fifties and Sixties, and one of greatest tenor voices of the century. Herbert von Karajan said of Corelli, "A voice of heroic power, yet with great beauty of tone; darkly sensuous, mysteriously melancholic . . . but above all, a voice of thunder and lightning, fire and blood." Harold C. Schonberg, senior music of the New York Times, reviewing Corelli's Metropolitan debut in 1961, noted that his voice "has something of an exciting animal drive about it, and when Mr. Corelli lets loose, he can dominate an ensemble," and later described his voice as "a force of nature, an act of God, the vocal equivalent of an earthquake, volcano or hurricane." The distinguished musicologist Paul Henry Lang writing in the New York Herald-Tribune called Corelli "a latter-day Caruso." Alan Rich of the New York Herald-Tribune wrote of him, "There is no tenor in modern times, Italian or otherwise, whose voice rings out with greater vibrancy, whose every tone carries with it emotion at white heat. The sounds he makes, seemingly without effort, are dazzlingly bright, urgent, and communicative." Since Corelli's retirement we haven't heard anything remotely like him, and those of us who know his voice (and Bjorling's) can perhaps be pardoned for finding the "three tenors" so popular today somewhat anemic in comparison.

I have been an admirer of Corelli, a collector of his recordings, and a follower of his career since the late 1950s (when he had not yet sung in America, and his only recordings were Italian Cetra imports). I have just about everything he recorded. There is no tenor voice before the public today equal to this one, and I urge you not to miss it.

But the two-CD set under review here is not the place to start. If you are new to Corelli, I recommend the EMI single CD "Heroes" or the EMI two-CD set "Franco Corelli," with their heavy doses of his typical operatic fare, as ideal introductions to this rewarding singer. Corelli was above all a creature of the opera house, in his element singing Puccini, Verdi, and verismo Italian opera. The set under review here, misleadingly entitled "Songs and Arias," contains in fact only one aria, a very atypical one: Handel's "Ombra mai fu" from "Serse" (made famous by a Caruso recording). Indeed, some of the composers represented here-Handel, Schubert, Bach, Mozart, Rossini-are in fact stylistically very far from the kind of singing one associates with Corelli. A couple of the songs, "Because" and Grieg's "I Love Thee," are mildly comical in Corelli's overpoweringly Italianate and operatic renditions. But this is a set well worth owning for anyone who knows and likes Corelli. There is a first-rate Ingemisco from the Verdi Requiem, the traditional religious songs are all sung with seriousness and devotion, and most important, the bulk of the set comprises Neopolitan songs, which Corelli sings superbly. (I think he sings them better than anyone.) Of these my own favorite is "Core n'grato," a powerful song, and Corelli's recording of it is unequalled: there is a prodigious outpouring of bronzen tone here that must be heard to be believed. It's true that some of the orchestral arrangements are corny and dated, but with gloriously gutsy, full-blooded singing like this, from one of the greatest tenor voices of the century in its prime (all the recordings here are from 1961 to 1965), I can overlook the arrangements. These two CDs are very generously filled (22 songs,77 minutes for one and 23 songs, 78 minutes for the other), and include, I believe, everything Corelli recorded for EMI that wasn't opera.

If you like Corelli, if you like Neopolitan songs, you'll want this. But it's not the place to start in appreciating Franco Corelli.

Not a Corelli fan and even less now after hearing these CDs........2001-01-17

Corelli's voice was quite large,but I'm not very sure about it's beauty.He is much better in operas,but on these discs,I find his singing annoying.To the reviewer who wrote the Major Disappointment review and included Di Stefano in those not having a beautiful voice,I'd have to say that you obviously don't know what you're talking about.

Music fan from New Jersey.

Average customer rating: A brilliant collection from a great soprano If I could have only one collection...... Yes this is great! The Grandest Collection of Leontyne Price Arias The Greatest Soprano Ever Recorded

Leontyne Price (The Prima Donna Collection) Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel 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Label Stores | Stores | Music Similar Items: Opera Arias Ed Sullivan Show 2: Great Moments in Opera Voices of Firestone: The Great Sopranos / Steber, Price, Tebaldi, Sayao, Nilsson, Moffo, Albanese, Peters, Munsel, Traubel, Sutherland The Great Recordings Handel: Arias ASIN: B000003FAF Release Date: 1992-08-11

Tracks:

1. Dido and Aeneas: Act 3: Thy Hand, Belinda!
2. Dido and Aeneas: Act 3: When I Am Laid In Earth
3. Le nozze di Figaro: Act 3: E Susanna non vien!
4. Le nozze di Figaro: Act 3: Dove sono
5. La traviata: Act 3: Teneste la promessa
6. La traviata: Act 3: Addio del passato
7. L'africaine: Act 2: Sur mes genoux, fils du soleil
8. Manon: Act 2: Allons! il le faut!
9. Manon: Act 2: Adieu, notre petite table
10. Otello: Act 4: Era piu calma?
11. Otello: Act 4: Mia madre aveva una povera ancella (Willow Song)
12. Otello: Act 4: Ave Maria
13. Adriana Lecouvreur: Act 1: Ecco: respiro appena
14. Adriana Lecouvreur: Act 1: Io son l'umile ancella
15. Louise: Act 3: Depuis le jour
16. Turandot: Act 2: In questa reggia
17. Die tote Stadt: Act 1: Marietta's Lied
18. Vanessa: Act 1: He Has Come, He Has Come!
19. Vanessa: Act 1: Do Not Utter A Word

Tracks:

1. Atalanta: Act 1: Care Selve
2. Don Giovanni: Act 1: Don, Ottavio, son morta!
3. Don Giovanni: Act 1: Or sai chi l'onore
4. Der Freischuetz: Act 2: Wie nahte mir der Schlummer
5. Der Freischuetz: Act 2: Liese, leise
6. Tannhaeuser: Act 2: Dich, teure Halle
7. Macbeth: Act 2: La luce langue
8. Macbeth: Act 4: Vegliammo invan due notti (Sleepwalking Scene)
9. Macbeth: Act 4: Una macchia e qui tuttora
10. Mefistofele: Act 3: L'altra notte in fondo al mare
11. Rusalka: Act 1: Song To The Moon
12. L'Enfant Prodigue: Air de Lia: L'annee en vain
13. Andrea Chenier: Act 3: La mamma morta
14. Francesca da Ramini: Act 3: Paolo, datemi pace
15. Suor Angelica: Senza mammo, o bimbo, tu sei morto!
16. Amelia Goes To The Ball: While I Waste These Precious Hours

Tracks:

1. Alceste: Act 1: Divinites du Styx
2. Don Giovanni: Act 2: Crudele? Ah, no, mio bene
3. Don Giovanni: Act 2: Non mi dir
4. I lombardi: Act 2: O madre, dal cielo
5. I lombardi: Act 2: Se vano e il pregare
6. Martha: Act 2: The Last Rose Of Summer
7. Simon Boccanegra: Act 1: Come in quest'ora bruna
8. La Perichole: Act 3: Tu n'es pas beau
9. Die Walkuere: Act 1: Du bist der Lenz
10. Die Fledermaus: Act 2: Czardas: Klange der Heimat
11. Carmen: Act 3: Ces des contrebandiers
12. Carmen: Act 3: Je dis que rien ne m'epouvante
13. Cavalleria Rusticana: Voi lo sapete
14. Thais: Act 2: Ah! je suis seule
15. Thais: Act 2: Dis-moi que je suis belle
16. Gianni Schicchi: O mio babbino caro
17. Les dialogues des Carmelites: Act 3: Mes filles, voila s'acheve

Tracks:

1. Semele: Act 2: Where 'er You Walk
2. Idomeneo: Act 3: O smania! O Furie!
3. Idomeneo: Act 3: D 'Oreste, d' Ajace!
4. La damnation de Faust: Part 4: D'amour l'ardente flamme
5. Oberon: Act 2: Ozean, du Ungeheuer!
6. Norma: Act 1: Sediziose voci, voci di guerra
7. Norma: Act 1: Casta diva
8. Norma: Act 1: Ah! bello a me ritorna
9. Rigoletto: Act 1: Gualtier Malde
10. Rigoletto: Act 1: Caro Nome
11. Tristan und Isolde: Act 3: Liebestod: Mild und leise
12. Pagliacci: Act 1: Ballatella: Qual fiamma avea nel guardo
13. Adriana Lecouvreur: Act 4: Poveri fiori
14. Gloriana: Act 1, Scene 2: Soliloquy & Prayer: On Rivalries 'tis Safe For Kings
15. Gloriana: Act 1, Scene 2: Soliloquy & Prayer: O God, My King, Sole Ruler Of The World

Customer Reviews:

A brilliant collection from a great soprano.......2007-04-30

Leontyne Price was much admired and this 4CD collection shows her outstanding vocal gifts to the best advantage. Numerous reviewers have commented on the wide-ranging styles present and I can agree wholeheartedly with them. You would be hard-pressed to find a greater compilation of Ms Price, showcasing her amazing gifts as a great singer!

If I could have only one collection.............2006-11-12

....it would be this. Such fine singing in so many periods, languages, and styles. She is truley a great artist and this set helps you see just HOW GREAT she is. I won't go thru all the tracks but will say Cara Selve drives me wild. "When I am Laid in Earth..." comes across very nicely. There are some rare exerpts too like Gloriana, Menotti's Amelia goes to the Ball. Overall most tracks are inspired. The musicianship is to the highest standards. I JUST lOVE IT!

Yes this is great!.......2006-10-14

But "When I am Laid in Earth" was written by PURCELL! Handel's "Care Selve", however, is also on this set, and it is GORGEOUS!!! I love just about everything on here. A few items from the fourth CD are a bit telling of her age (D'oreste d'ajace!")- but even they are fabulous. THe price of this set is unfortunate - however, it has dropped a little! :) I originally purchased it from BMG in 1994, for next-to-nothing, then "gave" it to my best friend! Two years ago, she lost hers to Hurricane Ivan, and paid a LOT for a new set!

The Grandest Collection of Leontyne Price Arias.......2005-08-08

If you're a fan of Leontyne Price, this should be at the top of your list of her recording albums. I don't know when this was issued, but it's from the RCA Label which was her best promotional record company. It's a box set featuring dozens of arias from magnificent grand operas (some of which Leontyne Price never sang on stage in full and instead sang some bits in concert). Leontyne Price sings in fresh, beautiful and strong voice in dramatic and versatile roles, mastering each music from each composer. She masters such strikingly different masters's works as Samuel Barber (Vannessa) Webber (Der Freischutz) Wagner (Tristan and Isolde, Tannhauser) Falla (Atalanta) Mozart (Le Nozze Di Figaro). She sings the title roles of Massenet's Manon, Bizet's Carmen, Bellini's Norma, Verdi's Lady Macbeth, Amelia in Un Ballo Di Maschera, Nedda in I Pagliacci, Turandot and Suor Angelica, Flotow's Martha, and even oratorio such as Handel's Semele and Benjamin Britten's Gloriana. This is a vast repertoire, far grander in variety than I have ever known any one soprano sang. While critics will indeed compare Leontyne Price to Maria Callas (as another review critic brought up) these two sopranos could not have been any more different. It's not even a matter of their different racial backgrounds- Callas was born in Greece and became an American citizen then gave it up for French citizenship..and Price was born in Mississippi and was African-American) it's a matter of how different their approach at opera was and their vocal category. Callas was a dramatic soprano sforzando (literally "forced dramatic soprano")who would prefer to produce a choking, ugly, harsh sound merely for the dramatic effect and the integrity of the text in her lines. Leontyne Price was the definition of a soprano lyrico-spinto ("pushed" lyric-dramatic singing)which meant above all, to sound beautiful and to fill up those dramatic lines with as much vocal and tonal beauty as possible. Price had a more thrilling mezzo di voce and high soaring top register and a cleaner, smoother sound than the wobbly Callas, no offense to Callas fanatics of which there are many. It is true that Price did lose her touch in a sense in her older years (the 1970's and 80's) when her voice lacked the vibrant lyricism and attention to diction. Her 1970's Toscas and Aidas are therefore a sloppier than her 1950's and 60's Toscas and the same went for her Leonoras in both Trovatore and Forza Del Destino. Nevertheless, Price is an ageless singer. Her voice, dark, messy or bright and smooth, is still what was said of her in her debut at the Met as Leonora in Trovatore - a "bright, unfurling banner". She was goddess of the opera and paved the way for the new generation of black sopranos of today.

This collection does not showcase the more famous roles that were in fact her signature ones - Leonora from Trovatore and Forza, Aida is'nt even in here and that one even she considered her greatest role, we don't find her Madame Butterfly here. Instead we find rare pieces that she sings beautifully and dramatically, making us wish she had sung the entire operas in full on stage. She never sang a full-length Norma and that's a pity- even Grace Bumbry and Shirley Verrett did in their careers. Price seemed to enjoy singing Samuel Barber's vocal works - she opened the 1965-1966 Met season with Barber's Antony and Cleopatra (a bad production by the way but not through any fault of Miss Price but the overblown spectacle of the design of the opera itself) and here she sings his Vanessa. Benjamin Britten's Gloriana sounds lovely in her hands. Her Norma and Dona Anna in Mozart are dramatic and fiery, her Lady Macbeth darkly mysterious, her Suor Angelica peaceful with powerful inner fire and her Dialogue Des Carmelites are also sensational. Yes, many of these arias are beautiful to hear, and thank God she doesn't have any of the flaws critics keep hearing in her later recordings. Without a doubt, this is her finest album. I think you should listen via audio samples here the following to make you get this recording: the Countess aria from Nozze Di Figaro, her Manon (Adieu Petit Table) La Mamma Morta, her version of Sediziose Voce/Casta Diva from Norma, the excerpt from Carmen, "Don Ottavio son Morta...Or Sai Chi L'Onore" from Don Giovanni, Care Salve, the Dido and Aeneas excerpts, the La Traviata excerpts (Addio Del Passato) and the beautifull, mystic, haunting and well-executed Liebestod from Tristan and Isolde, which I even feel surpasses Birgit Nilsson's version. Just listen to how heart-felt that Liebestod is! I have not heard the likes of it anywhere else.

The Greatest Soprano Ever Recorded.......2005-03-20

O.K. So that is only my opinion. But Leontyne Price was one of the most dedicated singers of the 20th century. Her vast repertoire is showcased in this extensive collection of arias. While to many Maria Callas will forever be the ultimate and the greatest of them all, Leontyne Price had the same poswerful, high dramatic voice, in addition a more generous chest register and a regial presence. Moreover, she overcame so much to get to the top. In her day, African-American women in opera was new. Marian Anderson was the first to get into the mainstream opera world, with much difficulty and intervention, such as Eleanor Roosevelt's support. After Marian Anderson finally landed her first role at the Met in the 50's, a new generation of black women in opera began. The 60's and 70's would see the rise of mezzo sopranos later turned to dramatic sopranos such as Grace Bumbry, Shirley Verrett and it would follow into the 80's with Jessie Norman and Kathleen Battle. Today, black women have made opera one of their highest achievements. Leontyne Price began singing in the 50's. A televised production of Tosca was not shown in some Southern states that were racistad opposed the idea of seeing a black woman in a "white" role. Leontyne Price would master the role of Tosca as successfully as Maria Callas. I think that while she is at her best in the Puccini and Verdi operas she recorded and performed (not showcased here)- Trovatore, Aida, Forza Del Destino, Madame Butterfly, Tosca, Suor Angelica. However, there is so much that she is absolutely remarkable in. I love her as Violetta in Traviata (few black women sing the traditionally white role of Violetta), Massenet's Manon, Verdi's Lady Macbeth (which was another of Shirley Verrett's great roles)Dido from Dido and Aneas, Dona Ana and Elvira in Don Giovanni, The Countess in Figaro, Bellini's Norma (she is outstanding in that powerful druid diva role). I think if we narrow it down to a few roles that she really made her own it would be 1: Aida....2:Tosca...3Dona Ana/Dona Elvira 4 Desdemona from Otello and 5..Leonoras from Trovatore and Forza.

This collection is pretty impressive. I didn't know a soprano could be that versatile. Leontyne Price is remarkable. Her rich, lyric voice, capable of plaintive and melancholy lines as well as powerful high C's and dramatic whoops, was always clean, smooth and intense. Of course, like most sopranos, she had her bad days. Her later Toscas (in the mid or late 70's) became too melodramatic and sloppy, when she used to be more mannered and poised with the role, her Cleopatra in Samuel Barber's opera was a fiaco because the production was too bizarre and messy, etc. But for the most part, mostly in Verdi, Puccini, Mozart and as Norma, she was radiant, glorious and perfect. Her background in Church music made her incredibly suited to singing Requiems, such as Verdi's Requiem. There will never be another Leontyne Price. She was a one woman Golden Age of Opera, and sang with the best of the best- Bjussi Bjorling, Giuseppe Di Stefano, Franco Corelli, Placido Domingo.

Average customer rating: Disappointing A Wonderful Potpourri If you could only afford one CD get this one.

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