DVD. NTSC. All areas. 100 min. Portuguese. Dolby digital 2.0. Best Brazilian Hip Hop video clips: Nego Leo, Nega Gizza, DJ Tano, KL Jay & Dina Dee. 18 tracks.
Rap & Hip Hop V.3,Various Artists,Rythym,Rap,World Music
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Minutes to Midnight
Linkin Park Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OCXMAE Release Date: 2007-05-15 |
Tracks:
- Wake
- Given Up
- Leave Out All The Rest
- Bleed It Out
- Shadow Of The Day
- What I've Done
- Hands Held High
- No More Sorrow
- Valentine's Day
- In Between
- In Pieces
- The Little Things Give You Away
Amazon.com
Minutes to Midnight stands to defend Linkin Park's status as the hardest-rockin' softies in mainstream music. Like its predecessors Hybrid Theory (2000) and Meteroa (2003), Minutes to Midnight flexes plenty of decibel-heavy muscle ("Given Up," "Bleed It Out," "No More Sorrow") and made-to-order, melodic radio fare ("Leave Out All the Rest," "Shadow of the Day," "In Pieces"). But for all its volume, Linkin Park likes to paint its heart openly on its sleeve with suspicious sonic drama, as in the palpably saccharine "Valentine's Day." Fortunately, co-producer Rick Rubin brings all these elements to pinnacle effect with the surprise "Hands Held High." On past efforts, the combination of breezy keyboard, arpeggiated guitar, choral vocals, and a military snare-beat would yield another slab of smarm, here MC Mike Shinoda drops the two best verses of his career, blending vocal styles with singer Chester Bennington for a moving piece that's as welcome a repertorial addition as Linkin Park is ever likely to muster. --Jason KirkAlbum Description
"Minutes to Midnight" is rock's most anticipated album of the year. This album redefines one of today's most adventurous, accomplished and acclaimed bands.Customer Reviews:
It ain't what it was before and that's pretty darn sad.......2007-07-18
anyway. the past was GREAT...I guess we are not as angry anymore...that's too bad...it made great music!
Where They Should've Started..........2007-07-18
However, let me start this on a positive note, as I surprisingly have a positive outlook on Minutes to Midnight. Whereas I'm a longtime fan of groups like Tool and Skinny Puppy, overlooking mainstream like the plague, LP caught my ear this time around. See, I love Tool for elaborating their songs, Skinny Puppy for their unorthodox sounds and both for abstract lyricism. Here's where you should brace yourself, 'cause I'll finally admit that Linkin Park is at least making an attempt on all three fronts.
Now sure, I never said they succeeded - in fact they didn't even gain momentum - but there's finally something more worthwhile and respectable to gather from the new studio album. The first single, "What I've Done," will have you believe they're absolutely no different from preceding albums (aside from different distortion on guitars and political content), 'cause hell, it sounds like "Numb" recycled to begin with. But, aside from the opening two songs and "No More Sorrow", you might be pleasantly surprised with their departure from typically angsty nu-metal whining with droning, dry distortion style to uphold perfectly trite lyricism.
As I said, the boys are at least attempting something greater this time around. "Wake," though executed weakly and painfully short of enunciation, shows a hint of interest in post-rock stylings. Granted the atmospherics and climax were nothing more than familiar LP hooks that beg more for attention than respect, but it tries. The same can almost be said of "Valentine's Day." Though it falls far short of being remotely inventive, the boys give linear songwriting a chance, mayhap for the purpose of reaching into post-rock territory. Nay, it misses severely, but it does give weight to their new niche in the pop-punk and Emotive styles.
Where long-time MTV-plaguing bands that originate and wither away in these genres, Linkin Park graciously step in after seven years of their bland history. And to be honest, they do a better job than the pop-punk 'professionals'. With such songs as "Leave Out All the Rest" and "Shadow of the Day," Chester's voice resonates with a charm it's been missing amidst the powerchord charades that were pre-Minutes to Midnight recordings (and as if to leave a reminder of that era, they included "Given Up" in the beginning). It's still nothing substantially unique or graceful, but I daresay I've found three or four songs enjoyable on this album.
Lyrically, they're doing somewhat better. Though the pallette of metaphors is quite the small one still, there's more to gather from both Chester and Mike than redundant whinings and narcissistic angst. Yes, there's a little of that left, but generally we're seeing them mature into clarity and accepting responsibility. Basically, they're all growed-up now! We have political wedge-ins and a more thoughtful approach on their recurrent theme of deception, often romantically-based. It's a sharp improvement, but sometimes their lyrical imagery that leads us to believe they've got something substantial to say ends with a climax that goes a little like, "I never knew what it was like / to be alone on a Valentine's Day." Yeah; Ya had me, but lost me.
Aside from themes, there's more new content. Obscenities. Some have complained that it's a departure from clean-mouthed, respectful and more creative resources. But let's face it, they were never creative to begin with. And let's also admit that some instances of cursing come across as entirely appropriate and passionate, notably in "Hands Held High." It's a meatier and more tactful usage of the F-word than many are accustomed to in the mainstream wasteland, so accepting their concession came easy to me.
All things considered, it may not have staying power (I wager I'll hate it in another week), but Minutes to Midnight does have an enjoyable air upon early rotations. It's simply too bad they haven't figured out a method of resolution and enunciation that would truly make their songs and collective works remotely memorable and inspiring. But this may yet come, and how amazing it would be for a commercialism-friendly band as Linkin Park to grow away from their mainstream hole.
I'll be ready to give them a chance in the future. As should any skeptic.
I still love Linkin Park!.......2007-07-17
Watch Out! The Hybrid Theory Fans are Bawling Hysterically!.......2007-07-16
Took a few spins, but I ended up loving this CD.......2007-07-16
"Bleed it out", "No More Sorrow", and "What I've Done" are my favorites. "No More Sorrow" is even a little reminiscent of Metallica. Overall great CD!
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The Mix-Up
Beastie Boys Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PY32CE Release Date: 2007-06-26 |
Tracks:
- B For My Name
- 14th St. Break
- Suco De Tangerina
- The Gala Event
- Electric Worm
- Freaky Hijiki
- Off The Grid
- The Rat Cage
- The Melee
- Dramastically Different
- The Cousin Of Death
- The Kangaroo Rat
Amazon.com
Having long since shed their image as hip-hop's clown princes, the Beastie Boys now bring what feels like their emeritus recording, a celebratory instrumental memoir of all of the influences (except punk) that brought them to their secure place among hip-hop's fickle elite. The party opens with the aptly titled "B for My Name," its plodding bounce staking claim to the mid-tempo path the album treads almost throughout. "14th St. Break" picks up the pace, especially in the auxiliary percussion breakdown, complete with rally whistle. Then, beginning with "Suco de Tangerina," the album drops into a deep groove cut from dub- and dancehall-tinged ostinati that carry through a full third of its tracks. Among these, "The Gala Event" suffers from a lack of developmental motion that characterizes many of these tracks, but highlights still abound. "Off the Grid," for example, departs from the otherwise unbreakable chill and rips the proceedings wide open, blooming again and again in a series of pulsing riffs that celebrate the very institution of the instrumental groove. More than 20 years since Licensed to Ill took a long, irreverent piss into the mainstream, it seems you can still fight for your right to party. --Jason KirkAmazon.com
The Mix-Up is Beastie Boys' first-ever full album of all-new instrumental material. The follow-up to 2004's To The 5 Boroughs, The Mix-Up features Diamond, Horovitz and Yauch back on drums, guitar and bass, with able assistance from Keyboard Money Mark and percussionist Alfredo Ortiz, on 12 brand new wordless, sample-less, scratchless originals. Sure to please fans of the instrumental cuts from Check Your Head and Ill Communication and the cult hit compilation album made up largely of those tracks, The In Sound From Way Out!, The Mix-Up finds NYC's favorite sons drawing on one of their arsenal's primary strengths and pushing it into bold new directions.
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More from Beastie Boys
Paul's Boutique |
Check Your Head |
Ill Communication |
Licensed to Ill |
Awesome, I Shot That |
DVD Video Anthology - Criterion Collection |
Customer Reviews:
The CD from a rap band with no words..........2007-07-16
Actually, There is a "Mix-Up" Here..........2007-07-16
At least that's what it sounds like to this Beastie fan. I've bought all of their albums, but after one listen to the "Mix-Up," I'm going to have to leave this one on the shelf. The "5 Burroughs" album wasn't perfect but it was a step in the right direction (from the bizarre "Hello Nasty"), but this new "all instrumental" album is a bore to listen to. I think that some people will really like it--perhaps I'm just missing their sense of "irony".
three sets of listeners, three sets of reviews.......2007-07-14
1. You like the BB's as hip hop artists, especially the funny lyrics, and enjoy the old school beats. You like Hello Nasty and To the Five Boroughs more than Check Your Head. Chances are good that you won't care for this album---don't buy it.
2. Your favorite album is Check Your Head and you really like the funky instrumental interludes on that and other albums of that era. BUT, you are not an avid listener of funk/acid jazz and are not familiar with Medeski, Martin, and Wood, etc. You will probably like this album and should buy it.
3. You fit into Category 2 EXCEPT that you ARE familiar with MMW, recent collaborations by John Scofield, Grey Boy Allstars, etc. You will be disappointed in this album because it just doesn't measure up. Frankly, this album comes off as very amateurish and shows that, though the BB's have developed some chops, they can't pull off a full album of instrumentals. The interludes in Check Your Head were just that---interludes---and you can't support a full album on interlude music. Not being a hater---I love the BB's too---but check out any of Stanton Moore's albums and you will see exactly what I mean.
Listen to The Music not the critics........2007-07-10
For those of you out there who want something a little groovy and different, get it. Meanwhile I'm going to mix myself a gimlet and listen to a great little combo called the Beastie Boys. Their new album is cool as hell.
Play this CD anytime........2007-07-10
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T.I. vs T.I.P.
T.I. Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000Q3646A Release Date: 2007-07-03 |
Tracks:
- Act I: T.I.P.
- Big S**t Poppin' (Do It)
- Raw
- You Know What It Is
- Da Dopeman
- Watch What You Say To Me
- Hurt
- Act II: T.I.
- Help Is Coming
- My Swag
- We Do This
- Show It To Me
- Don't You Wanna Be High
- Touchdown
- Act III: T.I. Vs. The Confrontation
- Tell 'Em I Said That
- Respect This Hustle
- My Type
Amazon.com
T.I. may take alter-egotism to new heights on T.I. vs. T.I.P., an album that's essentially a spinoff of a song (Trap Muzik's psychologically charged "T.I. vs. T.I.P."), but few artists have been known to spin something so compelling out of a concept so silly. T.I.P. is the hoodie-wearing hustler we get to know in the first part of this exceptionally long disc--he curses and boasts behind the beats with a lazy bravado that manages to be both slouchy and sharp (check out "Da Dopeman," "Watch What You Say" featuring a fired-up Jay-Z, and "You Know What It is," with Wyclef), and T.I. is the right-minded tycoon-type who takes over for a while in act two. As smooth an operator as T.I. is--"Show It to Me," featuring Nelly, finds its groove and never lets up--he's more compelling in the grittier parts of the disc, including a four-song final act in which the two halves of his deeply divided personality square off. "Respect This Hustle," the M.C. commands on the next-to-last track; detractors will try not to, citing the slightness of his concept. T.I. is at the top of his game, though, and he makes it heard. --Tammy La GorceCustomer Reviews:
The King Is Back Again!.......2007-07-20
just aight.......2007-07-19
You know what it is!.......2007-07-16
TI vs TIP, cool but not as good as king.......2007-07-14
aiight.......2007-07-13
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The Dutchess
Fergie Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000H4VV52 Release Date: 2006-09-19 |
Tracks:
- Fergalicious (Featuring Will.I.Am)
- Clumsy
- All That I Got (The Make Up Song) Featuring Will.I.Am
- London Bridge
- Pedestal
- Voodoo Doll
- Glamorous (Featuring Ludacris)
- Here I Come
- Velvet
- Big Girls Dont Cry
- Mary Jane Shoes (Featuring Rita Marley & The I-ThreeS)
- Losing My Ground
- Finally
Amazon.com
If you thought Black Eyed Pea-sized bites of Fergie might be all you could handle--that a full plate of Fergie is possibly too much for any discerning musical palate--The Dutchess might change your mind. For here the lumpen lady throws caution to the wind and threads her pop needle with an ambitious ribbon of yet-to-be-conquered genres: reggae and ska on "Mary Jane Shoes," with Rita Marley; vintage soul on "Here I Come"; '80s hip-hop on "Fergalicious"; and sophisticated R&B on the John Legend-assisted "Finally." It's a tremendous and unpredictable expenditure of effort that mostly pays off--echoes of more talented vocalists like Pink, Beyoncé, and Christina Aguilera poke through in places. But while unbridled messing about can pay handsome artistic dividends (here, the guitar-propelled rock-like track "Big Girls Don't Cry" coughs them up), ultimately it's when Fergie's at her Peas-iest that she's most lovable; cases in point are the raunchily irresistible "London Bridge," which earned every week of its chart-topping success, and the will.i.am-assisted "Clumsy," a girl-group-styled bump-a-thon that showcases Fergie's coolest and most distinctive asset--her personality--to winning effect. --Tammy La GorceCustomer Reviews:
Guilty Pleasure.......2007-07-17
If you are the person who turns your nose up at tracks like Fergalicious and London Bridge then you don't deserve this outstanding album. This album is solid from top to bottom, and beginning to end.
First, Fergie really can sing. She moves from rap to ballards with a smooth ease that makes we want to see what she does next. Second, Ms. Stacy Ferguson doesn't lip sync when on TV shows, and the confidence she has in her voice is displayed in the album. Finally, in my opinion this is the MUST HAVE pop record for 2006/2007.
NOT A SOLO ARTIST.......2007-07-15
Diverse Hot and Fresh.......2007-07-12
Good singles but lots of filler.......2007-07-08
One Of The Best Albums I've Ever Heard.......2007-06-22
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Timbaland Presents Shock Value
Timbaland Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NA26ZE Release Date: 2007-04-03 |
Tracks:
- Oh Timbaland
- Give It To Me
- Release
- The Way I Are
- Bounce
- Come & Get Me
- Kill Yourself
- Boardmeeting
- Fantasy
- Scream
- Miscommunication
- Bombay
- Throw It On Me
- Time
- One & Only
- Apologize
- 2 Man Show
Amazon.com
When the most exciting producer in pop music himself puts out a CD, the thrill is in the discovery: The world may have already suspected that Justin Timberlake, Nelly Furtado, and a small army of other singers owed 75% of their fame to the stockpile of skittering beats Timbaland built and then graciously set them upon, but here's a chance to prove it. Or it might have been in less welcoming hands. Shock Value is a far-reaching and ambitious disc; a masterpiece, even, in its own way. But it's not at all self-centered. If there's a point being put across here, it's that Timbaland came by your vote as behind-the-scenes musical man of the hour honestly: pair him with Fall Out Boy or the Strokes, and he will not only provide tracks that surprise you by maintaining their rock 'n' roll integrity, he will also convince you that shimmer's role in rock music has, to now, been tragically misguided and miniscule. Re-team him with Timberlake and Furtado (for the near-flawless track "Give It to Me") and he will again trade vocal bites, but they will still be nibbly, not voracious. In a CD full of experiments and puzzles (why is Elton John just piano-playing, not singing? And how did the L.A. band One Republic end up on this disc?) a single truth emerges: Timbaland's taste is impeccable, but his judgment is even better. Shock Value, by virtue of its swirly beats and mesmerizing rhythms, will bring him a smidge closer to the spotlight. But because it's a disc of collaborations, he'll retain the shadowy-genius reputation that precedes him, and that he so richly deserves. --Tammy La GorceCustomer Reviews:
Shocked at shock value.......2007-07-13
I think he is a wild stallion, but it just felt like something was pulling back on the reins, something was MISSING.
I can't put my finger on it, but felt this album was...Too controlled to offer an SHOCK to me.
I wanted a cut loose RAW BEAT album.
I was satisfied, but being satisfied means the content was just satisfactory. I want to be satiated. I hope another album is to follow this, I really do. I'm addicted to the beats, Timbaland is EXCELLENT for those. I can't get enough. BUT, please next time don't just shock me.
I want shock waves, electricty to the veins. Maybe next time.
Can't stop Tim.......2007-07-09
two decent cuts.......2007-06-30
in the mid 90s timbaland sounded fresh - had a new style - and was known for his creative beats. you would never know that from this new cd. theres nothing remarkable about the beats - the melodies dominate. do we buy timbaland albums for the melodies? i dont think so.
timbaland isnt trying to impress anyone - and when artists arent hungry and have no one to impress they slack off and make lame albums like this.
Amazing.......2007-06-27
(2.5 Stars) He Definitely Gives You Some 'Shock Value' With This CD!.......2007-06-26
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Because Of You
Ne-Yo Manufacturer: Def Jam ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NVL4EW Release Date: 2007-05-01 |
Tracks:
- Because Of You
- Crazy (feat. JAY-Z)
- Can We Chill
- Do You
- Addicted
- Leaving Tonight (feat. Jennifer Hudson)
- Ain't Thinking About You
- Sex With My Ex
- Angel
- Make It Work
- Say It
- Go On Girl
Amazon.com
Kelly Clarkson, kindly step aside: the title "Because of You" now belongs to Ne-Yo, who has done things with it no one with a pair of hands to clap will soon forget. And not just on the phenomenally appealing first single. Throughout Because of You, the sophomore disc by the songwriter responsible for such monster hits as Beyoncé's "Irreplaceable" and Rihanna's "Unfaithful," a flutter-voiced fluidity--the kind seldom heard since Michael Jackson's Off the Wall days--reigns. Jay-Z makes room to let it rip on "Crazy," and Jennifer Hudson wraps herself around it with restraint on "Leaving Tonight," a lovers' quarrel that could hold its own against anything Marilyn McCoo & Billy David Jr. cared to toss off in their heyday. If it's MJ who's lingered in Ne-Yo's ear longest, Prince hasn't gone silent, either: echoes poke up on the far-out "Sex with My Ex." Elsewhere, shades of contemporaries such as Nelly and Diddy show through. Overall, though, Ne-Yo's flammable hooks, flirty vibe, and flawless vocals reveal an R&B genius in the making. If the talent bar for up-and-comers is set impossibly high in the coming years, chances are it will be all because of him. --Tammy La GorceCustomer Reviews:
Quite Impressive!.......2007-07-12
This sophomore release by Neo shows maturity, growth and solidifies his presence in the R & B genre. Because of You, Crazy minus J-Z intro., Do You, Leaving Tonight, Aint Thinking About You, Make it Work, Tell Me, are most noteable. Which is quite a number of tracks, practically the whole CD. Each track flows into the next, you can really just press play and relax, let the music work it's magic.
BET Awards Show said it "Best R&B Male" enough said.
Love This CD.......2007-07-12
2. Crazy f/ Jay-Z
4. Do You
6. Leaving Tonight
11. Say It
I recommend this CD to listeners who prefer a CD that isn't filled with featured rappers!
"say it".......2007-07-10
Great Sophomore Album!.......2007-07-07
My favorite songs on the album: "Crazy" (featuring Jay-Z, it's well written and a really smooth entry on the CD); "Can We Chill" (smooth dance track about being in a club, which I usually hate, but this one is pretty well written as well and I love the beat and melody), "Addicted" (the premise is funny, and if you can laugh good-naturedly at Ne-Yo's grandstanding in the CD -- it's a great song), "Leaving Tonight" (I love Jennifer Hudson, she sounds like a goddess on this CD, American Idol shouldn't have cut her and I hope she comes out with a CD ASAP!) and "Sex With My Ex" (Prince fans should flock to this one, it sounds like something The Artist would've sung.)
Best.......2007-07-06
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Double Up
R. Kelly Manufacturer: Jive ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P29B3U Release Date: 2007-05-29 |
Tracks:
- The Champ featuring Swizz Beatz
- Double Up featuring Snoop Dogg
- Tryin' To Get A Number featuring Nelly
- Get Dirty featuring Chamillionaire
- Leave Your Name
- Freaky In The Club
- The Zoo
- I'm A Flirt Remix featuring T.I. and T-Pain
- Same Girl duet with Usher
- Real Talk
- Hook It Up featuring Huey
- Rock Star featuring Ludacris and Kid Rock
- Best Friend featuring Keyshia Cole and Polow Da Don
- Rollin'
- Sweet Tooth
- Havin' A Baby
- Sex Planet
- Rise Up
Amazon.com
R. Kelly's rep could be considered controversial at best, but that's not to say the man who does for raunch what Beyoncé does for backsides (that is, caused the masses to arrive at a more multidimensional consideration) is not a fascinating artist. On Double Up, arguably his most sex-crazed, diabolically sleazy CD to date, Kelly grunts like a monkey, envisions a hot and heavy interplanetary romp, and indulges in NC-17-rated rhymes. Stylistically, the self-described king of R&B kicks up a hip-hoppy storm, spitting rapid-fire rhymes and tossing the 'n' word around too freely. But then there's the saving grace: that voice. Throughout a couple of inspirational numbers and collaborations with friends such as Usher ("Same Girl") and Nelly ("Tryin' to Get a Number"), Kelly does what he did so capably on the megahit "I Believe I Can Fly": he reaches even reluctant listeners with deep-seated sincerity. Even when he doesn't, he still knows how to capture catchy--first single "I'm a Flirt," for example, locks it up with a whisper and a wink. --Tammy La GorceAlbum Description
The King of R&B's Double Up delivers a potent potion of pure signature R&B with some Hip Hop on top. Featuring collaborations with T.I., T-Pain, and more, the legendary R. Kelly joins forces with some of the hottest and best Hip-Hop talent and the result is fiercly sexy. From the amazing duet with Usher "Same Girl", to the smooth stylin of "Freaky In The Club," fans around the globe will jump at the opportunity to Double Up with R. KellyCustomer Reviews:
An OK Album.......2007-07-17
very good.......2007-07-15
R-Kelly brings it again.......2007-07-15
One song about SEX PLANET!.......2007-07-14
Still at large!.......2007-07-11
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Epiphany
T-Pain Manufacturer: Jive ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P0JQ9Q Release Date: 2007-06-05 |
Tracks:
- Tallahassee Love
- Church featuring Teddy Verseti
- Tipsy
- Show U How featuring Teddy Pain & Teddy Penderazdoun
- I Got It
- Suicide
- Bartender featuring Akon
- Backseat Action featuring Shawnna
- Put It Down featuring Ray, Teddy Penderazdoun & Teddy Verseti
- Time Machine
- Yo Stomach featuring Tay Dizm
- Buy U A Drank (Shawty Snappin')Featuring Yung Joc
- 69 featuring J Lyriq
- Reggae Night
- Shottas featuring Kardinal Offishall & Cham
- Right Hand
- Sounds Bad
Amazon.com
T-Pain opens the liner notes to his hotly anticipated second disc with a couple of helpful definitions: An epiphany is "the manifestation of a supernatural being" (definition No. 1) or "a sudden moment of insight or revelation" (No. 2), the opening page puts forth. Because most of the R&B record-buying world knows that T-Pain is not a supernatural being, but a stylish and inventive singer from Tallahassee, it would seem the second definition inspired the title--T-Pain probably felt flashes of inspiration when laying out the lyrics. A single spin ought to convince listeners a little of both factored in, though: Songs like "Bartender" and "Buy U a Drank" send out a southern hip-hop vibe silky enough to be considered a revelation (thanks partially to Akon, who pitches in on "Bartender"). And because the entire album leans hard on the vocoder, tracks such as opener "Tallahassee Love," a nod to Tupac's "California Love," sound otherworldly, a la definition one. Throughout, T-Pain hands out hooks like there's been a two-for-one sale. Maybe they came to him in a series of epiphanies. Or maybe a benevolent R&B being--some supernatural force who knows how to make a hit record--whispered them in his ear. --Tammy La GorceCustomer Reviews:
Pretty Good.......2007-07-03
Not impressed; More substance and hits would've been nice..........2007-07-01
The album begins with the introductory track, "Tallahassee Love" in which T-Pain not only defines "epiphany" but also gives love back to his hometown, Tallahassee. It is completely unnecessary, as with most intro tracks, but it is actually better than some of the full length tracks on EPIPHANY. "Church" has the most undeniably catchy groove of EPIPHANY with an incredibly soulful guitar riff, tropical sounding drum-programming, and random interspersed "rah!" during the verse. Vocally, T-Pain sounds top notch, even if he is halfway between singing and rapping. T-Pain sounds among the hardest ever when he sings: "***damn, you think you cool, you think I'm not, you think you're tough, ***damn, you think you're hard, you think I'm soft, you think you're rough... I'm gonna have to take you're a** to church..." Sure the song's ridiculous, but it is worthy of spins in the CD player. "Tipsy" features overall repetitive, but sound production work, with an undeniably catchy sounding synth-line. Sure the track lacks substance, but it is the same man who took "I'm N Luv Wit A Stripper" to #6 on the pop charts. "Show U How" is plain annoying and odd, though the hook is well performed. "Suicide" is perhaps T-Pain's first attempt at being serious (it is a song about AIDS), but he falls short, particularly when he uses clumsy lines as "cause I f***** her/ and didn't have a rubber on me." Sure, it is a worthy enough track, but again, it comes over cornier than it ultimately should.
Second single "Bartender" tries to bank on the success of the great "Buy You a Drank", but it also falls short. It isn't bad, but the repetitive piano loop doesn't quite sell as well as the great "Buy You A Drank". Sure, T-Pain jacks his discoverer Akon, but it still doesn't make "Bartender" as top-notch as the inescapable first single. "Backseat Action" features mammoth drums supporting T-Pains heavily produced vocals (that stupid vocal effect again) and proves to be one of this albums few stronger tracks. "Put It Down" is solid as well, making it look like EPIPHANY might have a stab at redeeming itself after a number of misses via "Show U How" or even the utter unconvincing nature of "Suicide". "Put It Down" actually has some very nice moments, even moreso than "Backseat Action". "Time Machine" is a miss, while "Yo Stomach" is OK. "Buy You a Drink" almost comes too late, and is followed by misses that continue all the way to the end of the album ("69", "Shottas", "Right Hand", and finally "Sounds Bad").
It's unfortunate for T-Pain because had he bottled the best of EPIPHANY and perhaps written songs with more substance not so focused on sex or the strip-club, he may have truly had his FIRST epiphany. Sure at times, EPIPHANY is on the edge of at least being average, but with so many misses and with numerous unconvincing moments and a title such as EPIPHANY, a listener can't help but rip on T-Pain. More substance in the future please - you are a talented rapper and vocalist. 2 stars.
I'll take a drink over this album anyday!.......2007-06-28
Not Impressed.......2007-06-23
He's different and I like it.......2007-06-22
Four stars no doubt!
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From Nothin' to Somethin'
Fabolous Manufacturer: Def Jam ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MCID4Q Release Date: 2007-06-12 |
Tracks:
- From Nothin' To Somethin' Intro
- Yep, I'm Back
- Change Up feat. Akon
- Make Me Better feat. Ne-Yo
- Baby Don't Go feat. T- Pain
- Return Of The Hustle feat. Swizz Beatz
- Gangsta Don't Play feat. Junior Reid
- Real Playa Like feat. Lloyd
- First Time feat. Rihanna
- Diamonds feat. Young Jeezy
- Brooklyn feat. JAY-Z & Uncle Murda
- I'm The Man feat. Red Café
- Jokes On You feat. Pusha T
- What Should I Do feat. Lil' Mo
Amazon.com
It's hard to catch a break when you're Fabolous. Though his skills as a manufacturer of blazing-hot street bangers and pop-crossover hits have not gone unnoticed by the hip-hop hype machine, the Brooklyn rapper hasn't come close to matching 50-Cent and similarly gifted superstars in the sales department. Which accounts for his decision, with album No. 4, to do somethin' about it. From Nothin' to Somethin' rounds up a massive herd of talent--Akon is here, and so are Swiss Beatz, Rihanna, Young Jeezy, Jay-Z, Lloyd, Junior Reid, Ne-Yo, and T-Pain. It's a little hard to locate Fabo on "Change Up," the Akon track, but otherwise he goes about spreading his Fabolousness throughout: "Diamonds," a bling-centric track with Jeezy, benefits from a borrowed take-it-easy Southern drawl, "Brooklyn" brings it home for New York with a spirit seldom seen since the East Coast/West Coast war was at its nastiest, and "Return of the Hustle" solidifies a career built on street cred with an asphalt-hot beat. Start to finish, but especially on the Timbaland-helmed "Make Me Better," production is top-notch. If there's a disc that can restore the fabulousness to being Fabolous, Somethin' is it. --Tammy La GorceCustomer Reviews:
Best Cd Yet.......2007-07-19
LOSO DOES IT AGAIN.......2007-07-19
Fab's has another hit.......2007-07-12
Decent.......2007-07-11
"From Nothin To Somethin" is a 15 track release with collaborations on all but 2 songs.
The album gets off to a pretty good start with "From Nothin To Somethin Intro", a decent opener that kind of sounds like a freestyle. the beat is crazy. And if the song was a little bit longer instead of just being an intro it would probably be one of the better songs on here. This album is basically the typical rap album these days. You got the songs where he constatly brags about himself ("Yep, I'm Back", "I'm The Man" feat. Red Cafe & "Jokes On You" feat. Pusha-T of The Clipse). As well as the songs for the ladies ("Baby Don't Go" feat. T-Pain, "Make Me Better" feat. NE-YO, "First Time" feat. Rihanna & "Real Playa Like" feat. Lloyd). You got the club bangers ("Diamonds" feat. Young Jeezy & "Return Of The Hustle" feat. Swizz Beatz). "Brooklyn" feat. Jay-Z & Uncle Murda has a great beat. But the hook is very dissapointing. It reminds me of "New York S**t" from Busta Rhymes's cd The Big Bang. The standout track for me is "Gangsta Don't Play" feat. Junior Reid. The beat is tight and Fab and J Reid deliver a solid street track. The only two songs that Fabolous really shows any hunger on are "Change Up" feat. Akon and the deep track "What Should I Do" feat. Lil Mo. And the bonus track "This Is Family" feat. Ransom, Freck Billionaire, Red Cafe, Joe Budden & Paul Cain is a solid posse cut. This album will go platinum but it isn't album of the year material.
My Top 5
1. "Real Playa Like" feat. Lloyd
2. "Diamonds" feat. Young Jeezy
3. "Change Up" feat. Akon
4. "Return Of The Hustle" feat. Swizz Beatz
5. "Make Me Better" feat. NE-YO
Honorable mention tracks
- "Gangsta Don't Play" feat. Junior Reid
- "Brooklyn" feat. Jay-Z & Uncle Murda
- "What Should I Do" feat. Lil Mo
From Nothin' To Somethin'.......2007-07-10
Average customer rating:
|
Sex Love & Pain
Tank Manufacturer: Blackground Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P6R822 Release Date: 2007-05-15 |
Tracks:
- Coldest
- I'm Coming Home
- My Body
- Please Don't Go
- I Hate You
- Heartbreaker
- Who Dat
- When
- Wedding Song
- My Heart
- I Love You
- I Love Them Girls
Amazon.com
Tank, on Sex, Love & Pain, is like Luther Vandross only slightly lewder: He'll be the first to admit, as he does on the three-part opening track "Coldest," that he's "somewhat of a hustler out here on the street... occasional strip clubs and shots of Hennessy." That doesn't stop him from laying his heart on the line, though. Repeatedly. Midtempo grooves like "I'm Coming Home," a hopeful reunion song, and "Heartbreaker," a limber-voiced lament that outlines a crumbled relationship, show Tank's tender side and take the romantically inclined places more real-seeming than Luther's songs. Throughout the long lineup of love-gone-wrong tracks, the brawny guy with the tattooed back doesn't forget his playful side, either. Before Timbaland sidles up and gets closing track "I Love Them Girls" all trademark-sizzly, Tank does some titillating of his own via the sexed-up steamer "My Body." --Tammy La GorceCustomer Reviews:
R & B is back.......2007-07-19
Lovin This CD.......2007-07-13
Left alot to be desired.......2007-07-04
BANGING.......2007-07-03
Hmm, not much here.......2007-06-30
There may be someone out there that likes this album but it just wasn't working for me.
Sorry.
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