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1. Ti Voglio Tanto Bene
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2. Si Mes Vers Avaient des Ailes
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3. Chanson de l'Adieu
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4. Serenata
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5. Chanson d'Amour, No. 7
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6. Sylvia
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7. Musica Proibita
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8. Still Wie Die Nacht, Op. 326, No. 27
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9. Pour un Peu d'Amour
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10. Adorables Tourments
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11. Tu Me Dirais
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12. Rodonami la Calma
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13. Freschi Luoghi, Prati Aulenti
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14. Ich Liebe Dich
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15. Ô Lieb
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Si Mes Vers Avaient des Ailes,Richard Barthelemy,Carl Bohm,Cecile Chaminade,Ernesto de Curtis,Stefano Donaudy,Emanuel Aloys Forster,Stanislao Gastaldon,Reynaldo Hahn,Franz Liszt,Franz Schubert,Lao Silesu,Oley Speaks,Paolo Tosti,Janine Lachance,Georges Coulombe,Disques Xxi Canada,20th/21st Century Music for Voice and Keyboard,Int'l & World Music,Miscellaneous,Miscellaneous Music,Pop,Romantic Music for Voice and Keyboard,Solo Voice(s) and Orchestra,Vocal,Vocal Music
Average customer rating:
- Susan Graham, Songs of Reynaldo Hahn
- Excellent Catalyst for Seduction. Buy It.
- Graham's Artistry Makes for Compelling Listening in a Collection of Songs from a 'Minor' Composer
- The beauty of "La Belle Époque"
- A very good Hahn collection
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Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn)
Reynaldo Hahn , Susan Graham , and Roger Vignoles
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Susan Graham ~ Berlioz - Les nuits d'été
- Susan Graham - Songs of Ned Rorem
- Poèmes de l'Amour
- Susan Graham - Mozart & Gluck Arias ~ Il tenero momento
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ASIN: B00000AG7M
Release Date: 1998-09-15 |
Tracks:
- A Chloris
- Le Rossignol des lilas
- L'Enamour
- Trois Jours de vendage
- Lyde
- Tyndaris
- Phyllis
- Les Fontaines
- L'Automne
- Infidelit
- Dans la nuit
- D'une prison
- Quand la nuit n'est pas teoilee
- Fume
- Le Printemps
- Je me souviens
- Quand je fus pris au pavillion
- Paysage
- Fetes galantes
- Nocturne
- Mai
- L'Heure exquise
- Offrande
- Si mes vers avaient des ailes
Amazon.com
Lyric mezzo-soprano Susan Graham stands out from the crowd for her expressive, opulent voice and communicative gifts. Someone at Sony has made the decision to place her in the public mind primarily as a singer of French works, and although it would be a shame to see her limited to that area of the repertoire, she does sing the French repertoire exceptionally. Graham sings sensitively and idiomatically in this group of 24 songs by Reynaldo Hahn (1875-1947), a Venezuelan-born, French-reared composer and conductor who knew how to craft a song like few others. In such lovely songs as "A Chloris," which opens the album, and "Je me souviens," Hahn creates a bevy of beautiful little worlds, which Graham and the outstanding pianist Roger Vignoles present in memorable form. This album belongs in the collection of all lovers of song. --Sarah Bryan Miller
Customer Reviews:
Susan Graham, Songs of Reynaldo Hahn.......2007-01-10
Stunning. The sticker on the front of the CD (New York Times quote) says it all: "breathtaiking and unforgettable!".
Excellent Catalyst for Seduction. Buy It........2006-05-19
'La Belle Epoque, The Songs of Reynaldo Hahn' by mezzo-soprano Susan Graham, accompanied by pianist, Roger Vignoles, is much different from my earlier subject of a Graham Review, some songs from Berlioz. The Berlioz material struck me as a concerto for orchestra and voice. This was excellent material for to wow a mate on a first date. Reynaldo Hahn's chamber songs are for much more intimate venues and objectives. Even more than any other 'Lieder' or 'Chansom' specialist I can think of, these are the sorts of things you want to use when the object is seduction.
The songs are so gentle and so seductive that they are as likely to set the tone for the seducer as well as for the seductee. Even if you are not in a seductive situation, the songs will make you want to be there.
All this means is that while Reynaldo Hahn does not have the great reputation of Berlioz or Shubert or Schuman or Debussy, you really should know his songs, and Ms. Graham does a great interpretation to make this introduction.
Graham's Artistry Makes for Compelling Listening in a Collection of Songs from a 'Minor' Composer.......2006-02-27
This was only Graham's second solo outing, and for many listeners it confirmed the promise of her d?but recording of "Les Nuits d'?t?" -- an unusual accomplishment for a relatively minor project.
I know the songs of Reynaldo Hahn from a number of worthy recordings from other artists -- Rachel Yakar, Martyn Hill, Bruno Laplante, Mady Mespl?, Graham Johnson & Co. (the Hyperion French Song Edition), one-offs on Elly Ameling albums, not to mention vintage recordings by Hahn himself. All the same, this recording was a complete revelation. Her beauty of tone, her ease with the French language (surpassing, I daresay, the much-vaunted Francophony of Felicity Lott), her canny selection of songs, Vignoles's sensitive accompaniment, they all add up. But there's that (ahem) je-ne-sais-quoi that makes something a classic, and this album has it. It captures an era, it creates a time and place that come wafting out of your speakers.
My favorite song on this record is "Si la nuit n'est pas ?toil?e" -- it is a rapturous melody to a quintessential Victor Hugo text. But there is nary a false note on the entire album. I do recommend, if you can find it, the Ameling album "Serenata," which includes two Hahn songs I haven't encountered elsewhere, "L'amiti?" with its faint melancholy and "La vie est belle" with its French ?lan.
As we know, Graham has gone on to much bigger things, but she retains her commitment to the art of song and to breathing fresh life into French rarities (as in her delightful operetta album). In terms of tone, timbre, and intonation, for my money she has the most beautiful voice in opera today. My only hope is that she doesn't go the way of Ren?e Fleming and become The Voice Beautiful ... she veered a bit in that direction with her recent Chausson record, and I hope she gets back to business and gets her vivid personality back in action in her song performances.
The beauty of "La Belle Époque".......2005-09-13
This is one of the most beautiful vocal recordings I have recently experienced. The songs of Reynaldo Hahn are beautiful gems exquisitly presented by the polished voice of Susan Graham. I have gone back to this recording many times.
A very good Hahn collection.......2004-12-05
Venezuelan-born Reynaldo Hahn was taken to Paris at age 3, and became, early enough (his most famous song, Si mes vers avaient des ailes, was composed when he was 12!) a steady feature in the musical life of Paris.
Lover of Marcel Proust, sought-after musical entertainer in the salons of the Highest Society, diarist, composer, singer, renowned conductor, influential music writer in the most powerful daily in France (Le Figaro) finally General Manager of the Opéra Comique before dying of a brain tumor in 1947, Hahn was a multi-faceted musician of the highest probity. His songs are simple, patrician, utterly elegant, and always set to the best poetry. His simplicity and purity of means accomplish in little what many pretentious thunderers fail even to approximate.
Hahn himself had a light little baritone voice, a little croak of a voice, really, with which he became popular in high society drawing rooms before the First World War: a voice that charmed duchesses and made the most reserved princesses smile. He even made some 50 records between 1920 and 1930, which show his unique, expressive musicality, unfailing sense of phrasing, elegance of style, and fine piano-playing (He almost invariably accompanies himself.)
Hahn's own 78s, and a very few others by the likes of Ninon Vallin, give a clear recorded testimony of how his songs ought to be performed: simply, elegantly, with charm.
Graham is a lovely singer and a supple musician. Her French is not exactly top-notch but most people will not care: they will respond to her beautiful sound and endearing manner. The pianist is also good.
Average customer rating:
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- The Essential Hyperion (Label Highlight Compilation)
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ASIN: B00004RITB
Release Date: 2001-01-09 |
Customer Reviews:
Nothing but hits.......2001-01-31
As with their first collection of label highlights, Hyperion's new two-disc collection provides a broad sampling of their exceptional catalogue and performers. Particularly rewarding are the selections from Beethoven (Scherzo from String Trio in C minor, op 9 no 3, performed by the Leopold Trio) and Thomas Tallis (Salvator mundi I, performed by the Winchester Cathedral Choir), but experienced and novice listeners alike will find much to enjoy on these discs. It's also a good value--more than 2 1/2 hours of music for less than $10.
Average customer rating:
- mesmerising
- great stuff
- Brazilian's Soprano
- The most charming voice you will ever hear!
- Perfection!
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Bidu Sayao: Opera Arias and Brazilian Folksongs
Bidu Sayao , Heitor Villa-Lobos , Charles Gounod , Jules Massenet , Reynaldo Hahn , Henri Duparc , Claude Debussy , Maurice Ravel , Charles Koechlin , Ernest Moret , Francisco Ernani Braga , Fausto Cleva , Pietro Cimara , Erich Leinsdorf , Paul Breisach , Leonard Rose , and Milne Charnley
Manufacturer: Sony
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Binding: Audio CD
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Similar Items:
- La Damoiselle elue / Opera Arias
- Rarities
- Villa-Lobos: Bachianas Brasileiras Nos. 1, 2, 5 & 9 / ORTF National Orchestra, De Los Angeles
- Bach Bachianas / Arleen Augér, The Yale Cellos of Aldo Parisot
- Villa-Lobos: Complete Music for Solo Guitar
ASIN: B0000029PG
Release Date: 1996-10-01 |
Tracks:
- Bachiana brasiliera no.5 Aria
- Romeo et Juliette: Je vieux vivre
- Faust: Roi de Thule
- Faust: Jewel Song
- Manon: Je suis encore tout etourdie
- Restons ici: Restons ici...Voyons, Manon
- Adieu, notre petit table
- Obeissions
- Si mes vers avaient des ailes
- Chanson triste
- L'Enfant Prodigue: L'annee en vain chasse
- De fleurs
- L'Enfant et les sortileges: Toi, le couer de la rose
- Si tu le veux
- Le Nelumbo
- Folk Songs Of Brazil: Nigue-nigue-ninhas
- Folk Songs Of Brazil: Capim di Pranta
- Folk Songs Of Brazil: O kinimba
- Folk Songs Of Brazil: Sao Joao da ra Rao
- Folk Songs Of Brazil: Engenho Noval
- Folk Songs Of Brazil: A Casinha pequenina
- Folk Songs Of Brazil: Meu boi barroso
- Folk Songs Of Brazil: Ogunde uarere
Amazon.com
Bidú Sayão's silvery, impeccably tuned voice was small in size, but rich in nuance, shading, and emotion. Her recording of the Villa-Lobos Bachiana Brasileira No. 5 is justly famous, unmatched for lightness and sensuality. Few have dashed off the Jewel Song from Faust with similar insouciance or imbued the last phrases of Manon's "Adieu , notre petite table" as touchingly as Sayão does here. Her French song interpretations glow with charm and style, and a previously unreleased snippet from Ravel's L'enfant et les sotilèges makes one regret she never recorded the entire role, Sony's transfers are more lifelike and three dimensional than previous issues. A delectable disc. --Jed Distler
Customer Reviews:
mesmerising.......2007-05-10
I first heard her voice on a Met compilation and became intrigued enough to buy this CD.
I love her voice...its so simple, unfussy and pure and yet so very unique. you know its her from the first few notes on.
I love her Manon, probably more so than Sills or Fleming. Her voice reminds me of De Los Angeles, but is different.
I'm glad I was introduced to this great, stylish and classy singer.
great stuff.......2007-01-24
I don't consider myself much more than a novice when it comes to opera; but I'm a musician, and I'd like to think I know good music when I hear it.
This is good music!
I've only recently become aquainted with Bidu Sayao, but I have to say that all the accolades I've read from the "experts" are well deserved. There is a character that shines through these recordings. And the recordings themselves are warm and pleasant, considering they come from mono shellac sides from another era.
There's something really special about this "vintage" music that seemingly cannot be replicated in modern recordings; an ethereal quality that's hard to explain, clearly belonging to the age from which it came. We are greatly enriched by its preservation!
Brazilian's Soprano.......2005-08-26
Excellent, amazing, recommend.
(excelente para conhecermos melhor uma das mais importantes e conhecidas sopramos de todo o mundo)
The most charming voice you will ever hear!.......2004-07-19
Bidu Sayão is considered the best Brazilian soprano ever and certainly one of the most taltented singers of the 20th century. Do you want to know why? This disc contains some important selections of Sayão's wonderful artistry. It includes arias and songs from French repertoire, in which Sayão is even in our days considered the most perfect example of French singing and style, some lovely Brazilian folksongs and her legendary recording of the Cantilena of Bachianas Brasileiras no. 5. It's a very good selection for every listener, since it shows Sayão's perfect vocal technique and sincere and moving interpretation. We have a joyful "Je veux vivre" as well as a heartbreaking "Adieu, notre petite table". Ah, but the true show here is her Bachianas Brasileiras. I'm absolutely sure you will never hear a better interpretation of this song! Sayão could sing from the most lyric parts and the most wonderful pianissimi to the most incredible coloraturas with no difficulty. Actually, she had exactly what I would call "perfect vocal technique", since it never, I mean, never fails. Her voice was small, but so carefully trained that it amazes me more than many big voices I heard. It's always pure, sweet and charming.
Dont' miss this singer who was maybe the best lyric soprano of the first half of the 20th century. If you are interested in listening to good music sung by a legendary voice, you really need to buy it!
Perfection!.......2003-12-16
There is a tremendous sincerity and perfection present in this CD. The Villa Lobos has attained classic status and should be owned by serious collectors. I have not heard No. 5 surpassed yet. Rosa Ponselle wrote in her biography that Sayao's pianissimi were "unequalled in my experience", the finest she had ever heard. Mind you, Ponselle heard them all including that Spanish Diva that made a career of singing softly. However, in Sayao's voice they have meaning are used to emotional effect superbly. Otherwise, the voice is so finely tuned that this old mono recording often gives a studio effect.
Bravo Madame Sayao!
Average customer rating:
- The artistry and allure of a French nightingale
- High note feast :)
- Simply beautiful high notes
- Mady Mesplé's wonderful album
- A glorious bit of memorabilia from a sadly forgotten soprano
|
The Very Best of Mady Mesplé
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
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General
| Delibes, Léo
| ( D )
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All Works by Donizetti
| Donizetti, Gaetano
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| Gounod, Charles
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All Works by Offenbach
| Offenbach, Jacques
| ( O )
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All Works by Poulenc
| Poulenc, Francis
| ( P )
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All Works by Satie
| Satie, Erik
| ( S )
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Strauss Jr., Johann
| ( S )
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All Works by Thomas
| Thomas, Ambroise
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All Works by Verdi
| Verdi, Giuseppe
| ( V )
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All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
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| Rossini, Gioacchino
| ( R )
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Similar Items:
- Airs D'opérettes
- Very Best of
- Natalie Dessay - French Opera Arias
- The Very Best of Kirsten Flagstad
- The Very Best of Régine Crespin
ASIN: B0006VYELY
Release Date: 2005-04-26 |
Tracks:
- Ah!...Ou Va La Jeune Hindoue?
- Ah! Je Veux Vivre
- Oui! Pour Ce Soir...Je Suis Titania La Blonde (Polonaise)
- Les Oiseaux Dans La Charmille
- A Vos Jeux...Partagez-vous Mes Fleurs...Et Maintenant, Ecoutez Ma Chanson!
- Una Voce Poco Fa
- Ah! Non Credea Mirarti...Ah! Non Giunge
- Di Piacer Mi Balza Il Cor
- Gualtier Malde...Caro Nome
- Il Dolce Suono...Ardon Gl'Incensi...Spargi D'Amaro Pianto
Tracks:
- Quartet No.2 For Soprano, Violin, Viola, & Cello
- In Furore Giustissimae Irae
- I. La Dame D'Andre - Gabriel Tacchino
- II. Dans L'Herbe - Gabriel Tacchino
- III. Il Vole - Gabriel Tacchino
- IV. Mon Cadavre Est Doux Comme Un Gant - Gabriel Tacchino
- VI. Fleurs - Gabriel Tacchino
- Les Chemins De L'Amour Op.106 (Anouilh) - Gabriel Tacchino
- A Chloris (Viau) - Dalton Baldwin
- Si Mes Vers Avaient Des Ailes (Hugo) - Dalton Baldwin
- L'Heure Exquise (Chanson Grises, Verlaine) - Dalton Baldwin
- Le Chapelier (Chalupt)
- Dapheneo (Godebska)
- La Diva De L'Empire (Intermezzo Americain) (Bonnaud & Bles)
- Ecoutez, C'est Le Chant Des Cigales
- Au Bord Du Chemin Qui Passa A Ma Porte
- La Bergere Colinette (Villanelle)
- Tout Est Soleil, Tout Est Printemps
Album Description
Details TBA. EMI. 2005.
Customer Reviews:
The artistry and allure of a French nightingale.......2007-06-03
This is one of the rare cases when the title of a CD matches completely its content. The Very Best of Mady Mesplé showcases the amazing talent and legacy of the beautiful lady that was the star coloratura soprano of the Paris Opera during the second part of the twentieth century. The first CD is dedicated to opera arias, and only a hearing of the first number, The Bell Song from Delibes' Lakmé, gives us a summary of what makes Mesplé so special. There is hardly a more musical or virtuosic version than the one presented here (from her complete recording of the opera). The legend is presented by the soprano with engaging interest and great attention to the words. The bell refrains are amazingly fast, with diminutive stacatti, a great trill and ravishing high notes. The final cadenza is very exciting, ending with a firm, beautiful high E that soars triumphally over the orchestra. All these qualities are present when she is singing Juliette, Philine, Ophélie and Olympia. Particularly on this last aria she conveys in her voice the illusion of hearing an automaton instead of human being and there is no ornamentation except on an interpolated high Eflat at the end. It is remarkable how Mesplé always is musical with her ornamentation. The Italian arias that end the first Cd are very pretty, even though they are not as successful, given the distinctive sound of the soprano, more in her element with the nuances of her native language than the legato singing that is proper to the belcanto style. However, the arias are still lovely, specially Una voce poco fa, where Mesplé showcases not only her high register but also the lower part of her voice by singing the first part of "Io sono docile" exactly the way it is written. CD number 2 takes the listener to a totally different aspect of Mady Mesplé's artistry with incursions into contemporary music, a Baroque cantata, French art song and French operetta. The Quartet no.2, for soprano, violin, viola and cello is a very demanding piece where the soprano becomes another instrument: dissonant and difficult intervals are required in all the registers of the voice. The soprano succeeds on this as well as the motet by Vivaldi, a totally different number of equal difficulty. A great part of the CD is then dedicated to songs by Poulenc, Hahn and Satie, where the singer perfectly conveys the mélodie style with her very distinctive sound, that can convey all degrees of emotion, from innocence to worldliness. Specially remarkable are Poulenc's Le chemin de l'amour, Hahn's Si mes vers avait des ailes and Satie' La diva de l'empire. The final part of the CD is dedicated to French operetta arias, a very important part of Mesplés discography. All the selections are a delight. It is worth noticing that she recorded the virtousic aria from Massé's Les noces de Jeanette in 1981, in the later part of her career and there is no difference in the sound and technique from Mesplé's debut recordings. The CD ends in a high note (literally and metaphorically) with a delightful waltz by Johann Strauss where she ends with a stunning Aflat over high C. In summary, this is a superb presentation of the career of Mady Mesplé, a singer who was not only one of the most stunning coloraturas of all time, but also a gifted and versatile artist.
High note feast :).......2006-10-02
I love this set. Her voice is similar to that of Pons, but this is in clear stereo sound! And her highest notes don't sound like whistle tones! The Bell song won me over; Sutherland is still my favorite singer, but she did not have the acuti of Mesple. Very good listening here.It is all so effortless - that final note on CD 2 (A-flat above high c''') is astonishing!
Simply beautiful high notes.......2006-08-14
I feel ashamed of myself. Really. For all the years I have been listening to pons and sutherland and callas and the more recent dessay and jo, I never really paid attention to Mady Mesple. I really wished I had. Her voice is so pure and bell-like similar to Pons but with a much richer middle range and with the most impressive solid low range I have heard on a coloratura sopranos. It is a tragedy that she was over shadowed by the coloratura powerhouse which is Joan Sutherland. Her high notes are to die for and really it would hard to find anyone who can hit them like her. She may not have Pons agility but the lightness and tone of her high e flat can certainly go head to head with pon's and may possibly be a tiny step above pon's which up until this point didn't think was possible.
Mady Mesplé's wonderful album.......2005-08-30
I felt a sense of awe listening to Mady Mesplé's voice. Of the two CD set, I much prefered CD #1 as #2 was a bit too modern for me. #1 has many of my favorite soprano arias, and Mlle. Mesplé did them all justice.
A glorious bit of memorabilia from a sadly forgotten soprano.......2005-05-10
Mady Mesple is one of the best kept secrets of the music industry today. Of course, when you're singing around the same time as Joan Sutherland you're rather likely to be overshadowed. Still, Mesple offers a wealth of musical goods that even Sutherland never could have given. Not only is her coloratura technique virtually flawless, she (gasp)inflects every word she sings with great sensitivity to the text, never losing grasp of the character she is striving to portray. Of course, she does have a rather controvertial aspect to her voice that many listeners may object to, As a classic french coloratura, her vibrato is VERY fast, fluttering tremulously at all times but never getting in the way of her pitch. Still, her high notes are exceptional (the second CD ends with a glorious high A flat) and the fresh, girlish beauty of her tone is unsurpassed even today (my apologies to Natalie Dessay). Be sure not to miss her Bell Song, by FAR the best I have ever heard! Her voice has a crystaline quality that is PERFECT for that particular aria. Her Doll Song is rather weak, but her mad scene from Hamlet MORE than makes up for it (can we say eight seconds of beautiful high F harp?!!). The second CD offers Mady in a more matura phase of her life, singing sensuously in more traditional art songs before going on to challenging operetta arias. And you won't want to miss the violin, viola, cello, soprano quartet that opens the CD!!! Let's just say you're in for a surprise... this CD is a must-have!
Average customer rating:
- Exceptional in every way
- Hidden treasure
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Mattiwilda Dobbs sings Arias & Songs
Manufacturer: Testament
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
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All Works by Brahms
| Brahms, Johannes
| ( B )
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Chausson, Ernest
| ( C )
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General
| Delibes, Léo
| ( D )
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General
| Fauré, Gabriel
| ( F )
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All Works by Massenet
| Massenet, Jules
| ( M )
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All Works by Schubert
| Schubert, Franz
| ( S )
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| Verdi, Giuseppe
| ( V )
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| Wolf, Hugo
| ( W )
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| Modern, 20th, & 21st Century
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| Romantic (c.1820-1910)
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Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
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General
| Classical
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Romances
| Classical (c.1770-1830)
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Modern & 20th Century
| Historical Periods
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Romantic (c.1820-1910)
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General
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General
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French
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Italian
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Russian
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ASIN: B00000IAES
Release Date: 1999-03-09 |
Tracks:
- The Golden Cockerel: Act II: Hymn To The Sun: All Hail To Thee, O Sunlight
- Manon: Act III: Gavotte: Obeissons, Quand Leur Voix Appelle
- La Sonnambula: Act II: Ah! Non Credea Mirarti
- Lakme: Act III: Berceuse: Sous Le Ciel Tout Etoile
- Lakme: Act I: Recit: Les Fleurs Me Paraissent Plus Belles - Aria: Pourquoi Dans Les Grands Bois
- Rigoletto: Act I: Scene: Pari Siamo!
- Rigoletto: Act I: Duet: Figlia! Mio Padre
- Rigoletto: Act I: Scene: Gualtier Malde!
- Rigoletto: Act III: Final Duet: Chi e Mai
- Die Entzuckung An Laura
- La Pastorella
- Nacht und Traume, Op. 43 No. 2
- Heidenrosslein, Op. 3 No. 3
- Liebhaber In Allen Gestalten
- Auf dem Schiffe, Op. 97 No. 2
- Wiegenlied, Op. 49 No.4
- Nachtigallen Schwingen, Op. 6 No. 6
- Botschaft, Op. 47 No. 1
- Die Sprode
- Die Bekehrte
- Zitronenfalter Im April
- Clair De Lune, Op. 46 No. 2
- Notre Amour, Op. 23 No.2
- Si Mes Vers Avaient Des Ailes
- Le Colibri, Op.2 No.7
- La Cigale, Op. 13 No. 4
Customer Reviews:
Exceptional in every way.......2001-10-11
Coloratura repertoire is difficult to compile. You would think that a "best of sample" just wouldn't flow. Well, sometimes old-timers shrug and this CD shows you why. The repertoire selection is diverse, ranging from arias with full orchestra to intimate art songs. And Ms. Dobbs is at the height of her purity of sound and technique.
Dobbs is currently a judge for the Marian Anderson Vocal Competition. Hearing this CD places you in a different time when she made such an impact on music-making as a whole. This CD is great for the vocal student learning new songs and diction, and at the same time for the expert seeking quality. Simply exceptional, it's a CD you can't just copy/burn from a friend.
Hidden treasure.......2000-01-27
A friend who is an opera buff and something of a historian introduced me to this pioneer and almost forgotten voice. A Marian Anderson contemporary,Ms.Dobbs is a diva in her own right with a sweet and powerful voice. A joy and thrill to listen to.
Average customer rating:
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Marcella Sembrich: The Victor Recordings
Manufacturer: Real Sound
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
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All Works by Chopin
| Chopin, Frédéric
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| Donizetti, Gaetano
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| Flotow, Friedrich von
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| Gounod, Charles
| ( G )
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General
| Lehár, Franz
| ( L )
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
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| Schubert, Franz
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| Schumann, Robert
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| Strauss, Richard
| ( S )
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| Thomas, Ambroise
| ( T )
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| Verdi, Giuseppe
| ( V )
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| Rossini, Gioacchino
| ( R )
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General
| Classical (c.1770-1830)
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Vocal & Song
| Romantic (c.1820-1910)
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General
| Classical
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Romances
| Classical (c.1770-1830)
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Modern & 20th Century
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Romantic (c.1820-1910)
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French
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German
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Italian
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Operettas
| Opera & Vocal
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ASIN: B000001S3T
Release Date: 1997-08-12 |
Tracks:
- La Traviata: Ah! Fors' E Lui...Sempre Libera
- Voci Di Primavera [Fruhlingsstimmen]
- La Sonnambula: Ah, Non Giuge
- Standchen
- Der Nussbaum
- Zyczenie: [The Madien's Wish]
- Faust: Ah! E Strano Poter Il Viso 'Air Des Bijoux'
- Don Giovanni: Batti, Batti, O Bel Masetto
- La Traviata: Ah! Fors' E Lui...Sempre Libera
- La Traviata: Ah! Fors' E Lui...Sempre Libera
- Lucia Di Lammermoor: Ardon Gl'incensi 'Mad Scene'
- Voci Di Primavera [Fruhlingsstimmen]
- Rigoletto: Caro Nome
- Parla
- Ernani: Ernani, Involami...Tutto Sprezzo
- Don Pasquale: Ma Brava...Vado, Corro
- Don Giovanni: Batti, Batti, O Bel Masetto
- Faust: Ah! Je Ris De Me Voir Si Belle 'Air Des Bijoux'
- Le Nozzle Di Figaro: Deh Vieni, Non Tardar
- La Sonnambula: Ah, Non Giunge
Tracks:
- Alessandro: Lusinghe Piu Care
- Home, Sweet Home
- Home, Sweet Home
- Martha: The Last Rose Of Summer
- The Lass With The Delicate Air
- Il Barbier Di Siviglia: Una Voce Poco Fa
- Halka: Gdyby Rannem Slonkiem (If With Early Sunshine)
- Martha: The Last Rose Of Summer
- Hamlet: Doute De La Lumiere
- Mignon: Connais-Tu Le Pays
- The Nightingale
- The Nightingale
- Aime-Moi
- Zyczenie (The Maiden's Wish)
- Norma: Casta Diva...Ah, Bello A Me Ritorna
- I Puritani: Qui La Voce...Vien Diletto
- Le Nozze Di Figaro: Sull' Aria! Che Soave Zeffireto
- Si Mes Vers Avaient Des Ailes
- Wohin?
- Die Lustige Witwe: Dolce Armor
- Die Lustige Witwe: Dolce Armor
Customer Reviews:
Excellent!.......2004-12-28
Firstly, this is again one of those albums where we are listening to music recorded long before the age of even electrical recording. We are treated to some rather interesting interpretations. Some pieces are recorded twice, and it seems some times with piano and then again with orchestra. It makes for an interesting comparision.
Marcella Sembrich was a great singer in the days of Patti, and often seen as some as her superior. The interesting thing about Sembrich was her skills in music were not limited to voice, and unlike many singers of then (and even some of today) she did read music and understood its notations. In point of fact, she was a gifted pianist and a violinist. It was not rare in any of her concerts to be treated to song, piano sonatas (and very difficult music to say the least), and a violin concerto by some great composer, or Rode's variations for violin. When she first did such a concert in America, the critics were very tongue in cheek BEFORE the concert, certain they would be indulging some Prima Donna whim. To their surprise and delight, not only did she sing magnificently, she played better than some well renouned pianists and violinist. Her concerts were a musical feast.
However, this recording seems only to provide us with her voice (unless it is she who is accompanying herself on the piano, but no notations of that are indicated). There is the usual overly quick very unreflective tempi used that were common at that time to capture a piece in the allotted time. There are also cuts to pieces. From her attack, I would assume she was a bit past her prime when she made these recordings, as high notes are often begun like "excited screams" rather than a smooth effortless attack; but even then, they are not unmusical. Also, we are subjected to the tastes of that day, and there are things allowed that simply today would not be tolerated. Yet, that was tolerated back then, and even had the approval of the composers in most cases.
Interestingly, we will hear her sing songs that simply we would not associate with her voice type today. She sings Violetta, which we do associate with her voice, but she also sings Norma, and Elvira from Ernani, which we associate with more dramatic voices. Since she actually did sing those roles on stage, it must be assumed that her voice was large enough to make the affect required.
What I must say about this recording is the quality is supreme. Of course, we can expect much of the hiss associated with old recordings, but the remastering is so masterful that it is not a bother as it can be in some recordings, nor are we forced to "listen through the din" to hear the singer. She comes out loud and clear.
Truly this is an excellent set for any collector to add to their collection (and perhaps it should be listened to by some serious voice students just to understand many different ways to make coloratura singing sound MEANINGFUL), but it is not for everyone. IF you are not into old recordings, I really doubt it will be of interest to you. Truly it is for those who are dedicated to hearing the history of recorded singing and enjoying it.
Average customer rating:
- A star of the 'chansom'. Buy It.
- A fine, underestimated master of the mélodie
- Beautiful French lieder
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Songs by Reynaldo Hahn / Lott, Bostridge, Bickley; Johnson
Reynaldo Hahn , Graham Johnson , Felicity Lott , Ian Bostridge , and Stephen Layton
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
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| Music
General
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
Operettas
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Classical
| Imports
| Stores
| Music
Similar Items:
- Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn)
- Chansons Grises & other songs by Reynaldo Hahn
- The Songs of Henri Duparc
- Songs by Camille Saint-Saëns
- Reynaldo Hahn: Piano Quartet, Violin Sonata & Other Chamber Music
ASIN: B00000300V
Release Date: 1996-07-10 |
Tracks:
- If My Verses Had Wings
- A Landscape
- Reverie
- An Offering
- May
- Infidelity
- Alone
- The Swans
- Nocturne
- Three Days Of Vintaging
- From A Prison
- Seraphina
- The Exquisite Hour
- Fetes galantes
- Day
- I Submit To Your Mercy
- Smiling Spring, You Have Arrived!
- Air
- Peace
- Beware The Arrow From The Window
- Fishing
- When In Her Pavillion I Lost My Heart
- The Stars
- Autumn
- Night
- The Memory Of Singing
Tracks:
- When Night Is Not Studded With Stars
- The Loveliest Gift
- On The Water
- The Nightingale Among The Lilac
- To Chloris
- My Youth
- Since I've Pressed My Lips...
- Lydia
- Neaera
- Salinum
- Thaliarque
- Lyde
- You Will Drink...
- Tyndaris
- Pholoe
- Phidyle
- Phyllis
- The Water Nymph
- To The Nightingale
- I Remember
- Air de la lettre
- It Is Very Bad To Be Unfaithful
- There Are Trees...
- We've Had A Lovely Trip
- The Last Waltz
Customer Reviews:
A star of the 'chansom'. Buy It........2006-10-02
'Songs by Reynaldo Hahn',French 'chansoms' written by a Venezualean Jew and performed by an all star English team of vocalists and accompaniest, is quite enough for me to forsake my Shubert for a few hours and immerse myself in these evocations of the world's most musical language. My discovery of Hahn in this release and the similar collection by Susan Graham shows me that the salon art song did not die in the 19th century, even if offerings from artists in English, German, and Italian are a bit thin.
From my point of view of the amateur listener, these performances are simply so pretty, as with an overripe peach, they approach, but never pass over to the banal.
Beautiful songs, expertly realized.
A fine, underestimated master of the mélodie.......2004-12-05
Venezuelan-born Reynaldo Hahn (1875-1947) was taken to Paris at age 3 and became, early enough (his most famous song, Si mes vers avaient des ailes, was composed when he was 12!) a steady feature in the musical life of Paris.
Lover of Marcel Proust, sought-after musical entertainer in the salons of the Highest Society, diarist, composer, singer, renowned conductor, influential music writer in the most powerful daily in France (Le Figaro) finally General Manager of the Opéra Comique before dying of a brain tumor in 1947, Hahn was a multi-faceted musician of the highest probity. His songs are simple, patrician, utterly elegant, and always set to the best poetry. His simplicity and purity of means accomplish in little what many pretentious thunderers fail even to approximate. He was a minor master.
Hahn had a light little baritone voice, a little croak of a voice, really, with which he made himself enourmously popular in high society drawing rooms before the First World War: the voice that charmed duchesses and made the most reserved princesses smile! He even made some 50 records between 1920 and 1930, which show his unique, expressive musicality, unfailing sense of phrasing, unpretentious elegance of style, and fine piano-playing (He almost invariably accompanies himself.)
Hahn's own 78s, and a very few others by the likes of Ninon Vallin, give a clear recorded testimony of how his songs ought to be performed: simply, sincerely, with charm.
Charm is not in oversupply in this Hyperion collection (the singers are rather wooden English people with somewhat grey voices) but the other qualities are honestly, conscientiously supplied. Many of these pieces are not easily come by, especially in such well-recorded, well-accompanied perfomances, and though Hahn might perhaps have smiled to hear such a straight-laced presentation of his little creations, this album is really quite worth the asking price.
Beautiful French lieder.......1999-04-24
Reynaldo Hahn's early years coincided with the sway of French impressionism, and these early experiences with introverted poetic expression affected his life for ever. Hahn's songs are by nature reflective. Many of them are set to poems by impressionist poets, such as Verlaine; some of the most sublime ones grow out of the lyrics by Victor Hugo. Some of these songs subtly reflect Hahn's personal experiences: he was gay, unreconciled with himself, and closeted till the day he died. Even some of his closest friends didn't know the source of his restlessness. A one-time lover, and a life-long friend of Marcel Proust's, Hahn learned to express himself in song, the way Proust expressed himself through the chain of forever regressing recolletions in prose. The selection of songs on these two discs presents some of the best Hahn's output, exhibiting all the hallmarks of his style: subtly undulating accompaniment, melodies full of free-flowing intimacy, imaginative cadences, and plenty of room for interpretation by individual performers. Of the wonderful vocalists here, Steven Varcoe, a beguilingly beautiful baritone voice, deserves a special mention.
Average customer rating:
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Chansons Grises & other songs by Reynaldo Hahn
Reynaldo Hahn , Martyn Hill , and Graham Johnson
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn)
- Songs by Reynaldo Hahn / Lott, Bostridge, Bickley; Johnson
- Hahn: Recordings 1908-35
ASIN: B00004S3BH
Release Date: 2000-04-11 |
Customer Reviews:
A unique flavour.......2000-04-19
Reynaldo Hahn should be better known - his songs have a unique flavour and are often very appealing. The highlight on this disc is 'L'heure Exquise' which is my favourite French melodie. Martyn Hill has a most beautiful pure tenor voice, perfect for this repertoire, and Graham Johnson is immaculate in the airy sweetness of Hahn's accompaniments.
Recommended.
Average customer rating:
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The Sopranos
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ASIN: B0000A1HNV
Release Date: 2003-07-01 |
Tracks:
- 'Dove L'Indiana Bruna (Bell Song) - Amelita Galli-Curci
- 'Attendo, Attendo...Addio Del Passato' - Claudia Muzio
- 'Presso Il Bastion Di Siviglia' (Seguidille) - Conchita Supervia
- 'Vissi D'Arte' - Magda Olivero
- 'La Vergine Degli Angeli' - Rosa Ponselle
- 'Ave Maria' - Elisabeth Rethberg
- 'Che Puro Ciel' - Kathleen Ferrier
- 'Deh! Vieni, Non tanlar' - Toti Dal Monte
- 'Depuis Le Jour' - Nellie Melba
- 'Ah! Je Ris' - Landon Ronald
- 'Si Mes Vers Avaient Des Ailes' - Frank La Forge
- 'Gretchen Am Spinnrade' - Emma Eames
- 'O My Ratmit!' - Marianne Cherkasskaya
- 'Morro, Ma Prima In Grazia' - Ettore Panizza
- 'Ah, Vous Dirai-Je Maman' - Ada Sari
- 'Aufenthal' From Schwanengesang. D. 957, No. 5 - Maria Olczewska
- 'Dich Teure Halle' - Emmy Destinn
- 'Du Lieber Mond' - Ljuba Welitsch
- 'E Strano!... Ah, Fors'e Lui - Beniamino Gigli
Tracks:
- 'Ritourna Vincitor!' - Dusolina Giannini
- 'Mi Chaimano Mimi' - Licia Albanese
- 'Quel Guardo Il Cavaliere...So Anch'io La Virtu Magica' - Adelaide Saraceni
- 'Suicidio' - Celestina Boninsegna
- 'Spargi D'amato Pianto' (Mad Scene) - Lilly Pons
- 'Divinites Du Styx' - Helen Traubel
- 'Bolero' - Rosa Raisa
- Op.48 'Ich Grolle Nicht' - Arthur Nikisch
- 'Belle Lune D'argent' - Gerald Moore
- Chanson Provencale - Mado Robin
- Ach, Ich Fuhl's - Serge Koussevitzky
- Les Rossignols Des Lilas - Geori Boue
- (15th Cent.) Amor Amaro - Suzanne Danco
- Im Heimlichen Dammer - Maria Reining
- Ist Der Himmel Darum Im Lenz So Blau? - Bruno Seidler-Winkler
- Bel Raggio Lusinghier - Luisa Tetrazzini
- Nebbie - Alba Anzellotti
- Mild Und Leise (Liebstod) - Kirsten Flagstad
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The Very Best of Barbara Hendricks
Manufacturer: EMI Classics
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Binding: Audio CD
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ASIN: B0006VYEM8
Release Date: 2005-04-26 |
Tracks:
- Un Bel Di Vedremo
- O Mio Babbino Caro
- Ebben? Ne Andro Lontana
- Ecco: Respiro Appena. Io Son L'Umile Ancella
- C'est Des Contrebandiers...Je Dis Que Rien Ne M'Epouvante
- Pie Jesu
- Et Incarnatus Est
- Ave Maria
- Sanctus
- Panis Angelicus
- Ave Maria
- Inflammatus Et Accensus
- Kaddish 2
- Sometimes I Feel Like A Motherless Child
- Deep River
- Joshua Fit De Battle Ob Jericho
- Swing Low, Sweet Chariot
Tracks:
- Dans Un Bois Solitaire
- Die Forelle
- Gretchen Am Spinnrade
- An Sylvia
- Standchen
- Lachen Und Weinen
- Heidenroslein
- Standchen
- Wiegenlied
- Morgen
- Zueignung
- Jeg Elsker Dig
- Gruss
- Apres Un Reve
- Clair De Lune
- I. C'est L'Extase Langoureuse
- II. Il Pleure Dans Mon Coeur
- L'Invitation Au Voyage
- Les Filles De Cadix
- Reverie
- Le Rossignol Des Lilas
- Si Mis Vers Avaient Des Ailes
- Plaisir D'Amour
- Vocalise En Forme De Habanera
- Aria
- Vilja-Lied
Album Description
Details TBA. EMI. 2005.
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