Romantic Russia

Editorial Reviews

About the Artist
Valentin Fetisoff was born in Kharkov. His education began while still in Germany attending both German and Russian Gymnasiums. He completed his education in Washington, D.C. at American University.

Valentin Fetisoff likes to sing Russian and Ukrainian songs. He is credited in organizing the first Russian Club of Washington and his first two choirs, a male choir and a mixed choir, which have been conducted by well-known musicians in the Washington, D.C. area.

His solo operatic and folk recitals were held mostly in the Washington area: International Student House, US State Department, American University, Lisner Auditorium of George Washington University, Virginia Folk Festivals, and various religious organizations.

In 1991 he formed still another cultural organization in the greater metropolitan Washington area by establishing The Slavic Music Society of Washington. Valentin Fetisoff is the honorary president of the society.

In 1994 he performed at Henry M. Flagler Museum in Palm Beach Florida and was favorably reviewed by the local newspaper, Palm Beach Daily News.

He also sang at the concert reception at the Embassy of the Russian Federation in the United States of America

Since 1995 he is the owner of a novelty patent and his name is mentioned in Who is Who of American Inventors

Product Description
Authentic Russian Singing, with Russian soul. The most popular Russian Songs and Romances as sung by a Romantic Singer, baritone Valentin Fetisoff. He performed at numerous places, including: US State Department, Henry M. Flagler Museum in Palm Beach Florida and at the Russian Embassy in Washington, D.C.

Romantic Russia,Valentine Fetisoff,The Orchard,Int'l & World Music,Pop,Russia / Eastern Europe,Russian,World Music
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
The Story of Schubert
Average customer rating: 5 out of 5 stars
  • inspired performance !!!
The Story of Schubert

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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  1. Story Of Chopin In Words And Music
  2. The Story of Beethoven
  3. The Story of Mozart
  4. The Story of Bach
  5. The Story of Tchaikovsky

ASIN: B000001KCT
Release Date: 1994-02-28

Tracks:

  1. Rosamunde, D. 797: Overture
  2. Mozart: String Quartet In B-Flat Major, K. 172
  3. Marche Militaire, D. 733, No. 1
  4. Hark, Hark, The Lark!, D. 889
  5. Mass No. 5 In A-Flat Major, D. 678: Credo
  6. Symphony No. 5 In B-Flat Major, D. 485: Allegro
  7. Symphony No. 4 In C Minor, D. 417 'Tragic': Finale: Allegro
  8. Moment Musicaux No. 3 In F Minor, D. 780
  9. Piano Sonata In A Minor, D. 845: Moderato
  10. The Erl King, D. 328
  11. Symphony No. 2 In B-Flat Major, D. 125: Allegro
  12. Symphony No. 6 In C Major, D. 589 'Little': Andante
  13. Symphony No. 6 In C Major, D. 589 'Little': Scherzo
  14. To Music, D. 547
  15. The Trout, D. 550
  16. Piano Quintet In A Major, D. 667 'Trout': Theme And Variations
  17. Octet In F Major, D. 803: Finale
  18. Impromptu In B-Flat Major, D. 935 No. 3
  19. String Quintet In C Major, D. 956: Allegro ma non troppo
  20. Wanderer Fantasy In C Major, D. 760
  21. Symphony No. 8 In B Minor, D. 759 'Unfinished': Allegro moderato
  22. Symphony No. 9 In C Major, D. 944 'Great': Andante-Allegro ma non troppo
  23. Mass No. 6 IN E-Flat Major, D. 950: Gloria
  24. String Quartet No. 14 In D Minor, D. 810 'Death And The Maiden': Andante con moto
  25. Symphony No. 8 In B Minor, D. 759 'Unfinished': Andante
  26. Ave Maria, D. 839
  27. Symphony No. 5 In B-Flat Major, D. 485 (Complete): Allegro
  28. Symphony No. 5 In B-Flat Major, D. 485 (Complete): Andante con moto
  29. Symphony No. 5 In B-Flat Major, D. 485 (Complete): Menuetto: Allegro molto
  30. Symphony No. 5 In B-Flat Major, D. 485 (Complete): Allegro vivace

Customer Reviews:

5 out of 5 stars inspired performance !!!.......2001-09-02

this collection deserves more than 5 stars.peter maag and the philharmonica hungarica are in top form.this is the best ever of schubert's fifth and eigth i have ever listened to.it is not karl bohm or leonard bernstein or george szell or lorin maazel.
truly the hungarians inspired by maag easily beat all the other top orchestras.
the orchestral texture is transparent with a perfect balance among the string sections ,the woodwind and the brass sections.peter maag obviously loves this music and brings out the heavenly beauty ,the pathos and the monumental dramatic quality of these works.
just listen to schubert's fifth second movement which ends with a heart rending cello phrase.
it is a shame that the well established record companies have not thought it fit to record more of peter maag.in my opinion he is one of the greatest ever conductors.
i will not exchange these performances for any other!
Rostropovich: Return to Russia (Tchaikovsky: Symphony No. 6 "Pathetique")
Average customer rating: 5 out of 5 stars
  • Joyous Homecoming
Rostropovich: Return to Russia (Tchaikovsky: Symphony No. 6 "Pathetique")

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000DSDQ
Release Date: 1991-08-23

Customer Reviews:

5 out of 5 stars Joyous Homecoming.......2004-01-16

When Mstislav Rostropovich finally returned to Russia after many years of exile in the United States, he brought our own National Symphony Orchestra with him. Rostropovich's musical homecoming is captured on this unique recording.

The Russian audience gives their beloved "Slava" an ecstatic welcome; the recording lets us hear them stomping, yelling, and cheering in joyous applause after each song. As exciting as it must have been, the orchestra stays focused through what must have been a very long and demanding concert.

The concert begins with Russian master Tchaikovsky's Symphony No. 6, "Pathetique" and ends with two American classics that are more than well-received. The audience claps along to John Phillip Sousa's famous march "The Stars and Stripes Forever." I imagine that Rostropovich himself was probably on the verge of tears. This is everything that a live recording should be.
The Spirit of Russia: Music by Rimsky-Korsakov
Average customer rating: 4.5 out of 5 stars
  • Good sampler of the master's music
  • Rare Rimsky Extravaganza!
  • Great Recordings of Rare Rimsky-Korsakov Gems!
  • An unbelievable musical treasure
  • Rare CD, must-have for R-K collectors
The Spirit of Russia: Music by Rimsky-Korsakov

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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  1. The Romantic Piano Concerto, Volume 4
  2. Rimsky-Korsakov: Scheherazade; Capriccio Espagnol; Russian Easter Overture

ASIN: B000001K3R
Release Date: 1994-10-14

Tracks:

  1. Prelude
  2. Bridal Procession
  3. The Battle Of Kershenetz
  4. Apotheosis Of Fevronia
  5. Introduction
  6. Redowa
  7. Lithuanian Dance
  8. Indian Dance
  9. Cortege
  10. May Night
  11. Christmas Eve

Tracks:

  1. Overture On Russian Themes
  2. Skazka (Fairy Tale)
  3. Sadko (A Musical Picture)
  4. Piano Concerto
  5. Concert Fantasy

Customer Reviews:

3 out of 5 stars Good sampler of the master's music.......2006-12-14

Rimsky-Korsakov is one of the most influential Russian composers. Part of the Mighty - Five, he composed numerous works inspired by folk music of various Russian and East European nationalities. Many of them were made to accompany ballets, plays and famous Russian stories. This two-disc set contains excerpts from many of his lesser-known pieces. So there is nothing from Scheherezade or his symphonies. Instead we have music from Mlada, Sadko, and other pieces unknown to all except the die-hard Russian fans. All the music on both discs are orchestral, and exemplify the Russian Romantic style of evocative and emotional melodies.

Of the two discs, I prefer the first, as it contains more, shorter, self-contained pieces. The second disc contains only longer works. The orchestration is fine. Both discs are over an hour long, so this set is a great buy for its price. Note that the cover picture can differ, the set I bought was from Virgin Records and has a totally different cover than the one shown here on Amazon.

4 out of 5 stars Rare Rimsky Extravaganza!.......2005-12-19

With the classical music market flooded in excerpt reissues, this 2 CD set is a welcome budget addition for any romantic period collection. The varied selections are drawn from the 1972-1978,VOX output and are decently remastered. Rimsky-Korsakov composed 16 known operas and it was his custom to make
orchestral suites for them. The three in this set are typical of the composer's fantasies. All his life he loved fairy-tales,
nature, and folklore. He used colorful and bizarre tales for his operas, and wrote colorful and brilliant music to set them off. Each of the three included here feature an introduction,
some lovely themes and some exotic effects. "Christmas Eve" is evocative but it's storyline is based on paganism. Each suite is just right and dosen't outlast it's welcome.
The overture to "May Night" is cut from the same mold. The "Overture On Russian Themes" utilizes the same melody in Tchaikovsky's "1812 Overture" representing the Russian forces.
"Shazka"(Legend)is another fairy-tale based on a prologue by Pushkin. The enchanting score for "Sadko, a Musical Picture" preceded the opera by the same name by thirty years. With all Rimsky's descriptive orchestral music, we forget he composed symphonies and concertos.

Rimsky-Korsakov's short(under 12 mins.)Piano Concerto was probably inspired by his teacher Balakirev, is characteristic of Liszt's one movement form. It's themematic development is unmistakably Russian. In developing his violin writing skills he composed the "Concert Fantasy" based on Spanish themes. It prepared him well for the later "Capriccio espagnol".

The various artists all perform well but one wishes for even more updated sound; hence my reservation for a fifth star. Detailed liner notes are included.

5 out of 5 stars Great Recordings of Rare Rimsky-Korsakov Gems!.......2005-12-11

This 2-CD set contains wonderful performances of some really great music of Rimsky-Korsakov which, unfortunately, has not achieved the popularity of works like Scheherezade and Capriccio
Espagnole. The Invisible City Suite is truly magical: colorful, imaginative music that transports you to a sound-world that is quite different from most classical works. The performance is very good, with very solid sound and accoustics. The Mlada Suite is another colorful Russian showpiece that Rimsky-Korsakov excelled at. An excellent performance too. The May Night Overture gets a brisk, propulsive performance that makes it really enjoyable to listen to. The first CD ends with the rare Christmas Eve Suite No. 2, and what a delight it is! It starts out slow, with an exotic theme that is jovial and intriguing and develops into a number of exciting climaxes, and it is very well-played.
The second CD starts with the marvelous Overture on Russian Themes, which contains at least one theme you're sure to recognize (it's also in the 1812 Overture). A really smashing performance. Next is the rare Skazka/Fairy Tale, sometimes called Baba Yaga. It starts out menacing and contains both lyrical and dramatic themes, which is to be expected, as it is a tone poem that tells a story. The performance is first-rate, though it sounds like there's some background noise going on at times. Next is Sadko, given a fast, exciting performance, though I prefer the Zinman/Rotterdam one. The Piano Concerto comes next, and what a find this is! It sounds just like Rachmaninov at times. It is given a faster-than-usual performance here, which is just what it needs. This rare concerto is so enjoyable that you will wish it would go on longer than its 12 minutes and wish it were performed more often. The set ends with the Concert Fantasy for Violin and Orchestra, which is another gem that is extremely satisfying, featuring a great performance by the violinist, orchestra and conductor, as well as great sound balancing and accoustics.
If you get this set together with the Zinman/Rotterdam collection of RK's orchestral works on Phillips
as well as a good performance of Scheherazade (I'd recommend the Spano/Atlanta performance among modern ones or the Karajan/Berlin one among stereo recordings), you'll have almost all of the best music by Rimsky-Kosakov at a really low price.
Do not be put off by the fact that this CD-set features orchestras and conductors that you've probably never heard of, or by the fact that you won't find any reviews by the the standard professional musical critics. You get two CDs filled with great music at a budget price, and the performances are first-rate throughout. It is worth every penny and a whole lot more! I cannot recommend this more strongly!

5 out of 5 stars An unbelievable musical treasure.......2004-07-02

Consider the low prize of this set you'll be rewarde for a long time .
The invisible city is well played , the piano concert is warmth and powerful and the violin concert is much more than a simply promised land . You'll be surprised about the musical richness of Nikolai Rimski Korsakov.

4 out of 5 stars Rare CD, must-have for R-K collectors.......2004-05-14

This is cheap set, but at least two performances makes it best of all existing ; the Sadko with Katims and Seattle SO is the ultimate performance, far best of all - I heard all, with Svetlanov, Serov, and more, and Katims is high over all. I do not undertand it, because nor the orchestra, nor conductor, are of top quality - but really, they did great job. One more piece is quite unknown (but very good) Rimsky-Korsakov piano concerto. This performance is quite faster and more fercious than other exsting, and I think it is fater than it should be (according to music sheet), but still, it has value as rare performance.
Red Army Chorus: The Best of the Original Ensemble
Average customer rating: Not rated
    Red Army Chorus: The Best of the Original Ensemble

    Manufacturer: Analekta
    ProductGroup: Music
    Binding: Audio CD

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    5. Kalinka

    ASIN: B00005UCGV
    Release Date: 2002-04-30

    Tracks:

    1. Rider's March
    2. Troika
    3. Little Field
    4. When The Soldiers Sing
    5. Nightingales
    6. Dark Eyes
    7. Kossack's Song
    8. Let's Drink!
    9. Song Of The Volga Boat Men
    10. Russian Song
    11. Kalinka
    12. Farewell Song
    13. Escamillo Couplets
    14. Dear Soul
    15. Ukrainian Folk Song
    16. Moscow Nights
    17. May Nights
    18. I Got Plenty Of Nothing
    19. Granada
    20. National Anthem Of The USSR
    Alexandrovci
    Average customer rating: Not rated
      Alexandrovci

      Manufacturer: Supraphon
      ProductGroup: Music
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      1. Best of the Red Army Choir
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      ASIN: B00018D4O0
      Release Date: 2004-01-27

      Tracks:

      1. Gardovn (Guard Song)
      2. At Zije Nae Zeme (Long Live Our Land)
      3. JMel R(I Loved You)
      4. Dm Se Na Nebe (I Look Up in the Sky)
      5. Zrim Vesnicku (A Tiny Village I See)
      6. V Zitu M (Peace Shield)
      7. Prha (The Oath)
      8. Mary (Romans) (Romance)
      9. Zimnecer (Winter Evening)
      10. Volha, Volha (Volga, Volga)
      11. Neni Slyet Mestsk (Far from the Town's Bustle)
      12. Smer Praha (Rolling on to Prague)
      13. Travicka ZelenGreen Grass)
      14. Strejcek Nimra (Uncle Nitwit)
      15. Pn O Starostovi (Song of the Mayor)
      16. Ej, Uchnem (Song of the Volga Boatmen)
      17. Svala (Sacred War) [*]
      18. Partyzka (Po Dolin I Vh) (Resistance Fighters Song) ...
      19. Trojka (Troika)
      20. Pn O M (Song of Peace)
      21. Pn O Vlasti (Song of My Country)
      22. Polo, Pole (Field, Oh Field)
      Ewa Podles · Russian Arias
      Average customer rating: 5 out of 5 stars
      • Don't miss it!
      • Delectable!
      • TODO LO QUE ELLA CANTE ESTÁ BIEN
      • She's back!
      Ewa Podles · Russian Arias
      Ewa Podles , Alexander Borodin , Sergey Prokofiev , Pyotr Il'yich Tchaikovsky , Rodion Konstantinovich Shchedrin , Igor Stravinsky , Modest Mussorgsky , Constantine Orbelian , and Philharmonia of Russia
      Manufacturer: Delos Records
      ProductGroup: Music
      Binding: Audio CD

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      Similar Items:
      1. Ewa Podles - Rossini Arias for Contralto
      2. Ewa Podles - Handel Arias from Rinaldo & Orlando
      3. Ewa Podles: Respighi - Gli Uccelli/Il Tramonto/Trittico Botticelliano
      4. Gluck - Orfeo ed Euridice / Podles · Rodrigo · Merced · Maag
      5. Rossini - Tancredi / Podles, Jo, Olsen, Spagnoli, di Micco, Lendi, Zedda

      ASIN: B00006313Z
      Release Date: 2002-04-02

      Tracks:

      1. Konchakovna's Cavatina
      2. Young Maiden's Song (Field Of The Dead)
      3. Joan's Aria
      4. Voina's Arioso
      5. Varvara's Limericks And Dance
      6. Jocasta's Aria
      7. Lullaby
      8. Serenade
      9. Trepak (Russian Dance)
      10. The Field-Marshal

      Customer Reviews:

      5 out of 5 stars Don't miss it!.......2004-03-31

      Ewa Podles' voice is incredibly rich, her technic is astonishing and she sings so expressively that really brings tears in my eyes. She is definitely a diva and performs these wonderful pieces the way they should be performed. The booklet includes libretto with English translation, which is very helpful for those who don't speak Russian. However, the music and the performance are so emotive that can touch you even if you do't know the words.

      5 out of 5 stars Delectable!.......2003-01-15

      This disc is altogether delectable. With few exceptions, Russian opera is little known or appreciated in this country. Perhaps, if it always had interpreters as stupendously capable as Ewa Podles, the story might be different. She is a true contralto, and, as such, more than capable of bringing appropriate power, flexibility and idiomatic darkness to these largely unfamiliar arias. Even more impressively, she uses her magnificent talent to get inside the character of each piece. The result is a virtuoso variety of texture. The sumptuous richness of her sound makes even the finest counter-tenors seem rather thin-voiced. Do not let the unfamiliarity of most of the pieces put you off. Full translations are provided, with the Russian being helpfully rendered in Roman letters. So, let this superrb and thrilling singer introduce you to some very fine music.

      5 out of 5 stars TODO LO QUE ELLA CANTE ESTÁ BIEN.......2002-09-07

      Una voz tan impresionante como la de esta mujer, me deja sólo agradeciendo que exista, o que haya existido alguna vez, y que haya respirado, al mismo tiempo que yo, en este planeta. Por lo tanto, recomiendo absolutamente todo material que ella grabe. Es un placer, un poco de luz en medio de tanta oscuridad.

      5 out of 5 stars She's back!.......2002-07-01

      The first time I heard Ewa Podles was in a live performance of Verdi's "Requiem". After that I've been buying all her records and trying to hear her live. I still don't understand how she is still ignored by the major record companies...
      This CD of russian arias could not be rated less than extraordinary: if the voice itself wasn't enough - and it is more than enough - the interpretation would.
      Passport to Russia
      Average customer rating: Not rated
        Passport to Russia

        Manufacturer: Sony
        ProductGroup: Music
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        ASIN: B00000DSF5
        Release Date: 1992-07-14
        Treasures of Russia
        Average customer rating: Not rated
          Treasures of Russia

          Manufacturer: Opus 111
          ProductGroup: Music
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          ASIN: B00000C2BQ
          Release Date: 1998-09-08

          Tracks:

          1. Songs Of Old Russia: See Our Peasants - Moscow Male Voice Chor/Anatoly Grindenko
          2. Humoresque - Petershof Orch/Leo Korkhin
          3. If Only I Had Known - Lina Mkrtchyan/Evgeny Talisman
          4. Nocturne Caracterisique, Noontide in E - Olga Tverskaya
          5. Sinf No.1 in D - Musica Petropolitana
          6. An Offering Of Peace - Vesna
          7. Psalm 120 - The Russian Patriarchate Chor/Anatoly Grindenko
          8. Prld Op.23 No.4 in D - Gregory Sokolov
          9. The Midnight Review - Lina Mkrtchyan/Evgeny Talisman
          10. Ser in C Op.48 - The Belorussian CO/Valery Poliansky
          11. Night And Day The Blue Dove Moans - Iana Ivanilova/Oleg Bozhko
          12. Waltz in f - Olga Tverskaya
          13. Var On A Russian Folk Song - Musica Petropolitana
          14. March Of The Horse Guard - Petershof Orch/Leo Korkhin
          15. Songs Of Old Russia: Monotonously Rings The Little Bell - Moscow Male Voice Chor/Anatoly Grindenko
          Romantic Russia / Georg Solti, London Symphony Orchestra
          Average customer rating: 5 out of 5 stars
          • Can't believe it took this long
          • Another Solti Gem!
          Romantic Russia / Georg Solti, London Symphony Orchestra

          Manufacturer: Decca
          ProductGroup: Music
          Binding: Audio CD

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          5. Mahler - Symphony No. 8 / Popp · Auger · Minton · Harper · Kollo · Shirley-Quirk · Talvela · Chicago SO · Solti

          ASIN: B00000JXZ9
          Release Date: 1999-08-10

          Tracks:

          1. Ruslan And Lyudmila: Overture
          2. Khovanschchina: Prelude
          3. Night On The Bare Mountain - Mussorgsky
          4. Prince Igor: Overture
          5. Prince Igor: Polovtsian Dances
          6. Symphony No. 2 In C Minor, Op. 17 'Little Russian': I Andante sostenuto - Allegro vivo
          7. Symphony No. 2 In C Minor, Op. 17 'Little Russian': II Andantino marziale, quasi moderato
          8. Symphony No. 2 In C Minor, Op. 17 'Little Russian': III Scherzo: Allegro molto vivace
          9. Symphony No. 2 In C Minor, Op. 17 'Little Russian': IV Moderato assai - Allegro vivo

          Customer Reviews:

          5 out of 5 stars Can't believe it took this long.......2000-04-06

          Much of this recording apparently was not available on CD until this release. This warm, vigarous recording of some the best Russian music is delightful in every way. Highly recommended.

          5 out of 5 stars Another Solti Gem!.......1999-11-06

          If ever the LSO plays, it on this recording. The Glinka is a romp of excitement and unmatched playing. Solti knows how to get an orchestra to perform with excitement as well as with musicianship. Borodin & Mussorgsky receive a unique approach, reflective of Solti's operatic experiences. This is a must CD for Solti fans and for everyone who like exciting music.

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