Valentin Fetisoff was born in Kharkov. His education began while still in Germany attending both German and Russian Gymnasiums. He completed his education in Washington, D.C. at American University.
Valentin Fetisoff likes to sing Russian and Ukrainian songs. He is credited in organizing the first Russian Club of Washington and his first two choirs, a male choir and a mixed choir, which have been conducted by well-known musicians in the Washington, D.C. area.
His solo operatic and folk recitals were held mostly in the Washington area: International Student House, US State Department, American University, Lisner Auditorium of George Washington University, Virginia Folk Festivals, and various religious organizations.
In 1991 he formed still another cultural organization in the greater metropolitan Washington area by establishing The Slavic Music Society of Washington. Valentin Fetisoff is the honorary president of the society.
In 1994 he performed at Henry M. Flagler Museum in Palm Beach Florida and was favorably reviewed by the local newspaper, Palm Beach Daily News.
He also sang at the concert reception at the Embassy of the Russian Federation in the United States of America
Since 1995 he is the owner of a novelty patent and his name is mentioned in Who is Who of American Inventors
Product Description
Authentic Russian Singing, with Russian soul. The most popular Russian Songs and Romances as sung by a Romantic Singer, baritone Valentin Fetisoff. He performed at numerous places, including: US State Department, Henry M. Flagler Museum in Palm Beach Florida and at the Russian Embassy in Washington, D.C.
Romantic Russia,Valentine Fetisoff,The Orchard,Int'l & World Music,Pop,Russia / Eastern Europe,Russian,World Music
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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The Story of Schubert
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001KCT Release Date: 1994-02-28 |
Tracks:
- Rosamunde, D. 797: Overture
- Mozart: String Quartet In B-Flat Major, K. 172
- Marche Militaire, D. 733, No. 1
- Hark, Hark, The Lark!, D. 889
- Mass No. 5 In A-Flat Major, D. 678: Credo
- Symphony No. 5 In B-Flat Major, D. 485: Allegro
- Symphony No. 4 In C Minor, D. 417 'Tragic': Finale: Allegro
- Moment Musicaux No. 3 In F Minor, D. 780
- Piano Sonata In A Minor, D. 845: Moderato
- The Erl King, D. 328
- Symphony No. 2 In B-Flat Major, D. 125: Allegro
- Symphony No. 6 In C Major, D. 589 'Little': Andante
- Symphony No. 6 In C Major, D. 589 'Little': Scherzo
- To Music, D. 547
- The Trout, D. 550
- Piano Quintet In A Major, D. 667 'Trout': Theme And Variations
- Octet In F Major, D. 803: Finale
- Impromptu In B-Flat Major, D. 935 No. 3
- String Quintet In C Major, D. 956: Allegro ma non troppo
- Wanderer Fantasy In C Major, D. 760
- Symphony No. 8 In B Minor, D. 759 'Unfinished': Allegro moderato
- Symphony No. 9 In C Major, D. 944 'Great': Andante-Allegro ma non troppo
- Mass No. 6 IN E-Flat Major, D. 950: Gloria
- String Quartet No. 14 In D Minor, D. 810 'Death And The Maiden': Andante con moto
- Symphony No. 8 In B Minor, D. 759 'Unfinished': Andante
- Ave Maria, D. 839
- Symphony No. 5 In B-Flat Major, D. 485 (Complete): Allegro
- Symphony No. 5 In B-Flat Major, D. 485 (Complete): Andante con moto
- Symphony No. 5 In B-Flat Major, D. 485 (Complete): Menuetto: Allegro molto
- Symphony No. 5 In B-Flat Major, D. 485 (Complete): Allegro vivace
Customer Reviews:
inspired performance !!!.......2001-09-02
truly the hungarians inspired by maag easily beat all the other top orchestras.
the orchestral texture is transparent with a perfect balance among the string sections ,the woodwind and the brass sections.peter maag obviously loves this music and brings out the heavenly beauty ,the pathos and the monumental dramatic quality of these works.
just listen to schubert's fifth second movement which ends with a heart rending cello phrase.
it is a shame that the well established record companies have not thought it fit to record more of peter maag.in my opinion he is one of the greatest ever conductors.
i will not exchange these performances for any other!
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Rostropovich: Return to Russia (Tchaikovsky: Symphony No. 6 "Pathetique")
Manufacturer: Sony ProductGroup: Music Binding: Audio CD ASIN: B00000DSDQ Release Date: 1991-08-23 |
Customer Reviews:
Joyous Homecoming.......2004-01-16
The Russian audience gives their beloved "Slava" an ecstatic welcome; the recording lets us hear them stomping, yelling, and cheering in joyous applause after each song. As exciting as it must have been, the orchestra stays focused through what must have been a very long and demanding concert.
The concert begins with Russian master Tchaikovsky's Symphony No. 6, "Pathetique" and ends with two American classics that are more than well-received. The audience claps along to John Phillip Sousa's famous march "The Stars and Stripes Forever." I imagine that Rostropovich himself was probably on the verge of tears. This is everything that a live recording should be.
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The Spirit of Russia: Music by Rimsky-Korsakov
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001K3R Release Date: 1994-10-14 |
Tracks:
- Prelude
- Bridal Procession
- The Battle Of Kershenetz
- Apotheosis Of Fevronia
- Introduction
- Redowa
- Lithuanian Dance
- Indian Dance
- Cortege
- May Night
- Christmas Eve
Tracks:
- Overture On Russian Themes
- Skazka (Fairy Tale)
- Sadko (A Musical Picture)
- Piano Concerto
- Concert Fantasy
Customer Reviews:
Good sampler of the master's music.......2006-12-14
Of the two discs, I prefer the first, as it contains more, shorter, self-contained pieces. The second disc contains only longer works. The orchestration is fine. Both discs are over an hour long, so this set is a great buy for its price. Note that the cover picture can differ, the set I bought was from Virgin Records and has a totally different cover than the one shown here on Amazon.
Rare Rimsky Extravaganza!.......2005-12-19
orchestral suites for them. The three in this set are typical of the composer's fantasies. All his life he loved fairy-tales,
nature, and folklore. He used colorful and bizarre tales for his operas, and wrote colorful and brilliant music to set them off. Each of the three included here feature an introduction,
some lovely themes and some exotic effects. "Christmas Eve" is evocative but it's storyline is based on paganism. Each suite is just right and dosen't outlast it's welcome.
The overture to "May Night" is cut from the same mold. The "Overture On Russian Themes" utilizes the same melody in Tchaikovsky's "1812 Overture" representing the Russian forces.
"Shazka"(Legend)is another fairy-tale based on a prologue by Pushkin. The enchanting score for "Sadko, a Musical Picture" preceded the opera by the same name by thirty years. With all Rimsky's descriptive orchestral music, we forget he composed symphonies and concertos.
Rimsky-Korsakov's short(under 12 mins.)Piano Concerto was probably inspired by his teacher Balakirev, is characteristic of Liszt's one movement form. It's themematic development is unmistakably Russian. In developing his violin writing skills he composed the "Concert Fantasy" based on Spanish themes. It prepared him well for the later "Capriccio espagnol".
The various artists all perform well but one wishes for even more updated sound; hence my reservation for a fifth star. Detailed liner notes are included.
Great Recordings of Rare Rimsky-Korsakov Gems!.......2005-12-11
Espagnole. The Invisible City Suite is truly magical: colorful, imaginative music that transports you to a sound-world that is quite different from most classical works. The performance is very good, with very solid sound and accoustics. The Mlada Suite is another colorful Russian showpiece that Rimsky-Korsakov excelled at. An excellent performance too. The May Night Overture gets a brisk, propulsive performance that makes it really enjoyable to listen to. The first CD ends with the rare Christmas Eve Suite No. 2, and what a delight it is! It starts out slow, with an exotic theme that is jovial and intriguing and develops into a number of exciting climaxes, and it is very well-played.
The second CD starts with the marvelous Overture on Russian Themes, which contains at least one theme you're sure to recognize (it's also in the 1812 Overture). A really smashing performance. Next is the rare Skazka/Fairy Tale, sometimes called Baba Yaga. It starts out menacing and contains both lyrical and dramatic themes, which is to be expected, as it is a tone poem that tells a story. The performance is first-rate, though it sounds like there's some background noise going on at times. Next is Sadko, given a fast, exciting performance, though I prefer the Zinman/Rotterdam one. The Piano Concerto comes next, and what a find this is! It sounds just like Rachmaninov at times. It is given a faster-than-usual performance here, which is just what it needs. This rare concerto is so enjoyable that you will wish it would go on longer than its 12 minutes and wish it were performed more often. The set ends with the Concert Fantasy for Violin and Orchestra, which is another gem that is extremely satisfying, featuring a great performance by the violinist, orchestra and conductor, as well as great sound balancing and accoustics.
If you get this set together with the Zinman/Rotterdam collection of RK's orchestral works on Phillips
as well as a good performance of Scheherazade (I'd recommend the Spano/Atlanta performance among modern ones or the Karajan/Berlin one among stereo recordings), you'll have almost all of the best music by Rimsky-Kosakov at a really low price.
Do not be put off by the fact that this CD-set features orchestras and conductors that you've probably never heard of, or by the fact that you won't find any reviews by the the standard professional musical critics. You get two CDs filled with great music at a budget price, and the performances are first-rate throughout. It is worth every penny and a whole lot more! I cannot recommend this more strongly!
An unbelievable musical treasure.......2004-07-02
The invisible city is well played , the piano concert is warmth and powerful and the violin concert is much more than a simply promised land . You'll be surprised about the musical richness of Nikolai Rimski Korsakov.
Rare CD, must-have for R-K collectors.......2004-05-14
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Red Army Chorus: The Best of the Original Ensemble
Manufacturer: Analekta ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005UCGV Release Date: 2002-04-30 |
Tracks:
- Rider's March
- Troika
- Little Field
- When The Soldiers Sing
- Nightingales
- Dark Eyes
- Kossack's Song
- Let's Drink!
- Song Of The Volga Boat Men
- Russian Song
- Kalinka
- Farewell Song
- Escamillo Couplets
- Dear Soul
- Ukrainian Folk Song
- Moscow Nights
- May Nights
- I Got Plenty Of Nothing
- Granada
- National Anthem Of The USSR
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Alexandrovci
Manufacturer: Supraphon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00018D4O0 Release Date: 2004-01-27 |
Tracks:
- Gardovn (Guard Song)
- At Zije Nae Zeme (Long Live Our Land)
- JMel R(I Loved You)
- Dm Se Na Nebe (I Look Up in the Sky)
- Zrim Vesnicku (A Tiny Village I See)
- V Zitu M (Peace Shield)
- Prha (The Oath)
- Mary (Romans) (Romance)
- Zimnecer (Winter Evening)
- Volha, Volha (Volga, Volga)
- Neni Slyet Mestsk (Far from the Town's Bustle)
- Smer Praha (Rolling on to Prague)
- Travicka ZelenGreen Grass)
- Strejcek Nimra (Uncle Nitwit)
- Pn O Starostovi (Song of the Mayor)
- Ej, Uchnem (Song of the Volga Boatmen)
- Svala (Sacred War) [*]
- Partyzka (Po Dolin I Vh) (Resistance Fighters Song) ...
- Trojka (Troika)
- Pn O M (Song of Peace)
- Pn O Vlasti (Song of My Country)
- Polo, Pole (Field, Oh Field)
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Ewa Podles · Russian Arias
Ewa Podles , Alexander Borodin , Sergey Prokofiev , Pyotr Il'yich Tchaikovsky , Rodion Konstantinovich Shchedrin , Igor Stravinsky , Modest Mussorgsky , Constantine Orbelian , and Philharmonia of Russia Manufacturer: Delos Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006313Z Release Date: 2002-04-02 |
Tracks:
- Konchakovna's Cavatina
- Young Maiden's Song (Field Of The Dead)
- Joan's Aria
- Voina's Arioso
- Varvara's Limericks And Dance
- Jocasta's Aria
- Lullaby
- Serenade
- Trepak (Russian Dance)
- The Field-Marshal
Customer Reviews:
Don't miss it!.......2004-03-31
Delectable!.......2003-01-15
TODO LO QUE ELLA CANTE ESTÁ BIEN.......2002-09-07
She's back!.......2002-07-01
This CD of russian arias could not be rated less than extraordinary: if the voice itself wasn't enough - and it is more than enough - the interpretation would.
Average customer rating: |
Passport to Russia
Manufacturer: Sony ProductGroup: Music Binding: Audio CD ASIN: B00000DSF5 Release Date: 1992-07-14 |
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Treasures of Russia
Manufacturer: Opus 111 ProductGroup: Music Binding: Audio CD ASIN: B00000C2BQ Release Date: 1998-09-08 |
Tracks:
- Songs Of Old Russia: See Our Peasants - Moscow Male Voice Chor/Anatoly Grindenko
- Humoresque - Petershof Orch/Leo Korkhin
- If Only I Had Known - Lina Mkrtchyan/Evgeny Talisman
- Nocturne Caracterisique, Noontide in E - Olga Tverskaya
- Sinf No.1 in D - Musica Petropolitana
- An Offering Of Peace - Vesna
- Psalm 120 - The Russian Patriarchate Chor/Anatoly Grindenko
- Prld Op.23 No.4 in D - Gregory Sokolov
- The Midnight Review - Lina Mkrtchyan/Evgeny Talisman
- Ser in C Op.48 - The Belorussian CO/Valery Poliansky
- Night And Day The Blue Dove Moans - Iana Ivanilova/Oleg Bozhko
- Waltz in f - Olga Tverskaya
- Var On A Russian Folk Song - Musica Petropolitana
- March Of The Horse Guard - Petershof Orch/Leo Korkhin
- Songs Of Old Russia: Monotonously Rings The Little Bell - Moscow Male Voice Chor/Anatoly Grindenko
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Romantic Russia / Georg Solti, London Symphony Orchestra
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JXZ9 Release Date: 1999-08-10 |
Tracks:
- Ruslan And Lyudmila: Overture
- Khovanschchina: Prelude
- Night On The Bare Mountain - Mussorgsky
- Prince Igor: Overture
- Prince Igor: Polovtsian Dances
- Symphony No. 2 In C Minor, Op. 17 'Little Russian': I Andante sostenuto - Allegro vivo
- Symphony No. 2 In C Minor, Op. 17 'Little Russian': II Andantino marziale, quasi moderato
- Symphony No. 2 In C Minor, Op. 17 'Little Russian': III Scherzo: Allegro molto vivace
- Symphony No. 2 In C Minor, Op. 17 'Little Russian': IV Moderato assai - Allegro vivo
Customer Reviews:
Can't believe it took this long.......2000-04-06
Another Solti Gem!.......1999-11-06
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