Spirit in the Sky [Import]

Product Description
An Inspirational Album featuring the Voice of Delma Barton and the Majestic Didgeridoo. A Delightful Dreamtime Opera!

Spirit in the Sky,David Hudson,Indigo,World Music

Average customer rating: As a Christian.... Norman Connection love the word and tune Folk Singer Sings Silly Songs Goofy, but fun.

The Best of Norman Greenbaum: Spirit in the Sky Norman Greenbaum Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Oldies | Pop | Styles | Music Compilations | Pop | Styles | Music | Dance Pop | Easy Listening | General | Oldies | Traditional Vocalists General | Rock | Styles | Music Similar Items: Spirit in the Sky The Best of Sugarloaf Rock On Spirit in the Sky: Best of Norman Greenbaum The Lovin' Spoonful - Greatest Hits ASIN: B0000014XO Release Date: 1995-10-24

Tracks:

1. Spirit In The Sky
2. Weird - Dr. West's Medicine Show And Junk Band
3. Daddy I Know - Dr. West's Medicine Show And Junk Band
4. Hook And Ladder
5. Skyline
6. Canned Ham
7. Marcy
8. California Earthquake
9. The Day The Well Went Dry
10. Damper
11. Petaluma
12. The Eggplant That Ate Chicago - Dr. West's Medicine Show And Junk Band
13. Back Home Again
14. The Day They Sold Beer In Church
15. Gondoliers, Shakespeares, Overseers, Playboys, And Bums - Dr. West's Medicine Show And Junk Band

Customer Reviews:

As a Christian...........2006-10-22

I remember listening to and liking the song "Spirit in the Sky" back in '70, about 13 years before I gave my life to Jesus Christ. Had you told me then that it was a pretentious song, I wouldn't have believed it (but then again, I wouldn't have known what "pretentious" meant). None the less, it would be interesting to know how many people, since the inception of the song, have come to know Jesus Christ as their personal Savior because of this song. It is like Paul the Apostle preached, "whether in pretense or in truth , Jesus Christ is preached, and in that I rejoice!"

I find it interesting that out of all of the songs N.G. wrote, this is the only one to have the kind of impact on the world that it had. If you were to ask Him, I don't even think J.C. would find this song pretentious. Things will happen in your life when you touch the heart of God, and I think Mr. Greenbaum did, in a big way.

Norman Connection.......2005-01-11

Now if you ask me, and quite a few folks who happen to be fans of guys named Norman do now and again, this is probably the third or maybe fifth best "Norman" album of all time. (Larry Norman probably takes the cake, and the Norman Sisters and their singing mina birds is up there near the top).

Before you commence to thinking Norman Greenbaum was a one hit wonder, in the mode of so many other one-hit wonders, take a listen to this here album and see if you don't discover a certain depth that you might not have heard before. The testament to the depth of "Spirit in the Sky" is the fact that it was covered and became a hit all over again in the 80s. In fact Larry Norman done a cover himself a few years ago. (a mysterious "Norman" connection)

Junior hates this album because he don't understand it... but that boy is a s dumb as a sack of hammers, so I don't pay him no heed. The twins like it plenty good and me and Mama like to listen up and reminisce about the 70s when we do. I suggest you buy it and rediscover one of the underrated artistes of the 70s.

love the word and tune.......2003-10-17

this song is the first one i heard after i was told i had parkinson and i said that is the song i want played when I die it is so fitting. thank you for a song so well written and sung.

Folk Singer Sings Silly Songs.......2003-08-01

Norman Greenbaum is a folk singer, he writes simple songs about
simple things, which is what folk singers do. Some of the songs
on this album are from the "Pentaluma" album which he wrote about his farm in Pentaluma, California (chicken capital of the world). It was all about the hippie idea of going back to nature
and it was all done with Ry Cooder and other great musicians.
Spirit in the Sky is not spiritual. It is a song making fun of the TV preachers. (With a name like Greenbaum, one might get a
clue about his background.) His work is not top ten. It is not
in the category of The Beatles or The Fifth Dimension or Dusty
Springfield. His music is personal and silly. It is taken from
the California feeling of the sixties and early seventies when
people really believed that peace would be accomplished by our personal manner of living. Too bad people need slick pop music
to make them happy in this modern age. chatnoir in Canton, Ohio

Goofy, but fun........2001-11-07

I wasn't a teenager in the 60's, but I still enjoy this album. Most of the songs are amusing, if not great. Spirit in the Sky is the big hit that most people have heard. There are other good songs though. Weird, Daddy I Know, The Day the Well Ran Dry, The Day They Sold Beer in Church and Gondoliers are strange, whimsical and entertaining. Marcy is pretty. I've seen a couple of people mentioned Canned Ham, I don't get, it's too goofy - unless Canned Ham was a 60's euphamism for something else... Hook & Ladder - which was later covered by Nancy Sinatra - has some excellent guitar work by Ry Cooder.

Average customer rating:

Land of My Fathers: 100 Great Welsh Choir Favourites Manufacturer: Castle Pulse ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music General | International | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Pop Rock | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music International | Imports | Stores | Music Similar Items: Favourite Welsh Choirs Land of Song Welsh Choral Classics Welsh Choirs: Wonderful Welsh Choirs Bryn Terfel - We'll Keep a Welcome Traditional Songs of Wales ASIN: B0009SOFXG Release Date: 2005-08-01

Tracks:

1. Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
2. Land of My Fathers - Caerphilly Make Voice Choir
3. Dies Irae
4. Men of Harlech
5. You'll Never Walk Alone
6. Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
7. Old Folks at Home
8. Il Liza Jane
9. Faust/Soldier's Chorus - Caerphilly Make Voice Choir
10. Vergine Degli Angeli
11. Ballard of Rourke's Drift - Cwt-Y-Collen Choir
12. My Hero
13. God Bless the Prince of Wales - Caerphilly Make Voice Choir
14. German Mass/Gloria
15. German Mass/Sanctus
16. Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
17. All Through the Night - Caerphilly Make Voice Choir
18. Arwelfa
19. Invictus
20. Softly as I Leave You

Tracks:

1. Diolch l'R L
2. Hine E Hine (Maori Lullaby)
3. Pererin Wyf (Amazing Grace)
4. Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
5. Memories of Martha
6. I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
7. Myfanwy - Treorchy Male Choir
8. Tales of Hoffman/Barcarolle
9. Creation's Hymn
10. In the Spirit!
11. Shall We Gather at the River
12. Nos a Bore
13. Very Best Time of Year
14. Soon Ah Will Be Done
15. Thanks Be to God
16. Flower That Shattered the Stone
17. Rhys - Treorchy Male Choir
18. Where Shall I Be?
19. Bywyd y Bugail
20. Lord's Prayer

Tracks:

1. Ave Maria
2. Pearl Fishers/Divine Brahma
3. She Was Beautiful (Cavatina) - Treorchy Male Choir
4. Cymru Fach
5. Nidaros
6. Jacob's Ladder - Treorchy Male Choir
7. Watching the Wheat
8. Pan Ddaw y Saint (When the Saints Go Marching In)
9. Misbles/Stars
10. Rachie
11. Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
12. There Is a Balm in Gilead
13. Rise Up Shepherd and Foller
14. My Lord, What a Mornin'
15. Bryn Myrddin
16. Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
17. Finnish Forest (Suomen Salossa)
18. Nabucco/The Glory of Israel
19. Ride the Chariot
20. Tydi a Roddaist - Treorchy Male Choir

Tracks:

1. Y Nefoedd
2. Phantom of the Opera/Think of Me
3. Morte Christe (When I Survey the Wondrous Cross)
4. By Babylon's Wave
5. I'm Gonna Sing
6. Where Could I Go But to the Lord?
7. Holy City - Treorchy Male Choir
8. Mefistofele: Ave Signor, Degli Angeli
9. Senzenina (Zulu Chant)
10. That's All I Want from You
11. Deep Harmony - Treorchy Male Choir
12. Give Me Jesus
13. Just a Closer Walk with Thee
14. My Wish for You
15. Jeptha/Waft Her Angels
16. Mose in Egitto/Prayer
17. Be Still My Soul (Finlandia Hymn)
18. God's Choir in the Sky
19. Floral Dance - Treorchy Male Choir
20. Smilin' Through

Tracks:

1. Calon Lan
2. True Love
3. Mor Fawr Wyt Ti (How Great Thou Art)
4. Aberystwyth
5. Comrades in Arms
6. Cats/Memory
7. They Led My Lord Away
8. State Fair/It's a Grand Night for Singing
9. When I Fall in Love
10. Let's Face the Music and Dance
11. Windmills of Your Mind
12. How Soon
13. Non Nobis Domine
14. Rhythm of Life
15. Kalinka
16. Sound an Alarm
17. Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
18. Turandot/Nessun Dorma
19. Christus Redemptor
20. Ann Evening's Pastorale

Album Details

Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.

Average customer rating: Doesn't live up to hit single, but has something to offer

Spirit in the Sky Norman Greenbaum Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Oldies | Pop | Styles | Music Compilations | Pop | Styles | Music | Dance Pop | Easy Listening | General | Oldies | Traditional Vocalists General | Rock | Styles | Music Similar Items: The Best of Norman Greenbaum: Spirit in the Sky Spirit in the Sky: Best of Norman Greenbaum Hollywood Dream Ultimate! Grand Funk Railroad - Greatest Hits ASIN: B00005K9QL Release Date: 2001-06-05

Tracks:

1. Junior Cadillac
2. Spirit In The Sky
3. Skyline
4. Jubilee
5. Alice Bodine
6. Tars Of India
7. The Power
8. Good Lookin' Woman
9. Milk Cow
10. Marcy
11. School For Sweet Talk
12. Children Of Paradise
13. Canned Ham
14. Save Me For A Rainy Day
15. Chocolate Milk
16. Spirit In The Sky
17. Norman Greenbaum Radio Promo

Customer Reviews:

Doesn't live up to hit single, but has something to offer.......2001-07-03

Those looking to Greenbaum's solo debut for tracks that measure up to the cultural touchstone, "Spirit in the Sky," are likely to be disappointed. However, taken on its own merits, this 1969 release has something more to offer. In addition to the original 13 tracks, Varese's reissue adds three previously unreleased demos (including the original acoustic version of "Spirit in the Sky"), and a radio promo (whose layered editing must have sounded right at home on FM underground radio).


The leap from Greenbaum's acoustic demo to the finished production of "Spirit in the Sky" is an education in itself. The original, plucked on an acoustic guitar, shorn of the fuzz guitar and the Stovall Sisters backing vocals, fits more tightly with the simpler, hippie blues-pop that fills the rest of the album. Perhaps the most interesting thing about this reissue is just how out-of-place the final production of "Spirit" sounds. The dominating guitar riff and psychedelic intonati!ons elevate this cut to a level beyond what Greenbaum was predominantly up to at the time.

Listening to the demo, with Greenbaum's unadorned, wavery vocals, the focus returns to the lyrics, which turn out to have the same sort of opacity as many other cuts. It's this fuzziness that allowed "Spirit" to be interpreted as everything from proto-Christian rock to ironic, nearly anti-religious ideas. And its the original spirit of the lyrics, heard in the demo, that
connects the song to the album.

The remaining tracks range from memorably melodic pop ("Skyline" "School for Sweet Talk") to Dan Hicks-styled gospel ("Jubilee") to tin-pan alley ("Chocolate Milk"), to rock, blues and soul (including some nice horn charts and wah-wah guitar). The topics include many hippie lifestyle classics, such as farm life and dope smoking ("Tars of India"). The follow-up single, "Canned Ham" (which stalled out at #46) is also included.
It's hard to know how these tracks would fare!, had they not been born in the shadow of "Spirit in the Sky."

Players include personnel from Sopwith Camel, Crowfoot, and Dan Hicks' Hot Licks. The liner notes by Wayne Jancik include an interesting interview with Greenbaum himself, but points off to Varese for printing them against a background that makes reading so difficult!

Average customer rating: Moved to tears Nonesuch delivers.Again harmonia in excelsis Our greatest living composer Wonderful CD

The John Adams Earbox: A 10-CD Retrospective Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Adams | Adams, John | ( A ) | Featured Composers, A-Z | Classical | Styles | Music Ives, Charles | ( I ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Ives, Charles | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music San Francisco Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Minimal Techno | Techno | Dance & DJ | Styles | Music Classical | Box Sets | Stores | Music Opera & Vocal | Box Sets | Stores | Music Similar Items: Steve Reich 1965-1995 Naive & Sentimental Music John Adams: The Dharma at Big Sur/My Father Knew Charles Ives 25 Years: Retrospective Century Rolls ASIN: B00001SID1 Release Date: 1999-10-19

Tracks:

1. Lollapalooza
2. John's Book Of Alleged Dances: Judah To Ocean
3. John's Book Of Alleged Dances: Toot Nipple
4. John's Book Of Alleged Dances: Dogjam
5. John's Book Of Alleged Dances: Pavane: She's So Fine
6. John's Book Of Alleged Dances: Rag The Bone
7. John's Book Of Alleged Dances: Habanera
8. John's Book Of Alleged Dances: Stubble Crotchet
9. John's Book Of Alleged Dances: Hammer & Chisel
10. John's Book Of Alleged Dances: Alligator Escalator
11. John's Book Of Alleged Dances: Standchen: The Little Serenade
12. John's Book Of Alleged Dances: Judah To Ocean (Reprise)
13. Slonimsky's Earbox

Tracks:

1. Two Fanfares For Orchestra - Tromba Lontana
2. Two Fanfares For Orchestra - Short Ride In A Fast Machine
3. Common Tones In Simple Time
4. El Dorado - Part I. A Dream Of Gold
5. El Dorado - Part II. Soledades

Tracks:

1. Harmonielehre - Part I
2. Harmonielehre - Part II The Anfortas Wound
3. Harmonielehre - Part III Meister Eckhardt And Quackie
4. Violin Concerto - Part I
5. Violin Concerto - Part II Chaconne:
6. Violin Concerto - Part III Toccare

Tracks:

1. Chamber Sympony - Mongel Airs
2. Chamber Sympony - Aria With Walking Bass
3. Chamber Sympony
4. Hoodo Zephyr - Tundra
5. Hoodo Zephyr - Dissappointment Lake
6. Hoodo Zephyr - Hoodo Zephyr
7. Gnarly Buttons - The Perilous Shore
8. Gnarly Buttons - Hoe-Down (Mad Cow)
9. Gnarly Buttons - Put Your Loving Arms Around Me

Tracks:

1. Ensemble - I Was Looking At The Ceiling And Then I Saw The Sky
2. A Sermon On Romance
3. Consuelo's Dream
4. Mike's Song About Arresting A Particular Individual
5. Tiffany's Solo
6. Song About The On-Site Altercation
7. Song About The Bad Boys And The News
8. Your Honor My Client He's A Young Black Man
9. Leila's Song; Alone (Again Or At Last)
10. Three Weeks And Still I'm Outta My Mind
11. Crushed By The Rock I Been Standing On
12. Dewain's Song Of Liberation And Surprise
13. !Este Pais! / This Country
14. One Last Look At The Angel In Your Eyes
15. Finale

Tracks:

1. Lollapalooza
2. John's Book Of Alleged Dances - Judah To Ocean
3. John's Book Of Alleged Dances - Toot Nipple
4. John's Book Of Alleged Dances - Dogjam
5. John's Book Of Alleged Dances - Pavane: She's So Fine
6. John's Book Of Alleged Dances - Rag The Bone
7. John's Book Of Alleged Dances - Habenera
8. John's Book Of Alleged Dances - Stubble Crotchet
9. John's Book Of Alleged Dances - Hammer & Chisel
10. John's Book Of Alleged Dances - Alligator Escalator
11. John's Book Of Alleged Dances - Standchen: The Little Serenade
12. John's Book Of Alleged Dances - Judah To Ocean (Reprise)
13. Slonimsky's Earbox

Tracks:

1. Harmonium - Negative Love
2. Harmonium - Becuase I Could Not Stop For Death
3. Harmonium - Wild Nights
4. Shaker Loops - Shaking and Trambling
5. Shaker Loops - Hymning Slews
6. Shaker Loops - Loops and Verses
7. Shaker Loops - A Final Shaking

Tracks:

1. The Chairman Dances - Foxtrot For Orchestra
2. Grand Pianola Music - First Movement
3. Grand Pianola Music - Second Movement
4. Grand Pianola Music - Third Movement: On The Dominant Divide
5. Fearful Symmetries

Tracks:

1. Nixon In China - Opening
2. Nixon In China -
3. Nixon In China -
4. Nixon In China - Landing Of The Spirit Of '76
5. Nixon In China -
6. Nixon In China -
7. Nixon In China -
8. Nixon In China -
9. Nixon In China - Cheers
10. Nixon In China -
11. Nixon In China - Opening
12. Nixon In China -
13. Nixon In China -
14. Nixon In China -
15. Nixon In China -
16. Nixon In China -
17. Nixon In China -
18. Nixon In China -
19. Nixon In China -
20. Nixon In China -
21. Nixon In China -
22. Nixon In China -

Tracks:

1. The Wound-Dresser
2. Christian Zeal And Activity
3. Five Songs - Thoreau
4. Five Songs - Down East
5. Five Songs - Cradle Song
6. Five Songs - At The River
7. Five Songs - Serenity
8. Eros Piano

Amazon.com

Having earned his composing stripes after the 1960s, John Adams had the pioneering work of Steve Reich, Philip Glass, and Terry Riley close at hand as he ventured into his trade. And, while minimalism's historical continuum helps place Adams, he used Reich, Glass, and Riley (among others) only as a starting point. And here's proof: a 10-CD retrospective of nearly all Adams's recorded compositions on Nonesuch Records, the label that also issued Steve Reich 1965-1995 and Kronos Quartet: 25 Years. Adams's Harmonium, a choral work of startling energy and effervescence, appears here in a new recording, as do distillations of both The Death of Klinghoffer and Nixon in China, two path-clearing operas. Over the span of a career covered by Earbox, Adams has returned minimalism to traditional instrumental ensembles as well as to projects that at once advanced a political commentary and took that commentary back to orchestral audiences. And so, in far less time than his predecessors, Adams created works that now play like standard repertoire pieces: The Wound Dresser and Shaker Loops and the Violin Concerto--all of them are here. What these works demonstrate is a fierce creativity on the one hand and perhaps a hunger for commercial advances on the other. Adams may at times be a bustling free thinker, but he sounds ever conscious of what audiences are listening to. As for the works themselves, they remain every bit as daunting as when written.

Some may object to particular selections. I Was Looking at the Ceiling and Then I Saw the Sky, for example, hardly ranks with Adams's best work. But this box isn't a mere best-of; it's an almost-all-of. At times terrifically American--especially in the news-aware operas and their narrative pragmatism--Adams well deserves a major box set, and its coverage is appropriate to his varied, stylistically diverse output. As with any large-scale retrospective, Earbox--which fairly bristles with Adams's new composition, Slonimsky's Earbox--has spots where fans might balk at the quality of the composer's writing. But it's got a fantastic accompanying booklet along with its many hours of inarguably modern and thoroughly listener-friendly music. --Andrew Bartlett

Customer Reviews:

Moved to tears.......2004-03-18

Never before in my life was i moved so intensely and directly by classical music. I put the first cd in my player and a few minutes later tears are flowing. I find myself dancing and moving to a rythm i already seem to know. Wow, i just have to share that.

Nonesuch delivers.Again.......2002-11-27

John adams is one of the most popular living composers of"modern" classical music[I believe the cutoff point, though arbitrary is usually WWII}.I came to him late, through my husband. Modersn classical music , I said? What the hell is that?My husband kept playing bits and pieces of adams for me, and more and more i found myself amazed. and swayed. His operas have been groundbreaking{Nixon in China} controversial{Death Of klinghoffer},his compostions sublimely beautiful{shaker Loops or harmonium].HIS STATURE IS WORTHY THEN OF SUCH A MONUMENTAL CAREER SPANNING BOX SET.This 10 disc set[great value, again from NONESUCH}encompasses Adams' entire career,and though there are some misses here{I was looking at the ceiling and then i saw the sky doesnt quite fit},it is still magnificent. the Highlights are ,{for me} the Wound Dresser, Chamber symphony,Violin Concerto, of course, Shaker Loops and Harmonuim are wonderful. The true jewels here are Nixon in China,the Chairman dances and the Death of Klinghoffer,which is simply a masterpiece. The set comes with a wonderful book, which contains essay's by Robert Hurwitz {An Uncommon Man}renaud Machart[John adams as seen from europe} and Essays before an earbox by Adams himself.A Chronology and dicography are included. A wonderful study of an American original,worth the investment, Highly highly recommended

harmonia in excelsis.......2001-11-12

I must agree with Mr. Bartlett, particularly with regard to "Ceiling." It may well be because his Violin Concerto and Harmonielehre are so powerful. 4.5 stars.
Interesting, and likely intentional, is that two names in the extensive liner book fail to mention two great and glaringly obvious precursors: Carl Orff and Raymond Scott. Without "Carmina Burana," there would be no "Harmonium." Orff has his mark all over Adams's gifted and epic compositions. Similarly, though there are glib references to "cartoon music," the polymath engineer/musician Scott is a seminal figure in American music, and casts a large shadow over the witty juxtapositions and sense of play one loves in Adams's work. In all, an excellent career overview.

Our greatest living composer.......2001-07-22

As a composer, I'm staggered that anyone could fail to be gripped by this music.

That anyone can use the words "spoiled, overrated" amazes me. I emphatically disagree with "A music fan"'s review.

I don't think it's "mind-numbing"; I think it's spiritual and exciting. To me it's the most substantial music being created in our times.

I'm really sorry that anyone could fail to enjoy it, and really recommend others to listen for themselves.

Wonderful CD.......2000-04-02

This compilation should turn even the most curmudgeonly listerner into a fan. Beautifully recorded, great notes -- and it's a heck of a bargain!

Average customer rating: A Rose By Any Other Name... "Thus I salute the stronghold, safe from dread and dismay! Free at last! I Love This Recording The Goodall Ring - 1975 - Restored and Remastered

Wagner: The Rhinegold English National Opera Manufacturer: Chandos ProductGroup: Music Binding: Audio CD All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Siegfried (Goodall Ring Cycle/Chandos Opera in English) Wagner: The Valkyrie The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English) ASIN: B00005B550 Release Date: 2001-05-22

Customer Reviews:

A Rose By Any Other Name..........2007-07-02

The figure of speach may not be completely correct in this instance, but, well, I hope you get the point. In any case, for a Dutch speaking person, like I, to hear 'The Ring' in a language other than the original German feels - almost shockingly(?) - natural. Certainly, this modern English translation, to me, is as least immediate, and probably even more immediate, than the original (archaic) German text. And in music drama, immediacy is essential. Maybe it is also the wonderfully natural translation, I don't know, but it works for me, the Ring in English.
But most of the credit has to go to the music, the singers, and the recording as such. I believe that this (originally analogue) remastered recording has one of the best recorded sounds and acoustics of any Ring, studio or 'live'. It is wonderfully clear but warm, kind of velvety (very unlike Solti), with beautifully natural balaces between voices and orchestra. Audience noises can be heard (including a delightful little ripple of laughter) but never really obtrusively so, thankfully. And I love the thunderclap-sound effect when Donner strikes his hammer against the rocks - very tastefully done, and lending extra power to the scene.
All the time one reads in reviews everywhere of the very slow speads at which the music is conducted by Sir Reginald Goodall. Well, that may be so, but I, for one, am certainly endeared to Sir Reginald Goodalls 'caressing' of the music, as a result of which wich the Leitmotifs come out more clearly than ever. The slow - but nonetheless very concentrated, and always involved - playing has, to me, an almost mesmerizing effect. Certainly, compared to many other recordings, the music may sound stretched almost beyond breaking point. But in the end, I think it is really just that: a matter of speed, no more. The concentration never falters and the dramatic arc never saggs. There is live 'music magic' going on here, I feel, even if the English National Opera Orchestra may not be (as precise or as diciplined as) a Wiener Philharmoniker or a Bayreuther Festspielorchester. Certainly, Sir Reginald Goodall must have loved this music and these opera's: one feels a slowly beating but constant loving pulse that energizes the drama and the music.
But we also have the singers. And what a great singers! While the best may be yet to come (with Alberto Remedios as Siegmund and Siegfried, and Rita Hunter as Brunnhilde), we here, in The Rhinegold, already have one of the most commanding of Wotans (Norman Bailey, with wonderful burnished timbre). Also, Emile Belcourt stands out as a wonderfully sleek but full-voiced Loge. Derek Hammond-Stroud's Alberich may not be as black as Gunther von Kannen's (for Barenboim), for example, but there is enough anguish, frustration and anger to lend his character a convincing reality and depth. And the giants too, are a winning pair. Especially Fafner (Clifford Grant) is as imposing and powerful as one may ever wish.
With all the rave reviews, here and elsewhere I can't wait to hear The Valkyrie, (especially) Siegfried and Twilight of the Gods. This certainly is a winning 'Ring', to be kept alongside any other 'great' recorded 'Ring' out there, IMHO. To me, it can hold its own alongside any other favorite recordings.
Please, sample this Ring (try for example the Chandos website for fragments of all of the music) and decide for yourself. Highly recommended.

"Thus I salute the stronghold, safe from dread and dismay!.......2007-06-12

Okay, so we have the Solti, Bohm, Karajan, Levine, Janowski, Goodall, and Sawallisch Rings on the market (I haven't listened to the other Ring recordings yet, sorry to say). And all of these leave me to one conclusion: the many differences lead me to believe that all of these ring sets have their own authenticities and setbacks. And here they are:

TIMING (Estimate):
Solti's Ring: 14 hours, 30 minutes
Bohm's Ring: 13 hours, 30 minutes
Karajan's Ring: 14 hours, 50 minutes
Goodall's Ring: 16 hours, 50 minutes
Janowski's Ring: 14 hours, 0 minutes
Levine's Ring: 15 hours, 20 minutes
Sawallisch's Ring: 14 hours, 0 minutes

CONDUCTING:
Solti: Solti's conducting is driven with sheer muscle, but sometimes he makes the Ring overemotional. His Walkure & Gotterdammerung Preludes are clear examples: they're annoyingly bombastic. Nonetheless he almost seldom loses control with anything. His clear focus on the drama is astonishing.

Bohm: I must say his live Bayreuth recording brings out some of the best. He puts more faith in the orchestral score, but he also gives it more intensity. His tempi are some of the quickest, but they still don't seem rushed at all (except maybe "Wohin schleich'st du eilig und schlau"). I especially like his "Forging Scene" & "Hagen Summons the Vassals"; both are the most energetic on disc.

Karajan: Karajan's chamber approach is very interesting. Instead of going for the drama or the energy, the conductor goes for the beauty. Almost everything in his Ring sounds very ethereal because of his excessive use of lyricism. His orchestral preludes (except Walkure Act 1) sound more beautiful than others, and much of the soft parts (such as Siegfried Act Three Scene Three) are controlled nicely. His "Funeral March" and "Immolation" are recommendable. Siegfried Act Three Scene Two could have improved with more tension.

Goodall: Oh, boy. While I do praise Goodall with his amazing attention to detail, his ridiculously sluggish tempi will tick some Wagnerites off: everything is slower than adagio moderato. But I did enjoy listening to the slow beauty of his "Wotan's Farewell/Magic Fire Music". This was recorded live and sung in English.

Janowski: This is a very classical Ring. Instead of bombast, spacious, or lyrical passion, maestro Janowski gives us the straightforward approach. He goes straight for Wagner's original intentions (precise tempi, dynamics, flow of leitmotivs, etc.), which makes this another exquisite Ring. "Hagen Summons the Vassals" is probably the fastest I've ever heard (along with Sawallisch's). Rheingold Scene Four can be best described as "sensational".

Levine: While he does stay true to the score like Bohm, this conductor makes for a somewhat dull Ring. His handling of the orchestra is nice, but the moderately slow tempi he chooses is flawed. It should be more animated. His beautiful "Funeral March" and "Erda's Warning" are two of the few flawless features.

Sawallisch: I guess you can say that Sawallisch is half-Karajan, half-Janowski. While he does stay true to the orchestral score like Janowski, he also puts in a little Karajan-like lyricism. At some points he loses track with orchestra and singers (as does every live recording) but Bohm has more control. This was also recorded live.

ORCHESTRA:
Solti's Vienna Philharmonic: The woodwinds are the most beautiful in Solti's Ring (the "Forest Murmurs" is clear evidence of that). French horns and Wagner tubas make this a recommended listening. The strings in "Heda Heda Hedo" could've added a bit more work, but they are strikingly spectacular everywhere else. The orchestra gives it their all in Siegfried Act Two & Three, but they are at their weakest in Walkure Act One & Three (Bohm's Bayreuth does it better). Overall, it's the loudest and certainly most bombastic out of all the Ring orchestras combined.

Bohm's Bayreuth Festival: The ultimate Wagnerian orchestra gives it their all. The brass both high and low are the most powerful, while the woodwinds are the most delicate. The strings are muffled only a few times, otherwise the eighteen anvils are perfectly loud and clear. Erda's scenes aren't as effective as Janowski's, but the entire Walkure is more successful than Janowski's when it comes to tone & technique. Overall, this orchestra is the most dramatic.

Karajan's Berlin Philharmonic: The entire orchestra sounds polished, not to say that it is bad. Indeed the drama is still there, but much of the suspense is lacking (the scenes with Fasolt and Fafner come to mind). The brass sometimes overpowers the strings, which can be a serious problem. Gotterdammerung "Three Norns" Scene sounds very mysterious, very eerie.

Goodall's English National Opera: This orchestra sounds nice, even if the sluggishness can bring them down at times. The Flight of the Valkyries doesn't sound too good in a slow tempo, but the entire orchestra does sound lucid here. Siegfried Act One Prelude is the creepiest. All of the leitmotivs are heard loud and clear, just like in Janowski's version.

Janowski's Staatskapelle Dresden: This orchestra has the same force & flair as does Bohm's Bayreuth Festival, only Dresden sounds much clearer due to the fantastic digital sound. Even minor details are found in this Ring. I can hear harps in Flight of the Valkyries! The strings imitate the Siegfried forest very well, while the woodwinds representing the songbird are wonderful (but not as wonderful as Solti's songbird). Dresden's "Magic Fire Music" (along with Berlin's) is the most extravagant.

Levine's Metropolitan Opera: The brass and woodwinds are the true stars. The strings sound too tired to continue on in Siegfried & Gotterdammerung. The Finale to Rheingold is absolutely stunning (the trumpets and trombones will not disappoint), and the Second Act of Walkure is the most impressive, the most refined.

Sawallisch's Bavarian State: Wrong notes in this live recording won't matter, as the entire orchestra gets everything going in all four nights at the opera. The strings never surrender to imperfection, and the winds are marvelously aligned. I just wish that some of the singers would keep up with the orchestra.

SINGERS:
-Wotan
Solti: Hans Hotter is the superior Wotan. He sounds powerful throughout the Ring (except Rheingold, in which a less stellar George London performs).

Bohm and Janowski: Theo Adam in Bohm's live recording is another treat. While he is not as equally impressive as Hotter, he can certainly conjure up everlasting emotions. Adam sounds weaker in Janowski's studio recording, but he still doesn't disappoint.

Karajan: Dietrich Fischer-Dieskau plays Wotan in "Rheingold," while Thomas Stewart replaces Fischer-Dieskau in "Walkure" and "Siegfried". I don't think Fischer-Dieskau was a good choice; he sounds too humane and too light. Stewart makes an astounding improvement in both "Walkure" and "Siegfried".

Goodall: Norman Bailey has that divine spark that Hotter used to cherish. He's heavy and unblemished, and he handles the English text with flair and sheen.

Levine: James Morris is a notch below Hotter, Adam, and Bailey, but he overpowers Fischer-Dieskau pretty much throughout the Levine's Ring.

Sawallisch: I may be biased, but Robert Hale just didn't do it for me. He sounded dull and tedious, and his Wotan's Farewell wasn't enough to sadden me.

-Brunnhilde
Solti and Bohm: Birgit Nilsson is the best Brunnhilde on the market. Her Valkyrie cry is delightful, and her final scene in Gotterdammerung is brilliant beyond belief.

Karajan: Regine Crespin is without a doubt one of the finest Brunnhildes after Nilsson. She's fantastic in Walkure Act Three. I just wish she stayed on as the Valkyrie later on in the Ring (Helga Dernesch is no good in Gotterdammerung, sorry to say).

Goodall: Rita Hunter is at her strongest in Walkure and Siegfried. She is at her weakest in Gotterdammerung. What may have caused her downfall in the fourth installment? "The world may never know."

Janowski: Jeannine Altmeyer is basically the most controversial Brunnhilde on CD. Some people say that she's too light and weak, while others say she sounds young and very enchanting. I'm with those who think Altmeyer was a good choice, but you yourself (the shopper) are going to have to decide whether she's good or not.

Levine and Sawallisch: Hildegard Behrens is just like Nilsson and Crespin: while she's not the best, she is definitely another perfect Brunnhilde of choice. She's at her most dazzling when she performs Walkure (Levine) and Siegfried (Sawallisch).

-Siegmund & Sieglinde
Let's see. For the Siegmunds, we have James King for Solti and Bohm. Jon Vickers for Karajan, Alberto Remedios for Goodall, Siegfried Jerusalem for Janowski, Gary Lakes for Levine, and Robert Schunk for Sawallisch. For the Sieglindes, we have Regine Crespin for Solti, Leonie Rysanek for Bohm, Gundula Janowitz for Karajan, Margaret Curphy for Goodall, Jessye Norman for both Janowski and Levine, and Julia Varady for Sawallisch. Hmm . . . Jerusalem is good . . . and so is Vickers . . . Janowitz is charming, and so is . . . Oh, what the heck? All the singers for Siegmund and Sieglinde are fantastic. Two exceptions, though: Robert Schunk doesn't sound heroic enough, and Jessye Norman for Levine's Ring doesn't sound young and innocent enough.

-Siegfried
Solti and Bohm: Wolfgang Windgassen may very well be the best Siegfried for the ages. His `Forging Scene" in both renditions are defiantly inspiring. His last scene in Gotterdammerung is celestial and overwhelming.

Karajan: Jess Thomas (Siegfried) and Helge Brilioth (Gotterdammerung) may not be as ideal as Windgassen, but they do know how to be a magnificent heldentenor. Thomas pulls it off with Act One and Three.

Goodall: Wow! What a singer that Alberto Remedios! He never drags in either of the last two installments, and he uses the correct emotions in every scene that he is in.

Janowski and Sawallisch: Rene Kollo's Siegfried is a poetically expressive one. In Janowski's version he sounds playful when he's in Mime's home, and he sounds willed when he's in the Gibich Hall. He is not good enough in Sawallisch's version, however. His tiresome "Forging Scene" is obvious evidence of that.

Levine: Oh, Reiner Goldberg. At least you tried. Seriously, he sounds too tedious (especially in Gotterdammerung Act Three Scene Two) and too old. I don't know Levine should've chose Kollo when he recorded his Ring.

-Alberich
Solti and Bohm: Gustav Niedlinger has a heaviness that overwhelms a few other baritones. When he sings his only sequence in Gotterdammerung Act Two Scene One, his emotion is so pure that his son Hagen would've drowned himself in tears (Too melodramatic? Sorry about that.). The only problem is that his character sounds too one-dimensional. Alberich isn't just some cardboard-cutout bad guy. He has a very good reason why he wants to take revenge on the world. Overall, Niedlinger is amazing throughout Wagner's Ring (He deserves many awards for "Bin ich nun frei?").

Karajan: I guess you can say that Zoltan Kelemen tries his best throughout. He is not good in Rheingold, but he gets better in Siegfried and Gotterdammerung.

Goodall: Derek Hammond-Stroud is three-dimensional, but not that much. Still, he can sound very demanding in Rheingold Scene One and Siegfried Act Two Scene One.

Janowski: Siegmund Nimsgern may be the most humane Alberich yet, but it's all good. He sings with more passion than Kelemen and more robustness than Hammond-Stroud. Niedlinger's ferociousness puts him below, however. "Schaf'st du, Hagen, mein sohn?" is noteworthy.

Levine and Sawallisch: Ekkehard Wlaschiha is one hell of a vigorous Alberich. I praise him in Rheingold Scene One and Three. His performance in Siegfried (both versions) could've improved with more distrustfulness towards Mime and the Wanderer.

-Mime
Solti and Karajan: Gerhard Stolze is the creepiest Mime ever known to humankind. This dwarf outsings other Mimes on the market. When he sings "Die stucken! Das Schwert!" his anger and fear is the most effective to almost all Ring listeners.

Bohm: Erwin Wohlfahrt wins second place. He gives a first-rate performance in Siegfried Act One, but loses some of his edge in Act Two. He is an exceptional Mime nonetheless. Look for him in Karajan's Rheingold, also.

Goodall: Gregory Dempsey isn't emotional enough. He doesn't sound fearful or depressed at all, which makes him the dullest Mime for the Ring.

Janowski: Peter Schreier is for Siegfried, while Christian Vogel is for Rheingold. Vogel is less than perfect, while Schreier is way beyond outstanding. Schreier is less ghoulish and more benevolent, more three-dimensional than Stolze and Wohlfahrt. The only flaw I can find is his handling of "Die stucken! Das Schwert!" He could've added a bit more fear in that sequence.

Levine: Heinz Zednik is yet another excellent mime. He is equal to Schreier when it comes to humaneness and lyricism. His performance in Rheingold Scene Three is pure gold, while his performance in Siegfried (particularly "Willkommen, Siegfried!") is a stunning achievement.

Sawallisch: Helmut Pampuch is just like Schreier and Zednik: he's very VERY good. Nuff said.

-Loge
Solti: Set Svanholm may be the weakest Loge. He is not very ominous throughout all of his scenes, and his lack of a sinister atmosphere is greatly affects the entire Rheingold. But he'll soon be forgotten later on in the Ring.

Bohm: Why the heck would the conductor have Wolfgang Windgassen play both Siegfried AND Loge? The demi-god needs to sound different from a son of a Walsung. Still, it's satisfactory, and his "Ihrem ende eilen sie zu" gives great foreshadowing.

Karajan: Gerhard Stolze is easily the most entertaining Loge to listen to. His scenes in Scene Three are delightful.

Goodall: Emile Belcourt isn't as good as Stolze, but he certainly can make some of the best of an English-speaking Loge.

Janowski: Peter Schreier is the most eccentric out of all of them, and that's a fact. Much of his singing involves imagination, peril, vengeance, and deviousness. Belcourt depends only on imagination and deviousness, Stolze only vengeance and deviousness, and Windgassen only peril. His odd conversations with Alberich and the gods/goddesses are classic.

Levine: Siegfried Jerusalem doesn't seem like a good choice for Loge. He's better off playing Siegmund or Siegfried, but not a demi-god.

Sawallisch: Robert Tear is on par with Stolze and Schreier. Sometimes he takes things too low, but all is forgiven with his management of character development.

-Everyone Else
Uh-huh, what can I say? Everyone else does a good job in all Ring recordings (maybe not in Swarowsky's version). Matti Salminen is the perfect Hagen (Janowski, Levine, and Sawallisch), while Kirsten Flagstad is the most brilliant Fricka (Solti). The Norns and Rheinmaidens do a splendid job in Solti, Janowski, and Levine. The Vassals (male choir) are at their unsurpassed in Bohm and Goodall. The only flawed Erda is Anne Collins (Goodall), maybe too light and too heavy at times. All in all, no one here is graded C or lower.

CONCLUSION: I have yet to listen to Barenboim's Bayreuth presentation and the essential mono recordings (Furtwangler, Krauss), but I'm pretty sure that have their advantages and disadvantages. So there you have it. We have the histrionic Solti, the energetic Bohm, the otherworldly Karajan, the spacious Goodall, the calculated Janowski, the relaxed Levine, and the serious Sawallisch Rings. They have their own authenticities and setbacks, and they certainly have their own significances for Ring listeners everywhere.


Sir Georg Solti: Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti

Karl Bohm: Wagner: Der Ring des Nibelungen

Herbert von Karajan: Der Ring des Nibelungen / Karajan / Berlin Philharmonic

Goodall: Wagner: The Ring Cycle (Box Set)
-The Valkyrie (Part 2): Wagner: The Valkyrie
-Siegfried (Part 3): Siegfried (Goodall Ring Cycle/Chandos Opera in English)
-Twilight of the Gods (Part 4): The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English)

Marek Janowski: Wagner: Der Ring des Nibelungen

James Levine: Der Ring Des Nibelungen

-Wolfgang Sawllisch: Wagner - Der Ring des Nibelungen (Ring Cycle) / Sawallisch, Bayerischer Staatsoper

Free at last!.......2004-09-18

I've enjoyed listening to the Ring cycles by Solti, Bohm, and Furtwangler, but my pleasure has always been dampened by the necessity to follow the dramas with a German/English libretto. This performance freed me from that burden and allowed me to listen to the Ring with my ears alone for the first time. And what a delightful experience it was! I found I could understand about half the words the first time through. but that was enough for me to understand what the characters were saying and concentrate on Wagner's great music. Some of the characters (Loge and Alberich, for example) are almost perfectly comprehensible, while others (Fricka in particular) might as well be singing in German. The sound itself is superb, with perfect balances between orchestra and voices. Goodall's conducting is famously slow (about half an hour longer than usual), but he is never slack and he reveals a wealth of detail in the orchestration. The singers are a mixed lot, with Loge, Alberich, and Mime particularly effective. Bailey is hardly the grandest of Wotans, but he is solid and convincing. In any event, for us non-German listeners, this recording is a real treat. I would not recommend it as a first Ring (Bohm is a good choice, though some of his tempi are rather hectic), but as a supplement to a recoding in the original language, it is hard to beat. Give it a try! As for me, I'm ready to go on to "Die Walkure" (pardon me, "The Valkyrie").

I Love This Recording.......2002-04-05

I was a little suspicious when approaching this English-language version of Das Rhinegold. I was considering assembling this as my third RING set (behind Solti and Levine) and had listened to THE VALKYRIE (Die Walkure) with a little initial disappointment. Although the live sound quality was very interesting, the tempo was much slower than I was used to and thus a little disconcerting, and the English words were harder to understand than I had hoped. Nevertheless, I persevered and listended to THE RHINEGOLD (probably my favorite of the four RING operas, although I know this puts me in a minority) and was amazed. Best of all, after listening to this album I revisited the Goodall VALKYRIE and discovered a new appreciation! Now the Goodall set ranks as one of the best I've heard. It just needed to get under my skin a bit.

What's so good about it? Three things stand out for me: First, the slow tempi that were a litle rough at first actually allow, upon repeated listenings, a new discovery and understanding of Wagner's unfathomable genius. Every nuance is slowed down just enough to be fully accessible. Second, the modern English translation really does make this a different experience...my initial mistake was thinking that English lyrics could allow me to listen to this as background music, and that's not the case. However, if one devotes the same attention to this as a German recording, the time wil be richly rewarded. Finally, the smaller orchestra creates an almost chamber music-esque setting, which compliments the music in an undefinable way. Despite being in English, this is almost more Germanic than original-language recordings.

I still probably wouldn't get this as the first foray into Wagner's RING (I still think Solti or Levine are the choices for that). But for someone who already has some familiarity with the work, this will provide a lifetime's enjoyment. Cudos to Chandos for resurrecting these recordings!

The Goodall Ring - 1975 - Restored and Remastered.......2001-06-08

I have been curious about this for years. When I saw the packaging, I wondered whether this was the same Ring that has been kicking around for a couple of decades from the Sadler's Wells performances of the mid-70s. News flash: It's the same. However, the box says that it's been re-mastered with something called 24-bit digital mastering. Since I never heard the old records, I have no idea if this is better. Judged on its own, the sound is terrific. This live recording really places the listener in the theater with clarity and authentic spaciousness. So often, a live recording will capture the audience up close, then the orchestra, then the singers, cataloguing every throat being cleared and every bow being tapped. Somewhere in the distance, the singers voices follow their heavy tread over the stage. Not here. There is an intimacy to the sound here that approximates sitting in about the tenth row back in a large hall. It doesn't sound like the opera's being played in your room; it sounds as though your room has been transformed into a medium sized theater. I found it uncanny.

As to the experience of the drama in English, that too is remarkable, at least for someone like me whose home-tongue is English. The drama takes on an immediacy that I have never experienced before. This factor alone is why you should explore this Ring. I can't overemphasize the impact on me that this recording had on me because it was in English and because it was well-acted. Surely this is what Wagner meant, at least dramaturgically (obviously allowing that you can't actually see the action).

Overall, the singing is competent, and in some places, it's excellent. None of the cast really stands out musically. Norman Bailey's wobbly Wotan could have certainly benefitted from a deeper, richer tone. Still, and perhaps more importantly, he creates a god who is clearly unsure of where the moral highground is, even when he's standing on "an open space on a mountain summit." Everyone, for that matter, is dramatically convincing, especially Emile Belcourt (Loge) and Derek Hammond-Stroud (Alberich) and Robert Lloyd (Fasolt), all of whom, by the way, have excellent diction. And speaking of diction, I almost could have done without the libretto when the men were singing. Not so with the women, whose diction was uniformly wanting.

Goodall's pace is notoriously glacial. Still, it's interesting to hear it parsed in this way, and I never had the feeling that I was going to fall off the world. Which is to say that the tempos were deliberate, not affected. This was definitely a labor of love for RG and the English National Opera. The orchestra is a little thin sounding, and perhaps, not entirely up to the score. Occasionally a horn mis-blew and a cello creaked. This is unavoidable in live performances, I suppose. Still, there is a surprising sense of smallness to the ensemble, even though there's never a moment when the balance between singers and players is lost. As a result, the overall effect is a balance of clarity and urgency that is clearly the upside of Goodall's idiosyncratic "vision" of the score. Not a huge or "erotic" sound, but always committed, intelligent, and sometimes impassioned.

For all of its flaws, this is an astonishing and, for me, an indispensible recording because it made me listen to this opera with new ears. While it's not the most lyrically pleasing recording (Karajan) or musically authoritative (that would be Solti, IMHO), dramatically, this Rhinegold excells any recording I know of. I will definitely buy the rest of the set.

Average customer rating: norman greebaum spirit in the sky NOT YOU'RE EVERYDAY ONE HIT WONDER Much more than a 1 Hit Wonder This one song is worth buying the whole CD!

Spirit in the Sky: Best of Norman Greenbaum Norman Greenbaum Manufacturer: Repertoire ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Oldies | Pop | Styles | Music Compilations | Pop | Styles | Music | Dance Pop | Easy Listening | General | Oldies | Traditional Vocalists General | Rock | Styles | Music Pop Rock | Pop | Indie Music | Stores | Music Rock | Imports | Stores | Music Similar Items: The Best of the Original Fleetwood Mac Spirit in the Sky The Best of Norman Greenbaum: Spirit in the Sky Get Together: The Essential Youngbloods The Essential Jefferson Airplane ASIN: B000007VL1 Release Date: 2001-04-10

Tracks:

1. Spirit in the Sky
2. California Earthquake
3. Lucille Got Stealed
4. Canned Ham
5. Tars of India
6. Marcy
7. Hook and Ladder
8. Rhode Island Red
9. Junior Cadillac
10. Skyline
11. Jubilee
12. Milk Cow
13. Back Home Again
14. Titfield Thunder
15. Damper
16. I.J. Foxx
17. Petaluma
18. Country Lad
19. Day the Well Went Dry
20. Jigsaw
21. Weird
22. Daddy I Know
23. Gondoliers, Shakespeares, Overseers, Playboys and Bum
24. Day They Sold Beer in Church

Album Description

1997 collection on Repertoire with 24 vital hits, including top five 1970 smash 'Spirit In The Sky', plus 'The Day They Sold Beer In Church', 'California Earthquake', 'Canned Ham','Gondoliers, Shakespeares, Overseers, Playboys And Bum', theB-sides 'Jigsaw' & 'Daddy I Know' and more!

Album Details

His Classic 1970 Sngle, 'Sprit in the Sky', Got to Number Three in the Us Billboard Chart and Was a Resounding Hit around the World. 24 Tracks, Including Such Unforgettable and Improbable Items as 'California Earthquake', 'Canned Ham', and More.

Customer Reviews:

norman greebaum spirit in the sky.......2006-02-22

It tak`s me back some years.Great to relax to.

NOT YOU'RE EVERYDAY ONE HIT WONDER.......2001-03-22

I got this cd a couple years ago because I've always had a guilty pleasure for the song "SPIRIT IN THE SKY", which was heavily played on am radio when I was in highschool. It was a way overplayed hit back then that everybody eventually grew tired of, and it finally faded away. I also vaguely remembered his other single "CALIFORNIA EARTHQUAKE", which was a minor hit for about 5 minutes. But it was "SPIRIT IN THE SKY", with it's fuzzy guitar tone and the hand clapping rhythm that I found myself missing after all these years. To my surprise, after playing this album, I found Greenbaum to be an excellent songwriter. I expected to hear a lot of that Spirit in the Sky sound on here. But instead, this album has more of a country rock sound to it, with songs like "CANNED HAM", the hook laden "HOOK AND LADDER" (shoulda been another single), "DADDY I KNOW", with a great sounding fiddle, and a song that begs for a listen "THE DAY THEY SOLD BEER IN CHURCH". He even offers a little R&B sound with "JUNIOR CADILLAC", and a little gospel with "JUBILEE". And you get a few psychedelic rockers thrown in for good measure. This Best Of cd has a lot to offer with all his singles, b-sides, and rarities included. And there's not a clanker in the bunch. I think Norman Greenbaum, with his songwriting talents, could have been a big star. But he quit the music business for good in 1972 at the height of his popularity, and never looked back. For me, this album was a great trip down memory lane, and a pleasant surprise to boot!

Much more than a 1 Hit Wonder.......2000-04-18

German reissue giants Repertoire Records have done fans of early '70s rock and roll a wonderful favor by compiling 24 tracks, 76 minutes in all, of tasty, mainly guitar-driven tracks by Mass. born Norman Greenbaum. Known almost exclusively for the classic single "Spirit In The Sky" Greenbaum recorded 2 fine albums, "Spirit In The Sky" and "Back Home" in 1970 and a passable lp, "Petaluma" in 1972 before retiring to the dairy farming career from whence he had come. Besides the classic single, this anthology collects his follow-up singles, "Canned Ham," "California Earthquake," and "Petaluma," along with many album tracks from the two 1970 lps, a handful from the 1972 lp, and some pre-1970 a- and b-sides. While none of his subsequent releases approached the success of "Spirit In The Sky" they were nonetheless spirited efforts. "Canned Ham" for instance has an excellent riff and while the lyrics are humorous as opposed to meaningful, its a shame that the public was not more receptive. This compilation covers only Greenbaum's solo efforts to the exclusion of his Dr. West's Medicine Show and Junk Band recordings from the mid-1960s, thus not including the top 50 single "The Eggplant That Ate Chicago," which in my mind is doing the listener a service rather than disservice. Overall the anthology is a mixture of Greenbaum's hippie humor and fuzz-guitar. For fans of psychedelia this is a real winner. For some the title track alone will make this a value. This is by far the best Greenbaum compilation available, having nine more tracks than the only other anthology available. In addition, the track selection is far superior, excluding the Dr. West recordings. Kick back and revisit 1970 at its best.

This one song is worth buying the whole CD!.......1999-07-16

Call me weird, but when my husband and I pass on we are going to donate our bodies to science. I have told my husband that at my memorial I want the song "Spirit in the Sky" played as the memorial service is ending! I've also told him that I will do the same at his memorial service (if he should pass on first)!

Average customer rating: A DEFINITE MUST HAVE!

Spirit in the Sky, Pt. 1 Gareth Gates Manufacturer: Bmg Int'l ProductGroup: Music Binding: Audio CD Britain | British Isles | Europe | International | Styles | Music General | Pop | Styles | Music General | Rock | Styles | Music Rock | Imports | Stores | Music ASIN: B00008KB1D Release Date: 2004-01-13

Tracks:

1. Spirit In The Sky (With Special Guests The Kumars)
2. Dance Again
3. Spirit In The Sky
4. Spirit In The Sky (Video With Special Guests The Kumars)

Album Description

Taken from the 2002 album, 'What My Heart Wants To Say'. UK charity single, with proceeds going to Comic Relief, featuring four tracks, 'Spirit In The Sky' with special guests The Kumars (non-LP), 'Dance Again' (non-LP), 'Spirit In The Sky', & 'Spirit In The Sky' with special guests The Kumars (non-LP video). BMG. 2003.

Album Details

The Former Pop Idol Takes on the Norman Greenbaum Classic for Another Berth of this Song at the Peak Position on the Charts. It's all for Comic Relief, which the Kumars Provide on the Title Track.

Customer Reviews:

A DEFINITE MUST HAVE!.......2003-03-25

A well-done, upbeat, and fun remake of a classic song! The first cut with the Kumars is funny and catchy. Well worth the money - in the UK all proceeds go to their Comic Relief fund. The second cut is a nice romantic ballad. One of the best parts of the enhanced CD is the video! A real hoot!!!!

Average customer rating:

Spirit in the Sky: The Definitive Anthology Norman Greenbaum Manufacturer: Smith & Co ProductGroup: Music Binding: Audio CD Christian Rock | Christian & Gospel | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Rock | Imports | Stores | Music ASIN: B0000CGV63 Release Date: 2003-09-11

Tracks:

1. Junior Cadillac
2. Spirit in the Sky
3. 5 Pennies
4. Dairy Queen
5. Campin'
6. Petaluma
7. Country Lad
8. Day the Well Went Dry
9. New Dead Shrimp Blues
10. Crazy Over You
11. Japanese Silky
12. Weird
13. Daddy I Know
14. Hook and Ladder
15. Skyline
16. Canned Ham
17. Marcy
18. School for Sweet Talk

Tracks:

1. Children of Paradise
2. California Earthquake
3. Damper
4. Eggplant That Ate Chicago
5. Back Home Again
6. Day They Sold Beer in Church
7. Gondoliers, Shakespeares, Overseers, Playboys and Bums
8. Jubilee
9. Alice Bodine
10. Tars of India
11. Power
12. Good Lookin' Woman
13. Milk Cow
14. Save Me for a Rainy Day [Demo Version]
15. Chocolate Milk [Demo Version]
16. Spirit in the Sky [Demo Version]
17. Norman Greenbaum Radio Promo

Album Description

Import exclusive compilation for the singer/songwriter best known for his 1970 hit 'Spirit in the Sky' features 35 tracks including three demos, 'Save Me For A Rainy Day', 'Chocolate Milk' & 'Spirit In The Sky', & a radio promo. Smith & Co. 2003.

Album Details

Digitally Remastered Re-issue of the 1969 Release by the Frontman of Dr. West's Medicine Show and Junk Band with Seven Additional Tracks Not on the Original Release.

Average customer rating:

Many Moods of the Guitar Manufacturer: Acoma ProductGroup: Music Binding: Audio CD All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | International | Styles | Music General | New Age | Styles | Music General | International | Indie Music | Stores | Music General | New Age | Indie Music | Stores | Music ASIN: B000009J1H Release Date: 1997-05-09

Tracks:

1. Adelita
2. Lima
3. Maria
4. Nakina:Largo espressivo
5. Allegro assai (3:10); *
6. Andante barcarolle (3:57); *
7. Allegro (2:57)
8. Kinderszenen: Trerei
9. Kinderszenen: Von fremden Lern und Menschen
10. Kinderszenen: Der Dichter spricht
11. Kinderszenen: Fnmachen
12. Kinderszenen: Bittendes Kind ^Entreating Child
13. Kinderszenen: Kuroise Geschichte
14. Music for the Waiting Angel
15. Sonare
16. Hassidic Dance
17. Dance
18. Fantasy/Ricercare
19. River Sky
20. The Blue Guitar: What Is This Picasso?
21. The Blue Guitar: I Say They Are
22. The Blue Guitar: Parade
23. The Blue Guitar: Figures with Still Life
24. The Blue Guitar: A Tune
25. The Blue Guitar: A Picture of Ourselves
26. The Blue Guitar: Serenade
27. Manifestations of the Spirit
28. Recuerdos de la Alhambra

Album Description

Many of these works were commissioned and written specifically for me. Following the elegant Tarrega is Nakina by Peter Ware, a special work in my repertoire that I commissioned through the Ontario Arts Council. This virtuoso showpiece has a strong blues influence and exudes a dramatic flare throughout its four movements. The selections from Schumann's Kinderszenen are introspective in character and their expressive subtleties emerge from simplicity of form. Titles suggest extra-musical and poetic connotations. Music for the Waiting Angel and Sonare by composer-guitarist Richard Jordan Smoot are lyric works revealing idiomatic writing in a beautiful harmonic language. In contrast, Robert Rollin's Hassidic Dance, which I commissioned with additional support from Youngstown State University in Ohio, is a playful setting of a folksong traditionally sung at weddings asking all to put past differences aside and join in friendship. The biting harmonies humorously symbolize conflict while interacting with the folksong theme.

Dance, Fantasy and Ricercare are pieces I composed in memory of my grandfather, who first introduced me to the guitar. They are written in a Renaissance style with contemporary and jazz elements. River Sky by Kathy Henkel was composed in connection with my poem of the same title. This evocative work has a charming clarity and freshness of form and style. The Blue Guitar, by Willam Roberts, has a lineage progressing from Picasso's famous painting through Wallace Stevens' poem to David Hockney's etchings. This collection of succinct Satiesque miniatures draws influence from popular music. Shimmering and mirage-like, Manifestations of the Spirit by Stephen Elderkin leads us back to the Spanish character with which we began and to the closing work, Tarrega's well-known and well-loved favorite Recuerdos de la Alhambra. Enjoy!

Average customer rating:

Spirit in the Sky Norman Greenbaum Manufacturer: Demon ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Pop Rock | Pop | Styles | Music ASIN: B000024L1S Release Date: 1996-02-27

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