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1. Geh Zu Ihr
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2. Vorn Ist das Licht
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3. Die Ganze Nacht
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4. Jodelkuh Lotte
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5. Alt Wie Ein Baum
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6. Wenn Träume Sterben
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7. Was Vom Leben Bleibt
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8. Schöpfung
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9. TV Show
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10. Flieg Mit Mir
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11. Mann Im Mond
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12. Männlichkeit
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13. Den Ufern Der Nacht
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14. Sonntagsfahrer
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15. Kinder
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Pur,Puhdys,Ariola Express,World Music
Average customer rating:
- Here's what the fuss was all about!
- Beverly Sills - The Best
- Beverly Sills' highs are breathtaking!
- THE 2005 OPERA CD OF THE YEAR
- EMI Does It Again: Beverly Sills - A Tribute
|
The Very Best of Beverly Sills
Manufacturer: EMI Classics
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Binding: Audio CD
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Similar Items:
- The Great Recordings
- Beverly Sills: Made in America
- Art of Beverly
- Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
- Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato
ASIN: B0006VYELE
Release Date: 2005-04-26 |
Tracks:
- Una Voce Poco Fa - Sherrill Milnes
- Dunque Io Son - Sherrill Milnes
- Contro Un Cor - Sherrill Milnes
- Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
- E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
- Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
- Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
- V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
- Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
- Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
- Via, Caro Sposino - Ambrosian Opera Chorus
- Tornami A Dir Che M'ami - Ambrosian Opera Chorus
- La Morale In Tutto Questo - Ambrosian Opera Chorus
Tracks:
- Vilia - Beverly Sills
- Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
- Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
- Libiamo Ne' Lieti Calici - John Alldis Choir
- Un Di Felice, Eterea - John Alldis Choir
- E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
- Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
- Che Fai? - John Alldis Choir
- Addio Del Passato - John Alldis Choir
- Parigi, O Cara - John Alldis Choir
Amazon.com
Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler
Album Description
Details TBA. EMI. 2005.
Customer Reviews:
Here's what the fuss was all about!.......2007-07-17
It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.
Beverly Sills - The Best.......2007-04-01
What a voice. No coloratura can compare, and she makes it seem so easy.
Beverly Sills' highs are breathtaking!.......2006-09-18
Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!
THE 2005 OPERA CD OF THE YEAR.......2006-08-19
THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!
EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22
EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!
Average customer rating:
- Romance of the Violin
- End of the Day
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Romance of the Violin
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Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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- Voice of the Violin
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ASIN: B0000DG06L
Release Date: 2003-10-28 |
Tracks:
- O mio babbino caro (from 'Gianni Schicchi')
- The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
- Nocturne in C sharp minor (Op Post)
- The Swan (from Carnival of the Animals)
- Serenade (from 'Schwanengesang' song cycle for voice and piano, D 957
- Casta Diva (from 'Norma')
- Andante from Piano Concerto No. 21 in C Major K. 467
- Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
- Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
- Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
- Pur ti Miro (from 'L'incoronazione di Poppea')
- Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
- Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')
Amazon.com
Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert Levine
Customer Reviews:
Romance of the Violin.......2007-07-16
While it's not my very favorite Joshua Bell CD, this is a pleasure to listen to!
End of the Day.......2007-06-08
I am a Joshua Bell fan, and this album is the one that I enjoy with my dessert, it calms me at the end of the day, and makes me think of my 6 year old granddaughter's visit. She has to have music on during meals at her home. Usually it is some kid stuff, but I do not have anything like she has at home, so I chose to play Joshua Bell during our dinner. When I placed the dessert before her, she looked up at me and said: "This music is so beautiful, I want to play the violin just like that". What more could I say.
He is inspiring, and she is right. This album is beautiful.
Wonderful!.......2007-05-30
I play this for my grandson to nap by. It is so relaxing and wonderful!
Over and over and over...........2007-05-17
That's how I want to play this CD! It's a wonderful line-up of rich, mellow, captivating compositions played with a warmth and vibrancy that is seldom heard. Joshua at his very best. You won't be disappointed.
Non-standard CD format.......2007-04-22
The music on this CD deserves five stars, but the CD itself is a non-standard format that doesn't work on all players. There's a tiny warning on the back of the CD. You won't notice the warning until you discover that the CD doesn't work on your player. My Macintosh computer wouldn't read the non-standard format so there was no way for me to listen in my office or put the music on my iPod.
A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.
The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.
Average customer rating:
- useful
- Cecilia Bartoli at her best.
- Great companion to Schirmer's 24 Italian Arias book
- Great Bartoli, but not her best Italian songs
- Beautiful and useful CD
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Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs
Alessandro Scarlatti , Antonio Caldara , Antonio Lotti , Antonio Cesti , Giovanni Paisiello , Anonymous , Benedetto Marcello , Giuseppe Giordani , Giulio Caccini , Alessandro Parisotti , Pietro Francesco Cavalli , Antonio Vivaldi , Giacomo Carissimi , Cecilia Bartoli , and György Fischer
Manufacturer: Decca
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- Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
- Cecilia Bartoli - An Italian Songbook (Bellini, Donizetti, Rossini)
- Cecilia Bartoli - The Vivaldi Album / Il Giardino Armonico
- 24 Italian Songs and Arias - Medium High Voice (Book/CD): Medium High Voice - Book/CD
- Cecilia Bartoli - Mozart Arias
ASIN: B00000420F
Release Date: 1992-10-13 |
Tracks:
- Gia, Il Sole dal Gange
- Son tutta duolo
- Se Florindo e fedele
- O cessate di piagarmi
- Spesso vibra per suo gioco
- Caro mio ben
- Pur dicesti, O bocca bella
- Intorno all'idol mio
- Nel cor piu non mi sento
- Il mio ben quando verra
- O leggiadri occhi belli
- Quella fiamma che m'accende
- Selve amiche
- Sebben, crudele
- Tu ch'hai le penne, amore
- Se tu m'ami
- Chi vuol la zingarella
- Amarilli
- Delizie contente
- Sposa son disprezzata
- Vittoria, vittoria!
Amazon.com
The 17th-century Italian art song repertory traditionally reserved for novice singers is given new life via Bartoli's artistry. With impeccable diction and evocative phrasing, she captures every innuendo of these simple, but passionate, pieces. No two repetitive phrases are alike; she chisels every line into a landscape of interpretive magnificence. Scarlatti's simple "O Cessate di Piagarmi" becomes a testament of innocent pain and plaintiveness. Giordano's "Caro Mio Ben" is transformed into a tender cry for love. All embellishments are imaginative and well executed. Accompaniment by György Fischer is equally appealing, sensitive and precise. Every singer questing for the art of singing should study these. --Barbara Eisner Bayer
Customer Reviews:
useful.......2007-04-11
I feel like recommending this compilation to neophites wanting to listen to some old arias to learn if they like this genre and to singing students:
Ms Bartoli's voice is not beautiful, nor perfect when heard live, but her technique sounds perfectly good on record. Here and there her voice gets harsh, flat, losing brilliance and warmth, but most of the time one can concentrate on the accurate rendering of these old and beautiful arias.
She wisely decided to follow the letter of Parisotti's score, therefore meeting the need of all singing students of having a reference for their study. The agility is outstanding but pronunciation and expression, as well as the perfect gusto in presenting the phrases, are what make this compilation worthwhile. Not a word goes wasted or neglected but her being Italian and her sensitivity manage to avoid overkill.
One could wish she would publish compilations of single authors of the xvi and xvii centuries, edited according to philological criteria or else other compilations of the dated but still useful Parisotti edition.
Cecilia Bartoli at her best........2007-03-06
A great singer is one who dedicates singing to the text itself instead to himself/herself.
This is achieved 100% by Ms. Bartoli in this earlier album of hers. The recordings here cannot be termed otherwise than 'immaculate'. The very opening song 'Gia sole dal gange' is a display of Bartoli's unique timbre in its full beauty - glorious, rich and full. Many singers could tackle the range of this song, mezzos or sopranos, but who could pull it off in the manner as Ms. Bartoli? Credit to the one who picked this as the opening song of this fantastic album.
The songs following come in different styles and moods, all given full authentic interpretations by the singer. Compare the 'Vittoria, vittoria mio core' to 'Intorno al'idol mio' or 'Amarilli, mio bella' the vast contrast of mood, brought out equally well. The songs' requirement of versatility of interpretation is fully catered for.
I hate it when people say that this is a learners' album accompanying the 24 Italian Songs edited by one publisher. Such remarks could barely do justice to Ms. Bartoli's superb artistry, though admittedly, this CD would be an invaluable one for THAT purpose. What about the songs NOT included in the 24 Italian songs?
Great companion to Schirmer's 24 Italian Arias book.......2007-02-21
Cecilia Bartoli beautifully demonstrates many of the songs in Schirmer's 24 Italian Songs & Arias Of The 17th & 18th Centuries, which is widely recognized as an intermediate collection of Italian repitoire.
Great Bartoli, but not her best Italian songs.......2006-06-15
'The Impatient Lover' sung by Cecilia Bartoli is a collection of 18th and 19th century songs in Italian which were written by the predominantly German composers, Beethoven, Mozart, Schubert, and Hayden. Oddly, this is very seriously a better, or at least a more enjoyable collection, to my ear, than the 'If you Love Me' collection of Italian songs written by Italians, including Scarlatti, Caldera, and Vivaldi. And, neither collection of Italian songs is as interesting as Mme. Bartoli's collection of French love songs, 'Chant D'Amore'. All are done on London, but with three different accompaniests. I think the French material is just better than the Italian.
Beautiful and useful CD.......2006-03-22
I used this CD as accompaniment and inspiration for a voice class. It's very useful and Cecilia Bartoli sounds amazing.
Average customer rating:
- If you love beautiful voices...
- If you want to know Corelli's art, this is the right CD
- excellent gift
- Greatest Tenor of This Century!
- Ah... Franco :}
|
The Very Best of Franco Corelli
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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- Very Best of
ASIN: B00008V5VV
Release Date: 2003-04-22 |
Tracks:
- A Te, O Cara
- Meco All' Altar Di Venere... Me Protegge, Me Difende
- Ah Si, Ben mio...De Quella Pira
- Se Quel Guerrier Io Fossi!...Celeste Aida
- Pur Ti Riveggo, Mia Dolce Aida
- Intanto Amici... Viva Il Vino Spumeggiante
- Mamma, Quel Vino E Generoso
- Recitar!... Vesti La Giubba
- No, Pagliaccio Non Son
- Colpito Qui M'avete...Un Di All'azzuro Spazio
- Credo A Una Possanza Arcana
- Legray!... Andrea Chenier!...Si, Fui Soldato
- Come Un Bel Di Di Maggio
- Vicino A Te
Tracks:
- Donna Non Vidi Mai
- Recondita Armonia
- E Lucevan Le Stelle
- Non Piangere, Liu... Ah! Per L'ultima Volta!
- Nessun Dorma
- Favorita Del Re!... Spirto Gentil
- Cielo E Mar
- L'anima Ho Stanca
- Non Lunge Della Torre... Bianca Al Par Di Neve Alpina
- Ange Adorable
- L'amour, L'amour.. Ah! Leve-Toi, Soleil!
- O Nuit Divine!
- C'est La! Salut! Tombeau!
- Fronde Tenere... Ombra Mai Fu
- Ave Maria
- Domine Deus
- Core 'Ngrato
- Torna A Surriento
Customer Reviews:
If you love beautiful voices..........2007-04-30
and passionate singing, you won't be disappointed. While Corelli certainly had his flaws, they are minor in the larger picture of this unique, magnificent force of nature. Then get this set for your friend who thinks Andrea Bocelli is a great tenor.
If you want to know Corelli's art, this is the right CD.......2007-03-10
Franco Corelli had one of the powerful tenor voices of the twentieth century. Think Mario del Monaco with more beauty and grace; think Richard Tucker with a smoother voice. He had annoying touches in his singing, such as those "catches" here and there. But, with Tucker, he is, in my estimation, one of the two most powerful and attention riveting tenors in the past century. Other tenors were more artistic, provided better characterization (think Domingo, Gigli, Pavarotti, Gedda, Caruso, and some others).
But Corelli was a wonder of nature! Some samples: "Ah si, ben mio. . .Di quella pira." If there were an aria made for Corelli, this would be it. His big, rich, powerful voice fits this cut nicely. Not much subtlety here. In "Di quella pira," he hits the high notes in a stentorian manner. There are those mannerisms, but they are so easily forgiven, taking into account that rich, lustrous voice.
"Celeste Aida" is another representative cut. This is a powerful version. Also, note how he goes from forte to piano at the end of this aria. A powerful effect indeed.
Then, there are the twin arias from "Tosca." In "Recondita armonia," his rich voice is well manifest. He exhibits a smooth line in his singing. This is a powerful version of this well known aria. "E lucevan le stele" displays again that rich voice. At one point, he goes from forte to piano in a mesmerizing manner (Who'd have thought it?). His final "la vita" grabs one's attention.
Finally, "Nessun dorma." Well, smoothly, and powerfully sung. The final "vincero" is powerfully rendered, leaving goose bumps on the spine.
This is the very best of Franco Corelli. Those who want to get a sense of the vocal prowess of one of the most powerful tenors of the 20th century should attend to this double CD set.
excellent gift.......2007-02-09
I gave it to my father and he says Its an amazing cd.
Greatest Tenor of This Century!.......2007-02-03
Franco Corelli is the greatest tenor of this century. Although there are many fine tenors including Carlo Bergonzi - no tenor comes close to singing with the pure heart and animal magnetism of Franco Corelli. Surprisingly, he was also quite comfortable with bel canto, listen to the incredible "A te o'cara". I've heard "Nessun Dorma" sung by many excellent tenors and hands down, none can touch the sublime beauty of Corelli's version. This 2cd set of his greatest arias is a wonderful gift for any opera fan. "Recondita Armonia" is my personal favorite. His thrilling vocal beauty and intensity of performance is truly unforgettable.
Ah... Franco :}.......2007-01-10
Such a pleasing voice. I can't believe the clarity and perfection. He was well before my time and others have become more 'popular' since then, but for some reason his voice seems better than the more current singers. I do not know much about opera so I will have to rely only on my own ears. I happily recommend this double album. I like to have it playing on the 5 CD changer with other opera cds, mixing through them...it is a perfect saturday morning accompaniment. enjoy.
Average customer rating:
- AN OPERA OPUS THAT'S A MUST!
- The Best
- Superb Modestly Priced Favorite Arias Collection!!!
- Wonderful introduction to opera
|
A - Z of Opera (includes 762 page booklet)
Puccini , Thomas Harper , Ingrid Kertesi , Scholars Baroque Ensemble , and Hungarian State Opera Orchestra
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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- The Most Famous Opera Duets
- The Most Famous Opera Arias
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- Amor--Opera's Great Love Songs
ASIN: B00004YYRR
Release Date: 2000-10-17 |
Tracks:
- L'Orfeo: Sinf/Ecco Pur Ch'a Voi - Cappella Musicale Di S. Petronio Di Bologna/Sergio Vartolo
- Dido And Aeneas: When I Am Laid In Earth - Kym Amps
- Rinaldo: Lascia Ch'io Pianga - Ingrid Kertesi
- Serse: Ombra Mai Fu (Largo) - Ingrid Kertesi
- Orfeo Ed Euridice: Dance Of The Blessed Spirits - Slovak State PO/Johannes Wildner
- Alceste: Ombre Larve - Theresa Ringhoz/Drottningholm Theatre Chor
- Don Giovanni: Madamina! (Catalogue Aria) - Andrea Martin
- Cosi Fan Tutte: Soave Sia Il Vento (Terzetto) - Joanna Borowska/Rohangiz Yachmi/Peter Mikulas
- The Marriage Of Figaro: Non Piu Andrai - Natale De Carolis
- Die Zauberflote: Der Holle Rache (Aria Of The Queen Of The Night) - Helen Kwon/Hungarian Festival Chor
- Fidelio: Abscheulicher! - Inga Nielsen/Hungarian Radio Chor
- Der Freischutz: Huntsmen's Chor - Slovak Phil Chor
- The Barber Of Seville: Largo Al Factotum - Roberto Servile
- L'Elisir D'Amore: Una Furtiva Lagrima - Vincenzo La Scola
- I Puritani: Qui La Voce Sua Soave - Luba Orgonasova
- La Traviata: Un Di Felice (Love Duet) - Monika Krause/Yordy Ramiro
- Nabucco: Va Pensiero (Chor Of The Hebrew Slaves) - Slovak Phil Chor (Bratislava)
- Aida: Grand March - Nat SO Of Ireland/Rico Saccani
- Falstaff: E Sogno? O Realita - Roberto Servile
Tracks:
- Rigoletto: La Donna E Mobile - Yordy Ramiro/Slovak Phil Chor
- Die Walkure: Ride Of The Valkyries - Czecho-Slovak RSO/Uwe Mund
- Tannhauser: Begluckt Darf Nun Dich (Pilgrims' Chor) - Slovak Phil Chor
- La Wally: Ebben, Ne Andro Lontana - Miriam Gauci
- Rusalka: O, Silver Moon (Song To The Moon) - Jana Valaskova
- Gianni Schicchi: O Mio Babbino Caro - Luba Orgonasova
- La Boheme: Che Gelida Manina - Jonathan Welch
- Madama Butterfly: Un Bel Di Vedremo - Miriam Gauci
- Tosca: E Lucevan Le Stelle - Giorgio Lamberti
- Turandot: Nessun Dorma - Thomas Harper/Slovak Phil Chor
- Lakme: Dome Epais (Flower Duet) - Adriana Kohutkova/Denisa Slepkovska
- Thais: Meditation - Janos Selmeczi
- Carmen: L'Amour Est Un Oiseau Rebelle (Habanera) - Graciela Alperyn/Slovak Phil Chor/Bratislava Children's Chor
- The Pearl Fishers: Au Fond Du Temple Saint (Duet) - Janez Lotric/Igor Morozov
- Pagliacci: Recitar!... Vesti La Giubba - Nicola Matinucci/Slovak Phil Chor
- Cavalleria Rusticana: Intermezzo - Czecho-Slovak RSO/Alexander Rahbari
- Andrea Chenier: Come Un Bel Di Di Maggio - Thomas Harper
- King Roger: Roxana's Aria - Barbara Zagorzanka
- Die Tote Stadt: Gluck, Das Mir Verblieb (Marietta's Lied) - Katarina Dalayman/Thomas Sunnegardh/Tomtberga School Children's Chor/Royal Swedish Opr Chor
Album Description
A-Z of Opera is a 762-page, illustrated book, accompanied by two-and-a-half hours of opera's most glorious and moving moments on two CDs, and reflects the ever-growing Naxos catalog of recordings ranging from Monteverdi to the contemporary. A-Z of Opera provides a wide range of information on operas and their composers, from Handel's Rinaldo to Mozart's Die Zauberflote, and beyond. It features plot synopses, background details and cast lists for hundreds of operas including well-known standards as well as opera rarities. In addition, there is a wealth of information about all the great composers and a glossary of key musical and operatic terms.
Customer Reviews:
AN OPERA OPUS THAT'S A MUST!.......2003-01-19
Oh, such letter-perfect perfection! This marvel features a two-hour-plus showcase of well-known arias from "Cosi Fan Tuti," "Aida," "Carmen," "Madame Butterfly" and "The Barber of Seville." It also comes with a book --- 762 pages of remarkable facts, figures and illustrations.Encore!
The Best.......2002-06-09
This is, by far, the best introduction to opera on the market. It also contains some gem performances for anyone who already has a serious opera collection. Several tracks on this collection of mostly Eastern European singers rival those of their Western counterparts. This is a collection for EVERYONE - from the opera novice to the person who has long collected all the major Western stars. At this price, it's the best opera bargain in the world. GET IT NOW!!! Thank you, Naxos! I hope that some of these Eastern European singers at last get the attention they deserve.
Superb Modestly Priced Favorite Arias Collection!!!.......2001-02-12
I received this as my 20th birthday gift from my bestfriend and I was amazed at the quality and the content of this CD. Some of the arias which I am immensely fond of are included, i.e. "Habanera" from Bizet's "Carmen." And who would have guessed that the soprano on track 10 performing Queen of the Night's Aria from Mozart's "Die Zauberflote" was none other than Hellen Kwon? Amazing!
I really love this gift from my bestfriend for it was thoughtful and well, what can I say that this makes an excellant gift for opera neophytes (though I am not an opera neophyte).
The highlight of this CD is track 13, Rossini's "Largo al Factotum" from "The Barber of Seville." When I first heard this, I was contemplating to myself as to where have I heard this before. Then it hit me: Michigan J. Frog's signature tune! (In case people are wondering who on earth is Michigan J. Frog is, he is the Warner Brother's frog; the frog can be seen on WB network channel). I love this track! Buy this for yourself if not this makes a perfect gift for your opera neophyte friend(s)! This track brings joy and smiles on my face everytime I hear this piece!
Wonderful introduction to opera.......2000-12-16
More than just a promotional sampler, the Naxos
(8.555037-38) contains not only 2 CDs crammed with 39 excerpts from that company's seemingly bottomless catalogue, but also a 762 page book. The text offers plot summaries of almost every important opera and many of far lesser renown (Delius' "The Magic Fountain," Mascagni's "Iris," for example), a brief biography of the composers, a glossary, and finally a discography. The recorded examples are in chronological order from Monteverdi to Korngold. The entries in the book, however, are in alphabetical order--so be careful to look for "Zauberflote," not "Magic Flute," and so on.
Of course, Big Names do not appear on many Naxos opera sets; but this set is an introduction to that vast area of culture and is meant to be an educational (and of course a promotional ) device. Nevertheless, many of the selections on the CDs are beautifully sung, a very few lack characterization (the arias from"Don Giovanni" and "Nozze di Figaro" for two). But at this incredibly low budget price, who can complain?
As soon as I saw what this set had to offer, I immediately ordered a copy as a seasonal gift for a friend who wants to "get into" opera. I could think of no better gift.
There is a sister set titled
(8.555319-20) that uses the same format. There are 2 CDs with 36 selections from Gregorian Chant to Glass. The 562-page book gives us the major facts about "the Great Composers and Their Greatest Works, " a glossary, and a 45-page list of classical music heard in films. The discography is included in the composers section. Again, the value of this set as an educational tool is enormous and well worth the extremely low price Naxos is asking.
Average customer rating:
- Excellent performances, both audio and video
- Great music, lousy format!
|
Romance Of The Violin (Live From New York In Concert)
Joshua Bell
Manufacturer: Sony
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Similar Items:
- Voice of the Violin
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ASIN: B00076ZZB6
Release Date: 2005-02-08 |
Tracks:
- O mio babbino caro from Gianni Schicchi
- The Girl With Flaxen Hair
- Nocturne
- The Swan
- Serenade
- Casta Diva from Norma
- Andante from Piano Concerto No. 21 in C Major K. 467
- Dance of the Blessed Spirits from Orfeo ed Euridice
- Nocturne from String Quartet No. 2 in D Major
- Songs My Mother Taught Me
- Pur ti Miro from 'L'incoronazione di Poppea
- Elegie: O doux printemps d'autrefois
- Trerei
Album Description
CD AUDIO SIDE: Entire Album
DVD SIDE: * Entire album in Enhanced LPCM Stereo * Video of highlights from Joshua Bell Romance of the Violin Live from Lincoln Center with the Orpheus Chamber Orchestra * Complete Discography This disc is intended to play on standard DVD and CD players. May not play on a limited number of models.
Customer Reviews:
Excellent performances, both audio and video.......2007-01-09
I was delighted with this Dual Disc. Performances are excellent, both audio and video. Recording quality is very good.
I must report some problems with CD side (cracks) on older CD player.
Great music, lousy format!.......2007-01-03
I love the music, but was VERY unhappy to be unable to play this CD on my computer. The DVD side works okay, but I can't load this to itunes on my macintosh. And I can't load the DVD to my computer and store this disk at home. If I had it to do over, I'd buy the plain vanilla CD!
Average customer rating:
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Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
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ASIN: B00062FLI8
Release Date: 2004-11-30 |
Average customer rating:
- Thoroughly enjoyable
- Disappointed
- Gratzi for the Italian Renaissance
- refreshing, sprightly and fun
|
Italian Renaissance Dances
Manufacturer: Hmf Classical Exp.
ProductGroup: Music
Binding: Audio CD
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ASIN: B000059WLF
Release Date: 2001-05-08 |
Tracks:
- Galliard III Based on "La Mantoana"
- Galliard
- Non Ha'l Ciel Cotanti Lumi - David Douglass, Ellen Hargis, Andrew Lawrence-King
- Qual Cadavero Spirante - David Douglass, Ellen Hargis, Andrew Lawrence-King
- Pavane II
- Se Pur Ver
- Dances from il Scolaro:Aria del Gran Duca
- Dances from il Scolaro:Gagliarda Di Santino Detto la Muzza
- Dances from il Scolaro:la Bergamesca
- Dances from il Scolaro: Basso Delle Ninfe
- Dances from il Scolaro: Bassa Gioiosa
- Dances from il Scolaro: Il Ceferino
- Gagliarda Falsa
- Lagrime d'Erminia - David Douglass, Ellen Hargis, Andrew Lawrence-King
- Sonatae Concertate, Book 2:Sonata XVI a 4
- O Durezza Di Ferro - David Douglass, Ellen Hargis, Andrew Lawrence-King
- Galliard
- DSoletto
- Galliard I, Known as "The Gallant One"
- Consonanze Stravaganti
Customer Reviews:
Thoroughly enjoyable.......2005-01-28
I have listened to this CD a great deal and I love it. I just want to answer vvic's point below: it's true that not all the tracks on this disc are rumbustious romps, but Renaissance dance had many different forms, genres and functions. It was an important means of personal expression and social interaction - you only need to think of the formal and ritualised minefield that surrounded love and courtship (especially in the higher strata of society) to be able to see dance's potency as an emotional outlet. In fact, dancing quickly was the one thing that would have been difficult because costume was often bulky and ungainly, especially for ladies.
So give these performances a chance, because this disc is bursting with life and musicianship: The King's Noyse play like a group of old friends together; Andrew Lawrence-King's harp playing is enchanting, and Ellen Hargis produces richly nuanced, beautifully coloured and poignant performances of the laments. The whole mixture is delighful.
It's also superbly engineered: the sound is detailed, rich, vibrant and delicate. (It's set in a fairly warm acoustic, which may partly account for vvic's feeling of 'churchiness'.) A pity there are no sound samples here on Amazon.
I presume this is a re-release of an earlier disc. The budget savings come from corners cut in packaging - the booklet is fairly perfunctory, but as my Dad says, 'you pays your money. you takes your choice'!
ps. I'm a really terrible dancer!
Disappointed.......2003-05-04
I am a big fan of renaissance instrumental music, and since these are dances, I was expecting some pleasant, spirited melodies, like on the excellent English Country Dances. Although there are several tracks like this on this CD, many are slow and dirgy. These, combined with the tracks with soprano vocals, make one feel as if they were in church, which is not a bad thing, if that's what you're looking for.
Gratzi for the Italian Renaissance.......2002-03-24
The sounds of the Italian Renaissance are very uplifting, beautiful and rational. The songs have structure and melody and flow very naturally. This collection is a pleasing variety of instrumental and vocal music with period instruments and authentic arrangements. The performances and sound quality are extremely good.
I don't know if I should feel guilty for having spent so little on this CD or irritated that more CDs of this quality are not available at this price. The other releases I have heard from the Classical Express label have been as good. (e.g. Mozart Horn Concertos, French Love Songs)
refreshing, sprightly and fun.......2001-07-12
THis is a sprightly and thoroughly well performed arrangement of Renaisaaance music. If you think there is no place for such period music think again. I snuck this on while entertaining and everyone began complimenting it. They loved the joyful upbeat quality it posseses and as I, were delighted with the quality of musicianship and recording. Give that next dinner party a historical twist or just give yourself this wonderful CD
Average customer rating:
- Complete Solti/Bergonzi Ballo Released
- Another dazzled listener
- Sublime indeed
- The sublime vocal artist
- Blown away!
|
Carlo Bergonzi - The Sublime Voice ~ 40 Tracks from the Legendary Tenor
Giuseppe Verdi , Giacomo Puccini , Ruggiero Leoncavallo , Pietro Mascagni , Amilcare Ponchielli , Tullio Serafin , Herbert von Karajan , Georg Solti , Rafael Kubelik , Nello Santi , Gianandrea Gavazzeni , Lamberto Gardelli , Sir John Pritchard , Carlo Bergonzi , Renata Tebaldi , Ettore Bastianini , Fiorenza Cossotto , Enzo Sordello , Dietrich Fischer-Dieskau , Tugomir Franc , Renata Scotto , Libero Arbace , Fernando Corena , Birgit Nilsson , Giulietta Simionato , Sylvia Stahlman , Joan Sutherland , Dora Carral , and Piero de Palma
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B00004C8TH
Release Date: 2001-06-12 |
Tracks:
- La Boheme: Che Gelida Manina - Carlo Bergonzi/Renata Tebaldi/Rodolfo Gianna D'Angelo/Ettore Bastianini
- La Boheme: O Soave Fanciulla - Carlo Bergonzi/Renata Tebaldi/Rodolfo Gianna D'Angelo/Ettore Bastianini
- La Boheme: Mimi E Tanto Malata - Carlo Bergonzi/Renata Tebaldi/Rodolfo Gianna D'Angelo/Ettore Bastianini
- La Boheme: Dunque E Proprio Finita! - Carlo Bergonzi/Renata Tebaldi/Rodolfo Gianna D'Angelo/Ettore Bastianini
- La Boheme: In Un Coupe?... O Mimi, Tu Piu Non Torni - Carlo Bergonzi/Renata Tebaldi/Rodolfo Gianna D'Angelo/Ettore Bastianini
- Madama Butterfly: Dovunque Al Mondo - Carlo Bergonzi/Renata Tebaldi/Fiorenza Cossotto/Enzo Sordello
- Madama Butterfly: Vogliatemi Bene - Carlo Bergonzi/Renata Tebaldi/Fiorenza Cossotto/Enzo Sordello
- Madama Butterfly: Io So Che Alle Sue Pene - Carlo Bergonzi/Renata Tebaldi/Fiorenza Cossotto/Enzo Sordello
- Madama Butterfly: Addio, Fiorito Asil - Carlo Bergonzi/Renata Tebaldi/Fiorenza Cossotto/Enzo Sordello
- Cavalleria Rusticana: Ah! Io Vedi, Che Hai Tu Detto? - Carlo Bergonzi/Fiorenza Cossotto
- Pagliacci: Recitar!... Vesti La Giubba - Carlo Bergonzi
- Don Carlo: Dio, Che Nell'alma Infondere - Carlo Bergonzi/Dietrich Fischer-Dieskau/Tugomir Franc/Chor Of The ROHCG
- Rigoletto: Questa O Quella - Carlo Bergonzi/Dietrich Fischer-Dieskau/Renata Scotto/Fiorenza Cossotto
- Rigoletto: Ella Mi Fu Rapita! - Carlo Bergonzi/Dietrich Fischer-Dieskau/Renata Scotto/Fiorenza Cossotto
- Rigoletto: Parmi Veder Le Lagrime - Carlo Bergonzi/Dietrich Fischer-Dieskau/Renata Scotto/Fiorenza Cossotto
- Rigoletto: Possente Amor Mi Chiama - Carlo Bergonzi/Dietrich Fischer-Dieskau/Renata Scotto/Fiorenza Cossotto
- Rigoletto: La Donna E Mobile - Carlo Bergonzi/Dietrich Fischer-Dieskau/Renata Scotto/Fiorenza Cossotto
- Rigoletto: Bella Figlia Dell'amore - Carlo Bergonzi/Dietrich Fischer-Dieskau/Renata Scotto/Fiorenza Cossotto
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Tracks:
- Un Ballo In Maschera: La Rivedra Nell'estasi - Carlo Bergonzi/Birgit Nilsson/Giulietta Simionato/Sylvia Stahlman/Fernando Corena/Libero Arbace...
- Un Ballo In Maschera: Di' Tu Se Fedele - Carlo Bergonzi/Birgit Nilsson/Giulietta Simionato/Sylvia Stahlman/Fernando Corena/Libero Arbace...
- Un Ballo In Maschera: E' Scherzo Od E Follia - Carlo Bergonzi/Birgit Nilsson/Giulietta Simionato/Sylvia Stahlman/Fernando Corena/Libero Arbace...
- Un Ballo In Maschera: Teco Io Sto - Carlo Bergonzi/Birgit Nilsson/Giulietta Simionato/Sylvia Stahlman/Fernando Corena/Libero Arbace...
- Un Ballo In Maschera: Forse La Soglia Attinse - Carlo Bergonzi/Birgit Nilsson/Giulietta Simionato/Sylvia Stahlman/Fernando Corena/Libero Arbace...
- Un Ballo In Maschera: Ma Se M'e Forza Perderti - Carlo Bergonzi/Birgit Nilsson/Giulietta Simionato/Sylvia Stahlman/Fernando Corena/Libero Arbace...
- Tosca: E Lucevan Le Stelle - Carlo Bergonzi
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- Aida: Pur Ti Riveggo, Mia Dolce Aida - Carlo Bergonzi/Renata Tebaldi
- La Gioconda: Cielo E Mar! - Carlo Bergonzi
- La Traviata: Un Di Felice, Eterea - Carlo Bergonzi/Joan Sutherland/Dora Carral/Piero De Palma/Chor Del Maggio Musicale Fiorentino
- La Traviata: Lunge Da Lei - Carlo Bergonzi/Joan Sutherland/Dora Carral/Piero De Palma/Chor Del Maggio Musicale Fiorentino
- La Traviata: De' Miei Bollenti Spiriti - Carlo Bergonzi/Joan Sutherland/Dora Carral/Piero De Palma/Chor Del Maggio Musicale Fiorentino
- La Traviata: O Mio Rimorso! - Carlo Bergonzi/Joan Sutherland/Dora Carral/Piero De Palma/Chor Del Maggio Musicale Fiorentino
- La Traviata: Parigi, O Cara - Carlo Bergonzi/Joan Sutherland/Dora Carral/Piero De Palma/Chor Del Maggio Musicale Fiorentino
- Il Trovatore: Deserto Sulla Terra - Carlo Bergonzi/Ettore Bastianini/Chor Del Teatro All Scalla Di Milano
- Il Trovatore: Ah! Si, Ben Mio - Carlo Bergonzi/Ettore Bastianini/Chor Del Teatro All Scalla Di Milano
- Il Trovatore: Di Quella Pira - Carlo Bergonzi/Ettore Bastianini/Chor Del Teatro All Scalla Di Milano
- Adriana Lecouvreur: La Dolcissima Effigie - Carlo Bergonzi
- Adriana Lecouvreur: L'anima Ho Stanca - Carlo Bergonzi
Customer Reviews:
Complete Solti/Bergonzi Ballo Released.......2007-04-24
No need to add to what the other reviewers say about this five-star collection. I am writing to alert readers that on April 10, 2007 Decca released the complete recording of Un Ballo in Maschera with Bergonzi, Nilsson, Stahlman, Simionato, and MacNeil, conducted by Solti. To read my detailed review of that release, bring the product up on Amazon.
Another dazzled listener.......2006-12-12
I had to write the same thing for the Sony Classical recording of a Bergonzi recital of Italian songs--this is simply one of the most passionate and intelligent singers I have ever heard, and he sounds as good or better now than when I first played one of his records 25 years ago. Anyone who has the slightest shred of interest in the operatic voice should own this collection from one of the truest and most passionate tenors in recorded history.
Sublime indeed.......2006-05-31
I first came to appreciate the artistry that is Carlo Bergonzi on his magnificnt recording of Butterly with Renata Scotto. Later I got the privelege of hearing him several times in person. He was among the most intelligent of tenors. He knew his voice well and how to use that voice to convey the drama and music in a wonderful combination.
If you appreciate Bergozni, this recording will remind you why. If you are not familiar with "The Tenor's Tenor", you will find out why he has that title. However, in addition to the magnificent Bergonzi, you also get wonderful performances from partners such as Tebaldi, Birgit Nilsson, Sutherland, Scotto, Fischer-Dieskau and Cossotto.
I can only find fault with a couple of the selections. First and foremost is that Bergonzi should never have even attempted the Dio Mi Potevi from Otello. That is the only performance that is in anyway subpar. It is unlike any other performance on this recording (or any other time I heard Bergonzi) -- forced. I would have far preferred a version of Una Furtiva Lagrima, which Bergonzi could sing the sock off of. Or given the presence of E Lucevan Stelle, couldn't they have included Recondita Armonia instead? The only other very minor complaint is the pairing with Nilsson . The duet is fine until the very end. On the final high C you can't even hear Bergonzi due to the sheer size of Nilsson's voice. The music and performance of both are wonderful, but a perfect Alfredo and perfect Brunnhilde do not necessarily mesh. But that is a minor quibble. Aside from a disappearing Carlo, it is quite a wonderful performance.
On the plus side a few things particularly stand out. To me, this is simply the best recording ever of Cielo e Mar. The sections with Tebaldi (Boheme and Butterfly and Aida in particuar) are fabulous. Other standouts include the quartet from Rigoletto with Scotto, Cossotto and Fischer-Dieskau and the Cavelleria duet with Cossotto.
All in all, this is, with a few minor exceptions, a magnificent collection of the best of Carlo Bergonzi.
The sublime vocal artist.......2003-08-15
I have seen most of the great tenors of the past 50 years at the Met: Corelli, Tucker, Vickers, Gedda, Pavarotti, Domingo, etc.. For me, Bergonzi over all, was the superior Italian Opera tenor. His legato, agility, breath control, tasteful musicianship, diction, was superior to most of the great tenors. He was outstanding as Nemorino and Rhadames; Edgardo and Alvaro etc.. This CD shows him at his very best, which is a joy to hear. This CD is a must vocal lesson for any aspiring young tenor, as Carlo Bergonzi is a master singer.
Blown away!.......2003-01-20
This album brings Carlo Bregonzi to life. This is a view from all angels. He commands such an array of singing styles.
No one brings the great composers to life the way Carlo Ber