Dastgah Nava

1. Chaharmezrab-E Nava

2. Avaz

3. Chaharmezrab

4. Avaz: Naghmesara

5. Nahoft

6. Avaz-E Nahoft

7. Tasnif: Be Omid-E Negahi

8. Tasnif

9. Pishdaramad-Mahur

10. Avaz (Improvisation)

11. Kharazmi

Dastgah Nava,Shahla Nikfal & Bahram Sadeghiam,Traditional Crossrds,Int'l & World Music,Iran,Persia,Pop,Traditional,Traditional Middle Eastern Folk,World Music

Average customer rating: Beautiful Great Music Dastgah Nava

Dastgah Nava Shahla Nikfal & Bahram Sadeghiam Manufacturer: Trad. Crossroads ProductGroup: Music Binding: Audio CD Traditional Folk | Folk | Styles | Music General | International | Styles | Music General | Middle East | International | Styles | Music Iran | Middle East | International | Styles | Music General | International | Indie Music | Stores | Music ASIN: B0000031G3 Release Date: 1995-10-31

Tracks:

1. Chaharmezrab-E Nava
2. Avaz
3. Chaharmezrab
4. Avaz: Naghmesara
5. Nahoft
6. Avaz-E Nahoft
7. Tasnif: Be Omid-E Negahi
8. Tasnif
9. Pishdaramad-Mahur
10. Avaz (Improvisation)
11. Kharazmi

Customer Reviews:

Beautiful.......2005-08-02

I have to agree with the review below. The only music which can be considered "Islamic" is when people chant prayers from the Quran. This CD, like other Iranian Classical Music CDs, features no Quran chanting. Iranian Classical Singing, since the Sassanid times, consisted of singing poetry along with the music. This CD, like other Iranian Classical CDs, consists of singing poetry and the instruments mentioned below. I particularly love the way the Qanoun harmonizes with the Tombak (percussion) and the fact that, like other Iranian Classical Music, the ensemble is small.

Great Music.......2005-08-02

It is ridiculous to call Iranian Classical Music "Islamic music." Iranian Classical Music is an ongoing tradition from pre-Islamic, Sassanid Iran. When Arab-Islamics invaded Iran they threatened to ban Iranian music, but as you can see, they failed. To the contrary, Iranian music was played by Iranian musicians at the Arabic court. These Iranian musicians were forced to change their names to Arabic names. Because of the power of the Iranian Empire's, particularly the Achaemenid and Sassanid Dynasties, Iranian music dominated the Middle East. For this reason, we see that the music of countries such as Turkey, Syria, and Egypt all bare the names of some of the Iranian modes (in Persian, mode is called Dastgah) those modes which mostly date back to pre-Islamic Sassanid times. There are 12 modes in Iranian music which consist of about 200 melodies or movements altogether. Iranian instruments found their way into other countries. Instruments such as the Ud and ney are Iranian instruments. The Ud's real name is "barbat" and dates back to the pre-Achaemenid era. The "ney" in Persian means "reed" and is a flute made of reed. Barbat and ney are used in Arabic countries and Turkey. Kamanche, tombak, tar, setar, dap, gheichak, dayre, chang, are all Iranian instruments and their names have meaning in Persian language, but they don't mean anything in the languages of the countries to which they were later introduced. This CD features tombak, voice, qanun (a plucked dulcimer-harp which originated in Persia).This CD is very beautiful music and a nice work on one of the ancient Persian modes called "Nava."

Dastgah Nava.......2000-06-27

This CD has some really great Islamic or more so traditional Iranian chant/music. I recommend it if you are looking for that Islamic song style. No I am not Islamic. The Assyryian art cover is not related but it looks good and is what originally caught my eye.

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