| 1. Nuestro Juramento |
| 2. Quando Tu Me Quieras |
| 3. Guantanamera/El Reloj |
| 4. Sobaro A Mi/Vereda Tropic |
| 5. Pecado/Dos Almas |
| 6. Cerejeira Rosa /Cachito |
| 7. Borbujas De Amor |
| 8. O Sole Mio/Arrivederci Ro |
| 9. Nosotros/Encadenados |
| 10. Tema De Lara/Too Young |
| 11. La Mer/La Vie En Rose |
| 12. Desesperadamente/Res Pala |
| 13. Angustia |
| 14. Begin The Beguine |
| 15. Diez Anos/Quien Sera |
Boleros De Ouro V.2,Waldir Silva,Eldor,World Music
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FWE Release Date: 1997-01-14 |
Tracks:
- Ev'ry Time I Feel The Spirit - Various Artists
- Let Us Break Bread Together On Our Knees - Various Artists
- His Name So Sweet - Various Artists
- 'Roun' About The Mountain - Various Artists
- Swing Low , Sweet Chariot - Various Artists
- Sit Down, Servant - Various Artists
- Were You There - Various Artists
- He's Got The Whole World In His Hands - Various Artists
- Deep River - Various Artists
- Honor! Honor! - Various Artists
- My Soul's Been Anchored In De Lord - Various Artists
- On Ma Journey - Various Artists
- A City Called Heaven - Various Artists
- Ride On, King Jesus - Various Artists
- I Wish I Knew How It Would Feel To Be Free - Various Artists
- Sinner, Please Don't Let This Harvest Pass - Various Artists
- Sweet Little Jesus Boy - Various Artists
- There Is A Balm In Gilead - Various Artists
- Let Us Cheer The Weary Traveler - Various Artists
- Ev'ry Time I Feel The Spirit - Various Artists
- My Way Is Cloudy - Various Artists
- Nobody Knows The Touble I've Seen - Various Artists
- I Couldn't Hear Nobody Pray - Various Artists
Tracks:
- Holy, Holy, Holy - Leontyne Price
- Lead, Kindly Light - Leontyne Price
- Blessed Assurance - Leontyne Price
- Ave Maria - Leontyne Price
- What A Friend We Have In Jesus - Leontyne Price
- Amazing Grace - Leontyne Price
- The Lord's Prayer - Leontyne Price
- Pass Me Not, O Gentle Savior - Leontyne Price
- The Church's One Foundation - Leontyne Price
- Bless This House - Leontyne Price
- I Need Thee Every Hour - Leontyne Price
- Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
- I Wonder As I Wander - Leontyne Price
- Ave Maria - Leontyne Price
- Porgy And Bess: Summertime - Leontyne Price
- America The Beautiful - Leontyne Price
- Lift Ev'ry Voice And Sing - Leontyne Price
- A Mighty Fortress Is Our God - Leontyne Price
- Battle Hymn Of The Republic - Leontyne Price
Customer Reviews:
The Price Club.......2005-04-28
"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.
A living legend.......2005-03-10
not your daddy's old timey spiritual.......2004-06-23
Immaculate Vocals of Leontyne Price.......2003-12-31
Great Gospel Stuff.......2001-04-12
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Ave Maria - Christmas with Placido Domingo and the Vienna Choir Boys
Georges Bizet , Joseph Leopold Eybler , Jean-Baptiste [baritone/composer] Faure , Cesar Franck , Charles Gounod , George Frideric Handel , Johann Franz von Herbeck , Wilhelm Kienzl , Martin Luther , Franz Schubert , John Francis Wade , Wiener Philharmoniker , Wiener Sängerknaben , Johann Sonnleitner , Plácido Domingo , Vienna Choir Boys , and Vienna Philharmonic Orchestra Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003EUC Release Date: 1990-10-25 |
Tracks:
- Pueri Concinite
- Adeste Fideles
- Panis Angelicus
- Ave Maria
- Der Evangelimann: Selig Sind, Die Verfolgung Leiden (Lied Des Evangelimann, 2. Akt)
- Xerxes: Largo (Ombra Mai Fu - Welch Schattig Grun) Arie Des Xesxes, 1. Akt)
- Omnes De Saba Venient (Graduale)
- Ave Maria
- Crucifix (Vous Qui Pleurez)
- Agnus Dei: Agnus Dei (Intermezzo)
- A Mighty Fortress Is Our God (Ein Feste Burg Ist Unser Gott)
Customer Reviews:
Ave Maria-Christmas with Placido Domingo and the Vienna Boys Choir.......2007-03-08
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Lord's Prayer
Manufacturer: Collectables ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000092N Release Date: 1996-11-05 |
Tracks:
- The Lord's Prayer (Robertson Version)
- Blessed Are They That Mourn
- How Great The Wisdom And The Love
- Holy, Holy, Holy
- 148th Psalm
- For Unto Us A Child Is Born
- David's Lamentation
- Londonderry Air
- Battle Hymn Of The Republic
- Heavenly Father! (Ave Maria)
- Judas Maccabaeus: Halleluja, Amen
- My Shepherd Will Supply My Need
- Come, Sweet Death
- O Be Joyful
- The Redemption: Unfold, Ye Portals
- Requiem: Give Unto The Meek
- Otello: Lord, Hear Our Prayer
- Oratorio From The Book Of Mormon: Old Things Are Done Away
- A Mighty Fortress Is Our God
- The Lord's Prayer (Malotte Version)
Customer Reviews:
Almost Perfect!.......2007-03-06
Re-released at Last!!!.......1999-02-01
Now if you'd just offer the sequel, "The Lord's Prayer II"...
probably the best of the MTC recordings - A REAL CLASSIC.......1999-01-16
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Stokowski Transcriptions: Bach, Beethoven, Boccherini, etc.
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009KHYI Release Date: 2005-03-01 |
Tracks:
- Sheep May Safely Graze
- Sleepers Awake
- Ein Feste Burg Ist Unser Gott
- Toccata And Fugue In D Minor, BWV 565
- Minuet
- 'Moonlight' Sonata
- Prelude In E Minor, Op.28 No.4
- Panis Angelicus
- Andante Cantabile
- 'At The Ball'
- Clair De Lune
- La Cathedrale Engloutie
- Prelude In C Sharp Minor
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Allegri: Miserere and other Choral Masterpieces
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000013Z1 Release Date: 1994-02-15 |
Tracks:
- Mass In B minor: Osanna In excelsis
- Mass In B minor: Agnus Dei
- Messiah: Hallelujah
- Messiah: For Unto Us A Child Is Born
- Messiah: Amen
- Miserere mei
- Ein feste Burg is unser Gott, BWV 80: Chor
- Ave Verum Corpus, K.618
- Lesson 1 For Maundy Thursday
- Requiem: Lacrymosa Dies illa
- Christmas Oratorio: Jauchzet, frohlocket
- Vesperae solennes de Confessore, K. 339: Laudate Dominum
- Herz Und Mund Und Tat Und Leben, BWV 147: Choral: Jesu bleibet meine Freude
Customer Reviews:
Superb Collection.......2006-01-30
Good disc of choral music for beginning classical listener.......2003-09-17
Some of these versions are not quite at the level of many more famous recordings, but I think they are decent enough if you're not ready for an entire work.
Sampler discs like this one will most likely not appeal to hard-core classical fans, but this disc should be perfectly satisfactory for someone who is looking for a cheap overview of some great choral works of the 17th and 18th centuries. Lastly, some sampler discs don't have full movements, only snippets. This one contains the full movements.
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The Art Of Virgil Fox
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002S63 Release Date: 1994-11-08 |
Tracks:
- A Mighty Fortress Is Our God
- Evening Star (from Tannhauser)
- None But The Lonely Heart
- All Through The Night
- Meditiation (From Thais)
- Liebestraume No. 3
- Clair De Lune (From Suite Bergamasque)
- The Old Refrain
- To A Wild Rose (From Woodland Sketches)
- Andante Cantabile (From String Quartet No. 1)
- Intermezzo (From Cavalleria Rusticana)
- To Spring (Op. 43, No. 6)
- Londonderry Air
- The Swan (From Carnival Of The Animals)
- Songs My Mother Taught Me
- Ich Liebe Dich
- The Lost Chord
Customer Reviews:
Very nice.......2007-01-14
This CD does not contain the usual classical organ pieces, which is nice since most people already have plenty of other CDs contianing that material.
Be aware that after the loudness of track 1, the rest of the tracks are mostly quiet and reflective. Just a note in case you were expecting something more loud.
A great program from the world's best romantic organ.......2003-01-05
The organ's resources are so vast that many performers have difficulty in controling the sound. They play either whisper soft or deafeningly loud. But Fox was perfectly in control, and you'll hear the full range of the organ building to exciting climaxes and then gently pulling back.
There's an interesting story about the (analog) recording process. Since the pipes were closely miked, whenever Fox changed stops, the tape would pick up an ungodly crash of the pneumatic stop mechanism. During recordings, at each change, Fox would pause for 5 or 6 beats, and the stop change would later be cut out of the tape. This led to some interesting glitches in the rhythm of the finished pieces, but those of us who've loved this program for 20 years since it first came out on LP wouldn't have it any other way.
The program is interesting, with many relaxing familiar tunes. If you own one CD of this fabulous organ, this should be the one.
What Can I Say - Excellent Organ Music!.......2002-12-14
This collection is definitely the flagship in terms of piece selection, interpretation, and musicianship. Second only to the organ in the Atlantic City Convention Center, the Riverside Church Aeolian-Skinner as heard on this CD is guaranteed to pull out every emotion every single time you play it.
Includes the rare and beautiful Dvorak "Songs My Mother Taught Me", played with the full dynamic and tonal range by argueably the best organist to date (whatever happened to E. Power Biggs?)!
The Art Of Virgil Fox.......2000-05-29
You need this one!.......1999-12-29
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Hymns and Classics
Manufacturer: Gothic Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003J8N Release Date: 1994-09-19 |
Customer Reviews:
Perfect introduction to the carillon..........1998-10-30
This recording is very relaxing as well, and is of paticular use as focus music for prayer or small worship settings, or for listening at the end of a long day.
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Historic Organ Of Louisville
Manufacturer: Organ Hist. Society ProductGroup: Music Binding: Audio CD ASIN: B000004AHS Release Date: 1996-12-17 |
Tracks:
- Funeral March And Humn Of Seraphs
- Sonata No.1, Op.42: III. Finale
- 'The Little Red Lark'
- Fireside Francies, Op.29
- Lord Enthroned
- Suite Folklorique: Canzona
- Lied des Chrysanthemes, Op.3, No.1
- Fantasie And Fugue In B-Flat
- We Know That Christ Is Raised
- Peer Gynt Suite I.: Ases Tod
- Andante
- Concerto No.1: Organ Solo
- Johnson Rag
Tracks:
- Sonata IV.
- Ave Maria, Op.104, No.2
- Allegro Maestoso And Fugue On America
- Homage To Persichetti
- Dawn Hymn, Op.138
- Sunset To Sunrise
- O God, Thou Faithful God, Op.65
- Church Cantata: b. Aria
- Hymn Interpret: Beach Spring
- Sonata V.
- Elevation, No.30
- Secondo Dialogo
- Monologue, Op.162, No.1: Fughetta On B-A-C-H
- Homeward Bound
- Prayer
- Offertoire (La madone)
- Chanson de nuit, Op.15, No.1
- Thais: Meditation
- Prelude On Pisgah
Tracks:
- Sonata No.4 In B-Flat Major: I., II.
- Fugue In A-Flat Minor
- Prelude On Hyfrydol
- L'Apres midi faune: Prelude
- The Ride Of The Walkuren
- The Last Rose Of Summer
- Laudate Dominum: O Praise Ye the Lord
- Three Pieces
- Fantasie
Tracks:
- Partita On Ein fest Burg
- A Mighty Fortress
- Sonata II.: I. Lebhaft
- Prelude And Fugue In E-Flat
- Sing Alleluia Forth
- Trumpet Tune
- Grand March In B-Flat Major
- Partita On Resonet In laudibus
- When In Our Music: Chorale
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Musik der Reformation: Ein feste Burg ist unser Gott
Manufacturer: Berlin Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000035ST Release Date: 1996-04-23 |
Tracks:
- Komm, Heiliger Geist, Herre Gott, SW 1:I - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Alleluia. O Heiliger Geist - Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Nu Bitten Wir Den Heiligen Geist, SW 1:XXXIII/XXXIV - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Da Pacem Domine/Verleih Uns Frieden Gnadiglich, SW 1:LVIII - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Fuga Secundi Toni SW 4:XIII - Capella Fidicinia/Hans Gruss
- Beati Immaculati (Psalm 119)/Vivat Ioannes Friderich/Vive Luthere/Vive Melanthon, SW 5:I - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- 'Deutsch Kirchen-Amt': Das Te Deum Laudamus - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Ein Feste Burg Ist Unser Gott, SW 1:XXI/XXII - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Sancta Trinitas - Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- 'Deutsch Kirchen-Amt': Kumm Zu Uns Schopfer, Heil'ger Geist - Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Non Moriar Sed Vivam - Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Das Patrem Deutsch: Wir Glauben All An Einen Gott, SW 1:LIV - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss...
- Fuga Primi Toni In Unisono, SW 4:I - Capella Fidicinia/Hans Gruss
- 'Das Christlich Kinderlied...': Allein Auf Gottes Wort Will Ich Mein Grund Und Glauben Bauen - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss...
Tracks:
- 'Deutsch Kirchen-Amt': O Herr, Erloser Alles Volks - Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Nu Komm Der Heiden Heiland, SW 1:XXXVII - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss...
- 'Deutsch Kirchen-Amt': Es Wart Gesant Gabriel - Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Christum Wir Sollen Loben Schon, SW 1:XXXVIII - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss...
- 'Deutsch Kirchen-Amt': Lasst Uns Von Herzen Singen All - Members Of The Dresden Kreuzchor/Martin Flamig
- Vom Himmel Hoch Da Komm Ich Her - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss...
- Fuga Septimi Toni, SW 4:XX - Capella Fidicinia/Hans Gruss
- Gelobet Seist Du, Jesu Christ, SW 1:XIII/XIV - Members Of The Dresden Kreuzchor/Martin Flamig
- 'Deutsch Kirchen-Amt': Herodes, O Du Bosewicht - Members Of The Dresden Kreuzchor/Martin Flamig
- Joseph, Lieber Joseph Mein, SW 1:LI - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Jesus Christus, Unser Heiland, SW 1:XXXIX - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss...
- 'Deutsch Kirchen-Amt': Es Seint Finsternus Worden - Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Haec Dicit Dominus - Circumdederunt Me - Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Christ Ist Erstanden - Ein Lobgesang Vom Osterfest, SW 1:LV - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss...
- 'Deutsch Kirchen-Amt': Des Konigs Panir - Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- Komm, Gott Schopfer, Heiliger Geist, SW 1:II - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss...
- Das Deutsche Sanctus: Jesaia, Dem Propheten, Das Geschah, SW 1:LII - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss
- In Gottes Namen Fahren Wir, SW 1:LXVI - Members Of The Dresden Kreuzchor/Martin Flamig
Customer Reviews:
A musical tour de force, and a time machine.......2000-04-03
The liturgical poetry of both Reformers is juxtaposed in this two-CD collection. Muentzer took the Bible's vision of social equality literally and became a leading figure in the famous "Peasants' Revolt" that was eventually crushed by the combined forces of Germany's Protestant and Roman Catholic princes. Luther, who remained loyal to his patrons in high places, savagely denounced the rebels in a tract titled "The Murdering, Thieving Hoards of Peasants." Muentzer occupied a special place in Luther's gallery of theological horrors. When the Peasants' Revolt foundered, both Muentzer and his writings were obliterated; but some of his music survived.
Surprisingly, Muentzer's musical style is the more conservative of the two. He translated the traditional texts of the Latin Mass and Divine Office into contemporary German but then set the new words to traditional Gregorian melodies and psalm tones. Luther, who was more sophisticated musically, turned his texts over to the most advanced composers of the day.
Muentzer's monodic chants and the rich polyphonic treatments of Luther's liturgical poetry are communicated brilliantly in performances that are technically nearly perfect. Fans of Gregorian chant should compare these down-to-earth German interpretations of the traditional forms with the more fluid style inspired by Solesmes. But emotion is not absent from these recordings: particularly in the compositions by Luther's friend, Johann Walther, the choir and instrumentalists bring the listener to the intensity of religious ecstasy the composer (and the Reformer) intended. These may be some of the finest religious compositions of early Renaissasnce polyphany.
The collection is issued by "Berlin Classics"--which has created a new market based on the archives of "VEB Deutsche Schallplatten"--the former state-owned recording company of the now-defunct German Democratic Republic. These recordings were first-rate technically and have been digitally remastered for the new technology.
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