| 1. Ti Amo Da Un Ora |
| 2. Per Carita |
| 3. Lei Mi Dara Un Bambino |
| 4. Oggi Il Cielo E Rosa |
| 5. Tempo D'inverno |
| 6. Donna Donna |
| 7. Come Sei Bella |
| 8. Perche Ti Amo |
| 9. Attimi |
| 10. Amicizia E Amore |
| 11. Il Campo Delle Fragole |
| 12. Pensa |
| 13. Piccola Venere |
| 14. Cuore Di Vetro |
Perche Ti Amo,Camaleonti,Wea,Italian,World Music
Average customer rating:
|
Mattia Battistini: Il re dei baritoni
Manufacturer: Preiser Records ProductGroup: Music Binding: Audio CD ASIN: B0000023QE Release Date: 1997-03-18 |
Tracks:
- I Puritani: Ah! Per Sempre Io Ti Perdei
- I Puritani: Bel Sogno Beato
- Maria Di Rohan: Bella E Di Sol Vestita
- Tannhauser: Allor Che Tu Coll'estro
- Tannhauser: Nel Rimirar Quest'adunanza Eletta
- Tannhauser: Forier Di Morte...O Tu Bell'astro
- La Traviata: Di Provenza Il Mar
- Faust: O Santa Medaglia...Dio Possente
- Amleto: O Vin Discaccia La Tristezza
- Amleto: Come Il Romito Fior
- Werther: Ma Come Dopo Il Nembo
- Werther: Ah! Non Mi Ridestar
- Thais: D'acqua Aspergimi - Mattia Battistini/Attilia Janni
- I Pagliacci: Si Puo?
- Tosca: Tre Sbirri, Una Carrozza
- Le Soir
Tracks:
- Guglielmo Tell: Resta Immobile
- Linda Di Chamounix: Ambo Nati In Questa Valle
- Linda Di Chamounix: Un Buon Servo Del Visconte - Mattia Battistini/Maria Moscisca
- Lucia Di Lammormoor: Cruda Funesta Smania
- Rigoletto: O Mia Gilda - Mattia Battistini/Maria Moscisca
- La Traviata: Madamigella Valery? - Mattia Battistini/Maria Moscisca
- L'Africana: Figlia Di Regi...Quando Amor M'accende
- L'Africana: Averla Tanto Amata
- Otello: Era La Notte
- I Pagliacci: Decidi Il Mio Destin...E Allor Perche? - Mattia Battistini/Maria Moscisca
- Quo Vadis?: Errar Sull'ampio Mar
- Quo Vadis?: O Febea Pur Essa
- Quo Vadis?: Amici, L'ora Attesa E Questa
- Macbeth: Pieta, Rispetto, Amore
- Nero: Imen! Imen!
- Erodiade: Vision Fuggativa
- Trauerwalzer No.2, D 365: Delizia
Tracks:
- Don Giovanni: Deh! Vieni Alla Finestra
- La Favorita: Vien, Leonora...Dei Nemici Tuoi
- Ernani: Vedi Come Il Buon Vegliardo - Mattia Battistini/Elvira Barbieri/Giuseppe Tommasini/Vincenzo Bettoni
- Il Trovatore: Mira D'acerbe Lagrime - Mattia Battistini/Elvira Barbieri
- Un Ballo In Maschera: Ve', Se Di Notte Qui Colla Sposa - Mattia Battistini/Elvira Barbieri/Vincenzo Bettoni
- Don Carlo: Per Me Giunto E Il Di Supremo
- Faust: Per Di Qua...Stammi Ad Udir, Margherita - Mattia Battistini/Elvira Barbieri
- Malia
- Amour, Amour!
- Culto
- Ideale
- O Ma Charmante
- Mia Sposa Sara La Mia Bandiera
- La Serenata
- La Gondola Nera
- Non M'ama Piu
- Occhi Di Fata
Customer Reviews:
Lotte Lehmann in her Prime.......2006-07-08
During the years of her prime Lehmann created a couple of Strauss's operatic heroines, including the Dyer's Wife in "Die Frau Ohne Schatten" and Christine in "Intermezzo." She also sang a great variety of roles ranging from Wagner's romantic heroines to the Italian verisimo parts by Giordano and Puccini. Puccini was said to have been one of her bigget admirers, especially for her renditions of Mimi in La boheme and Suor Angelica. However, her most famous roles were the Marshallin in Strauss's "Der Rosenkavalier" and Sieglinde in Wagner's "Die Walkure." This Preiser issue documents accoustic recordings of nearly all her more renowned roles, made between 1914 and 1925.
Although Lehmann later made more amenable electrical recordings of many of the arias here, as well as excerpts from "Der Rosenkavalier" and Acts One and Two of "Die Walkure," these accoustic recordings more often than not show her in fresher voice with a joyous freedom on top. Her hallmarks as a singing-actress, such as her always vivid enunciation of the text and her great variety of tonal colors and moods, are also evident even in the earliest of these recordings.
This set is one of the gems in Preiser's famous historic singers series and anyone interested in operatic singing should consider investing in this set. The CD transfer unavoidably contains some surface noise but the vibrancy and color of Lehmann's voice are faithfully recaptured.
Average customer rating:
|
A Hundred Years of Italian Opera, 1820-30
Giacomo Meyerbeer , Giovanni Simone Mayr , Gioachino Rossini , Giacomo Cordella , Gaetano Donizetti , Saverio Mercadante , Vincenzo Bellini , Giuseppe Balducci , Luigi Ricci , Carlo Coccia , Carlo Conti , Giovanni Pacini , Michelle Carafa , David Parry , Bruce Ford , Yvonne Kenny , Nicola Bassi , Gaetana Carcano , Michele Cavara , Penelope Walker , Teresa Belloc , Pio Botticelli , Marietta Castiglioni , Nicola Tacchinardi , Diana Montague , Paul Nilon , Fanny Eckerlin , Jonathan Viera , Nuccia Focile , Fiona Kimm , Cristoforo Bastianelli , Gaetana Corini , Eiddwen Harrhy , Della Jones , Isabella Colbran , Antonio Ambrogi , Michele Benedetti , Patricia Spence , Lorenzo Biondi , Giulio Fioravanti , and Alastair Miles Manufacturer: Opera Rara UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003LNT Release Date: 1997-03-13 |
Customer Reviews:
100 Years of Italian Opera.......2001-10-30
An Invaluable Addition to Your Library.......2001-04-05
This recording merits the highest praise for both its scholarly interest and entertainment value. Opera Rara has outdone itself with a beautifully produced booklet, though with its generous size and content, "tome" might be a more apt moniker. Each selection on the CD has a corresponding article in the booklet which gives the original cast of the opera, the singers interpreting the piece, a detailed history of the composer and the opera in question, an analysis of the music, and an Italian-English translation. Each article is thorough, fascinating, and well-written and substantially increases one's enjoyment and understanding of the selections. As if all this weren't enough, 19th-century drawings of composers, singers, librettists, and costumes are liberally strewn throughout and further serve to make these artists, and the operas they helped to create, come alive.
The singers are competent at worst, and at their best are excellent. Most of them are unknown, but some of Opera Rara's mainstays are featured here: Della Jones, Bruce Ford, Marilyn Hill-Smith, Yvonne Kenny, Diana Montague and Alistair Miles are all featured, and are all as wonderful as ever. Among the singers that may be less familiar, contralto Patricia Spence and mezzo Penelope Walker merit particular mention for their wonderful contributions to this recording. David Parry is competent and tasteful in his conducting as we would expect, and the Philharmonia Orchestra is in fine form. The Geoffrey Mitchell Choir provides the choral backup when necessary and also does a fine job.
With thirteen composers and twenty-four operas represented, it is only possible to discuss a few high points in the set. Those interested in Donizetti's oeuvre will not be disappointed, as five of his early works, all of which have yet to be revived in modern times, are represented here. Bruce Ford easily tosses off a difficult aria from the 1822 comedy "La Zingara", and Della Jones executes Byzantine coloratura pyrotechnics with confidence and panache in the rondo-finale from the obscure "Alfredo il Grande". A lovely all-female trio from his "Chiara e Serafina", and a grand and impressive bass aria from the tragedy "Il Paria" are other numbers that the Donizetti-phile will treasure. Bellini and Rossini are not forgotten, either. A recently discovered alternative aria from the former's "Adelson e Salvini" shows that even in his earliest works, Bellini was true to the lyrical, melancholy style we associate with his masterpieces. And the first of the Rossini pieces offered, a duet from "Zelmira", sounds for all the world like Bellini, despite predating the latter's first opera by 3 years.
Among the other composers featured are the prolific and underrated Pacini and Mercadante, both of whose careers eventually spanned Verdi's middle period. Pacini's "Il Contestabile di Chester", an 1829 work based on a Walter Scott novel, provides us with an exquisite love duet for soprano and en travesti mezzo-soprano. The woebegone farewell of the star-crossed lovers is interpreted with beauty and artistry by Yvonne Kenny and Susan McCullough. Della Jones again rises to the occasion in a ferociously difficult aria from Mercadante's "Nitocri", yet she is confidently in control of the death-defying leaps, scales, and trills that pepper the aria and which would so easily confound a singer of lesser abilities. A highly dramatic act finale from Mercadante's "Amleto" is also included, this selection featuring choral and ensemble writing that is so dramatic we have difficulty believing it is from an opera of 1822. Carlo Conti, a composer with whom almost no one this side of paradise is familiar, contributes a wilting and sad Bellinian lament from "Giovanna Shore" of 1829. This piece resembles a traditional heroine's aria di sortita, but it contains enough participation from the two basses that it becomes a trio. The best surprise of all comes from the selections by Carlo Coccia, a composer whose masterpiece "Caterina di Guisa" was recently successfully revived in Italy. This album features a remarkably beautiful duet from his "Rosmonda", a setting of the same libretto used for Donizetti's "Rosmonda d'Inghilterra." Again featuring Yvonne Kenny, this time with Diana Montague, the scene parallels Rosmonda's introductory scene in Donizetti's opera, but allows the pageboy Arturo to participate fully. The highlight of the entire set, however, is the final scene of Coccia's "Maria Stuart", an opera based on the same Schiller play that inspired Donizetti's "Maria Stuarda". Coccia's handling of the scene in which Mary of Scots confronts Elizabeth I is not as shocking as Donizetti's, but nevertheless brilliantly builds the tension in the Queens' encounter until they turn on each other. Coccia's librettist preserves more of Schiller's characters and this allows nine voices in the ensembles, making them unusually rich and varied in both their harmonies and counterpoint. The fact that these were two of Coccia's LEAST successful works had me salivating to hear more of his operas performed. Some of the other numbers, while not representing the best composers or operas of the day, nevertheless give us a more complete picture of the artistic climate in which some of the masterpieces were produced. This set is indispensible to anyone interested in early 19th century Italian opera, and may generate such an interest in those who lack it!
Another feather in Opera Rara's cap.......1999-11-26
Average customer rating:
|
Gino Bechi Recital
Manufacturer: Opera Records ProductGroup: Music Binding: Audio CD ASIN: B000005WL6 Release Date: 1997-11-25 |
Customer Reviews:
Bechi speaks, sings the language wonderfully articulate.......1998-10-31
Average customer rating:
|
The Best of the Complete Mozart Edition (Box Set)
Manufacturer: Philips ProductGroup: Music Binding: Audio CD ASIN: B0000041C7 Release Date: 1995-11-14 |
Tracks:
- Symphony No. 39 In E Flat, K. 543: 1. Adagio - Allegro - Academy Of St. Martin In The Fields
- Symphony No. 39 In E Flat, K. 543: 2. Andante con moto - Academy Of St. Martin In The Fields
- Symphony No. 39 In E Flat, K. 543: 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
- Symphony No. 39 In E Flat, K. 543: 4. Finale. Allegro - Academy Of St. Martin In The Fields
- Symphony No. 31 In D, K. 297-300A 'Paris': 1. Allegro assai - Academy Of St. Martin In The Fields
- Symphony No. 31 In D, K. 297-300A 'Paris': 2. Andante - Academy Of St. Martin In The Fields
- Symphony No. 31 In D, K. 297-300A 'Paris': 3. Allegro - Academy Of St. Martin In The Fields
- Symphony No. 31 In D, K. 297-300A 'Paris': 2. Andante (Alternative) - Academy Of St. Martin In The Fields
- Symphony No. 36 In C, K. 425 'Linz': 1. Adagio - Allegro spiritoso - Academy Of St. Martin In The Fields
- Symphony No. 36 In C, K. 425 'Linz': 2. Poco adagio - Academy Of St. Martin In The Fields
- Symphony No. 36 In C, K. 425 'Linz': 3. Menuetto - Academy Of St. Martin In The Fields
- Symphony No. 36 In C, K. 425 'Linz': 4. Finale. Presto - Academy Of St. Martin In The Fields
Tracks:
- Symphony No. 40 In G Minor, K. 550: 1. Molto allegro - Academy Of St. Martin In The Fields
- Symphony No. 40 In G Minor, K. 550: 2. Andante - Academy Of St. Martin In The Fields
- Symphony No. 40 In G Minor, K. 550: 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
- Symphony No. 40 In G Minor, K. 550: 4. Finale. Allegro assai - Academy Of St. Martin In The Fields
- Symphony No. 25 In G Minor, K. 183 - 173dB: 1. Allegro con brio - Academy Of St. Martin In The Fields
- Symphony No. 25 In G Minor, K. 183 - 173dB: 2. Andante - Academy Of St. Martin In The Fields
- Symphony No. 25 In G Minor, K. 183 - 173dB: 3. Menuetto - Academy Of St. Martin In The Fields
- Symphony No. 25 In G Minor, K. 183 - 173dB: 4. Allegro - Academy Of St. Martin In The Fields
- Symphony No. 38 In D, K. 504 'Prague': 1. Adagio - Allegro - Academy Of St. Martin In The Fields
- Symphony No. 38 In D, K. 504 'Prague': 2. Andante - Academy Of St. Martin In The Fields
- Symphony No. 38 In D, K. 504 'Prague': 3. Finale. Presto. - Academy Of St. Martin In The Fields
- German Dance In C, K. 602 No. 3: 'Die Leyerer' - Wiener Mozart-Ensemble
Tracks:
- Symphony No. 41 In C, K. 551 'Jupiter': 1. Allegro vivace - Academy Of St. Martin In The Fields
- Symphony No. 41 In C, K. 551 'Jupiter': 2. Andante cantabile - Academy Of St. Martin In The Fields
- Symphony No. 41 In C, K. 551 'Jupiter': 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
- Symphony No. 41 In C, K. 551 'Jupiter': 4. Molto allegro - Academy Of St. Martin In The Fields
- Symphony No. 29 In A, K. 201-186a: 1. Allegro moderato - Academy Of St. Martin In The Fields
- Symphony No. 29 In A, K. 201-186a: 2. Andante - Academy Of St. Martin In The Fields
- Symphony No. 29 In A, K. 201-186a: 3. Menuetto - Academy Of St. Martin In The Fields
- Symphony No. 29 In A, K. 201-186a: 4. Allegro con spirito - Academy Of St. Martin In The Fields
- Symphony No. 35 I D, K. 385 'Haffner': 1. Allegro con spirito - Academy Of St. Martin In The Fields
- Symphony No. 35 I D, K. 385 'Haffner': 2. (Andante) - Academy Of St. Martin In The Fields
- Symphony No. 35 I D, K. 385 'Haffner': 3. Menuetto - Academy Of St. Martin In The Fields
- Symphony No. 35 I D, K. 385 'Haffner': 4. Finale. Presto - Academy Of St. Martin In The Fields
- German Dance In C, K. 605 No. 3: Trio: 'The Sleigh Ride' - Wiener Mozart Emsemble
Tracks:
- 'Eine kleine Nachtmusik', K. 525: Serenade In G - 1. Allegro - Academy Of St. Martin In The Fields
- 'Eine kleine Nachtmusik', K. 525: Serenade In G - 2. Romance. Andante - Academy Of St. Martin In The Fields
- 'Eine kleine Nachtmusik', K. 525: Serenade In G - 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
- 'Eine kleine Nachtmusik', K. 525: Serenade In G - 4. Rondo. Allegro - Academy Of St. Martin In The Fields
- Serenade In D, K. 239 'Serenata notturna': 1. Marcia. Maestoso. - Academy Of St. Martin In The Fields
- Serenade In D, K. 239 'Serenata notturna': 2. . Menuetto - Academy Of St. Martin In The Fields
- Serenade In D, K. 239 'Serenata notturna': 3. Rondeau. Allegretto - Adagio - Allegretto - Stephen Shingles
- Divertimento In F, K. 247: 4. Adagio - Academy Of St. Martin In The Fields
- Notturno In D, K. 286 For Four Orchestras: 1. Andante - Academy Of St. Martin In The Fields
- Notturno In D, K. 286 For Four Orchestras: 2. Allegretto grazioso - Academy Of St. Martin In The Fields
- Notturno In D, K. 286 For Four Orchestras: 3. Menuetto - Academy Of St. Martin In The Fields
- Serenade In C Minor, K. 288-384a 'Nacht-Musique': 1. Allegro - Holliger Wind Ensemble
- Serenade In C Minor, K. 288-384a 'Nacht-Musique': 2. Andante - Holliger Wind Ensemble
- Serenade In C Minor, K. 288-384a 'Nacht-Musique': 3. Menuetto in canone - Holliger Wind Ensemble
- Serenade In C Minor, K. 288-384a 'Nacht-Musique': 4. Allegro - Holliger Wind Ensemble
Tracks:
- Serenade In B Flat, K. 361-370a 'Gran Partita': 1. Largo - Academy Of St. Martin In The Fields
- Serenade In B Flat, K. 361-370a 'Gran Partita': Allegro molto - Academy Of St. Martin In The Fields
- Serenade In B Flat, K. 361-370a 'Gran Partita': 2. Menuetto - Trio I-II - Academy Of St. Martin In The Fields
- Serenade In B Flat, K. 361-370a 'Gran Partita': 3. Adagio - Academy Of St. Martin In The Fields
- Serenade In B Flat, K. 361-370a 'Gran Partita': 4. Menuetto. Allegretto - Trio I-II - Academy Of St. Martin In The Fields
- Serenade In B Flat, K. 361-370a 'Gran Partita': 5. Romanze. Adagio - Allegretto - Adagio - Academy Of St. Martin In The Fields
- Serenade In B Flat, K. 361-370a 'Gran Partita': 6. Thema mit Variationen. Andante - Academy Of St. Martin In The Fields
- Serenade In B Flat, K. 361-370a 'Gran Partita': 7. FInale. Molto allegro - Academy Of St. Martin In The Fields
- Adagio In F, K. 410-484d - Holliger Wind Ensemble
- Serenade In E Flat, K. 375: 1. Allegro maestoso - Holliger Wind Ensemble
- Serenade In E Flat, K. 375: 2. Menuetto - Holliger Wind Ensemble
- Serenade In E Flat, K. 375: 3. Adagio - Holliger Wind Ensemble
- Serenade In E Flat, K. 375: 4. Menuetto - Holliger Wind Ensemble
- Serenade In E Flat, K. 375: 5. Finale. Allegro - Holliger Wind Ensemble
Tracks:
- Piano Concerto No. 10 In E Flat, K. 365-316a (For Two Pianos And Orchestra): 1. Allegro - Alfred Brendel
- Piano Concerto No. 10 In E Flat, K. 365-316a (For Two Pianos And Orchestra): 2. Andante - Alfred Brendel
- Piano Concerto No. 10 In E Flat, K. 365-316a (For Two Pianos And Orchestra): 3. Rondeaux. Allegro - Alfred Brendel
- Piano Concerto No. 6 In B Flat, K. 238: 1. Allegro aperto - Alfred Brendel
- Piano Concerto No. 6 In B Flat, K. 238: 2. (Andante un poco adagio) - Alfred Brendel
- Piano Concerto No. 6 In B Flat, K. 238: 3. Rondeau. Allegro - Alfred Brendel
- Piano Concerto No. 9 In E Flat, K. 271: 1. Allegro - Alfred Brendel
- Piano Concerto No. 9 In E Flat, K. 271: 2. Andantino - Alfred Brendel
- Piano Concerto No. 9 In E Flat, K. 271: 3. Rondeau. Presto - Alfred Brendel
Tracks:
- Piano Concerto No. 20 In D Minor, K. 466: 1. Allegro - Alfred Brendel
- Piano Concerto No. 20 In D Minor, K. 466: 2. Romance - Alfred Brendel
- Piano Concerto No. 20 In D Minor, K. 466: 3. Rondo. Allegro assai - Alfred Brendel
- Sonata In C Minor, K. 457: 1. Molto allegro - Alfred Brendel
- Sonata In C Minor, K. 457: 2. Adagio - Alfred Brendel
- Sonata In C Minor, K. 457: 3. Allegro assai - Alfred Brendel
- Piano Concerto No. 21 In C, K. 467: 1. (Allegro) - Alfred Brendel
- Sonata In C Minor, K. 457: 2. Andante - Alfred Brendel
- Sonata In C Minor, K. 457: 3. Allegro vivace assai - Alfred Brendel
Tracks:
- Piano Concerto No. 23 In A, K. 488: 1. Allegro - Alfred Brendel
- Piano Concerto No. 23 In A, K. 488: 2. Adagio - Alfred Brendel
- Piano Concerto No. 23 In A, K. 488: 3. Allegro assai - Alfred Brendel
- Sonata In B Flat, K. 333-315c: 1. Allegro - Alfred Brendel
- Sonata In B Flat, K. 333-315c: 2. Andante cantabile - Alfred Brendel
- Sonata In B Flat, K. 333-315c: 3. Allegretto grazioso - Alfred Brendel
- Piano Concerto No. 26 In D, K. 537 'Coronation': 1. Allegro - Alfred Brendel
- Piano Concerto No. 26 In D, K. 537 'Coronation': 2. (Larghetto) - Alfred Brendel
- Piano Concerto No. 26 In D, K. 537 'Coronation': 3. (Allegretto) - Alfred Brendel
Tracks:
- Violin Concerto No. 3 In G, K. 216: 1. Allegro - Henryk Szeryng
- Violin Concerto No. 3 In G, K. 216: 2. Adagio - Henryk Szeryng
- Violin Concerto No. 3 In G, K. 216: 3. Rondeau. Allegro - Henryk Szeryng
- Violin Concerto No. 4 In D, K. 218: 1. Allegro - Henryk Szeryng
- Violin Concerto No. 4 In D, K. 218: 2. Andante cantabile - Henryk Szeryng
- Violin Concerto No. 4 In D, K. 218: 3. Rondeau. Andante grazioso - Henryk Szeryng
- Violin Concerto No. 5 In A, K. 219: 1. Allegro aperto - Henryk Szeryng
- Violin Concerto No. 5 In A, K. 219: 2. Adagio - Henryk Szeryng
- Violin Concerto No. 5 In A, K. 219: 3. Rondeau. Tempo di menuetto - Henryk Szeryng
Tracks:
- Clarinet Concerto In A, K. 622: 1. Allegro - Karl Leister
- Clarinet Concerto In A, K. 622: 2. Adagio - Karl Leister
- Clarinet Concerto In A, K. 622: 3. Rondo. Allegro - Karl Leister
- Concerto In C, K. 299-297c For Flute, Harp And Orchestra: 1. Allegro - Irena Grafenauer
- Concerto In C, K. 299-297c For Flute, Harp And Orchestra: 2. Andantino - Irena Grafenauer
- Concerto In C, K. 299-297c For Flute, Harp And Orchestra: 3. Rondeau. Allegro - Irena Grafenauer
- Horn Concerto In E Flat, K. 495: 1. Allegro moderato - Peter Damm
- Horn Concerto In E Flat, K. 495: 2. Romanza. Andante - Peter Damm
- Horn Concerto In E Flat, K. 495: 3. Rondo. Allegro vivace - Peter Damm
- Rondo In E Flat, K. 371 For Horn And Orchestra - Timothy Brown
Tracks:
- Clarinet Quintet In A, K. 581: 1. Allegro - Academy Of St. Martin In The Fields
- Clarinet Quintet In A, K. 581: 2. Larghetto - Academy Of St. Martin In The Fields
- Clarinet Quintet In A, K. 581: 3. Menuetto - Academy Of St. Martin In The Fields
- Clarinet Quintet In A, K. 581: 4. Allegretto con variazioni - Academy Of St. Martin In The Fields
- Movement In B Flat, K. App. 91-516c (For Clarinet, Basset Horn, Violin, Viola And Cello) - Academy Of St. Martin In The Fields
- Movement In F, K. App. 90/580b - Academy Of St. Martin In The Fields
- Flute Quartet In D, K. 285: 1. Allegro - Academy Of St. Martin In The Fields
- Flute Quartet In D, K. 285: 2. Adagio - - Academy Of St. Martin In The Fields
- Flute Quartet In D, K. 285: 3. Rondeau - Academy Of St. Martin In The Fields
- Oboe Quartet In F, K. 370-368b: 1. Allegro - Academy Of St. Martin In The Fields
- Oboe Quartet In F, K. 370-368b: 2. Adagio - Academy Of St. Martin In The Fields
- Oboe Quartet In F, K. 370-368b: 3. Rondeau. Allegro - Academy Of St. Martin In The Fields
- From 'A Musical Joke', K. 522: 4. Presto - Academy Of St. Martin In The Fields
Tracks:
- String Quintet [No. 3] In G Minor, K. 516: 1. Allegro - Arthur Grumiaux
- String Quintet [No. 3] In G Minor, K. 516: 2. Menuetto. Allegretto - Arthur Grumiaux
- String Quintet [No. 3] In G Minor, K. 516: 3. Adagio ma non troppo - Arthur Grumiaux
- String Quintet [No. 3] In G Minor, K. 516: 4. Adagio - Allegro - Arthur Grumiaux
- Divertimento (Trio For Strings) In E Flat, K. 563: 1. Allegro - Grumiaux Trio
- Divertimento (Trio For Strings) In E Flat, K. 563: 2. Adagio - Grumiaux Trio
- Divertimento (Trio For Strings) In E Flat, K. 563: 3. Menuetto. Allegretto - Trio - Grumiaux Trio
- Divertimento (Trio For Strings) In E Flat, K. 563: 4. Andante - Grumiaux Trio
- Divertimento (Trio For Strings) In E Flat, K. 563: 5. Menuetto. Allegretto - Trio I-II - Grumiaux Trio
- Divertimento (Trio For Strings) In E Flat, K. 563: 6. Allegro - Grumiaux Trio
- Movement In G, K. App. 66-562e For Violin And Cello: Allegro - Academy Of St. Martin In The Fields
Tracks:
- String Quartet No. 15 In D Minor, K. 421-417b: 1. Allegro moderato - Quartetto Italiano
- String Quartet No. 15 In D Minor, K. 421-417b: 2. Andante - Quartetto Italiano
- String Quartet No. 15 In D Minor, K. 421-417b: 3. Menuetto. Allegretto - Quartetto Italiano
- String Quartet No. 15 In D Minor, K. 421-417b: 4. Allegretto ma non troppo - Piu allegro - Quartetto Italiano
- String Quartet No. 17 In B Flat, K. 458 'The Hunt': 1. Allegro vivace assai - Quartetto Italiano
- String Quartet No. 17 In B Flat, K. 458 'The Hunt': 2. Menuetto. Moderato - Quartetto Italiano
- String Quartet No. 17 In B Flat, K. 458 'The Hunt': 3. Adagio - Quartetto Italiano
- String Quartet No. 17 In B Flat, K. 458 'The Hunt': 4. Allegro assai - Quartetto Italiano
- Allegretto In B Flat, K. App. 68-589a (For String Quarter) - Academy Of St. Martin In The Fields
- Adagio And Rondo In C, K. 617 (For Glass Harmonica, Flute, Oboe, Viola And Cello): 1. Adagio - Jean Decroos
- Adagio And Rondo In C, K. 617 (For Glass Harmonica, Flute, Oboe, Viola And Cello): 2. Rondo - Jean Decroos
Tracks:
- Piano Quintet In E Flat, K. 452 (For Piano, Oboe, Clarinet, Horn And Bassoon): 1. Largo - Allegro moderato - Alfred Brendel
- Piano Quintet In E Flat, K. 452 (For Piano, Oboe, Clarinet, Horn And Bassoon): 2. Larghetto - Alfred Brendel
- Piano Quintet In E Flat, K. 452 (For Piano, Oboe, Clarinet, Horn And Bassoon): 3. Allegretto - Alfred Brendel
- Larghetto In B Flat, 452a-App. 54 (For Piano, Oboe, Clarinet, Bassett Horn And Bassoon): Larghetto - Mitsuko Uchida
- Piano Quartet In G Minor, K. 478: 1. Allegro - Bruno Giuranna
- Piano Quartet In G Minor, K. 478: 2. Andante - Bruno Giuranna
- Piano Quartet In G Minor, K. 478: 3. Rondo. Allegro moderato - Bruno Giuranna
- Trio In E Flat, K. 498 (For Piano, Clarinet And Viola 'Kegelstatt'): 1. Andante - Jack Brymer
- Trio In E Flat, K. 498 (For Piano, Clarinet And Viola 'Kegelstatt'): 2. Menuetto - Jack Brymer
- Trio In E Flat, K. 498 (For Piano, Clarinet And Viola 'Kegelstatt'): 3. Rondeaux. Allegretto - Jack Brymer
Tracks:
- Sonata In E Minor, K. 304-300c (For Piano And Violin): 1. Allegro - Arthur Grumiaux
- Sonata In E Minor, K. 304-300c (For Piano And Violin): 2. Tempo di menuetto - Arthur Grumiaux
- Sonata In F, K. 377-374e (For Piano And Violin): 1. Allegro - Arthur Grumiaux
- Sonata In F, K. 377-374e (For Piano And Violin): 2. Tema [con variazioni] - Arthur Grumiaux
- Sonata In F, K. 377-374e (For Piano And Violin): Tema - Arthur Grumiaux
- Sonata In F, K. 377-374e (For Piano And Violin): Variazione I - Arthur Grumiaux
- Sonata In F, K. 377-374e (For Piano And Violin): Variazione II - Arthur Grumiaux
- Sonata In F, K. 377-374e (For Piano And Violin): Variazione III - Arthur Grumiaux
- Sonata In F, K. 377-374e (For Piano And Violin): Variazone IV - Arthur Grumiaux
- Sonata In F, K. 377-374e (For Piano And Violin): Variazone V - Arthur Grumiaux
- Sonata In F, K. 377-374e (For Piano And Violin): 3. Tempo di menuetto - Arthur Grumiaux
- Sonata In B Flat, K. 378-317d (For Piano And Violin): 1. Allegro moderato - Arthur Grumiaux
- Sonata In B Flat, K. 378-317d (For Piano And Violin): 2. Andantino sostenuto e cantibile - Arthur Grumiaux
- Sonata In B Flat, K. 378-317d (For Piano And Violin): 3. Rondo. Allegro - Arthur Grumiaux
- Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Tema - Arthur Grumiaux
- Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione I - Arthur Grumiaux
- Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione II - Arthur Grumiaux
- Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione III - Arthur Grumiaux
- Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione IV - Arthur Grumiaux
- Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione V - Arthur Grumiaux
- Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione VI - Arthur Grumiaux
- Sonata In A, K. 526 (For Piano And Violin): 1. Allegro molto - Arthur Grumiaux
- Sonata In A, K. 526 (For Piano And Violin): 2. Andante - Arthur Grumiaux
- Sonata In A, K. 526 (For Piano And Violin): 3. Presto - Arthur Grumiaux
Tracks:
- Sonata In A Minor, K. 310-300d: 1. Allegro maestoso - Mitsuko Uchida
- Sonata In A Minor, K. 310-300d: 2. Andante cantabile con espressione - Mitsuko Uchida
- Sonata In A Minor, K. 310-300d: 3. Presto - Mitsuko Uchida
- Sonata In A, K. 331-300i: 1. Tema (Andante grazioso) - Mitsuko Uchida
- Sonata In A, K. 331-300i: 2. Menuetto - Mitsuko Uchida
- Sonata In A, K. 331-300i: 3. Alla turca. Allegretto - Mitsuko Uchida
- Sonata In C, K. 545: 1. Allegro - Mitsuko Uchida
- Sonata In C, K. 545: 2. Andante - Mitsuko Uchida
- Sonata In C, K. 545: 3. Rondo - Mitsuko Uchida
- Sonata In D, K. 576: 1. Allegro - Mitsuko Uchida
- Sonata In D, K. 576: 2. Adagio - Mitsuko Uchida
- Sonata In D, K. 576: 3. Allegretto - Mitsuko Uchida
- Minuet In D, K. 355 - Mitsuko Uchida
Tracks:
- Exsultate, jubilate, K. 165-158a: Exsultate, jubilate - Kiri Te Kanawa
- Exsultate, jubilate, K. 165-158a: Fulget amica dies - Kiri Te Kanawa
- Exsultate, jubilate, K. 165-158a: Tu virginum corona - Kiri Te Kanawa
- Exsultate, jubilate, K. 165-158a: Alleluja - Kiri Te Kanawa
- Mass In C, K. 317 'Coronation': Kyrie - Michael G. Gormley
- Mass In C, K. 317 'Coronation': Gloria - Michael G. Gormley
- Mass In C, K. 317 'Coronation': Credo - Michael G. Gormley
- Mass In C, K. 317 'Coronation': Santcus - Michael G. Gormley
- Mass In C, K. 317 'Coronation': Benedictus - Michael G. Gormley
- Mass In C, K. 317 'Coronation': Agnus Dei - Michael G. Gormley
- Church Sonata No. 16 In C, K. 329 - Helmut Winschermann
- Vesperae solennes de Dominica, K. 321: Laudate Dominum - Herbert Kegel
- Missa [solemnis] In C, K. 337: Kyrie - Aldo Baldin
- Missa [solemnis] In C, K. 337: Gloria - Aldo Baldin
- Missa [solemnis] In C, K. 337: Credo - Aldo Baldin
- Missa [solemnis] In C, K. 337: Sanctus - Aldo Baldin
- Missa [solemnis] In C, K. 337: Benedictus - Aldo Baldin
- Missa [solemnis] In C, K. 337: Agnus Dei - Aldo Baldin
- Vesperae solennes de Confessore, K. 339: Laudate Dominum - Kiri Te Kanawa
Tracks:
- Ave verum corpus, K. 618 - John Constable
- Maurerisch Trauermusik K. 477-479a - Statatskapelle Dresden
- Kyrie In D Minor, K. 341-368a - John Constable
- Adagio und Fugue In C Minor, K. 546: Adagio - Staatskapelle Dresden
- Adagio und Fugue In C Minor, K. 546: Fugue - Staatskapelle Dresden
- Requiem In D Minor, K. 626: Introitus: Requiem - Francisco Araiza
- Requiem In D Minor, K. 626: Kyrie - Francisco Araiza
- Requiem In D Minor, K. 626: Sequentia: Dies irae - Francisco Araiza
- Requiem In D Minor, K. 626: Tuba mirum - Francisco Araiza
- Requiem In D Minor, K. 626: Rex tremendae - Francisco Araiza
- Requiem In D Minor, K. 626: Recordare - Francisco Araiza
- Requiem In D Minor, K. 626: Confutatis - Francisco Araiza
- Requiem In D Minor, K. 626: Lacrimosa - Francisco Araiza
- Requiem In D Minor, K. 626: Ofertorium: Domine Jesu - Francisco Araiza
- Requiem In D Minor, K. 626: Hostias - Francisco Araiza
- Requiem In D Minor, K. 626: Sanctus - Francisco Araiza
- Requiem In D Minor, K. 626: Benedictus - Francisco Araiza
- Requiem In D Minor, K. 626: Agnus Dei - Francisco Araiza
- Requiem In D Minor, K. 626: Communio: Lux aeterna - Francisco Araiza
Tracks:
- Concert Arias: 'Voi avete un cor fedele', K. 217 - Edith Mathis
- Concert Arias: 'Misera, dove son!' ...- 'Ah! non son io che parlo, K. 369 - Edith Mathis
- Concert Arias: 'Ch'io mi scordi di te?'...- 'Non temer, amato bene', K. 505 - Leopold Hager
- Concert Arias: 'Un moto di gioia mi sento', K. 579 - Eva Lind
- Concert Arias: 'Chi sa, chi sa, qual sia', K. 582 - Lucia Popp
- Concert Arias: 'Vado, ma dove?' oh Dei!', K. 583 - Edith Mathis
- Concert Arias: 'Un bacio di mano', K. 541 - Walter Berry
- Concert Arias: 'Dan Bandel', K. 441 - Anton Scharinger
- Concert Arias: 'Caro mio Druck und Schluck', K. App. 5 - Anton Scharinger
- Concert Arias: 'Leck mich im Arsch', K. 231 - Klaus von Wildemann
- Concert Arias: 'Bona nox! bist a rechta Ox', K. 561 - Klaus von Wildemann
- Concert Arias: 'V'amo di core', K. 348 - Klaus von Wildemann
- Concert Arias: 'Mi lagnero tacendo', K. 437 - Klaus von Wildemann
- Lieder: 'Das Veilchen', K. 476 - Dalton Baldwin
- Lieder: 'Der Zauberer', K. 472 - Dalton Baldwin
- Lieder: 'Die Alte', K. 517 - Dalton Baldwin
- Lieder: 'Die Vershweigung', K. 518 - Dalton Baldwin
- Lieder: 'Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte', K. 520 - Dalton Baldwin
- Lieder: 'Abendempfindung', K. 523 - Dalton Baldwin
- Lieder: 'Das Traumbild', K. 530 - Dalton Baldwin
- Lieder: 'Die kleine Spinnerin', K. 531 - Dalton Baldwin
- Lieder: 'Un moto di gioia', K. 579 - Dalton Baldwin
- Lieder: 'Sehnsucht nach dem Fruhling', K. 596 - Dalton Baldwin
Tracks:
- Idomeneo, K. 366 (Highlights): Overture - John Constable
- Idomeneo, K. 366 (Highlights): Act One: 'Quando avran fine omai' (Ilia) - John Constable
- Idomeneo, K. 366 (Highlights): Act One: 'Padre, germani, addio!' (Ilia) - John Constable
- Idomeneo, K. 366 (Highlights): Act One: 'Estinto e Idomeneo?' (Elettra) - John Constable
- Idomeneo, K. 366 (Highlights): Act One: 'Tutte nel cor vi sento' (Elettra) - John Constable
- Idomeneo, K. 366 (Highlights): Act One: 'Pieta! Numi,pieta!' - John Constable
- Idomeneo, K. 366 (Highlights): Act One: 'Eccoci salvi alfin' (Idomeneo) - John Constable
- Idomeneo, K. 366 (Highlights): Act One: 'Vedrommi intorno' (Idomeneo) - John Constable
- Idomeneo, K. 366 (Highlights): Act One: 'Il padre adorato' (Idamente) - John Constable
- Idomeneo, K. 366 (Highlights): Act Two: 'Fuor del mar' (Idomeneo) - John Constable
- Idomeneo, K. 366 (Highlights): Act Two: 'Placido e il mar' - John Constable
- Idomeneo, K. 366 (Highlights): Act Two: 'Vattene prence' (Idomeneo, Idamante) - John Constable
- Idomeneo, K. 366 (Highlights): Act Two: 'Pria di partir, o Dio!' (Idamante, Elettra, Idomeneo) - John Constable
- Idomeneo, K. 366 (Highlights): Act Two: 'Qual nuovo terrore!' - John Constable
- Idomeneo, K. 366 (Highlights): Act Two: 'Eccoti in me, barbaro Nume!' (Idomeneo) - John Constable
- Idomeneo, K. 366 (Highlights): Act Two: 'Corriamo, fuggiamo' - John Constable
- Idomeneo, K. 366 (Highlights): Act Three: 'Zeffiretti Iusinghieri' (Ilia) - John Constable
- Idomeneo, K. 366 (Highlights): Act Three: 'Andro ramingo e solo' (Idamente, Ilia, Idomeneo, Elettra) - John Constable
- Idomeneo, K. 366 (Highlights): Act Three: 'Accogli, oh re del mar' (Idomeneo) - John Constable
- Idomeneo, K. 366 (Highlights): Act Three: 'Ha vinto amore' (The Voice) - John Constable
- Idomeneo, K. 366 (Highlights): Act Three: 'O ciel pietoso!' (Idomeneo, Idamante, Ilia, Arbace, Elettra) - John Constable
- Idomeneo, K. 366 (Highlights): Act Three: 'D'Oreste e d'Aiace' (Elettra) - John Constable
- Idomeneo, K. 366 (Highlights): Act Three: 'Scenda Amor, scenda Imeneo' - John Constable
Tracks:
- The Abduction From The Serail, K. 384 (Highlights): Overture - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act One: 'Hier soll ich dich denn sehen' (Belmonte) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act One: 'Solche hergelaufne Laffen' (Osmin) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act One: 'Konstanze, dich wiederzusehen' - 'O wie angstlich, o wie feurig' (Belmonte) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act One: 'Singt dem grossen Bassa Lieder' - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act One: 'Ach ich liebte, war so glucklich' (Konstanze) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act One: 'Marsch! Trollt euch fort!' (Osmin, Belmonte, Pedrillo) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Durch Zartlichkiet und Schmeicheln' (Blonde) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Welcher Dummer herrscht in meiner Seele' (Konstanze) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Traurigkeit ward mir zum Lose' - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Matern aller Arten' (Konstanze) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Welche Wonne, welche Lust' (Blonde) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Frisch zum Kampfe' (Pedrillo) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Vivat Baccus! Bacchus lebe!' (Pedrillo, Osmin) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Ach Belmonte! Ach, mein Leben' - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Wenn unsrer Ehre wegen' (Konstanze, Blonde, Belmonte, Pedrillo) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act Three: 'In Mohrenland gefangen war' (Pedrillo, Belmonte) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act Three: 'Ha, wie will ich triumphieren' (Osmin) - Christiane Eda-Pierre (Konstanze)
- The Abduction From The Serail, K. 384 (Highlights): Act Three: 'Nie werd' ich deine Huld verkennen' (Belmonte, Konstanze, Pedrillo, Blonde, Osmin) - Christiane Eda-Pierre (Konstanze)
Tracks:
- Le Nozze Di Figaro, K. 492 (Highlights): Overture - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Cinque... dieci...centi...' - 'Cosa stai misurando' (Figaro, Susanna) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Se vuol ballare' (Figaro) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'La vendetta, oh, la vendetta' (Bartolo) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Non so piu cosa son, cosa faccio' (Cherubino) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Cosa sento! tosto andante' (Count, Basilio, Susanna) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Non piu andrai' (Figaro) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Porgi amor' (Countess) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Voi che sapete' (Cherubino) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Susanna, or via, sortite' (Count, Countess, Susanna) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Aprite, presto, aprite' (Susanna, Cheubino) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Voi signor, che giusto siete' (Marcellina, Basilio, Bartolo, Count, Susanna, Countess, Figaro) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Crudel! Perche finora' (Count, Susanna) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Hai gia vinta la causa' - 'Vedro mentr'io sospiro' (Count) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'E Susann non vien!' - 'Dove sono i bei momenti' (Countess) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Riconosci in questo amplesso' (Marcellina, Figaro, Bartolo, Don Curzio, Count, Susanna) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Canzonetta sull'aria': 'Che soave zeffiretto' (Countess, Susanna) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Ricevete, o padroncina' - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'L'ho perduta' (Barbarina) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'Aprite un po' quegli occhi' (Figaro) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'Giunse alfin il momento' - 'Deh vieni, non tardar' (Susanna) - John Constable
- Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'Gente, gente all'armi' (Count, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) - John Constable
Tracks:
- Don Giovanni, K. 527: Overture - John Constable
- Don Giovanni, K. 527: Act One: 'Notte e giorno faticar' (Leporello) - 'Leporello, ove sei?' (Don Giovanni, Leporello) - John Constable
- Don Giovanni, K. 527: Act One: 'Madamina, il catalogo e questo' (Leporello) - John Constable
- Don Giovanni, K. 527: Act One: 'La ci darem la mano' (Don Giovanni, Zerlina) - John Constable
- Don Giovanni, K. 527: Act One: 'Non ti fidar, o misera' (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) - John Constable
- Don Giovanni, K. 527: Act One: 'Don Ottavio, son orta' (Donna Anna, Don Ottavio) - John Constable
- Don Giovanni, K. 527: Act One: 'Or sai chi l'onore' (Donna Anna) - John Constable
- Don Giovanni, K. 527: Act One: 'Dalla sua pace', K. 540a (Don Ottavio) - John Constable
- Don Giovanni, K. 527: Act One: 'Fin ch'han dal vino' (Don Giovanni) - John Constable
- Don Giovanni, K. 527: Act One: 'Batti, batti, o bel Masetto' (Zerlina) - John Constable
- Don Giovanni, K. 527: Act Two: 'Eh via, buffone' (Don Giovanni, Leporello) - John Constable
- Don Giovanni, K. 527: Act Two: 'Ah! taci, ingiusto core' - John Constable
- Don Giovanni, K. 527: Act Two: 'Deh! vieni alla finestra' (Don Giovanni) - John Constable
- Don Giovanni, K. 527: Act Two: 'Vedrai, carino' (Zerlina) - John Constable
- Don Giovanni, K. 527: Act Two: 'Sola, sola in buio loco' (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) - John Constable
- Don Giovanni, K. 527: Act Two: 'Il mio tesoro intanto' (Don Ottavio) - John Constable
- Don Giovanni, K. 527: Act Two: 'In quali eccessi, o Numi!' - John Constable
- Don Giovanni, K. 527: Act Two: 'Mi tradi quell'alma ingrata' (Donna Elvira) - John Constable
- Don Giovanni, K. 527: Act Two: 'Don Gionanni, a cenar teco' (Il Commendatore, Don Giovanni, Leporello) - John Constable
- Don Giovanni, K. 527: Act Two: 'Questo e il fin di chi fa mal!' (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Leporello, Masetto) - John Constable
Tracks:
- Cost Fan Tutte, K. 588: Overture - John Constable
- Cost Fan Tutte, K. 588: Act One: 'La mia Dorabella' (Ferrando, Guglielmo, Don Alfonso) - John Constable
- Cost Fan Tutte, K. 588: Act One: 'Ah, guarda sorella' (Fiordiligi, Dorabella) - John Constable
- Cost Fan Tutte, K. 588: Act One: 'Vorrei dir, e cor non ho' (Don Alfonso) - John Constable
- Cost Fan Tutte, K. 588: Act One: 'Sento, o Dio, che questo piede' (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) - John Constable
- Cost Fan Tutte, K. 588: Act One: 'Di scrivermi ogni giorno' - Bella vita militar' (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) - John Constable
- Cost Fan Tutte, K. 588: Act One: 'Soave sia il vento' (Fiordiligi, Dorabella, Don Alfonso) - John Constable
- Cost Fan Tutte, K. 588: Act One: 'Ah, scostati!' - Smanie implacabili' (Dorabella) - John Constable
- Cost Fan Tutte, K. 588: Act One: 'In uomini, in soldati' (Despina) - John Constable
- Cost Fan Tutte, K. 588: Act One: 'Alla bella Despinetta' (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) - John Constable
- Cost Fan Tutte, K. 588: Act One: 'Come scoglio' (Fiordiligi) - John Constable
- Cost Fan Tutte, K. 588: Act One: ''Non siate ritrosi' (Guglielmo) - John Constable
- Cost Fan Tutte, K. 588: Act One: 'E voi ridete' (Don Alfonso, Ferrando, Guglielmo) - John Constable
- Cost Fan Tutte, K. 588: Act One: 'Un 'aura amorosa' (Ferrando) - John Constable
- Cost Fan Tutte, K. 588: Act Two: 'Una donna a quindici anni' (Despina) - John Constable
- Cost Fan Tutte, K. 588: Act Two: 'Predero quel brunettino' (Dorabella, Fiordiligi) - John Constable
- Cost Fan Tutte, K. 588: Act Two: 'La mano a me date' (Don Alfonso, Ferrando, Guglielmo, Despina) - John Constable
- Cost Fan Tutte, K. 588: Act Two: 'Il core vi dono' (Guglielmo, Dorabella) - John Constable
- Cost Fan Tutte, K. 588: Act Two: 'Per pieta, ben mio, perdona' (Fiordiligi) - John Constable
- Cost Fan Tutte, K. 588: Act Two: 'Donne mie, la fate a tanti' (Guglielmo) - John Constable
- Cost Fan Tutte, K. 588: Act Two: 'Volgi a me pietoso il ciglio' (Ferrando, Fiordiligi) - John Constable
- Cost Fan Tutte, K. 588: Act Two: 'Tutti accusan le donne' (Don Alfonso) - John Constable
- Cost Fan Tutte, K. 588: Act Two: 'Fortunato l'uom che prende' (All) - John Constable
Tracks:
- The Magic Flute, K. 620 (Highlights): Overture - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act One: 'Der Vogelfanger bin ich ja' (Papageno) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act One: 'Dies Bildnis ist bezaubernd schon' (Tamino) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act One: 'O zittre nicht' (Queen Of The Night) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act One: 'Hm! Hm! Hm! (Papageno, Tamino, 3 Ladies) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act One: 'Du feines Taubchen, nur herein' (Monostatos, Pamina, Papageno) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act One: 'Bei Mannern, welch Liebe fuhlen' (Pamina, Papageno) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act One: 'Wie stark ist nicht dein Zauberton' (Tamino) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act One: 'Schnelle Fusse, rascher Mut' (Pamina, Papageno, Monostatos) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act Two: 'O Isis und Osiris' (Sarastro) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act Two: 'Wie? Wie? Wie?' (3 Ladies, Papageno, Tamino) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act Two: 'Alles fuhlt der Liebe Freuden' (Monostatos) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): ActTwo: 'Der Holle Rache' (Queen Of The Night) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act Two: 'In diesen heil'gen Hallen' (Sarastro) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act Two: 'Ach, ich fuhl's' (Pamina) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act Two: 'O Isis und Osires, welche Wonne!' - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act Two: 'Ein Madchen oder Weibchen' (Papageno) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act Two: 'Papagena! Weibchen! (Papageno) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act Two: 'Pa-Pa-Pa-Pa-Pa-Pa' (Papageno, Papagena, 3 Boys) - Mikael Melbye (Papageno)
- The Magic Flute, K. 620 (Highlights): Act Two: 'Nur stille, stille' (Monostatos, Queen Of The Night, 3 Ladies, Sarastro) - Mikael Melbye (Papageno)
Customer Reviews:
This is it -- the best condensed collection!.......2006-12-14
The definitive collection--worth the effort........2002-10-13
A couple of drawbacks in the collection are its lack of decent accompaining literature (you only get the CD's succint liner notes in four languages) and an occasional selection with poor sound quality or hiss from an old recording. The average quality of the remasterizations, though, is very good. You should probably get a nice book on Mozart to read while listening.
Importers beware! this product could produce massive import duties. Check before ordering.
Superb!.......2000-04-14
Go no further than this loving compilation.......2000-02-24
Mozart Goo.......1999-12-20
Average customer rating:
|
Perche Ti Amo
Camaleonti Manufacturer: Wea ProductGroup: Music Binding: Audio CD ASIN: B00000IHK6 Release Date: 2004-01-13 |
Tracks:
- Ti Amo Da Un'ora
- Per Carita
- Lei Mi Dara' un Bambino (She's Gonna Give Me a Baby)
- Oggi il Cielo E' Rosa
- Tempo d'Inverno
- Donna Donna
- Come Sei Bella
- Perche' Ti Amo
- Attimi
- Amicizia E Amore
- Campo Delle Fragole
- Pensa
- Piccola Venere
- Cuore di Vetro
Customer Reviews:
Romantic and the best of italian music.......1999-10-05
Average customer rating: |
Operatic Recordings
Manufacturer: Pearl ProductGroup: Music Binding: Audio CD ASIN: B000000WNV Release Date: 1994-05-25 |
Tracks:
- Don Giovanni: Dalla Sua Pace
- Il Barbiere Di Siviglia: Ecco Ridente In Cielo
- Il Barbiere Di Siviglia: Se Il Mio Nome
- Il Barbiere Di Siviglia: All'idea Di Quel Metallo - Fernando De Lucia/Antonio Pini-Corsi
- Il Barbiere Di Siviglia: Numero Quindici - Fernando De Lucia/Antonio Pini-Corsi
- Il Barbiere Di Siviglia: Finora In Questa Camera - Fernando De Lucia/Maria Resemba/Nina Sabatano/Giorgio Schottler
- Il Barbiere Di Siviglia: Colla Febbre... Buona Sera - Fernando De Lucia/Maria Resemba/Francesco Novelli/Giorgio Schottler/Stefano Valentino
- Il Barbiere Di Siviglia: Ah! Qual Colpo - Fernando De Lucia/Antonio Pini-Corsi/Josefinal Huguet
- La Sonnambula: Perdona, O Mia Diletta...Prendi, L'anel Ti Dono - Fernando De Lucia/Olga Perugino
- La Sonnambula: Son Geloso - Fernando De Lucia/Maria Galvany
- La Sonnambula: Ah! Perche Non Posso Odiarti
- L'Elisir D'amore: Una Parola, O Adina - Fernando De Lucia/Angela De Angelis
- L'Elisir D'amore: Ecco Il Magico Liquore...Obbligato, Obbligato - Fernando De Lucia/Ernesto Badini
- L'Elisir D'amore: Una Furtiva Lagrima
- Les Huguenots: Ah! Quel Spectacle..Plus Blanche
- La Favorite: Un Ange, Une Femme Inconnue
- La Favorite: Ange Si Pur
- Luisa Miller: Quando Le Sere Al Placido
Tracks:
- Lobengrin: Nun Sei Bedankt
- Lobengrin: Mein Held, Mein Retter..Nie Sollst Du Mich Befragen - Fernando De Lucia/Josefina Huguet
- Lobengrin: Das Susse Lied Verhallt - Fernando De Lucia/Josefina Huguet
- Lobengrin: Artmest Du Nicht
- Lobengrin: In Fernem Land
- Lobengrin: Kommit Er Dann Heim
- Rigoletto: Questa O Quella
- Rigoletto: E Il Sol Dell'anima - Fernando De Lucia/Josefina Huguet
- Rigoletto: Ella Mi Fu Rapita
- Rigoletto: La Donna E Mobile
- La Traviata: Ah, Si, Da Un Anno...Un Di Felice, Eterea
- La Traviata: De' Miei Bollenti Spiriti
- La Traviata: Invitato A Qui Seguirmi... Mi Chiamate? - Fernando De Lucia/Angela De Angelis/Chor
- La Traviata: Parigi, O Cara - Fernando De Lucia/Josefina Huguet
- Faust: Salut! Demeure
- Faust: Il Se Fait Tard - Fernando De Lucia/Celestina Boninsegna
- Les Pecheurs De Perles: De Mon Amie
- Les Pecheurs De Perles: Ton Coeur N'as Pas Compris - Fernando De Lucia/Josefina Huguet
- Mignon: Adieu, Mignon!
- Mignon: Elle Ne Croyait Pas
- Mignon: Ah! Que Ton Ame Enfin
- Romeo Et Juliette: Ah! Leve-Toi Soleil
Tracks:
- Mefistofele: Dai Campi, Dai Prati
- Mefistofele: Giunto Sul Passo Estremo
- La Gioconda: Cielo E Mar
- Cavalleria Rusticana: O Lola, Ch'ai Di Latti
- Cavalleria Rusticana: Addio Alla Madre
- L'Amico Fritz: Suzel, Buon Di - Fernando De Lucia/Angela De Angelis
- L'Amico Fritz: Ed Anche Beppe Amo.. O Amore, O Bella Luce
- Werther: Ah! Non Mi Ridestar
- Pagliacci: Recitar! Vesti La Giubba
- Pagliacci: O Colombina
- Pagliacci: No! Pagliaccio Non Son
- Manon Lescaut: Tra Voi Belle
- La Boheme: Che Gelida Manina
- La Boheme: O Soave Fanciulla - Fernando De Lucia/Angela De Angelis
- La Boheme: Quest'e Mimi
- Fedora: Amor Ti Vieta
- Fedora: Mia Madre, La Mia Vecchia Madre
- Fedora: Vedi, Io Piango
- Iris: Apri La Tua Finestra
- Tosca: Recondita Armonia
- Tosca: E Lucevan Le Stelle
- Tosca: Tu?..Di Tua Man L'uccidesti...O Dolci Mani
- Adriana Lecouvreur: L'anima Ho Stanca
Pop Music:
