De Dos En Dos [Import]

1. Delirios Del Rumbo

2. Marejadilla

3. Fuerza En Calma

4. Amor Septentrional

5. De Seda Y Ruina

6. Calma Del Alma

7. Tan Fragil Tan Fuerte

8. Entrequedente

9. Marea Alta

10. Telefono

11. Bancos De Nieblas

12. Luna Nueva

De Dos en Dos,Tomas San Miguel,Nuevo,World Music

Average customer rating: A glorious heritage, well sounded a Hispanophile and Judeophile hauntingly beautiful simplicity A Fabulous collection!

Songs of The Sephardim Manufacturer: Dorian Recordings ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music Jewish & Yiddish Music | Folk | Styles | Music General | International | Styles | Music General | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Classical | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music International | Imports | Stores | Music Classical | Imports | Stores | Music General Christmas | Holiday Music | Special Features | Music Similar Items: Sephardic Romances Sephardic Experience, Vol. 2 Ladino Love Songs: Bride Unfastens Her Braids, the Groom Faints ASIN: B000001Q6I Release Date: 1993-08-31

Tracks:

1. Los gayos empesan a cantar
2. Una ija tiena el rey
3. La prima vez
4. Puncha, puncha
5. A'har noghenim
6. Era escuro
7. Seu shearim
8. Esta monta'enfrente
9. Una pastora
10. Morena me Llaman
11. Nani, nani
12. A la una yo nac
13. Scalerica de oro
14. Yo m'enamori
15. Dos amantes tengo la mama
16. Una matica de ruda
17. Los bilbilicos
18. Ir me quero
19. Hija mia
20. Durme, durme, hermozo hijico
21. Avre tu puerta cerrada
22. Noches, noches
23. Partos trocatos
24. En la mar hey una torre
25. Esta Rachel la estimoza
26. Cuando el rey Nimrod
27. Adio, querida

Customer Reviews:

A glorious heritage, well sounded.......2005-10-05

This music has a distinctive Spanish flavour to it - the guitar introduction on the first track is unmistakably Spanish; this is a tradition that dates back to the time before Columbus discovered the 'new' world, which ironically was the same year Ferdinand and Isabella issued their edict of expulsion to the Jews in Spain. The Sephardic Jews took their musical traditions with them when they left, such that the Spanish influences in their culture permeated the Jewish communities in other parts of Europe.

There are all sorts of music on this disc, that covers the whole range of pieces from the Sephardic culture - there are love songs, lullabies, and storytelling songs. Women feature prominently in the stories, and most likely in the composition, of many of the pieces here. Many pieces, however, have come down to the present time without composer/author credits. These could be the songs of many Mediterranean cultures; that they are Jewish is indicated in some of the details of the lyrics rather than the style of music itself. References to Hebrew Scriptures in certain ways, and certain Jewish customs and officials (such as the Moel, the one who performs circumcision) indicate the kinds of details present here.

La Rondinella makes use of wind and string instruments, most likely the same kinds of instruments used by the folk singers who would have been the original performers. Included here as performers are Paul Bensel (recorder, crumhorn, percussion), Howard Bass (lute, guitar, harp, percussion), Rosalind Brooks Stowe (treble viol, vielle, percussion), and Tina Chancey as a guest artist (treble viol, vielle, rebec, kamenj, recorder, percussion), with the alto vocals of Alice Kosloski. La Rondinella was established in 1987 in Washington D.C. as a group dedicated to older styles of music such as Sephardic, English, Scottish and Italian music.

The performances here are simply stunning, and remarkable in the fullness of sound and one with so few players. The care and spirit infused into the performances is wonderful. The emotion is very strongly present, particularly in pieces that give a sense of longing and wandering, a very well-known feeling among the Sephardim.

a Hispanophile and Judeophile.......2005-08-24

This is a great album. The pieces are both instrumental and sung, with a range of themes. There are both lively and slow pieces on this album. The voices are clear, the harmonies are lovely, and with the lyrics, the words are fairly easy to follow and understand. If you already speak Spanish, you will find it easier to understand the medieval Castilian and so that knowledge provides a way in, but if you just like music and are interested in Jewish traditions, that offers an alternative route into the music.

hauntingly beautiful simplicity.......2000-02-05

A jewel of a recording. Alice Koslozski teamed up with La Rondinella for several more recordings of Sephardic and Spanish Renaissance songs, but this one, the first, is the very best: they are all technically excellent, but this CD has the best song selection.

La Rondinella produces great earthy and colorful Medieval timbres. Kozloski's mezzo singing is lyrical and moving, some where on the spectrum between lieder singer and folk singer.

The songs have a hauntingly beautiful simplicity - they are a relevant today as they were 600 years ago. The booklet contains all the Ladino texts - if you know a little Spanish, they are quite understandable.

A Fabulous collection!.......1999-04-03

This is a collection of songs that covers the broad spectrum of love, loss, hopes, and dreams. This music truly is expressed from the heart. It is interpreted by an excellent group of musicians who attempt successfully, I believe, to express the emotions and music of this particular era. This is a must-buy for anyone who is a serious collector.

Average customer rating:

Camino Latino (Latin Journey) Manufacturer: Moston Records ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | International | Styles | Music General | New Age | Styles | Music General | International | Indie Music | Stores | Music General | New Age | Indie Music | Stores | Music Similar Items: Classically Yours Passport to Serenity The Spanish Album Miniatures for Guitar Cafe Tropical ASIN: B000065LAB Release Date: 2005-08-23

Tracks:

1. Carretera Libertad (Freedom Highway)
2. Bajo el Sol (Under the Sun)
3. Las Alturas (High Places)
4. Torbellino (Whirlwind)
5. Ambos Mundos (Both Worlds)
6. Rumbo al Sur (Heading South)
7. Noche en Yucatan (Night in Yucatan)
8. Parranda
9. Frontera (Frontier)
10. Samba Para Dos (Samba for Two)
11. Zarzamora
12. Cafe Kastoria
13. Latin Lady
14. Mexico Mi Amor
15. Morenita

Product Description

Camino Latino treats us to an exciting blend of traditional and contemporary sounds labeled "Nuevo Latino". Enjoy, as one of the world's most imaginative artists leads us with beauty, grace and panache on a unique Latin Journey.

Average customer rating: Jose At HIs Best! Carreras At His Best!

The Recital Manufacturer: Q. Records ProductGroup: Music Binding: Audio CD General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music ASIN: B00004TSBY Release Date: 2000-07-18

Tracks:

1. Apres Un Reve
2. Ouvre Tes Yeux Bleus
3. Los Dos Miedos
4. Tengo Nostalgia De Ti
5. Intima
6. I Vidi In Terra Angelici Costumi
7. Benedetto Sia L' Giorno
8. Pace Non Trovo
9. Solo E Amore
10. Terra E Mare
11. Menti All' Avviso
12. Apri
13. Non T' Amo Piu
14. ' A vucchella
15. L' Ultima Canzone
16. Core N' grato (Catari)
17. Dicitencello Vuie
18. Granada

Customer Reviews:

Jose At HIs Best!.......2000-07-24

If you have read my review of Carreras' "My Romance" album from a couple of years ago I stated that he should stay away from show tunes because of diction problems. I stated that he is at his best when he is in recital. This album "The Recital" was recorded live at the Vienna Opera House in September of 1988; just 14 months after being diagnosed with leukimia and undergoing several months of treatment which included two bone marrow transplants that eventually saved his life. The voice was saved. Now here comes this jewel of a recital from when Jose, in my opinion, was at the top of vocal career. I immediately noticed that opera arias are missing. But this is okay. The art of song is what this recital is all about. Included are many songs appearing for the first time on disc from Jose. I could go track by track and breakdown the emotion and musicality of Jose, but I won't. You just have to hear it for yourself. Then you will realize that Jose was, at the time, the best and most in demand tenor in the world. Vocal decline has fallen upon the great Carreras the past few years and we are all sorry for that. This disc is a must for your collection because it is presented with Carreras in terrific voice and stamina. Buy it. You won't be sorry. A similar recital is also available on video from Kultur. I am not sure if it is the same concert but it has many of the same selctions as the new disc (including the encores). The video is for sale here at Amazon.

Carreras At His Best!.......2000-07-22

Jose Carreras lost little after his bout with a life threatening illness. Although he excluded operatic arias in his recitals this still is a must cd to have. Many of these songs are relased for the first time on any audio format. Inlcluded here are songs from Liszt, Puccini, Tosti, Massenet, and others. This is the best format to hear Jose Carreras. Live in recital with only a piano. Jose clearly shows that he has shunned death and returned to treat us all.

Average customer rating: Awesome musicality Fabulous? Yes!!!

The Fabulous Victoria De Los Angeles Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Bach, Johann Christian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Chausson, Ernest | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Alessandro Scarlatti | Scarlatti, Alessandro | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Similar Items: Songs Of Spain / De Los Angeles, et al The Very Best of Victoria de los Angeles Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs ASIN: B000002S5G Release Date: 1994-02-15

Tracks:

1. Sheherazade: Asie
2. Sheherazade: La Flute enchantee
3. Sheherazade: L'Indifferent
4. Cinq Melodies populaires grecques: Le Reveil de la mariee
5. Cinq Melodies populaires grecques: La-bas vers l'eglise
6. Cinq Melodies populaires grecques: Quel galant m'est comparable
7. Cinq Melodies populaires grecques: Chanson des cueilleuses de lentisques
8. Cinq Melodies populaires grecques: Tout gai!
9. Duex Melodies hebraiques: Kaddisch
10. Duex Melodies hebraiques: L'Enigme eternelle
11. L'Invitaiton au voyage
12. Phidyle
13. L'Enfant Prodigue: Recit. & Air de Lia: L'annee en vain chasse l'annee
14. Poeme de l'amour et de la mer: La Fleur des eaux
15. Poeme de l'amour et de la mer: Interlude
16. Poeme de l'amour et de la mer: La Mort de l'amour

Tracks:

1. Cinco Canciones Negras: Cuba dentro de un piano
2. Cinco Canciones Negras: Punto de habanera
3. Cinco Canciones Negras: Chevere
4. Cinco Canciones Negras: Cancion de cuna para dormir a un negrito
5. Cinco Canciones Negras: Canto negro
6. Coleccion de canciones amatorias: Llorad corazon
7. Coleccion de canciones amatorias: Iban al pinar
8. Cuatro madrigales amatorios: Con que la lavare?
9. Cuatro madrigales amatorios: Vos me matasteis
10. Cuatro madrigales amatorios: De donde venis, amore?
11. Cuatro madrigales amatorios: De los alamos vengo, madre
12. Cinco canciones playeras espanolas: Rutas
13. Cinco canciones playeras espanolas: Pregon
14. Cinco canciones playeras espanolas: Las 12
15. Cinco canciones playeras espanolas: El pescador sin dinero
16. Cinco canciones playeras espanolas: Coplilla
17. Quatre cancons: Canco de grumet
18. Quatre cancons: Cancon incerta
19. Quatre cancons: Maig
20. Quatre cancons: Anacreontica
21. La Dama d'Arago
22. El can dels ocells
23. Canco de Sega
24. El combat del somni: Damunt de tu nomes les flors
25. El combat del somni: Aquesta nit un mateix vent
26. El combat del somni: Jo et presentia com la mar
27. Triptic de Mossen Cinto: L'Harpa Sagrada
28. Triptic de Mossen Cinto: Lo violi de Sant Francesh
29. Triptic de Mossen Cinto: Sant Fransech i la cigala

Tracks:

1. Chansons de Bilitis: La Flute de Pan
2. Chansons de Bilitis: La Chevelure
3. Chansons de Bilitis: Le Tombeau des Naiades
4. Fetes galantes: En sourdine
5. Fetes galantes: Fantoches
6. Fetes galantes: Clair de lune
7. Noel de enfants qui n'ont plus de maisons
8. Chants populaires: Chanson espagnole
9. Chants populaires: Chanson francaise
10. Chants populaires: Chanson italienne
11. Chants populaires: Chanson Herbraique
12. Trois jours de vendange
13. Le Rossignol des lilas
14. Tristesse, Op. 6, No. 2
15. Au bord de l'eau, Op. 8, No. 1
16. Les Roses d'Ispahan, Op. 39, No. 4
17. Troujours (No. 2 de Trois Poemes d'un jour, Op. 21)
18. Siete Canciones populares espanolas: El pano murano
19. Siete Canciones populares espanolas: Sequidilla murciana
20. Siete Canciones populares espanolas: Asturiana
21. Siete Canciones populares espanolas: Jota
22. Siete Canciones populares espanolas: Nana
23. Siete Canciones populares espanolas: Cancion
24. Siete Canciones populares espanolas: Polo
25. Doce canciones gallegas: As florinas dos toxos
26. Triptico, Op. 45: Farruca
27. Villancicos: Pastorcito santo
28. Psyche
29. Soneto a Cordoba

Tracks:

1. Proserpina: E dove t'aggiri
2. Le violette
3. Joshua: Oh! had I Jubal's lyre
4. Der Tod und das Madchen, D. 531
5. Die schone Mullerin, D. 795: No. 2: Wohin?
6. D. 547: An die Musik
7. Op. 59, No. 8: Dein blaues Auge
8. Op. 84, No. 4: Vergebliches Standchen
9. Op. 27, No. 1: Chanson d'amour
10. Op. 46, No. 2: Clair de lune
11. Let Us Wander
12. Lost Is My Quiet
13. Schlaf in deiner engen Kammer
14. Ah! lamenta, oh bella Irene
15. Irish Songs: Oh! Would I Were But That Sweet Linnet
16. Irish Songs: He Promised Me At Parting
17. Irish Songs: They Bid Me Slight My Dermot Dear
18. Welsh songs: The Dream
19. Mignon und der Harfner, D. 877: Nur wer die Sehnsucht kennt
20. Les Fleurs des landes: Le Trebuchet
21. Moglichkeit
22. Der Apfel
23. Schottische Ballade
24. Pastorale
25. Pleurs d'or
26. Sapphische Ode
27. La Partenza

Amazon.com

The word "fabulous" seems vulgar when applied to the Spanish diva whose delicately shaded voice encompassed music from the middle ages to the present. This four-disc compilation emphasizes her song repertoire, to which she brought warmth, intelligence, linguistic integrity and irresistible sincerity. Her dignity makes listeners want to come to her, and she rewards them with an intimate, personal experience, especially in this small-scale repertoire by Ravel, Debussy, Duparc, Fauré, lots of Spanish composers and German masters such as Schubert and Brahms. --David Patrick Stearns

Customer Reviews:

Awesome musicality.......2006-07-26

This 4-CD set is a tribute to the concert career of the great Victoria de Los Angeles. The first 3 CDs show her totally at home in the art song of France and of her native Spain. In the French art songs, her silvery, creamy tone, her legendary legato and her perfect French diction make for wonderful and unforgettable performances. These include a sensual Scheherazade, magnificient singing in the Duparc songs and a phenomenal Poeme de L'amour et de la mer of Chausson (try to keep your eyes dry by the end of La mort de l'amour). In the Chausson, while de Los Angeles does not opt for the intensely Wagnerian approach, her sensitive singing more than does justice to the poetry and the feelings of the character. The Spanish songs showcase de Los Angeles at her most natural, flamboyant and attractive singing. The tunes are catchy, full of bouncy rhythms and De Los Angeles's fabulous voice never ceases to amaze. The 4th CD shows the wonderful chemistry between de Los angeles and the great Gerald Moore. While she does not erase memories of Fischer-Dieskau and Schwarzkopf in the Schubert selections, the Brahms songs are excellent and her Faure songs here are earth shaking in their elegance and refinement. The Italian and the famous Handel aria helps to prove De Los Angeles's reputation as an excellent bel canto singer. Her duets with Fischer-Dieskau are absolutely memorable and gorgeous.
The set comes with booklet including full words plus translations, helpful notes on De Los Angeles's concert career and a dozen of beautiful and rare black and white photos. Victoria de Los Angeles's concert career was as prolific as her legendary operatic performances and continued well after her retirement from the operatic stage. This introspective and almost encycopledic release is a real treat and is absolutely recommended. I totally agree with the editor's review who states that the word "fabulous" fails in every respect to fully capture the artistry of the Spanish soprano. Victoria de Los Angeles is definitely one of the most wonderful lyric sopranos of the 20th century and is one of the most heavenly artists to have ever graced the concert scene. A must-have for any collection.

Fabulous? Yes!!!.......1999-09-13

The album is a marvelous sampling of this great singer's artistry. Her performances of the French and Spanish composers are something special. The De Falla "Seven Popular Folksongs" are powerful, passionate; the last song, "Jota," raised the hair on the back of my neck.

I was delighted to see Faure's "Claire de lune" on the album, and equally delighted with De Los Angeles' elegant rendition of this work. The only recording of the song I've liked better is from an LP featuring Frederika Von Stade.

As an added bonus, several duets with the great baritone Dietrich Fischer-Dieskau are featured on Disk #4. These include some charming settings of Irish songs by Beethoven, and a gorgeous arrangement of "Let Us Wander" by Henry Purcell. I remember hearing these duets years ago on an LP recording, and it was a pleasure to hear them again.

Average customer rating: The Greatest By Far Absolutely the Best Carmen No, please L'amour est un oiseau rebelle

Bizet: Carmen [Highlights] Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Bach - Mass in B minor / Argenta, Nichols, Chance, Stafford, Milner, W. Evans, Gardiner Mozart: Piano Concertos Nos. 24 & 25 Haydn: The London Symphonies, Vol. 1 Tchaikovsky: Concerto No. 1/Rachmaninoff: Concerto No. 2 Beethoven: Symphonien Nos. 5 & 7 / Kleiber, Vienna Philharmonic Orchestra ASIN: B000001G52 Release Date: 1990-10-25

Tracks:

1. Carmen: Prelude
2. Carmen: Act 1: Sur la place (Micaela)
3. Carmen: Act 1: Avec la garde montante
4. Carmen: Act 1: L'amour est un oiseau rebelle (Carmen)
5. Carmen: Act 1: Parle-moi de ma mere (Don Jose, Micaela)
6. Carmen: Act 1: Pres des remparts de Seville (Carmen, Don Jose)
7. Carmen: Act 2: Les tringles des sistres tintaient (Carmen)
8. Carmen: Act 2: Dialogue
9. Carmen: Act 2: Vivat! vivat le Torero! (Carmen)
10. Carmen: Act 2: Votre toast, je peux vous le rendre (Escamillo, Carmen)
11. Carmen: Act 2: La fleur que tu m'avais jetee (Don Jose)
12. Carmen: Act 3: En vain, pour eviter les reponses ameres - Parlez encore, parlez, mes belles (Carmen)
13. Carmen: Act 3: A dos cuartos!
14. Carmen: Act 3: (musique de transition)
15. Carmen: Act 3: C'est toi! - C'est moi! (Carmen, Don Jose)

Customer Reviews:

The Greatest By Far.......2006-03-09

Agnes Baltsa [Carmen] ** José Carreras [Don José] ** José van Dam (baritone) [Escamillo] ** Katia Ricciarelli [Micaëla] ** Christine Barbaux (soprano) [Frasquita] ** Jane Berbié (soprano) [Mercédès] ** Alexander Malta (bass) [Zuniga] ** Mikael Melbye (baritone) [Moralès] ** Gino Quilico (baritone) [Le Dancaïr] ** Heinz Zednik (tenor) [Le Remendado] ** Michel Marinpouille (tenor) [Andrès] ** Berlin Philharmonic ** Herbert von Karajan (conductor]

There is no doubt in my mind that this studio recording is by far the most powerful Carmen I've ever heard. This 80's recording captures both the lush, beautiful musicality of this opera-comique and the intense visceral "verisimo" drama, thanks to the efforts of Karajan and his illustrious Berlin forces and the great singing from Agnes Baltsa, Jose Carreras, Katia Ricciarelli and Jose Van Dam.

Karajan had previously recorded Carmen in the 70's, in a more dramatic, overblown fashion when he conducted the Vienna Phil with the voices of Leontyne Price and Franco Corelli. Although that recording has its individual merit, it was not really his best effort. He had scored greater success with Grace Bumbry in the lead role and Jon Vickers as Don Jose, productions he conducted at the Salzburg Festival in the late 60's. In the 80's he was a white-haired old man, the image many younger music lovers remember him from after seeing videos and recording covers he was in fact experiencing the last phase of his career before his death in the late 80's. He is nevertheless a supremely gifted conductor, masterful and able to bring out the best from his orchestra. The Berlin is actually better than the Vienna Phil in his earlier recording with Leontyne Price. The Berlin forces weave great music, capturing the colorful slices of life in this steamy, sordid opera. Yes, it is of the "grand opera" and verisimo vein and not the more simplistic, opera-comique Carmen but it is absolutely powerful in its wake. Karajan has never done a better job. It is his second recorded Carmen and his best.

Each of the singers bring a vitality and nuance to their performance and sing with the freshness of their prime. It is not surprising to find Jose Carreras and Katia Ricciarelli in the same cast. Theses two worked well together and recorded and performed operas throughout the 80's, even carrying out an affair together. Ricciarelli and Carreras as Don Jose and Micaela sing with glorious harmony, making their romance all the more tragic because Don Jose rejects the purity of her love and destroys himself in his passionate relationship with the temptress Carmen. Their duet in the beginning feels prolonged but that's a great thing because their voices are so beautiful to hear together.

From the beginning, Jose Carreras sings with a darker voice. He understands that Don Jose becomes obscessed with Carmen and develops a psychosis. It is a rich, powerful and masculine voice, albeit darker and edgier than even Jon Vickers and Placido Domingo. He sings everyting with great passion, despite the fact that his voice may not have done what he may have wanted it to. He is somehow, strangely, through sheer force of will, the best Don Jose, the most dramatically satisfying. His detractors and critics claim he was in bad vocal shape, at least in regards to his age (he was past his prime, he had been operated for leukemia, etc) and worse, his Don Jose has been called "melodramatic, hysterical". I whole-heartedly disagree. Carreras sings with so much integrity to the character's essence that he single-handedly blows all other contenders away. I've heard them all- Franco Corelli (in the Leontyne Price recording) Placido Domingo (in the Berganza recording and the Obraztsova, and Migenes movies) and Jon Vickers (in the recording and film with Grace Bumbry). His tenor voice is right on target for the darker side of Don Jose. He is passionate, yet lyrical in the first part and by the climatic finale he is understandably pushed to the edge. There is definate chemistry between Carreras and Baltsa and they would also make a film of the Metropolitan Opera stage production, which is wonderful. Please give Carreras a chance. He is the best Don Jose I've ever heard.

Ricciarelli is a very nuanced, soulful Micaela, bringing passion and grandeur to the role, instead of singing the role like a shrinking violet. This Micaela is willing to fight to get her man back from Carmen. In this way, she is a lot like Mirella Freni, who also sang a feistier Micaela. Ricciarelli is in great vocal form, and her rendition of "Je Dis" is beautiful and heart-felt. Those who have criticized her for what they feel is forced singing didn't really listen to the recording. She is mannered, she is mellow and in control. She has a genuinely dramatic way of singing, but then again, I've already made the comparison to Mirella Freni, whose Micaela is also dramatic. Quite frankly, this is the way Micaela should be sung. She is still a soprano, usually the lead in an opera and Ricciarelli understands that if she doesn't impress in the few moments she has in the opera, then she is letting the mezzo-soprano take all the glory. Ricciarelli is wonderful here and Micaela is one of her greatest roles, despite the fact she moved on to sing heavier roles like Tosca, Leonora, Aida and Turandot. She is probably better in the subdued lyrical roles then the heavier roles.

Jose Van Dam's Escamillo is dark, "butch" and strongly sung. He has a sharp musical intelligence and recognizes that Escamillo is also not the star but has his moments of radiance. He sings the famous Toreador Aria with great gusto and power. Karajan's slow conducting and colorful orchestration allows his few moments in the opera to really burst with maximum energy. Upon hearing Jose Van Dam's Escamillo, one can understand why Carmen jilts the now lackluster Don Jose. Van Dam is absolutely superb.

Last but certainly not least, there is Agnes Baltsa's Carmen. She was born to sing this role. It is a Carmen of several levels- she is playful (listen to how she slides her voice in the Habanera and Seguidilla) she is feminine but wordly. If she sounds mature and not youthful this is still to her credit. Carmen is a wordly, experienced libertine. Baltsa lives the character in ever scene. She sings with great power and beauty. The Death Card Aria has a tragic quality to it and she sings with a resigned spirit, acknowledging her fate. More than any other mezzo-soprano who has sung Carmen on record, to my knowledge, she really acts the hell out of that final scene. She is singing with grand flair, dramatic to the point she is boiling over with rage. Listen to how she emotes when she declares "Libre Elle Nee e Libre elle Morra" (I was born free and I shall die free!) and "E Bien! Frappe-Moi Donc, Or Lassez Ma Passe! (Very Well Then! Kill Me! Or Let Me Pass!). Finally, she nearly cracks her voice with the high, anguished cry of "C'este Autefrois Que Tu Me Vais Donne - TIENS!!!" (This ring you once gave me - TAKE IT!!!). Both Carreras and Baltsa take the trophy when it comes to dramatically belting out this famous scene in opera.


Once upon a time I thought that Jon Vickers and Grace Bumbry were the greatest Carmen/Don Jose interpretors. I don't believe that anymore after hearing Jose Carreras and Agnes Baltsa.

Absolutely the Best Carmen.......2004-12-14

This CD is not only for opera lovers, but for anyone with an appreciation of classic voice music. I have seen productions of Carmen the world over, in Paris, in Vienna, multiple times at the Met in New York and many local companies. None has come close to the perfection of the voices on this recording. The emotion and quality of L'amour est un oiseau rebelle, one of the most recognized arias in all of opera, is unsurpassed. The gypsy dance which begins act 2 (Les tringles des sistres tintaient) is rich with fevor and lust. The music leaps off the CD and provides excellent insight into the intensity of this work.

This CD is for everyone, from the novice to the expert, and will be appreciated by all. It is the best opera recording I have heard and has stood the test of time. This should be a required addition to the collection of anyone with an appreciation of fine music.

No, please.......2000-06-10

This is an surprisingly boring recording, especially when looking at the star-cast, of one of the most enjoyable operas ever. I think the greatest problem with it lies in Karajans conducting.

The kindest thing I can come up with about this highlights recording is just the fact that it's a highlights edition - you don't have to listen to the whole debacle. Karajan has done a much, much better recording for RCA (Price, Corelli & Freni), where he doesn't suffocate his singers in an unengaging search for nothing but beauty. This search makes me lose my hair, and for example disturbes much of Carmen's music. Carreras here is not even close to the vocal prime he was in ten years earlier. His voice surely is soft and beautiful in the more quite parts, but he avoids using it to full power, even when called for, and his performance therefor gets rather boring. Baltsa probably would have done much better if she'd been supported instead of opposed by Karajan. Van Dam is definately the best of the cast in the role of Escamillo.

My very favorite of Carmen is the Beecham (de los Angeles, Gedda on EMI) set. You can also try a highlight of either Karajan (RCA - Price, Corelli) or Abbado (DG - Berganza, Domingo), which both give different but very good accounts of Carmen - use the Amazon.com possibility to listen to samples of these version to find out which one you prefer.

L'amour est un oiseau rebelle.......2000-06-09

This highlights CD happilly dismisses most of the dialogues and has an hour-plus of great music. The complete version is also available on amazon.com. Maestro Von Karajan achieves his trademark perfection with the Berliners and with the cast of ideal singers for Biset's masterpiece. Greek mezzo-soprano Agnes Baltsa is simultaneously playful, witty, self-indulgent, and, for all purposes, dangerous Carmen. She has a very long vocal phrase and plenty of power; listen to fiery rendition of "Les tringles des sistres tintailent"! Jose Carreras shows Don Jose's character development extremely well, from ardent and passionate, ready-to-leave-everything young soldier to a man obsessed; gradually you begin to believe Don Jose could kill. His Flower Song is very gentle and tender, as opposed to the war-cries often displayed by others. The final scene is so vividly enacted, I had "tingles down my spine". Katia Ricciarelli is fully "at home" with a role of angel-like Micaela, her 1st Act duet with Carreras is one of the most beautiful things one could ever hear. Van Dam brings out everything we like to see in Escamillo: single-mindedness, arrogance, and swagger. Karajan uses an interesting orchestral arrangement of the Toreador Song before "Tout d'un coup, on fait silence..." making you imagine the pause just before the bull charges. He also slows it down a bit, increasing the tension throughout and the last chords of it are like wineglasses clashing triumphantly together. Supporting roles are taken by some impressive vocal powers, including Jane Barbie and Gino Quilico. Btw, there is a Carmen video featuring Baltsa and Carreras, also from DG, fantastically sang and recorded.

Average customer rating:

Hommage à Teresa Berganza (Box Set) Manufacturer: Claves ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Berganza, Teresa | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music ASIN: B000056F6X Release Date: 2002-04-09

Tracks:

1. La Maja Dolorosa I
2. La Maja Dolorosa II
3. La Maja Dolorosa III
4. El Majo Timido
5. El Majo Discreto
6. El Tra La La Y El Punteado
7. Dedicatoria
8. Nunca Olvida
9. Cantares
10. Los Dos Miedos
11. Las Locas Por Amor
12. Saeta. Dios Te Salve, Macarena
13. El Fantasma
14. Farruca
15. Alla Arriba, En Aquella Montana
16. Sereno
17. Llamale Con El Panuelo
18. No Quiero Tus Avellanas
19. Como Quieres Que Adivine
20. Mananita De San Juan
21. La Zagala Alegre
22. Madre, Unos Ojuelos Vi
23. Mananita De San Juan
24. Nadie Puede Ser Dichoso
25. Cantarcillo
26. Despues Que Te Conoci

Tracks:

1. 1a Parte
2. 2a Parte
3. El Pano Moruno
4. Seguidilla Murciana
5. Asturiana
6. Jota
7. Nana
8. Cancion
9. Polo

Tracks:

1. Viola Quebrada
2. Adeus Ema
3. Cancao Do Poeta Do Seculo XVIII
4. Samba Classico
5. Desejo
6. Xango
7. O'Kinimba
8. Capim Di Pranta
9. Nigue-Nigue-Ninhas
10. Sao Joao-Da-Ra-Rao
11. Engenho Novo
12. A Casinha Pequenina
13. Milonga De Dos Hermanos
14. Hermano
15. Mi Vina De Chapanay
16. La Rosa Y El Sauce
17. Pampamapa
18. Se Equivoco La Paloma
19. Abismo De Sed
20. Bonita Rama De Sauce
21. El Sampedrino

Average customer rating:

Dos Guitarras Flamencos en Estereo Paco de Lucía , and Ricardo Modrego Manufacturer: Universal ProductGroup: Music Binding: Audio CD General | International | Styles | Music General | Latin Music | Styles | Music International | Imports | Stores | Music Similar Items: Dos Guitarras Flamencas En America Latina ASIN: B0000AKCAG Release Date: 2003-07-14

Tracks:

1. Jerez En Fiestas
2. En La Alcazaba
3. Gaditanas
4. Tientos Del Amanecer
5. Guajira Flamenca
6. Real De La Feria
7. Taconero Gitano
8. Sortilegio
9. Seguiriya Tradicional
10. Entre Arrayanes
11. Fuente De Carmona
12. Caleta

Album Details

De Lucia Recorded this at a Young Age with Montenegro Between 1962 - 1965.

Average customer rating: I can't believe i found this -

Five Centuries of Spanish Guitar Music Manufacturer: Bci / Eclipse Music ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Domenico Scarlatti | Scarlatti, Domenico | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music Spain | Continental Europe | Europe | International | Styles | Music General | Continental Europe | Europe | International | Styles | Music General | International | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music CDs Under $7 | International General | International | Today's Deals in Music | Formats | Music All Bargain Titles | International General | International | Today's Deals in Music | Formats | Music CDs Under $7 | Continental Europe | Europe | International | Today's Deals in Music | Formats | Music All Bargain Titles | Continental Europe | Europe | International | Today's Deals in Music | Formats | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 International | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Guitar Masterpieces Four Centuries of Spanish Guitar (virtuoso guitat concertos) Spanish Guitar Music 300 Years of Guitar Masterpieces ASIN: B00000DPQR Release Date: 2002-01-01

Tracks:

1. Recuerdos De La Alhambra
2. Dos Valses Venezolanos
3. Guaso
4. Cancion
5. Quirpa
6. Asturias (Leyenda)
7. Dos Canciones Populares Catalanas
8. Minuet
9. Pavana
10. Folia
11. Son
12. Gavota (From Ste For Vn Solo)
13. Fuga (From Son For Vn Solo)
14. Vars On A Theme From Mozart
15. Rumores De La Caleta (Malaguena)
16. Serenata Espanolas
17. Rafaga
18. Danza Del Molinero (Farruca)
19. Estudio En Mi Menor

Customer Reviews:

I can't believe i found this -.......2001-10-14

I can't believe it - this is a great cd , if only for his versions of two venezuelan valses & variations on a theme from Motzart. The rest is awesome too - (I've treasured this tape since given to me by my guitar playing grandparent as a child - now I can keep enjoying it and pass it on too ). It only shows why Alirio Diaz (and keep in mind this recording is two generations old) is one of the greats). I guess I'll truly believe it when it's in my hands - ... !!!!

Average customer rating: Sharing the sacred Sacred Bridge or Secular Cringe? From the roots of Jewish-Christian history

The Sacred Bridge: Jews and Christians in Medieval Europe Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music General | Classical | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music General Christmas | Holiday Music | Special Features | Music ASIN: B000005E7H Release Date: 1991-06-25

Tracks:

1. Songs Of Exile: Boray ad ana
2. Songs Of Exile: Al narahot bavel
3. The Sacred Bridge: In exitu Israel - Gregorien et Ashkenase
4. The Sacred Bridge: Mi al har Horeb (Eloge de Moise)
5. Jewish Minstrels At Christian Courts: Par grand francaise - Mathieu le Juif (XIII)
6. Jewish Minstrels At Christian Courts: Wa heb'uf
7. Jewish Folklore Of The Mediterranean Basin: Cansoun d'Ester
8. Jewish Folklore Of The Mediterranean Basin: Eftach sefatai
9. Jewish Folklore Of The Mediterranean Basin: Morena me Ilaman
10. Jewish Folklore Of The Mediterranean Basin: Yo hanino, tu hanina
11. Jewish Folklore Of The Mediterranean Basin: En ciudad noble y encina
12. Jewish Folklore Of The Mediterranean Basin: Desde hoy mas, mi madre
13. Jewish Folklore Of The Mediterranean Basin: La rosa enfloresce
14. Songs Of Mystical Spain: Respondemos, Dio de Abraham
15. Songs Of Mystical Spain: Virgem madre gloriosa
16. Songs Of Mystical Spain: Kaddish
17. Songs Of Mystical Spain: Dos oge mas quer eu trobar
18. Songs Of Mystical Spain: Gran dereit
19. Songs Of Mystical Spain: Cuando el Rey Nimrod
20. Songs Of Mystical Spain: Ahot ketana
21. Songs Of Mystical Spain: Muit e benaventurado
22. Songs Of Mystical Spain: El nora alila

Customer Reviews:

Sharing the sacred.......2005-09-26

The music on this disc is wonderful, both in composition, in setting, and in performance. There is a lively, crisp and vibrant tone to each piece, and the emotions (which range from sombre and serious to joyous and praising) come through clearly in the voices and instruments. The Boston Camerata has a long history of performance of ancient and medieval music, and this expertise is clearly shown in this disc. The Boston Camerata, founded in 1954, has literally dozens of recordings available, from ancient liturgical songs to Shaker songs to Christmas/holiday collections.

The idea behind this disc is very welcome, the demonstration of shared aspects of Christian and Jewish music, particularly the worshipful and liturgical music. At that point at which Christians and Jews might seem to be most separate, there is a bridge that binds the two together in ways often overlooked and unknown. Jews and Christians have lived together (albeit often separately congregated) throughout Europe and throughout history. The music here represents Sephardic and Oriental influences from Judaism, and many national influences from the Christian side.

If I may respectfully agree and disagree with fellow reviewers, I hasten to remind the reader that this is a compact disc, and the historical notes included in the liner notes are intended not as definitive pronouncements but rather helpful guides - for example, the claim about the Psalm 114 being the oldest music is intriguing, and one hopes that the reader, upon reading such a claim, will be sufficiently motivated to research the matter and discover for himself or herself the glories of ancient music (and the attendant controversial issues in dating, authenticating, etc.). As a religious/theological scholar, I too appreciate documentation; as a listener of music, my standards are not as strict.

The notes are very helpful with regard to the lyrics. Cohen has presented the texts in their original languages as well as French, English and German translations. Sometimes there is an old Spanish or Latin text, and a parallel Hebrew text.

This disc not only makes for wonderful listening, but also represents a trip through history and an experience in interfaith communication of a sort different from today's more community and academic symposia.

I cannot praise the quality of this music as highly as it should be praised.

Sacred Bridge or Secular Cringe?.......2001-01-09

Not that I want to be a party pooper, but I was not completely enthralled by this wonderful recording. The Boston Camerata is certainly a great group worthy of high accolades for their performance quality and the integrity of their arrangements. However, their scholastic endeavors leave a little to be desired.

The recordings start with the earliest known Jewish music, and go historically through the music leading up to and including Sephardic traditional. Unfortunately, the producers put too much more emphasis on the Sephardic traditions than on the Ashkenazic (Northern and Eastern European Jews) which has its own ample share of Jewish music of historical note. While there may have been more "cross-cultural syncretism" in the Sephardic traditions, there are certainly worthy examples thereof in the Ashkenazic. It seems that the emphasis of this recording was placed on the music, and not on the scholarship.

It was disappointing to see that the instrumentation and arrangers were not listed separately. This is a major oversight, and hinders the listener in discerning who interpreted which pieces.

It was also disappointing that Mr. Joel Cohen failed to inform us about little things in the notes, i.e. the reasoning behind his interpretation of an unusual clef sign for Mi al har Horeb, or the basis for his claim that this music for Psalm 114 was the earliest music on record. Certainly some of the Greek music recording of Gregorio Paniagua would rival both the Psalm music as well as the Psalm text in antiquity. That is also coupled with the fact that we cannot substantiate whether the Psalms of David are truly his words or music, or whether either was composed at or around the time of the exile in Babylon. Considering the weight he places on his claim, a bit of background would have been nice.

Finally, the song descriptions were haphazard at best. It is difficult to keep up with all the musical sources, text sources, and source information when only a smattering of each is included.

However, in general, the project was well performed. Although no specific recording information is given, it is played at a level of musical communication usually found in a live group recording, with a level of perfection usually only found in studio recording. These musicians are very well adapted both to their ancient instruments and their ancient music.

From the roots of Jewish-Christian history.......2000-01-08

This well-done CD explores the often-complex interrelationships between Jewish and Christian music (both sacred and secular). It goes from the earliest sources to the end of the Middle Ages.

Most striking to me was the track that alternates an early Jewish chant of Psalm 114 and a Gregorian chant of the same Psalm. Mr. Cohen thinks this may be the oldest song on recording. I don't agree with that assessment; the music of the Temple at Jerusalem was different and far older (cf. my reviews of LA MUSIQUE DE LA BIBLE REVELEE, CD, and the book THE MUSIC OF THE BIBLE REVEALED, both on Amazon.com).

There are many other beautiful and haunting works on this CD, some of which make me think there was more Hellenistic influence on early Jewish music than the producer and performers realize. This CD gives us *popular* rather than *classical* Jewish liturgy, which then influenced Christian liturgy (and vice versa). It also gives us a good sample of popular, non-liturgical Jewish song.

Average customer rating:

El Canto de la Sibilla I & II; El Cancionero; Cantigas (Box Set) Manufacturer: Naive ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music ASIN: B00007J4XK Release Date: 2003-11-18

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