| 1. Queen of Harps |
| 2. Ex Te Lux Oritur |
| 3. Feachain Gleis/Scott's Lamentation |
| 4. Lamentation of Youths |
| 5. Sir Thomas Brook's Pavan/Cormac's Alman/Lord Sheffield's Pavan |
| 6. First Irish Jig |
| 7. Hawk of Ballyshannon |
| 8. Temple Hill Reel/Temple Hill Jigs |
| 9. Lament for the Harp |
Queen of Harps,Ann Heymann,Temple Records,Celtic/Irish,Int'l & World Music,Pop
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Vaughan Williams: Orchestral Works
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IX81 Release Date: 1999-05-11 |
Tracks:
- Fantasia on Greensleeves
- English Folk Song Suite: I. March: Seventeen come Sunday
- English Folk Song Suite: II. Intermezzo: My bonny boy
- English Folk Song Suite: III. March: Folk songs from Somerset
- Oboe Concerto: I. Rondo pastorale
- Oboe Concerto: II. Minuet and musette
- Oboe Concerto: III. Finale
- Concerto Grosso: I. Intrada
- Concerto Grosso: II. Burlesca ostinata
- Concerto Grosso: III. Sarabande
- Concerto Grosso: IV. Scherzo
- Concerto Grosso: V. March and Reprise
- Romance (for Harmonica, Strings & Piano)
- The Lark Ascending (for Violin And Orchestra)
Tracks:
- Five Variants of 'Dives and Lazarus'
- Norfolk Rhapsody No. 1
- Partita For Double String Orchestra: I. Prelude: Andante tranquillo
- Partita For Double String Orchestra: II. Scherzo ostinato: Presto
- Partita For Double String Orchestra: III. Intermezzo (Homage To Henry Hall)
- Partita For Double String Orchestra: IV. Fantasia: Allegro
- In the Fen Country
- Fantasia on a Theme by Thomas Tallis
Customer Reviews:
Inspiring, noble, and also relaxing!.......2007-06-15
Highly recommended! :)
Beautiful Music.......2007-01-29
I love this composer.......2006-03-17
Balanced & Refined English Folk Song Adaptations.......2005-02-04
This budget worthy 2-CD set displays this in two parts, the first performed by the Acadamey of St.Martin in-the-Fields while the second disc features more period instruments with the New Queen's Hall Orchestra and the London Philharmonic.
Celia Nicklin is superb with the Oboe Concerto nusancing this pastoral yet lively offering. Iona Brown likewise contributes a fine solo violin performance with "The Lark Ascending"
The strings also provide a strong offering on the "Tallis Fantasia", one of his strongest compositions on this selection.
Excellent example of this prominent English composer's love with folk song interpretation, in this recording done passionately and naturally.
A great CD.......2004-02-10
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Crossing the Stone
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000AM6IX Release Date: 2003-08-12 |
Tracks:
- Mountain Dance
- Harpers Bizarre
- James
- Crossing The Stone (Tros Y Garreg)
- Prelude From Partita No. 3
- Third Movement From Electric Counterpoint
- Eternal Dream
- The Arrival Of The Queen Of Sheba From Solomon
- Cafe Vamp Latino
- Spain
- Buenos Aires Hora Cero
- Clair De Lune
- Prelude In C/Ave Maria
- Thingamujig
- Suo Gan
- Palladio (1st Movement)
Customer Reviews:
Simply Breath-Taking.......2007-03-05
Some songs are truly a revelation for the harp as an instrument using New Age style accompaniment, while there are still pieces with a classical vibe.
Well Done!
full of energy worth savouring.......2004-12-13
Versatile virtuoso outshines musically uneven material.......2004-02-01
If only the material on her debut disc were equal to her talent.
While Finch is extraordinary, the music is a mixed bag of modern jazz/pop tunes, re-tooled classical favorites, and several hit-and-miss arrangements by Finch's musical partner, composer Karl Jenkins.
It's all starts and stops, ups and downs. In the jazz/pop genre, Dave Grusin's infectious "Mountain Dance" and the relaxed groove of Pat Metheny/Lyle Mays' "James" are perfectly suited for harp, while Chick Corea's "Spain" just never catches fire. Among the contemporary, experimental compositions, Jenkins' minimalist but tuneful "Harpers Bizarre" is far more interesting than Steve Reich's "Third Movement from Electric Counterpoint" - a tedious ostinato that never develops into anything. In a more traditional vein, "Crossing the Stone," taken from Jenkins' double harp concerto, is a rich, lovely setting of a Welsh folk tune, but two other selections from the concerto - "Eternal Dream" and "Caf? Vamp Latino" - don't relate musically at all. And while Finch, unaccompanied, is flawless on Bach's "Prelude from Partita No. 3," her performance of Handel's "Arrival of the Queen of Sheba" is marred by the decision to include some noisy Middle Eastern percussion, as is Debussy's "Clair de lune" by an intrusive, soporific voice-over.
On the upside again, Bach/Gounod's "Ave Maria" and the Welsh lullaby "Suo Gan" team Finch nicely with solo voices (though countertenor Terrance Barber's vibrato is perhaps an acquired taste), and Jenkins' "Thingamujig" is a fun, lively jig.
Concluding the album, the first movement of Jenkins' "Palladio" (featured for years in TV commercials for DeBeers diamonds) in a dull dance remix has none of the energy of the original version for string quartet and is a totally gratuitous inclusion.
From Finch's liner-note comment that "I've never really been stuffy about classical music ... I'm open to everything, really," it's apparent that some tracks are an attempt to make a "classical" instrument more accessible to listeners of contemporary music. Again, Finch is terrific, but listeners would be better served by a recording of the harpist that displays her virtuosity in a single genre - whether classical, contemporary or experimental - instead of this hodgepodge.
Give the performer five stars, the material two, and look forward to hearing this talented young artist for many years to come.
A Towering Musical Achievement.......2003-10-29
But does having a long list of credentials translate to making a great album? In this case, you bet it does. On "Crossing The Stone," Catrin Finch combines piles of technical expertise with surprising and even stunning musical choices. Sure, she covers classical music (such as Bach's 'Prelude from Partita #3' and Handel's 'The Arrival of The Queen of Sheba') brilliantly, but you'd expect that from an alumnus of The Royal College of Music. But would you expect to hear a piece by jazz pianist Dave Grusin done on the harp? How about music by guitarist Pat Metheny, or a Chick Corea composition?
Catrin Finch is an incredible talent, and she has created a beautiful, eclectic album that demands (and will receive) repeated listening. Unfortunately, it's also an album that you probably won't find in your local music store. This album has not received a lot of publicity, and I have yet to walk into a CD store and find it sitting on the shelf. Save yourself a lot of tedious shopping: buy it here and now.
Beautiful Harp Album.......2003-08-26
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Singers of Imperial Russia, Vol. 4
Manufacturer: Pearl ProductGroup: Music Binding: Audio CD ASIN: B000000WMO Release Date: 1993-11-15 |
Tracks:
- Queen of Spades/Act 3. What Is Our Life? - Aleksandr Mikhajlovich Davydov
- Juive/Act 4. Rachel, Quand du Seigneur - Aleksandr Mikhajlovich Davydov
- Segreto - Aleksandr Mikhajlovich Davydov
- Donkey and the Nightingale - Fable - Aleksandr Mikhajlovich Davydov
- Africana/Act 4. O Paradis - Aleksandr Mikhajlovich Davydov
- Night ("Why Do I Love Thee, Night?"), Op. 6 No. 9 - Aleksandr Mikhajlovich Davydov
- A: Celeste A (Act 1) - Aleksandr Mikhajlovich Davydov
- Peurs de Perles/Act 1. Je Crois Entendre Encore - Aleksandr Mikhajlovich Davydov
- Cavalleria Rusticana/O Lola, Tu Ch'hai di Latti (Siciliana) - Aleksandr Mikhajlovich Davydov
- Leave Me! (Gypsy Song) - Aleksandr Mikhajlovich Davydov
- Dubrovsky: O Give Me Oblivion - Aleksandr Mikhajlovich Davydov
- Queen of Spades/Act 1. Forgive Me, Bright Celestial Vision - Aleksandr Mikhajlovich Davydov
- Carmen/Act 4. C'est Toi? C'est Moi! - Aleksandr Mikhajlovich Davydov, Evgenija Ivanovna Zbrueva
- In the Wild North - Aleksandr Mikhajlovich Davydov, Vladimir Kastorsky, Maria Michailova
- She Was Yours - Aleksandr Vladimirovich Bogdanovich
- Far off, Far Off - Aleksandr Vladimirovich Bogdanovich
- Demon: On Desire's Soft Fleeting Wing - Aleksandr Vladimirovich Bogdanovich
- Rusalka: Unwillingly to These Sad Shores, Prince's Cavatina (Act 1) - Aleksandr Vladimirovich Bogdanovich
- Eugene Onegin: Whither, Whither (Act 2) - Aleksandr Vladimirovich Bogdanovich
- Ruslan and Ljudmila/Act 1. There Is a Distant Country - Aleksandr Vladimirovich Bogdanovich
- Princesse Lointaine: Love Is a Delightful Dream - Aleksandr Vladimirovich Bogdanovich
- Little Slippers/Does the Maiden Hear? - Aleksandr Vladimirovich Bogdanovich
- What Happiness! - Aleksandr Vladimirovich Bogdanovich
Tracks:
- Faust: Ah! Je Ris de Me Voir Si Belle en Ce Miroir (Jewel Song) - Antonia Vasil'evna Nezhdanova
- Traviata: Ah, Fors' Lui.../Follie, Follie...Sempre Libera (Pt. 2) - Antonia Vasil'evna Nezhdanova
- Peurs de Perles: Comme Autrefois - Antonia Vasil'evna Nezhdanova
- Dobrynja Nikitich: Zabava's Aria - Antonia Vasil'evna Nezhdanova
- Romet Juliette: Je Veux Vivre Dans Ce R - Antonia Vasil'evna Nezhdanova
- Perle du Brl: Charmant Oiseau - Antonia Vasil'evna Nezhdanova
- Harold: Hush Thee, Dear One, Slumber Well (Adele's Cradle Song) - Antonia Vasil'evna Nezhdanova
- Ruslan and Ljudmila: Ah, Thou My Fate - Antonia Vasil'evna Nezhdanova
- Snade ("Sing, Smile, Slumber") - Antonia Vasil'evna Nezhdanova
- Sadko: Sleep Went Along the River (Cradle Song) - Antonia Vasil'evna Nezhdanova
- Life for the Tsar: It Is Not for That That I Grieve - Antonia Vasil'evna Nezhdanova
- Peurs de Perles: Brahma, Grand Dieu - Antonia Vasil'evna Nezhdanova
- Bolero ("O My Dear, Charming One") - Antonia Vasil'evna Nezhdanova
- Snow Maiden/With Friends to Gather Berries - Antonia Vasil'evna Nezhdanova
- Huguenots: O Beau Pays de la Touraine - Antonia Vasil'evna Nezhdanova
- Mireille/O Lre Hirondell
- Fra Diavolo/Quel Bonheur! - Antonia Vasil'evna Nezhdanova
- Golden Cockerel/Hail to Thee, Sun! - Antonia Vasil'evna Nezhdanova
- Tsar's Bride/Act 4. Mad Scene. Look There, Above Your Head - Antonia Vasil'evna Nezhdanova
- Barbiere Di Siviglia: Una Voce Poco Fa - Antonia Vasil'evna Nezhdanova
- Serenata ("Vola, O Serenata") - Antonia Vasil'evna Nezhdanova
- I Vespri Siciliani: MercDilette Amiche - Antonia Vasil'evna Nezhdanova
- How Fair This Spot, Op. 21 No. 7 (Rachmaninov); the Rose and the ... - Antonia Vasil'evna Nezhdanova
Tracks:
- Life for the Tsar/Act 3. Quartet. The Rose That Blooms - Andrej Labinsky, Maria Michailova, Galina Ivanovna Nikitina, Lev Sibirjakov
- Night (Folksong) - Lev Sibirjakov
- Boris Godunov/Act 1. In the Town of Kazan - Lev Sibirjakov
- Life for the Tsar: What About a Wedding? (Act 1) - Lev Sibirjakov
- Oh, If Mother Volga - Lev Sibirjakov
- Why Was I Born? (Convict's Song) - Lev Sibirjakov
- Askold's Tomb: In Olden Days Our Forefathers Lived - Lev Sibirjakov
- Sonnambula/Act 1. VI Ravviso, O Luoghi Ameni - Lev Sibirjakov
- Midnight Review - Lev Sibirjakov
- Demon/Prologue. Accurs World - Lev Sibirjakov
- Seafarers - Lev Sibirjakov, Eugene Witting
- Elegy ("When, My Soul") - Aleksandr Dormidontovich Aleksandrovich, Lev Sibirjakov
- lian Harps - Nikolaj Artem'evich Shevelev
- Merchant Kalashnikov/The Merchant's Aria - Nikolaj Artem'evich Shevelev
- Halka: Aria of Janusz - Nikolaj Artem'evich Shevelev
- Enchantress/Act 2. Aria. Ah, The Image of That Enchantress! - Nikolaj Artem'evich Shevelev
- Tear Trembles, Op. 6 No. 4 - Nikolaj Artem'evich Shevelev
- Queen of Spades: I Love You, Dear (Eletsky's Aria, Act 2) - Nikolaj Artem'evich Shevelev
- Louder Than the Song of the Lark, Op. 43 No. 1 - Nikolaj Artem'evich Shevelev
- Demon/Act 2. O'er the Airy Ocean - Nikolaj Artem'evich Shevelev
- Askold's Tomb: In Olden Days Our Forefathers Lived - Nikolaj Artem'evich Shevelev
- Song of Triumphant Love/Arioso. O Pure Creature - Nikolaj Artem'evich Shevelev
- Eugene Onegin: Should I Decide on Domesticity (Act 1) - Nikolaj Artem'evich Shevelev
- Demon/Act 2. Do Not Weep, Child - Nikolaj Artem'evich Shevelev
- Festival During the Plague/Hymn. When Powerful Winter, Like a Vigilant
- Captive in the Caucasus/Aria - Nikolaj Artem'evich Shevelev
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Queen of Harps
Ann Heymann Manufacturer: Temple Records ProductGroup: Music Binding: Audio CD ASIN: B000002NOY Release Date: 1995-01-31 |
Tracks:
- Queen of Harps
- Ex Te Lux Oritur
- Feachain Gleis/Scott's Lamentation
- Lamentation of Youths
- Sir Thomas Brook's Pavan/Cormac's Alman/Lord Sheffield's Pavan
- The First Irish Jig
- Hawk of Ballyshannon
- Temple Hill Reel/Temple Hill Jigs
- Lament for the Harp
Customer Reviews:
Err. . . .not quite.......2007-02-21
absolutely stunning!.......2007-01-22
very good.......2005-08-18
I don't know enough to say much more, sorry. But it is better than other harp albums I have heard.
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George Frideric Handel: Esther
Manufacturer: CORO ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001B0A94 Release Date: 2004-06-01 |
Tracks:
- Overture Andante - Larghetito - Allegro
- Recitative Habdonah/Haman: " 'Tis greater far to spare"
- Aria Haman: " Pluck root and branch from out the land"
- Recitative Persian Officer: "Our souls with ardour glow"
- Chorus: "Shall we the God of Israel fear?"
- Recitative First Israelite: " Now persecution shall lay by her iron rod"
- Aria: " Tune your harps to cheerfull strains"
- Chorus: " Shall we of servitude complain"
- Aria Israelite Woman: " Praise the Lord with cheerful noise"
- Recitative Israelite Woman: " 0 God, who from the suckling's mouth"
- Aria Second Israelite: " Sing songs of praise, bow down the knee"
- Chorus: " Shall we of servitude complain"
- Recitative Priest of the Israelites: " How have our sins provoked the Lord!"
- Chorus: "Ye sons of Israel mourn"
- Aria Priest ofc The Israelites: "0 Jordan, Jordan, sacred tide"
- Chorus: "Ye sons of Israel mourn"
- Andante
- Allegro
- Adagio
- Allegro
Tracks:
- Recitative Esther/Mordecai: " Why sits that sorrow on thy brow?"
- Aria Mordecai: " Dread not, righteous Queen, the danger"
- Recitative Esther: "I go before the King to stand"
- Aria Esther: " Tears assist me, pity moving"
- Chorus: " Save us, O Lord"
- Recitative Ahasuerus/Esther: "Who dares intrude into our presence"
- Duet Esther/Ahasuerus: " Who calls my parting soul from death?"
- Aria Ahasuerus: "0 beauteous Queen, unclose those eyes!"
- Recitative Esther: " If I find favour in thy sight"
- Aria Ahasuerus: " How can I stay when love invites?"
- Recitative Third Israelite/Fourth Israelite: " With inward joy his visage glows"
- Chorus: " Virtue, truth and innocence"
- Arioso Priest of the Israelites: " Jehovah, Crown'd with glory bright"
- Chorus: " He comes, he comes to end our woes"
- Recitative Ahasuerus/Esther: " Now, a Queen, thy suit declare"
- Arioso Haman: " Turn not, a Queen, thy face away"
- Aria Esther: " Flatt' ring tongue, no more I hear thee!"
- Recitative Ahasuerus: "Guards, seize the traitor, bear him hence!"
- Aria Haman: " How art thou fall'n from thy height!"
- Chorus: "The Lord Our enemy has slain"
Album Description
Handel's oratorios vary greatly in their presentation. In many ways, Esther is a rarity;it is by far the most intimate, not surprisingly as it was composed for the Duke of Chandos. The Duke's Palladian palace near the village ofEdgware had not been completed in time for the first performance so this may have taken place (as did Acis and Galatea) in the intimate surroundings of a small church, St Lawrence, Whitchurch.We decided, therefore, that we should attempt to convey that intimacy of performance on disc; so we performed in the round with microphones in the middle, the orchestra in front of me, the choir behind and the soloists alongside. The result is everything that chamber music should be where players and singers can enjoy every aspect of Handel's masterpiece.
"The 'sound' of Esther, superbly communicated in the recorded performance here, is pure enchantment... The choral singing has an exceptional grandure, and the instrumental playing a shimmering beauty. Among the soloists, none of whom is less than accomplished, Nancy Argenta and Michael Chance dominate... Both singers affirm a new golden age of Handel interpretation".
Customer Reviews:
THE SHAPE OF THINGS TO COME.......2007-01-26
As often with Handel, there is no fully official version of the score, and this particular score may not even be fully complete from any point of view. The libretto seems to have been the work of someone in the frivolously named association of big literary figures called the Scriblerus Club, perhaps Dr John Arbuthnot, dedicatee of Pope's great poetic Epistle, but Pope himself may have had a hand in it too. As we have it here, the work breaks into two very asymmetrical parts. Scenes 1 and 2 start with a recitative lasting only seconds from Habdonah followed by a longer one in which Haman announces his onslaught on the Israelites, and from there on feature only anonymous participants. Esther herself and the other named characters make their appearance first in scene 4, but the change of tone occurs in scene 3. At this point the music gains gravity first in the chorus Ye sons of Israel with its extraordinary modulations and then in the striking aria O Jordan, Jordan. I myself feel that this weightier tone is maintained to the end, whether or not the writer of the liner note is correct in saying that the long final chorus with solos is out of proportion to its context.
Throughout - in the first part as well as in scenes 3-6 - the instrumental writing is vivid and varied, with an extraordinary pizzicato accompaniment to Tune your harps and then an even more extraordinary obbligato from the harp itself at Praise the Lord. The harpist is no less than Jan Walters, but sometime I would like to see the score and check out what seem some odd rhythmic interactions here between her and the soloist Nancy Argenta. There are no fewer than ten vocal soloists in a work lasting a little over an hour and a quarter, and a very distinguished bunch they are. I was particularly pleased to find Michael Chance in the countertenor role of the Priest of the Israelites as I admire the strength of his tone, but there is no real weakness among them, unless Lynda Russell as Esther has a couple of very slightly awkward high notes in Flatt'ring tongue, which must be a little nerve-wracking to sing as she has to find her note for herself unaccompanied at the start and later at the reprise. You will see some big names among the instrumentalists too, with Crispian Steele-Perkins on the trumpet making a predictably fine contribution towards the end, and of course with Jan Walters in that marvellous harp part early on. The chorus gets some wonderful work to do, and rises to it fully. I really am unable to worry about the proportionateness of the final chorus when I hear that incomparable Handelian build of tone, sung by 18 singers and sounding as if there were 100.
There is a good liner note by Graydon Beeks Jr, not perhaps the last word in lucidity (neither is the plot of the libretto come to that) but worth re-reading. Harry Christophers himself contributes a short foreword largely concerned with the recording process and highlighting the contributions of Mark Brown and Mike Hatch, his long-time technical collaborators. I was interested to see also the name of Geoff Miles in a role described as `editor'. What responsibilities this involved is not stated and perhaps I ought to know without being told, but I know the work of Geoff Miles as recording engineer from elsewhere and it gave me confidence just to see that he is involved in the proceedings, and the technical work is predictably excellent.
My collection of Handel oratorios is now almost complete, and what a wonderful musical experience they are. Each is unique in its own way, but Esther is unique in some very special ways, and I suggest that you do not wait until you are my age to get to know it.
a voice teacher and early music fan.......2006-04-04
This is a "small" contribution compared to many of Handel's other works. However, it is not "small" in a musical sense. There is much creativity on the part of Handel as to orchestral scoring; he exploits his small orchestra and chorus in surprising ways, introducing new vocal and instrumental colours throughout the score, adding and subtracting instruments and voices in many and varied ways. This is a listening surprise as it moves along. And what a great performance on the part of the Christophers as well as some outstanding vocal soloists. Mark Padmore's (Mordecai) aria "Tune Your Harps to Cheerful Strains" was superb as was the Duet between Lynda Russell (Esther) and Tom Randle (Ahasuerus).But the aria that really drew me into the entire drama was sung by Michael Chance (Priest) "O Jordan, Jordan, sacred Tide." It was perfection itself!!!!The Chorus was extremely good and dictionally perfect. It is a great listening experience.
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The James Bowman Collection / Bowman, The King's Consort
George Frederick Handel Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD ASIN: B000002ZDV Release Date: 1996-05-21 |
Tracks:
- Erbarme dich - Bach
- 'Handel English Arias': Almighty Power - Handel
- 'Complete Odes And Welcome Songs' Volume 8: Britain, Thou Now Art Great - Purcell
- 'Handel English Arias': Yet Can I Hear That Dulcet Lay - Handel
- 'Awake Sweet Love': Anon - Come Tread The Paths - James Bowman
- 'Handel Italian Duets': Crudeltontananza - Handel
- 'Countertenor Duets And Solos By Purcell And Blow': O Solitude, My Sweet Choice - Purcell
- 'Bach Cantatas For Solo Alto': Stirb in mir - Bach
- 'Handel Deborah': Impious Mortal - Handel
- 'Purcell Complete Odes And Welcome Songs' Volume 1: By Beauteous Softness Mixed - Purcell
- 'Schutz Christmas Story And Gabrieli Christmas Motets': O Magnum Mysterium - Gabrieli
- 'Handel English Arias': Tune Your Harps - Handel
- 'Awake Sweet Love': Since First I Saw Your Face - James Bowman
- 'Handel English Arias': Welcome As The Dawn Of Day - Handel
- 'Mr. Henry Purcell's Most Admirable Composures': An Evening Hymn - Purcell
- 'Handel The Occasional Oratorio': Thou Shalt Bring Them In - Handel
- 'Couperin Trois Lecons de Tenebres': Jerusalem, convertere - Couperin
- 'Handel Heroic Arias': Or la tromba - Handel
- 'Purcell Complete Secular Solo Songs' Volume 1: On The Brow Of Richmnd Hill - Purcell
- 'Handel Music For Ceremonial Occasions': Handell - Eternal Source Of Light - James Bowman
- 'Purcell Complete Anthems And Services' Volume 2: Vouchsafe, O Lord, To Keep Us This Day - Purcell
Customer Reviews:
James Bowman forever.......2000-06-29
James Bowman is a great singer, and one of my favourite performers. One can listen to his CDs over and over again, without tiring.
He feels at home in both English songs and other languages. This CD is a "summary" of some other collection CDs of him.
ýIN SHORT: Good buy for lovers of vocal music, or the baroque and classical. If you don't know his singing, you're missing a lot, and this CD is a great start.
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Vaughan Williams: Orchestral Works
Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD ASIN: B000004CVX Release Date: 1994-04-19 |
Tracks:
- Fantasia On A Theme By Thomas Tallis
- Norfolk Rhapsody No.1
- The Lark Ascending
- Fantasia On Greensleeves
- Five Variants of 'Dives and Lazarus'
- In The Fen Country
Customer Reviews:
Take me away, Vaughan Wiiliams........2000-01-29
Average customer rating: |
Crossing the Stone
Manufacturer: Sbme Import ProductGroup: Music Binding: Audio CD ASIN: B00009L81Y Release Date: 2004-02-23 |
Tracks:
- Mountain Dance
- Harpers Bizarre
- James
- Crossing The Stone (Tros Y Garreg)
- Prelude From Partita No.3
- Third Movement From Electric Counterpoint
- Eternal Dream
- The Arrival Of The Queen Of Sheba From Solomon
- Cafe Vamp Latino
- Spain
- Buenos Aires Hora Cero
- Clair De Lune
- Prelude In C/Ave Maria
- Thingamujig
- Suo Gan
- Palladio (1st Movement)
Album Description
At only 23 years old Catrin Finch is already being called the finest harpist in the world. Catrin is Harpist to HRH Prince Charles, The Prince of Wales (Catrin herself is a native of the Principality). Crossing the Stone is Catrin's first album for a major label, & is produced & arranged by fellow Welshman Karl Jenkins. The music on Crossing the Stone comes from the worlds of jazz, classical & world music, making it much more than 'just another harp recital'. 16 tracks. Sony Classical. 2003.Pop Music:
- Ragas & Talas [Original recording remastered]
- Reco Do Bandolim & Choro Livre [Import]
- Sabato Sera Studio Uno 67 [Import]
- Samba De Gringo: New York - Sao Paulo Sessions [Import]
- Samuele Bersani [Import]
- Saure Drops und Schokoroll [Import]
- Scacchi E Tarocchi [Import]
- Take Me Home Country Roa [Import]
- The Early Recordings, Vol. 1
- The Early Recordings, Vol. 2
