La Mia Serenata [Import]

Track Listings

 
1. Mia Serenata
2. Guantanamera
3. Vai Vai Vai
4. Mia Stella
5. Allora Si
6. Il Mondo
7. Pensiamoci Ogni Sera
8. Sognando La California
9. Notte Che Son Partito
10. Nasce Una Vita
11. L'ultima Occasione
12. Per Vivere Insieme

La Mia Serenata,Jimmy Fontana,Bmg,World Music
For the First Time/Mario Lanza Sings Caruso Favorites
Average customer rating: 4 out of 5 stars
  • Impressive performances from Lanza's final years
For the First Time/Mario Lanza Sings Caruso Favorites

Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005B523
Release Date: 2001-05-08

Tracks:

  1. Come Prima
  2. Tarantella
  3. O Sole Mio
  4. Neapolitan Dance
  5. Hofbrauhaus Song (Wir Einmal Nur in Munchen War]
  6. O, Mon Amour (Je Nen Connais Pas la Fin)
  7. Mazurka
  8. Pineapple Pickers
  9. Pagliacci: Vesti la Giubba
  10. Otello: Finale
  11. Aida: Act I
  12. Ich Liebe Dich (I Love Thee)
  13. Ave Maria
  14. Vieni Sul Mar
  15. Senza Nisciuno
  16. Musica Proibita
  17. Vaghissima Sembianza
  18. Serenata - Mario Lanza,
  19. Lolita
  20. Luna d'Estate
  21. Alba Separa Dalla Luce l'Ombra
  22. Pour un Baiser
  23. Mia Canzone
  24. Ideale
  25. Santa Lucia

Customer Reviews:

4 out of 5 stars Impressive performances from Lanza's final years.......2004-12-18

This CD contains most of the soundtrack from Lanza's final movie, the 1958 For the First Time, together with the 1959 album Mario Lanza Sings Caruso Favorites.

By 1958 Lanza's lirico spinto tenor had darkened significantly, acquiring a baritonal richness in its middle and lower registers, while still retaining the celebrated top notes for which he was justly famous. On his best days, he was also a more sensitive singer than he had sometimes been in his Hollywood period. This is immediately noticeable on the operatic selections included here: Vesti La Giubba; the Otello Death Scene (Niun Mi Tema); and the Grand March from Aida. On the first two numbers, Lanza phrases beautifully and avoids marring these arias with the hammy histrionics that many more celebrated names have indulged in elsewhere. Dark with haunting overtones, his voice is by now ideal for both Canio and Otello.

The Grand March scene is also impressive, with Lanza delivering some staggering B flats over the deafening Rome Opera Orchestra and chorus. All three operatic selections from For the First Time were recorded (and subsequently filmed) at the Rome Opera House, and the effect that Lanza had on the musicians present was extraordinary. "A very musical tenor of enormous possibilities, with an exceptional timbre" was the verdict of the theatre's then Artistic Director Riccardo Vitale.

The first half of For the First Time is much lighter, and includes the pleasant title song, Come Prima, along with a sweet and all-too-brief O Mon Amour. There is also the novelty of hearing Lanza singing in German in the rousing Hofbrauhaus Song, as well as a ridiculous rock and roll number called Pineapple Pickers. (Typically, BMG place this next to Vesti la Giubba on the CD, with no thought for the massive jump in musical style and content between the tracks.) O Sole Mio sounds a little laboured here, and rings out much more thrillingly in the movie. But with the exception of the videotape of the actual film (reviewed elsewhere on this site), many of these selections have never sounded better. There is still the ever-present sandiness that mars all of Lanza's stereo releases, but at least this is an improvement on the soundtrack's earlier outing on the Double Feature CD.

My only gripe is that the delightful Cosi Fan Tutte trio - E Voi Ridete - has been omitted. Instead we have three uneventful (and irritating) non-Lanza musical interludes. *Mercifully* missing, however, is the tenor's La Donna 'e Mobile. Uncharacteristically strained, it was his least impressive performance of the aria, and the only vocal lapse in the entire film.

The final twelve selections from the Caruso Favorites album also feature Lanza in mostly fine form. As with all the tenor's 1959 recordings, however, the reproduction of his voice (though curiously *not* the orchestra) is less than ideal, and the ever-present distortion - particularly on his top notes - mars some of the best moments. Gripes aside, this is an important album in the Lanza canon. Among the highlights are the Neapolitan song Senza Nisciuno; a tasteful Vaghissima Sembianza, replete with two beautiful High As; the daunting Serenata; and three exquisite Tosti songs: L'Alba Separa Dalla Luce L'Ombra, Pour Un Baiser and Ideale.

L'Alba Separa dalla Luce l'Ombra deserves special mention. Lanza is appropriately operatic on this miniature masterpiece, and although his voice sounds a little heavy at times, the impact of his performance is very moving. From "Chiudimi, O notte, nel tuo sen materno," (Envelop me, O night, in your maternal [...]) onwards, Lanza is in full control of the song, faltering only slightly on the climactic note on "eterno" (though this may, in fact, be due to the distortion). Lapses aside, L'Alba Separa is a fine example of Lanza's artistic maturity.

Among the few lesser moments, Mario runs out of steam in the second half of La Mia Canzone, and is subjected to an overly boisterous arrangement on Santa Lucia, which sounds more akin to a march than a lilting ode to the Bay of Naples! At times Lanza does sound tired, and as one perceptive reviewer has noted, we miss the characteristic smile of his earlier voice. Ironically, critics and habitual Lanza-knockers are much more likely to praise this album for the very reason that the tenor *is* so subdued.

Caruso Favorites and For the First Time - together with the brilliant Neapolitan album Mario! Lanza At His Best (also reviewed on this site) - represent the tenor's most impressive singing from the final period of his life. As Lanza authority Lindsay Perigo has noted, the tenor's voice on all three albums is often "hauntingly ethereal." In short, these are not performances that are easily forgotten.
The Complete Caruso
Average customer rating: Not rated
    The Complete Caruso

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0001TSWQO
    Release Date: 2004-11-09
    Giuseppe Di Stefano Sings Neopolitan & Other Songs
    Average customer rating: 5 out of 5 stars
    • GIUSEPPE DI STEFANO--VOL. 1 & 2 NEAPOLITAN SONGS
    • The finest available!
    • Pippo's Biggest Fan
    Giuseppe Di Stefano Sings Neopolitan & Other Songs

    Manufacturer: Testament UK
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003XK1
    Release Date: 1997-04-10

    Tracks:

    1. Funicula, Funiculi
    2. Luna nova
    3. Mamma mia, che vo' sage?
    4. Torna!
    5. Carmela
    6. Guapparia
    7. Mandulinata a Napule
    8. I' m'arricordo 'e Napule
    9. Pecche?
    10. Anema 'e core
    11. Me so' 'mbiracato 'e sole
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    13. Lolita
    14. Ideale
    15. L'Ultima canzone
    16. Aprile
    17. Luna d'estate
    18. La Serenata
    19. Mattinata
    20. Non t'amo pui
    21. Malia
    22. Chanson de l'adieu
    23. 'A Vucchella
    24. Musica Proibita

    Customer Reviews:

    5 out of 5 stars GIUSEPPE DI STEFANO--VOL. 1 & 2 NEAPOLITAN SONGS.......2005-07-29

    WONDERFUL MUSIC--MAKES ME THINK OF WALKING THE STREETS OF NAPLES AND LISTENING TO MY FATHER SING TO ME. ONE CAN CLOSE THEIR YES AND THINK OF SITTING IN A RESTAURANT OR SIDEWALK CAFE AND BEING SURROUNDED BY BEAUTIFUL ITALIAN PEOPLE.
    LOVELY SONGS SUNG BEAUTIFULLY

    5 out of 5 stars The finest available!.......2002-08-29

    For connoisseurs of Neapolian songs, these discs from Testament are golden, and no one sings these songs better than di Stefano. He has the charm and style in his delivery as few others have.
    After hearing him in these songs, others may sound like mere pretenders. I can't recommend this disc highly enough if you like great singing and canzoni Napoli.

    5 out of 5 stars Pippo's Biggest Fan.......2000-08-26

    Now this is what I would call one beautiful CD.It shows that Pippo was the greatest tenor in the world during his reign.His voice is extremely beautiful and the warmth and emotionalism are incredible.I listen to his " Non T'amo Piu " endlessly.You just can't find singing like Pippo at his best even going back to Gigli.This CD is a must have for anyone even remotely interested in classical tenor voices.They don't meke them like Pippo anymore and fortunately his voice and style of singing will live forever with his many recordings.Do yourselves a big favor and buy this one.

    Pippo's Biggest Fan
    Mamma
    Average customer rating: 5 out of 5 stars
    • Wonderful
    • OUTSTANDING! THE BEST OF PAVAROTTI!
    • Charming and moving, not to be missed...
    • Cantare, cantare
    Mamma
    A. Walter Kramer , Innocenzi , Giovanni D'Anzi , Eldo di Lazzaro , Vincenzo De Crescenzo , Anonymous , Giovanni Battista Califano , Columbo Arona , and Andrea Griminelli
    Manufacturer: Decca
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    ASIN: B0000040WC
    Release Date: 1990-10-25

    Tracks:

    1. Mamma
    2. Non ti scordar di me
    3. Lolita
    4. Musica proibita
    5. Firenze sogna
    6. Vivere
    7. Parlarmi d'amore, Mariu
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    Customer Reviews:

    5 out of 5 stars Wonderful.......2006-03-16

    I am of Italian descent and even though I only understand some words the beauty of this cd is beyond description. The zest for life and fervor in each number is unbelieveable. Henry Mancini's arrangements gave me a greater appreciation of each of these very talented showmen. I think Pavarotti was at his prime on this disc.

    5 out of 5 stars OUTSTANDING! THE BEST OF PAVAROTTI!.......2005-11-19

    Not even a song in this album fails to please me. A must-have for those interested in italian song and in good music.

    5 out of 5 stars Charming and moving, not to be missed..........2000-05-30

    I just love this CD! He followed this with another similar CD called "Passione" which also had many lovely italian songs, but this one has it all. There are sweet songs (Parlami D'amore, Mariu), cute songs (Palco della Scala) and then bittersweet songs (Addio, Songi Di Gloria and Rondine Al Nido.) This CD comes with liner notes and I recommend taking the extra few minutes to see what he's singing. It will enhance your enjoyment (although the music alone is enjoyment enough!) Mancini's arrangements are really what helps to make the difference. I think a great arranger was what was missing from "Passione" --that and passione!

    5 out of 5 stars Cantare, cantare.......1999-11-26

    Isn't this CD wonderful? I came upon it a bit late, but it was a great idea for Luciano Pavarotti and Herni (Enrico? ) Mancini to get together and introduce us all to these standard Italian favourites. Henri Mancini somehow knows just how to polish a tune and Pavarotti's "millenium" tenor puts in that last sparkle. I've fallen in love with "Parlami d'amore, Mariu." and whistle/sing/hum it all the time. (The original by Vittorio de Sica must be interesting.) Buy this CD to enjoy Italian songs at their absolute best.
    Best of Luciano Pavarotti
    Average customer rating: Not rated
      Best of Luciano Pavarotti

      Manufacturer: Golden Classics
      ProductGroup: Music
      Binding: Audio CD

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      1. Romanza

      ASIN: B00013NDKU
      Release Date: 2004-02-10

      Tracks:

      1. A' Vucchella
      2. Ultima Canzone
      3. Non T'Amo Piu
      4. Malia
      5. Serenata
      6. Mattinata
      7. Per la Gloria d'Adorarvi
      8. Gia' il Sole Dal Gange
      9. Pace Non Trovo
      10. Che Fiero Costume
      11. Dolente Immegine Di Fille Mia
      12. Bella Nice Che d'Amore
      13. Vaga Luna Che Innargenti
      14. In Questa Tomba Uscura
      15. Ave Maria
      16. Pieta Signore
      17. Messa Di Requiem, "Ingemisco"
      18. Agnus Dei

      Tracks:

      1. Cielo Mar, "La Gioconda"
      2. E Lucevan le Stelle, "Tosca"
      3. Recondita Armonia, "Tosca"
      4. Giunto Sul Passo Estremo, "Mefistofele"
      5. Nessun Dorma, "Turandot"
      6. Una Furtiva Lagrima "L'Elisir d'Amore"
      7. Lunga da Lei...De' Miei Bollenti Spiriti...I Mio Rimorso Infame, ...
      8. Mia Letizia Infondere...Come Poteva un Angelo, "I Lombardi Alla ..."
      9. Pourquoi Me Reveiller, "Werther"
      10. Ideale
      11. Donna Non Vidi Mai, "Manon Lescaut"
      12. Vaga Luna Che Inargenti
      13. Me Voglio Fa' Na Casa
      14. Tarantella
      Paolo Tosti: Recital of Songs
      Average customer rating: Not rated
        Paolo Tosti: Recital of Songs

        Manufacturer: Symposium
        ProductGroup: Music
        Binding: Audio CD

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        ASIN: B00005B8OU
        Release Date: 2001-07-31
        The Great Caruso/Sings Caruso Favorites
        Average customer rating: 4.5 out of 5 stars
        • The Great Lanza Shows he that he was "The American Caruso"
        • A voice is a person
        • Love Lanza, not my favoirte collection
        • Wonderful voice, disputable arrangements, lack of texts
        • The best work of Lanza's life.
        The Great Caruso/Sings Caruso Favorites

        Manufacturer: RCA
        ProductGroup: Music
        Binding: Audio CD

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        1. Mario Lanza Sings Songs From The Student Prince & The Desert Song / Romberg
        2. Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
        3. O Sole Mio: Italian Songs & Arias
        4. Mario Lanza: At His Best!
        5. Christmas with Mario Lanza

        ASIN: B000003EV1
        Release Date: 1989-08-25

        Tracks:

        1. Rigoletto: Questa o quella
        2. Rigoletto: La donna e mobile
        3. Rigoletto: Parmi veder le lagrime
        4. TOSCA: Recondita armonia
        5. TOSCA: E lucevan le stelle
        6. L'Elisir d'Amore: Una furtiva lagrima
        7. La Gioconda: Cielo e mar
        8. Pagliacci: Vesti la giubba
        9. Vieni sul mar
        10. Senza nisciuno
        11. Musica proibita
        12. Vaghissima sembianza
        13. Serenata
        14. Lolita
        15. Luna d'estate
        16. L'alba separa dalla luse l'ombra
        17. Pour un baiser
        18. La mia canzone
        19. Ideale
        20. Santa Lucia

        Customer Reviews:

        5 out of 5 stars The Great Lanza Shows he that he was "The American Caruso".......2007-03-13

        Some of Mario Lanza's best classical opera work is in this album. It shows the richness of his operatic voice and why he was the greatest tenor of all time. One who has listened to other great tenors needs to compare with Lanza for the depth and breath of his operatic talent. They will see that he was second to none as this set of recordings shows. It also proves that if he had taken the route to the stage he would have been among the greatest performers of opera of his generation and even ours. That he chose the silver screen, recordings and concerts is a benefit to us who can still enjoy his vast talent. I recommend this for Lanza lovers and those who want to hear the best.

        4 out of 5 stars A voice is a person.......2006-09-10

        This recording makes it clear that rumours at the time of Mario Lanza's death of his `deteriorating voice' were gossip. The Caruso-album reveals on the whole a large, strong and gifted voice that responds duly to Sir Peter Pears' saying `A violin is a violin, and a piano is a piano, but a voice is a person'. Lanza's egality is unstressed from top to almost bottom, and he appears so humble towards his material - no overextended pitch notes -, that one may wonder whether he should not have committed himself fully to the opera. The arias from the Caruso-film carry his fresh, lively personal trade mark which hyper-aesthetics may call bad taste as much as they like, but which in fact reveals the personality. The Caruso Favourites, however, recorded just shortly before his death vary notably in quality with some Morricone's arrangement of especially Tosti's and Gabriele d'Annunzio's `L'alba separa dalla luce l'ombra' (The dawn separates shade from light) as the bottom. This song which is perhaps the best, Tosti ever wrote, is disgracefully sweetened by violinistic candy-floss that makes one long fiercely for the interpretations by Jussi Björling (see below) or Carlo Bergonzi (Sony 01 060785-10). On top is Gastaldon's `Musica Proibita' which Lanza sings with so much warmth and genuine sweetness that it reminds one of Björling's lovely `Visa kring slånblom och månskära' (Ballad of blackthorn and moonlight) recorded in 1953 (EMI 7243 5 66306 2 8). Mario Lanza renders us himself purely and entirely, and it is RCAVictor who is to blame for the lack of texts in the cover and the unsuitabe arrangement mentioned above

        ***(*)

        4 out of 5 stars Love Lanza, not my favoirte collection.......2001-07-24

        Lanza is my favorite tenor and certainly he there is nothing on this CD that diminishes my opinion of him in that regard. The CD is a classic of course because of the classic movie. Nonetheless, this particular array of music is not my favorite demonstration of Lanza's talent. I'd recommend the 1949-1959 Historical Recordings CD most of all for the best of Lanza.

        4 out of 5 stars Wonderful voice, disputable arrangements, lack of texts.......1999-08-30

        This recording makes it clear that rumours at the time of Mario Lanza's death of his `deteriorating voice' were gossip. The Caruso-album reveals on the whole a large, strong and gifted voice that responds duly to Sir Peter Pears' saying `A violin is a violin, and a piano is a piano, but a voice is a person'. Lanza's egality is unstressed from top to almost bottom, and he appears so humble towards his material - no overextended pitch notes -, that one may wonder whether he should not have committed himself fully to the opera. The arias from the Caruso-film carry his fresh, lively personal trade mark which hyper-aesthetics may call bad taste as much as they like, but which in fact reveals the personality. The Caruso Favourites, however, recorded just shortly before his death vary notably in quality with some Morricone's arrangement of especially Tosti's and Gabriele d'Annunzio's `L'alba separa dalla luce l'ombra' (The dawn separates shade from light) as the bottom. This song which is perhaps the best, Tosti ever wrote, is disgracefully sweetened by violinistic candy-floss that makes one long fiercely for the interpretations by Jussi Björling (see below) or Carlo Bergonzi (Sony 01 060785-10). On top is Gastaldon's `Musica Proibita' which Lanza sings with so much warmth and genuine sweetness that it reminds one of Björling's lovely `Visa kring slånblom och månskära' (Ballad of blackthorn and moonlight) recorded in 1953 (EMI 7243 5 66306 2 8). Mario Lanza renders us himself purely and entirely, and it is RCAVictor who is to blame for the lack of texts in the cover and the unsuitabe arrangement mentioned above.

        5 out of 5 stars The best work of Lanza's life........1998-10-08

        This piece is unquestionably the best work of Lanza's life. The CD, which takes its title from the movie of the same name, amply demonstrates the power for which Lanza is so famous. It is this CD, more than any other, to which you should refer when comparing the strengths of Caruso, Lanza and Pavarotti. It is a joy from beginning to end.
        The Complete Recordings, 1902-1920 (Box Set)
        Average customer rating: 5 out of 5 stars
        • Get It While You Can
        • Essential edition for opera lovers
        The Complete Recordings, 1902-1920 (Box Set)

        Manufacturer: Naxos
        ProductGroup: Music
        Binding: Audio CD

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        ASIN: B00030B92K
        Release Date: 2004-11-23

        Album Description

        The Complete Caruso: Volumes 1 - 12

        The Italian tenor Enrico Caruso holds a unique place in musical history, as the first operatic singer whose recordings sold in millions, and who created an international reputation on the strength of these. Caruso's robust tone and musical sincerity made him both an ideal stage and recording artist, whose voice the primitive acoustic recording technology of the early twentieth century was able to reproduce with startling fidelity. The Naxos Historical Caruso edition constitutes the complete cycle of all Caruso's recordings issued in chronological order. In addition, the transfers have been immaculately undertaken by top sound engineer Ward Marston, unrivalled for his knowledge of the specialized world of acoustic opera recordings, and his rare ability to retrieve all of the music lying in the grooves of the original recordings. Naxos Historical's incredible price (12 CD'S FOR THE PRICE OF 10) puts this unique legacy of great singing within the reach of all music-lovers. This! complete cycle of recordings represents a major document in the history of sound recording, and one which no collector and enthusiast of great singing will wish to be without. "There is no series of vocal records that have a greater documentary value, that meant more to the development of the phonograph record, or that are as consistently capable of providing pleasure to lovers of great singing. ...One of the most significant recording industry events of the decade." Fanfare

        Customer Reviews:

        5 out of 5 stars Get It While You Can.......2006-10-13

        This may not be easy to get in the USA for very long.....don't miss it.

        5 out of 5 stars Essential edition for opera lovers.......2005-02-01

        This set gives you the opportunity to follow the entire recording career of one of the greatest singers in Operatic History. Enrico Caruso was the first superstar of the 20th century -- and this without the benefit of mass media. His person and his records were his greatest publicity.

        The set begins with Caruso's Italian made recordings. They show a great raw talent. The artistry is lacking with many sobs, over acting and mistaken cues. The 1902 and 1903 clearly show a tenor with a lot to learn. But learn it he did. His 1904 sessions show a mature artist on par with any heard since. His voice matures before your very ears and by 1910, you wonder if you will ever listen to any other tenor the same way again.

        The engineering used for this set is wonderful. There is no attempt at all to use the soundstream process of computer sound enhancement as heard on the RCA issued sets. These are near perfect mint conditioned discs copied by engineer extraordinary Ward Marston. They sound like natural 78s, they way Caruso himself must have heard the playbacks at the (RCA) Victor studios.

        Also included are outtakes and extra takes. There is a "Celeste Aida" from 1908, complete with a broken high note, previously released by RCA in a 1973 set commemorating the tenor's centenary birthday. But there are new treasures here as well, including extra takes of two of Caruso's greatest recordings, the Italian song "L'Alba separa dalla l'uce ombra" and an aria from Rubinestine's Nerone. Listening to them, one wonders what Caruso could have possible thought inadquate in those long lost altenative takes.

        Finally, there is the simple joy of hearing so many things so well sung. Caruso was the pinnacle of the tenor art. He can be compared to no other single tenor since ... he has the brilliant ring of Bjorling, the passion of Gigli, the beauty of Gedda, the youthful enthusiasm of Lanza, the warm tonal quality of Tucker, the pure strength of Corelli, the charasma of Pavarotti and the artestry of Domingo.

        Whether you are an opera fan, a voice fan or just a music lover. This set is worth every penny.

        Todd Kosovich
        Luciano Pavarotti in Concert
        Average customer rating: Not rated
          Luciano Pavarotti in Concert

          Manufacturer: Sony
          ProductGroup: Music
          Binding: Audio CD

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          ASIN: B0000026PC
          Release Date: 1990-10-25

          Tracks:

          1. Luisa Miller: Quando Le Sere Al Placido
          2. Lucia di Lammermoor: Fra Poco A Me Ricovero
          3. Rigoletto: Questa O Quella
          4. Rigoletto: La Donna E Mobile
          5. La Boheme: Che Gelida Manina
          6. Mamma
          7. Rondine Al Nido
          8. Lolita
          9. Fedora: Amor Ti Vieta
          10. Pagliacci: Vesti La Giubba
          11. Chitarra Romana
          12. La Mia Canzone Al Vento
          13. Non Ti Scordar Di Me
          14. O Sole Mio
          15. Torna A Surriento
          16. Turandot: Nessun Dorma
          Wolfgang Amadeus Mozart: Le nozze di Figaro / Don Giovanni / Così fan tutte / Die Zauberflöte - The Drottningholm Court Theatre Orchestra & Chorus / Arnold Östman
          Average customer rating: 5 out of 5 stars
          • Refreshing and Surprising!
          • Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard.
          • Best ever!!
          Wolfgang Amadeus Mozart: Le nozze di Figaro / Don Giovanni / Così fan tutte / Die Zauberflöte - The Drottningholm Court Theatre Orchestra & Chorus / Arnold Östman
          Barbara Bonney , Arleen Auger , and The Drottningholm Court Theatre Orchestra & Chorus
          Manufacturer: Decca
          ProductGroup: Music
          Binding: Audio CD

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          ASIN: B00006IU7V
          Release Date: 2003-03-11

          Album Details

          These Pioneering Performances of Four of Mozart's Greatest and Most Popular Operas under the Direction of Arnold Östman were Recorded at Nacka Aula, Stockholm. They all Attracted Great Critical Acclaim at the Time of their Original Release and have Been a Part of Decca's Vast Opera Catalogue Ever Since. The Da Ponte Trilogy (One of the Greatest Librettist/Composer Collaborations in the Entire History of Music), Comprising Le Nozze Di Figaro, Don Giovanni and Così Fan Tutte, is Paired with One of Mozart's Last Operas, Dating from the Last Year of his Life, Die Zauberflöte. The Superb Casts Assembled for These Recordings Include Such Experienced Mozart Interpreters as Arleen Auger (Countess, Donna Anna), Barbara Bonney (Susanna, Zerlina, Pamina), Håkan Hagegård (Count, Don Giovanni, Speaker), Sumi Jo (Queen of the Night), Della Jones (Marcellina, Donna Elvira), Petteri Salomaa (Figaro), Kurt Streit (Tamino), Lillian Watson (Papagena), Gösta Winbergh (Ferrando), Rachel Yakar (Fiordilig

          Customer Reviews:

          5 out of 5 stars Refreshing and Surprising!.......2006-11-24

          I would strongly recommend this collection to anyone who is seeking a new approach and sound world for these Mozart operas. Ostman opts for brisk tempi and transparent textures, but hardly ever at the expense of characterization or expressivity. The singers respond to the challenge with performances that bristle with excitement and fun. The cast blends with the orchestra like a chamber music ensemble, inspiring the listener to experience the opera as a conversation between the text and the intimations expressed in Mozart's musically and psychologically penetrating orchestration. Occasionally one may miss the lyric line and warmth associated with such great Mozart conductors as Bruno Walter or Karl Bohm; but the brio, virtousity, and brilliant insights of Ostman compensate with different kinds of rewards. Also, there is an intimate atmosphere in these recordings that is most faithful to the ethos and meaning of the libretti themselves. After listening to this period approach, my understanding of Mozart has changed radically, and I continue to relish the challenge that these performances have given to my interpretative sensibilities.

          5 out of 5 stars Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard........2005-09-14

          First of all, I must state first that I was ANXIOUS to write this rave review. Ever since I got these cd's and realized the treause that is to be found in these recordings I just couldn't wait until I'd had the chance to tell everybody else about it... I honestly believe these recordings should be heard by anybody who is interested in this repertoire and music in general, since this are also some of the most perfect pieces of music in the repertoire.

          As for the music itself, I am not going to write about. I think it is enough to read my last sentence to realize exactly what I think about it - and it is really just a must. That's composition taken to the highest possible level.

          What I do want to write is about the performances.
          Arnold Ostman, not the most known figure in the musical world, (not even amongst musicians- I come from Juilliard, and that name is definitely not one everybody knows) has created in the 80's in Mozart the equivalent of what Harnoncourt and Gardiner have done in Bach performance practice, i.e. has totally changed the conecption which was assimilated into everybody's mind regarding notions about how music of that era should sound like.

          Trying to create a performance experience which emulates Mozart's period performance practice he changed everything starting from tempos, through ornamentation and of course- the voices themselves.

          For us, most people indoctrinated by the post-romantisicm eastablished especially by Herbert von Karajan and the ilks of him, the first initial response will be a shock. The almost imperceptible swift tempos, the small voices etc. are sure to knock over anybody who haven't heard these recordings before. It might create an intial negative response but hang-on there, as the result is so much more gratifying then of hearing a recording of Karajan, Giulini, Furtwangler or any GREAT other conductor from that era- They were obviously incredible musical figures, but in terms of style and total perception of the piece it just doesn't work on the same level, in Mozart of course. (You'd still want to keep your Furtwangler's ninth copy...)

          What is so great about Ostman is the freshness of mind with which he walks into every piece. Just like a real iconoclast
          it seems as if he has landed from an entire different planet, and is just coming to conduct these pieces and give their debut. I can't give a more sincere and true compliment than that, musically speaking.

          The results are the most fresh interpretations up to date of Mozart most important operas which also derive from some of the best vocal performances I have ever heard.
          Under Ostman's direction it seems as though all the singers bloom and give their most musical and inspired performances,
          holding on under the swiftest tempos in an admirable way. There is no point in pointing out names because it is as in a rule that the performances are just stellar one by one, even though not carrying around sometimes the most famous names.

          This is not to say that all of the recordings in this set are equally perfect, and that I agree to all of the interprations and the insights given by Ostman, but you can't disregard the feeling that he knew EXACTLY what he wanted and executed it almost flawlessly. (the one exception might be small part of Cosi, mainly the overture, which was recorded very early in the stages of period instruments playing- therefore not always as perfect as you would have liked to hear it, but the performance as a whole is still the most beautiful Cosi I know.)

          As for the packaging itself: The price is a complete steal, (incredible especially if you order it through other sellers, got mine for about 40$). What you DON'T get are the librettos, so you'd HAVE to get them from a different source. Either a different recording you might have, (you just might want one of the standard reference recordings one usually hears about like Giulini's) or you could just buy the librettos through Amazon, would still cost you very little.

          Should not be missed by any terms by anybody who cares for music.

          Ran

          5 out of 5 stars Best ever!!.......2004-01-12

          Ostman created a stir when he made these recordings in the 1980s. And now it available in a collectors' edition box. I'm so excited. Sumi Jo's Queen of the Night here is even better than her recording for Solti. Ostman's Don Giovanni is the fastest I've ever heard, not to mention the most exciting. This Cosi Fan Tutte is Gramophone's reference Cosi. And this Figaro has many "alternative" arias that other recordings never bother with. Don't worry, the alternative is at the back so you can program it out. In fact, this is the only set of Mozart operas with ALL the alternative arias available. Even Gardiner does not have some of these. So this is a supreme set of importance.

          I cannot recommend this too highly. Exciting performances now available in Decca's collectors' edition.

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