2 Em 1 [Enhanced] [Import]

1. Menino Deus

2. Samba da Volta

3. Sindorerê

4. O Que É a Baiana Tem

5. Meu Sapato Já Furou

6. Punhal

7. Alvorecer

8. Nanaê, Nanã Naiana

9. Conto de Areia

10. Pau-De-Arara

11. Esse Meu Cantar

12. Canto das Três Raças

13. Lama

14. Alvoroço No Sertão

15. Tenha Paciência

16. Ai Quem Me Dera

17. Risos E Lágrimas

18. Basta Um Dia

19. Fuzuê

20. Meu Sofrer

See all 21 tracks on this disc

2 Em 1,Clara Nunes,EMI Int'l,Brazil,Int'l & World Music,Latin,World Music

Average customer rating: The best guitar duo in the world plays Lobos & Marlos Nobre

Alma Brasileira Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Duets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Brazil | South & Central America | International | Styles | Music General | International | Styles | Music General | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Similar Items: Music for Two Guitars A Brazilian Songbook Sérgio & Odair Assad Play Piazzolla Sergio & Odair Assad Play Rameau, Scarlatti, Couperin, Bach Nadja Salerno-Sonnenberg, Sergio and Odair Assad ASIN: B000005IYY Release Date: 1991-11-03

Tracks:

1. Ciclo Nordestino No. 3: Cantiga de Cego
2. Baiao Malandro
3. A lenda do caboclo
4. Jobiniana No. 1
5. Ciclo Nordestino No. 3: Capoeira
6. Choro de mae
7. Serie de arco
8. Toccata em ritmo de samba
9. Alma Brasileira
10. Ciclo Nordestino No. 1: Martelo
11. Suite Retratos: Pixinguinha
12. Suite Brasileira: Baiao
13. Ciclo Nordestino No. 2: Praiana
14. Frevo
15. Suite Brasileira: Cancao

Customer Reviews:

The best guitar duo in the world plays Lobos & Marlos Nobre.......2001-04-22

Sergio & Odair Assad made the world most famous guitar duo. They play in such a incredible virtuosistic and musical way, that you can hear them like a gigantic guitar, listining as a 12 strings guitar, never like two different instruments.I listen this beautiful CD many times, always astonished by the extraordinary musicality of the two musicians. The repertoire it is not the best, mixing some easy writing popular stuff with the work of two truly genius of the latin-american music, Villa-Lobos (Choros nº5/Lenda do Caboclo) and MARLOS NOBRE, the heir of Villa-Lobos, the world famous composer of our time in Latin-America, with the gems of the two-guitar repertoire, a truly favourite pieces, his "Cantiga de Cego", "Capoeira", "Martelo" and "Praiana" from his 15 pieces of the cycle "Ciclos Nordestinos I,II and III". This music it is the truly revelation and discover of this CD. The Duo Assad must now record the whole 15 pieces of this genial work from Marlos Nobre.

Average customer rating: Genuine Magic Another Great Chopin Recording From Ax, Mackerras Et Al. Egad! The earlier reviewer is full of garbage! Chopin: piano concerto no 1 Beware!

Chopin: Piano Concerto No. 1 in Em/ Variations, Op. 2 Manufacturer: Sony ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Ax, Emanuel | ( A ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Chopin: Piano Concerto No.2 in Fm/Grand Fantasia Rubinstein: Piano Concerto No. 4; Scharwenka: Piano Concerto No. 1 Brahms: Piano Concertos Nos. 1 & 2 Chopin: Piano Concertos Nos. 1 & 2 Brahms: Music for Two Pianos ASIN: B00000I9G7 Release Date: 1999-03-16

Tracks:

1. Concerto No. 1 For Piano And Orchstra In E Minor, Op. 11: I. Allegro maestoso
2. Concerto No. 1 For Piano And Orchstra In E Minor, Op. 11: II. Romanze. Larghetto
3. Concerto No. 1 For Piano And Orchstra In E Minor, Op. 11: III. Rondo. Vivace
4. Grande Valse brillante In A Minor (Lento), Op. 34, No. 2
5. Variations On 'La ci darem la mano,' Op. 2 For Piano And Orchestra: I. Introduction - Largo - Poco piu mosso; II. - VI. Variation I-V

Amazon.com essential recording

In his second volume of Chopin on a mid-19th-century Érard, Ax continues to demonstrate both the qualities of the instrument and his own artistry. The best test of the disc is the second movement of the concerto, in which Ax makes the Érard sing, plays with artistic flexibility and taste, and interacts beautifully and convincingly with the period-instrument orchestra. (Chopin's often-maligned orchestration sounds better than usual with these instruments.) Ax turns the waltz into a miniature tone poem in an exquisite performance. The early variations, which led Schumann to proclaim Chopin a genius, sound like fluff today, but these players make it entertaining. This disc is both an artistic experience and a musical education. --Leslie Gerber

Customer Reviews:

Genuine Magic.......2007-07-10

If you like your Chopin pianism percussive, or even merely aggressive, this CD is not for you. The 1851 instrument has a gentle and rarified sound, and a fortissimo here can't be compared with the results of a rabid assault on a contemporary Steinway or Bosendorfer.

The performance overall is fairly loose-limbed, a surprise from Mackerras who usually errs on the side of trim efficiency. I do not consider the relaxed tempi a result of sleepwalking, but rather a reaction to the bell-like resonance of the keyboard sound. Often musicians will slow down if the beauty of their work surprises them, to prolong and deepen the happiness, and that's my explanation for what happens on this CD.

This is a great second version of the concerto to own. It will force you to reexamine a lot of your assumptions about Chopin, unless of course your temperament does not allow for such things.

Another Great Chopin Recording From Ax, Mackerras Et Al........2001-12-20

Emanuel Ax follows up his excellent performance of Chopin's 2nd Piano Concerto with this splendid version of the first concerto, which again is also performed on a vintage 1851 Erard piano. Just as he did with the first concerto, Ax is content to give an understated performance, that is still replete with drama. It is one which certainly works well on this instrument. Again, he is superbly backed by Mackerras and the period instrument ensemble Orchestra Of The Age Of Enlightenment. Those who prefer Argerich's dramatic interpretations may find this recording a bit of a disappointment. However, I think Ax's interpretation is as valid as hers. Once more, the sound quality is exceptional.

Egad! The earlier reviewer is full of garbage!.......2001-05-21

...

Ax has, in my estimation, a brilliance for being subtle. His playing won't jump out and smack you upside the head (such as Kempff's playing does to me) - you have to be paying attention. His playing will provide the listener with sheer delight to the sense, if the senses are tuned into what he is doing.

This CD is no exception. Although is all-around great, the most shining gem on this CD is the second movement of the Chopin Concerto. Here, Ax does an exceptionally brilliant interpretation - and he is backed by an orchestra wonderfully sympathetic to his style of playing. He doesn't "jump out," and neither do that (they couldn't anyways; they're on period instruments).

But don't just take my word for it - buy it and hear it yourself! ...this CD is a delight. More than that, it's fun!

Chopin: piano concerto no 1.......2000-11-29

I own ths cd and it has the most incredible music on it.

Beware!.......2000-11-17

I heard Emanuel Ax play the Chopin Concerto No. 1 in concert. It was stunning. I immediately bought this CD, hoping it would replicate the experience. I was dismayed that not only did this historic piano sound honky-tonk and tinny, but the high registers were out of tune as well. I didn't make it through an entire listening of the CD - it was simply too painful! I'm scared to give it another chance. I would NOT recommend this recording to anyone who wants to relax and enjoy the beauty of Chopin!!

Average customer rating: Inspired Mendelssohn! The Best Single Mendelssohn CD ever! Waste of Time? Nina hanan is right, these are bad concertos MENDELSSOHN WITH METTLE!!!

Mendelssohn: The Two Piano Concertos;Violin Concerto in Em Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Concertos | Forms & Genres | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music ASIN: B0000027AX Release Date: 1991-08-19

Tracks:

1. Concerto For Piano & Orchestra No.1 In G Minor, Op.25: I. Molto allegro con fuoco
2. Concerto For Piano & Orchestra No.1 In G Minor, Op.25: II. Andante
3. Concerto For Piano & Orchestra No.1 In G Minor, Op.25: III. Presto; Molto allegro e vivace
4. Concerto For Piano & Orchestra No.2 In D Minor, Op.40: I. Allegro appasionato
5. Concerto For Piano & Orchestra No.2 In D Minor, Op.40: II. Adagio: Molto sostenuto
6. Concerto For Piano & Orchestra No.2 In D Minor, Op.40: III. Finale: Presto scherzando
7. Concerto For Violin & Orchestra In E Minor, Op.64: I. Allegro molto appasionato
8. Concerto For Violin & Orchestra In E Minor, Op.64: II. Andante - Allegretto non troppo
9. Concerto For Violin & Orchestra In E Minor, Op.64: III. Allegro molto vivace

Customer Reviews:

Inspired Mendelssohn!.......2006-02-02

Consider these four joined variables: Eugene Ormandy ' prodigious baton, the excel and overpowering sound of this superb Orchestra and the presence of such artistic status: the legendary Isaac Stern and his supreme tonal register, filled of imagination and splendid vibrato, giving what to my mind is the most exquisite Mendelssohn ever recorded and finally the succesful contribution of this one thousand carats pianist: Rudolf Serkin.

I must insist in the fact both soloists were permamanet guests in Prades. And that, by itself, established an axiomatic enhancement in both of them. All the musicians in Prades became still better performers; there was a special and enriching atmosphere that undoubtedly permeated the psique, spirit and bliss of all of them.

In what Mendelssohn Piano Concertos, I shoulkd name just two other interpreters: John Ogdon and Rena Kyriakou are fundamental recordings that would integrate the reduced collection in this particular genre. Serkin plays both scores with brightness, transparency and fluency; his distinguished pianissimos and superb fingering crown these works, supported, evidently for this glorious ensemble.

In what Violin Concerto concerns, Stern illuminates the score. This hard to play piece is far to be considered just a simple and essential romantic piece. Stern goes toward the flame and core of this brilliant work with his cvharacteristic and admirable expressiveness.

This is a succesful and more than rewarding acquisition, due there are not so many performances that can include so many merits.

The Best Single Mendelssohn CD ever!.......2003-09-12

And it's cheap. This recording has compilation has popped up in various incarnations for a while now and is easily available at almost any used outlet. Even the new price is a tremendous bargain. It features Felix Mendelssohn's 3 best concerti played by soloists and conductor with great affinity for this literature and perform it with fondness and sparkling panache. It clocks in at just over 69 minutes, which isn't bad at all. Amazingly, this is also the only CD (known to me) that contains this obvious combination of kindred pieces.

The pieces on the disc are Mendelssohn's Piano Concerti 1 & 2 (soloist: Rudolf Serkin) plus his Violin Concerto 2 (soloist: Isaac Stern). They and the Philadelphia Orchestra are conducted by Eugene Ormandy. In short, this is Mendelssohn heaven. The recordings, originally made around 1959, are bright, spacious, and clear; you can hardly get better from recordings made in the 21st Century.

Mendelssohn wrote 4 piano concerti. The other 2 are duo-piano works composed earlier in his career (presumably for himself and Fanny to perform as soloists), and a lot of fun in their own right. He composed these works, in g (that is, G Minor) and d, for his own concert use. Mendelssohn is amazing: whereas so many composers regard minor keys as hallmarks of sturm, drang, and angst, he makes them sound at least as deliriously happy as any major. If the typical German piano concerto (Beethoven, Brahms, that bunch) is heavy-duty red wine to be drunk with dishes with names of at least 2 words and many syllables, the Mendelssohn concerti are the lightest champagne - and they are truly clear and sparkling.

Contrary to opinions one sees now and then, this isn't a sign that Mendelssohn's concerti are inherently inferior to, for instance, Brahms'. Mendelssohn's models were the piano concerti of Mozart, which are frequently virtuosic display pieces tempered by Mozart's melodic genius. These are virtuosic display pieces tempered by Mendelssohn's melodic genius. OK, let's say they're somehow not the equal of Brahms' concerti; they're certainly the equal of Mozart's, and that's about as good as it gets.
The pattern of the concerti is typical: a meltingly beautiful slow movement sandwiched between two dazzling fast movements. Like Dvorak, and even more so than Mozart, Mendelssohn decorates his works with fleeting and temporary melodies most composers would build entire movements around. Each of the fast movements is an exhilarating roller-coaster ride of the sort no composer would outdo until Tchaikovsky's 1st. As to the slow movements: just try not to hum along. Serkin responds to the challenges of these concerti with tremendous elan, a dazzling affirmation of why he's on the short list of truly great pianists of the mid-20th Century. Ormandy is by temperament a fabulous interpreter of Mendelssohn's bubbly music.
Mendelssohn's Violin Concerto 2 is usually referred to only as "Violin Concerto in e", but there is a #1 - a juvenile work in d (1822). The 2nd Concerto (1844) is easily the most ingratiatingly beautiful violin concerto ever written (just ahead of the Bruch #1 ... also in a minor key, by the way). This is another case of "just try not to hum along". The primary theme of the 1st movement alone is on the very short list of best-known themes in the symphonic literature. The 1st movement altogether is one of the most passionate in the entire concerto literature. The 2nd movement, attached to the first by a single sustained note, is a love song for soloist and orchestra. The 3rd movement if full of the sort of wildness that would later be seen in the works of Wieniawski, Paganini, and Sarasate. Isaac Stern is fully the equal of Jascha Heifetz in this rendition, his tone more lush and ripe.

This CD has everything: a perfect combination of similar pieces, given outstanding performances by some of the greatest performers of their time - and a recording that is still, almost half a century later, a sonic hallmark. And did I say before that it's cheap?

Waste of Time?.......2003-06-02

One wonders, if the other reviewers are indeed correct, why such great artists such as Rudolf Serkin and Isaac Stern would waste their time recording less-than-masterpieces. While I do admit that the concertos of Mendelssohn are not his strongest musical compositions, and because of this, perhaps lack the profundity of the concertos of Beethoven, Mozart, Schumann, Brahms and others, I will not admit that they are wastes of time. Who ever said that great music must always be profound? Why is it not enough sometimes to simply write pieces that are fun, enjoyable to listen to and play and are full of life? I think that is the reason that such great artists such as those listed above would "waste their time" with this kind of music. But enough in defense of Mendelssohn (needless to say the greatest child composer of all time - his reputation was secure even at age seventeen, when he had finished the String Octet and the Overture to a Midsummer Night's Dream....comparably even Mozart at that age had written nothing of equal stature). But, as I said before...on to the performances. Serkin brings to these concertos, I believe, exactly what they need, namely strength. One can play these two concertos as if they were light pieces, and this is how so many performances of them are (in which case, we need not only blame the music, but the performance mentality as well). But, to play them not only with the light scherzo-like attitude, but with virtuosity and power, elevates this music even further. It is up to the performer to bring this music to life, and I can only be ecstatic that Serkin "wasted his time" recording these concerti. Stern's performance of the Violin concerto is not my benchmark for the piece, though he offers some interesting ideas throughout. His articulation is crisp, and his concept is always present, though he may be out of tune occasionally. For any Stern fanatics...buy it...it is surely worth having.

Nina hanan is right, these are bad concertos.......2002-06-25

I won't even discuss the violin concerto, since it is a universal favorite. The piano concertos, on the other hand, are childish works that border on the insipid. Even Mendelssohn's most eminent biographer, Phillip Radcliffe, found his works for piano and orchestra to be the least inspired of his oeuvre. These concertos each attempt some kind of con fuoco/appasionato profundity, but, like much of Mendelssohn, they to lack any depth. Of course these concertos suffer when placed next the greats (e.g., Mozart, Beethoven, Brahms, etc) but I owuld even rank them below those by unknown composers such as Reinecke, Moscheles, and Field. Of course, all the performances are excellent.

MENDELSSOHN WITH METTLE!!!.......2001-08-05

Of the many Mendelssohn piano concerto recordings that have passed through these ears, Serkin's with Ormandy has remained my favorite since the LP era, and Sony was exceedingly wise to transfer them, early on (1991), to CD, coupled with Stern's sturdy performance of the E minor Violin Concerto. So, somebody was on the ball (for once).

Piano Concerto No. 1 in G minor, Op. 25 (written by Mendelssohn in his early twenties, hard to believe), his most popular, and for excellent reasons, is a work that grabs you immediately--- and never lets go. From the outset, the orchestra roils open, fomenting, and Serkin surges in, full-throttle--- truly "con fuoco"!--- his fiery and stunning virtuosity leaving you gasping for air. His is a force that gathers momentum like a coming tornado. No "prissy" Mendelssohn here: not with the Serkin/Ormandy electricity creating sparks at every turn, and spiralling us about like rag dolls. Doubtless, this is about as thrilling as it gets (without completely imploding). Serkin's daring panache, his execution of brilliant runs, double-noting that defies description, octaves and fabulous chordal sequences that are full and dead-on create a totality of such exciting proportions that, frankly, it peaks at darn near orgasmic level. It's pure, unadulterated musical tension at its finest. That's why when the tender secondary development appears, which we need badly, we are lulled by the brief respite, but only lulled--- because then, suddenly, in a whirlwind of almost impishly devilish delight, Mendelssohn lets all hell break loose again... until he seques flawlessly into the second movement Andante without interruption.

And, ah, what an Andante this is, and what a manipulator that Felix! From the throes of an almost unbearable adrenalin rush, he slows to a crawl and proceeds to drain our emotions further by the apposition of the most lyrical and tender sentiments. Serkin's playing here is as gentle as I've ever heard him, and Ormandy never intrudes on the pianist's ponderings; he caresses them. The interweaving of these two consummate artists is a wonder. Listen, for example, to Serkin's handling of the solo closing notes of the Andante... as the movement now seques, again, flawlessly, into the Presto finale... and we are shocked out of our reverie, yet a second time!, by a brass fanfare--- the Philadelphians playing their hearts out!--- and Serkin re-enters with a forward cascading thrust that delights, uplifts, intoxicates, his fingerwork dazzling... Ormandy's violins shimmering... and everyone, including us, sitting on the edge of our seats in a rivetting expectation of the fabulous conclusion to come... which comes, inevitably, and, yes, fabulously. Mr. Serkin, bravo!

The D minor Piano Concerto, Op. 40 (written in Mendelssohn's late twenties), although good, has always remained subordinate to the Op. 25, and probably for these reasons: It's quite obviously derivative of Op. 25 (almost a vague doppleganger) and far less inspired. Mendelssohn, himself, noted that it was written "in haste" for a concert tour of England, and it shows. Regardless, though, with the strength of Serkin and Ormandy behind it, the Op. 40 gets a better-than-expected reading, with a particularly beautiful Adagio.

As a "bonus," Sony gives us a good, though not altogether outstanding, performance of the E Minor Violin Concerto, Op. 64 with Isaac Stern (one of my favorite "rough and ready" violinists). There are many felicities here, not the least of which is the rousing Allegro finale, but overall the concerto, to me, seems a tad perfunctory. However, I'd rather have it on this reissue than not.

Amazingly enough, all these concertos come from 1959 recordings and, regardless of age, have been transferred to CD fresh and firm. The piano image, in particular, closely-miked and upfront, is phenomenal, never hidden or subservient, and allows us to hear every note, as well as more than a little huffing and puffing from Serkin himself (but I find this adds a nice human element to the mix). Ormandy's orchestral forces (both Philadelphia and Columbia Symphonies) come off superbly under his usual bold, warm direction. The recordings defy their age magnificently.

This is an outstanding bargain--- if for the Op. 25, alone, which must be heard to be believed: Mendelssohn with all the stops pulled! And Serkin at his zenith. Don't let this one pass you by. All other competition pales by comparison.

[Running time: 69:31]

Average customer rating:

Gershwin Performs Gershwin: Rare Recordings 1931-1935 Manufacturer: Music Masters Jazz ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Oldies | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Tin Pan Alley | Oldies | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Similar Items: Plays George Gershwin The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2 George Gershwin Memorial Concert George Gershwin: His Life and Work Levant Plays Gershwin ASIN: B000000FMO Release Date: 1991-08-13

Tracks:

1. 'Music by Gershwin' Radio Program, February.19, 1934: Signature
2. 'Music by Gershwin' Radio Program, February.19, 1934: Of Thee I Sing: Overture
3. 'Music by Gershwin' Radio Program, February.19, 1934: The Man I Love
4. 'Music by Gershwin' Radio Program, February.19, 1934: I Got Rhythm
5. 'Music by Gershwin' Radio Program, February.19, 1934: Commercial
6. 'Music by Gershwin' Radio Program, February.19, 1934: Swanee; Sign-off
7. 'Music by Gershwin' Radio Program, April.30, 1934: Signature
8. 'Music by Gershwin' Radio Program, April.30, 1934: Mine
9. 'Music by Gershwin' Radio Program, April.30, 1934: Variations On 'I Got Rhythm'
10. 'Music by Gershwin' Radio Program, April.30, 1934: Love Is Sweeping The Country
11. 'Music by Gershwin' Radio Program, April.30, 1934: Commercial
12. 'Music by Gershwin' Radio Program, April.30, 1934: Wintergreen For President; Sign-Off
13. Rudy Vallee 'Fleischmann Hour' Radio Program, November 10, 1932: Variations On 'Fascinating Rhythm'.
14. Rudy Vallee 'Fleischmann Hour' Radio Program, November.10, 1932: Second Prelude
15. Rudy Vallee 'Fleischmann Hour' Radio Program, November.10, 1932: Interview
16. Rudy Vallee 'Fleischmann Hour' Radio Program, November.10, 1932: I Got Rhythm
17. Second Rhapsody Rehearsal Performance, June.26, 1931
18. Porgy And Bess Rehearsal Performance, July.19, 1935: Introduction; Summertime
19. Porgy And Bess Rehearsal Performance, July.19, 1935: A Woman Is A Sometime Thing
20. Porgy And Bess Rehearsal Performance, July.19, 1935: Act 1, Scene 1: Finale
21. Porgy And Bess Rehearsal Performance, July.19, 1935: My Man's Gone Now
22. Porgy And Bess Rehearsal Performance, July.19, 1935: Bess, You Is My Woman Now

Amazon.com

More interesting (and--predictably--less mechanical) than his piano rolls, Gershwin Performs Gershwin showcases the Gershwin-conducted rehearsal sessions for Second Rhapsody and Porgy and Bess along with two Gershwin radio specials recorded in the early '30s titled Music by Gershwin. These are period pieces, for sure--the sound is shoddy, and the radio spots' commercials are as entrancing as the music that's being played. But, yes, that is Gershwin conducting and playing piano, and this is as close as we'll get to hearing these familiar tunes being played the way he wanted them. --Jason Verlinde

Average customer rating: The best Villa Lobos available Historic It was okay in the early days when V-L was unrecorded For Villalobos Fans Only

Villa-Lobos par lui-même Heitor Villa-Lobos , Orchestre National de la Radio diffusion Française , French Radio Choir , Fernand Benedetti , Victoria de Los Angeles , René Alix , Louis Martini , Maria Kareska , Manoel Braune , Fernand Dufrene , Orchestre de la Radio France , Rene Plessier , Maurice Cliquennois , Aline Van Barentzen , Henri Branschwak , Magda Tagliaferro , and Felicia Blumental Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Duets | Chamber Music | Classical | Styles | Music Octets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music Modern & 20th Century | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Villa-Lobos: Choros 1-7 Villa-Lobos: Forest of the Amazon ASIN: B000002SBL Release Date: 1991-04-05

Tracks:

1. Descobrimento do Brasil: Premiere Suite: Introducao - Alegria
2. Descobrimento do Brasil: Deuxieme Suite: Impressao Moura (Cancao)
3. Descobrimento do Brasil: Deuxieme Suite: Adagio sentimental
4. Descobrimento do Brasil: Deuxieme Suite: Cascavel
5. Descobrimento do Brasil: Troisieme Suite: Impressao Iberica
6. Descobrimento do Brasil: Troiseme Suite: Festa nas selvas
7. Descobrimento do Brasil: Troiseme Suite: Ualaloce
8. Descobrimento do Brasil: Quatrieme Suite: Procissao da Cruz (Visao dos Navegantes)
9. Descobrimento do Brasil: Quatrieme Suite: Primeira Missa no Brazil
10. Invocacao em defesa da Patria

Tracks:

1. Bachianas Brasileiras No. 1, pour ensemble de violoncelles: I. Introduction (Embolada)
2. Bachianas Brasileiras No. 1, pour ensemble de violoncelles: II. Prelude (Modinha)
3. Bachianas Brasileiras No. 1, pour ensemble de violoncelles: III. Fugue (Conversa)
4. Bachianas Brasileiras No. 2, pour orchestre: I. Prelude (Canto do capadocio)
5. Bachianas Brasileiras No. 2, pour orchestre: II. Aria (Canto da nossa terra)
6. Bachianas Brasileiras No. 2, pour orchestre: III. Danse (Lembranca do Sertao)
7. Bachianas Brasileiras No. 2, pour orchestre: IV. Toccata (O Trenzinho do Caipira)
8. Bachianas Brasileiras No. 3 pour piano et orchestre: I. Prelude (Ponteio)
9. Bachianas Brasileiras No. 3 pour piano et orchestre: II. Fantaisie (Devaneio)
10. Bachianas Brasileiras No. 3 pour piano et orchestre: III. Aria (Modinha)
11. Bachianas Brasileiras No. 3 pour piano et orchestre: IV. Toccata (Picapau)

Tracks:

1. Bachianas Brasileiras No. 4, pour orchestre: I. Prelude (Introducao)
2. Bachianas Brasileiras No. 4, pour orchestre: II. Choral (Canto do Sertao)
3. Bachianas Brasileiras No. 4, pour orchestre: III. Aria (Cantiga)
4. Bachianas Brasileiras No. 4, pour orchestre: IV. Danse (Miudinho)
5. Bachianas Brasileiras No. 5 pour soprano et 8 violoncelles: I. Aria (Cantilena)
6. Bachianas Brasileiras No. 5 pour soprano et 8 violoncelles: II. Danse (Martelo)
7. Bachianas Brasileiras No. 6 pour flute et basson: I. Aria (Choro)
8. Bachianas Brasileiras No. 6 pour flute et basson: II. Fantaise
9. Bachianas Brasileiras No. 7 pour orchestre: I. Prelude (Ponteio)
10. Bachianas Brasileiras No. 7 pour orchestre: II. Gigue (Quadrilha Caipira)
11. Bachianas Brasileiras No. 7 pour orchestre: III. Toccata (Desafio)
12. Bachianas Brasileiras No. 7 pour orchestre: IV. Fugue (Conversa)

Tracks:

1. Bachianas Brasileiras No. 8, pour orchestre: I. Prelude
2. Bachianas Brasileiras No. 8, pour orchestre: II. Aria (Modinha)
3. Bachianas Brasileiras No. 8, pour orchestre: III. Toccata (Catira Batida)
4. Bachianas Brasileiras No. 8, pour orchestre: IV. Fugue
5. Bachianas Brasileiras No. 9, pour archestre a cordes: Prelude (vagaroso e mistico) et fugue (poco apressado)
6. Choros No. 2, pour flute et clarinette
7. Choros No. 5, pour piano 'Alma Brasileira'
8. Choros No. 10 'Rasga o coracao', pour choeur et orchestre
9. 2 Choros (bis), pour violon et violoncelle: I. Modere
10. 2 Choros (bis), pour violon et violoncelle: II. Lent

Tracks:

1. Choros No. 11, pour piano et orchestre: I. Premiere partie
2. Choros No. 11, pour piano et orchestre: II. Deuxieme partie
3. Choros No. 11, pour piano et orchestre: III. Troisieme partie
4. Qu'est-ce qu'um Choros? (Villa-Lobos parle)

Tracks:

1. Momoprecoce, Fantasia pour piano et orchestre sur le carnaval des enfants bresiliens
2. Concerto No. 5, pour piano et orchestre: Allegro non troppo
3. Concerto No. 5, pour piano et orchestre: II. Poco adagio
4. Concerto No. 5, pour piano et orchestre: III. Allegretto scherzando
5. Concerto No. 5, pour piano et orchestre: IV. Allegro
6. Symphonie No. 4 'A Victoria': I. Allegro impetuoso
7. Symphonie No. 4 'A Victoria': II. Andante
8. Symphonie No. 4 'A Victoria': III. Lento
9. Symphonie No. 4 'A Victoria': IV. Allegro (avec fanfare)

Customer Reviews:

The best Villa Lobos available.......2006-03-24

About the album : this is the best recording available in the market. Conducted by the own Villa , this is a historic recording , plent of brightness. Perfect remasterized.

About Amazon.con : fast and reliable mail service. stuffs have arrived good packaged and factory sealed. Great service

Historic.......2004-01-31

Opposite Rio de Janeiro's small Villa Lobos museum -- in what was his last home -- is a modern apartment building. Its name is Edificio Sebastiao Bach. VL would have loved it: he adored Bach above all other composers. Hence the 'Bachianas Brasilieras' (which, however, owe little to Bach beyond their joy in sound and intricacy in structure).

What previous reviewers have said is true. The sound on these disks is abominable. A much better job could be done -- and should have been done -- of remastering the originals. That won't happen unless there's a sudden renewal of interest in the music of this Brazilian master.

Further, the the performances -- and the composer's conducting -- are generally lackluster. Still, any VL lover should not be without this set. Toscanini no doubt did a better job with Brahms's symphonies. But who wouldn't give his soul for a recording of Brahms himself conducting the four of them?

One special recommendation: the 'Choros' stand close to the summit of VL's art, more so than the BBs. A dance not a choral form, the 'choro' is both universally appealing and quintessentially Brazilian.

It was okay in the early days when V-L was unrecorded.......2003-09-25

This set comprises a huge array of Villa-Lobos' works conducted by himself and, sorry to say, none too well. He seems to lack the sensitivity other interpreters can bring to his work - he's far from alone in this situation - many composers have fallen into the same trap. The textures are thick, the sound cluttered (mono it might be but surely the engineers could have done better?) and the music simply lacks the excitement of which it is capable to no small degree. In part, the orcehstra is barely capable of performing such music. Stravinsky was one thing - Villa-Lobos' internal rhythmic complexity and stubbornly awkward manuscript writing is something aside. He did not always notate in the simplest way.

Probably the best item in the set is the "Discovery of Brazil Suite". At least it received an audience and was not re-recorded until very recently. Some of the Bachianas have been handled better by others but at least this recording was a first complete set. Only the No. 5 was otherwise known.

I have to confess that if I'd encountered Villa-Lobos through these performances I doubt I'd have followed through. Thankfully I came in via the accomplished and brilliant performance of his Quintette en forme de Choros by the New York Wind Quintet. Later, I encountered the LPs of the "Discovery of Brazil Suite", credible but flat, compared with other recordings appearing around the same time. Compare, for instance, his own 1958 recording of Forest of the Amazon in which he shows how well he can conduct if he tries, not to forget the superb hi-fi stereo recording that really let light and air into the performance.

Nonetheless, I bought this set on the strength of price and to have the "Discovery" Suite on CD, along with a couple of his Bachianas. I would not recommend these discs as an introduction to the composer. Do not be tempted by its modest price!

For Villalobos Fans Only.......2000-05-01

There is one reason and one reason only to buy this box set of historical recordings made by Villalobos himself in the 1950s: a fanatic admiration for the works of this composer. But you should know that if you love this music, you should be prepared to buy other, more recent, recordings of these works. These are mono recordings, and the sound textures you expect from this composer are therefore muddled and flattened (the beautiful Choros No. 2 is the biggest victim here, which sounds so flat that you will miss the playful contrasts between the flute and the clarinet). You should also know that Villalobos is not a great conductor, but the lack of precision in the playing is often compensated by the emotional weigth he gives to his performances (he appears to have been a crowd pleaser). There are many pleasures, however, and I listen to disc number 3, which includes the Bachianas Brasileiras 4-7 so often that it has become a soundtrack to my life. Bachianas 4 and 7 deserve more listeners. The famous Bachiana Brasileira No. 5 included in this set, is sung by Victoria de los Angeles beautifully, but this performance is also available in a single CD anthology. I am giving this set three stars: one for the historic importance of these EMI records, one for the affordability and completeness of the box set itself (it is a bargain at $6 per CD), and one for the emotional significance of hearing these performances conducted by Villalobos (I am a Latin American and this music fills me with both pleasure and pride).

Average customer rating:

CLEMENTINA DE JESUS -2 EM 1 - GENTE DA ANTIGA / MARINHEIRO SO Manufacturer: EMI MUSIC BRASIL ProductGroup: Music Binding: Audio CD ASIN: B000COMKF2

Product Description

1 OS OITO BATUTAS - - - - 2 YAO - - - - 3 ROXA - - - - 4 A TUA SINA - - - - 5 ELIZETE NO CHORINHO - - - - 6 QUE QUE RE QUE QUE - - - - 7 MIRONGA DE MOCA BRANCA - - - - 8 CABIDE DE MOLAMBO - - - - 9 BATUQUE NA COZINHA - - - - 10 AI SEU PINGUNCA - - - - 11 FALA BAIXINHO - - - - 12 ESTACIO MANGUEIRA - - - - 13 MARINHEIRO SO - - - - 14 NA LINHA DO MAR - - - - 15 MADRUGADA - - - - 16 SAI DE BAIXO - - - - 17 TARATA - - - - 18 ESSA NEGA PEDE MAIS - - - - 19 MORO NA ROCA - - - - 20 CINCO CANTOS RELIGIOSOS - - - - 21 MARINHEIRO SO / ME DA O MEU BONE

Average customer rating: It doesn't get any better than this! Forty-Five Minutes from Broadway

Forty-Five Minutes From Broadway: A Melifluous Musical Merriment (1959 Television Cast) Manufacturer: Aei ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Broadway & Vocalists | Indie Music | Stores | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: Sunny: The Musical Comedy High Fidelity (2006 Original Broadway Cast) Curtains (2007 Original Broadway Cast) Cavalcade (1931 Original London Cast Members) Loving Repeating ASIN: B000005ZJN Release Date: 2005-09-13

Tracks:

1. Overture - Forty-Five Minutes From Broadway
2. Act One: The Gentlemen Of The Press - Forty-Five Minutes From Broadway
3. Act One: Forty-Five Minutes From Broadway - Larry Blyden
4. Act One: I Want To Be A Popular Millionaire - Russell Nype
5. Act One: Mary's A Grand Old Name - Tammy Grimes/Larry Blyden
6. Act Two: Always Leave 'Em Laughing - Tammy Grimes/Larry Blyden
7. Act Three: So Long Mary - Tammy Grimes
8. Finale And Bows: Forty-Five Minutes From Broadway/It's Grand Old Name/I Want To Be A Popular... - Tammy Grimes/Larry Blyden

Customer Reviews:

It doesn't get any better than this!.......2001-01-10

A masterful job of producing an unforgettable muscial... this is such a delightful production... you will listen and laugh and sing-along! A memorable Broadway event just a CD PLAY away!

Forty-Five Minutes from Broadway.......2000-07-15

For anyone who has been searching for a recording of George M. Cohan's classic musical, this is far from a disappointment. The sound is digitally remastered, and the songs are enjoyable. One would hardly suspect the music is almost one hundred years old and the soundtrack more than forty. Besides the catchy tunes, there are insightful dialogue outtakes from the musical itself. This is a must for any Cohan fan and/or any one who has performed in a modern stage version of this "melifluous (which mean "sweetly flowing" in case you were wondering) musical merriment."

Average customer rating:

Shakespeare's Songbook, Vols. 1 & 2 Manufacturer: Azica ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music General | Classical | Styles | Music Similar Items: Shakespeare's Songbook Songs and Dances from Shakespeare Shakespeare Songs Shakespeare's Musick (Songs & Dances from Shakespeare's Plays) / Pickett, Musicians of the Globe William Shakespeare's Hamlet (Two-Disc Special Edition) ASIN: B0002IQL08 Release Date: 2004-07-06

Tracks:

1. Ah Robin (Round)
2. And Let Me The Cannikin Clink
3. And Will He Not Come Again
4. Be Merry, Be Merry
5. Black Spirits
6. Blow, Blow Thou Winter Wind
7. Bonny Sweet Robin
8. But Shall I Go Mourn
9. Can'st Thou Not Hit It
10. Come Away
11. Come Away, Hecate
12. Come Live With Me
13. Come O'er The Burn
14. Come Thou Monarch (Version 2)(Round)
15. Come Unto These Yellow Sands
16. A Cup Of Wine
17. Farewell, Dear Heart
18. Fathers That Wear Rags
19. Fear No More
20. Fie On Sinful Fantasy
21. Fill The Cup (Round)
22. Flout 'Em And Cout 'Em (Round)
23. Fools Had Ne'er Less Grace
24. For I'll Cut My Green Coat
25. The Friar And The Nun
26. Full Fathom Five
27. The George Alow (Version 1)
28. Get You Hence
29. The God Of Love
30. Hark, Hark The Lark
31. Have I Caught My Heavenly Jewel
32. Heart's Ease
33. Hold Thy Peace (Version 2)(Round)
34. Honor, Riches
35. I Am Gone Sir
36. I Loathe The I Did Love
37. It Was A Lover And His Lass
38. Jepha
39. Jog On
40. Jolly Shepherd (Round)
41. King Stephen Was A Worthy Peer
42. Lawn As White
43. Love, Love, Nothing But Love (Version 2)
44. The Master, The Swabber (Version 2)
45. No More Dams
46. An Old Hare Hoar (Version 1)
47. O Mistress Mine (Version 1)
48. Orpheus With His Lute
49. O Sweet Oliver
50. Pardon Goddess Of The Night
51. Roses Their Sharp Spines
52. Sigh No More, Ladies
53. Some Men For Sudden Joy (Version 1)
54. Take, O Take Those Lips
55. Tell Me, Where Is Fancy Bred
56. That Sir Which Serves
57. There Dwelt A Man In Babylon (Version 1)
58. There Was Three Fools
59. Three Merry Men (Round)
60. Tomorrow Is St. Valentine's Day
61. Under The Greenwood Tree
62. Up And Down (Round)
63. Urns And Odours Bring Away
64. Walsingham
65. Was This Fair Face
66. Wedding Is Great Juno's Crown
67. What Shall He Have (Round)
68. When Arthur First In Court
69. When Daffodils Begin To Peer
70. When Daisies Pied
71. When Griping Grief
72. When Icicles Hang By The Wall
73. When That I Was And A Little Tyne Boy
74. Where The Bee Sucks
75. While You Here Do Snoring Lie
76. Who Is Silvia
77. Why Let The Strucken Deer
78. Willow, Willow (Version 1)
79. Will You Buy Any Tape
80. The Woosel Cock
81. You Spotted Snakes

Tracks:

1. Awake, Awake
2. Battle Of Agincourt
3. Bride's Goodmorrow
4. Broom
5. Callino
6. Carmen's Whitle
7. Chi Passa
8. Come Kiss Me, Kate (Round)
9. Come Thou Monarch (Version 1)
10. Cup Of Wine (Version 1)
11. Damon
12. Daphne
13. Diana (2 Versions)
14. Dulcina
15. Eglamore
16. Eighty-Eight
17. Fortune My Foe
18. George Alow (Version 2)
19. Glass Doth Run
20. Goddesses
21. Go From My Window
22. Greensleeves (2 Versions)
23. Guy Of Warwick
24. Hem Boys (2 Versions)
25. Hey Ho for A Husband (2 Versions)
26. Hobbyhorse
27. Hold Thy Peace (Versions 1 & 3)
28. Hunt's Up
29. I Cannot Come Every Day (2 Versions)
30. In Crete
31. In Peascod Time
32. Jack Boy (Round)
33. King Cophetua
34. King Lear
35. King Solomon
36. Light O Love
37. Loath To Depart (2 Versions)
38. Love, Love (Version 1)
39. Master, Swabber (Version 1)
40. Mounsier Mingo
41. Mounsieur's Almaine
42. My Mind To Me
43. Nutmegs (Of All The Birds)
44. Nutmegs (Wooing Of The Baker's Daughter)
45. O Death (2 Versions)
46. Old Hare Hoar (Version 2)
47. O Mistress Mine (Version 2)
48. O' The Twelfth Day Of December
49. Oyster Pie
50. Peg A Ramsey (2 Versions)
51. Phillida (3 Versions)
52. Please One
53. Pyramus
54. Queen Dido (2 Versions)
55. Ratcatcher
56. Rich Jew
57. Robin Goodfellow
58. Robin Hood
59. Rogero
60. Rowland
61. Sellenger's Round
62. Shore's Wife (2 Versions)
63. Sick, Sick (3 Vesions)
64. Some Men For Sudden Joy (Round)
65. There Dwelt A Man (Version 2)
66. Titus Andronicus
67. Tom A Bedlam (2 Versions)
68. Troilus
69. Troy Town
70. Wellady
71. Whenas We Sat In Babylon
72. Where Is The Life
73. Whoop
74. Why Let The Strucken (If Care Do Cause)
75. Willow, Willow (Version 2)
76. Will Ye Buy A Fine Dog
77. With A Fading

Average customer rating:

Collection: Say It With Music (Dlx) Andr Kostelanetz Manufacturer: Collectables ProductGroup: Music Binding: Audio CD General | Soundtracks | Styles | Music General | Easy Listening | Pop | Styles | Music Easy Listening | Pop | Indie Music | Stores | Music ASIN: B00007L8X4 Release Date: 2003-02-18

Tracks:

1. Say It With Music Remember Blue Skies
2. Top Hat White Tie And Tails How Deep Is The Ocean (How High
3. This Is The Army Oh How I Hate To Get Up In The Morning Soft
4. Whatll I Do Always The Song Is Ended (But The Melody Lingers
5. The Piccolino Cheek To Cheek
6. White Christmas
7. The Girl That I Marry Say It Isnt So Mandy
8. Give Me Your Tired Your Poor God Bless America
9. Smoke Gets In Your Eyes Yesterdays
10. Ive Told Every Little Star The Song Is You
11. The Night Was Made For Love She Didnt Say Yes All The Things
12. Look For The Silver Lining They Didnt Believe Me Long Ago (A
13. I Dream Too Much The Jockey On The Carrousel
14. Why Was I Born The Way You Look Tonight Who
15. Make Believe Bill
16. Why Do I Love You You Are Love Ol Man River
17. Fascinatin Rhythm
18. Mine
19. The Man I Love
20. Embraceable You Soon
21. I Got Rhythm
22. Bess Oh Wheres My Bess
23. S Wonderful
24. Maybe
25. Someone To Watch Over Me Oh Lady Be Good
26. Embraceable You
27. Strike Up The Band
28. Begin The Beguine
29. All Through The Night
30. I Concentrate On You
31. I Love You
32. Night And Day
33. In The Still Of The Night
34. Ive Got You Under My Skin
35. Blow Gabriel Blow
36. Just One Of Those Things (Bonus Track)
37. Hallelujah Time On My Hands
38. Tea For Two
39. Carioca
40. Without A Song
41. More Than You Know
42. Orchids In The Moonlight
43. Sometimes Im Happy I Know That You Know
44. Through The Years Drums In My Heart
45. Malaguena
46. La Cumparsita
47. Mexicana Medley
48. Yours (Quiereme Mucho)
49. Siboney
50. Caminito
51. Adios
52. No Taboleiro De Bahiana
53. The Moon Of Manakoora
54. Lotus Land
55. Kashmiri Song
56. Jamaican Rhumba
57. Flamingo
58. Poinciana (Song Of The Tree)
59. Andalucia
60. Sweet Leilani (Bonus Track)
61. Frenesi (Cancion Tropical) (Bonus Track)
62. Show Boat
63. South Pacific
64. Slaughter On Tenth Avenue
65. An American In Paris
66. Porgy And Bess

Album Description

The multi-faceted Andre Kostelanetz left his mark on the music world as an acclaimed conductor/arranger/accompanist. His most notable contribution is the creation of the Easy Listening genre, done by bridging the gap between Classical and Pop music. Highlights on this 6 CD box set include Irving Berlin's 'Cheek To Cheek', George Gershwin's 'The Man I Love' and Jerome Kern's 'Smoke Gets In Your Eyes'. Includes 3 bonus tracks 'Just One Of Those Things' (Cole Porter), 'Sweet Leilani' (from Waikiki Wedding) & 'Frenesi' (Cancion Tropical). Standard jewel cases housed in a deluxe wooden box w/hinged lid (approx. 6 x 5''). Collectables. 2003.

Average customer rating:

The Best Of The New York Woodwind Quintet, Vol. 2 Manufacturer: Boston Skyline ProductGroup: Music Binding: Audio CD Duets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Fine, Irving | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Hindemith | Hindemith, Paul | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Ibert, Jacques | ( I ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Milhaud | Milhaud, Darius | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wilder | Wilder, Alec | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Classical | Indie Music | Stores | Music Similar Items: The Best Of The New York Woodwind Quintet, Volume 1 An American And Paris: The Best of The New York Woodwind Quintet, Volume 3 20th Century Wind Quintets French Mozart: Quintets K. 452, K. 407 & Oboe Quartet K. 370 ASIN: B000001UOI Release Date: 1996-05-07

Tracks:

1. The Chimney Of King Rene: Procession
2. The Chimney Of King Rene: Morning Ser
3. The Chimney Of King Rene: Jugglers
4. The Chimney Of King Rene: La Maousinglade
5. The Chimney Of King Rene: Jousts On The Arc
6. The Chimney Of King Rene: Hunting At Valabre
7. The Chimney Of King Rene: Madrigal-Nocturne
8. Trois Pieces Breves: Allegro
9. Trois Pieces Breves: Andante
10. Trois Pieces Breves: Assez-lent-Allegro Scherzando
11. Partita: Intro & Theme, Attacca/Var/Interlude, Attacca/Gigue/Coda
12. Up Tempo From Qnt 1
13. Scherzo
14. Qnt & Two Duettes: Qnt
15. Qnt & Two Duettes: Duett No.1
16. Qnt & Two Duettes: Duett No.2
17. Kleine Kammermusik, Op.2: Lusty...Powerful Fast Quarter Notes/Waltzes Relaxed Throughout...

Pop Music:

1. 20 Super Sucessos V.2 [Import]
2. A Sud! a Sud [Import]
3. Alea [Import]
4. Amo l'Estate [Import]
5. Ao Vivo 10 Anos [Import]
6. Ao Vivo No Cbgb [Import]
7. Auto Retrato [Live] [Import]
8. Bambu [Import]
9. Bossa N Beatles [Import]
10. Brizzi Do Brasil [Import]

Pop Music