Concerti [Live] [Import]

Track Listings

Disc: 1
1. Moi, Mon Âme et Ma Conscience
2. Boogie
3. Quizās, Quizās, Quizās
4. Oh Che Sarā
5. Culo del Mondo
6. Buontempo
7. Panama
8. Come Mi Vuoi?
9. Seņor
10. Messico E Nuvole
See all 11 tracks on this disc

Disc: 2
1. I Treni a Vapore
2. Sulo Pe Parlā
3. Senza 'E Te
4. Non Sono un Cantautore
5. Metti in Circolo il Tuo Amore
6. Assenza
7. Occhi Neri
8. Mio Fratello Che Guardi il Mondo
9. Chissā Se lo Sai
10. I Dubbi Dell'amore
See all 12 tracks on this disc

Concerti,Fiorella Mannoia,Sony Int'l,Int'l & World Music,Italian,Italian Pop,Italy,Pop
Corelli: 12 Concerti grossi, op. 6
Average customer rating: 5 out of 5 stars
  • Correlli's Concerti grossi, op. 6
  • Corelli's famous Concerti by my favorite period instrument orchestra and conductor
  • Christmas Concerto
  • Corelli: Master and Commander of Enchanting Melodies
  • Beautiful music performed to perfection
 Corelli: 12 Concerti grossi, op. 6

Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

All Works by CorelliAll Works by Corelli | Corelli, Arcangelo | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Violin Sonatas Op 5
  2. Telemann: The Six Paris Quartets
  3. Telemann String Concertos Musica Antiqua Koln Goebel
  4. Boccherini: String Quintets; Minuet in A /Europa Galante * Biondi
  5. The Best of Boccherini

ASIN: B00001IVOM
Release Date: 1999-09-14

Tracks:

  1. Concerto No. 1 In D Major: 1. Largo
  2. Concerto No. 1 In D Major: 2. Allegro
  3. Concerto No. 1 In D Major: 3. Largo - Allegro
  4. Concerto No. 1 In D Major: 4. Allegro
  5. Concerto No. 1 In D Major: 5. Largo
  6. Concerto No. 1 In D Major: 6. Allegro
  7. Concerto No. 1 In D Major: 7. Allegro
  8. Concerto No. 2 In F Major: 1. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante
  9. Concerto No. 2 In F Major: 2. Allegro
  10. Concerto No. 2 In F Major: 3. Grave - Andante Largo
  11. Concerto No. 2 In F Major: 4. Allegro
  12. Concerto No. 3 In C Minor: 1. Largo
  13. Concerto No. 3 In C Minor: 2. Allegro
  14. Concerto No. 3 In C Minor: 3. Grave
  15. Concerto No. 3 In C Minor: 4. Vivace
  16. Concerto No. 3 In C Minor: 5. Allegro
  17. Concerto No. 4 In D Major: 1. Adagio - Allegro
  18. Concerto No. 4 In D Major: 2. Adagio
  19. Concerto No. 4 In D Major: 3. Vivace
  20. Concerto No. 4 In D Major: 4. Allegro
  21. Concerto No. 5 In B Flat Major: 1. Adagio - Allegro - Adagio
  22. Concerto No. 5 In B Flat Major: 2. Adagio
  23. Concerto No. 5 In B Flat Major: 3. Allegro - Adagio
  24. Concerto No. 5 In B Flat Major: 4. Largo - Allegro
  25. Concerto No. 6 In F Major: 1. Adagio
  26. Concerto No. 6 In F Major: 2. Allegro
  27. Concerto No. 6 In F Major: 3. Largo
  28. Concerto No. 6 In F Major: 4. Vivace
  29. Concerto No. 6 In F Major: 5. Allegro

Tracks:

  1. Concerto No. 7 In D Major: 1. Vivace - Allegro
  2. Concerto No. 7 In D Major: 2. Adagio
  3. Concerto No. 7 In D Major: 3. Allegro
  4. Concerto No. 7 In D Major: 4. Andante Largo
  5. Concerto No. 7 In D Major: 5. Allegro
  6. Concerto No. 7 In D Major: 6. Vivace
  7. Concerto No. 8 In G Minor ('Christmas Concerto'): 1. Vivace - Grave. Arcate, sostenuto e come sta
  8. Concerto No. 8 In G Minor ('Christmas Concerto'): 2. Allegro
  9. Concerto No. 8 In G Minor ('Christmas Concerto'): 3. Adagio - Allegro - Adagio
  10. Concerto No. 8 In G Minor ('Christmas Concerto'): 4. Vivace
  11. Concerto No. 8 In G Minor ('Christmas Concerto'): 5. Allegro
  12. Concerto No. 8 In G Minor ('Christmas Concerto'): 6. Largo. Pastorale ad libitum
  13. Concerto No. 9 In F major: 1. Preludio: Largo
  14. Concerto No. 9 In F major: 2. Allemanda: Allegro
  15. Concerto No. 9 In F major: 3. Corrente: Vivace
  16. Concerto No. 9 In F major: 4. Gavotta: Allegro
  17. Concerto No. 9 In F major: 5. Adagio
  18. Concerto No. 9 In F major: 6. Minuetto: Vivace
  19. Concerto No. 9 In F major: 1. Preludio: Andante Largo
  20. Concerto No. 9 In F major: 2. Allemanda: Allegro
  21. Concerto No. 9 In F major: 3. Adagio
  22. Concerto No. 9 In F major: 4. Corrente: Vivace
  23. Concerto No. 9 In F major: 5. Allegro
  24. Concerto No. 9 In F major: 6. Minuetto: Vivace
  25. Concerto No. 11 In B Flat Major: 1. Preludio: Andante Largo
  26. Concerto No. 11 In B Flat Major: 2. Allemanda: Allegro
  27. Concerto No. 11 In B Flat Major: 3. Adagio
  28. Concerto No. 11 In B Flat Major: 4. Andante Largo
  29. Concerto No. 11 In B Flat Major: 5. Sarabanda: Largo
  30. Concerto No. 11 In B Flat Major: 6. Giga: Vivace
  31. Concerto No. 12 In F Major: 1. Preludio: Adagio
  32. Concerto No. 12 In F Major: 2. Allegro
  33. Concerto No. 12 In F Major: 3. Adagio
  34. Concerto No. 12 In F Major: 4. Sarabanda: Vivace
  35. Concerto No. 12 In F Major: 5. Giga: Allegro

Customer Reviews:

5 out of 5 stars Correlli's Concerti grossi, op. 6.......2007-03-24

As a person with a passion for music, especially classical, this CD is one the prettiest and the best.

5 out of 5 stars Corelli's famous Concerti by my favorite period instrument orchestra and conductor.......2005-11-12

Trevor Pinnock's recording of Corelli's Op. 6 Concerti grossi will not be to all tastes. Those raised on traditional instrument recordings by such as Max Goberman/Vienna Sinfonietta (Odyssey LPs, circulated in the 1970s) or Paul Angerer/Southwest German Chamber Orchestra (Vox) may not like the clipped articulation and fast tempos Pinnock uses. But the English Concert is a joy to hear: and can THEY PLAY! The allegros sizzle with joy and tension (in the minor key movements) and I find myself unable to resist conducting myself to the rhythmic patterns they generate. I think Corelli would be pleased, and I doubt he ever heard this good a performance of his Opus 6 Concertos.

Concerto 8, subtitled "Christmas" may be the most famous Op. 6 Concerto. Pinnock's way with it may seem superficial, and tempos are faster than what I'm used to in this work. But I'm used to recordings of I Musici (Philips), Angerer (Vox), and Shepherd/Cantilena (Chandos). The closing "Pastorale" doesn't seem to have enough time to breathe, but Pinnock is more sensitive to the Baroque performance practice principles where Siciliana and Pastorale movements are played more quickly than 20th century conductors led them, adhering to more Romanticized performance practice.

As a set, I give this high marks, and there is alot of energy and joy without slighting Corelli's music. The recorded sound is also very good, and the strings have a full, rich sound, even with no vibrato and period instruments.

5 out of 5 stars Christmas Concerto.......2005-11-05

The _Christmas Concerto_ (Opus 6 Number 8) is the best on the CD! If you like Vivaldi's "Four Seasons" or the Bach "Double" but have never heard Corelli's Christmas Concerto, I think you will like it very much.

5 out of 5 stars Corelli: Master and Commander of Enchanting Melodies.......2005-03-25

In a world dominated by Gabrelli and Vivaldi, Corelli's 12 Concerti Grossi (Op. 6) are gems. The performance of Pinnock and the English Concert is superb and the Archive recording crystal clear and in high fidelity. To the inexperienced ear the components of each piece flow together, yet the distinguishable melodies create a relaxing, enjoyable atmosphere -- either for a listener intent on each note, or as atmosphere while going about the day's business or leisure. Guided to this recording by the soundtrack for the movie "Master and Commander: The Far Side of the World," you will be not long into the first of this two CD set before being rewarded for your purchase. Wonderful.

5 out of 5 stars Beautiful music performed to perfection.......2005-02-27

Corelli's opus 6 concerto grossi are what I consider to be ideal reading music. Some of the most beautiful music from the baroque period, Corelli sometimes doesn't get his due. However, without his remarkable accomplishments, we probably wouldn't be blessed with the fine concerto grossi from men such as Vivaldi and J.S.Bach and others

This particular performance is about as good as you will find. I've always found Trevor Pinnock's English Concert to be precise and clear. Comberti's performance is especially good on these CDs.

If you are looking to curl up with a good book and a bottle of excellent wine, this CD is an ideal companion to a wonderful evening.
Albinoni: Oboe Concerti, Op. 9
Average customer rating: 4.5 out of 5 stars
  • Sheer enjoyment and all in good taste
  • If you like Vivaldi, get this!
 Albinoni: Oboe Concerti, Op. 9

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Albinoni: Oboe Concerti, Vol. 2
  2. Albinoni: Oboe Concerti, Vol. 3
  3. Geminiani: Concerti Grossi Vol. 1
  4. Adagio Albinoni
  5. Italian Oboe Concertos

ASIN: B0000013XG
Release Date: 1994-02-15

Tracks:

  1. Concerto In C Major, Op. 9 No. 5: Allegro
  2. Concerto In C Major, Op. 9 No. 5: Adagio (non troppo)
  3. Concerto In C Major, Op. 9 No. 5: Allegro
  4. Concerto In F Major, Op. 9 No. 3: Allegro
  5. Concerto In F Major, Op. 9 No. 3: Adagio (non troppo)
  6. Concerto In F Major, Op. 9 No. 3: Allegro
  7. Concerto In D Minor, Op. 9 No. 2: Allegro e non presto
  8. Concerto In D Minor, Op. 9 No. 2: Adagio
  9. Concerto In D Minor, Op. 9 No. 2: 3. Allegro
  10. Concerto In B Flat Major, Op. 9 No. 11: 1: Allegro
  11. Concerto In B Flat Major, Op. 9 No. 11: Adagio
  12. Concerto In B Flat Major, Op. 9 No. 11: Allegro
  13. Concerto In G Minor, Op. 9 No. 8: Allegro
  14. Concerto In G Minor, Op.9, No.8: Adagio
  15. Concerto In G Minor, Op. 9 No. 8: Allegro
  16. Concerto In C Major, Op. 9 No. 9: Allegro
  17. Concerto In C Major, Op. 9 No. 9: Adagio (non troppo)
  18. Concerto In C Major, Op. 9 No. 9: Allegro

Customer Reviews:

4 out of 5 stars Sheer enjoyment and all in good taste.......2004-08-08

Tomaso Albinoni was a contemporary of Vivaldi in Venice, and his Concerti a cinque opus 9, published in 1722, provide ample evidence of his felicity in composition. His wife was a well-known opera singer, and his oboe concertos sound like wonderfully cantabile instrumental da capo arias: first there is an energetic fast movement, then a lyrical slow movement, followed by another fast movement that once again takes up themes from the first movement. The music is contrapuntal, harmonious, balanced and, to put it blankly, full of sheer enjoyment.

Deliberating on this review, I had to decide whether to give this CD four or five stars. In the end, I opted for four. Before I explain why, I should like to say why five was an option. Although Anthony Camden, Julia Girdwood and the London Virtuosi under the leadership of John Georgiadis play on modern instruments, they have obviously learned a good deal from developments in the area of historical performance practice. Their disposition for these concertos is just about what Albinoni would have had in mind: four each of first and second violins, three violas, two cellos, a double bass and a harpsichord, this last played with tremendous gusto by Paul Nicholson. In fact, the performance of the London Virtuosi is one of the best features of this CD, and the Naxos engineers have made sure that one can really hear the good stuff that is going on behind the soloists. (I found that listening via good headphones was even more convincing than in front of loudspeakers.) The soloists themselves, Anthony Camden alone in four concerts and together with Julia Girdwood in two others, give a marvellous performance, combining high technical skills with sheer good taste. In all except one concerto, the tempi are relatively fast, which does these energetic concertos good. This is most enjoyable music, exquisitely performed.

So why only four stars? I think three reasons can be adduced. One is in the nature of a personal preference: After all the commotion of the Early Music movement, I just do not see why early 18th century music should be performed on modern instruments. The slightly metallic sound of the Howarth oboes used here, lovely as it is, does not for my mind quite match up to the woody warmth of period instruments. One could make similar strictures on the other instruments employed here. In particular, the use of a double bass instead of a violone tends to overdo the bass line a little.

A second reason is that four of the concertos on this CD have been recorded by Han de Vries and the ensemble Alma Musica Amsterdam under the leadership of Bob van Asperen on EMI, re-released on Virgin Veritas Albinoni · Telemann - Concertos and Sonatas for oboe / Han de Vries · Alma Musica Amsterdam · Bob van Asperen. The Dutch team uses historical instruments, replacing the double bass with a violone, and the result is, for my ears, slightly more convincing, despite the fact that the analogue recorded sound is not quite so good as that of the Naxos CD. In particular, I happen to love the sound of Han de Vries' historic oboe, mechanical noises and all, and I wanted to award the Virgin CD one star more for that reason.

The third reason for giving only four stars is John Georgiadis' choice of tempo for Opus 9, No. 2, the most famous concerto on this disc. Perhaps led astray by Albinoni's "Allegro e non presto", Georgiadis puts the brake on a little and takes over a minute and a half longer for the concerto than van Asperen (and the whole piece is only about 11 minutes long). Particularly the gorgeous second movement suffers from this: Camden/Georgiadis turn adagio almost into largo; in comparison, de Vries/van Asperen sound much more convincing.

Despite these criticisms, this CD is excellent value for money and offers sheer delights of entertainment. You could do worse than follow my footsteps and purchase both Camden on Naxos and de Vries on Virgin.

5 out of 5 stars If you like Vivaldi, get this!.......2003-03-27

Listen to these works without looking at the name of the composer, and you may think "Vivaldi." But if you were to look at the name, it's "Albinoni." Many of us who heard of that name would think of his famous "Adagio" (arr. Giazotto). These Oboe Concertos by Albinoni are well performed. Besides the performance, the sound is very good. It's worth more than the cheap price. I don't know what else to say but "Go get it!"
Casanova
Average customer rating: 4.5 out of 5 stars
  • Sheer Beauty for the Ears
  • Authenticity can sound great as well!
  • a little world of baroque sound
  • Wonderful relaxing music.
  • -
 Casanova

Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Casanova
  2. Memoirs of a Geisha
  3. Pride & Prejudice
  4. Mrs. Henderson Presents
  5. Match Point

ASIN: B000BYR9YK
Release Date: 2005-12-20

Tracks:

  1. An Untold Story: Assaggio No.1 In G Minor - Johann Helmich Roman
  2. The Legend Of Casanova: Tambourins I/II From Daro - Jean-Philippe Rameau
  3. I Yield To Love: Cello Concerto No.3 In D Minor - Leonardo Leo
  4. Eternal Damnation: Overture From Les Fetes De Polymnie/Overture From Platee/Overture From Zoroastre - Jean-Philippe Rameau
  5. The Doge's Decree: Concerto In C Major - Antonio Vivaldi
  6. A Venetian Virgin - Alexandre Desplat
  7. San Cremori At Dawn: Concerto In C Major For Harpsicord And Strings - Giovanni Paisiello
  8. A Lover's Duel: Overture From La Madrilena - Vicente Martin Y Soler
  9. A Terrible Mistake: Concerto A 5, Op.9, No.4 - Tomaso Albinoni
  10. A Secret Lover?: Sinfonia From The Opera Farnace - Antonio Vivaldi
  11. Marriage Is A Safe Haven: Concerto A 5, Op.9 No.4 - Tomaso Albinoni
  12. Trailing Guardi: Sonata For Violin And Bassocontinuo, Op.5 No.11 In E Minor - Arcangelo Corelli
  13. The Noble Pig: Concerto Per Quartetto No.8 - Francesco Durante
  14. Paprizzio's Arrival: Concerto A 5, Op.9 No.2 In D Minor - Tomaso Albinoni
  15. Inquisitor Pucci - Alexandre Desplat
  16. : Concerto A 5, Op.9 No.4 - Tomaso Albinoni
  17. A Big Idea: Harpsicord Concerto In B Flat Major - Francesco Durante
  18. A Nom De Plume/Carnivale!: Concerto A 5, Op.9 No.6 In G Major/Bouree From Les Plaisirs Champetres - Tomaso Albinoni
  19. The Plume's Nom Is Casanova! - Sonny Kompanek
  20. Dancing At The Doge's Ball: Riguadon From Water Music Suite, No.3 In G Major/Bouree From Music For Royal Fireworks/Loure From Tafelmusik1 - George Frideric Handel
  21. One Step Closer To Heaven: Concerto A 5, Op.9 No.4 In A Major - Tomaso Albinoni
  22. Casanova's Confession: Sonata Op.5 No.7 In D Minor - Arcangelo Corelli
  23. The Hanging: Violin Concerto 'Il Cimento Dell'Armonia E Dell'INvenzione' Op.8 No.11 In D Major - Antonio Vivaldi
  24. A Great Escape: Overture From Zais/Overture From Nais/Overture From Achante Et Cephise Ou La Sympathie - Jean-Philippe Rameau
  25. My Place Is With Casanova: Overture From Le Temple De La Gloire/Overture From Zais/Sonata For Violin And Bassocontinuo, Op.5 No.7 In D Minor - Arcangelo Corelli
  26. All's Well...:Concerto A 5, Op.9 No.4 In A Major - Tomaso Albinoni

Amazon.com

The action in this tale about the 18th century adventurer and (at least in popular lore) seducer is set in Cassanova's native Venice in the mid-1700s, so it makes sense that the soundtrack would be loaded with Baroque pieces. The Venice-based Tomaso Albinoni is featured prominentaly, along with heavyweights such as Antonio Vivaldi, Jean-Baptiste Rameau, and George Frideric Handel, and lesser-known composers such as Arcangelo Corelli, Francesco Durante, and Alexandre Desplat. Er, actually Desplat is a contemporary French film composer who also released his score for the couldn't-be-more-different Syriana shortly after Casanova came out. Of the two pieces he penned here, "A Venetian Virgin" is in pure Baroque style, while "Inquisitor Pucci" betrays a more modern film-music vibe. Meanwhile, orchestrator Sonny Kompanek rearranged a couple of the tracks and authored the tense "The Plume's Nom Is Casanova," which doesn't sound embarrassing sandwiched between pieces by Albinoni and Handel. Overall, it would have been nice to get longer excerpts from the pieces--many feel chopped into too-small fragments--but the music's innate grace and elegance can't be beat for a period film. Or for any film, really: Vivaldi's Concerto in C Major ("The Doge's Decree") will be familiar to buffs, who will remember it featuring prominently in the Dustin Hoffman-¬Meryl Streep showdown Kramer vs. Kramer back in 1979. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars Sheer Beauty for the Ears.......2006-07-25

For those that purchased this CD, I need not get into how masterfully infectious the movie was. After the first viewing, I found it charming, but after the second, I was hooked by the witty, clever story holding fun twists all along the way. So while I could go on and on about the movie and all of its wonderful aspects, the score was simply priceless. Apt in every scene, and all done with incredible baroque music that I had never had the opportunity of hearing before the film.

The disc walks you through the movie with no changes that I could tell from the original score. The only omission I found was that the song dubbed "Casanova's Theme" is played in much greater length in the closing credits, and that didn't seem to make it to the CD. Not a terrible loss.

5 out of 5 stars Authenticity can sound great as well!.......2006-07-11

As an avid baroque music listener and performer, I can attest to the delightfully pleasing performances on the soundtrack as well as the painstakingly accurate performance practices utilized in the recording of this soundtrack.

The producers of this film fortunately went to the trouble of hiring some of the top period performance musician-specialists in the country (perhaps in the entire world) to record the soundtrack to Casanova. I know, because several of them were faculty members of the Oberlin Conservatory Baroque Performance Institute who went AWOL to Hollywood in June 2005 for the recording sessions. We all forgave them, and were actually quite excited that period music performance was having its day on the silver screen.

Do not miss this exquisite potpourri of wonderful baroque composers' works performed as closely as humanly possible to the way that they heard their works during their lifetimes! The film may not have been intended to be historically accurate (part of the fun), but the music certainly ended up that way. Not only that, but it sounds heavenly (unlike Casanova's antics) and up-to-date, not musty and old as if it were sealed in a museum case.

5 out of 5 stars a little world of baroque sound.......2006-02-26

Lots of interesting baroque music unknown to me and
put together in dramatic sequences that add zest and
class to the listening experience. Also wonderful to
play in auto while driving thru boring country or in
slow moving traffic!
This CD will get a lot of play from me.
5 Stars!

5 out of 5 stars Wonderful relaxing music........2006-02-25

Saw the movie and had to have the soundtrack. Great music to relax by. When you need to get away from the cares of the day the classics can't be beat. The producers of this movie certainly chose wonderful music to accompany it.

3 out of 5 stars -.......2006-02-18

Good music but each is too short.
The original version of each may be better.
Handel - Concerti grossi, op. 6 / AAM · Manze
Average customer rating: 5 out of 5 stars
  • Are there better? Not even close.
  • Treat your ears right !
  • FANTASTIC HANDEL!!
  • A good recording of this work but there are better
  • A recording of the century...really!
 Handel - Concerti grossi, op. 6 / AAM · Manze
George Frideric Handel , Andrew Manze , and The Academy of Ancient Music
Manufacturer: Harmonia Mundi Fr.
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Similar Items:
  1. Violin Sonatas Op 5
  2. Complete Organ Concertos
  3. Handel: Concerti Grossi, Op. 3; Sonata a 5
  4. Heinichen: Dresden Concerti
  5. Concert for the Prince of Poland

ASIN: B00000C2A4
Release Date: 1998-09-08

Tracks:

  1. Concerti Grossi, Op. 6: (No Marking)
  2. Concerti Grossi, Op. 6: Allegro
  3. Concerti Grossi, Op. 6: Presto
  4. Concerti Grossi, Op. 6: Largo
  5. Concerti Grossi, Op. 6: Allegro
  6. Concerti Grossi, Op. 6: Menuet
  7. Concerti Grossi, Op. 6: A tempo giusto
  8. Concerti Grossi, Op. 6: Allegro
  9. Concerti Grossi, Op. 6: Adagio
  10. Concerti Grossi, Op. 6: Allegro
  11. Concerti Grossi, Op. 6: Allegro
  12. Concerti Grossi, Op. 6: Andante larghetto
  13. Concerti Grossi, Op. 6: Allegro
  14. Concerti Grossi, Op. 6: Largo
  15. Concerti Grossi, Op. 6: Allegro, ma non troppo
  16. Concerti Grossi, Op. 6: Larghetto
  17. Concerti Grossi, Op. 6: Andante
  18. Concerti Grossi, Op. 6: Allegro
  19. Concerti Grossi, Op. 6: Polonaise
  20. Concerti Grossi, Op. 6: Allegro, ma non troppo
  21. Concerti Grossi, Op. 6: Ouverture
  22. Concerti Grossi, Op. 6: Allegro
  23. Concerti Grossi, Op. 6: Lento
  24. Concerti Grossi, Op. 6: Allegro
  25. Concerti Grossi, Op. 6: Allegro
  26. Concerti Grossi, Op. 6: Allegro moderato
  27. Concerti Grossi, Op. 6: Andante larghetto, e staccato
  28. Concerti Grossi, Op. 6: Allegro
  29. Concerti Grossi, Op. 6: Largo, e staccato
  30. Concerti Grossi, Op. 6: Andante
  31. Concerti Grossi, Op. 6: Allegro

Tracks:

  1. Concerti Grossi, Op. 6: Largo
  2. Concerti Grossi, Op. 6: Allegro
  3. Concerti Grossi, Op. 6: Largo, e piano
  4. Concerti Grossi, Op. 6: Andante
  5. Concerti Grossi, Op. 6: Hornpipe
  6. Concerti Grossi, Op. 6: Larghetto e affettuoso
  7. Concerti Grossi, Op. 6: Allegro, ma non troppo
  8. Concerti Grossi, Op. 6: Musette
  9. Concerti Grossi, Op. 6: Allegro
  10. Concerti Grossi, Op. 6: Allegro
  11. Concerti Grossi, Op. 6: Larghetto affettuoso
  12. Concerti Grossi, Op. 6: Allegro
  13. Concerti Grossi, Op. 6: Largo, e piano
  14. Concerti Grossi, Op. 6: Allegro
  15. Concerti Grossi, Op. 6: Largo
  16. Concerti Grossi, Op. 6: Allegro
  17. Concerti Grossi, Op. 6: Larghetto
  18. Concerti Grossi, Op. 6: Allegro
  19. Concerti Grossi, Op. 6: Menuet
  20. Concerti Grossi, Op. 6: Gigue
  21. Concerti Grossi, Op. 6: Allemande
  22. Concerti Grossi, Op. 6: Grave
  23. Concerti Grossi, Op. 6: Andante allegro
  24. Concerti Grossi, Op. 6: Adagio
  25. Concerti Grossi, Op. 6: Siciliana
  26. Concerti Grossi, Op. 6: Allegro
  27. Concerti Grossi, Op. 6: Largo
  28. Concerti Grossi, Op. 6: Allegro
  29. Concerti Grossi, Op. 6: Larghetto, e piano
  30. Concerti Grossi, Op. 6: Largo
  31. Concerti Grossi, Op. 6: Allegro

Amazon.com essential recording

From the onset of the historical performances movement some years back, listeners have been subjected to a great many historically correct yet musically limp, passive and rudderless performances. So conductor Andrew Manze deserves real credit for the marvelous job he does here with the Academy of Ancient Music in the twelve Concerti Grossi, Opus 6, of George Frideric Handel. With great warmth as well as vigor he lets these felicitous, robust works come to life. What we hear is more color, more meat and more life than we are likely to get from a typical early music ensemble. Manze is a great musician. --Gwendolyn Freed

Customer Reviews:

5 out of 5 stars Are there better? Not even close........2005-12-19

I have devoured many recordings of the Op.6 as well as the Op.3 Concerti Grossi for the last 30 odd years. Marriner, Leppard, Hogwood, etc. (I don't count the Germans, apparently Handel eludes them). I thought I knew these works completely, like I know my wife's body. After hearing Andrew Manze's recreation of them it is as if the previous recordings had held back some divine secret that Manze finally reveals to the world. Treasures of unimaginable wealth are sprayed out like gemstone machine guns. Movements that I had previously thought, in my ignorance, to be somewhat longish, I now crave with an addicts lust. This recording, finally, hammers the coffin shut on all the other composers, the dabblers of the concerto grosso form. Yes, even the exalted noodler himself, Bach, is blown into the weeds. Handel's humanity, drama, sex, epiphanous grandeur and just plain a**-kicking compositional chops gush forth from Manze's 13 strings and two continuo players with an "INCOMPARABLE" dash, musicianship, élan, oh hell, they are as tight as a frog's bu** cheeks. And I mean that in a good way.

5 out of 5 stars Treat your ears right !.......2005-07-29

Bold ! Robust ! Vibrant ! Exhilarating ! Brilliant ! Blow the grit out of your ears and listen to this. This is how Handel was meant to be played ! Do your ears a favor, go buy this CD.
Handel's Op. 6 + Manze = Heaven

5 out of 5 stars FANTASTIC HANDEL!!.......2003-06-27

THIS CD IS JUST GREAT, BECAUSE THE MUSIC FLOWS LIKE A RIVER TO THE SEA, IN OTHER WORDS YOU BETCHA HEAR IT, DAMN GREAT!!
THE FIRST CD IS A "MUST" AND THE VIOLINS SOUND SO SMOOTH.... I CAN'T EXPLAIN THE FEELINGS YOU SHOULD TRY IT, AND OF COURSE BUY ONE 'CAUSE THIS CD IS 4EVER.

4 out of 5 stars A good recording of this work but there are better.......2001-11-08

The playing is admirable and beautiful(especially the outstanding stylish playing from Manze and his soloist), and the use of period instruments is wonderful. But this recording is slightly bland in some movements(certain movements could be taken faster)if you want a recording with more passion I would opt for either the version from the Orpheus CO on DG or the one's from Iona Brown on Hanssler or Philips(I have listening to these recordings thousands of times and I warmly recommend them with 5 stars)

5 out of 5 stars A recording of the century...really!.......2001-04-09

Manze has outdone himself, as have the Academy of Ancient Music.

There is life, there is magic, there is some beautiful playing, there is everything you could possibly want in a recording of this wonderful score. Even if you forego period instruments, you should really try these guys out! Forget Orpheus's attempt, and please ignore the bizarre recommendation for I Musici de Montreal on Chandos (great sound and cold playing). This recording really puts all those to shame.

To top it all off, not only do you have wonderful music-making, but you also get intelligent and delightful notes that are humorous too.

A first-class production. Maybe the classical music recording industry isn't dead quite yet!
Albinoni: The Complete Concertos Op. 9; Adagio For Organ And Strings
Average customer rating: 4.5 out of 5 stars
  • pristine
  • outstanding oboe concerti
  • best Albinoni ever
  • I Musici di Roma, Stradivarius, and Italian Baroque Is Divine Perfection
  • Not very "Baroque" and not my taste
 Albinoni: The Complete Concertos Op. 9; Adagio For Organ And Strings

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Similar Items:
  1. Albinoni: Complete Concertos Op. 5 & 7
  2. Albinoni Concertos (12), Op.10
  3. Albinoni's Adagios
  4. Manfredini: CONCERTI GROSSI OP. 3 Nos. 1-12
  5. Adagio Albinoni

ASIN: B0000041NC
Release Date: 1997-08-12

Tracks:

  1. No.1 In B-flat For Violin, Strings, And Continuo - 1. Allegro
  2. Concerti a cinque, Op.9: No.1 In B-flat For Violin, Strings, And Continuo - 2. Adagio
  3. Concerti a cinque, Op.9: No.1 In B-flat For Violin, Strings, And Continuo - 3. Allegro
  4. Concerti a cinque, Op.9: No.2 In D Minor For Oboe, Strings, And Continuo - 1. Allegro e non presto
  5. Concerti a cinque, Op.9: No.2 In D Minor For Oboe, Strings, And Continuo - 2. Adagio
  6. Concerti a cinque, Op.9: No.2 In D Minor For Oboe, Strings, And Continuo - 3. Allegro
  7. Concerti a cinque, Op.9: No.3 In F For 2 Oboes, Strings, And Continuo - 1. Allegro
  8. Concerti a cinque, Op.9: No.3 In F For 2 Oboes, Strings, And Continuo - 2. Adagio
  9. Concerti a cinque, Op.9: No.3 In F For 2 Oboes, Strings, And Continuo - 3. Allegro
  10. Concerti a cinque, Op.9: No.4 In A For Violin, Strings, And Continuo - 1. Allegro
  11. Concerti a cinque, Op.9: No.4 In A For Violin, Strings, And Continuo - 2. Adagio
  12. Concerti a cinque, Op.9: No.4 In A For Violin, Strings, And Continuo - 3. Allegro
  13. Concerti a cinque, Op.9: No. 5 in C For Oboe, Strings, And Continuo - 1. Allegro
  14. Concerti a cinque, Op.9: No. 5 in C For Oboe, Strings, And Continuo - 2, Adagio
  15. Concerti a cinque, Op.9: No. 5 in C For Oboe, Strings, And Continuo - 3. Allegro
  16. Concerti a cinque, Op.9: No.6 In G For 2 Oboes, Strings, And Continuo - 1. Allegro
  17. Concerti a cinque, Op.9: No.6 In G For 2 Oboes, Strings, And Continuo - 2. Adagio
  18. Concerti a cinque, Op.9: No.6 In G For 2 Oboes, Strings, And Continuo - 3. Allegro

Tracks:

  1. Concerti a cinque, Op.9: No.7 In D For Violin, Stings, And Continuo - 1. Allegro
  2. Concerti a cinque, Op.9: No.7 In D For Violin, Stings, And Continuo - 2. Andante e sempre piano
  3. Concerti a cinque, Op.9: No.7 In D For Violin, Stings, And Continuo - 3. Allegro
  4. Concerti a cinque, Op.9: No. 8 In G Minor For Oboe, Strings, And Continuo - 1. Allegro
  5. Concerti a cinque, Op.9: No. 8 In G Minor For Oboe, Strings, And Continuo - 2. Adagio
  6. Concerti a cinque, Op.9: No. 8 In G Minor For Oboe, Strings, And Continuo - 3. Allegro
  7. Concerti a cinque, Op.9: No.9 In C For Violin, 2 Oboes, String And Continuo - 1. Allegro
  8. Concerti a cinque, Op.9: No.9 In C For Violin, 2 Oboes, String And Continuo - 2. Adagio
  9. Concerti a cinque, Op.9: No.9 In C For Violin, 2 Oboes, String And Continuo - 3, Allegro
  10. Concerti a cinque, Op.9: No.10 In F For Violin, Strings, And Continuo - 1. Allegro
  11. Concerti a cinque, Op.9: No.10 In F For Violin, Strings, And Continuo - 2. Adagio
  12. Concerti a cinque, Op.9: No.10 In F For Violin, Strings, And Continuo - 3. Allegro
  13. Concerti a cinque, Op.9: No.11 In B-flat For Oboe, Strings, And Continuo - 1. Allegro
  14. Concerti a cinque, Op.9: No.11 In B-flat For Oboe, Strings, And Continuo - 2. Adagio
  15. Concerti a cinque, Op.9: No.11 In B-flat For Oboe, Strings, And Continuo - 3. Allegro
  16. Concerti a cinque, Op.9: No. 12 In D For Violin, 2 Oboes, Strings And Continuo - 1. Allegro
  17. Concerti a cinque, Op.9: No. 12 In D For Violin, 2 Oboes, Strings And Continuo - 2. Adagio
  18. Concerti a cinque, Op.9: No. 12 In D For Violin, 2 Oboes, Strings And Continuo - 3. Allegro
  19. Concerti a cinque, Op.9: Adagio In G Minor For Strings And Organ

Customer Reviews:

5 out of 5 stars pristine.......2007-03-04


I Musici is rivaled perhaps only by the Academy of St Martin in the Fields when it comes to predictably crystalline performances of the Baroque masters. When I Musici, Felix Ayo, Heinz Holliger, and Maurice Bourge turn to Albinoni's concerto repertoire, the outcome is never in doubt.

Let me clarify that these comments do not in any way suggest that this Philips two-disk set is 'standard' in any pedantic way. Emphatically, it is not.

Rather, the artists team with Philips' Duo Series to render access to a masterful rendering of one of Early Baroque's unsung great ones affordable to the masses, of which this reviewer is a card-carrying member.

One can only say 'Bravo!'.

4 out of 5 stars outstanding oboe concerti.......2007-01-25

This is a re-issue of recordings made in the mid 1960s, so they are 40 years old; however the sound, while not as good as one can expect from a current CD, is quite good. Albiboni's Opus 9 is a set of 12 concertos, 4 for violin, four for oboe and four for two oboes with orchestra. They are in 5 parts, and rather simple when compared with Bach, for example. They are not written for virtuoso soloists, rather for oboe with orchestra. In my opinion the violin concertos, while pleasant enough, do not compare with those of his contempories, such as vivaldi and Bach. However the oboe concertos are outstanding, and while I could nominate the odd baroque 0boe concerto that is as good or better, the set of six stand alone.
The 12 concertos are played by I Musici, a long established modern instrument group that specialises in music of this period, the violin solo is by Felix Ayo, their first violin, and the oboes are played my the great Heinz Hollinger and Maurice Bourgue. So I can find little to criticise with the performance, I Musici and Hollinger were/are world class. Deciding on a rating was not easy, but taking the recording of Opus 9 as a whole I gave it 4 and feel a little mean, the 6 oboe concertos alone would get 5.

5 out of 5 stars best Albinoni ever.......2007-01-10

Tomaso Albinoni is best known for his Adagio, that is actually an arrangement by Giazzoto. His real masterpieces are the Concertos Opus 9(recorded here by I Musici). The sound of this recording is very good considering its age (mid 1950s and 1960s). The Concerto Op. 9/2 is the most beautiful oboe concerto ever composed. Heinz Holliger is explendid as soloist. If you like baroque music played in a old-fashioned way (rather romantic), it's for you. If you like baroque music played accordind "authentic baroque techniques it's not for you.

5 out of 5 stars I Musici di Roma, Stradivarius, and Italian Baroque Is Divine Perfection.......2005-10-09

I wish to start my review by warning Amazon shoppers about two previous and seemingly 'knowledgeable' reviews commenting on I Musici's qualifications for playing Baroque and not playing on traditional instruments as a discouragement in buying their performances as they are somewhat slanderous. Their comments actually make me laugh and question their range of listening experience in traditional Baroque techniques and instruments or knowledge of anything dealing with classical music at all since I Musici has not only been the most acclaimed Baroque ensemble in Italy and the entire world for over 50 years praised by legends such as Toscanini for being 'The best chamber orchestra in the world', the main reason its musicians and strings outmatch every other traditional Baroque group in the world is precisely because they masterfully perform on the most prized of all period string instruments in existence! String instruments that most professional violinists, cellists, etc., can only dream of ever playing in their lifetimes! A string instrument that only the most competent of players can master to bring out its fluid range and sound! I Musici performs all of their pieces almost exclusively on Stradivarius string instruments! Although other traditional ensembles do use traditional period instruments, few if any of them play on Stradivari, and if they do it will probably be just the lead violin as Stradivari are simply too rare to be played in unison by most professional groups. A Stradivarius is an instrument in and of itself and other traditional string instruments don't even come close to sounding like one. A Stradivarius is nothing less than divine in its sound as one can hear with I Musici as they play plenty of them. And so although I can understand the aesthetics of such listeners/reviewers for other performers, please, don't tell others that I Musici isn't playing authentic instruments when you can't even recognize a Stradivarius playing in your ear! You are simply embarassing yourselves. Or, for that matter, don't say that they can't competently play 'traditional' Italian Baroque when they're the best group from Italy, comprised of experts in the Italian Baroque and Romantic traditions, virtuously playing on many Stradivari, and have been acclaimed as one of the best Italian Baroque groups in the world by reknown classical experts and laypersons alike for over five decades! As for this recording and others in general, some reviewers have also complained that I Musici's somewhat more romantic interpretations of Baroque don't work with Albinoni's music such as his Adagio and so are not 'traditional' enough in comparison to other performances. Traditional interpretation of Albinoni's 'Adagio' would be absurd since Albinoni's original 'Adagio' is a horribly deficient piece of which there are no real performances that I can think of as a result. What is ironic then is that this model of Albinoni's 'traditionalism' such reviewers are referring to can only be Remo Giazotto's popular 19th Century Romantic revision of the 'Adagio' being presently used as the standard of every single Baroque or Romantic period performance available on the market today.

I have heard various renditions of Albinoni's Concertos, Op. 9 and, besides a few other performances by Baroque groups, I have not heard many that even compare to I Musici in performing Albinoni or Italian Baroque generally. Don't be deceived into buying other performances even if they are by great conductors and symphonies such as Karajan and the Berlin Philharmonic or Solti and the Chicago/London Symphonies. And Karajan's orchestral rendition is indeed a very moving one but orchestral ensembles are generally too large for chamber pieces and most of the instruments used are modern which changes many important aspects of the piece. They are also recorded in too large of spaces so the performances sound like Beethoven's 9th instead of a chamber piece. There are other groups and recordings that are more faithful to Baroque techniques and traditional interpretations such as those directed by Hogwood but they have various problems as well. Individual violinists such as Manze mentioned by the previous reviewer tend to be overly rigid and lifeless in their interpretations as they are more founded in musicological disciplines on ancient instruments and techniques as opposed to professional performance. This can be problematic especially with interpreting Italian Baroque which is always more freely expressive in mood than German Baroque. This results in clumsy and lifeless performances where each musician painfully over-accentuates the proper techniques throughout the entire piece so that it comes out sounding as a tedious cacophony instead of a symphony. Like Jack says in the 'Witches of Eastwick' to Susan Sarandon playing her cello, "You kill the passion!" by such emphasis. Hogwood's musical background is also founded more in the German Baroque tradition of Bach and Handel and not Italian Baroque and so turns the piece into more of a mechanical movementby Bach from his direction on the harpsichord which is always the meter in all Italian concerti. I Musici is comprised of some of the finest classical musicians alive today who emphasize more on a passionate Italian Romantic interpretation in their performances instead of a rigid Baroque one and the results are most delightful to the ears. That perhaps is the only flaw in its interpretation of the often over-methodical Italian Baroque style for the concerti grossi. Although I Musici usually tends to again use a more fluid Italian Romantic style rather than a strict Baroque one, their shortcomings in that field are hardly a defect in their performances or this recording: on the contrary, they enhance them! These slight shortcomings are more than compensated for by I Musici performing with some of the best classical musicians exclusively on original Stradivarius string instruments. Such groups also tend to use traditional stringing and playing techniques that limit the range of the instrument which is not always what the composer desired such as Mozart and Beethoven who were forced to accept the limited range and tonality of the piano forte in performing their compositions but who actually composed them with a yet non-existant Steinway in mind. I Musici in a sense compliments such limitations with some Romantic techniques in the style of Paganini but following the Baroque concerti grossi tradition with period instruments and in remaining within the size of a small Baroque chamber orchestra. Also, the musical cohesion and caliber of the performers in I Musici is such that they do not use an overt conductor even at the harpsichord: they therefore have no need of one such as Hogwood to lead them and the performances have less hesitations as a result. Lastly, I Musici di Roma is also known for having some of the best sound engineering and mixing for its recordings than any other chamber group and this also applies to the earliest recordings. The recording quality for their performances is so rich and clear for each instrument being played that you actually feel as if you are at a live performance each time you hear them.

I Musici di Roma is unequivocally one of the best, if not the best, performing groups for Baroque music and you won't go wrong buying any of their performances no matter whether the composers are from the Italian or German Baroque period. I certainly haven't heard any single group or orchestra even come close to matching their 1982 performance of Vivaldi's Four Seasons with Pina Carmirelli. This particular recording with Garatti and Ayo is probably not with one of the best violinists to have performed Italian Baroque with them such as Carmirelli or Acardo but it is accompanied with some of the best musicians in their class such Hollinger. It is a great buy!

2 out of 5 stars Not very "Baroque" and not my taste.......2001-06-28

This may be good for some people but I really didn't like it:

I thought it was not played in the Baroque style. I personally hate vibrato and this had a lot of it. It made it the slow movements very annoying for me to listen to. I admit I might be a little obsessed but vibrato really ruins a performance for me.

It was played with "heavy fingers" especially on the violins. This was a very "romantic" interpertaion for me.

A much better performance in my opinion is one directed by Hogwood and performed by Manze (Uni/Decca - #458129) which was performed on "authentic" instruments.
Vivaldi: Oboe Concerti, Vol. 2
Average customer rating: 5 out of 5 stars
  • Gotta Have These Too!
 Vivaldi: Oboe Concerti, Vol. 2

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
OboeOboe | Reeds & Winds | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CDs Under $7CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music
CDs $7 - $10CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
$6.99 and Under$6.99 and Under | Classical Music Blowout | Stores | Music
All Classical Music BlowoutAll Classical Music Blowout | Classical Music Blowout | Stores | Music
Vivaldi, AntonioVivaldi, Antonio | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music
InstrumentalInstrumental | Classical Music Blowout | Stores | Music
Similar Items:
  1. Vivaldi: Oboe Concerti, Vol. 1
  2. Vivaldi: Complete Bassoon Concertos, Vol. 1
  3. Bach: 3 Oboe Concertos
  4. Italian Oboe Concertos
  5. Vivaldi: Complete Bassoon Concertos, Vol. 2

ASIN: B0000013ZE
Release Date: 1994-06-28

Tracks:

  1. Concerto In F Major, RV455: (Allegro giusto)
  2. Concerto In F Major, RV455: Grave
  3. Concerto In F Major, RV455: Allegro
  4. Concerto In C Major, RV447: Allegro non molto
  5. Concerto In C Major, RV447: Larghetto
  6. Concerto In C Major, RV447: Minuetto
  7. Concerto In A Minor, RV463: Allegro
  8. Concerto In A Minor, RV463: Largo
  9. Concerto In A Minor, RV463: Allegro
  10. Concerto In F Major, RV457: Allegro non molto
  11. Concerto In F Major, RV457: Andante
  12. Concerto In F Major, RV457: Allegro molto
  13. Concerto In C Major, RV451: Allegro molto
  14. Concerto In C Major, RV451: Largo
  15. Concerto In C Major, RV451: Allegro
  16. Concerto In A Minor, RV461: Allegro non molto
  17. Concerto In A Minor, RV461: Larghetto
  18. Concerto In A Minor, RV461: (Allegro)

Customer Reviews:

5 out of 5 stars Gotta Have These Too!.......2000-02-02

Look at my customer review for the first volume as it pertains to this CD as well. In short, the playing is excellent and the prices are impossible to beat. Thank you for your valuable time =)
Vivaldi: Concerti per mandolini
Average customer rating: 5 out of 5 stars
  • Finally, Fast Enough!!!!
  • Study in Color
  • Vivaldi and Europa Galante Make a Joyful Noise
  • Who says baroque stuff can't be electrifying?
  • - Biondi is still surprising- Grâce à Pisendel
 Vivaldi: Concerti per mandolini
Antonio Vivaldi , Fabio Biondi , and Europa Galante
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
Biondi, FabioBiondi, Fabio | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
Similar Items:
  1. Vivaldi: Concerti con molti strumenti, Vol. 2
  2. Vivaldi: Violin Concertos (La Tempesta di Mare)
  3. Vivaldi - Il cimento dell'armonia e dell'inventione / Europa Galante, Biondi
  4. Concert for the Prince of Poland
  5. Boccherini: String Quintets; Minuet in A /Europa Galante * Biondi

ASIN: B00005UV9F
Release Date: 2003-01-07

Tracks:

  1. I. Allegro
  2. II. Andante
  3. III. Allegro
  4. I. Allegro Molto
  5. II. Andante Molto
  6. III. Allegro
  7. I. [Allegro]
  8. II. Larghetto
  9. III. Allegro
  10. I. Allegro
  11. II. Largo
  12. III. Allegro
  13. I. Allegro
  14. II. [Lento]
  15. III. Allegro
  16. I. [Allegro]
  17. II. Largo
  18. III. [Allegro]
  19. I. Allegro
  20. II. Largo A Piacimento
  21. III. Allegro

Amazon.com

The seven Concerti per Mandolini are diverse enough to disprove the frequently heard accusation that all Vivaldi concertos sound alike. Though they are cast in the same three-movement structure, each has its own character, from playful, ingratiating charm to ardor, high drama, and lamentatious intensity. The fast movements are stately and brilliant with scintillating running passages; the slow ones are songful, pleading, and melancholy. Though at times Vivaldi succumbs to his predilection for sequences, these pieces have an incredible variety of tonality, mood, and color, employing a large number of instruments in many arresting combinations; the final one requires 17 instruments. In addition to the solo mandolins, there are standard and unusual strings and winds, including such rarities as chalumeaux, theorbo, viole all'inglese, and violini in tromba marina. The performances, at lowered pitch, are splendid throughout: brilliant in the fast, virtuosic movements, perfect in intonation and balance, pure in sound, invariably expressive, often passionate. The players use vibrato sparingly and add elegant ornamentation and cadenzas. Biondi, director and concertmaster, has a wonderfully sweet tone and leads without dominating the group. One cavil: the musicians get louder on all ascending passages and softer on all descending ones, and they make a long pause before every final note. This approach may be stylistically "authentic," but it becomes an annoying mannerism through overuse and exaggeration. --Edith Eisler

Customer Reviews:

5 out of 5 stars Finally, Fast Enough!!!!.......2007-02-17

The Concerto for Diverse Instruments (called Two Mandolins on this CD) a piece that I had an old LP of with Bernstein & the NY Philharmonic, but until now, no one has really played it with the speed and spirit that old LP recording had. I really do recommend this CD and also will be buying more of Fabio Biondi's materials as time goes on. While he's no Bernstein, his work on this particular piece surpasses that of the great master!

4 out of 5 stars Study in Color.......2006-03-25

Admittedly I bought this CD because it was the only recording of RV 558 that I could find in Hong kong. This is one of the most bizarre concerti grosso that has ever been composed; it is scored for 2 violini in trombe marina, 2 recorders, 2 mandolins, 2 chalemeaux, 2 theorbos and cello, in addition to strings and continuo (performed here on harpsichord). Clearly Vivaldi wanted to make a splash with this piece and he threw in everything in the back closet; the alternation of tone colors is really amazing.

A word about these instruments, working backwards. The theorbo is an obsolete but astonishingly lovely member of the lute family; it's something like a cross between a harp (with 8 unfretted bass strings that can sound only a single note) and a twelve string guitar (with 6 pairs of fretted strings) but pitched low--the upper two strings are not considerably higher than the two strings below them, which makes for ease of fingering but limits the upper range. The chalemeaux are precursors of the clarinet and are aurally difficult to distinguish from their progeny. Mandolins are plucked/strummed stringed instruments with 4 pairs of strings tuned like a violin, and these instruments were most likely played by violinists. The violins in trombe marina are somewhat controversial; Europa Galante come down firmly on the side of the score that these are essentially regular violins fixed with an asymmetric bridge which causes a sort of buzzing or rattling sound rather similar to the buzziness of the harpsichord, oddly enough, and which was thought to imitate the sound of the obsolete and incredibly bizarre tromba marina. But other scholars have argued that the parts were meant for performance on actual trombe marina. The "Sea Trumpet" was in fact a stringed instrument thought to sound like a trumpet but be more agile (trumpets in those times did not have valves and so had a very limited pitch choice--they were essentially bugles.). It has only a single melodic string, rather long, but up to 50 strings that resonate with sympathetic vibration with the melodic string. To make things even more curious, only harmonics were played on the instrument, throwing the intonation of certain pitches completely out of the norm. The tromba marina gets its name in part because it was said to be heard best at a distance, as over a body of water. I can testify that this is true--it's really a hideous sound that you wouldn't want to hear close up, something like a viola being scratched against a chalkboard. It's hard for me to believe that Vivaldi really composed this piece not just for one tromba marina, but for two; beyond the horror of the noise lies the fact that the parts probably aren't even close to possible on the tromba marina, but lie perfectly well on the violin.

At any rate, the piece is about color in a way that probably no one other than Bach conceived of for a very long time. And herein lies my complaint (a minor one); the performance is lovely, but I sometimes find the harpsichord overwhelming. It's especially difficult to hear the theorbos--they're so low; and to distinguish the violins in trombe marina sometimes--they match the harpsichord sound too much. Granted, in the Concerto RV 555, the two harpsichords are solo instruments and should be treated as such. But how RV 558 would flourish with less harpsichord--it would be such a treat.

At any rate, these are all delightful pieces, really some of Vivaldi at his best if you're tired of the Four Seasons, and certainly worthwhile performances.

5 out of 5 stars Vivaldi and Europa Galante Make a Joyful Noise.......2004-04-27

As all reviewers on this page seem to agree, the first order of business is to jettison the old saw that Vivaldi wrote the same concerto 500 times. Certainly he can be faulted, as he always will, for falling back on too-obvious formulae (those oft-cited repeated sequences of his), but as for sounding alike: Just try the jovial, gallant first movement of RV 425 for solo mandolin and follow it with the somber, near-tragic opening of RV 319 for violin, oboes, and bassoon. Next, give RV 558 a spin; how different the grand, heroic sweep of this first movement!

Now that we've disposed of the chestnut about the sameness of the concerti, we can talk about the performances of Biondi and Europa Galante. I find them enthrallingly virtuosic in the Bach-like noodlings required of the two violins and two cellos in RV 564, a truly captivating work reminiscent, for me, of the Third Brandenburg. On the other hand, Biondi captures perfectly the sober mood of RV 319, where sentiment overrules virtuosity.

The two concertos for mandolins (RV 532 and RV 425) are some of Vivaldi's most genial, and they emerge with the right sense of dash and wit, while the two concerti RV 558 and RV 555 for "molti strumenti" make a grand noise, especially those raspy, rattling violini in tromba marina! On the other hand, the recorders, chalumeaux, theorbos, and cellos add a tenderness and grace in their solos that balance out the acerbity of these strange instruments. RV 555 increases the stereophonic effects with two harpsichords and with three violins against two viole all'inglese and the aforementioned cellos. In all, it's a remarkable sound world Vivaldi created in these two works, like nothing else in the concerto literature, and the virtuosi of Europa Galante make the music sound every bit as important as it should.

The recording, made in a church, is both close-up and highly reverberant, which takes a little getting used to, but once the ear adjusts, it reveals the dividends paid by the close miking. The solos all emerge with crystal clarity and timbral purity, while the ensemble playing is detailed and analytical without being clinical, thanks to that reverb. Though the recording tends to highlight the high end of things, it is probably true to the big, bright sound picture Vivaldi "saw" when he conducted his all-girl orchestra at the Ospedale della Pieta.

An exciting CD indeed.

5 out of 5 stars Who says baroque stuff can't be electrifying?.......2004-01-13

This is one of the most encouraging and exciting discs in 2002! After a few hours of Vivaldi listening, one often gets the impression that he spinned out new concerti by applying the same formula - they all sound vaguely the same, after all. Vivaldi fatigue I call it. That's all the more why we need a disc like this: Biondi and his superb Europa Galante show that Vivaldi concerti can be full of surprises and excitement, and extremely colourful writings. These are readings of high drama and strong emotions, it's hard to imagine anybody not moved by the sheer energy level and dedication. Concerto RV 576 gets a superb airing especially.

5 out of 5 stars - Biondi is still surprising- Grâce à Pisendel.......2003-02-14

At first, I had to be convinced. I have to admit it was long. Now it's done. Well done.
Fabio Biondi is at his best in the "Concerto en sol mineur" (dédié à Pisendel(RV 319)". In "Concerto en ut majeur" (RV 558), Jean-Christophe Spinosi (do you know him and his ensemble "Matheus" (Naive)) was able to gave more surrealistic moments. But the Europa Galante version is very interesting.

I give Biondi credits to let the other members of his "formidable" Europa Galante free to play like it was some "concertos grossos". A very good CD full of vitality. Virgin Veritas does it better than it was the case in the concertos grossos of Scarlatti (father and son.)Better sound. Biondi is a great virtuose. I am waiting for his next challenge. Vivaldi again ?
Handel - Concerti Grossi, op. 6 (Nos. 1, 2, 3, 5, 10, 11) / AAM · Manze
Average customer rating: 4.5 out of 5 stars
  • A dream
  • great, but buy the 2 disc set!
 Handel - Concerti Grossi, op. 6 (Nos. 1, 2, 3, 5, 10, 11) / AAM · Manze
George Frideric Handel , Andrew Manze , and The Academy of Ancient Music
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005AAM5
Release Date: 2001-04-10

Customer Reviews:

5 out of 5 stars A dream.......2006-02-22

Sound,style,interpretation,all i want to hear at athe highest level for the one that knows and appreciates!

4 out of 5 stars great, but buy the 2 disc set!.......2005-01-09

This is too good to settle for half. Buy the two disc set. See there for more reviews.
Mozart: The Collector's Edition - (50 CD Set) Including Symphonies (selection), Piano Sonatas, Concerti, Masses, Operas (Nozze di Figaro, Zauberflote, Cosi fan Tutte), etc.
Average customer rating: Not rated
    		Mozart: The Collector's Edition - (50 CD Set) Including Symphonies (selection), Piano Sonatas, Concerti, Masses, Operas (Nozze di Figaro, Zauberflote, Cosi fan Tutte), etc.

    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000NA2PD2
    Release Date: 2007-04-24

    Tracks:

    1. I: Molto Allegro - English Chamber Orchestra
    2. II: Andante - English Chamber Orchestra
    3. III: Presto - English Chamber Orchestra
    4. I: Allegro - English Chamber Orchestra
    5. II: Andante - English Chamber Orchestra
    6. III: Presto - English Chamber Orchestra
    7. I: Allegro Assai - English Chamber Orchestra
    8. II: Andante - English Chamber Orchestra
    9. III: Presto - English Chamber Orchestra
    10. I: Allegro - English Chamber Orchestra
    11. II: Andante - English Chamber Orchestra
    12. III: Molto Allegro - English Chamber Orchestra
    13. I: Allegro Maestoso - English Chamber Orchestra
    14. II: Andante - English Chamber Orchestra
    15. III: Molto Allegro - English Chamber Orchestra
    16. I: Allegro Maestoso - English Chamber Orchestra
    17. II: Andante - English Chamber Orchestra
    18. III: Menuetto & Trio - English Chamber Orchestra
    19. IV: Allegro - English Chamber Orchestra

    Tracks:

    1. I: Allegro Assai - English Chamber Orchestra
    2. II: Andante - English Chamber Orchestra
    3. III: Allegro - English Chamber Orchestra
    4. Appendix: Andante - English Chamber Orchestra
    5. I: Allegro - English Chamber Orchestra
    6. II: Andantino Grazioso - English Chamber Orchestra
    7. III: Presto - English Chamber Orchestra
    8. I: Allegro Con Brio - English Chamber Orchestra
    9. II: Andante - English Chamber Orchestra
    10. III: Menuetto & Trio - English Chamber Orchestra
    11. IV: Allegro - English Chamber Orchestra

    Tracks:

    1. I: Molto Presto - English Chamber Orchestra
    2. II: Andante - English Chamber Orchestra
    3. III: Allegro - English Chamber Orchestra
    4. I: Allegro Moderato - English Chamber Orchestra
    5. II: Andante - English Chamber Orchestra
    6. III: Menuetto - English Chamber Orchestra
    7. IV: Allegro Con Spirito - English Chamber Orchestra
    8. I: Molto Allegro - English Chamber Orchestra
    9. II: Andantino Con Moto - English Chamber Orchestra
    10. III: Menuetto - English Chamber Orchestra
    11. IV: Presto - English Chamber Orchestra
    12. I: Allegro Spiritoso - English Chamber Orchestra
    13. II: Andante - English Chamber Orchestra
    14. III: Menuetto: Allegretto - English Chamber Orchestra
    15. IV: Presto - English Chamber Orchestra

    Tracks:

    1. I: Allegro Spiritoso - English Chamber Orchestra
    2. II: Andante - English Chamber Orchestra
    3. III: Allegro Spiritoso - English Chamber Orchestra
    4. I: Allegro Con Spirito - English Chamber Orchestra
    5. II: Andante - English Chamber Orchestra
    6. III: Menuetto & Trio - English Chamber Orchestra
    7. IV: Finale: Presto - English Chamber Orchestra
    8. I: Adagio - Allegro - English Chamber Orchestra
    9. II: Andante - English Chamber Orchestra
    10. III: Menuetto: Allegretto & Trio - English Chamber Orchestra
    11. IV: Finale: Allegro - English Chamber Orchestra

    Tracks:

    1. I: Allegro Vivace - English Chamber Orchestra
    2. II: Andante Di Molto - English Chamber Orchestra
    3. III: Finale: Allegro Vivace - English Chamber Orchestra
    4. Appendix: Menuetto & Trio K409 (383f) - English Chamber Orchestra
    5. I: Allegro Assai - English Chamber Orchestra
    6. II: Andante Moderato - English Chamber Orchestra
    7. III: Menuetto & Trio - English Chamber Orchestra
    8. IV: Allegro Assai - English Chamber Orchestra

    Tracks:

    1. I: Adagio - Allegro Spiritoso - English Chamber Orchestra
    2. II: Poco Adagio - English Chamber Orchestra
    3. III: Menuetto & Trio - English Chamber Orchestra
    4. IV: Presto - English Chamber Orchestra
    5. I: Adagio - Allegro - English Chamber Orchestra
    6. II: Andante - English Chamber Orchestra
    7. III: Presto - English Chamber Orchestra

    Tracks:

    1. I: Molto Allegro - English Chamber Orchestra
    2. II: Andante - English Chamber Orchestra
    3. III: Menuetto: Allegretto & Trio - English Chamber Orchestra
    4. IV: Allegro Assai - English Chamber Orchestra
    5. I: Allegro Vivace - English Chamber Orchestra
    6. II: Andante Cantabile - English Chamber Orchestra
    7. III: Menuetto: Allegretto & Trio - English Chamber Orchestra
    8. IV: Molto Allegro - English Chamber Orchestra

    Tracks:

    1. I: Allegro Cadenza - English Chamber Orchestra
    2. II: Andantino - English Chamber Orchestra
    3. III: Rondeau: Presto - English Chamber Orchestra
    4. I: Allegro Maestoso - English Chamber Orchestra
    5. II: Andante - English Chamber Orchestra
    6. III: Allegretto - English Chamber Orchestra
    7. Concerto Rondo For Piano & Orchestra No.1 In D K382 - English Chamber Orchestra

    Tracks:

    1. I: Allegro - English Chamber Orchestra
    2. II: Larghetto - English Chamber Orchestra
    3. III: Tempo Di Menuetto - English Chamber Orchestra
    4. I: Allegro - English Chamber Orchestra
    5. II: Andante - English Chamber Orchestra
    6. III: Allegretto - English Chamber Orchestra
    7. I: Allegro - English Chamber Orchestra
    8. II: Andante - English Chamber Orchestra
    9. III: Allegro - Adagio - Allegro - English Chamber Orchestra

    Tracks:

    1. I: Allegro Vivace - English Chamber Orchestra
    2. II: Andantino - English Chamber Orchestra
    3. III: Allegro Ma Non Troppo - English Chamber Orchestra
    4. I: Allegro - English Chamber Orchestra
    5. II: Andante - English Chamber Orchestra
    6. III: Allegro - English Chamber Orchestra
    7. I: Allegro - English Chamber Orchestra
    8. II: Andante - English Chamber Orchestra
    9. III: Allegro Di Molto - English Chamber Orchestra

    Tracks:

    1. I: Allegro - English Chamber Orchestra
    2. II: Andante - English Chamber Orchestra
    3. III: Allegretto - English Chamber Orchestra
    4. I: Allegro - English Chamber Orchestra
    5. II: Larghetto - English Chamber Orchestra
    6. III: Allegretto - English Chamber Orchestra

    Tracks:

    1. I: Allegro Vivace - English Chamber Orchestra
    2. II: Andante Un Poco Sostenuto - English Chamber Orchestra
    3. III: Allegro Vivace - English Chamber Orchestra
    4. I: Allegro - English Chamber Orchestra
    5. II: Allegretto - English Chamber Orchestra
    6. III: Allegro Assai - English Chamber Orchestra

    Tracks:

    1. I: Allegro - English Chamber Orchestra
    2. II: Romanze - English Chamber Orchestra
    3. III: Rondeau: Allegro Assai - English Chamber Orchestra
    4. I: Allegro - English Chamber Orchestra
    5. II: Larghetto - English Chamber Orchestra
    6. III: Allegretto Assai - English Chamber Orchestra

    Tracks:

    1. I: Allegro Maestoso - English Chamber Orchestra
    2. II: Andante - English Chamber Orchestra
    3. III: Allegro Vivace Assai - English Chamber Orchestra
    4. I: Allegro - English Chamber Orchestra
    5. II: Larghetto - English Chamber Orchestra
    6. III: Allegro - English Chamber Orchestra

    Tracks:

    1. I: Allegro - English Chamber Orchestra
    2. II: Andante - English Chamber Orchestra
    3. III: Rondo: Allegro - English Chamber Orchestra
    4. I: Allegro - English Chamber Orchestra
    5. II: Adagio - English Chamber Orchestra
    6. III: Allegro Assai - English Chamber Orchestra

    Tracks:

    1. I: (Allegro Moderato) - David Oistrakh
    2. II: Adagio - David Oistrakh
    3. III: Presto - David Oistrakh
    4. I: (Allegro Moderato) - David Oistrakh
    5. II: (Andante) - David Oistrakh
    6. III: Rondeau: Allegro - David Oistrakh
    7. I: Allegro - David Oistrakh
    8. II: Adagio - David Oistrakh
    9. III: Rondeau: Allegro - Andante - Allegretto - David Oistrakh
    10. Rondo For Violin And Orchestra In C K373 - David Oistrakh

    Tracks:

    1. I: Allegro - David Oistrakh
    2. II: Andante Cantabile - David Oistrakh
    3. III: Rondeau: Andante Grazioso - Allegro Ma Non Troppo - David Oistrakh
    4. I: Allegro Aperto - David Oistrakh
    5. II: Adagio - David Oistrakh
    6. III: Rondeau: Tempo Di Menuetto - Allegro - David Oistrakh

    Tracks:

    1. I: Allegro - Jeffrey Tate
    2. II: Rondo: Allegro - Jeffrey Tate
    3. I: Allegro Maestoso - Jeffrey Tate
    4. II: Andante - Jeffrey Tate
    5. III: Rondo: Allegro - Jeffrey Tate
    6. I: Allegro - Jeffrey Tate
    7. II: Romance: Larghetto - Jeffrey Tate
    8. III: Allegro - Jeffrey Tate
    9. I: Allegro Moderato - Jeffrey Tate
    10. II: Romance: Andante Cantabile - Jeffrey Tate
    11. III: Rondo: Allegro Vivace - Jeffrey Tate
    12. Rondo In E Flat K371 - Jeffrey Tate

    Tracks:

    1. I: Allegro - Gordon Hunt
    2. II: Adagio - Gordon Hunt
    3. III: Rondeau: Allegro - Gordon Hunt
    4. I: Allegro - Gordon Hunt
    5. II: Larghetto - Gordon Hunt
    6. III: Menuetto - Gordon Hunt
    7. IV: Allegretto Con Variazioni - Gordon Hunt
    8. I: Allegro - Jane Glover
    9. II: Adagio - Jane Glover
    10. III: Rondo: Allegro - Jane Glover

    Tracks:

    1. I: Allegro Maestoso - London Philharmonic Orchestra
    2. II: Adagio Non Troppo - London Philharmonic Orchestra
    3. III: Rondo: Tempo Di Menuetto - London Philharmonic Orchestra
    4. I: Allegro Aperto - Andrew Litton
    5. II: Adagio Non Troppo - Andrew Litton
    6. III: Rondo: Allegretto - Andrew Litton
    7. I: Allegro - Andrew Litton
    8. II: Andantino - Andrew Litton
    9. III: Rondeau: Allegro - Andrew Litton

    Tracks:

    1. I: Allegro - Jane Glover
    2. II: Romanze: Andante - Jane Glover
    3. III: Menuetto: Allegretto & Trio - Jane Glover
    4. IV: Rondo: Allegro - Jane Glover
    5. I: Allegro - Jane Glover
    6. II: Andante Ma Adagio - Jane Glover
    7. III: Rondo: Tempo Di Menuetto - Jane Glover
    8. I: Allegro - Jane Glover
    9. II: Andante - Jane Glover
    10. III: Presto - Jane Glover
    11. I: Andante - Jane Glover
    12. II: Allegro Di Molto - Jane Glover
    13. III: Allegro Assai - Jane Glover
    14. I: Allegro - Jane Glover
    15. II: Andante - Jane Glover
    16. III: Presto - Jane Glover

    Tracks:

    1. I: Allegro Maestoso - Allegro Molto - Yehudi Menuhin
    2. II: Andante - Yehudi Menuhin
    3. III: Menuetto & Trio - Yehudi Menuhin
    4. IV: Rondo: Allegro - Yehudi Menuhin
    5. V: Menuetto Galante & Trio - Yehudi Menuhin
    6. VI: Andante - Yehudi Menuhin
    7. VII: Menuetto & Trios I & II - Yehudi Menuhin
    8. VIII: Adagio - Allegro Assai - Yehudi Menuhin
    9. I: Marcia: Maestoso - Yehudi Menuhin
    10. II: Menuetto & Trio - Yehudi Menuhin
    11. III: Rondeau: Allegretto - Yehudi Menuhin

    Tracks:

    1. I: Largo - Allegro Molto - Consortium Classicum
    2. II: Menuetto & Trios I & II - Consortium Classicum
    3. III: Adagio - Consortium Classicum
    4. IV: Menuetto & Trios I & II - Consortium Classicum
    5. V: Romance: Adagio - Allegretto - Consortium Classicum
    6. VI: Thema: Andante With Variations - Consortium Classicum
    7. VII: Rondo: Allegro Molto - Consortium Classicum
    8. I: Allegro - Consortium Classicum
    9. II: Menuetto I - Consortium Classicum
    10. III: Adagio - Consortium Classicum
    11. IV: Menuetto II & Trios I & II - Consortium Classicum
    12. V: Allegro - Consortium Classicum

    Tracks:

    1. I: Allegro - Consortium Classicum
    2. II: Andante - Consortium Classicum
    3. III: Menuetto In Canone - Consortium Classicum
    4. IV: Allegro - Consortium Classicum
    5. I: Allegro Spiritoso - Consortium Classicum
    6. II: Andante - Consortium Classicum
    7. III: Menuetto - Consortium Classicum
    8. IV: Contredanse En Rondeau: Molto Allegro - Consortium Classicum
    9. I: Allegro - Consortium Classicum
    10. II: Andante Grazioso - Consortium Classicum
    11. III: Menuetto - Consortium Classicum
    12. IV: Allegro - Consortium Classicum
    13. I: Andante - Consortium Classicum
    14. II: Menuetto - Consortium Classicum
    15. III: Polonaise: Andante - Consortium Classicum
    16. IV: Presto Assai - Consortium Classicum
    17. I: Allegro Molto - Consortium Classicum
    18. II: Andantino - Consortium Classicum
    19. III: Menuetto: Moderato - Consortium Classicum
    20. IV: Presto - Consortium Classicum

    Tracks:

    1. I: Allegro Moderato - Heutling Quartet
    2. II: Andante - Heutling Quartet
    3. III: Menuetto: Allegretto - Heutling Quartet
    4. IV: Allegretto Ma Non Troppo - Heutling Quartet
    5. I: Allegro Non Troppo - Heutling Quartet
    6. II: Andante Con Moto - Heutling Quartet
    7. III: Menuetto: Allegretto - Allegro - Heutling Quartet
    8. IV: Allegro Vivace - Heutling Quartet
    9. I: Allegro Vivace Assai - Heutling Quartet
    10. II: Menuetto Moderato - Heutling Quartet
    11. III: Adagio - Heutling Quartet
    12. IV: Allegro Assai - Heutling Quartet

    Tracks:

    1. I: Allegro - Heutling Quartet
    2. II: Menuetto - Heutling Quartet
    3. III: Andante - Heutling Quartet
    4. IV: Allegro Non Troppo - Heutling Quartet
    5. I: Adagio - Allegro - Heutling Quartet
    6. II: Andante Cantabile - Heutling Quartet
    7. III: Menuetto: Allegro - Heutling Quartet
    8. IV: Allegro Molto - Heutling Quartet
    9. I: Allegro - Heutling Quartet
    10. II: Larghetto - Heutling Quartet
    11. III: Menuetto: Moderato - Heutling Quartet
    12. IV: Allegro Assai - Heutling Quartet

    Tracks:

    1. I: Allegro - Heutling Quartet
    2. II: Andante - Heutling Quartet
    3. III: Menuetto: Allegretto - Heutling Quartet
    4. IV: Allegro - Heutling Quartet
    5. I: Allegro - Heutling Quartet
    6. II: Menuetto: Allegretto - Heutling Quartet
    7. III: Adagio Ma Non Troppo - Heutling Quartet
    8. IV: Adagio - Allegro - Heutling Quartet

    Tracks:

    1. I: Allegro Moderato - Heutling Quartet
    2. II: Adagio - Heutling Quartet
    3. III: Menuetto Ma Allegretto - Heutling Quartet
    4. IV: Allegro - Heutling Quartet
    5. I: Larghetto - Allegro - Heutling Quartet
    6. II: Adagio - Heutling Quartet
    7. III: Menuetto Ma Allegretto - Heutling Quartet
    8. IV: Allegro - Heutling Quartet
    9. I: Allegro Di Molto - Heutling Quartet
    10. II: Andante - Heutling Quartet
    11. III: Menuetto: Allegretto - Heutling Quartet
    12. IV: Allegro - Heutling Quartet

    Tracks:

    1. Allegro Con Spirito - Sviatoslav Richter
    2. II: Andantino Catabile - Sviatoslav Richter
    3. III: Allegretto - Sviatoslav Richter
    4. I: Allegro Moderato - Sviatoslav Richter
    5. II: Andantino Sostenuto E Cantabile - Sviatoslav Richter
    6. III: Rondo: Allegro - Sviatoslav Richter
    7. I: Andante - Sviatoslav Richter
    8. II: Allegro - Sviatoslav Richter
    9. I: Allegro - Sviatoslav Richter

    Tracks:

    1. I: Allegro Con Spirito - Daniel Barenboim
    2. II: Andantino Con Espressione - Daniel Barenboim
    3. III: Rondeau: Allegro - Daniel Barenboim
    4. I: Allegro Moderato - Daniel Barenboim
    5. II: Andante Cantabile - Daniel Barenboim
    6. III: Allegretto - Daniel Barenboim
    7. I: Tema (Andante Grazioso) Con Variazioni (I-VI) - Daniel Barenboim
    8. II: Menuetto - Trio - Daniel Barenboim
    9. III: Alla Turca: Allegretto - Daniel Barenboim
    10. I: Allegro - Daniel Barenboim
    11. II: Adagio - Daniel Barenboim
    12. III: Allegro Assai - Daniel Barenboim

    Tracks:

    1. I: Allegro - Daniel Barenboim
    2. II: Andante Cantabile - Daniel Barenboim
    3. III: Allegretto Grazioso - Daniel Barenboim
    4. Adagio - Allegro - Andantino - Piu Allegro - Tempo I - Daniel Barenboim
    5. I: Molto Allegro - Daniel Barenboim
    6. II: Adagio - Daniel Barenboim
    7. III: Allegro Assai - Daniel Barenboim

    Tracks:

    1. I: Allegro - Daniel Barenboim
    2. II: Andante Cantabile - Daniel Barenboim
    3. III: Allegretto - Daniel Barenboim
    4. I: Allegro - Daniel Barenboim
    5. II: Andante - Daniel Barenboim
    6. III: Rondo - Daniel Barenboim
    7. I: Allegro - Daniel Barenboim
    8. II: Adagio - Daniel Barenboim
    9. III: Allegretto - Daniel Barenboim
    10. I: Allegro - Daniel Barenboim
    11. II: Adagio - Daniel Barenboim
    12. III: Allegretto - Daniel Barenboim

    Tracks:

    1. Tema ('Laat Ons Juichen') (Allegretto) - Daniel Barenboim
    2. Variation 1 - Daniel Barenboim
    3. Variation 2 - Daniel Barenboim
    4. Variation 3 - Daniel Barenboim
    5. Variation 4 - Daniel Barenboim
    6. Variation 5 - Daniel Barenboim
    7. Variation 6 - Daniel Barenboim
    8. Variation 7: Adagio - Daniel Barenboim
    9. Variation 8 (Tempo I) - Daniel Barenboim
    10. Tema (Air): Allegro - Daniel Barenboim
    11. Variation 1 - Daniel Barenboim
    12. Variation 2 - Daniel Barenboim
    13. Variation 3 - Daniel Barenboim
    14. Variation 4 - Daniel Barenboim
    15. Variation 5: Adagio - Daniel Barenboim
    16. Variation 6 (Tempo I) - Daniel Barenboim
    17. Variation 7 - Daniel Barenboim
    18. Tema (Menuetto): Andante - Daniel Barenboim
    19. Variation 1 - Daniel Barenboim
    20. Variation 2 - Daniel Barenboim
    21. Variation 3 - Daniel Barenboim
    22. Variation 4 - Daniel Barenboim
    23. Variation 5: Adagio - Daniel Barenboim
    24. Variation 6: Allegretto - Daniel Barenboim
    25. Tema (Menuet) - Daniel Barenboim
    26. Variation 1 - Daniel Barenboim
    27. Variation 2 - Daniel Barenboim
    28. Variation 3 - Daniel Barenboim
    29. Variation 4 - Daniel Barenboim
    30. Variation 5 - Daniel Barenboim
    31. Variation 6 - Daniel Barenboim
    32. Variation 7 - Daniel Barenboim
    33. Variation 8 - Daniel Barenboim
    34. Variation 9 - Daniel Barenboim
    35. Variation 10 - Daniel Barenboim
    36. Variation 11: Adagio - Daniel Barenboim
    37. Variation 12: Allegro - Daniel Barenboim
    38. Tema (Air): Allegretto - Daniel Barenboim
    39. Variation 1 - Daniel Barenboim
    40. Variation 2 - Daniel Barenboim
    41. Variation 3 - Daniel Barenboim
    42. Variation 4 - Daniel Barenboim
    43. Variation 5 - Daniel Barenboim
    44. Variation 6 - Daniel Barenboim
    45. Variation 7 - Daniel Barenboim
    46. Variation 8 (Tempo Di Menuetto) - Daniel Barenboim
    47. Variation 9 - Daniel Barenboim
    48. Variation 10: Allegretto - Daniel Barenboim
    49. Variation 11 - Daniel Barenboim
    50. Variation 12 (Molto Adagio -) - Daniel Barenboim
    51. Variation 12 (Allegretto) - Daniel Barenboim

    Tracks:

    1. Tema - Daniel Barenboim
    2. Variation 1 - Daniel Barenboim
    3. Variation 2 - Daniel Barenboim
    4. Variation 3 - Daniel Barenboim
    5. Variation 4 - Daniel Barenboim
    6. Variation 5 - Daniel Barenboim
    7. Variation 6 - Daniel Barenboim
    8. Variation 7 - Daniel Barenboim
    9. Variation 8 - Daniel Barenboim
    10. Variation 9 - Daniel Barenboim
    11. Variation 10 - Daniel Barenboim
    12. Variation 11: Adagio - Daniel Barenboim
    13. Variation 12: Allegro - Daniel Barenboim
    14. Tema - Daniel Barenboim
    15. Variation 1 - Daniel Barenboim
    16. Variation 2 - Daniel Barenboim
    17. Variation 3 - Daniel Barenboim
    18. Variation 4 - Daniel Barenboim
    19. Variation 5 - Daniel Barenboim
    20. Variation 6 - Daniel Barenboim
    21. Variation 7 - Daniel Barenboim
    22. Variation 8 - Daniel Barenboim
    23. Variation 9 - Daniel Barenboim
    24. Variation 10 - Daniel Barenboim
    25. Variation 11: Adagio - Daniel Barenboim
    26. Variation 12: Presto - Daniel Barenboim
    27. Tema: Andante - Daniel Barenboim
    28. Variation 1 - Daniel Barenboim
    29. Variation 2 - Daniel Barenboim
    30. Variation 3 - Daniel Barenboim
    31. Variation 4 - Daniel Barenboim
    32. Variation 5 - Daniel Barenboim
    33. Variation 6 - Daniel Barenboim
    34. Variation 7 - Daniel Barenboim
    35. Variation 8: Adagio - Daniel Barenboim
    36. Variation 9 (Allegro -) - Daniel Barenboim
    37. Variation 9 (Tempo Di Tema) - Daniel Barenboim
    38. Tema - Daniel Barenboim
    39. Variation 1 - Daniel Barenboim
    40. Variation 2 - Daniel Barenboim
    41. Variation 3 - Daniel Barenboim
    42. Variation 4 - Daniel Barenboim
    43. Variation 5 - Daniel Barenboim
    44. Variation 6 - Daniel Barenboim
    45. Variation 7: Adagio - Daniel Barenboim
    46. Variation 8: Allegro - Daniel Barenboim
    47. Tema - Daniel Barenboim
    48. Variation 1 - Daniel Barenboim
    49. Variation 2 - Daniel Barenboim
    50. Variation 3 - Daniel Barenboim
    51. Variation 4 - Daniel Barenboim
    52. Variation 5 - Daniel Barenboim
    53. Variation 6 - Daniel Barenboim

    Tracks:

    1. Tema: Allegretto - Daniel Barenboim
    2. Variation 1 - Daniel Barenboim
    3. Variation 2 - Daniel Barenboim
    4. Variation 3 - Daniel Barenboim
    5. Variation 4 - Daniel Barenboim
    6. Variation 5 - Daniel Barenboim
    7. Variation 6 - Daniel Barenboim
    8. Variation 7 - Daniel Barenboim
    9. Variation 8 - Daniel Barenboim
    10. Variation 9: Adagio - Daniel Barenboim
    11. Variation 10 (Allegro -) - Daniel Barenboim
    12. Variation 10 (Tempo I) - Daniel Barenboim
    13. Tema: Allegretto - Daniel Barenboim
    14. Variation 1 - Daniel Barenboim
    15. Variation 2 - Daniel Barenboim
    16. Variation 3 - Daniel Barenboim
    17. Variation 4 - Daniel Barenboim
    18. Variation 5 - Daniel Barenboim
    19. Variation 6 - Daniel Barenboim
    20. Variation 7 - Daniel Barenboim
    21. Variation 8 - Daniel Barenboim
    22. Variation 9 - Daniel Barenboim
    23. Variation 10 - Daniel Barenboim
    24. Variation 11: Adagio - Daniel Barenboim
    25. Variation 12 (Allegro -) - Daniel Barenboim
    26. Variation 12 (Tempo I) - Daniel Barenboim
    27. Tema: Allegretto - Daniel Barenboim
    28. Variation 1 - Daniel Barenboim
    29. Variation 2 - Daniel Barenboim
    30. Variation 3 - Daniel Barenboim
    31. Variation 4 - Daniel Barenboim
    32. Variation 5 - Daniel Barenboim
    33. Variation 6 - Daniel Barenboim
    34. Tema - Daniel Barenboim
    35. Variation 1 - Daniel Barenboim
    36. Variation 2 - Daniel Barenboim
    37. Variation 3 - Daniel Barenboim
    38. Variation 4 - Daniel Barenboim
    39. Variation 5 - Daniel Barenboim
    40. Variation 6 - Daniel Barenboim
    41. Variation 7 - Daniel Barenboim
    42. Variation 8: Adagio - Daniel Barenboim
    43. Variation 9 (Allegro -) - Daniel Barenboim
    44. Variation 9 (Tempo I) - Daniel Barenboim
    45. Tema - Daniel Barenboim
    46. Variation 1 - Daniel Barenboim
    47. Variation 2 - Daniel Barenboim
    48. Variation 3 - Daniel Barenboim
    49. Variation 4 - Daniel Barenboim
    50. Variation 5 - Daniel Barenboim
    51. Variation 6 - Daniel Barenboim
    52. Variation 7: Adagio - Daniel Barenboim
    53. Variation 8 (Allegro -) - Daniel Barenboim
    54. Variation 8 (Tempo I) - Daniel Barenboim

    Tracks:

    1. Lieder: Sehnsucht Nach Dem Fruhlinge K596 - Barbara Hendricks
    2. Lieder: An Die Hoffnung K390 (340c) - Barbara Hendricks
    3. Lieder: Der Zauberer K472 - Barbara Hendricks
    4. Lieder: Die Kleine Spinnerin K531 - Barbara Hendricks
    5. Lieder: Die Verschweigung K518 - Barbara Hendricks
    6. Lieder: Das Lied Der Trennung K519 - Barbara Hendricks
    7. Lieder: Die Zufriedenheit K473 - Barbara Hendricks
    8. Lieder: Als Luise Die Briefe K520 - Barbara Hendricks
    9. Lieder: An Die Einsamkeit K391 (340b) - Barbara Hendricks
    10. Lieder: Das Veilchen K476 - Barbara Hendricks
    11. Lieder: Abendempfindung K523 - Barbara Hendricks
    12. Lieder: An Chloe K524 - Barbara Hendricks
    13. Cantata: Die Ihr Des Unermesslichen Weltalls K619 - Barbara Hendricks
    14. Canzonetta: Ridente La Calma K152 - Barbara Hendricks
    15. Lieder: Dans Un Bois Solitaire K308 - Barbara Hendricks
    16. Lieder: Oiseaux, Si Tous Les Ans K307 (284d) - Barbara Hendricks
    17. Lieder: Un Moto Di Gioia K579 - Barbara Hendricks
    18. Lieder: Komm, Liebe Zither K351 (367b) - Barbara Hendricks
    Locatelli: Concerti Grossi, Op. 1, Nos. 1-6
    Average customer rating: 4.5 out of 5 stars
    • Naxos Lost Riches...and this is a gem...
    • Locatelli is an excellent composer
    		 Locatelli: Concerti Grossi, Op. 1, Nos. 1-6

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    Locatelli, Pietro AntonioLocatelli, Pietro Antonio | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
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    Similar Items:
    1. Locatelli: Concerti Grossi, Op. 1, Nos. 7-12
    2. Manfredini: CONCERTI GROSSI OP. 3 Nos. 1-12
    3. Geminiani: Concerti Grossi Vol. 1
    4. Muffat: Concerti Grossi, Nos. 1-6
    5. Muffat: Concerti Grossi, Nos. 7-12

    ASIN: B00000148S
    Release Date: 1996-06-18

    Tracks:

    1. Allegro
    2. Largo
    3. Allegro
    4. Largo
    5. Allegro
    6. Adagio
    7. Allegro
    8. Largo
    9. Allegro
    10. Allegro
    11. Largo
    12. Allegro
    13. Largo
    14. Vivace
    15. Allegro
    16. Adagio
    17. Allegro
    18. Largo
    19. Allegro
    20. Largo
    21. Allegro
    22. Largo
    23. Allegro
    24. Adagio
    25. Allegro
    26. Largo
    27. Allegro

    Customer Reviews:

    4 out of 5 stars Naxos Lost Riches...and this is a gem..........2006-08-10

    This first six concerti of Locatelli's Concerti Gr