| 1. Fairy Tale |
| 2. Feel Fine! |
| 3. Ride On Time |
| 4. Key To My Heart |
| 5. Winter Bells |
| 6. Loving You |
| 7. Can't Forget You Love |
| 8. Trip In The Dream |
| 9. Not That Kind Of Girl |
| 10. Like A Star In The Night |
| 11. Japanese |
| 12. Fantasy |
Fairy Tale,Mai Kuraki,Giza,World Music
Average customer rating:
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Disney's Fairy Tale Weddings
Disney Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007TKH0W Release Date: 2005-03-22 |
Tracks:
- Beauty and the Beast - Beauty and the Beast
- Some Day My Prince Will Come - Snow White and the Seven Dwarfs
- If I Never Knew You - Pocahontas
- So This Is Love - Cinderella
- Bella Notte - Lady and the Tramp
- Love Is a Song - Bambi
- Can You Feel the Love Tonight - The Lion King
- A Dream Is a Wish Your Heart Makes - Cinderella
- A Whole New World - Aladdin
- Endless Night - The Lion King: Original Broadway Cast Recording
- Part of Your World - The Little Mermaid
- Something There - Beauty and the Beast
- Lavender Blue - So Dear to My Heart
- When You Wish Upon a Star - Pinocchio
Customer Reviews:
wedding.......2007-06-08
Great CD.......2007-01-12
Simply romantic and beautiful..........2007-01-09
And if you're not looking for wedding music, this CD is perfect for relaxation. My personal favorites are the renditions of "Beauty and the Beast," "Bella Notte," and "Something There." The only downside of this CD is that I wish they included more songs! (i.e. "Once Upon a Dream," "Kiss the Girl," etc.)
Otherwise, well worth your money.
Wedding Bliss.......2006-11-07
Very romantic atmosphere this album brings!.......2006-06-20
I think "Beauty and the Beast" is the best track in this album, I love the sound of piano. "Something There" was my favorite song in the movie, and this instrumental version is so beautiful too! At the first few seconds of the track "Love Is A Song", I could hardly recognize this, it was a little different from the original in the movie. But it's beautiful indeed! "Part of Your World" is one of my favorite Disney songs, and its instrumental version hasn't maken me disappointed, it made me feel very dreamy. I didn't like the song "Someday My Prince Will Come" so much before, but its instrumental version made me love it. However, the CD I bought from the music shop was not so good, I couldn't listen to the track "When You Wish Upon a Star" which I loved very much.
My father love light music very much, and I want to introduce this album to him in summer holiday, I'm sure he'll love this very much.
Average customer rating:
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Children's Favorites
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Y6T3 Release Date: 2000-09-05 |
Tracks:
- March Of The Tin Soldiers - Leon Jessel
- Variations On 'Twinkle Twinkle Little Star' - Walter Klien
- The Nutcracker: Dance Of The Reed Flutes - Pyotr Il'yich Tchaikovsky
- The Nutcracker: Dance Of The Sugar Plum Fairy - Pyotr Il'yich Tchaikovsky
- The Sorceror's Apprentice - Paul Dukas
- Peter And The Wolf (Extract) - Brandon de Wilde
- Invention No. 8 In F Major - Christiane Jaccottet
- Invention No. 11 in G Minor - Christiane Jaccottet
- Invention No. 13 in A Minor - Christiane Jaccottet
- Prelude And Fugue No. 21 In B Flat Major (Book 1) - Christiane Jaccottet
- Sonata For 2 Pianos In D Major, K. 448, 1st Mvt. - Rudolf Firkusny
- III. Allegretto - Walter Klien
- Kinderszenen: Of Strange Lands And People - Walter Klien
- Kinderszenen: Curious Story - Walter Klien
- Kinderszenen: Entreating Child - Walter Klien
- Kinderszenen: Perfect Happiness - Walter Klien
- Introduction And Royal March - Marylene Dosse
- The Elephant - Marylene Dosse
- Kangaroos - Marylene Dosse
- The Aquarium - Marylene Dosse
- Cuckoo In The Woods - Marylene Dosse
- Birds - Marylene Dosse
- Fossils - Marylene Dosse
- The Swan - Marylene Dosse
- Finale - Marylene Dosse
Customer Reviews:
Children's Favorites a solid purchase.......2006-03-09
The perfect package.......2005-10-23
Songs from the "Nutcracker" are familiar and comfortable for many children. What child wouldn't love "March of the Tin Soldiers?"
Selections from Saint-Saens' "Carnival of the Animals" is a must in my creative movement library. Every child should be exposed to this music. Well,I believe every age should be.
A Wonderful Introduction to the Classics.......2003-03-11
This disc is far superior than most other "Classics for Kids"-type recordings I've sampled for a number of reasons:
1) This album was expertly engineered. The production quality on this disc is first-rate from start to finish with crisp, clear sound.
2) The pieces were expertly picked. There is wonderful sonic variety here, spanning hundreds of years of wonderful melodies. There are orchestral pieces, harpsichord pieces, solo piano, and a piano concerto, capped off with Saint-Seans whimsical Carnival of the Animals. What kid (or adult) wouldn't love that?
3) The performances are, without exeption, expert! The pieces were definately screened for quality as well as content. Many are simply a joy to behold. Walter Klein is a particular stand-out, almost giddily prancing through Schumann's pieces. Believe it or not, he sounds even more impressive when backed up by the always inspiring Minnesota Orchestra on Mozart's Piano Concerto #17.
In short, this album is a great album even before you factor in the great price. You and your children are almost guaranteed to enjoy every 6-cents worth!
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Zanna, Don't! - A Musical Fairy Tale (2003 Original Off-Broadway Cast)
Tim Acito , and Jai Rodriguez Manufacturer: P.S. Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000C23I7 Release Date: 2003-10-07 |
Tracks:
- Who's Got Extra Love? - Jai Rodriguez & Company
- I Think We Got Love - Enrico Rodriguez & Jared Zeus
- I Ain't Got Time - Anika Larsen & Company
- Ride 'Em - Shelley Thomas, Anika Larsen & Company
- Zanna's Song - Jai Rodriguez
- Be A Man - Jai Rodriguez & Company
- Don't Ask, Don't Tell - Shelley Thomas & Jared Zeus
- Fast - Darius Nichols, Robb Sapp & Amanda Ryan Paige
- I Could Write Books - Enrico Rodriguez
- Don't You Wish We Could Be In Love? - Anika Larsen, Enrico Rodriguez, Shelley Thomas, Jared Zeus& Jai Rodriguez
- Whatcha Got? - Anika Larsen & Company
- Do You Know What It's Like? - Enrico Rodriguez, Jared Zeus, Shelley Thomas & Anika Larsen
- 'Tis A Far, Far Better Thing I Do - Jai Rodriguez
- BLOW WINDS - Jai Rodriguez & Company
- Straight To Heaven - Robb Sapp & Company
- Someday You Might Love Me - Jai Rodriguez
- Straight To Heaven (Reprise) - Company
- Sometime, Do You Think We Could Fall In Love? - Robb Sapp & Jai Rodriguez
- Finale - Company
Amazon.com
Zanna, Don't! takes place in a topsy-turvy world in which homosexuality is the norm and the minority heterosexuals must battle anti-straight prejudice. Set in a high school, the plot revolves around a teen fairy matchmaker (Zanna) and the hell that breaks loose when a boy and a girl dare fall in love with each other. Thankfully forgoing preachiness, creator Tim Acito manages to deliver a message of tolerance through a whole bunch of poppy, catchy songs, hearty dollops of humor (there's cheering--for a chess match), and, of course, a dab of magic (shades of the 1980 Olivia Newton-John vehicle Xanadu). While the show can be a little too nice at times, it's hard not to be won over by its impish exuberance. Fittingly, in the fall of 2003, Jai Rodriguez, who played the title role, transferred from the show's Off-Broadway run to TV, gaining fame as the "culture vulture" on Queer Eye for the Straight Guy. --Elisabeth VincentelliCustomer Reviews:
great recording of a great show!.......2007-05-07
Not musically great, but impossible to not smile at.......2005-10-16
It's not that Zanna, Don't! is that impressive in terms of its actual music. With a few exceptions, notably "I Think We Got Love" and the surprisingly poignant "I Could Write Books," the show relies on novelty and a quick turn of phrase for its entertainment. This would make the show seem trivial if it weren't for its most noticeable chracteristic: its utter, total, overwhelming niceness.
Visit the show's website and you're greeted with a bubble-gum-colored, sparkly vision that makes the average person feel like vomiting. This show is that sensation's musical equivalent, in a more tolerable dose. It's almost too knowing that Zanna's accomplice in the show is a chirping bluebird. The entire show, the singers do nothing but sing peppy, chirruping songs that mention love every other word. I may seem to be criticizing, but the truth is that I can't stop listening to this show.
It may be a harmless, sugary slice of inoffensive pie, but it's irresistable. You will not be disappointed after listening to Zanna, Don't, as long as you don't expect musical genius.
Good . . . but there's better.......2005-03-13
LOVELOVELOVELOVELOVE.......2005-01-25
Soooo energetic! .......2005-01-05
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DEBUT - Alisa Weilerstein & Vivian Hornik Weilerstein ~ Works for Cello and Piano
Niccolo Paganini , Antonin Dvorak , Alberto Ginastera , Felix Mendelssohn , Pyotr Il'yich Tchaikovsky , Gabriel Faure , Leos Janacek , Camille Saint-Saens , Manuel de Falla , Alisa Weilerstein , and Vivian Hornik Weilerstein Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00003ZKRO Release Date: 2000-08-01 |
Tracks:
- Variations On One String On A Theme By Rossini
- Forest Quietude, Op.68 No.5
- Pampeana No.2, Op.21
- Lied Ohne Worte, Op.109 (Posth.)
- Pezzo Capriccioso, Op.62
- Apres Un Reve, Op.7, No.1: After A Dream
- Pohadka - Fairy Tale: I
- Pohadka - Fairy Tale: II
- Pohadka - Fairy Tale: III
- The Carnival Of The Animals: The Swan
- Popular Spanish Suite: I. El Pano Moruno (The Moorish Cloth)
- Popular Spanish Suite: II. Asturiana
- Popular Spanish Suite: III. Jota
- Popular Spanish Suite: IV. Nana (Lullaby)
- Popular Spanish Suite: V. Cancion (Song)
- Popular Spanish Suite: VI. Polo
Customer Reviews:
Hear Her Live.......2006-12-19
Weilerstein Debut.......2006-01-21
powefull.......2005-12-18
Florida Music Lover.......2002-10-12
Love it or hate it!.......2002-05-21
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Cinderella: Songs from the Classic Fairy Tale (1998 Studio Compilation)
Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005KBB1 Release Date: 2001-06-12 |
Tracks:
- Overture
- In My Own Little Corner
- Spread A Little Happiness
- A Dream Is A Wish Your Heart Makes
- Raise A Ruckus
- Impossible/Suddenly It Happens
- The Ball
- What Has Love got To Do With Getting Married
- A Lovely Night/Ten Minutes Ago
- Do I Love You Because You're Beautiful?
- Midnight
- On the Steps Of The Palace
- Once I Was Loved
- If The Shoe Fits
- Tell Hm Anything
- The Stepsisters' Lament
- Finale
Customer Reviews:
Back to when I believed in fairy tales...........2002-09-30
The Glass Slipper Fits!.......2001-04-21
When Susan Egan plans her strategy in "Promise Him Anything" and Pamela Winslow expresses her fear in "On the Steps of the Palace," the listener becomes aware of Cinderella's human side. Likewise, when Christa Moore shares her fantasy world "In My Own Corner" and Christina Noll expresses her thrill of her dream coming true in "Impossible/Suddenly It Happens," the listener is reminded of the powerful message of Cinderella's theme: dreams DO come true.
Fortunately, the compilation does not exclude humor as well. "The Stepsister's Lament" by Farah Alvin and Alet Oury is hilariously poignant; the lyrics "Why would a fellow want a girl like her? A frail and frocky beauty!" could be the alltime wallflowers' lament. And Jonathan Freeman's "What Has Love Got to Do with Getting Married?" is a droll piece of practical cynicism to his Prince son. (The song reminds me of the film Moonstruck. When Olympia DuKakis asks her daughter Cher, "Do you love him?" When Cher answered affirmatively, her mother muttered, "That's bad.")
Also, the musical bridges add to the suspense of the Cinderella story. "Midnight", "The Ball," and "If The Shoe Fits" from Prokofiev's ballet are beautifully orchestrated and remind the listener that the Cinderella myth is adaptable for many forms of entertainment.
I was a little disappointed that "So This is Love" and "The Work Song" was not included, but I guess I'm partial to the Disney version. The 1950 cartoon was my first introduction to Cinderella, and to my delight, my nephew enjoyed it as well thirty years later.
Nevertheless, this CD shows the timeless appeal of the Cinderella myth. Its beauty, humor and suspense is contained here in this magnificent collection.
Magical collection fit for a princess!.......1999-04-13
The score from Rogers and Hammerstein's Cinderella is so charming and catchy it's fun to hear it again by new artists. The performers, all apparently Broadway singers (?), are all beautifully performed with exuberance and style. The orchestration is lush and appropriate to the material.
Fabuloso!!!! A must have!!!!.......1998-08-11
Average customer rating:
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#1 Classical Album
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000667S0 Release Date: 2002-05-14 |
Tracks:
- Also Sprach Zarathustra: Opening - Berlin Philharmonic
- William Tell Overture: Finale - Riccardo Chailly
- Peer Gynt, Op.23: Morning Mood - Vienna Philharmonic
- 'O Sole Mio - Luciano Pavarotti
- Suite No.3 In D Major, BWV 1068: Air - Stuttgart Chamber Orchestra
- Suite No.2 In B Minor, BWV 1067: Badinerie - Stuttgart Chamber Orchestra
- Piano Concerto No.21 In C Major, K 467: Andante - Andras Schiff
- Radetzky March, Op.28 - Vienna Philharmonic
- Violin Concerto No.1 In G Minor: Adagio - Kyung Wha Chung
- Eine Kleine Nachtmusik: Allegro - Vienna Mozart Ensemble
- Chants D'Auvergne: Bailero - Kiri Te Kanawa
- Waltz In D Flat Major, Op.64 No.1 'Minute' - Vladimir Ashkenazy
- Cantata No.28: Sheep May Safely Graze - Stuttgart Chamber Orchestra
- The Flight Of The Bumblebee - Philharmonia Orchestra
- Bolero: Finale - Charles Dutoit
- Les Contes D'Hoffman: Barcarolle - Richard Bonynge
- Adagio In G Minor - Martin Haselbock
- Pizzicato Polka - Vienna Philharmonic
- Das Land Des Lachelns: Dein Ist Mein Mein Ganzes Herz - Placido Domingo
Tracks:
- Carmina Burana: O Fortuna - Radio-Symphonie-Chor Berlin
- Jazz Suite No.2: Waltz II - Riccardo Chailly
- Adagio For Strings - David Zinman
- Fantasia On Greensleeves - Sir Neville Marriner
- The Four Seasons: Spring: I. Allegro - Alan Loveday
- Trumpet Voluntary - Philip Jones Brass Ensemble
- Canon - Stuttgart Chamber Orchestra
- Casanova: Nuns' Chorus - Mormon Tabernacle Choir
- Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 'Moonlight': I. Adagio Sostenuto - Vladimir Ashkenazy
- Rome & Juliet: Fantasy: Love Theme - Vienna Philharmonic
- Warsaw Concerto - Cristina Ortiz
- Symphony No.9 'From The New World': II. Largo (Excerpt) - Chicago Symphony Orchestra
- The Nutcracker: Dance Of The Sugar Plum Fairy - Vienna Philharmonic Orchestra
- Concierto De Aranjuez: II. Adagio (Excerpt) - Carlos Bonell
- Solomon: Arrival Of The Queen Of Sheba - Sir Neville Marriner
- Hungarian Dance No.5 In G Minor - Royal Philharmonic Orchestra
- Thais: Meditation - Nigel Kennedy
- Turandot: Nessun Dorma - John Alldis Choir
Customer Reviews:
Great CD.......2003-01-24
~*IT's Pure CLASSICAL*~.......2002-08-14
Poor Compilation.......2002-06-14
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Cartoons Greatest Hits
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029PS Release Date: 1996-05-14 |
Tracks:
- Powerhouse (excerpt) (Bugs Bunny In 'Bugs Bunny Cartoons')
- Peer Gynt Suite No. 1: Morning Mood (Ralph Wolf & Sam Sheepdog in 'A Sheep In The Deep')
- Spring Song (Op. 62 No. 6)
- The Nutcracker: Dance Of The Suger-Plum Fairy (In 'Fantasia', Ren & Stimpy In 'Haunted House & Ren's Toothache')
- Hungarian Rhapsody No. 2: Friska (Bugs Bunny In 'Rhapsody Rabbit')
- Overture To 'The Barber Of Seville' (Bugs Bunny And Elmer Fudd In 'The Rabbit Of Seville')
- In An 18th-Century Drawing Room (Bugs Bunny In 'Bugs Bunny And The Three Bears')
- La Gioconda: Dance Of The Hours
- Willaim Tell Overture: Morning And Finale (Mickey Mouse In 'The Band Concert'; Ren & Stimpy In 'Fire Dogs')
- Grand Canyon Suite: On The Trail (In 'The Mighty Hunters')
- Flight Of The Bumble Bee (In 'Melody Time')
- The Blue Danube (Tom And Jerry In 'Johann Mouse')
- Die Walkure: Ride Of The Valkyries (Bugs Bunny & Elmer Fudd In 'What's Opera, Doc?')
- Gayne: Sabre Dance (Ren & Stimpy In 'The Cat That Laid The Golden Hairball')
- Toccata and Fugue in D Minor BWV 565 (In 'Fantasia'; Ren & Stimpy In 'Haunted House')
- The Sorcerer's Apprentice (Mickey Mouse In 'Fantasia')
Customer Reviews:
I love this CD!.......2001-09-13
Disappointment and irritation.......2000-08-01
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Boris Berezovsky
Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000SP2 Release Date: 1996-05-07 |
Tracks:
- Night On The Bare Mountain: Allegro feroce
- Etudes - Tableaux Op. 39: Allegro molto op. 39, No. 3
- Etudes - Tableaux Op. 39: Allegro assai op. 39, No. 4
- Etudes - Tableaux Op. 39: Lento op. 39, No. 7
- Etudes - Tableaux Op. 39: Allegro moderato op. 39, No. 9
- Preludes: Moderato op. 57, No. 1
- Preludes: Allegretto op. 40, No. 2
- Preludes: Allegro impetuoso op. 39, No. 4
- Fairy Tales: Allegro cantabile e leggiero op. 34, No. 2
- Fairy Tales: Allegro con espressione op. 20, No. 1
- Fairy Tales: Allegretto tenebroso op. 34, No. 3
- Romantic Sketches For The Young: Tale (scherzo) op. 54, II, No. 2 - Allegro vivace
- Fairy Tales: Allegro molto vivace op. 51, No. 1
- Islamey: Presto con fuoco
Customer Reviews:
Gripping music and monumental interpretations.......2007-03-06
Tchernov's transcription of Mussorgsky's Night on Bald Mountain is one of the most satisfying piano arrangements I've heard in a long time. The piano is completely indomitable here, leaving the orchestral version behind. Berezovsky's wicked fingers accomplish unbelievable feats: he evokes the sinister shades of tone, the eerie tremolos and still achieves technical perfection in the fiendish virtuoso passagework. His passion is only matched by his pianistic tactic of drawing as much power and sonority from the piano as possible. The most tragic revelation on this disc is that Berezovsky didn't record Rachmaninov's entire Etudes-Tableaux. I believe he has produced the greatest interpretations of these pieces. That Russian fervor, melancholy and wild abandon is completely in him. Each Etude-Tableaux is treated with the utmost degree of musical feeling. Consider these his glorious testaments: his tempo and ignited passions in No. 3; his muscular and dynamic rendition of No. 9; his procurement of the pathos in No. 7, and the clarity of the labyrinthine No. 4. Ashkenazy and Shelley are somehow lackluster after hearing these full-blooded executions from Berezovsky.
Anatoly Liadov (1855-1914) was a new discovery for me. I hadn't heard any of his music before this and I'm quite impressed. From the fragile Chopinesque beauty of the Moderato and Allegretto, to the rousing Lisztian flare of the Allegro impetuoso, what a sensational trio of gems this is. Not only is this music quite engaging, but Berezovsky showcases a flexibility in mood and a skill with pianissimo nuance that wasn't able to show its face until now. Continuing on, the Medtner pieces featured here are masterful miniatures of complexity and gorgeous melody. I'm not that familiar with Medtner at all, so it was a delightful surprise once I heard these fascinatingly original works. I'm sure Berezovsky is in his prime here, even though I haven't other interpretations for comparison. He manages a crisp articulation and tasteful bravura in the Allegro cantabile and Allegro con expressione. In the Allegretto tenebroso, he establishes a meticulous conception and technically superb delivery, making for a mind-blowing expedition of music.
Lastly, Berezovsky tackles Balakirev's Islamey fantasy, one of those war-horses that is either overplayed to the point of dense cacophony, or is underplayed by a pianist incapable or afraid of flinging himself through the demanding sections. Berezovsky easily accepts the virtuosic challenge while striving also to evince the passionate music that is sometimes buried beneath the swirls of notes.
Bottom line: This is a precious recording with both old war-horses played to perfection and new gems illustrated with the utmost musicality. Berezovsky's inexhaustible virtuosity and potency of phrasing has to be heard to be believed. Unfortunately, Amazon no longer sells this, so I would recommend getting it used while it's still available.
Ouch!!!.......2004-06-26
One of the most vitally played recordings I own..........2000-01-17
The music in this program, however, seems to ignite Berezovsky's passions, perhaps since the composers are all fellow Russians. The Night on Bare Mountain has the kind of epic scope, if not the length, of the Liszt B Minor Sonata, and Berezovsky does full justice to the little tinkering trills as well as the quadruple forte chord passages, both tender and merciless at a whim. In his playing on some other discs it sometimes seems as if Berezovsky has a "soft" left hand, that is, that he cannot generate the kind of bass that, say Richter or Gilels managed regularly. Here we find that it is within his grasp to conjure some real thunder--although it is still fairly clear that his right hand is much stronger than his left.
What makes this a particularly attractive buy is the inclusion of the relatively rare Liadov and Medtner pieces, lively and evocative shorts which are played with such conviction that one wonders why these composers aren't more popular. Apparently, Berezovsky has a particular interest in Medtner--according to liner notes, he organized a festival of Medtner's piano music in Moscow, 1995.
The final encore piece, Balakirev's Islamey, is notoriously difficult, and I have heard no one play it better, or for that matter as well as Berezovsky (this includes Pogorelich and Bronfman). It has been a specialty of his since he was at least sixteen, and having completely mastered the technical aspects he is free to concentrate on expression. In fact, when I hear him play this piece I am never aware of technique or get any sense of effort,which would distract from my appreciation of the music. All in all, a disc with no weak spots. Highly recommended. It's a pity that some of this pianist's best recordings are out-of-print or scarce. If you can find them, I also recommend his recording of Ravel's piano music as well as his disc of the Rachmaninoff 3rd concerto and selected preludes--there is a budget re-issue of the concerto, but it is coupled with a recording of the 2nd with a different pianist and doesn't include the preludes...oh, and FYI, in his Rach 3 he plays the version with the heavy chordal solo section in the first movement.
Virtuoso Performance.......1999-02-12
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Medtner: Complete Piano Sonatas, Forgotten Melodies / Hamelin
Marc-Andre Hamelin Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DG21 Release Date: 1998-10-27 |
Tracks:
- Sonata In F Minor Op. 5: Allegro
- Sonata In F Minor Op. 5: Intermezzo: Allegro
- Sonata In F Minor Op. 5: Largo divoto
- Sonata In F Minor Op. 5: Finale: Allegro risoluto
- Zwei Marchen Op. 8: Andantino
- Zwei Marchen Op. 8: Allegro
- Sonaten-Triade Op. 11: No. 1 In A Flat Major
- Sonaten-Triade Op. 11: No. 2 In D Minor (Sonata-Elegy)
- Sonaten-Triade Op. 11: No. 3 In C Major
Tracks:
- Sonata In G Minor Op. 22: Tenebroso, sempre affrettando - Allegro assai - Interludium (Andante lugubre) - Allegro assai
- Sonata-Skazka In C Minor Op. 25 No. 1: Allegro abbandonamente
- Sonata-Skazka In C Minor Op. 25 No. 1: Andantino con moto
- Sonata-Skazka In C Minor Op. 25 No. 1: Allegro con spirito
- Sonata In E Minor 'Night Wind' Op. 25 No. 2: Introduzione: Andante - Allegro
- Sonata In E Minor 'Night Wind' Op. 25 No. 2: poco e poco Allegro molto sfrenatamente, presto
Tracks:
- Sonata-Ballada In F Sharp Major Op. 27: Allegretto
- Sonata-Ballada In F Sharp Major Op. 27: Introduzione: Mesto
- Sonata-Ballada In F Sharp Major Op. 27: Finale: Allegro
- Sonata In A Minor Op. 30: Allegro risoluto - Allegro molto
- Vergessene Weisen (Forgotten Melodies) Op. 38: No. 1 Sonata-Reminiscenza: Allegretto tranquillo
- Vergessene Weisen (Forgotten Melodies) Op. 38: No. 2 Danza graziosa: Con moto leggiero
- Vergessene Weisen (Forgotten Melodies) Op. 38: No. 3 Danza festiva: Presto
- Vergessene Weisen (Forgotten Melodies) Op. 38: No. 4 Canzona fluviala: Allegretto con moto
- Vergessene Weisen (Forgotten Melodies) Op. 38: No. 5 Danza rustica: Allegro commodo
- Vergessene Weisen (Forgotten Melodies) Op. 38: No. 6 Canzona serenata: Moderato
- Vergessene Weisen (Forgotten Melodies) Op. 38: No. 7 Danza silvestra
- Vergessene Weisen (Forgotten Melodies) Op. 38: No. 8 Alla Reminiscenza: Quasi coda
Tracks:
- No. 1 Meditazione: Introduzione, quasi Cadenza - Meno mosso - Meditamente
- No. 2 Romanza: Meditamente
- No. 3 Primavera: Vivace
- No. 4 Canzona matinata: Allegretto cantando, ma sempre con moto
- No. 5 Sonata tragica: Allegro non troppo
- Sonata In B Flat Minor 'Sonata Romantica' Op. 53 No. 1: Romanza: Andantino con moto, ma sempre espressivo
- Sonata In B Flat Minor 'Sonata Romantica' Op. 53 No. 1: Scherzo: Allegro
- Sonata In B Flat Minor 'Sonata Romantica' Op. 53 No. 1: Meditazione: Andante con moto
- Sonata In B Flat Minor 'Sonata Romantica' Op. 53 No. 1: Finale: Allegro non troppo
- Sonata In B Flat Minor 'Sonata Minacciosa' Op. 53 No. 2: Allegro sostenuto
- Sonate-Idylle In G Major Op. 56: Pastorale: Allegretto cantabile
- Sonate-Idylle In G Major Op. 56: Allegro moderato e cantabile
Amazon.com
Nikolai Medtner's chums at the Moscow Conservatory included Scriabin and Rachmaninoff. Like them, he was a brilliant pianist. Also like them, he composed an extensive body of distinguished piano music, most of which is relatively unknown. Its style resembles that of Rachmaninoff (who greatly admired it), although it lacks the latter's memorable melodies. Technically, it is just as difficult, requiring not only great fluency and endurance but also a wide range of colors. Marc-André Hamelin's prodigious technique makes him an ideal interpreter of Medtner's strong, clearly chiseled structures. His ability to play even the most complex and difficult passages at an even pace helps delineate and clarify them. Excellent recorded sound. --Paul TurokCustomer Reviews:
Wow!.......2007-07-14
Martin
Medtner's piano music is a strong, major addition to the piano standard repertoire, for both listener and performer. Beautiful........2007-05-02
For comparative listeners, Geoffrey Tozer's boxed Medtner-sonatas set includes the complete Forgotten Melodies (I-III), not only I and I